Rolling Stone on and off over the years, he turned his attention to a book. At the age of 22 he came up with the idea to pose undercover as a high school student and write about his experiences. Simon & Schuster gave him a contract, and he moved back in with his parents and enrolled as Dave Cameron at Clairemont High School in San Diego. Reliving the senior year he never had, he made friends and began to fit in. Though he initially planned to include himself in the book, he realized that it would jeopardize his ability to capture the essence of the high school experience. His book, Fast Times at Ridgemont High: A True Story, came out in 1981. Crowe focused on six main characters: a tough guy, a nerd, a surfer dude, a sexual sophisticate, and a middle-class brother and sister. He chronicled their activities in typical teenage settings—at school, at the beach, and at the mall, where many of them held afterschool jobs—and concentrated on details of their lives that probed into the heart of adolescence. This included scenes about homecoming and graduation as well as social cliques and sexual encounters. Before the book was released Fast Times at Ridgemont High was optioned for a film. Released in 1982, the movie version lacked a specific plot and featured no major name stars. The studio did not devote any marketing effort toward it. It became a sleeper hit due to word of mouth. The reviews of Fast Times at Ridgemont High were positive, and the film ended up launching the careers of some previously unknown actors, including Jennifer Jason Leigh, Eric Stoltz, Judge Reinhold, Phoebe Cates, Anthony Edwards, Nicolas Cage, Forest Whitaker, and Sean Penn. Early film efforts Following that success, Crowe wrote the screenplay for 1984's The Wild Life, the pseudo-sequel to Fast Times at Ridgemont High. Whereas its predecessor followed teenagers' lives in high school, The Wild Life traced the lives of several teenagers after high school living in an apartment complex. Filmmaker James L. Brooks noticed Crowe's original voice and wanted to work with him. Brooks executive produced Crowe's first directing effort, 1989's Say Anything..., about a young man pining away for the affections of the seemingly perfect girl. Say Anything... was positively received by critics. By this point, Crowe was ready to leave teen angst behind and focus on his peers. His