and judiciary"; the movement needed to appear philosophical, idealistic, and independent. The Federalist Society addressed the first prong. Two legal movements gained adherents: originalism and law and economics, with a common mission to "utterly remake our society and political economy using the legal system, to make both resemble their vision of the American good old days". The U.S. saw a "promiscuous deregulation frenzy" and the rapid growth of conservative institutions such as Manhattan Institute for Policy Research, The Heritage Foundation, George Mason University, Mercatus Center, Institute for Humane Studies, ALEC, and Citizens for a Sound Economy. The books Losing Ground and Wealth and Poverty argued against welfare policies and for supply-side economics. The FCC fairness doctrine was eliminated. The political economy was changing from "a more or less win-win game to one that was practically zero-sum". Trends that diminished the power of workers included offshoring, gutting organized labor (air traffic controller strike), right-to-work laws, outsourcing, and noncompete agreements even for some minimum wage workers. Bill Clinton signed the Personal Responsibility and Work Opportunity Act, "another illustration of how thoroughly the right's ideas became the governing consensus and how liberals fell down on the job by accepting—or at least not forthrightly rejecting—the instinct to blame the losers, in our extreme free-market society, for being losers, and by disclaiming social responsibility for properly helping them." Also under Clinton, in 1999 the Gramm–Leach–Bliley Act repealed part of the Glass–Steagall Act of 1933, removing barriers in the market among banking companies, securities companies and insurance companies that prohibited any one institution from acting as any combination of an investment bank, a commercial bank, and an insurance company, and then the Commodity Futures Modernization Act of 2000 removed regulation of derivatives. Part Four In "Part Four: Same Old Same Old", nostalgia is in full-swing, recycling old TV shows, movies, musicals, and fashion. Even the cultural genre of the future, science fiction, spawned a nostalgic subgenre, steampunk. Photos of people from the 1980s would not look out of place in the streets today. Where earlier decades had distinctive cultural characters, the character of the 1980s had merely continued through the following decades: "the eighties never ended". On music, the book quotes Simon Reynolds, "Is nostalgia stopping our culture's ability to surge forward, or are we nostalgic precisely because our culture has stopped moving forward and so we inevitably look back to more momentous and dynamic times?"