a term. Although rebuilt for Russell Thatcher the prow overlooking Daveys Bay replicates the original design accurately. Much original substructure and a stairway still exist. 21 is a vacant block of land belonging to the estate which guarantees a superb view over the water. 113 30 August 1955, works at 131 Mont Albert Road, Canterbury for Capt. F. Grose, Builder: W.F.R. Wood. 118 4 October 1955, works at Shepparton for Geof Thompson Cool Stores and Fruit Packing, Builder: A.V. Jennings Additional Details c1933 works at 3 Bowen Street, Kew for Robert Featherstone (elder brother). Since subdivided internally and now 1 & 3 Bowen Street. Rae's father had working carriage horses in the tramway paddock next door which is now a car park. c1955 works at 34 Parker Street, Cnr Jackson Street, Anglesea for G.W.P. Unique illustrated sign "Blue Peter" has always hung from the eaves. Still in possession of family in 2014. Confidentiality applies. Notable projects Yule House, 1932 When he first began working in the office of Oakley & Parkes Featherstone was involved in the design of the Yule House, 309-311 Little Collins Street. Built in 1932, Yule House is an exceptional example of Moderne Architecture in Melbourne, the "first commercial building in Australia to demonstrate the principles of the emerging Moderne style". The significant influence of Yule House can be seen in many of Featherstones projects. ANZAC House, 1938 The ANZAC house functions as a library and memorabilia collection for war time diaries, letters and other paraphernalia. This collection is part of the Victorian Collections. The building is a Georgian revival, Palazzo style typical of buildings in the early interwar period. The majority of the building design was done by Stanley Oaks. Featherstone’s involvement with this project specifically pertained to the entrance hall and entry facade itself. Holiday residence for G Nelson Raymond (Blue Peter), 1956 21 Gulls Way, also known as "Blue Peter" (built prior to the children's show, more likely referring to the nautical flag) gained national recognition when the house was published in ‘Best Australian Houses’ in 1961. Blue peter is a fairly typical example of the more modern and exclusive beach houses of the 1950s. The house consists of two interlocking squares and a triangular raised terrace facing the waterfront. The house was open-plan and could sleep 6 people, with spaces serving multiple purposes. The living room was planned around an elaborate stereophonic installation