Criticism 68(4), (2010): 409–411. "Autonomous Creations: Birthing Intelligent Agents", Leonardo, 31(5), Sixth Annual New York Digital Salon, (1998): 333–336. "The Vitality of Digital Creation", The Journal of Aesthetics and Art Criticism, 55(2), Perspectives on the Arts and Technology. (Spring, 1997): 107–116. "Computer Art" and "Digital Media", Encyclopedia of Aesthetics, New York: Oxford University Press, 1998. 1:412–414, 2:47–50. “Transparent Technology: The Swan Song of Electronics", Leonardo, 28(5), Special Issue "The Third Annual New York Digital Salon" (1995): 427–432. "Creating Symmetric Patterns with Objects and Lists", Symmetry: Culture and Science, 6(1), (1995). "Refiguring Culture", Future Visions: New Technologies of the Screen, London: British Film Institute Publications, (1993): 90–122. "Postmodern Torrents", Millennium Film Journal, 23/24 (Winter 1990–91): 130–141. "The Computer is Not a Medium", Philosophic Exchange (Fall/Winter, 1988/89). Reprinted in EDB & kunstfag, Rapport Nr. 48, NAVFs EDB-Senter for Humanistisk Forskning. Translated as "L'ordinateur n'est pas un médium", Esthétique des arts médiatiques, Sainte-Foy, Québec: Presses de l'Université du Québec, 1995. "Computed Space", National Computer Graphics Association Conference Proceedings, (1987): 643–652. "Piece: Contra Aesthetics", Philosophy Looks at the Arts: Contemporary Readings in Aesthetics, 3rd Ed., edited by Joseph Margolis, (Philadelphia: Temple University Press, 1987). Originally published in The Journal of Aesthetics and Art Criticism, 35(3), (Spring 1977): 265–277. A French translation appeared in Poétique 79 (Septembre, 1989) and has been collected in Esthétique et Poétique, edited by Gérard Genette, (Paris: Éditions du Seuil, 1992). Also anthologized in The Philosophy of the Visual Arts, edited by Philip Alperson (New York: Oxford University Press, 1990), and A Question of Art, edited by Benjamin F. Ward, (Florence, KY: Brenael Publishing, 1994). "Conceptual Art: Appearance and Reality", Art In Culture, 1, edited by A. Balis, L. Aagaard-Mogensen, R. Pinxten, F. Vandamme (Ghent, Belgium: Communication & Cognition Publishers, 1985). Proceedings of the Ghent colloquium "Art in Culture." "Deciding About Art", Culture and Art, edited by Lars Aagaard-Mogensen (Atlantic Highlands, N.J.: Humanities Press, 1976). Exhibitions Rest Rooms, interactive telecommunications installation with video-conferenced computers, exhibited at SIGGRAPH ’94 in Orlando, FL., Wexner Center for the Arts in Columbus, OH (April 1–30, 1995), Schloss Agathenberg in Germany (September 24 – November 26, 1995), Schloß Arolsen in Germany (February 24 – April 14, 1996). Books of Change, interactive computer installation exhibited in "Tomorrow's Realities", SIGGRAPH 1994. Included in the "Multimedia Playground" at the Exploratorium in San Francisco (February 12 – March 13, 1994). Exhibited at the Hong Kong Arts Centre in Hong Kong