by the live-streaming aspect of the project was to make a double projection of both 16 mm film and video, with the video portion designed to be streamed on the internet, while the film portion could only be seen by the audience who attended the screening, a practice which Cockburn later called "simplistic film fetishism" on his part. Cockburn's method for achieving "slowness" was to place single takes in a mutli-frame context, something he did again in The Impostor (hello goodbye). Looking back a few years later, he said these portions of The Other Shoe were some of the relatively few shots he had ever made that he found "really aesthetically pleasing." Release and reception As part of the LIFT 20th Anniversary programme, The Other Shoe premiered in Toronto in 2001 and toured Canada through 2002. Critical and audience response Stephen Lan saw the short at the Images Festival in April 2002, calling it "thoughtful and philosophical... clever and witty." Response to The Other Shoe surprised Cockburn, who wrote in October 2001 that he derived a "humbling joy" from knowing that a work made with his "simple-minded" intentions could, in "failing to fully make its point," nevertheless be "engagingly conflicted and complex". Accolade Images Festival, honorable mention for the Homebrew Award (Best Local Emerging Artist) jointly with Metronome, 2002 Related work monopedal Joy (2001) Cockburn made use of outtakes to create the short music video monopedal Joy, a 16 mm projection captured and edited in camera on Mini DV and subsequently mastered to Betacam. References External links The Other Shoe on CCCA Films directed by Daniel Cockburn 2000s English-language films Canadian avant-garde and experimental short films 2000s Canadian films