country. The community in Bull Bay is very tight knit and a place of refuge for poor people, as it offers free shelter, food, and education. Prince Emmanuel is called "Dada" by his followers, which was a name taken from Idi Amin, who was called Idi Amin Dada. Emmanuel is also seen by the Bobos as part of a triad - together with Marcus Garvey and Haile Selassie I, where Selassie is regarded as King, Garvey as prophet, and Emmanuel as high priest. Marcus Garvey is praised by the Rastafarians for his call for pan-Africanism, which looks to unite Africans all over the world and achieve gender, social, and economic equality. In his Farewell Speech in 1916, Garvey announced the future crowning of a Black King, the spot which Haile Selassie filled as the leader of the Black Nation and Messiah. He is considered the reincarnation of the King Alpha, and Empress Menen is considered the reincarnation of Queen Omega. Gender hierarchy Bobo Ashanti women hold a traditional yet nuanced social role. Similar to traditional religious and cultural standards, men are in charge of work outside the home and the financials, while the woman is to maintain the home life and children. The respective titles of a woman and man in a relationship are "Empress" and "King", "Kingman", or "head". Women must cover their legs, arms, and hair with a turban. Men in the Bobo Ashanti community are considered Priests as they conduct religious services and gatherings. Bobo Ashanti in pop culture The genre of Reggae arose in the 1960s as a form of cultural expression and communication for Rastafarians in Jamaica, especially through the Nyabinghi mansion of Rastafari thanks to the Nyabinghi drums. Reggae grew as a powerful tool to inspire change in society concerning racism and liberalism, a central theme in Rastafari. Unlike other Rastafari groups, the Bobo Ashanti are against Reggae music, claiming it is satanic. Despite this, beginning in the mid-1990s, many reggae artists have emerged from the Bobo Ashanti; the most well known among them are Sizzla, Capleton, Anthony B, Lutan Fyah, Turbulence, Ras Shiloh. These artists' actual affiliation with the Bobo community and religiosity is unclear, as some speculate their Bobo Ashanti identity is used more as a defining characteristic and fashion statement. For example, Sizzla highlights the dreads worn by Bobo Ashanti in one of his songs with lyrics: "Bun fire pon men