ochres creating geometric designs. Screen printing and fabric were introduced to the islands with the arrival of Father Gsell and the Catholic mission at Nguiu, Bathurst Island in 1911. This greatly impacted the way Tiwi Islanders dress from paperbark aprons to calico skirts and later items of clothing with single motif prints of animals and other subjects. These calico skirts were made using woodblock painting. Screen printing on fabric offered Tiwi people a channel through which to participate in the Western market. The printed fabric was able to be sold locally to tourists as well as to outlets in Darwin. The Tiwi designs illustrate a link between the Tiwi people and their country. They play a significant role in tying the past and the future as well carrying important cultural knowledge. Maria Josette Orsto and Tiwi Art Maria Josette Orsto's art practice was inspired by the Tiwi Island fabric designs. Orsto worked in a variety of media and techniques including painting, batik-printmaking, and wood sculpture. Her style initially reflected her father's bold painting style and then gradually became more subtle and subdued. She was concerned to have a distinct style that is different from that of her peers. The small dots and lines that she includes in her work aim at giving the impression of a surface of the land or an object, alluding to the surface of the spiritual realm and power it holds. Frequent motifs and themes in her painting include animals, Dreaming, and the Kulama ceremony. Like many Tiwi artists, Orsto's painting involved the used of the pwoja comb, a traditional painting comb that is created by carving ridged lines along the edge of a piece of ironwood cut during the production of a tutini (funeral pole). Significant Exhibitions 1996 - Printabout exhibition of sugarlift etching works created by Tiwi artists including Maria Josette Orsto over the course of three years at Northern Editions, a printmaking studio at the University at Charles Darwin University. The exhibition features Orsto's work Kurlama and Jilamara (1994) and Armband and Jilamara (1994). 2012 - The second triennial indigenous art exhibition, Undisclosed, at the National Gallery of Australia, included her works, Jikapayinga (Female crocodile) (2007), Pakitiringa (Rain) (2007), and Mayinga (2009). 2012 Maternal Lines, Darwin Festival 2012, Jean Baptiste Apuatime and Maria Josette Orsto's 2 and 3 dimensional prints, showing with Bede Turngutalum's Japanese-style wood blocks prints. December 21, 2015 to February