Parkett was an international magazine specializing in art. The magazine ceased publication in Summer 2017 with its 100th issue and now continues online as a time capsule and archive with some 270 in-depth artists portraits, artists documents, newsletters and more at www.parkettart.com. Publication Published three times per year in English and German by its publishing house in Zurich, Switzerland, with an additional editorial office in New York City, Parkett had a circulation of 12,000 and was read by some 30,000 readers in 40 countries, one third of them in North America. History Founded in the early 1980s with the idea of fostering an open dialogue between the artistic communities of Europe and America, Parkett is based in Zurich, with an office also in New York City. The magazine's goal was to actively and directly collaborate with important international artists whose oeuvre was explored in several essays by leading writers and critics in both German and English. Each artist featured also created a special signed and numbered work exclusive to Parkett. By 2010, Parkett had published more than 80 volumes with some 180 monographs and over 1500 in-depth texts making it one of the most comprehensive libraries on contemporary art worldwide. Critics, curators, art historians, and other commentators join in the conversation contained within its pages. Many write on the collaborating artists; some write opinions under a variety of topic headings that recur issue to issue; others write on additional artists and ideas. The result is more of a curated event-between-covers than a typical art magazine with reviews and news items. To celebrate the fortieth issue of Parkett, in June 1994 the editors presented a special thematic issue asking what beauty will look like after it reemerges from Postmodernism? And how, when contemporary life demands so many different things from contemporary art, do we strike a balance between history and presence, politics and humor? Taking the children's game of Snakes and Ladders as a guiding metaphor, the gala issue offered six mini-collaborations: Holland Cotter on Francesco Clemente; Boris Groys on Peter Fischli and David Weiss; David Rimanelli and Max Weechsler on Gunther Förg; Gordon Burn on Damien Hirst; Joan Simon on Jenny Holzer; and Gilbert Lascault on Rebecca Horn. Also in this issue, Dave Hickey wrote on magic, Vik Muniz on apparitions, Jeff Perrone on boards and borders, and G. Roger Denson on nomadic critical theory. In 2001, on the occasion