a jury member for the Manitoba Arts Council, the Ontario Arts Council, the Canada Council, and was an academy delegate and performer for the Canadian Academy for the Recording Arts and Sciences (the JUNO Awards) in 2016. In July 2022, Masaki was appointed to the Order of Manitoba and declared a Fellow of the Royal Society of Canada as a leading interpreter of new music and as an innovator who reimagines the piano, the pianist, and the performance space. Performance Masaki frequently collaborates with composers, visual artists, writers, computer scientists, and choreographers on interdisciplinary projects involving new technologies. She is a member of the Windsor, ON performance collective Noiseborder Ensemble, and of Slingshot-Kidõ, an interdisciplinary collective based at the University of Hartford, CT. The Slingshot Trio and the Noiseborder Ensemble contributed works to Listening Rooms at the Sonorities Belfast Festival in April 2022. Masaki has premiered many works for piano, chamber ensembles, and multimedia. As a solo artist she has commissioned pieces from notable Canadian composers such as Nicole Lizée (Kubrick Etudes for piano and glitch (soundtrack and film); Hitchcock Etudes for solo piano and film), Brent Lee (Immaterial Los Angeles for solo piano; Agency and Structure for piano and fixed video; Ferrovia for piano and interactive video), Keith Hamel (Touch for piano and live electronics; Corona for piano, interactive electronics and interactive visuals; Piano Games for piano and new computer game), and T. Patrick Carrabré (Orpheus Drones for piano and electronics; Orpheus (2) for piano, electronics and poetry by Margaret Atwood; Orpheus (1) for piano, toy piano, Roli keyboard, video, and text by Margaret Atwood). As a chamber musician she has collaborated with the Penderecki String Quartet, the Gewandhaus Orchestra soloists, Shauna Rolston, and Koh Gabriel Kameda, among others. She has concertized across North America, Europe, and Asia, including such venues as the National Arts Centre Ottawa, London's Royal College of Music, the Dark Music Days Festival in Reykjavik, IS, and Coronet Concert Hall in Okazaki, JP. Masaki works particularity with the repertoire of Sophie Carmen Eckhardt-Gramatté including recording Eckhardt-Gramatté's piano compositions and her works for violin and piano duo (with Oleg Pokhanovski), publishing a critical performance edition of the composer's Piano Caprices, and appearing on film as a historical researcher and pianist in the film “Appassionata: The Extraordinary Life and Works of Eckhardt-Gramatté”, produced by Paula Kelly. In November 2021, Masaki collaborated with Yellowknife composer Carmen Braden and