Jean Bellette (occasionally Jean Haefliger; 25 March 1908 – 16 March 1991) was an Australian artist. Born in Tasmania, she was educated in Hobart and at Julian Ashton's art school in Sydney, where one of her teachers was Thea Proctor. In London she studied under painters Bernard Meninsky and Mark Gertler. A modernist painter, Bellette was influential in mid-twentieth century Sydney art circles. She frequently painted scenes influenced by the Greek tragedies of Euripides and Sophocles and the epics of Homer. The only woman to have won the Sulman Prize more than once, Bellette claimed the accolade in 1942 with For Whom the Bell Tolls, and in 1944 with Iphigenia in Tauris. She helped found the Blake Prize for Religious Art, and was its inaugural judge. Bellette married artist and critic Paul Haefliger in 1935. The couple moved to Majorca in 1957; although she visited and exhibited in Australia thereafter, she did not return there to live, and became peripheral to the Australian art scene. Early life and training Bellette was born in Hobart on 25 March 1908 and grew up an only child in rural Tasmania with her artist mother and postmaster father. Initially a student at the local Anglican school in Deloraine, at the age of 13 she became a boarder at Friends' School in Hobart, and then at Hobart's technical college. She was subsequently a student at Julian Ashton Art School in Sydney. Her teachers included Thea Proctor, and fellow students included artist John Passmore. Her drawings and watercolours displayed in the 1934 student art exhibition attracted favourable comment from the art critic for The Sydney Morning Herald. At Ashton's art school, Bellette met fellow Australian artist Paul Haefliger, and in 1935 they married. The following year they travelled to Europe, and Bellette (like Passmore) studied at the Westminster School of Art, where she was taught by figurative painters Bernard Meninsky and Mark Gertler. In 1938, Bellette and her husband studied life drawing at Académie de la Grande Chaumière in Paris. Career Australia Bellette and Haefliger returned to Australia just before the outbreak of World War II. Shortly after her arrival, Bellette held an exhibition at Sydney's Macquarie Galleries. The couple became influential members of the Sydney Art Group, a network of "fashionable" moderns whose membership included William Dobell and Russell Drysdale. Bellette painted and held regular shows – "a solo show every second year and a