number of the chemical element of gold which pigment Cabessa used in her paintings. In 2009 she performed for the first time in front of an audience. In a performance called "Slow motion action painting," she painted on a 15-meter-long canvas using a keffiyeh and a tallit (Jewish prayer shawl). The performance was supported by Artis and presented at Pulse Art Fair on its opening day for 12 consecutive hours. In choosing a keffiyeh and a tallit as painting tools, Cabessa neutralized the highly symbolic charge of those traditional garments while simultaneously uniting them into a harmonious form through the act of painting. They give in to each other and follow each other's motion, in a dialogue that is both formal and conceptual. In 2010, following a deepened spiritual process, Cabessa exhibited a series of works described as “slow-motion action painting” in which she examined the movement generated by meditative and conscious breathing. The resulting paintings present themselves as breathing traces, or seismographs of the body's vibrations. These works have been shown on a number of platforms throughout the world. In 2012, after eight years during which she was unable to leave the United States (from 2003 to 2012), Cabassa held a performance at Rothschild 69 Gallery in Tel Aviv, for which she invited about 100 guests. “Performance” had two stages: in the first stage, Cabessa reenacted painting actions from her past works, engaging in a kind of live retrospective. In the second stage, she crawled from one side of the five meter-long surface to the other. The crawling action, a unit of time in itself, served to redefine and delineate time. In the same year Cabessa exhibited a series of Circle paintings at the Nye+Brown Gallery in Los Angeles, which specializes in artists from the 1960s. Their interest in Cabessa's work lied in the Pop-Art quality proper to this series of painting. In 2014, Cabessa presented a solo exhibition at Julie M. Gallery in Tel Aviv. She painted on 50 cm wide stickers that ran along all the gallery walls (42 meters), totaling 100 meters of painting. This work was produced in her studio over the length of several months as a stream of consciousness or intuitive writing. The final painting was thus presented just as it was made, without any painting rehearsal or subsequent correction. In 2015, Cabessa exhibited at Jenn Singer Gallery in New York. For this