George Woods (1898 – 4 April 1963) was a New Zealand draughtsman, illustrator, and artist. His works show the influence of Māori culture and the Pacific Islands; he had a reputation as an excellent colourist. Education Woods undertook night study at the Wellington Technical College (forerunner to the Wellington Polytechnic) under Harry Linley Richardson, and Frederick Vincent Ellis in 1936. Commercial career Woods' worked at a number of advertising agencies in New Zealand and Australia. While studying at the Wellington Technical College he worked at the Goldberg and Ilott Advertising studios. He also worked in Sydney before moving to the Carlton Caruthers advertising agency in Wellington. While at Carlton Caruthers, he mainly designed posters for the Majestic Theatre, which was across the road from the agency, but also met Ernest Mervyn Taylor. In 1937, Taylor and Woods established a small freelance studio in Willis St, Wellington creating a number of illustrations for the Reed Publishing Company. Art As a modernist, George Woods is best known for his graphic, stylised images and is most readily contextualised alongside contemporaries Russell Clark (1905–1966) and E. Mervyn Taylor (1906–1964). His early work, particularly illustration of books, is associated with the New Zealand Nationalist art movement, with his work set firmly in a native environment. He recognised nature as the bottom line for artists, commenting: "I think artists should begin where Nature leaves off." His colour linocuts exhibited a strong linear image, and his skills as a draughtsman allowed him to develop a sculptural element to his work. Woods frequently employed the technique of simplifying his subject matter by accentuating physical characteristics and omitting others entirely. He had an ability to capture form and light through simple line forms and use of unbroken colour. Many of his works show a flirtation with eroticism and exoticism. His etching Nude (c. 1939) was one of the few prints selected for inclusion in the Centennial Exhibition of International and New Zealand Art at the National Gallery in Wellington. Woods was also included in the New Zealand Society of Artists Exhibition of Works by Contemporary New Zealand Artists, 1939. Woods was intensely interested in Māori culture and had a keen appreciation of Polynesian art and sculpture, borne out of his travels in the region after finishing studies at the Wellington Technical College. Both Woods and his contemporary E. Mervyn Taylor, reinterpreted Māori mythology from a New Zealand European perspective