airport at Le Lamentin was renamed Martinique Aimé Césaire International Airport on 15 January 2007. A national commemoration ceremony was held on 6 April 2011, as a plaque in Césaire's name was inaugurated in the Panthéon in Paris. He was also proclaimed as a national hero in Martinique. Poetically, Césaire's legacy is far-reaching in poetry both from his time and beyond. Most notably, his relation to Frantz Fanon, famed author of Black Skin, White Masks, as mentor and inspiration is tangible. Fanon's personal testimony in Black Skin, White Masks explains the "liberating effect of Césaire’s word and action" that he felt in traversing the changing colonial landscape. More generally, Césaire's works conceptualized African unity and black culture in ways that allowed for the creation of black spaces where there previously were none, from the establishment of several literary journals to his reworking of Caliban's speech from Shakespeare's The Tempest. Césaire’s works were foundational for postcolonial literature across France, its then colonies, and much of the Caribbean. In 2021, the Musée de l'Homme for its Portraits de France exhibition paid tribute to Aimé Césaire through a work by the artist Hom Nguyen. Works Each year links to its corresponding "[year] in poetry" article for poetry, or "[year] in literature" article for other works: Poetry 1939: Cahier d'un retour au pays natal, Paris: Volontés, . 1946: Les armes miraculeuses, Paris: Gallimard, . 1947: Cahier d'un retour au pays natal, Paris: Bordas, . 1948: Soleil cou-coupé, Paris: K, . 1950: Corps perdu, Paris: Fragrance, . 1960: Ferrements, Paris: Editions du Seuil, . 1961: Cadastre, Paris: Editions du Seuil, . 1982: Moi, laminaire, Paris: Editions du Seuil, . 1994: Comme un malentendu de salut ..., Paris: Editions du Seuil, Theatre 1958: Et les Chiens se taisaient, tragédie: arrangement théâtral. Paris: Présence Africaine; reprint: 1997. 1963: La Tragédie du roi Christophe. Paris: Présence Africaine; reprint: 1993; The Tragedy of King Christophe, New York: Grove, 1969. 1966: Une saison au Congo. Paris: Seuil; reprint: 2001; A Season in the Congo, New York, 1968 (a play about Patrice Lumumba). 1969: Une Tempête, adapted from The Tempest by William Shakespeare: adaptation pour un théâtre nègre. Paris: Seuil; reprint: 1997; A Tempest, New York: Ubu repertory, 1986. Other writings . . . . Discourse on Colonialism Césaire's Discourse on Colonialism challenges the narrative of the colonizer and the colonized. This text criticizes the hypocrisy of justifying colonization with the