Pacio and Giovanni Bertini successfully present an image of both royal and spiritual power, and secure the dynastic claims of future Angevins rulers. See also Capetian House of Anjou Italian Art Trecento Notes Bibliography Blondin, Jill Elizabeth. Pope Sixtus IV at Assisi: The Promotion of Papal Power. In Patronage and Dynasty: The Rise of the Della Rovere in Renaissance Italy, edited by Ian Verstegen, 19-36. Kirksville, Missouri: Truman State University Press, 2007. Bruzelius, Caroline Astird. The Stones of Naples: Church building in Angevin Italy, 1266-1343. New Haven, Connecticut: Yale University Press, 2004. Elliott, Janis, and Cordelia Warr, eds. The Church of Santa Maria Donna Regina: Art, Iconography, and Patronage in Fourteenth Century Naples. Aldershot, Hampshire, England: Ashgate Publishing, 2004. Fleck, Cathleen A. ’Blessed the Eyes that See Those Things you See’: The Trecento Choir Frescoes at Santa Maria Donnaregina in Naples. Zeitschrift für Kunstgeschichte 67, no. 2 (2004): 201-24. Frothingham, Arthur Lincoln. The monuments of Christian Rome from Constantine to the Renaissance. New York: The Macmillan Company, 1908. Gardner, Julian. Saint Louis of Toulouse, Robert of Anjou and Simone Martini. Zeitschrift für Kunstgeschichte 39, no. 1 (1976): 12-33. Hyman, Timothy. Sienese Painting. London: Thames and Hudson, 2003. Kelly, Samantha. Religious patronage and royal propaganda in Angevin Naples: Santa Maria Donna Regina in context. In Elliott and Warr, The Church of Santa Maria Donna Regina, 27-44. Paoletti, John T., and Gary M. Radke. Art in Renaissance Italy. 3rd ed. London: Laurence King Publishing, 2005. Schaus, Margaret, ed. Women and Gender in Medieval Europe: An Encyclopedia. New York: Routledge, 2006. Scotti, Suzette Denise. Simone Martini’s St. Louis of Toulouse and its Cultural Context. Master's thesis, Louisiana State University, 2009. Williamson, Paul. Gothic Sculpture, 1140-1300. New Haven, Connecticut: Yale University Press, 1998. Italian art House of Anjou-Naples Neapolitan Angevin