the same period is the wooden door of the portal, by Antonio Bencivenni from Mercatello, of which only the four upper panels remain today. The church follows the plan of the Latin cross, with a nave and two aisles. Bonifacio VIII allegedly had a second aisle on one side, commonly known as "La navatina". The large fresco depicting the Universal Judgment on the counter-facade was commissioned by Cardinal Angelo Cesi from Ferraù Faenzone, called "Il Faenzone", influenced by the mannerism of Michelangelo. The choir includes the Gothic altar and a magnificent wooden choir-enclosure (1521) with two floors. One important work of art is the 13th-century Crucifixion of the Umbrian school. San Carlo: small Romanesque and Gothic-style church on Viale San Carlo. San Fortunato: Paleo-Christian temple (7th century) church on a hilltop of the city, standing along the ruins of a medieval fortress (Rocca). Flanking the entrance portal to San Fortunato are two lion sculptures. In 1292 the construction of a new Gothic edifice was begun by the Franciscans, with a "hall" structure. The plague of 1348 halted work. The lower part of the façade was finished in the second half of the 15th century. The nave and the two aisles have a portal each: these are enriched by fine decorations portraying saints and prophets, with briars representing Good (the vine) and Evil (the fig). The whole apse is occupied by a wooden choir finished in 1590 by Antonio Maffei, from Gubbio. The crypt houses a sepulchre containing the remains of St Fortunatus of Todi and other saints, as well as the tomb of Jacopone da Todi. A chapel has frescoes of a Madonna and Child by Masolino da Panicale. Santa Maria della Consolazione: (begun 1508) domed Renaissance church located on the flank of the hill, just outside the walls. It is often attributed, although without sufficient reason, to Bramante. It has a Greek cross plan: three apses are polygonal and that on the north side is semicircular. Architects who worked on it include Cola da Caprarola, Antonio da Sangallo the Younger, Baldassarre Peruzzi, Galeazzo Alessi, Michele Sanmicheli, Vignola and Ippolito Scalza. The church was inaugurated only in 1607. The apse is surmounted by a square terrace with 4 eagles at the corners, from which the dome rises. In the interior, the altar houses a miraculous image of the Madonna, which according to the tradition, was discovered by a worker during