right. Begging the feminist critique; by turning women into artists; are images created by women different from those created by men? Selected works Comrade Objects - Agnes Etherington Art Centre] - Kingston Significant to make mention to, is Ciara Phillips' Comrade Objects Exhibition held at the Agnes Etherington Art Centre in Kingston, Ontario (Fall 2016). This work focuses on Phillip's visual language and use of semiotics akin to many artists that influence her work. This being, her first major exhibition in Canada, draws upon her interest in collaboration — including a rendition of her Turner Prize-Nominated Workshop (2010 — ongoing) as well as a body of work done in partnership with Clive Robertson, a Canadian artist and curator. At the same time, this exhibition, with its emphasis on involvement, featured a residency engaging equally with the Kingston community and Queen's University students, like the Fine Art (Visual Art) Program. Workshop (2010–ongoing) -The Showroom - London This work, as mentioned earlier, is an ongoing project installed as a large-scale workshop and functions as a temporary print studio during an exhibition. This was first completed in the Showroom Gallery in London, England and was the project that resulted in Phillips' Turner Prize Nomination. Throughout the first iteration of this work, Phillips' invited community members and local women's groups to participate in screenprinitng. Working collaboratively alongside Phillips', she explores the potential of the experimental and wider uses of print while remaining current to the events within the gallery and community's context. What We Recognize In Others - CCA Derry Londonderry The exhibition of work known as What we Recognize in Others, was Phillips' first solo show in the United Kingdom since her nomination for a Turner Prize in 2014. In this body of work, she screen-printed a collection of photos of her peers onto fabric with text and layers of colour printed overtop in an effort to mask and highlight areas of these photographs. She furthers this layering technique by subsequently layering the walls of the gallery with paintings and fabric, mirroring the work itself. In many ways, this work serves to discuss the handmade quality of work and emphasize the gestural relationships rooted in collaboration. Though Ciara is widely known for her collaborative work, this exhibition was done exclusively on her own. It explains the roots of feminism within her work as well as an emphasis on her influences from historical print-making