were told by various venues and authorities to stop any performances should someone set off a flare. "Next Time You Call" was released as the album's second single on 10 November 2014. Courteeners performed at Heaton Park in Manchester in June 2015, marking the first time that a band in three years All 25,000 tickets sold out in 40 minutes; they were supported by Peace, Bipolar Sunshine and Blossoms. Following this, Courteeners appeared at the Isle of Wight, Glastonbury, T in the Park and V Festivals. The music video for "Small Bones" was posted on YouTube on 1 November 2015. The band closed out the year with a UK tour, which ended with five consecutive shows O2 Apollo in Manchester, with support from Declan McKenna and Pretty Vicious. "Winter Wonderland" was released as a single on 17 November 2015; the seven-inch vinyl record featured an acoustic version of "Small Bones" as its B-side. Ten days later, Concrete Love was reissued under the name Concrete Love – Extra Love, which consisted of the original album, the How Good It Was EP, "Winter Wonderland", a phone recording of "Next Time You Call" and acoustic versions of "Summer", "How Good It Was", "International" and "Small Bones". The music video for "Winter Wonderland" was posted on YouTube on 21 December 2015. Around this time, bassist Mark Cupello left the band and was replaced by Cross. Reception Concrete Love was met with generally favourable reviews from music critics. At Metacritic, the album received an average score of 61, based on five reviews. AnyDecentMusic? gave it an average score of 5.6, based on six reviews. Renowned for Sound contributor Andrew Le said aside from a "few shortcomings, the Courteeners’ new album proves why the band has performed well as a live act, as its guitar riffs and choruses should incite sing-alongs at its concerts". The Irish Times writer Lauren Murphy felt the band "fails to offer anything beyond their anthemic indie-rock [...] it’s not quite enough to make these perfectly passable songs remarkable in any way". Sam Willis of The Line of Best Fit ponder if "there['s] anything new here? Absolutely not", explaining that the band had not evolved since their previous work. Gigslutz writer Beth Kirkbride said it felt "very much like it wasn’t left to cook for long enough [...] I’m still hungry after eating it". NME Barry Nicolson felt that the album's biggest