by an anonymous blogger." Many media outlets reported the theft was a hoax to promote the music video. However, the singer's management still affirm property was stolen. When reflecting on the Believe Tour, Bieber's favorite moment was his introduction when he would come down from the top of the stage in wings, and remain above the audience for about 30 seconds. Bieber explained, "It's going to be such a memorable moment from any tour. I think people will remember that. Coming down right from the beginning of the show, it's me and the wings for about 30 seconds. It's such a big moment. People are just captivated and there's nothing else going on, so that moment is going to bleed into their memory." Critical response For the tour premiere, Christina Fuoco-Karasinski (SoundSpike) felt his fans still suffered from Bieber Fever until she realized the vast amount of differences among ages. "Bieber, a native of Stratford, Ontario, Canada, provided a show that made the cavernous arena seem intimate. Massive amounts of lasers sliced through the 15,000-seat venue, breaking Jobing.com Arena into several sections." For the show in Los Angeles, Matt Kivel (Variety) called the show epic yet strangely incoherent. He writes, "Without the pomp and glitz, his talent is unquestionable and the acoustic tracks allowed for a welcome respite from the sensory overload that characterized the evening. [...] His ambition has never been in question, but a greater thematic focus would go a long way toward helping Bieber reach the level of maturity for which he strives." For the same show, Sophie A. Schillaci (The Hollywood Reporter) says the show is absurd for those outside of Bieber's fanbase. She continues, "Vocally, Bieber shined the most with an acoustic performance of 'Fall', during which he strummed a guitar while propped up high above the stage. Through the rest of his set, which also included a high-energy if way too brief montage of 'One Time', 'Eenie Meenie' and 'Somebody to Love', the singing appeared to take a back seat to the dance moves and pyrotechnics, but audience interaction kept his fans coming back for more." Peter Hartlaub (San Francisco Chronicle) praised the stage design during the concert at the Oracle Arena. However, the critic also relayed the scripted nature of the production, stating, "Every decision on the night seemed like a calculated part of Bieber's attempt to execute a full Timberlake, and move