Him" on her phone, while the two are sitting silently outside. Heading back inside, Malcolm then finds and reads the first critic review posted about his film. Despite the review being positive, he rants about the white female critic's political interpretation of his film as he did not intend it to be political. He laments that film critics are focusing too much on his black male identity and projecting politics into their interpretations, rather than judging him for his own merits. Marie playfully belittles his angry reaction to the positive review and his inability to take criticism, before the two appear to be bonding again following their arguments. Before the two can begin to have sex, Marie provokes him when she asks why he did not cast her as Imani, believing that she would have brought a vulnerability and authenticity to the character that could have made the film better. After they angrily accuse each other of being egotistical, Marie then brings out a knife and acts out a scene as Imani to demonstrate authenticity, scaring but impressing Malcolm over how convincing she is. The two go to their bedroom and argue once more, until Marie lectures him about him taking her for granted and his lack of acknowledgement of how their genuine love for each other inspired the film. Their arguing finally stops as they go to bed without saying anything to each other, only thanking each other before they sleep. Malcolm wakes up alone in bed in the morning daylight. He finds Marie alone outside and joins her as they look across the distance, leaving the fate of their relationship unknown. Production In 2020, Sam Levinson and Zendaya were both involved in the HBO show Euphoria, which had stopped production due to the COVID-19 pandemic, and the two discussed the possibility and idea of making a feature film project during the pandemic. Levinson pitched several possibilities to Zendaya, including a psychological thriller they would film at her home. He then began to come up with "a relationship piece that plays out in real time." John David Washington joined the project after Levinson read 10 pages of dialogue to Washington over the phone, saying, "I couldn't believe it. It was beautiful words I heard, and at the same time very disturbing with visceral confrontations." After receiving approval from the Writers Guild of America, SAG-AFTRA and the Directors Guild of