Sundanese Music (Sundanese: ) is an umbrella term that encompasses diverse musical traditions of the West Java and Banten in western part of Java, Indonesia. The term of "West Java" is preferred by scholars in this field. The word "Sundanese" originally referred to western part of Java Island and has a strong association with the highly centralized Sunda Kingdom based on Java Island and its high culture practiced by the nobleman class in its capital Parahyangan. By contrast, scholars who cover a much broader region lay emphasis on folk culture. The people of Sundanese, who inhabit the Westernmost third of the island of Java, are sometimes wrongly referred to by foreigners as Javanese. Sundanese culture, language and music are quite distinct from those of the Javanese people of Central and East Java - although of course there are also elements in common. In Sunda there is a bewildering diversity of musical genres, musical composition and tuning systems are recognizably different. Traditional instruments In Sundanese music the term musical instrument or musical sound produced in various ways is called Waditra. In Sundanese music, there are several Waditra, namely Waditra Tiup (inflatable), Waditra Takol (beat), Waditra Tepak (tap), Waditra Keset (mat) and Waditra Geter (vibrate). Aerophones Suling, are made mainly of "tamiang" bamboo (Schizostachyum blumei, Nees), a long, thin-walled bamboo tube. The mouthpiece of the suling is circled with a thin band made of rattan near a small hole. Toleat, similar to a Suling, but the sound produced is similar to a Saxophone and differs from blowing techniques. Tarompét, a kind of trumpet sound, a typical variant of Sundanese music, which is made of wood and has seven sound holes. Goong Awi, a narrow open tube of bamboo about 4 cm in diameter and 110 cm long is placed inside a larger bamboo tube about 15 cm in diameter and of similar length, closed by a natural node at the lower end. Idiophones Angklung, instrument consisting of two to four bamboo tubes suspended in a bamboo frame, bound with rattan cords. The tubes are carefully whittled and cut by a master craftsperson to produce certain notes when the bamboo frame is shaken or tapped. Each Angklung produces a single note or chord, so several players must collaborate in order to play melodies. On November 18, 2010, UNESCO officially recognized the Indonesian angklung as a Masterpiece of the Oral and Intangible Heritage of