Source is the second studio album by British jazz tenor saxophonist Nubya Garcia. It was released on 21 August 2020, by Concord Jazz. Described by Garcia as "a definite ode to musical history", the record expands on her jazz roots while incorporating dubstep, reggae, Colombian cumbia, calypso, hip-hop, soul, and African-diasporic sounds. Background and release Source follows Nubya Garcia's debut album Nubya’s 5ive, issued on Jazz re:freshed in 2017 and the self-released EP When We Are (2018). Garcia and Kwes produced all tracks on the album. The album features her touring band members: pianist Joe Armon-Jones, double bassist Daniel Casimir and drummer Sam Jones. KOKOROKO members Cassie Kinoshi, Richie Seivwright and Sheila Maurice-Grey perform vocals on two tracks, with the latter also contributing trumpet and flugelhorn on two other tracks. The closing track, "Boundless Beings" features vocals from pianist Akenya. According to Garcia, Source is about personal power, collective power, and collectivism. She told The New York Times: "It's about my heritage, my ancestry, exploring those places and those stories from my parents and my grandparents." Recorded in 2019 in two studio sessions in her hometown of London and in Bogota, Colombia, the album serves a reflection of her hometown, paying homage to the rich cultural community of London. The record was announced in July 2020, alongside the cover-art and tracklist. The title track was served as the lead single from the album, and features guest appearances from saxophonist Cassie Kinoshi, trombonist Richie Seivwright, and Colombian band La Perla. Source was released on 21 August 2020 by Concord Jazz. Critical reception At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream publications, this release received an average score of 81, based on nine reviews, indicating "universal acclaim". At AnyDecentMusic?, which collates album reviews from websites, magazines and newspapers, they gave the release a 7.6 out of 10, based on a critical consensus of 10 reviews. In The New York Times, Marcus J. Moore described the album as a "grand achievement" in London's buzzing jazz scene. Pitchforks Andy Beta believed that the album established Garcia as a foundational voice in the buzzing London jazz scene. He considered the record as a "stunning introduction" in which Garcia "meditates on her humble family heritage, the continuum of jazz history, and the power of collective action in our present moment." Similarly, Conrad Duncan of Clash praised Garcia's "exceptional" quality