nave, forming a balcony overlooking the pulpit. The opening to the nave was closed off around 1984 with a screen and door. The gallery is accessed separately from the nave via the tower's staircase, allowing the Sunday School children to be brought into the gallery and taken away to lessons without disturbing the service. This gallery is long disused and the steps beside the pews have become rotten and unsafe. The second floor is the clock chamber, containing an 1889 turret clock mechanism by Potts of Leeds, who as of 2014 continue to maintain it. The clock chamber has no windows and is completely dark. The bell chamber is on the third floor and contains the single bronze bell and clapper for the clock. Above the bell frame there is a hole in the bell chamber ceiling, and through that opening can be seen the inside of the spire. It is a hollow cone of stone blocks, unsupported by any interior frame, and is full of light because it has four lucarnes at the bottom, and eight more large openings higher up. Nave Inside there is an arch-braced hammerbeam roof. This is seen to full effect because of the contrasting dark-stained wood against very pale ceiling paint, and the large amount of light from clear-glazed windows. Until at least 1984 there was an 1870 carved, square, marble font standing on four marble colonnettes, designed by Mallinson and Barber and funded by Mrs Bensted, wife of the vicar of Lockwood. The font was replaced in the 1980s, when the church room was installed inside the back of the nave, and the whereabouts of the original is unknown. Because an artisan painter is credited, there may originally have been wall paintings. The entrance area and aisle are paved with coloured, plain encaustic tiles whose layout pattern was designed by Mallinson and Barber; the floor under the pews retains its original floor boards. The organ was made by F.W. Jardine for Kirtland and Jardine in 1870, and was fully restored in 1990. It fits into the organ arch, which was designed for its dimensions. The original 1870 carved oak pulpit on its carved stone plinth stands in its original position in front of the north side of the chancel arch. Many of the original pews designed by Mallinson and Barber still exist in situ, but the ones at the back of the nave