Lahore to Longsight is the debut album of British musician Aziz Ibrahim. Ibrahim describes it as being 'Asian Blues', the album title describes his family's journey from Lahore to Longsight, Lahore being the second largest city of Pakistan and Longsight Aziz's birthplace in inner city Manchester, where he still lives. Description The Album was recorded over at various studios around the country, and is graced with guest appearances from Paul Weller, Steve White, Andy Rourke, Mike Joyce, Talvin Singh, Gary Mounfield (Mani), Alan Wren (Reni) and Inder Goldfinger. All tracks were produced by Aziz Ibrahim and barring a couple, were written, and arranged by Aziz Ibrahim. The two co-writes on the album are titled "Korma Coma" and 'Mummys' Boy'. The former written with his live band, Andy Rourke and Mike Joyce, the latter Inspired by Reni. Track list Morassi Living a Lie Mummy's Boy Feeling Better Forget Yourself She Dances With Angels The Other Side A Face to Die For Middle Road Stone Haven Korma Coma Lahore to Longsight It's a Pressure to Know You Reviews HYPERLINK "http://www.billboard.com" www.billboard.com by Aaron Warshaw Aziz Ibrahim might forever be known as the man who took what Noel Gallagher called "the hardest job in the world": replacing John Squire in The Stone Roses. Ibrahim was raised by Pakistani immigrants in Manchester, England, and showed a natural musical ability at an early age. His first professional experience was touring with Simply Red in the late '80s, and he went on to play with the aging prog rock act Asia in the mid-'90s. In 1996, Ibrahim was announced as Squire's replacement on guitar, who had just left The Stone Roses after a messy split. Ibrahim's first appearance in the Roses came at the 1996 Benicassim Festival (Spain) and then the Reading Festival (U.K.), generally regarded as the final nail in the coffin for a band, which by then had suffered half a decade of quiet and not-so-quiet implosion. Despite this, Ibrahim's playing faithfully and capably replicated Squire's parts; huge shoes to fill, those of someone considered to be among the pantheon of British guitar gods. Indeed, Ibrahim is quite a virtuosic musician, playing naturally in a style that reflects his Eastern heritage and is situated somewhere between raga and hard rock. Despite the demise of the Roses, Ibrahim continued to work with the band's singer, Ian Brown, who had perhaps a surprising career resurrection as