his friends in "a better land." Mayhew's rendition of the song coincides with his condition as an oppressed employee of Capitol Pictures, and it foreshadows Barton's own situation at the film's end. When he finishes writing his script, Barton celebrates by dancing at a United Service Organizations (USO) show. The song used in this scene is a rendition of "Down South Camp Meeting," a swing tune. Its lyrics (unheard in the film) state: "Git ready (Sing) / Here they come! The choir's all set." These lines echo the title of Barton's play, Bare Ruined Choirs. As the celebration erupts into a melee, the intensity of the music increases, and the camera zooms into the cavernous hollow of a trumpet. This sequence mirrors the camera's zoom into a sink drain just before Audrey is murdered earlier in the film. Sources, inspirations, and allusions Inspiration for the film came from several sources, and it contains allusions to many different people and events. For example, the title of Barton's play, Bare Ruined Choirs, comes from line four of Sonnet 73 by William Shakespeare. The poem's focus on aging and death connects to the film's exploration of artistic difficulty. Later, at one point in the picnic scene, as Mayhew wanders drunkenly away from Barton and Audrey, he calls out: "Silent upon a peak in Darien!" This is the last line from John Keats's sonnet "On First Looking into Chapman's Homer." (1816) The literary reference not only demonstrates the character's knowledge of classic texts, but the poem's reference to the Pacific Ocean matches Mayhew's announcement that he will "jus' walk on down to the Pacific, and from there I'll ... improvise." Other academic allusions are presented elsewhere, often with extreme subtlety. For example, a brief shot of the title page in a Mayhew novel indicates the publishing house of "Swain and Pappas." This is likely a reference to Marshall Swain and George Pappas, philosophers whose work is concerned with themes explored in the film, including the limitations of knowledge and nature of being. One critic notes that Barton's fixation on the stain across the ceiling of his hotel room matches the protagonist's behavior in Flannery O'Connor's short story "The Enduring Chill." Critics have suggested that the film indirectly references the work of writers Dante Alighieri (through the use of Divine Comedy imagery) and Johann Wolfgang von Goethe (through the presence of Faustian bargains). Confounding bureaucratic