personnel. Portraits of Churchill Cooper produced five portraits of Churchill altogether. In 1943, Cooper painted the profile of Winston Churchill for the Junior Carlton Club. It became his "best known portrait", and later gained the title Profile for Victory after being "reproduced during the war in large numbers", and being hung in the Royal Academy Summer Exhibition of that year. According to his son Peter, Cooper "considered this to be his finest work". In 1948 he produced a drawing of Churchill. In 1950 another painting of Churchill by Cooper was unveiled at the Junior Carlton Club, by Field Marshal Viscount Alanbrooke, in the presence of Lord Portal, Lord Cunningham, Lord Ismay, Anthony Eden and Randolph Churchill. The painting showed "Mr Churchill sitting in evening dress with decorations and holding a cigar before the model of a sailing ship". That painting is now at the Carlton Club at 69 St James Street, London. In 1955 he painted Sir Winston Churchill seated in the garden at Chartwell "in the English tradition of Reynolds and Zoffany". It was hung in the library at Lloyd's of London, and then in the Lloyd's building at 51 Lime Street, London. In early January 1965 Cooper completed "the last portrait of Churchill"; that is, the last portrait that Churchill sat for. He said, "I used tempera. Churchill insisted on seeing every stroke painted. We had to fix up a mirror so he could watch me working". The painting was completed three days before Churchill had his final stroke. That 1965 portrait now hangs in the Cadbury Schweppes building at 25 Berkeley Square, London. Scenes and landscapes Paintings for newspapers and magazines In 1935, Cooper painted the scene inside Westminster Hall, at the Silver Jubilee of George V; it was "specially drawn for The Sphere" newspaper, and was printed as a double-page spread. In the same month he executed two pictures for the Illustrated Sporting and Dramatic News (ISDN) titled The Morning of Derby Day showing "gypsies resting on the grass after putting the finishing touches to their booths", and An Alfresco Breakfast showing "gypsies taking their morning meal in the open on the day of the great race". In 1936 he painted An Ascot Finish for a two-page spread in ISDN. In 1938 he produced a picture of Sport and Duty: Ascot 1937 for ISDN, which printed half of it. Exhibitions Royal Academy of Art Summer Exhibition