and Laplanche. In this context, Out of Order was clearly written to re-connect psychoanalytic clinical work to its founding revolutionary impetus in the residual unconscious, and help people gain the strength and insight to remain open to unpredictable and unforeseen change, and to challenge their world, rather than conform and adapt to increasingly confined norms. Work Stanton's work strongly opposes the core strategies of Cognitive Behavioural Therapy, notably in the way in which it aims to "manage" the production of symptoms of mental disorders. Above all, he sets out to expose how the prioritisation of cognition distorts and actively diminishes the elaborative complexity of conscious and unconscious life – notably by imposing set forms of linear causality (such as dialectics), and privileging projective ego-based thought-process over introjection (which centrally concerns the impact of feeling/sensations on thinking). He chooses rather to explore the alternative dynamics generated within the interactive space between primary feeling/sensations and cognitive process. A central focus here is the elaborative feeling/thought dynamic that follows a primary feeling/sensory input (introjection) – or the particular inner-outer reverberations that follow once the psyche is struck or hit by something. First of all, there are psychic contusions – psychic elaborations which evolve like bruises which brighten and darken, colour-up, and shift around feeling/sensation pin-point triggers (which Stanton calls contundors). Then there are the imagos, the amalgams generated from various bits of visual/sensation material that randomly stick together to form an evanescent image or sound that freeze-frames the ongoing narrative. Finally, there are the set interactive systemic structures of effect, generated by primary feeling/sensory introjections, that form initially around contundors, and then subsequently progressively elaborate after-effects around imagos. Stanton has so far introduced and elaborated on the following general interactive systemic structures: the bezoaric effect – a post-traumatic systemic effect – which progresses like the successive regurgitations of mountain and desert animals, as well as humans in extremis, which shift and re-work undigested material until all the feeling and meaning is extracted, and only the bezoar stone – the traumatic jewel – remains. 'In the bezoaric effect...unconscious elements of traumatic experience shift, realign and transform through communicative exchange in therapy'. the caddis effect – a defensive systemic effect – which progresses in a similar way as the caddis insect constructs its defensive pupa-case, by surrounding the ego-core with bright and beautiful shiny ready-mades from the surrounding cultural environment. the karaoke effect – a