Michael Roemer (born January 1, 1928) is a film director, producer and writer. He has won several awards for his films. He is the recipient of a Guggenheim Fellowship. A professor at Yale University, he is the author of Telling Stories. Early years Roemer was born to a well-to-do Jewish family in Berlin, Germany. After the Nazis came to power in 1933 and began restricting the rights of Jews to work, his father and his grandfather found themselves unable to work and provide for the family, and eventually lost everything. At the age of 11, Roemer was sent out of Germany on one of the Kindertransports. In England, he attended Bunce Court School, a German Jewish school for refugees, both pupils and staff. There, he met Wilhelm Marckwald, an actor and former director of the Deutsches Theater Berlin and also a refugee. The playwright Frank Marcus and the painter Frank Auerbach were two of his friends at Bunce Court. Roemer emigrated to the United States in 1945. Roemer received his A.B. degree from Harvard University in 1949. While at Harvard, Roemer directed his first film, A Touch of the Times, possibly the first feature film produced at an American college. After graduating, he worked for Louis de Rochemont for eight years as a production manager, film editor, and as an assistant director. He later wrote, produced and directed a series of educational films for the Ford Foundation. Independent filmmaker His feature-length film, Nothing But a Man won two awards at the Venice Film Festival, as well as critical acclaim in France. It did not, however, do well in the United States until it was re-released in 1993. Writing the screenplay, Roemer drew on his own background as a Jew in Nazi Germany, where his family had everything taken away from them and his father and grandfather were unable to provide for the family because of the Nazis' increasingly restrictive laws concerning the rights of Jews. The movie's Motown soundtrack came about by chance. George Schiffer, a classmate of Roemer's at Harvard, had his law office around the corner from where Roemer was editing the film. Over lunch one day, Roemer told him about the movie and Schiffer suggested he listen to some music he had from a new client, a small record label just starting out in Detroit, Michigan. Roemer loved the music and acquired the rights from Motown owner