Circle went on tour in the 1922–23 season in cities such as Philadelphia, Chicago and Boston, with great success. In 1922 Arch Selwyn produced Channing Pollock's The Fool. The initial reviews were poor, but Pollock launched a publicity campaign that created a wave of interest and turned the play into a great success. The Selwyns produced Romeo and Juliet in 1923. Arch Selwyn produced Andre Charlot's Review in 1924 at the Times Square Theater, a musical review from Britain directed by André Charlot. Stars included Gertrude Lawrence, Beatrice Lillie and Jack Buchanan. The show was a hit, with 289 performances. The Selwyn brothers did not work together after 1924. Arch Selwyn continued to produce plays such as Noël Coward's Easy Virtue (1925) and This Year of Grace (1928). In 1926 he brought Andre Charlot's Review back to the Broadway stage with the original principals. Paulette Goddard appeared in Selwyn's production of The Unconquerable Male, which premiered in March 1927 in Atlantic City, New Jersey. The play was a flop, and closed after only three days. This Year of Grace opened in November 1928 and ran for 158 performances. Coward starred with Beatrice Lillie, and wrote the music, lyrics and sketches. Selwyn produced Coward's Bitter Sweet (1929), an operetta, in partnership with Florenz Ziegfeld, Jr. The show was praised by the New York critics, but ran for only 159 performances. On 29 October 1929 the stock market crashed, and Ziegfeld was wiped out. After this Selwyn had little success. The musical comedy Wake Up and Dream, co-produced by Arch Selwyn, opened at The Selwyn on 30 December 1929, and ran to 136 performances. The cast included Jack Buchanan, Jessie Matthews and Tilly Losch. Cole Porter had written the music. The revue was tasteful, refined and intelligent, but was short of material. Reviews were mixed. Continental Varieties, a vaudeville review co-produced by Selwyn and Harold B. Franklin, opened at the Little Theatre on 3 October 1934 and ran for 77 performances. Yip Harburg wrote the lyrics. Revenge with Music was a modern version of the Spanish short story The Three-Cornered Hat by Pedro Alarcón. It opened at the New Amsterdam on 28 November 1934 and included some of Arthur Schwartz's best songs. The Broadway treatment was not memorable. The show stayed open for twenty weeks, but the investment of $120,000 returned only $45,000. The comedy Foreigners appeared on 5 December 1939, but