she wants them to continue, that they are going to inspire the world, and that all the young girls like Blue are going to see this and want to do it. She was such a boss, directing, overlooking everything, and so sweet and warm. It was an amazing shoot. That was probably the biggest moment of my career as a performer, as a synchronized swimmer, and as a Jamaican.The "Nile" and "My Power" videos were filmed in November 2019 at the Cathedral of Saint Vibiana in Los Angeles, with Beyoncé as director. Co-director Julian Klincewicz operated a 1980s Ikegani Tsushinki broadcast camera. Director of photography Santiago Gonzalez employed Arri Ultra-Wide 8mm Prime lenses and used low sweeping angles for the "My Power" video to make the columns on set feel "huge" and "alive" and to add speed to the camera movement, amplifying the dynamism of the choreography. Beyoncé specified that she did not want to be the point of focus for any shots that included the other artists featured in the video, and instead asked to be on the edge of the frame or integrated into a group. Gonzalez consequently kept the lighting bright with less of a key light, highlighting the women's natural beauty. Europe The "Brown Skin Girl" segment was mainly filmed in London, as well as in Nigeria and Los Angeles. Director Jenn Nkiru chose to primarily feature South London, including her hometown of Peckham, due to its large black and South Asian communities. The video for "Scar" was directed by Pierre Debusschere and filmed on December 15, 2019 in the Sahara nature reserve in Lommel, Belgium. Debusschere recalled sometimes working 23 hours a day on the film, with the "Scar" scene being filmed at 5 am and -2 °C weather. Debusschere described how he had to try keep up with Beyoncé and praised her as "a powerful, inspiring woman" who excels in her various roles, saying: "It's in the way she understands sets,... but also in the way she picks up the choreography and switches between the business side and the artistic side. It's her company, her thing, her money, and her vision that make this project." Post-production Post-production took place from December 2019 with Emmanuel Adjei supervising the visual-effects. Multiple versions of scenes were shot, and Beyoncé held discussions with the other directors on the strengths of each shot and to decide which edit worked