in the United States and number 4 on the UK Albums Chart. In the Netherlands, the album went to number one. The album received 450,000 advanced orders in the United States. On 30 October 1972, the album was certified gold by the Recording Industry Association of America (RIAA) for 500,000 copies sold in the United States. Atlantic Records owner Ahmet Ertegun presented the group with their gold disc award at a restaurant in New York City on 20 November, where their manager, Brian Lane, announced the band's new five-year contract with Atlantic. The album continued to sell, and was certified platinum for one million copies sold on 10 April 1998. Yes released "And You and I" as a two-part single in the United States in October 1972. In the United Kingdom, the song was released in its entirety with "Roundabout" on its B-side. It peaked at number 42 on the Billboard Hot 100 singles chart in the United States for the week of 16 December 1972. A single edit of "Total Mass Retain" was released as the B-side to the group's non-album single, a rendition of "America" made famous by Simon & Garfunkel, released on 17 July 1972. Reception and legacy Close to the Edge received favourable reviews among critics at the time of release in magazines and newspapers. New Musical Express printed a more mixed review from Ian MacDonald on 2 September 1972. He thought the group were "not just close to the edge, they've gone right over it", though they "played their God-damned guts out" on the album which he called "an attempt to overwhelm us which resulted in only unmemorable meaninglessness". MacDonald concluded: "On every level but the ordinary aesthetic one, it's one of the most remarkable records pop has yet produced". American music magazine Cashbox hailed the album as "a recording masterpiece". In a positive review, Billboard selected the album in its weekly "Billboard Pick" feature, noting that Yes had "progressed to the point where they are light years beyond their emulators, proving to be no mere flash in the pan. The sound tapestries they weave are dainty fragments, glimpses of destinies yet to be formed, times that fade like dew drops in the blurriness of desires half-remembered. All involved deserve praise and thanks, this being not a mere audio experience, transcending the medium it brings all senses into play." Henry Medoza opened his review for