Weihnachtsbaum (English: Christmas Tree; French: Arbre de Noël) is a suite of 12 pieces written by Franz Liszt in 1873–76, with revisions in 1881. The suite exists in versions for solo piano and piano four-hands. Weihnachtsbaum does not demand great virtuosity, and it has been described as a distant relation of Schumann's Kinderszenen and Debussy's Children's Corner. It occupies an unusual place in Liszt's output, and it may be for these reasons that it has received relatively little attention from performers. Background Liszt dedicated Weihnachtsbaum to his first grandchild Daniela von Bülow (1860-1940; daughter of Cosima and Hans von Bülow). Daniela had accompanied her grandfather to Rome due to his frail condition. The first performance was on Christmas Day 1881 in Daniela's Rome hotel room. This was the day on which her mother Cosima always celebrated her birthday, although she was actually born on Christmas Eve. Structure A number of the pieces are based on Christmas carols. The individual pieces are: Psallite; Altes Weihnachtslied (Psallite; Old Christmas Song; originally a choral work by Michael Praetorius) O heilige Nacht!; Weihnachtslied nach einer alten Weise (O Holy Night!; Christmas Song in Olden Style) In dulci jubilo: Die Hirten an der Krippe (In dulci jubilo: The Shepherds at the Manger) Adeste fideles: Gleichsam als Marsch der heiligen drei Könige (Adeste Fideles: March of the Three Holy Kings) Scherzoso: Man zündet die Kerzen des Baumes an (Scherzoso: Lighting the Candles on the Tree) Glockenspiel (Carillon) Schlummerlied (Slumber Song) Altes provenzalisches Weihnachtslied (Old Provençal Christmas Song) Abendglocken (Evening Bells) Ehemals (variously trans. as In Days Gone By, Old Times, Long Ago, Formerly) Ungarisch (Hungarian; this is separately dedicated to Liszt's friend Kornél Ábrányi) Polnisch (Polish). The work is divided into three books of four pieces each. Not all of the pieces have a Christmas connection. In particular, the last three are believed to be autobiographical in nature, depicting Liszt's relationship with Princess Carolyne zu Sayn-Wittgenstein. Ehemals is said to depict their first meeting, and is similar in mood and spirit to the Valses oubliées. Ungarisch and Polnisch are said to represent Liszt and Carolyne individually. Versions The first version was for solo piano, written in 1873–74. This was not published, and is catalogued as S. 185a. In about 1875 Liszt arranged it for piano four hands (S. 612a). This was also not published. The version for solo piano (or harmonium) was revised 1874–76 (S. 186)