new dawn is upon humanity for allowing divine intervention to present it sanctified enlightenment. ​Fidelia and Speranza is full of biblical references, for example the white robe represents truth, holiness and purity. The external nature of these ideals and the historical setting of the poem are best illustrated in the artist’s choice of classical dress for the sisters. The sacramental cup filled with wine, could also be the chalice of St. John. He was known to have miraculously changed a chalice of poisoned wine into a serpent. Also the serpent is symbolical of healing, something the Red Cross Knight seeks from the sisters. Most notable Speranza’s holding of an anchor most likely is a direct reference to the bible scripture Hebrews 6:19 that reads, “We have this hope as an anchor for the soul, firm and secure. It enters the inner sanctuary behind the curtain.” The painting’s narrative closely follows stanzas twelve through fourteen of book 1, canto 10 of The Faerie Queen. It depicts the spiritual entity Una leading the sinning knight to the House of Holiness where his healing and conversion take place. The willingness of the sinful knight to allow the spiritual Una to lead him to Christian virtues demonstrates how mortal man can find spiritual redemption and salvation through religious conviction. The first people to meet him are sisters Fidelia and Speranza symbolizing the virtues of faith and hope. References 1776 paintings Paintings by Benjamin West Paintings in the collection of the Timken Museum of Art Works based on The Faerie Queene