1996. Comparing the tile to those in other cities, a local police detective felt that "clearly it was created by the same hand" and concluded that despite referring to a "movement", the creator was acting alone. In 2003, Worgul called the only James Morasco in the Philadelphia telephone book and was told by the man's wife that her husband had died in March that year, aged 88. When asked about the tiles, Morasco's widow said that her husband "didn't know anything about it." Worgul doubted that this was the tile maker. Action News Philadelphia spoke to the widow of a man named James Joseph Morasco and identified him as a Philadelphia carpenter who had died in 2003, aged 87. His wife did not recognise the tiles and said her husband had had no interest in Jupiter. If Morasco had died at either age in 2003, he would have been in his seventies when most of the tiles were laid. In the 2011 documentary Resurrect Dead: The Mystery of the Toynbee Tiles, artist and Toynbee Tile enthusiast Justin Duerr said that he considered the tiles to be the work of a single person and attributed them to the reclusive Philadelphia resident Severino "Sevy" Verna. Duerr believed Verna used the name "James Morasco" as an alias. The streets surrounding Verna's residence were littered with small "proto-tiles" that Duerr believed were tests, and ham radio enthusiasts reported Verna might have broadcast a message via short wave radio about his theories. Based on comments from Verna's neighbors about him driving a car without a passenger seat, Durr suspected Verna placed the tiles through a hole in the floor of his car. New tiles have been seen in Philadelphia since 2003. Between 2002 and 2007, many such tiles displayed a different font and styling than the older tiles and tended to leave out words that were found on the originals: "raise" is often substituted for "resurrect," and prepositions are frequently omitted. Beginning in 2007, tiles were discovered in Philadelphia that are quite similar to the original tiles, leading some to believe that everything has been the work of the same person throughout the life of the tile phenomenon. The font and message are the same as the old ones, and the subtext is a return to some of the older ideas as well. These tiles were glued with a thicker layer of asphalt glue or