"¡Basta Ya!" (English: "Enough!") is a song by Puerto Rican singer Olga Tañón from her fourth studio album, Nuevos Senderos (1996). The song was written and produced by Marco Antonio Solís. It was released as the lead single from the album in 1996. "A ballad, the song is about unrequited love and marked a musical departure from Tañón's merengue recordings. The song was nominated for Pop Song of the Year at the 1997 Lo Nuestro Awards. Commercially, it topped both the Billboard Hot Latin Songs and Latin Pop Airplay charts in the United States. A music video for the song was filmed and features a couple's failing relationship. "¡Basta Ya!" was later covered by both Conjunto Primavera in 2007 and by American singer Jenni Rivera. Conjunto Primavera's version also topped the Hot Latin Songs chart as well as the Regional Mexican Airplay chart in the US. Rivera recorded a pop and banda rendition of the song for her 12th and final studio albums, Joyas Prestadas (2011) with Solís performing alongside her. She recorded a music video for her cover in Los Angeles, California. In Mexico, her version topped the Monitor Latino chart and reached three on the Billboard Mexican Airplay, while it peaked at number 14 and number six on the Hot Latin Songs and Regional Mexican Airplay charts in the US, respectively. Solís was presented with the ASCAP Latin Award in both 2008 and 2012 for the respective cover versions. Background and composition Since 1992, Tañón launched her solo career as a merengue singer. She released three studio albums: Sola (1992), Mujer de Fuego (1993), Siente el Amor (1994), the latter of which became the most successful, reaching the top five on the Billboard Top Latin Albums chart in the United States. In November 1995, Tañón announced that she had finished recording an album of ballads with Mexican singer-songwriter Marco Antonio Solís, the former lead vocalist of Los Bukis, producing it and composing all but one of the tracks. The album's title, Nuevos Senderos, was announced a month later. According to Tañón, she wanted to record an album of ballads because of her originally performing under that genre prior to singing merengue as well as a desire to collaborate with Solís. Nuevos Senderos was recorded in Solís's recording studio, Marco Musical Estudio, in Mexico City, Mexico, and released in April 1996. One of the songs Solís wrote and composed