he made his first works with two planes. Later he began experimenting with multiple planes. In 1964 his massive frieze named Structural Relief in Fifteen Parts was installed in the Richardson Airport terminal in Winnipeg, Canada. This early work used primary colors and a small number of rectangular forms. Over time the reliefs have become more complex in their form and color. Sometimes Bornstein would work on one relief for three to five years. Although abstract, the works of painted aluminum evoke the forms and colours of the landscape of Saskatchewan. Bornstein is also known for his large sculptures. Exhibitions and collections Bornstein has exhibited in solo and group shows in Canada, the United States and Europe. Some of Bornstein's major work are held in the Winnipeg International Air Terminal (1962, now at the University of Manitoba in Winnipeg), Wascana Centre Authority building in Regina (1982) and Canadian Light Source building in Saskatoon (2004). His Hexaplane Structurist Construction No. 1 was made for Jacobs University Bremen in Germany, and his Hexaplane Structurist Construction No. 2 for the University of Manitoba in Winnipeg. Collections that hold his work include: Canadian Centre for Architecture (Montreal) Canada Council Art Bank (Ottawa) National Gallery of Canada (Ottawa) Saskatchewan Arts Board (Regina) Walker Art Center (Minneapolis) Museum of Art Fort Lauderdale, (Florida) Mendel Art Gallery (Saskatoon) Klein (Los Angeles). References Sources 1922 births Living people Artists from Milwaukee Members of the Order of Canada Members of the Saskatchewan Order of Merit School of the Art Institute of Chicago alumni University of Wisconsin–Madison alumni University of Wisconsin–Milwaukee alumni University of Wisconsin–Milwaukee faculty University of Saskatchewan faculty Artists from Saskatchewan American emigrants to Canada