Sangeet Sharada is an 1899 Marathi Sangeet Natak (Musical play), written and directed by playwright Govind Ballal Deval. The play is considered as the first play in Marathi to showcase the social problems and broke the norms by dealing with the subject of child marriage when dramatic literature in India mainly focused on historical-mythological narrations. Over the period of time, various stage actors like Bal Gandharva, Vishnupant Pagnis, Bhalchandra Pendharkar have performed the lead role of Sharada. Going with the format of Sangeet Natak, play had more than 50 songs, penned and composed by Govind Ballal Deval himself and music attained a cult status over the period of time. The play "is considered to be a pioneer in social drama in India" and gained the popularity in such a way that when the Child Marriage Restraint Act, proposed by Haribilas Sarda, also known "Sarda Act", was passed in 1929; it was mistaken to be named after the play as "Sharada Act". Plot Bhujanganath, a geriatric widower, wants to marry one more time so that he can have heir to his property, thus befriends Bhadreshwar Dixit, a middleman, who would help him in finding a young bride. Though a well known person in the village, Dixit finds difficulties in getting a bride for Bhujanganath, as nobody agrees for the proposal because of his old age. Dixit convinces Bhujanganath to visit other villages to search for brides and advises him to behave like a wealthy person, which would make it easier to get a bride for Bhujanganath. Both along with Kodand, a young orphaned Purohit, visit Gangapur and manage to convince people in the village that Bhujanganath is a rich and young man. Kanchanbhat who wishes to marry his young teenage daughter, Sharada, to a rich person hears about Bhujanganath's arrival in the village. He approaches Dixit with the help of one of his friends, Suvarnashastri and readily accepts the proposal when Dixit proposes 5000 as dowry in marriage. Indirakaku, Kanchanbhat's wife and Sharada's mother, disagrees for the marriage when she learns the truth about Bhujanganath. When Kodand visits Kanchanbhat's house along with Dixit, he opposes the marriage and threatens Dixit and Bhujanganath that he will tell the truth and will also lodge a complaint in the police station as the proposed marriage is planned between an old person and a teenager. Frightened Dixit locks Kodand in the basement. With Kodand missing,