R&B album at that time. Like most of the material featuring the Famous Flames, they weren't credited with Brown on this album,(but they were included in the album's intro by Fats Gonder), though later reissues in the CD era would credit the group alongside Brown later on. The group started experiencing mainstream success following the Apollo album and by 1965 had appeared in TV shows such as The Ed Sullivan Show, the Dick Clark-hosted shows, American Bandstand and Where the Action Is and other shows, both nationally and regionally. The group also began touring globally, performing in venues such as The Olympia in Paris, Royal Albert Hall in London and also appeared on the UK music show, Ready Steady Go! The group's popularity had become so massive that Bennett later said they couldn't leave their hotels to go sightseeing because "we were getting mobbed by people." The group also appeared in two Hollywood motion pictures, The T.A.M.I. Show, which was a 1964 All-Star concert film, taped at the Santa Monica Civic Auditorium on October 28 and 29, 1964 in which the group upstaged headliners The Rolling Stones; and 1965's Ski Party, a Frankie Avalon vehicle in which James Brown and The Flames were humorously cast as the "white bread" resort's all-black ski patrol. Both features were filmed by American International Pictures . Bennett contributed along with James and the other Flames on more hit live albums including the Billboard Top 10 Pop hit album Pure Dynamite! Live at the Royal, where Bennett was responsible for the group's comedic stage routines, and James Brown and the Famous Flames Live at the Garden, though the actual show was at Cherry Hill's Latin Casino. Bennett also contributed to studio albums such as Think! and Showtime. The group's last studio recording with Brown was "Maybe the Last Time", released as the b-side to Brown's rock'n'roll hit, "Out of Sight" in 1964. In addition to recording for King Records, Bennett (and fellow Famous Flame "Baby Lloyd" Stallworth) also recorded several solo James Brown-produced singles for other labels, including the now defunct Loma Records, a subsidiary of Warner Bros. Records, where he recorded "Soul Jerk Pts. 1 & 2", under the billing, Bobby Bennett & The Dynamics. As the group's fortunes increased, however, James Brown began to think in terms of solo success, apart from the Flames, helping to bring dissension within the group, which Bennett