nearly one-third of those films coming from T&T. There was a spotlight on Canadian cinema, which included several films by Caribbean-Canadian directors. The Festival's industry section included the launch of a Caribbean Film Fund by Tribeca Film Institute and WorldView (an initiative of the Commonwealth Broadcasting Association), and a presentation by the African, Caribbean and Pacific group of countries (ACP) on their film fund. 2012 also saw the expansion of the jury awards, which now consists of awards for local and Caribbean and diaspora films, plus films about the region by international filmmakers. The opening night film was the documentary Marley; its director, Kevin Macdonald, was in attendance. In December the ttff screened a showcase of films at the Havana Film Festival, the largest and longest-running festival in the Caribbean. The ttff has also entered into partnership agreements with other festivals in the region: FEMI in Guadeloupe, the Curaçao International Film Festival, and the Dominican Republic Global Film Festival. The ttff also has a partnership with StudioFilmClub, a weekly Port of Spain cine-club, run by the artist Peter Doig. The 2013 edition of the Festival ran from 17 September to 1 October. The opening film was Half of a Yellow Sun, a Nigerian-British co-production starring Thandie Newton and Chiwetel Ejiofor, and which had its world premiere at the Toronto International Film Festival, several weeks prior to the ttff/13. More than 140 films were screened at the ttff/13, with the jury prize for Best Narrative Feature going to Melaza, written and directed by Carlos Lechuga of Cuba. The ttff/13 also included a retrospective of some of the films of pioneering black-British filmmaker John Akomfrah, while the New Media programme entered its third year, with Jamaican artist Olivia McGilchrist claiming top prize for her performance piece Native Girl. The Festival's industry programme, meanwhile, had as its centrepiece a three-day conference, co-hosted by UNESCO, on the development of the Caribbean film industry. In 2014, at the ninth edition of the ttff (16–30 September), the Festival introduced several new initiatives. These included a youth jury prize, for a film voted on by a jury of five young people, and the Amnesty International Human Rights Prize for the Caribbean film that best treats with a human-rights issue. The industry programme, meanwhile, included a producers' lab hosted by European Audiovisual Entrepreneurs, Europe's leading training organisation for producers, and a film appreciation class, hosted by British film