song went to No. 1 in the UK and reached No. 2 on the US charts and was acknowledged as one of the best songs of that year, winning three Ivor Novello Awards for Best Contemporary Song, the Most Performed Work and International Hit of The Year. The song, acclaimed as one of the best love songs ever, is featured in Guardians of the Galaxy, the biggest film of 2014, whose soundtrack Awesome Mix Vol.1 hit No. 1 on the Billboard 200 chart. 10cc's fourth album, How Dare You! (1976), had two UK hit singles, "Art for Art's Sake" – No. 5 & "I'm Mandy Fly Me" – No. 6. In 1976 Godley & Creme left 10cc, to record a concept album featuring Peter Cook and Sarah Vaughan, to showcase their invention 'the Gizmo'. The triple album boxed-set was called Consequences (1977), which is now a collector's item. Lisberg reflected: In 1977, Stewart and Gouldman released 10cc's Deceptive Bends album, with singles "The Things We Do for Love" peaking at No. 2 in the UK and No. 5 in the US followed by "Good Morning Judge" going top 5 in the UK The 1978 Bloody Tourists album featured their best selling and final No. 1 single, "Dreadlock Holiday", later used in the 2010 Mark Zuckerberg biopic The Social Network, but "[t]he 10cc hit machine effectively ground to a halt when Eric Stewart was involved in a car crash in January 1979". After hearing their demo tape in early 1977 and declaring the group chart certainties, Lisberg decided to manage Sad Café who he placed with RCA Records. The band achieved only moderate commercial success with the first two albums, Fanx Ta Ra (1977) and Misplaced Ideals (1978), but Lisberg persuaded RCA to recruit Eric Stewart as producer for the third album, Facades (an anagram of 'Sad Cafe'), which yielded three top 40 singles with "Every Day Hurts", reaching No. 3 in the UK in September 1979. Lisberg managed Barclay James Harvest from 1973 to 1977 securing a deal for them on Polydor. Known for their albums and already successful in Europe, he arranged for the band to record their 1975 Time Honoured Ghosts album in San Francisco with legendary producer Elliot Mazer, which failed to break them in America. Under Lisberg's tenure BJH also released Everyone Is Everybody Else (1974), Octoberon (1976), Gone to Earth (1977), and their only UK