under any circumstances. Finally, Ida admits that she has been wrong, and declares that indeed she loves Hilarion, ending with a quotation directly from the Tennyson poem. All celebrate, ("With joy abiding"). Musical numbers Overture (includes "We are warriors three" and "Minerva! oh, hear me") Act I 1. "Search throughout the panorama" (Florian and Chorus) 2. "Now hearken to my strict command" (Hildebrand and Chorus) 3. "Today we meet" (Hilarion) 4. "From the distant panorama" (Chorus) 5. "We are warriors three" (Arac, Guron, Scynthius and Chorus) 6. "If you give me your attention" (Gama) 7. Finale Act I (Gama, Hildebrand, Cyril, Hilarion, Florian and Chorus) "P'raps if you Address the Lady" "Expressive glances" "For a month to dwell in a dungeon cell" Act II 8. "Towards the empyrean heights" (Lady Psyche, Melissa, Sacharissa and Chorus of Girls) 9. "Mighty maiden with a mission" (Chorus of Girls) 10. "Minerva! oh, hear me!" ... "Oh, goddess wise" (Princess) 10a."And thus to Empyrean Heights" (Princess and Chorus) 11. "Come, mighty Must" (Lady Blanche)1 12. "Gently, gently" (Cyril, Hilarion and Florian) 13. "I am a maiden, cold and stately" (Cyril, Hilarion and Florian) 14. "The world is but a broken toy" (Princess, Cyril, Hilarion and Florian) 15. "A lady fair, of lineage high" (Psyche with Cyril, Hilarion and Florian)2 16. "The woman of the wisest wit" (Psyche, Melissa, Cyril, Hilarion and Florian) 17. "Now wouldn't you like to rule the roast" (Melissa and Blanche)3 18. "Merrily ring the luncheon bell" (Blanche, Cyril and Chorus of Girls) 19. "Would you know the kind of maid?" (Cyril) 20. Finale Act II (Princess, Hildebrand, Melissa, Psyche, Blanche, Cyril, Hilarion, Florian, Arac, Guron, Scynthius and Chorus) "Oh, joy! our chief is saved" "Whom thou hast chained must wear his chain" "Walls and fences scaling" "Some years ago, no doubt you know" "We may remark, though nothing can dismay us" "To yield at once to such a foe with shame were rife" 1 Starting in the 1920s, the D'Oyly Carte Opera Company traditionally deleted this song. 2As musical director, Harry Norris was responsible for adding prominent horn parts to the accompaniment to "A Lady Fair". They were expunged by Malcolm Sargent but subsequently restored by Royston Nash in the 1970s. These are customarily referred to as the "Norris" horn parts, though they may have been written by Geoffrey Toye. 3 The first line of this song is often erroneously