sold for £60 (US$110). Adjusting for inflation, that amount would be approximately £1,157.00 in 2020. Currently, the average price for a ‘modern artwork’ has been reported to be $27,600, with some sources reporting a high of $42,635. Capital investment into the art market continues to rise. During the period of 2000–2019, the contemporary art market had grown by 1,800%; including the year 2020 is expected to increase the figure to 2,100 %. So called 'blue chip' artists, namely those who are heavily sought after and collected, have exceeded the S&P 500 by 250%. * The Pink Rock was first exhibited during a Lundquist exhibition in Paris at the Galerie Rive Gauche in February 1960. Galerie Rive Gauche (1950–1970) had been established by collector and art historian Heinz Berggruen. The gallery had gained prominence in the 1950s when its director Rudolphe Augustinci and Berggruen had shown artists such as Max Ernst, Yves Tanguy and Rene Magritte. In the gallery's Lundquist catalogue, The Pink Rock appears along with eleven other paintings on an addendum page that was likely to have been added after the initial printing of the catalogue. The exhibition featured forty-two paintings, twenty-five of which were available for sale. The Pink Rock was next shown and purchased in London at the Beaux Arts Gallery during Lundquist's exhibition. This exhibition took place from 18 October – 16 November 1960. After purchase, The Pink Rock remained in the same private collection for 48 years until its sale at Christie's London on 5 June 2008. This work was latter included in the 2010 Moderna Museet's Lundquist exhibition catalog, p. 135. It was then listed as being part of a private London-based collection. Dilemma of self-interpretation & the beginning of reinterpretation Despite the acclaim Lundquist continued to receive in Sweden, leading to his recognition as a key figure in Swedish Modern Art, The Wall Street Journal reported in 2010 that Lundquist's legacy was confronting a dilemma: it was suffering from the public's rather "old fashioned" views of his work. These views had, at least partially, become firmly established by the strict interpretations put forth by Lundquist himself. Lundquist's own desire to determine how he and his works would be viewed may have contributed to the public's inability to recognize his work as forward-looking and innovative. The Wall Street Journal stated that the public did not recognize that Lundquist was "... capable of a spontaneity