Mockery or mocking is the act of insulting or making light of a person or other thing, sometimes merely by taunting, but often by making a caricature, purporting to engage in imitation in a way that highlights unflattering characteristics. Mockery can be done in a lighthearted and gentle way, but can also be cruel and hateful, such that it "conjures images of corrosion, deliberate degradation, even subversion; thus, 'to laugh at in contempt, to make sport of' (OED)". Mockery appears to be unique to humans, and serves a number of psychological functions, such as reducing the perceived imbalance of power between authority figures and common people. Examples of mockery can be found in literature and the arts. Etymology and function The root word mock traces to the Old French mocquer (later moquer), meaning to scoff at, laugh at, deride, or fool, although the origin of mocquer is itself unknown. Labeling a person or thing as a mockery may also be used to imply that it or they are a poor quality or counterfeit version of some genuine other, such as the case in the usages: "mockery of man" or "the trial was a mockery of justice". Mockery in psychology Australian linguistics professor Michael Haugh differentiated between teasing and mockery by emphasizing that, while the two do have substantial overlap in meaning, mockery does not connote repeated provocation or the intentional withholding of desires, and instead implies a type of imitation or impersonation where a key element is that the nature of the act places a central importance on the expectation that it not be taken seriously. Specifically in examining non-serious forms of jocular mockery, Haugh summarized the literature on the features of mockery as consisting of the following: Laughter, especially on the part of the speaker, acting as a cue that others are invited to laugh also Phonetic practices, such as a "smile voice" and modulating “sing-song” pitch which mark actions "as laughable", denote an exaggerated level of animation, and indicate irony Facial cues, such as smiling, winking or other intentionally exaggerated expressions which mark actions as laughable, ironic, and non-serious Bodily cues, such as covering the face, or clapping Exaggeration, emphasizing extreme cases and making claims obviously above or below what is reasonable Incongruity through allusions and presuppositions to create implicit contrast Formulaicity and "topic shift markers" to indicate an end to non-seriousness and a return to serious interaction