took place over a whole year and culminated in a large presentation at Ullens Center for Contemporary Art in June 2010 Presentations kicked off with summer 2009 with Jon Phillips and Matt Hope’s speaker event "Laoban Sound System" in conjunction with Ai Weiwei’s day without internet. The two has since launched a range of events in Beijing, Shanghai and Hong Kong. Other events included Yan Jun’s sonic material slipped into the desk drawers at Beijing Youth Weekly editorial office and interviews from the same newspaper that were replayed and perverted over 6 weeks. Good TV collected memories of images that had been lost for different reasons. collection of lost images retold by storytellers in their everyday life in the Wudaoying Hutong (五道营胡同). The Beijing context and the proximity to the centre of political power allowed “This Image Is No More” to develop another layer of interpretation which had been lacking in its realization in Europe. Both Natasha Rosling and Yang Zhifei created versions of their projects from Shenzhen in Beijing. Especially the giant white pillow carried through the streets the Chinese capital to mirrored its grandiose buildings in ways that also inspired interesting reactions among the unassuming audience. Kyiv, November 2009 and July 2010 In November Yulia Usova and PAI organised a series of talks in Kyiv that approached issues such as curation and art in public spaces and included speakers such as Olesya Turkina, Olav Westphalen and Karen MacDonald. In conjunction with this a group of students from Kungliga Konsthögskolan in Stockholm made a series of improvised performances at Les Kurbas’ Theater Center. A large part of the project took place during the swine flu epidemic in Ukraine all public theatre events were stopped and schools closed giving the whole event a very special flavour. The actual project was scheduled to be realized in April 2010, but had to be cancelled due to the volcanic ash cloud that prevented air travel in Europe at the given time and only web-performances were undertaken. The project was realized 19 June and 2–4 July 2010 and was co-curated by Per Hüttner and Yulia Usova. The project saw a meeting between artists from China, Western Europe and Ukraine. Rumours claim that artists met with great problems with local authorities including arrests, theft by undercover policemen and that the artists had to bribe officials to be able to leave the country. Documentation and talks