the World Wide Storefront, the Storefront International Series, Letters to the Mayor, the Competition of Competitions, and the Storefront TV. In 2018, Franch launched the New York Architecture Book Fair. The Letters to the Mayor project launched in 2014 invites architects to write letters to their city mayors as a way to open up dialogue about the making of cities and public life. The project has had more than twenty editions globally including New York, Mexico City, Buenos Aires, Athens, Taipei, Madrid and Rotterdam. Franch curated international projects including Borders, the 2011 Think Space biennial concept competition program, and OUT, the 2014 Arquia Proxima biennial competition. Franch, together with a curatorial and design team including Ana Miljacki, Ashley Schafer, Natasha Jen, Carlos Minguez Carrasco, Lars Müller, and architects Leong Leong among more than 300 collaborators, was selected by the US State Department to represent the United States at the XIV Venice Architecture Biennale (2014) with the project OfficeUS, an experiment for the making of new histories and global architecture practice. At Storefront, she collaborated with hundreds of artists and architects including both prominent and emerging voices such as Vito Acconci, Alon Schwabe and Daniel Fernandez-Pascual (Cooking Sections), Matilde Cassani, Amie Siegel, Andres Jaque - Office for Political Innovation, Agnieska Kurant, Lan Tuazon, Gary Husbit, Frida Escobedo, Anna Puigjaner (MAIO) and Jing Liu and Florian Idenburg (So-IL), among many others. Selected exhibitions curated by Franch included: Strategies for Public Occupation (2011), a creative response to the Occupy Wall Street movement in New York. Past Futures, Present, Futures (2012), revisiting relevant ideas from 100 visionary projects from New York city’s unbuilt history and projecting them with contemporary architects and artists to the future; Aesthetics-Anesthetics (2012), denouncing the rendering culture in architecture; POP: Protocols, Obsessions, Positions (2013), reflecting on the political dimension of architecture drawings; No Shame: Storefront for Sale (2013), investigating contemporary funding strategies for museums, public spaces and cultural production; Measure (2015), investigating ideas of value; Work in Progress (2016), addressing the economies and architectures of the construction boom in New York City; Sharing Models: Manhattanisms (2016), in response to the rise of the sharing movement; New New York Icons (2017), exploring issues of value and image-making through newly commissioned souvenirs for the city to be voted by the public; Architecture books: Yet to be Written (2018), exploring through book-making issues of the canon, invisibility and decolonization. In 2018 Franch commissioned