enlargement of being", meaning that because it is a drive toward the absolute, all limitations disappear, and instead of seeing the world finitely, as he does through the sensuous drive, "man has raised himself to a unity of ideas embracing the whole realm of phenomena". Since the sense drive places us in time, indulging in the formal drive removes us out of time, and in doing so "We are no longer individuals; we are species". While this seems like a perfected state, it is only a point on the path of a human being reaching their maximum potential. In equilibrium To maximize potential of the two drives, Schiller argues, one cannot suffocate or limit the other. The perfection of the sense drive would consist in maximizing changeability and maximizing extensity. This is the development of receptivity, through which human beings present more "surface" to phenomena of the world. "The more facets his receptivity develops, the more labile it is, and the more surface it presents to phenomena, so much more world does man apprehend, and all the more potentialities does he develop in himself". To suppress this faculty would not achieve the perfection of the form drive, rather the opposite. The perfection of the form drive is accomplished in its ability to oppose the sense drive through its endurance to change. "The more power and depth the personality achieves, and the more freedom reason attains, so much more world does man comprehend, and all the more form does he create outside of himself". Therefore, the Form drive's autonomy and intensity are maximized as a response to the maximization of the sense drive. "Where both these aptitudes are conjoined, man will combine the greatest fullness of existence with the highest autonomy and freedom and instead of losing himself to the world, will rather draw the latter into himself in all its infinitude of phenomena, and subject it to the unity of his reason" This "conjoining" of the two faculties, are actually a mediation by the third fundamental drive, the play drive. Play Drive The play drive mediates the demands of the sense and the form drive. "The sense drive demands that there shall be change and that time shall have a content; the form drive demands that time shall be annulled and that there shall be no change. That drive, therefore, in which both others work in concert is the play