Karol Tchorek (born 30 October 1904, in Serock, died 10 April 1985, in Warsaw) was a Polish sculptor, art dealer and art collector. The designer of monuments, an activist in the ZPAP, and winner, among other awards, of the Polish Order of Polonia Restituta. Biography Karol Tchorek was born on October 30, 1904 in Serock. He came from a poor peasant family and his general education ended quickly. At the age of 15, as a volunteer, he took part in the Polish–Soviet War. In his youth, he worked as a sandblaster on the Vistula river. His artistic education began at the Municipal School of Decorative Arts and Painting in Warsaw, and continued at the capital's School of Fine Arts (Szkoła Sztuk Pięknych). His teachers included sculptors Jan Szczepkowski and Tadeusz Breyer. From 1929, he was a member of the Cooperative Sculptural Form (Spółdzielni Rzeźbiarskiej Forma). He collaborated with the Society for the Promotion of Industry People (Towarzystwem Popierania Przemysłu Ludowego), and also began collecting Kurpian cutouts. In 1932 he was given a grant from the National Culture Fund (Funduszu Kultury Narodowej). His work was also part of the sculpture event in the art competition at the 1932 Summer Olympics. In 1937 he designed the sarcophagus for former Polish leader Józef Piłsudski. During World War II, two of his studios were destroyed - one in the Warsaw suburb of Powiśle and the other in the town of Brok. He lost his home and also the gallery he ran from 1943 to 1944: the Art Salon Nike. His work continued from 1945 to 1951. Nike was a de facto merger of a private art gallery with an informal antique shop. In 1945 he took part in the General Assembly of Delegates of ZPAP in Kraków, and he became the secretary of the Presidium of its board. He held this position from 1945 to 1946. During this time, he also helped folk sculptor Leon Kudła, whose works he collected. In later years he held senior positions in the Sculpture Section of ZPAP's Warsaw district. In 1949, Karol Tchorek won a competition for the design of plaques commemorating public executions in Warsaw during World War II. To this day, in Warsaw, there are over 160 plaques designed by the artist still remaining. In 1952, he took part in work on the Marszałkowska Residential District, which resulted in the creation of relief Macierzyństwo (Motherhood) at