Laurence Price (fl. 1624–1667?) was a writer of ballads and pamphlets in England. His close links to the publishing trade over a period of nearly forty years make it likely that he lived in London for most, if not all, of his life. He was strongly influenced by the works of Nicholas Breton and Thomas Deloney, turning to them for inspiration at various points in his career. Price may have performed and sold his ballads himself, which is suggested by Price's close relationship with stationer Francis Grove, a prolific producer of cheap print in the 1640s and 1650s, who is known to have employed ballad singers (Bridewell court book 9, p. 645, 1 March 1654.). In the 1650s, with his former friends and acquaintances John Lookes, Martin Parker, and John Taylor all silenced by death, Price reigned supreme as the most popular and prolific writer of the decade. This was reflected in the rare accolade of being frequently named as an author in the Stationers’ registers. In 1656 Price was named as one of the ‘glorious three’ popular writers, alongside Humphrey Crouch and Samuel Smithson. In 1660, the Price and Grove partnership welcomed the restoration of the monarchy with one of the most enduringly popular political ballads of the century, Win at First, Lose at Last. Price wrote across a range of genres, from bawdy song (in his earlier years), to moral exhortation, horror stories, merry tales, and shortened versions of literary classics. Price was a wonderful storyteller, as can be seen from his Witch of the Woodlands (1655) and his re-telling of The Famous History of Valentine and Orson. His uncluttered style was particularly accessible, not only to his seventeenth-century readers, who included women and children—notably the young and newly enthusiastic Anthony Wood—but also to the audiences of later ages. Many of his ballads were continually reprinted over a century or more, including A Warning for All Lewd Livers (1633), A Warning for Married Women Being an Example of Mrs. Jane Reynolds (1657), Flora's Farewell (1656), and Win at First (1660). The enduring quality of Price's songs is marked by the numerous titles captured by Francis Childs via a nineteenth-century oral tradition, which are still performed and enjoyed today. For example, a more melodramatic version of Price's The Famous Flower of Serving Men (1656) was recorded in 1972 by renowned folk-singer Martin Carthy. Price was unswervingly loyal first to