struggle he shoots and wounds Jolene, but is wounded in return by Kelly Ann who does away him. Both women dispose of Travis' body in a furnace and having completed their goal, leave the farm in Travis' convertible automobile for places unknown to find, scam and murder their next unsuspecting victim. Cast Stephen Baldwin as Travis Patsy Kensit as Jolene Jennifer Rubin as Kelly Ann Adam Baldwin as Bobby M. Emmet Walsh as Sheriff Bob James Crittenden as Lester Art Evans as Earl Yates Joanna Jackson as Lutie Yates Ed Morgan as Judge Henry McGrath David Powledge as Andrew Taylor Jim Lovelett as Rip William Dennis Hurley as Two Pines Bank Teller Bonnie Paul as Astonville Bank Teller Kandra King as Hurley Bank Teller Jeff Yesko as Two Pines Bank Guard Wally Rose as Hurley Bank Guard Michael R. Long as Police Officer Gary Robertson as Travis' Father Clayton E. Robertson as Young Travis Eric M. Breiman as the Rancher (uncredited) Reception Hal Erickson of Allmovie gave the film three out of five stars, stating "When the call went out for a Baldwin, Stephen answered and was cast in the lead of Bitter Harvest. Patsy Kensit and Jennifer Rubin costar as a pair of oversexed young ladies who get their jollies by victimizing their male lovers. Wide-eyed Baldwin, in need of emotional aid and comfort after the death of his father, finds himself the object of the girls' attentions. Even when he realizes he's being played for a chump, Baldwin hasn't got the inclination to escape the ladies' clutches. And then things take a sinister turn." Chris Parry of EFilmCritic gave the film one and a half stars out of five, stating "Sure, Stephen Baldwin isn't generally a name you associate with movies that make a lot of sense (Usual Suspects notwithstanding), but this thing is so totally boring and unrealistic that it's really hard to watch. If not for the nudity of the gals (which, granted, is very nice and very prevalent), there'd honestly be nothing else to watch here but Baldwin's mullet. The direction, by TV hack Duane Clark, manages to introduce tons of sub-plots (such as flashbacks to a mysterious robed figure) then completely ignore them for the remainder of the film. The continual staring of Baldwin's character at a badly painted portrait of a stern old dude would be far less funny if they weren't accompanied