Gauthier's texts alternate between passages in prose, prose-poetry and verse. The poems emerge as a kind of blue note at moments when the text breathes and its structure emerges, becoming fluid or on the contrary suspending its role in response to an external threat. Gauthier's writing is marked by its sense of movement, its materiality and its kinetic force, the language, "deaf, pulses, surges, laughs, illuminates, revolts, and finally exists on its own and for its own sake". Poetry, archives, and the tabloid journalism In Gauthier's poetic work, she constantly questions external systematic attacks from a late capitalist society on the private life of the individual and on their personal expression, their burial under an accumulation of objects, a complacence with violence, a taste for sensationalism, what she calls the "tabloidization" of language or its exoticism. Gauthier frequently draws on archives for inspiration in her work. For example, La cité dolente, is based on real events while kaspar de pierre was adapted from the biography of the famous orphan Kaspar Hauser. Her collection je neige (entre les mots de villon) establishes a dialogue between the personal biography of François Villon and his work, while maintaining critical distance with her material. These books adopt a complex position in relation to the archive, where the archives are at once "suspected of a desire for reanimation. As if they were themselves an affirmation ... while the poem only allows for suggestion." These narratives are grounded in archival documents; however, Gauthier positions the poetic narrative slightly out of bounds of historical documentation "in order to allow the document to show itself and what surges beneath it, what is alive and bridles next to the established record". Poetry and music From 2018 on Gauthier began to explore the links between poetry and contemporary music for the online literary journal Remue.net working with Sébastien Rongier. She works to break down the barriers between sound poetry and written poetry, thereby renewing the links between contemporary music and poetry. Transdisciplinary work Her poetic work on poetic voice and polyphony continues with collaborations with contemporary artists such as Fabien Lévy, Núria Giménez-Comas, and Xu Yi. Gauthier is constantly seeking new poetic forms that cross media where the poet can be considered a co-author, Nun hab' ich nichts mehr, for example is a piece for soprano coloratura, ensemble and synthesizer with music by Fabien Lévy. Back into Nothingness is an