had two missing scenes, a ‘magenta hue’ and Chinese subtitles burned into the negatives. However, the Archive's film was used as a guide, as the negatives of the copy from Gosfilofond had shrunk by 0.4%. The film was digitally restored by the L'Immagine Ritrovata laboratory. After its restoration, it premiered at the 2016 Cannes Film Festival, in the ‘Cannes Classics’ section alongside other international films. This was notable as it was the first Thai film to be selected into this category. International Federation of Film Archives (FIAF) As a member of the International Federation of Film Archives (FIAF), the Archive has collaborated with the international organisation in numerous film restoration projects. In 2011 the Chinese film Pan Si Dong (1927) was discovered at an archive at Mo I Rana, a section of the National Library of Norway. The film was handed to the Archive by the National Library of Norway - as facilitated by the FIFA - where it was restored and shown at the South Festival in Oslo in 2014. Other film restoration projects the FIFA has been involved in included Kong Fuzi (1940) - which was screened in 2009 before being returned the Archive in 2010 – and Su-Epo Ryo (1940), which was returned to the Archive by a Korean archive. Korean Film Archive On two separate expeditions between 2005 and 2006 to the Archive, eight Korean films were found, which were eventually restored and presented for public viewing. Mimong (1936) was another Chinese film that was discovered in Korea, after it was presumed to have been lost by the Archive. The film was not restored at the Archive but at the Korean Film Archive. British Film Institute - Around China with A Movie Camera In 2015, during the year of cultural exchange between the United Kingdom and China, it was reported that the British Film Institute (BFI) and the Archive were collaborating on a project. The BFI announced at the 2015 Shanghai International Film Festival that it was collaborating with the Archive to create a film compilation based on the Chinese-produced films in the BFI's archive, called Around China with a Movie Camera. Numerous recently restored films between 1900 and 1948 – including the Anna May Wong film Piccadilly (1929) – would be screened. The compilation was composed of home movies, travelogues and newsreels by British and French filmmakers, and featured footage filmed between 1900 and 1925