St. James Episcopal Church is an Episcopal church in Greeneville, Tennessee, United States. The St. James congregation was organized in 1842 as the "Greeneville Parish, Greene County," by a small group of faithful Episcopalians who gathered for worship at the Greene County Courthouse. They were admitted to the 1848 Convention of the Episcopal Diocese of Tennessee, and subsequently were approved as a formal parish at the diocesan convention in July 1849. The parish constructed its present church building in 1850, modified it in 1894, and further enlarged the structure in 1951. It is said to be one of Tennessee's oldest churches. Between 1852 and 1901, St. James experienced great turmoil, having to close its doors for 18 months from 1873 to 1875. During this period St. James lapsed into mission status and did not regain its standing as a parish until 1957. Clergy 1850–52 The Rev. William H. Good, Vicar 1852–54 The Rev. W. P. Gahagan, Vicar 1854–60 The Rev. W. M. Steel, Vicar 1860–69 The Rev. William Mowbray, Vicar 1869–72 The Rev. T. Duncan, Vicar 1892–95 The Rev. Alexander C. Killeffer, Vicar 1927–37 The Ven. Henry T. Geiger, Archdeacon 1937–39 The Rev. Joseph L. Kellerman, Vicar 1939–45 The Rev. Charles Boyd Romain, Vicar 1945–48 The Rev. Eric Sutcliffe Greenwood, Vicar 1948–54 The Rev. Armand T. Eyler, Vicar 1954–56 The Rev. Thomas Hall Carson, Jr. Vicar 1957–61 The Rev. Warren Hugh Steele, Rector 1961–64 The Rev. Joseph T. Boulet, Rector 1964–81 The Rev. Robert Alan McMillan, Rector 1983–86 The Rev. Patrick C. Larkin, Rector 1986–98 The Rev. Rowland A. Clarkson, Rector 1999 The Rev. Willis W. H. Poyser, Rector 2002–04 The Rev. Jack Franklyn Wilcox, Jr., Rector 2005–16 The Rev. Carolyn W. Isley, Rector 2018–present The Rev. Dr. Kenneth H. Saunders III, Rector Mater Purissima In 1950, the parish commissioned ecclesiastical artist Sister Mary Veronica (Community of St. Mary) to paint an altarpiece. The oil and gold painting, entitled Mater Purissima (Latin: purest mother), emulates the medieval styles of fifteenth-century European masters Friars Angelico and Lippi. The colors are traditional—red symbolizing the Kingship of Our Lord Jesus Christ, and blue representing the Purity of His Blessed Mother, Saint Mary. Ralph Adams Cram (1863-1942), one of the preeminent ecclesiastical architects of the twentieth century, considered Mary Veronica as the greatest iconographer of his time. Cram once said that she was the only artist for whom he would willingly alter his designs.