Venus and Mars (or Mars and Venus) is a panel painting of about 1485 by the Italian Renaissance painter Sandro Botticelli. It shows the Roman gods Venus, goddess of love, and Mars, god of war, in an allegory of beauty and valour. The youthful and voluptuous couple recline in a forest setting, surrounded by playful baby satyrs. The painting was probably intended to commemorate a wedding, set into panelling or a piece of furniture to adorn the bedroom of the bride and groom, possibly as part of a set of works. This is suggested by the wide format and the close view of the figures. It is widely seen as representation of an ideal view of sensuous love. It seems likely that Botticelli worked out the concept for the painting, with its learned allusions, with an advisor such as Poliziano, the Medici house poet and Renaissance Humanist scholar. The exact date of Venus and Mars is not known, but the National Gallery's dated the painting to "c. 1485" in 2017. Scholar Ronald Lightbown dates it to "probably around 1483", while art historians Leopold & Helen Ettlinger date the painting to "the latter half of the 1480s". All dates depend on analysis of the style, as the painting has not been convincingly tied to a specific date, such as a wedding. It likely comes a few years after the Primavera and Pallas and the Centaur (both about 1482) and around the time of The Birth of Venus (c. 1486). It is the only one of these paintings not in the Uffizi in Florence; it has been in the National Gallery in London since 1874. Description Venus watches Mars sleep while two infant satyrs play, carrying his helmet (a sallet) and lance as another rests inside his breastplate under his arm. A fourth blows a small conch shell in his ear in an effort, so far unsuccessful, to wake him. The clear implication is that the couple have been making love, and the male habit of falling asleep after sex was a regular subject for ribald jokes in the context of weddings in Renaissance Italy. The lance and conch can be read as sexual symbols. The scene is set in a grove of myrtle, traditionally associated with Venus and marriage, or possibly laurel, associated with Lorenzo de' Medici (il Magnifico), or perhaps both plants. There is a limited view of the meadow