Maurice Jacobson OBE (1 January 1896 – 2 February 1976) was an English pianist, composer, music publisher and music festival judge. He was also director and later chairman of the music publishing firm J. Curwen & Sons. Jacobson was born in London on 1 January 1896 into a Jewish family. He won a scholarship to study piano at London's Modern School of Music (which led to him receiving lessons from Busoni), then composition at the Royal College of Music under Charles Villiers Stanford and Gustav Holst until 1923. That year Jacobson adapted Vaughan Williams' Mass in G minor (in English) for liturgical use. He married Constance Suzannah Wasserzug (1903-1988) and there was two sons, Michael and Julian. The couple were friendly with the poet Stevie Smith, who they met in Aylesbury while Maurice was conducting the Aylesbury Choral Society. But the friendship ended abruptly when Smith modeled her characters Rosa and Herman on the Jacobsons in her book Novel on Yellow Paper (1936), which they instantly recognised as versions of themselves and thought unkind portrayals. In the 1960s his address was White Lodge, Long Lane, Heronsgate in Hertfordshire. Jacobson appeared as a castaway on the BBC Radio programme Desert Island Discs on 20 January 1969, and was appointed an Officer of the Order of the British Empire (OBE) in 1971. He died in Brighton, England, on 2 February 1976, and was buried at Golders Green Jewish Cemetery in London. Compositions Between 1929 and 1931 Jacobson wrote incidental music for theatre productions (mostly Shakespeare plays) at the Old Vic. In the mid 1930s he was commissioned by the Markova-Dolin company to compose the music for a new biblical ballet, David. It was premiered in 1936 with Anton Dolin dancing the title role, and subsequently received over 120 performances. During the 1940s his solo voice setting of The Song of Songs was taken up by Kathleen Ferrier (whom he had first "discovered" while adjudicating at the Carlisle Music Festival in 1937) and broadcast by the BBC on 3 November 1947, with Frederick Stone at the piano. Among the most important of his extended pieces are the cantatas The Lady of Shalott (1942) and The Hound of Heaven (1953, which the composer regarded as his best work), the Theme and Variations for orchestra (1940s), and the Symphonic Suite for Strings (premiered by the Hallé Orchestra under Sir John Barbirolli at the 1951 Cheltenham