until 18 May 1910 that the name of the Contemporary Art Society was settled upon. 1910 also saw its first purchase, Augustus John's Smiling Woman, 1908–09, which was presented to Tate in 1917. First public collections to join the CAS as members were the Ulster Museum, Belfast; New Walk Museum & Art Gallery, Leicester; and Manchester Art Gallery, all in 1912. The Contemporary Art Society laid the foundation of the Tate's modern collection in the early years of the organisation. In 1917 Tate was reconstituted in its dual capacity as the National Gallery of British Art, with special responsibility for modern British art, and for the first time as the National Gallery of Modern Foreign Art. At this period the Tate had no government grant, so the acquisition of modern art had to be financed out of small private funds. The largest of the these was the Chantrey Bequest, which was controlled by the Council of the Royal Academy and had very conservative taste. It was left to the CAS to see that some more adventurous work by British artists came into the Tate collection. In the 1920s this meant mainly Camden Town and Bloomsbury painting and the artists who showed with the London Group. In 1919 the prints and drawings fund was founded, led by Campbell Dodgson, Keeper of Prints and Drawings at the British Museum. Initially having a separate subscription fee, the purchased works were shown throughout the country before being donated to the British Museum, who held their own exhibitions of the works in 1924, 1936 and 1940. The CAS's first Pottery and Craft Fund was set up by Ernest Marsh in 1928, which used modest funds to build up representative collections of the crafts in major centres. This had ceased to function by 1949, but the CAS has acquired craft through various schemes throughout its history, most recently through the Omega Fund, which was set up in 2014. In 1947, HM Queen Elizabeth The Queen Mother became Royal Patron of the Contemporary Art Society, a position she held until her death in 2002. In 1998 Arts Council England awarded the CAS a £2.5 million grant from National Lottery capital funds to establish the Special Collections Scheme, through which 610 works by 313 artists and makers were purchased for 18 collections across England in order to develop "challenging collections" of contemporary art in regional museums. This included