its original release) contained a number of songs and spoken word pieces referencing his loss and pain. "She ran off with someone else" said Harper, "a violin player (Nigel Kennedy) I’d been working on an adaptation of Brahms's Violin Concerto with. I was really traumatised by that. Anybody who's been suddenly left like that will know it's very, very traumatic. I managed to come out of it, but it took about five years. It was like a death, a loss, like being told your child's been killed in a war. There's no other way to describe it. When you go through that, it changes your life forever, there's no point in not admitting it. I withdrew, retreated, became an exile". Throughout the decade, Harper's musical influence began to be recognised by a younger generation of musicians, some of whom covered his songs or invited him to make guest appearances on their albums. In 1995 Harper contributed spoken words on the Tea Party's 1995 album The Edges of Twilight, and appeared on stage for their New Year concert in Montreal. In 1996 Roy recited "Bad Speech" from his album Whatever Happened to Jugula? on Anathema's album Eternity (the album also contains a cover version of "Hope" from the same album). The track "Time" from The Tea Party's 1996 multimedia CD, Alhambra, was sung and co-written by Harper. Harper contributed his version of Jethro Tull's song, "Up the 'Pool" (from Living in the Past) for the 1996 tribute album, To Cry You a Song – A Collection of Tull Tales, a version Anderson liked so much he began to perform the "forgotten piece" again in concert and later described it as his favourite Jethro Tull cover song. In 1998, Jethro Tull singer Ian Anderson contributed flute to the song, "These Fifty Years" on Harper's The Dream Society, an album based on emotional, philosophical and actual events in Harper's life. Views of procreation, his mother's continued presence in him and something of his psychological impulses are punctuated by a couple of moments of satire, a love song and a lament, followed by the lengthy "These Fifty years", of which he has said, "In some ways its (anti-organised religion) theme is similar to 'The Same Old Rock', but in many others I think it's stronger". Reportedly, Anderson said that the only reason he originally left Blackpool was because Harper did. Other artists who covered