their country. As the air raids begin again, the two doctors stoically face the next air raid together. Cast As appearing in China Sky, (main roles and screen credits identified): Randolph Scott as Dr. Gray Thompson Ruth Warrick as Dr. Sara Durand Ellen Drew as Louise Thompson Anthony Quinn as Chen-Ta Carol Thurston as Siu-Mei Richard Loo as Col. Yasuda (Japanese: 陸軍大佐安田, Rikugun-Taisa Yasuda) Ducky Louie as Little Goat Philip Ahn as Dr. Kim Benson Fong as Chung H.T. Tsiang as Magistrate Chin Kuang Chow as Little Charlie Production Although Pearl Buck's novel had been optioned for film production in 1941, one nagging plotline held up actual work as screenwriters dealt with an unsympathetic anti-American Chinese character. Phillip Ahn's character was ultimately changed from the American schooled Chinese Dr. Chung to a half Korean and half Japanese character. His name, Kim Han Soo may have been inspired by real life Korean agent, Killsoo Han. During its lengthy and troubled rewrite as a succession of screenwriters, directors and production staff were assigned to the project, the studio considered a number of stars for feature roles including Claudette Colbert, Luise Rainer, Margo, Maureen O'Hara, Kim Hunter and Paul Henreid. The key role of the Japanese antagonist was played by Richard Loo whose Hollywood career in the war was accentuated by a large repertoire of sinister spies, enemy agents and military officers. The RKO Pictures backlot China set over the years was used as a locale in a number of films and television series. It was originally part of the Jerusalem city for Cecil B. DeMille's The King of Kings (1927) and was also redressed and featured as an Arab village in David O. Selznick's The Garden of Allah (1936). In 1945, the set was dressed for China Sky. Reception Released at the end of World War II, China Sky did represent an attempt to portray the Chinese theatre of operations, but despite the game efforts of its stars, was relegated to "B" fare by its low production values. Its star, Randolph Scott, called it "disappointing." Bosley Crowther, reviewer for The New York Times considered the film a tepid marital melodrama. "The Chinese characters are the typical, self-effacing types to be found on the screen and who probably would be looked upon as curios in Chungking. RKO undoubtedly meant well in producing this film as an expression of American friendship for China, but