Farinah added that Black Is King was a great moment to "share the piece of the pie with other Black hairstylists who don't have this platform to show their creativity and their work". The hairstyles in Black Is King were inspired by various traditional African hairstyles, with Farinah and Beyoncé striving to offer insight into African culture with every style. One of Beyoncé's hairstyles in "Already" was inspired by the horned heads and lip plates of the Dinka and Mursi peoples, who wear them as symbols of prestige and honour. Another of the hairstyles in the same video used Bantu knots to pay respect to the Zulu people, with an ankh symbol in the center to symbolize life as in ancient Egyptian culture. Beyoncé's braid crown in "Brown Skin Girl" was inspired by the Mangbetu people of the Eastern Congo, whose Lipombo skull elongation technique represented royalty and status. In the same video, another hairstyle known as Orisha Bunmi can be seen, which is a Nigerian style worn for special events. One scene shows women covering their hair in red clay, which is a reference to the Himba people of Namibia and Angola. A 30-foot braided wig that can be seen in "Water" was inspired by the women of Chad. Beyoncé conceived the idea for the wig, and hairstylist Kim Kimble worked with six braiders for three days to make it. Choreography There were 11 choreographers who worked on Black Is King. Stephen Ojo and Caleb Bonney of dance group AVO (Africa's Very Own) Boyz were unexpectedly contacted by choreographer JaQuel Knight and asked to fly out to Los Angeles the following day. They showed Knight choreography to "Already" that they had made a few days prior for a class they were teaching. They then taught Beyoncé the choreography, as well as several other dances from throughout Africa, such as the Gbese, Poco and Kpakujemu from Nigeria, the C'est Moi from Ivory Coast, and the network from Ghana. Ojo said that his aim for the choreography "was to make sure the moves we were bringing out were properly represented and danced in the right way. I wanted to make sure Africa was being represented properly and not diluted." Ojo commented on his experience working with Beyoncé, saying: "She was a very good student. Paying homage to the originators, paying respect to our culture—some people might not care. But she was