to Sam Cooke to Dusty Springfield. Another of Trenet's songs, "Formidable", was written as impressions of a trip to the U.S. Other Trenet songs were recorded by French singers such as Maurice Chevalier, Jean Sablon and Fréhel. Early life Trenet was born in Avenue Charles Trenet, Narbonne, Occitanie, France, the son of Françoise Louise Constance (Caussat) and Lucien Etienne Paul Trenet. When he was seven years old, his parents divorced and he was sent to boarding school in Béziers, but he returned home just a few months later, suffering from typhoid fever. It was during his convalescence at home that he developed his artistic talents, taking up music, painting and sculpting. In 1922, Trenet moved to Perpignan, this time as a day pupil. A water-colourist friend of the family, André Fons-Godail, the "Catalan Renoir", used to take him out painting. His poetry is said to have the painter's eye for detail and colour. Many of his songs had references to his surroundings such as places near Narbonne, the Pyrenees and the Mediterranean coast. He passed his baccalauréat with high marks in 1927. After leaving school he left for Berlin, where he studied art, and later he also briefly studied at art schools in France. When Trenet first arrived in Paris in the 1930s, he worked in a movie studio as a props handler and assistant, and later joined up with the artists in the Montparnasse neighbourhood. His admiration of the surrealist poet and Catholic mystic Max Jacob (1876–1944) and his love of jazz were two factors that influenced Trenet's songs. Before World War II From 1933 to 1936, he worked with the Swiss pianist Johnny Hess as a duo known as Charles and Johnny. They performed at various Parisian venues, such as Le Fiacre, La Villa d'Este, the Européen and the Alhambra. They recorded 18 discs for Pathé, the most successful of which was "Quand les beaux jours seront là/Sur le Yang-Tsé-Kiang". The Charles and Johnny records feature Hess on piano, with the two frequently singing in two-part harmonies with quickly alternating solo spots for the two. Around 1935, the duo appeared regularly on the radio on a broadcast called Quart d'heure des enfants terribles. The duo continued until 1936 when Trenet was called up for national service. After performing this, he received the nickname that he would retain all his life: "Le Fou chantant" (The Singing Madman). He began