against us . . yours" . Although the first step in that circulated Banner Royalty had not yet opted the Jimenistas groupings (or bowling) and Horacistas (coludos), its pages contain sharp criticism against the first as Jimenes was seen as the main opposition lilisista of dictatorship, especially for his expedition aboard the steam Fanita in 1898, and that had obvious sympathy with the dictatorship between groups of literate urban Fiallo was part of that. Thus, in October 1899, before the election, with reservations accepted Fiallo candidacy Jiménes.6 died in Havana, Cuba, 28 August 1942. His remains were transferred to Dominican Republic in 1977 by order of the government then presided Dr. Joaquín Balaguer. His remains rest in the National Pantheon of the Dominican Republic in Santo Domingo. Poetry and prose Despite his relative obscurity, Fiallo was intimate friends with Nicaraguan poet, Rubén Dario, the leader of the modernista movement, who was one of his most fervent admirers: "Few times have I written about a poet with so much pleasure as now about Fabio Fiallo. I love the souls of pearl and the manners of silk." Fiallo was by nature cosmopolitan, elegant, and a lover of the beautiful, the luxurious, the refined, and the exotic. Critics have found in his poetic works an imitation of Becquer, Heine, and de Musset, however he himself denies the influence of both Heine and Becquer, saying he’s not as bitter and sarcastic as Heine nor a sorrowful grumbler like Becquer. Juana de Ibarbourou sees in him the Alfredo de Musset of America. She further says of him: “All in his verse is charming, sumptuous, and regal. One cannot find in Fabio Fiallo poems of the hoe and hammer; verses with the crazy rhythm of jazz, strophes that seem to be born in one of those machines that are killing in this world true poetry and noble manual work. For his honor we shall say he is backward in this mechanical and noisy hour in the world, as a king in the hour of the revolutionary crowds. Thus Dario thus Heine, and thus Becquer. It is worthwhile to be backward in such company." He has also stated that the writers who most influenced him in his short stories are Guy de Maupassant, Catulle Mendès, and Edgar Allan Poe. Works Primavera sentimental (1902) Cuentos frágiles (1908) Cantaba el ruiseñor (1910) Canciones de la tarde (1920) Plan de