to take advantage of folk material. Folk expression seems to be the result of a built-in mechanism, like a bird’s nest-building instinct, which provides a powerful and unselfconscious driving force for the creation of strong and healthy art forms.” 1963 Letters Pro and Con. The Journal of Aesthetics and Art Criticism (Winter, 1963) In response to articles by George Beiswanger and Selma Jeanne Cohen: "I do say that the creativeness in the dance comes from the dancer and not the choreographer...[and] no group presentation, even with all the power it derives from a multitude of bodies in motion, can project the aesthetic impact of a great solo dancer." 1964 Tradition in Ballet: Les Sylphides. London:The Dancing Times (January) 1966 The Image and the Actor. English Miscellany: A Symposium of Literature, History and the Arts, Edited by Mario Praz, Vol. 17. Rome: Edizioni di Storia e Letteratura (for the British Council). 175-209 1973 Shakespeare in Proper Dress. English Miscellany: A Symposium of Literature, History and the Arts, Edited by Mario Praz, Vol. 23. Rome: Edizioni di Storia e Letteratura (for the British Council). 75-112 "Bodily restriction channels expression more significantly than does bland comfort, and prompts the actor to express himself esthetically, rather than emotionally...An actor who can feel at ease in Elizabethan clothes is psychologically prepared to give a convincing reading of Shakespeare's lines." Unpublished articles (selection) Illuminations by Martha Graham: The Poverty of the Contemporary Dance and the Inadequacy of Choreography. "When she dances everything else is forgotten; the other dancers, choreography and all." The Concert Dance: A Fugitive to be Captured The Non-Esthetic Basis of Art The Possibility of Comparison Within and Between the Arts Towards a Science of Art The Comedian Theatre: The True Art of the Theatre Utility Basis of Architecture Architecture Criticism Byzantine Art: Its Origin Unpublished criticism (selection) Art as Experience, John Dewey Aesthetic Judgement, D. W. Prall Critique of Aesthetic Judgement, Immanuel Kant, 1911 A History of Aesthetic, Bernard Bosanquet, 1892 Sound recordings 1931. Private recording of “Bubber” Miley. "...one of the greatest artists of our time...he held a unique position among the jazz musicians of the late twenties..." Dodge recorded Bubber's variations on “King of the Zulus” and “Black and Tan Fantasy,” accompanied on piano by Anne Dodge (Dodge’s first wife). 1954. Georgia Peach (born Clara Hudman), gospel singer. Dodge maintained that Georgia Peach’s singing was a truer expression of gospel than