Mohan's vocals "spirited", she lent to voice for "Kambal Ke Neeche" from Ismail Darbar-composed Kaanchi. Mohan described the latter as a "family song" since it features two of her sisters; Shakti Mohan and Mukti Mohan in the video. During the year, Mohan worked with Himesh Reshammiya for four films; The Xposé, Humshakals, Kick and Action Jackson. Aishwarya from Koimoi felt that Mohan's talent was "misused" in songs "Catch Me If You Can" and "Dard Dilo Ke" from The Xposé. Similar sentiments were echoed for the songs "Caller Tune" and "Look Into My Eyes" from Humshakals, where Aishwarya stated, "Mohan did not show any variation that fans know she is capable of, as far as this album is concerned". However, "Tu Hi Tu" from Kick was critically acclaimed; Devesh Sharma from Filmfare wrote: "Mohan brings a young girl's yearning in her breezy rendition and makes her version a winner too". Besides, Mohan collaborated with Jeet Gannguli for the first time with the song "Darbadar" from CityLights. Producer of the film, Mukesh Bhatt wanted a "young Asha Bhosle", hence she had to "fix" her "tone and projection" for the song. Likewise, Mohan was roped in by Vishal–Shekhar for Bang Bang! and Happy New Year, where the title track for the former and "India Waale" for the latter were commercially successful. Besides, Mohan provided backing vocals for the track "Makhna", featuring Sukhwinder Singh in Rahman-composed American film Million Dollar Arm. 2015–present: Bombay Velvet, Baar Baar Dekho and beyond Mohan's biggest release of 2015 came with Amit Trivedi's Bombay Velvet, where she performed six jazzy tracks for the album. Trivedi was in search of a voice with an "Asha Bhosle meets Nina Simone" tonal quality for Anushka Sharma's Jazz singer character Rosie in the film, when he considered Mohan as the choice. According to The Indian Express, "what has worked" in the song "Mohabbat Buri Bimari" is Mohan's extemporisation in the middle of the track—with all the hiccups, laughs and squeals in place. The film marks the first time she read a script before recording a track to the respective film. "I was asked to sing just like how I would perform live". She recorded the songs at the studio dressed like a jazz singer, with people around her to cheer her. For another track "Dhadaam Dhadaam", Mohan was locked up in a room and was asked to "feel the pain of someone who's