(Italian title: , ) is a 1963 surrealist comedy-drama film directed and co-written (with Tullio Pinelli, Ennio Flaiano and Brunello Rondi) by Italian filmmaker Federico Fellini. The metafictional narrative centers on Guido Anselmi, played by Marcello Mastroianni, a famous Italian film director who suffers from stifled creativity as he attempts to direct an epic science fiction film. Claudia Cardinale, Anouk Aimée, Sandra Milo, Rossella Falk, Barbara Steele, and Eddra Gale portray the various women in Guido's life. The film is shot in black and white by cinematographer Gianni Di Venanzo and features a soundtrack by Nino Rota, with costume and set designs by Piero Gherardi. was critically acclaimed and won the Academy Award for Best Foreign Language Film and Best Costume Design (black-and-white). It is acknowledged as an avant-garde film and a highly influential classic. It was ranked 10th on the British Film Institute's The Sight & Sound Greatest Films of All Time 2012 critics' poll and 4th by directors. It is listed on the Vatican's compilation of the 45 best films made before 1995, the 100th anniversary of cinema. The film ranked 7th in BBC's 2018 list of The 100 Greatest Foreign Language Films voted by 209 film critics from 43 countries around the world. The film was also included on the Italian Ministry of Cultural Heritage's 100 films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978". It is considered to be one of the greatest and most influential films of all time. Plot Guido Anselmi, a famous Italian film director, is suffering from "director's block". Stalled on his new science fiction film that includes thinly veiled autobiographical references, he has lost interest amidst artistic and marital difficulties. While attempting to recover from his anxieties at a luxurious spa, Guido hires a well-known critic to review his ideas for his film, but the critic blasts them. Guido has recurring visions of an Ideal Woman, which he sees as key to his story. His mistress Carla comes to visit him, but Guido puts her in a separate hotel. The film production crew relocates to Guido's hotel in an unsuccessful attempt to get him to work on the film. Guido admits to a Cardinal that he is not happy. The Cardinal offers little insight. Guido invites his estranged wife Luisa and her friends to join him. They dance,