on 12 September 2017 (just days prior to the 2017 general election) but staff did not move in for another month. It has been too small for the 1100 staff from the beginning. Performing Arts Precinct The Performing Arts Precinct was a development led by CERA, covering parts of two city blocks. The designated land allowed for the Christchurch Town Hall to be rebuilt on the site, and was to possibly include a performing arts centre with two auditoria, to host the Court Theatre, the Christchurch Symphony Orchestra, the Music Centre of Christchurch, and it acknowledged the Isaac Theatre Royal that is located within this designation. In a vote by the city council to restore the town hall in contradiction to the Blueprint, a vote that many regarded as a sign for the city council wanting to take back control, the Performing Arts Precinct was derailed. By 2020, only two projects have proceeded (restoration of the Isaac Theatre Royal and construction of the performance venue The Piano); both delivered by the private sector. The Court Theatre is expected to move into the Performing Arts Precinct in 2023. The northern half of the designated land was acquired by the Carter Group and the Roman Catholic Diocese of Christchurch in 2019 for church and education purposes. The land in the southern block occupied by the Forsyth Barr Building was also taken out of the designation upon the decision to convert the office building to a hotel; it is now occupied by the Crowne Plaza Christchurch. Central Library The project lead for the central library, named in the Blueprint, was Christchurch City Council. Located at the north side of Cathedral Square, it opened in October 2018. Named Tūranga, the building is regarded as iconic and has won a number of awards. Residential Demonstration Project The Residential Demonstration Project (Māori: ) is a private development, enabled through the Crown providing of land north of Latimer Square. The developer was chosen through a design competition in 2013 but in November 2015, CCDU confirmed that the project would not go ahead; it was the first anchor project that had failed to proceed. In an analysis published in the Lincoln Planning Review, the author described the Crown's approach to the project as displaying a "level of naïve neoliberal faith that the markets could deliver urban regeneration to a badly damaged city [that] was not seen even in