2 (1979). The song "Karar Ver", inspired by the pop songs of the 1980s, was described by critics as the album's best song. The second disc begins by the song "Hani Bana", written and composed by Mert Ekren. "Alt Dudak", "Hani Bana" and the other piece composed by Erken, "Naber", which includes a melody with syllabic prosody, are the songs for which separate music videos were made and released. The song "Mükemmel" was created after Yener and her team spent time in the studio looking for an ambitious name for the album they were preparing. The only song in the album that was written by Yener herself is "O Kadın Gitti". On the album's cover, which was taken by Tayfun Çetinkaya, Yener wore a golden gilded outfit and posed with her yellow hair. In one of the album's promotional concerts in Bursa, she wore the same outfit and her weight gain became a subject of many tabloid news. Later, Akşam reported that the outfit was similar to the one used by Rihanna in the music video for her song "Rude Boy" (Rated R, 2009). Yavuz Hakan Tok criticized the album's cover and photographs by saying that "Yener's messy and sloppy image, which was intended to be different and frivolous, turned out to be funny and meaningless". He also wrote that the album booklet could be much more ambitious. Critical reception Mükemmel received generally positive reviews from music critics. Some critics praised Yener's innovations in this album. Hürriyets Sadi Tirak believed that the album had the "classic Hande Yener concept" and was "pretty good based on normal Turkish pop standards!" Hikmet Demirkol from the same newspaper described Mükemmel as "a work that clearly shows Hande Yener with a new and different atmosphere". Naim Dilmener, however, believed that the album had not made "as much noise as expected". Hayat Müzik's critic, Yavuz Hakan Tok, wrote that the album was "one of the best pop albums in recent times" and believed that Mükemmel could be "a breath of fresh air that could change the infertile cycle of Turkish pop and open new paths for new experiments". He also wrote that Yener seemed to have stopped moving on "the curve of decline on which she had stuck for years". Dikkat Müzik's Olcay Tanberken believed that Yener's decision to stop working with Sinan Akçıl was "a development good enough that have to be celebrated with