"JAMsmobile" (Cauty's 1968 Ford Galaxie American police car) as their regular, everyday vehicle. Cressida, too, helped out, taking on an organisational role for KLF Communications, in addition to design and choreography work for The KLF, and her own work as an artist. Engineer Mark Stent recalled Drummond as providing "big concepts and insane ideas", whereas Cauty - he said - was "literally a musical genius". John Higgs wrote in The KLF: Chaos, Magic and the Band who Burned a Million Pounds that: Ambient house, 1988–1992 In the late 1980s, Cauty met Alex Paterson and the duo began DJing and producing together as The Orb. Paterson and Cauty's first release was a 1988 acid house anthem track, "Tripping on Sunshine" released on the compilation Eternity Project One, put together by Paterson's childhood friend and Cauty's ex-bandmate, Martin "Youth" Glover. The following year, The Orb released the Kiss EP, a four-track EP based on samples from New York City's Kiss FM on Paterson and Youth's new record label WAU/Mr. Modo Records. After spending a weekend of making what Paterson described as "really shit drum sounds", the duo decided to abandon beat-heavy music and instead work on music for after-hours listening by "taking the bloody drums away". Paterson and Cauty began DJing in London and landed a deal in 1989 for The Orb to play the chill-out room at London nightclub Heaven. Resident DJ Paul Oakenfold brought in the duo specifically as ambient DJs for his "The Land of Oz" event at Heaven. Though initially The Orb's Monday night performances had only several "hard-core" followers, their "Chill Out Room" act grew popular over the course of their six-month stay at Heaven to the point that the small room was often packed with around 100 people. The Orb's performances became especially popular among weary DJs and clubbers who sought solace from the loud, rhythmic music of the dancefloor. The Orb would build up melodies using multitrack recordings linked to multiple record decks and a mixer. They incorporated many CDs, cassettes, and BBC sound effects into their act, often accompanied with pieces of popular dance tracks such as "Sueño Latino". Most often, they played dub and other chill out music which Bill Drummond described as "Ambient house for the E generation." Throughout 1989, Paterson, Cauty, Drummond and Youth developed the musical genre of ambient house through the use of a diverse array of samples and