Feroz Nizami (born Ferozuddin Ahmad; 10 November 1910 – 15 November 1975), was a Pakistani film score composer, music director and classical singer. He composed music for bollywood films in British India and after partition, he remained actively involved in Pakistan film industry. He is primarily recognized as a music composer for a music blockbuster Indian film Jugnu (1947), which helped him to appear among the prominent composers in both India and Pakistan cinemas. His last composition in Bombay films was released in 1947, leading him to retain his position for more than twenty years in South Asia's music industry during the 1940s. Before he returned to Pakistan while working in Indian films, he was referred to as "Ustad of Bombay" by the Indian artists such as Lata Mangeshkar, Mohammed Rafi, and Dilip Kumar. During his last days, he extensively researched music and wrote books on the musical subject such as Ramooz e Moseeqi and Israr e Moseeqi, and an autobiographical book titled Sarchashma e Hayat, comprising a detailed account of his life. He is also credited for introducing the greatest Indian singer Mohammed Rafi to the Indian film industry. Early life and education He was born on 10 November 1910 in British India (in modern-day Lahore, Pakistan). Feroz Nizami received his education from the Government Islamia College, and later graduated from a government college. He also studied Sufism and Metaphysics. He was the brother of a Pakistani cricketer Nazar Mohammad and writer Siraj Nizami. His was married to an Indian-born woman Ghulam Fatima. In 2016, his wife argued that she submitted multiple requests to the government of Pakistan, including provincial government of Punjab for financial assistance, she according to The Express Tribune is living in one rental room in Jogi Mohalla area of Bhatti Chowk, Lahore, and was not assisted by the authorities. Following the claimed difficult circumstances, she is believed to return her hometown Bhendi Bazaar, India. Feroz Nizami was originally working as a singer at a state-owned radio station at Lahore and was later transferred to the All India Radio and eventually at Delhi and later in Lucknow until he went to Bombay (now Mumbai) in search of career opportunities in bollywood. While working at the radio station, he had the opportunity to work with such people as Saadat Hasan Manto, Krishan Chander and another music director Khwaja Khurshid Anwar. Career Prior to his debut in Urdu