records achievements in India, has estimated that Behl has criss-crossed across India to an extent of about 1,60,000 km (till 2006) while producing his documentaries on art and sculpture of India. Behl is also mentioned by Limca Book of Records 2012, as most travelled photographer to document Indian art influences across the world; and to have travelled Nagaland, Assam, Tripura, Spiti, Ladakh etc. to document Buddhist and other art. Updated record in Limca Book of records 2015: Benoy is the only person to document Buddhist heritage of 19 regions in 17 countries. He has delivered 349 lectures in 186 major universities/ museums/ cultural institutions in 21 countries around the world. He has made 128 documentary films on Indian art and cultural history. His exhibitions have been held in 253 major cultural institutions in 30 countries. He has taken over 44,000 photographs of monuments and art heritage in India and across the world. Exhibitions Photographs taken by Behl are exhibited at several places like Fung Ping Shan Museum, University of Hong Kong (Feb–March 1995), National Museum New Delhi (21 June 2002 to 4 August 2002), Nehru Centre, New Delhi, London, Tokyo, Washington D.C. His exhibitions are on permanent display at Ryukoku University, Kyoto Jade Buddha Temple, Shanghai Dun Huang Research Institute, Dun Haung Shwedagon Pagoda, Myanmar He has travelled around the world eight times, giving more than 300 lectures in about 170 locations which include Universities, Museums, Institutions all over the world. India-Japan Relations Benoy K Behl has done pioneering work on establishing cultural links between India and Japan. His works has been reported in numerous newspapers, including The Times of India. Behl's film on the subject on Indian deities worshipped in Japan can be seen on the YouTube channel of Ministry of External Affairs, Govt. of India. Publications THE ART OF INDIA, Sculpture and Mural Painting, Ancient and Medieval Period, The Hindu Group of Publications, 2017 and 2018. A special publication in two volumes of more than 500 pages from The Hindu Group. The book presents a vast perspective on the history of Indian art: ranging from the eighth century Sun Temple at Martand in Kashmir, which in its time may have been one of the grandest structural temples standing in India; the trans-Himalayan Buddhist monasteries; the breathtaking architecture of the Ramanathaswami Temple in Rameswaram; the rock-cut Jaina reliefs Kazhugumalai; the glory of the Konark Temples in the east; the