Black (early 1950s) Spartan Book Condensed (Renshaw) Spartan Medium Condensed (Renshaw) Spartan Black Condensed + Italic (Renshaw) Sterling (1917, Benton) Sterling Cursive (1919, Benton) Stencil (1937, Gerry Powell) Stymie series, cast up to 288 point, Stymie is believed to be the largest type ever to be cast in regular molds. The “W” alone weighed two pounds! Stymie Bold + Light + Medium + Light Italic + Medium Italic (1931, Benton) Stymie Bold Italic (Benton) Stymie Compressed (1932, Wadsworth A. Parker) Stymie Inline Title (1932, Wadsworth A. Parker) Taylor Gothic (1897, Phinney), capitals only, lower-case based on Central Type Foundry of St. Louis' Quentell. Later re-worked by either Benton or Goudy as Globe Gothic. Thermotype (1931, Benton), with three widths on the same basic design they prefigured the failed Univers by some twenty years. Thompson Quill Script (1953, Tommy Thompson), this was also made available for phototypesetting by Photo Lettering Inc. Thunderbird (1920) Touraine Oldstyle Italic (1898, Phinney) Tower (1934, Benton), similar to Stymie Medium Condensed. Typo Roman Shaded (1924, Benton) Typo Roman (1926, Benton) Typo Script + extended (1902, Benton), originally ‘‘Tiffany Script’’. Typo Upright (1905, Benton), originally Tiffany Upright Vanity Initials (1927, Will H. Bradley) Venetian + Italic (1911, Benton) Venetian Bold (1913, Benton) Wayside Roman (1900, Will H. Bradley) Wedding Text (1901, Benton) Wedding Text Shaded (1913, Benton) Whedons Gothic Outline (1965, Whedon Davis) }} Barnhart Brothers & Spindler These foundry types were originally cast by Barnhart Brothers & Spindler: Bruce Type Foundry These foundry types were originally cast by the Bruce Type Foundry: Goldrush (c. 1885) Central Type Foundry These foundry types were originally cast by the Central Type Foundry of Saint Louis: De Vinne (1898, Gustav Schroeder), named in honor of Theodore Low De Vinne, probably based upon Schelter & Giesecke's Romanisch. De Vinne Roman](1898, Goudy), a book face based on Schroeder's display type. Othello (1934, Benton), a revision of an 1884 Central Type Foundry face. Dickenson Type Foundry These foundry types were originally cast by Dickenson Type Foundry: Camelot (1896, Goudy), Goudy designed only the capitals, lower-case letters were evidently added by Dickinson/ATF designer Phinney. A delicate display face with small wedge serifs. Card Mercantile (1901, Benton), a redesign of the two smallest sizes of an 1890s Dickinson Type Foundry design that ATF had acquired when the companies merged in 1896. Inland Type Foundry These foundry types were originally cast by Inland Type Foundry and