with ceramic works, word processing and computer music scores, and tourist visits to the monastery, represent a good source of income for the community. Buildings Church The church, built in the 12th-14th centuries in a transitional style between the Romanesque and the Gothic, has a Latin cross plan with a single nave including four aisles, and a transept. The latter is longer but narrower than the nave, to which it is connected by a rectangular crossing surmounted by an octagonal dome, supported by 13th century squinches. The transept's arms end with square apse chapels. The nave is covered by cross vaults, while the transept has barrel vaults. The bell tower, built over the second section of the nave between 1340 and 1348 under the Abbess Elisenda de Copons, has an octagonal plan. It is in Gothic style. The presbytery houses the tomb of Violant of Hungary, wife of King James I of Aragon, who died in 1251 and whose remains were brought here in 1275. To the right of the choir is the Corpus Christi Chapel, which has a polychrome stone image of the Virgin Mary, work of Guillem Seguer. In the presbytery, on the right side of the altar, there is the tomb of Violant of Hungary, wife of King James I of Aragon. She died in 1251 in the monastery of Salas de Huesca, but her body was moved to the abbey in 1275, which is the date of the inscription of her sarcophagus. Her daughter, Sancha of Aragon, a nun who died in the Holy Land, was also buried here after her body was transferred to the monastery; her sarcophagus is on three inverted columns "to the funeral" as a sign of mourning. In the southern aisle is the tomb of Ferrer Alamany de Toralla, who died in 1360, and his wife Beatriz de Guimerà, featuring the figures of the husband on the lid dressed as a gentleman with heraldry and of the wife on one side dressed in the Cistercian habit. At the bottom of the wall there is a representation of two angels carrying the souls of the dead to heaven. To the right of the choir is the chapel of Corpus Christi, where there is an image of the Virgin Mary in polychrome stone, the work of Guillem Seguer. From the altar of this chapel, two antependia from the 14th century are preserved in