their life since their marriage, repeating the early parts of the narrative in musical form. This song is called nolle. Once they have finished singing, the daughter reveals her identity. The parents then miraculously regain their sight. In some versions (but not An's), Gameunjang-agi also reveals to her parents that she is a divine being: "I have come into the human world to take charge of human destiny [jeonsang]. When you lived as rich people, it was because I was there." Ritual context and religious significance The Samgong bon-puri is one of twelve "general bon-puri", which are narratives featuring deities worshipped throughout Jeju Island, and which are recited by all Jeju shamans. It is one of the three most important myths out of the twelve, together with the Chogong bon-puri and the Igong bon-puri. It is recited in the Great Gut, the most sacred sequence of ceremonies in Jeju religion. Out of the thirty-one component procedures of the Great Gut, the shaman's full recital of the Samgong bon-puri narrative—which occurs immediately after the Igong-maji ceremony—constitutes the fourteenth ritual. The Samgong-maji ceremony, in which the narrative is summarized another time and physically reenacted, is the twentieth component ritual. The deity invoked through the recitation of the narrative and in the Samgong-maji is Gameunjang-agi, who is worshipped as the goddess Samgong (), the divinity in charge of a concept called jeonsang. The precise meaning of this word is unclear, but it has been translated as "the principles by which all things in the world are done, including having a job or becoming rich or falling ill." It is often glossed as roughly equivalent to the notion of "fate" or "destiny." Shamans refer to both "good jeonsang," such as becoming rich, and "bad jeonsang," such as becoming blind. Jeonsang with such value judgement applied is called sarok. In the Samgong-maji ceremony, one shaman summarizes the Samgong bon-puri narrative while two other shamans enter with walking sticks, dressed as beggars and reenacting the blindness of Gameunjang-agi's parents. When wine is offered to these two shamans, they open their eyes, as the parents do in the myth. The shaman dressed as the father then begins beating his surroundings, including the assembled worshippers, with his walking stick while repeating refrains such as "O sarok, o sarok!" and "Let us cast out blue sarok, black sarok, blindness-causing sarok." The shaman dressed as the mother then ties a