"Daisy" is a song by American singer-songwriter and rapper Ashnikko. It was released through Parlophone and Warner Music Group on July 9, 2020, as the second single from Ashnikko's debut mixtape Demidevil. The song was written by Ashnikko and Slinger and produced by Slinger. It is a pop-trap and alt-pop song with elements of EDM, and lyrically revolves around the character Daisy, who Ashnikko created as a vigilante who kills rapists and leaves daisies behind as a calling card. The music video for "Daisy" was released on August 7, 2020 and directed by Charlotte Rutherford. It was created in collaboration with Beats by Dre and TikTok, and heavily features user-generated content from TikTok. "Daisy" peaked at number 24 on the UK Singles Chart, becoming her first charting song as well as her first top-40 single in the United Kingdom. The song also peaked at number 3 on the Billboard Bubbling Under Hot 100 chart and number 74 on the Canadian Hot 100. A remix of the song featuring Japanese vocaloid Hatsune Miku, "Daisy 2.0", was released on December 11, 2020. Background Upon releasing "Daisy", Ashnikko revealed that she had been waiting to release the song for a year. In an interview with Genius, she revealed that Daisy had been her favorite song she had ever written at the time of its release. The album cover for Daisy features the character of Daisy herself. For the Daisy 2.0 cover and video, the character is seen as all grown up and with Hatsune Miku. Composition "Daisy" has been described as an "empowering anthem", which combines pop-trap and alt-pop along with elements of EDM in its production. The song is written in the key of E♭ major. According to Ashnikko, "Daisy" was written from the perspective of the song's title character, Daisy, a rapist-killing vigilante and dominatrix who wears exclusively latex and platform shoes and leaves behind daisies as a calling card, hence the lyric, "I bite back, daisies on your nightstand". Critical reception "Daisy" received positive reviews from music critics. Salvatore Maicki of The Fader praised the song, writing, "The song is as defiant as it is deranged, and we'll gladly lap up every second of it." Writing for God Is in the TV, Lloyd Best wrote, "Unhinged with a helping of genius and insanity from the jump, this trap-inspired anthem of empowerment is bold and energetic," and compared the song to