with the technical aspects, material composition and workshop operations of silver and bronz casting under Bernward. The focus is on the Bernward Doors and the Bernward Column. 184 pages, 25 drawings by the author. Abstract: As well as an analysis of the narrative structure of the images on the Bernward doors, this work also justifies the interpretation of the first scene on the left leaf, which had hitherto not been clearly explained, as a depiction of the creation of Adam and Eve. pdf-Datei der Monographie 14 pages, 13 black and white images. Abstract: The publication deals with the symbolism of the depiction of trees on the doors, considering each of the scenes relationship to each other. 96 pages, 50 colour and 9 black and white images. Abstract: The work synthesis previous scholarship, but without references. In the description of the individual scenes the focus is on the theological and iconographic connections: the perfection of the creation of man and woman by Christ and his church. 145 pages, many black and white images and details. Abstract: The work deals with the production of bronzeworks under Bernward at Hildesheim. The main focus here too is on the description of individual scenes in theological and iconographic terms. Abstract: The author finds that the expression (arch)angelicum templum specifically signifies the angel's patronage in the imperial sanctuary of St. Michael at Constantinople and at Chonai in Asia Minor, the major pilgrimage site for St. Michael in Christendom. Richard Hoppe-Sailer: Farbe - Fläche - Körper - Raum. Gotthard Graubners Gemälde im Dialog mit der Hildesheimer Bernwardtür, in: übergänge | transitions. Gotthard Graubner - Bernwardtür - Qiu Shihua, hg. v. Michael Brandt u. Gerd Winner, Hildesheim 2014, S. 6-15. 10 pages, 3 colour tables. Abstract: Critical synthesis of the scholarly literature with bibliography. 16 pages, 22 colour images. Abstract: Discussion of the results of excavation in the west choir of St. Michael. Renate Maas: Bernwards Tür als Ereignis der Gegenwart, in: übergänge | transitions. Gotthard Graubner - Bernwardtür - Qiu Shihua, hg. v. Michael Brandt u. Gerd Winner, Hildesheim 2014, S. 20–29. Renate Maas, Hans Jantzens Analyse ottonischer Kunst: Der Bildraum als Symbol historischen Anfangs und ontologischen Ursprungs. In: Ingrid Baumgärtner et al. (Hg.), Raumkonzepte. Göttingen: V&R unipress, 2009, S. 95-123. 190 pages, many black and white images and diagrams, 77 black and white tables. Abstract: Older but still fundamental work on Bernwardian sculpture, which contains a