Richardson as "Slick" Barney Mildred Harris as Olive "Live" Sumner, Kate's half-sister John Gilbert as the Heller Uncredited cast listed alphabetically Gertrude Claire as Mrs. McGregor Josephine Headley as Vegas Kate J.P. Lockney as "Nose Paint" Jonas Milton Ross as Jim Preston Reviews A Los Angeles Times review of Sunday, August 12, 1917, reads: "Attention to details in the modern photoplay is strenuous work, and particularly is this the case since motion picture "fans" are keenly critical of the most minute errors. Woe to the director who lets hero leave the house with a fedora hat and arrive at the cafe with a derby, or perform any other such discrepancy. In "Golden Rule Kate," in which Louise Glaum is being starred at Clune's Broadway this week, Director Reginald Barker had all the trials that such alternating of scenes necessitates. The production is a big dramatic western play of the Bill Hart type, and all the exteriors were filmed at the Santa Monica ranch studios of the Triangle, where a complete western town has been built for productions of this nature. All through the production the action shifts from the dance hall to the church and from various interiors to the western street. Needless to say that the director and actors had a busy time of it, remembering all the infinitesimal details that combine to make the picture as artistically perfect as possible. Miss Glaum in this new production has a role radically different from her usual "siren" parts. It is a sort of feminized Bill Hart character she portrays as "The Sage Brush Hen," owner of a saloon and dance hall in Paradise, Nev. The picture is full of striking dramatic situations, tense moments and acting. It makes a strong human interest appeal, combining rapid-fire action, romance and comedy. Jack Gilbert, Jack Richardson, Mildred Harris, William Conklin, Gertrude Claire and J. P. Lockney form a strong supporting cast for Miss Glaum." A Times review of Wednesday, August 15, 1917, reads: "Louise Glaum isn't "vamping" a single "vamp"—and she's wearing only one gown in "Golden Rule Kate" at Clune's Broadway, this week. I know this will sound to you just like announcing Bill Hart without Fritz, Mary Pickford without curls, the American people without a vote, or any other national calamity. Yet "Golden Rule Kate" is one of the most original piquant picture plays we've had in a blue moon, and