is unique and unrelated to the upper portion of the apse. The Byzantine influence appears to be strong in the style of the frescos, the seraphim have been noted to resemble those in the crypt at the cathedral of Anagni, near Rome. In addition there are touches of pure realism, this is seen in the details such as the unshaven face of the figure at the left of the lower register and the thin and deeply wrinkled face of Magus. The painting could represent direct borrowings from Byzantium or importations from Byzantine Art via Lombardy, Italy. This influence is shown in the costume of the Wise Men (or Maji) which is representative of the eastern court. Other features linking the artwork to Italy are the decorative border, simulated drapery (they have waves and circular medallions), and the geometrical border is similar to the one in the Roman church of San Carlo in Prugiasco (Switzerland). Additional photos References Further reading Anthony, E.W., Romanesque Frescoes, Princeton, 1951, p. 169-170. External links Museum's website YouTube MNAC Audio Guide Google Art Project 11th-century paintings 12th-century paintings Paintings in the collection of the Museu Nacional d'Art de Catalunya Angels in art Fresco paintings in Spain Romanesque paintings