smaller format, called Diptych: The missing door and The lost room. Collaborations Since 2013, choreographers Gabriela Carrizo and Franck Chartier have opened up to collaborations with other companies, aside from their work with Peeping Tom. Work with Nederlands Dans Theater In 2013, Gabriela Carrizo was invited to make a first short piece with the dancers of NDT I at Nederlands Dans Theater. This would become The missing door. In the piece, Gabriela Carrizo shows two parallel dimensions in this creation. We are witnessing the last minutes of life, which take place in the twilight zone between life and death. The dying man anxiously tries to find a way through the intricate maze of his thoughts. While soundscapes of everyday sounds turn into lost rhythms, the man performs a lonely battle with time, space and those who are absent. In 2015, it was Chartier's turn to create a piece with NDT I. He made a sequel to The missing door, called The lost room. It is set on a ship at sea, where freedom and entrapment go hand in hand. In a labyrinth of rooms and corridors, several stories are told simultaneously. Characters seemingly exist in every time and every place. The lost room could be seen as a melancholic nostalgia for the future. In addition, memories are often not a literal reproduction of the past, but instead rely on constructive processes that are sometimes prone to error and distortion. Franck Chartier returned to Nederlands Dans Theater in 2017, to create the short piece The hidden floor. The piece addresses some of the themes that were already present in the previous two productions: the memory, the disruption of time. The characters find themselves in a public space, maybe a restaurant, taken over by nature. They are experiencing their final moments as the water slowly starts to rise. Holding on to their last hope, they try to survive and find a way out, not only physically but also mentally. Adaptations of 32 Rue Vandenbranden In 2013, Franck Chartier went to the Göteborg Opera in Sweden to work on an adaptation of Peeping Tom's original piece, 32 Rue Vandenbranden. With the ballet company of the opera, he created 33 Rue Vandenbranden. In 2018, Carrizo and Chartier joined forces to create another adaptation of the piece. This time, they created 31 Rue Vandenbranden for the Opéra de Lyon. For this piece, they doubled the