basis that Francœur is innocent. Later that evening, Lucille discovers that Francœur is alive and has returned to his natural size. The Professor returns to the laboratory and restores Francœur to human size with a new mixture. Francœur takes second billing on posters advertising Lucille's show, while Lucille and Raoul become a couple after clearing up a misunderstanding from their childhood. Cast Music The soundtrack includes both songs and short clips from the film, in both French and English. The soundtrack of the English version was released in the UK a few days after the film's release on both CD and digital download. The album is credited to Vanessa Paradis & (-M-) French version "Les actualités (Interlude)" (0:27) "La valse de Paris" (0:43) "La Seine – Cabaret" (Vanessa Paradis -) (1:17) "Emile et Raoul" (2:00) "Sur les toits" (1:28) "Maynott" (1:05) "La rencontre" (1:45) "Un monstre à Paris" (-M-) (2:18) "Le baptëme" (Interlude) (Lucille) (0:11) "Francœur"/Lucille (2:13) "Brume à Paname" (1:01) "Cabaret" (1:02) "La Seine" (Vanessa Paradis & -M-) (2:48) "Perquisition" (0:59) "Sacré cœur" (0:56) "Papa Paname" (Vanessa Paradis) (2:23) "Sue le fleuve"/"Tournesol" (1:15) "Tour Eiffel infernale" (2:29) "L'amour dans l'âme" (-M-) (1:30) "Flashback" (1:39) "U p'tit baiser" (Vanessa Paradis & -M-) (2:24) "Funky baiser" (5:13) English version "Interlude – the News" (0:27) "La Valse de Paris" (0:43) "La Seine and I Cabaret" (Vanessa Paradis -) (1:17) "Emile et Raoul" (2:00) "Sur les Toits" (1:28) "Maynott" (1:05) "La Rencontre" (1:45) "A Monster in Paris" (Sean Lennon) (2:18) "Interlude – Lucille 'The Baptism' (0:11) "Francœur – Lucille" (2:13) "Brume à Paname" (1:01) "Cabaret" (1:02) "La Seine and I" (Vanessa Paradis & Sean Lennon) (2:48) "Perquisition" (0:59) "Sacré Cœur" (0:56) "Papa Paris" (Vanessa Paradis) (2:23) "Sue le Fleuve – Tournesol" (1:15) "Tour Eiffel Infernale" (2:29) "Love is in My Soul" (Sean Lennon) (1:30) "Flashback" (1:39) "Just a Little Kiss" (Vanessa Paradis & Sean Lennon) (2:24) "Funky Baiser" (5:13) Reception The film received positive reviews from critics. On Rotten Tomatoes, it received an aggregate score of 87% based on 23 reviews (20 "fresh" and 3 "rotten"). Accolades Annie Awards 2014 Annie Award – Outstanding Achievement in Character Design in an Animated Feature Production – Christophe Lourdelet – Nominated César Awards 2012 César Award – Best Animated Film (Meilleur film d'animation) – Bibo Bergeron (director), Luc Besson (producer) – Nominated César Award – Best Original Music (Meilleure musique originale) – Matthieu Chedid, Patrice Renson