first such device to enter practical service. It used electromagnets to drive and synchronize movement of pendulums at the source and the distant location, to scan and reproduce images. It could transmit handwriting, signatures, or drawings within an area of up to 150 × 100 mm. Édouard Belin's Belinograph of 1913, scanned using a photocell and transmitted over ordinary phone lines, formed the basis for the AT&T Wirephoto service. In Europe, services similar to a wirephoto were called a Belino. It was used by news agencies from the 1920s to the mid-1990s, and consisted of a rotating drum with a single photodetector at a standard speed of 60 or 120 rpm (later models up to 240 rpm). They send a linear analog AM signal through standard telephone voice lines to receptors, which synchronously print the proportional intensity on special paper. Color photos were sent as three separated RGB filtered images consecutively, but only for special events due to transmission costs. Types Drum Drum scanners capture image information with photomultiplier tubes (PMT), rather than the charge-coupled device (CCD) arrays found in flatbed scanners and inexpensive film scanners. "Reflective and transmissive originals are mounted on an acrylic cylinder, the scanner drum, which rotates at high speed while it passes the object being scanned in front of precision optics that deliver image information to the PMTs. Modern color drum scanners use three matched PMTs, which read red, blue, and green light, respectively. Light from the original artwork is split into separate red, blue, and green beams in the optical bench of the scanner with dichroic filters." Photomultipliers offer superior dynamic range and for this reason drum scanners can extract more detail from very dark shadow areas of a transparency than flatbed scanners using CCD sensors. The smaller dynamic range of the CCD sensors, versus photomultiplier tubes, can lead to loss of shadow detail, especially when scanning very dense transparency film. While mechanics vary by manufacturer, most drum scanners pass light from halogen lamps though a focusing system to illuminate both reflective and transmissive originals. The drum scanner gets its name from the clear acrylic cylinder, the drum, on which the original artwork is mounted for scanning. Depending on size, it is possible to mount originals up to , but maximum size varies by manufacturer. "One of the unique features of drum scanners is the ability to control sample area and aperture size independently.