Albert Jean Gorin (2 December 1899 – 29 March 1981) was a French neoplastic painter and constructive sculptor. He was a disciple of Piet Mondrian, and remained true to the concept of rigid geometricism and use of primary colors, but pushed the limits of neoplasticism by introducing circles and diagonals. He was known for his three-dimensional reliefs. Early years Albert Jean Gorin was born on 2 December 1899 in Saint-Émilien-de-Blain, Loire-Atlantique. His father made shoes and his mother managed a small hotel with a restaurant. He attended the École des Beaux-Arts in Nantes in 1914–16. After the end of World War I (1914–18) he studied at the Académie de la Grande Chaumière in Paris from 1919–22. He was influenced by Henri Matisse, Vincent van Gogh, Paul Cézanne and the Expressionists. Gorin was unable to obtain a job teaching drawing. He settled in Nort-sur-Erdre, near Nantes and began painting, while working to earn a living. In 1923 he discovered cubism, and was strongly influenced by the book Du Cubisme (1921) by Albert Gleizes. For a period he painted in cubist style. In 1925 he made his first abstract painting. As an extension of Cubist aesthetics he became interested in furniture design and avant-garde architecture. In 1925 Gorin visited the International Exposition of Modern Industrial and Decorative Arts in Paris where the Pavillon de L’Esprit Nouveau showed work by Amédée Ozenfant and Le Corbusier. For a short period he experimented with Purism. Neoplasticism In 1926 Gorin saw for the first time one of Piet Mondrian's neoplastic compositions, and one of Theo van Doesburg's elementarist compositions. He read the pamphlet L’Art et son avenir by Georges Vantongerloo. This led to correspondence with Mondrian and Vantongerloo, and then a meeting with Mondrian the same year, the start of a long friendship. Gorin also met Michel Seuphor, an art critic. Around this time Gorin began painting in the neoplastic style. Gorin's oil on cardboard Composition no. 10 (1926) is an early example of his neoplastic style. It is diamond-shaped, reflecting the influence of Mondrian, and the very thick lines are similar to van Doesburg's work. Gorin exhibited for the first time in April 1928 at Lille with the "S.T.U.C.A.". Others at this show included Mondrian and César Domela. In 1930 Gorin participated in the first exhibition of Seuphor's recently founded the Cercle et Carré group. At the opening of the exhibition he met Jean Arp,