detention. He sent about 4,000 voice messages chronicling his experiences for the award-winning Guardian Australia-published podcast The Messenger. Aziz was a community leader for the Sudanese detainees on Manus. He participated in the 2015 hunger strike and was taken to the Lorengau jail (as was Boochani), where he was held without charge. He helped to prepare other detainees' legal challenges to their ongoing detention in Australian and PNG courts. He also spoke out about the conditions in the centre with news outlets such as CNN, Al Jazeera, and The Guardian. He advocated for humane living conditions and adequate medical care. He was one of the leaders of the peaceful resistance to being removed from the centre when it was closed. He was granted refugee status in 2015, but it wasn't until June 2019 that a third country, Switzerland, granted asylum to Aziz. In the arts Chauka, Please Tell Us the Time is a documentary film co-directed by Boochani and Netherlands-based Iranian filmmaker Arash Kamali Sarvestani released in 2017. It was shot by Boochani from inside the detention centre. The whole film was shot over six months on a smartphone, which had to be kept secret from the prison authorities. Boochani's award-winning memoir, No Friend But the Mountains: Writing from Manus Prison (2018), is an autobiographical account of his perilous journey from Indonesia to Christmas Island and thence to Manus, and tells of what life is like for the detained men. Boochani also collaborated with Iranian-born Melbourne photographer Hoda Afshar on a two-channel video work, Remain, which includes spoken poetry by him and Iranian poet Bijan Elahi. Afshar describes her method as "staged documentary", in which the men on the island are able to "re-enact their narratives with their own bodies and [gives] them autonomy to narrate their own stories." The video was shown as part of the Primavera 2018 exhibition at the Museum of Contemporary Art Australia in Sydney, from 9 November 2018 to 3 February 2019. Both Afshar and Boochani believe that art can hit home in a more powerful way, after the public has become immune to images of and journalism about suffering. A photograph taken by Afshar entitled "Portrait of Behrouz Boochani, Manus Island" as part of her work for Remain was awarded the prestigious William and Winifred Bowness Photography Prize by the Monash Gallery of Art in October 2018, as well as the Australia People's Choice