Sins of the Parents is a 1914 silent film written and directed by Ivan Abramson, and starring Sara Adler, a prominent Yiddish theatre actress in her first of two movie appearances. Plot As was typical of Abramson's potboilers, Sins of the Parents involves complicated and often contrived plot twists arising out of family relations of the primary characters. Laura Henderson (Adler) is an orphan, raised by her aunt Mary Sherman. Sherman runs a boarding house, and boarder Angelo Angelini (a musician) is the apple of Laura's eye. They are engaged to be married, but Angelo claims he must leave for a concert tour—but in truth he returns to his wife and child in Italy, crushing Laura. Laura gives birth an illegitimate child, Ruth, but is forced to abandon her and moves to New York, where she falls under the care of Reverend Henry Bradley. Bradley and Laura later marry, and Laura keeps the existence of Ruth a secret from Bradley. Shifting 19 years later, Bradley (now a prison chaplain) and Laura now have a daughter (Aline) who is about to become engaged to the well-to-do Walter Jordan. Meanwhile, Ruth, now 20 years old, who had believed Mary was her mother, finds out that her real mother is Laura and departs for New York to find her. Meanwhile, Angelo is now living in New York under the name Angell with his son Tony, a general ne'er do well. Tony befriends Ruth (of course not knowing she is his half-sister) under false pretenses, and plans to sell her into white slavery in New Orleans. Ruth tries to escape him, and in the ensuing struggle Tony is shot dead just as Angelo enters the room. Ruth is arrested, and meets Chaplain Bradley in prison, where she divulges her story. Mary Sherman visits Ruth in prison, and then tells all to Laura. Laura breaks down when she learns that her first child is in prison, just while she had been celebrating Aline's engagement to Walter. This causes Aline, apparently out of learning of her mother's disgrace, to break off her engagement and commit suicide. Moving to Ruth's murder trial, Angelo is about to testify as a witness to his son's murder just as Laura bursts into the courtroom and recognizes Angelo. Learning that his own daughter killed his son, Angelo despairs and refuses to speak. Laura is removed from the courtroom in hysterics. The