not as good a right to exhibit herself as an Irish Giant or a Dwarf?" Cesars was comparing Baartman to the contemporary Irish giants Charles Byrne and Patrick Cotter O'Brien. Macaulay and The African Association took the matter to court and on 24 November 1810 at the Court of King's Bench the Attorney-General began the attempt "to give her liberty to say whether she was exhibited by her own consent." In support he produced two affidavits in court. The first, from a William Bullock of Liverpool Museum, was intended to show that Baartman had been brought to Britain by individuals who referred to her as if she were property. The second, by the Secretary of the African Association, described the degrading conditions under which she was exhibited and also gave evidence of coercion. Baartman was then questioned before an attorney in Dutch, in which she was fluent, via interpreters. Historians have subsequently stated doubts on the veracity and independence of the statement that Baartman then made. She stated that she in fact was not under restraint, had not been sexually abused and had come to London on her own free will. She also did not wish to return to her family and understood perfectly that she was guaranteed half of the profits. The case was therefore dismissed. She was questioned for three hours. The statements directly contradict accounts of her exhibitions made by Zachary Macaulay of the African Institution and other eyewitnesses. A written contract was produced, which is considered by some modern commentators to be a legal subterfuge. The publicity given by the court case increased Baartman's popularity as an exhibit. She later toured other parts of England and was exhibited at a fair in Limerick, Ireland in 1812. She also was exhibited at a fair at Bury St Edmunds in Suffolk. On 1 December 1811 Baartman was baptised at Manchester Cathedral and there is evidence that she got married on the same day. Later life A man called Henry Taylor took Baartman to France around September 1814. Taylor then sold her to a man sometimes reported as an animal trainer, S. Réaux, but whose name was actually Jean Riaux and belonged to a ballet master who had been deported from the Cape Colony for seditious behaviour. Riaux exhibited her under more pressured conditions for 15 months at the Palais Royal in Paris. In France she was in effect