film that was digitally restored in both sound and visual quality, for re-distribution and screenings. The project was completed in 2014 and was screened at the 58th BFI London Film Festival alongside a new orchestral score for the film composed by Zou Ye. 'Restored Treasures' Series The Archive works closely with other film archives, particularly the Chinese Taipei Film Archive and the Hong Kong Film Archive. Between February and April 2014, the Hong Kong Film Archive screened four films that had recently been restored by the China Film Archive, as part of a ‘Restored Treasures’ series. The four films presented included the silent, short film Laborer’s Love (1922), the silent film Red Heroine (1929), and the black and white films, Spring in a Small Town (1948), and Captain Guan (1951). Film critics were also invited to speak to the audience on their opinions of the film and two of the films shown featured a live music accompaniment by Kung Chi-shing and Shame Aspergren. The 'Restored Treasures' series also included the screening of Chinese animated films. The first series, 'Restored Treasures: The Enigma of Chinese Animations (1)' premiered in May 2014, and screened the films; The Mouse and the Frog (1934), Princess Iron-Fan (1941), The Kite (1943) and Dreaming to Be Emperor (1947). The second series titled, 'The Enigma of Chinese Animation (2)' premiered on June 1, 2014. The programme featured films including The Proud General (1956), Pigsy Eats Watermelon (1958), Where Is Mamma? (1960) and The Cowherd's Flute (1963). The final series, 'The Engima of Chinese Animation (3)' premiered a month later on July 6, 2014. The film lineup included Three Monks (1980) and The Deer Fairy (1981). These screenings also included a talk by animators Neco Lo, Keeto Lam and Yu Man-fai. Table 1 is a summary of all of the animated films shown during the series. Events Between 1st -27 September 1984, the Archive organised a retrospective showing of 46 Chinese films from between 1920 and 1940. The event also featured a conference with Chinese scholars and critics who delivered over 60 research papers. The showing had an attendance of about 20,000 people. Joirs Ivens Seminar and Screening (2009) In 2009, a seminar and screening of Dutch director Joirs Ivens’ films was held at the archive. This was to acknowledge the relationship between China and Ivens. The seminar was sponsored by the archive and other Chinese film bodies