Michael Ching (born September 29, 1958) is an American composer, conductor, and music administrator. A prolific and eclectic composer, he is best known nationally as the composer of innovative operas, including his a cappella adaptation of Shakespeare's A Midsummer Night's Dream (2011). His other major operas include Buoso's Ghost (1996), Corps of Discovery (2003), Slaying the Dragon (2012), Speed Dating Tonight! (2013), and Alice Ryley (2015). He has written the librettos of many of his own operas, and has done so for all of his operas composed after 2012. He is on the board of directors of the National Opera Association. Early life and education Michael Ching was born in 1958 in Honolulu, Hawaii. Before he was one year old his family left Honolulu, and he grew up in New Orleans and Saint Paul, Minnesota. His father was an accomplished amateur pianist and a college professor in theater and speech. Ching later recalled, "He played everything from Chopin to Dave Brubeck transcriptions. He wanted to go into music but his family discouraged him." Ching started piano at the age of six and was quite skilled at it, at one point considering a career as a concert pianist. In addition, he studied flute, violin, and oboe, mostly for the sake of composition. He started composing as a child, and by the time he reached high school he had studied composition at Interlochen and also had private composition instruction. He attended Duke University on a composition scholarship, studying with Robert Ward and Iain Hamilton. He graduated in 1980, and his senior project was a one-act opera retelling a vampire story set in New Orleans, which received a small performance at Duke. Career Ching began his career as a National Opera Institute apprentice 1980–1981 at the Houston Grand Opera Studio, where he was involved in the company's productions and continued his composition studies with composer Carlisle Floyd. From 1981 to 1985 he held increasingly responsible positions at the Greater Miami Opera/Florida Grand Opera. He subsequently held conductor and executive director positions at venues including Texas Opera Theatre, Chautauqua Opera, and Triangle Music Theater. In 1989 he was appointed Assistant to the General Director of Virginia Opera. He was subsequently the company's Associate Artistic Director from 1991 through mid 1992. In 1992 Ching joined Opera Memphis as Artistic Director, a position he held through 2010. He was the opera's General Director for most of