headphones). Sound and space are conceived to bring the spectator into a sensory experience evoking specific landscapes, like forests, or buildings such as churches, alongside music. Lieux Perdus – Théâtre acoustique I, for 4 singers, chamber orchestra and 3D sound system, is a piece that developed this idea of surrounding the spectator. It was produced in collaboration with stage director Benjamin Lazar on 2014 and has a sequel, Fête dans le vide : Théâtre acoustique II, for soprano, chamber orchestra, and 3D sound system, produced in 2015. Selected works Leve, Reflejo, Contracorriente, Horizonte, for flauta, guitare and viola, 2003. Esperando Llueva, for percussioniste, piano, alto, cello and clarinet, 2004. Sueño de Una Nota, for two double bass, bassoon and ensemble, 2009. Cras Lucebit, for bassoon and electronics, 2010. Plop, for fifteen instruments, 2010. Brujería, for saxophone and electronics, 2011. Cras Lucebit [German system bassoon], for bassoon and electronics, 2012. Scratched Shadows, for video-staged ensemble and electronics, 2012. Moro de Venecia, concerto for cello and chamber orchestra, 2013. Douve, for trio dancers and chamber orchestra, 2013. Lieux Perdus - Théâtre Acoustique I, for 4 voices, chamber orchestra and 3D sound on headphones, 2014. Fête dans le vide - Théâtre Acoustique II, for soprano, chamber orchestra, electronics and 3D sound diffusion system, 2015. Chants souterrains, for cello and electronics, 2016. INITIO, opéra chorégraphique pièce lyrique et chorégraphique, 2017. Etudes pour théâtre acoustique, sound installation for 3D sounds and automat instruments, 2018. Commanderie 2019, for robotic arms, 3D sound installations and live concerts, 2019. Maldoror, à Isidore Ducasse, for flute, two violas and cello, 2019. La Selva Virgen, En La Selva Oscura, prologue and interludes to Das Lied von der Erde, for chamber orchestra, robotic arms orchestra and pre-recorded sounds, 2020. References 1984 births Living people Colombian composers