it had left no drawings on possible decoration of the walls. The architects who followed him were therefore not sure about the type of coating to be applied to the walls of the basilica, since they did not know the idea that the original designer had. To this was also added the desire to create high-quality plastering works that should have been up to the recognized architectural and artistic value of the basilica of Legnano: this indecision on the type of decoration to be applied led to the expansion of the times of their execution. The three bronze entrance doors were built and then donated to the basilica on the occasion of the eighth centenary of the battle of Legnano (1176–1976) thanks to a popular subscription organized by the local Famiglia Legnanese Association, with the participation of the eight contrada that they take part annually in the city Palio di Legnano. The depictions on the panels of the three doors are inspired by the battle of Legnano and the cultural traditions of the city. The doors were the work of the sculptor Franco Dotti and were blessed on May 30, 1976, by archbishop Giovanni Colombo before the traditional Mass on the copy of the Carroccio, an event that is part of the preparatory program for the historical parade, which ends at the stadio Giovanni Mari and which is followed by the horse race, an event that ends the event. The blessing ceremony of the three doors was particularly solemn, also because it was included in the busy program of celebrations of the eighth centenary of the battle. The floor, the organ and the choir The floor, which was made of white, black and red Verona marble, was laid in the 18th century. It has a geometric checkered pattern made with inlay, with the motif under the dome that converges towards the center of the basilica, recalling the lines of the vault and – more generally – the curved profiles of the surrounding vertical walls, which in turn close together in the dome above. Until the 18th century the entire church was paved with terracotta tiles: this original flooring remained intact only in the chapel of sant'Agnese, which is therefore the only part of the basilica that was not paved with marble, while at the interior of the main chapel, during some works, the remains of the ancient terracotta flooring were