poet into something he was not". According to Wolfson, Donald Reiman, a modern editor of Percy Bysshe Shelley's works, still refers to Mary Shelley's editions, while acknowledging that her editing style belongs "to an age of editing when the aim was not to establish accurate texts and scholarly apparatus but to present a full record of a writer's career for the general reader". In principle, Mary Shelley believed in publishing every last word of her husband's work; but she found herself obliged to omit certain passages, either by pressure from her publisher, Edward Moxon, or in deference to public propriety. For example, she removed the atheistic passages from Queen Mab for the first edition. After she restored them in the second edition, Moxon was prosecuted and convicted of blasphemous libel, though the prosecution was brought out of principle by the Chartist publisher Henry Hetherington, and no punishment was sought. Mary Shelley's omissions provoked criticism, often stinging, from members of Percy Shelley's former circle, and reviewers accused her of, among other things, indiscriminate inclusions. Her notes have nevertheless remained an essential source for the study of Percy Shelley's work. As Bennett explains, "biographers and critics agree that Mary Shelley's commitment to bring Shelley the notice she believed his works merited was the single, major force that established Shelley's reputation during a period when he almost certainly would have faded from public view". Reputation In her own lifetime, Mary Shelley was taken seriously as a writer, though reviewers often missed her writings' political edge. After her death, however, she was chiefly remembered as the wife of Percy Bysshe Shelley and as the author of Frankenstein. In fact, in the introduction to her letters published in 1945, editor Frederick Jones wrote, "a collection of the present size could not be justified by the general quality of the letters or by Mary Shelley's importance as a writer. It is as the wife of [Percy Bysshe Shelley] that she excites our interest." This attitude had not disappeared by 1980 when Betty T. Bennett published the first volume of Mary Shelley's complete letters. As she explains, "the fact is that until recent years scholars have generally regarded Mary Wollstonecraft Shelley as a result: William Godwin's and Mary Wollstonecraft's daughter who became Shelley's Pygmalion." It was not until Emily Sunstein's Mary Shelley: Romance and Reality in 1989 that a full-length scholarly biography was published. The attempts of