and many free passes were given out. Soon, the entry queue for "Late Night" snaked around the block. The transition from handyman special to underground hotspot was attributed to the Belleto's planning, dedication, and vision. The conceptual themes for "Late Night" were frequently alternated (sometimes weekly) and occasionally repeated. The various themes subsequently included World War III, Aahz, Trancentral, The Haunted Theatre, Egypt, Alphabet City, Psychedelic Babylon, Unity, and Reunion. The all-night dance parties were eventually referred to using the umbrella term "'Late Night' at the Classic Beacham Theatre." The Aahz nightclub concept was born after Lisa saw the name at a shop in Los Angeles. The Bellettos and Shayni Howen then created and developed the Aahz concept for the Beacham. Shayni and her team created Aahz's iconic décor which included a painted yellow brick road and a giant paper mache Wizard of Oz head behind the stage. At midnight each night, DJ Lisa typically played Rhythm Device's Acid Rock, at which point the stage's curtain was raised and the glowing eyes and smoking mouth of the Wizard were revealed. Eventually the combined tasks of simultaneously playing all of the music and operating the lights became overwhelming for Lisa and as a result Shayni's sister, "Late night" veteran Stacey "StaceBass" Howen, was brought in to operate the computerized lighting control console and promote the nightclub. By the Summer of 1989, Lisa was expecting her first child and still resident DJ. Only two months before the birth of her son she invited Kimball Collins, who was the DJ in the Beacham Buildings northern unit, to replace her and hired him as Aahz's resident Late Night DJ. Joseph Jilbert (DJ Jo-Edd), Steve McClure (DJ Monk) and Paul Campbell (DJ Stylus) had brief stints as DJ at "Late Night" when they were hired to fill in for Lisa or Kimball Collins. Dave Cannalte was quickly brought in as "Late Night's" co-resident DJ. At this point, Underground music such as Industrial dance music and Gothic rock was played during Orlando's normal bar operating hours from 10 p.m. until just after 2 am. Upon an announcement at around 2:30 a.m. (or an opening at 3 am.) that said simply, "Welcome to Late Night," mixed New Beat, Progressive dance, Balearic beat, and Acid house electronic dance music began that frequently lasted until 8 a.m. and occasionally lasted until as late as 11 am. Local DJ's Jerry