their Pure Trance series. A further Pure Trance release, "Last Train to Trancentral", followed. In October 1990, the KLF launched a series of singles with an upbeat pop-house sound they dubbed "Stadium House". Songs from The White Room soundtrack were re-recorded with rap and more vocals (by guests labelled "Additional Communicators"), a sample-heavy pop-rock production, and crowd noise samples. The "Stadium House" versions of "What Time Is Love?" and "3 a.m. Eternal" were immediate hits, with "3 a.m. Eternal" becoming the KLF's second, and the only one under the name, number-one release. These "Stadium House" tracks made up a large part of The White Room when it was eventually released in March 1991, substantially reworked from the original version. Aside from the singles, "Make It Rain", "Build a Fire", "Church of the KLF" and "The White Room" appeared in significantly more minimal, ambient and dub-oriented versions on the final album. "Go to Sleep" was reworked to become "Last Train to Trancentral". From the original recorded that was planned for release in 1989 as Tunes from the White Room, in 1997, a bootleg CD, taken from a low-quality cassette rip was released and included some bonus tracks. A higher-quality version, allegedly created by someone who mastered the original album DAT in a professional studio was hosted on a popular KLF fan site, KLF.de in the early 2000s. Director's Cut On 23 April 2021, The White Room (Director's Cut) was officially released as the fourth part of the series of remastered digital compilations under the collective title Samplecity thru Trancentral. The album's edition includes tracks from the unreleased 1989 album, plus versions of "Madrugada Eterna" and "Last Train to Trancentral". Critical reception Iestyn George of Q called The White Room "strikingly imaginative" and "a more subtle form of subterfuge" than previous works. In a retrospective review of the album, John Bush of AllMusic said that The White Room "represents the commercial and artistic peak of late-'80s acid-house" A retrospective review by Splendid magazine thought some of the tracks to be filler and the album "silly" in places, but were extremely impressed by the "Stadium House" songs. "As providers of perverse, throwaway, three-minute pop-song manna," they concluded, "the KLF were punk rock, the Renaissance, Andy Warhol and Jesus Christ all rolled into one." In 1993, NME staff and contributors voted the album the 81st best of all time, and in 2000, Q magazine