Elliot and Comstock co-produced Oh, Boy!, which opened at the Princess on 20 February 1917. The show, by Kern, Guy Bolton and P. G. Wodehouse, starred the young Marion Davies, Justine Johnstone, Tom Powers and Edna May Oliver. Oh, Boy! ran for 463 performances. Oh, Lady! Lady!! was another successful musical by the same team. It opened at the Princess on 1 February 1918 and ran for 219 performances. Stars included Vivienne Segal and Margaret Dale. Film productions Comstock ventured into film. The F. Ray Comstock Film Corporation released Evidence in 1915, a silent film drama. In 1916 the F. Ray Comstock Photoplay Company released The Lottery Man, a silent feature based on the play of the same name by Rida Johnson Young. Comstock co-produced the film with Leopold and Theodore Wharton. The film was made in 1915 at Wharton Studios in Ithaca, New York. Other shows Leave It to Jane, co-produced with William Elliot, opened at the Longacre Theatre on 28 August 1917 and ran for 167 performances. This was another new musical with lyrics by P.G. Wodehouse. Miss 1917 opened at the Century Theatre on 5 November 1917. It only lasted 48 performances. In 1917 Comstock and Morris Gest began rehearsals for a Broadway production of the hit British musical extravaganza Chu Chin Chow at the Manhattan Opera House. After several weeks of rehearsal, the cast still did not know when the show would open or what they would be paid. The Actors' Equity Association, had been formed in 1913 to arbitrate disputes over pay and working hours with the Managing Producer's Association. They saw Chu Chin Chow as an opportunity for a class action. Comstock moved quickly to agree on wages with the cast, and forestalled the threat. Chu Chin Chow, staged by Gest, William Elliott and Comstock was a "musical tale of the East". The musical starred Tyrone Power, Sr., Florence Reed and George Rasely. It combined elements of pantomime, ballet, musical comedy and comic opera. The settings, lighting, music and stagecraft techniques combined to make a remarkable production. On 31 December 1917 William Elliott, Comstock, and Gest announced that they had leased the Century Theatre and would transfer Chu Chin Chow there in January 1918. They subsequently used the Manhattan Opera House for melodramatic spectacles, while the Century would be devoted exclusively to "the highest class musical productions". Comstock and Gest produced Aphrodite at the