James Dean Pruner (1951 – 1987/8) was an American painter, printmaker, draftsman, zinemaker, sculptor, and poet. Born in Lyons, Kansas, he also lived in Hays, Ellinwood, St. John, and in rural Stafford County, Kansas, where he farmed and maintained a studio. His works include a diverse range of subjects and styles, but with several consistent themes, including human relationships, animals and the land, and problems he associated with modern life, nuclear warfare, and technology. He produced more than 300 paintings, thousands of ink drawings, prints and etchings, silk-screened cards and posters, and more than 50 sculpture and assemblage pieces during his lifetime. Pruner's works can be found in the collection of the Spencer Museum of Art at The University of Kansas, at The Stone Gallery in Hays, KS, and in numerous private collections. Early life and education Pruner was the second of three children born to Rosaleen Pruner (1928-1985) and Levon W. "Lee" Pruner (1922-2001). He attended Fort Hays State University before completing his BA in 1975 at Pittsburg State University and his MA in 1976 at Emporia State University. In the catalog for his graduate exhibition in 1976, he writes: "My sense of humor and ability to communicate thru non-traditional avenues connect and interrelate, creating art which smiles at the anxiety, frustration, and pressure of 20th century living. I twist historical themes, use personal symbols, reconstruct my knowledge of the masters, and receive inspiration from friends. "I am influenced by de Kooning's means of producing an image. The gesture, rapidity, and spontaneity are important in my quest to capture this likeness. I use historically visual remains; reinterpret and produce. From Rembrandt's "Dutch Masters" to Diebenkorn's "Ocean Park Series" my paintings emerge and continue to grow. "The "Story of Love" is a series of exotic landscape paintings. The work fuses the necessity of speed with the harmony of color. In this age of mass sterilization and dissatisfaction the "Story of Love" portrays my efforts to reach a different realization. The bittersweet destination of these paintings directs my fantastic notions of survival." 1970s and 1980s "At 36, he'd become one of the Midwest's most distinctive painters and a colorful figure among the area's no-frills farm folk," writes Doug Hitchcock for Borderline magazine. After completing his MA, Pruner moved to Ellinwood, KS, where he rented a small studio that he shared with another artist. When his studio-mate destroyed the studio (and eight