La Grange (1635 – 1 March 1692), whose real name was Charles Varlet, was a French actor and a member of the troupe of Molière. Early life Charles Varlet was the son of Hector Varlet and Marie de La Grange. The couple married in Paris on 9 May 1634 and moved to Montpellier soon thereafter. Charles was born in 1635 and baptized at Notre-Dame des Tables, Montpellier, on 8 March 1636, at the age of about 9 months. He had a younger brother, Achille Varlet (born 17 December 1636) and sister, Justine-Françoise (born 14 May 1638). After the birth of his sister the family left Montpellier and was in Paris in 1642 (Achille and Justine were baptised at the Église de Saint-Nicolas-des-Champs on 12 February 1642), but not long after the children lost their parents and became orphans. Career with the Molière company La Grange joined Molière's company in 1659, soon after they had returned to Paris from touring the provinces. Being young and attractive, he was the jeune premier and generally played Molière's lovers, roles which as Charles Dickens, Jr., has written are "among the least interesting of his personages." Later La Grange played more versatile parts such as the title roles in Racine's Alexandre le Grand (1665) and Molière's Dom Juan (1666), as well as Acaste in Molière's The Misanthrope (1666). La Grange also acted as the company's secretary and historian, creating a register of all plays performed as well as receipts and other commentary on matters affecting the company. These documents are an important source of information for scholars interested in the period. In 1664 (or 1667) La Grange replaced Molière as the Orator, the company member who addressed the audience and introduced the plays. Marriage On 25 April 1672, during the company's Easter break, La Grange married Marie Ragueneau de l'Estang (18 May 1639 – 2 February 1727), known as Marotte (the name of the chambermaid in Moliére's Les Précieuses ridicules). Ragueneau had apparently first become associated with the company in 1660 as the chambermaid of the actress Mademoiselle de Brie, and later began to play small parts, possibly beginning as Marotte, but soon followed by Georgette in Molière's L'École des femmes in 1663. She created the title role in Molière's La Comtesse d'Escarbagnas in 1671. Marie Ragueneau was the daughter of Cyprien Ragueneau, a pastry chef, who is now chiefly remembered as a character in