Willem van Genk (April 2, 1927 – May 12, 2005) was a Dutch painter and graphic artist, celebrated as one of the leading masters of Outsider Art. Throughout his life he lived with severe mental distress, experiencing symptoms related to autism and schizophrenia. On account of his passion for trains, buses, and train stations, he called himself the "King of Stations". Van Genk's panoramic cityscapes and fragmented collages express his feelings about modern authority, feelings which were shaped by an abusive father who, in addition to administering his own beatings, left him exposed to a traumatic experience at the hands of the Gestapo during the German occupation of the Netherlands in the Second World War. Van Genk's art has been widely exhibited in Europe, where it is also in many museum collections, including those of the Stedelijk Museum, the Dr. Guislain Museum in Ghent, the Collection de l’Art Brut in Lausanne, the Lille Metropole Musee d’Art Modern, d’Art Contemporain et d’Art Brut (LaM), the Croatian Museum of Naïve Art in Zagreb, and the Museum of Everything in London. Raw Vision, the leading magazine covering Art Brut, ranks van Genk among the "masters of outsider art". At the beginning of 2005, the year of the artist's death, van Genk's Keleti Station, now in the collection of the Museum of Everything in London, sold for a hundred thousand dollars at New York's Outsider Art Fair, thus setting the record for most expensive work ever sold by a living outsider artist. On that occasion, Roberta Smith, the chief art critic of The New York Times, praised the piece "as the leading candidate for best in show". At least one other critic has identified van Genk as the most important Dutch outsider artist. Willem van Genk: Mind Traffic, the first solo exhibition of the artist in the United States, was presented from September 10 through November 30, 2014, at the American Folk Art Museum in New York City. Life Early years Willem van Genk was born in 1927 in Voorburg, Netherlands. When he was five, his mother died, leaving the young boy dependent on his abusive father and, especially, his nine sisters. In school Willem was a poor student, except in art; playing to his strength, he preferred to doodle throughout the day instead of paying attention in class. He was especially weak in mathematics, which outraged his father, who forced Willem to add