missing in interpretations of Baroque music during its early-to-mid 20th century revival, and in an effort to identify a reliable common style element applicable to various period genres, in 1955 he published “The Importance of Dance Style in the Presentation of Early Western Instrumental Music.” (view article at External links) Articles on jazz (selection) 1929 Negro Jazz. London:The Dancing Times (October) (written in 1925, titled Jazz Contra Whiteman) 1934 Harpsichords and Jazz Trumpets. Harvard:Hound & Horn (July–September) 1936 Negro Jazz as Folk Material for Our Modern Dance. New York:National Dance Congress (May)(proceedings: Cambridge University Press) 1939 Consider the Critics (chapter). Jazzmen, ed. Frederic Ramsey, Jr., Charles Edward Smith, New York:Harcourt Brace and Co. "Perhaps the most interesting part of all is the last chapter, in which Roger Pryor Dodge dissects the past sins of a number of jazz critics, and succeeds in establishing, if not a set of standards, at least a good critical attitude." 1941 Bubber. New York: H.R.S. Society Rag (October) "...one of the greatest artists of our time. He was a musician packed with half-formed ideas for written composition." 1942 Jazz in the Twenties. New York:JAZZ (July) 1943 Duke Ellington. New York:JAZZ (January) Correspondence on Lu Watters. New York:JAZZ (May) Louis Armstrong. New York:JAZZ (December) 1944 Jazz Critic Looks at Anthropologist (Ernest Borneman). New York:The Record Changer (October) 1945 The Dance-Basis of Jazz. New York:The Record Changer (March & April) Categorical Terms in Jazz: Improvisation versus Arranged Jazz. New York:The Record Changer (June) "Armstrong sells very good. Maybe he went a little commercial in order to do so. But what do we mean by 'going commercial'? It is very possible that the change in Armstrong's playing made him sell well, or will it be said that in order to sell well he changed, then it is 'going commercial,' but if one changes with none but a musical motive and because of it sells well, I cannot see that we are justified in calling that person commercial." 1946 The Psychology of the Hot Solo. London:Jazz Forum I (May or June) Attitude Towards Early and Late Jazz. New York:The Record Changer (February) (An earlier and shorter version of this; article appeared in The Atlantic Monthly, July 1944) The Deceptive Nature of Sensuousness in Ensemble Playing – London:The PL Yearbook of Jazz, edited by Albert McCarthy 1949 France's Answer to Bebop. New Orleans:Playback (June) 1955 Jazz: Its Rise and Decline.