Satan. Armed with a sword from God's armory, he bests Satan in personal combat, wounding his side. In Henry Wadsworth Longfellow's translation of the mid-13th century The Golden Legend, Michael is one of the angels of the seven planets. He is the angel of Mercury. In Japanese light novel series Date a Live, Michael is the name of a spiritual weapon (referred to as Angels within the series), belonging to Mukuro Hoshimiya. Michael is a sword-sized key capable of locking away abilities or properties of objects (Michael Segva), as well as opening portals (Michael Lataib) and molecular deconstruction. Music Marc-Antoine Charpentier, Praelium Michaelis Archangeli factum in coelo cum dracone, H.410, oratorio for soloists, double chorus, strings and continuo. (1683) «Archangel Michael» — a song performed by Nikolai Karachentsov. Film The 1996 film Michael portrays the archangel as being sent to Earth to perform various tasks. Peter Mensah portrays Michael in the 2023 movie The Devil Conspiracy. Artistic depictions In Christian art, Archangel Michael may be depicted alone or with other angels such as Gabriel. Some depictions with Gabriel date back to the 8th century, e.g. the stone casket at Notre Dame de Mortain church in France. The widely reproduced image of Our Mother of Perpetual Help, an icon of the Cretan school, depicts Michael on the left carrying the lance and sponge of the crucifixion of Jesus, with Gabriel on the right side of Mary and Jesus. In many depictions, Michael is represented as an angelic warrior, fully armed with helmet, sword, and shield. The shield may bear the Latin inscription Quis ut Deus or the Greek inscription Christos Dikaios Krites or its initials. He may be standing over a serpent, a dragon, or the defeated figure of Satan, whom he sometimes pierces with a lance. The iconography of Michael slaying a serpent goes back to the early 4th century, when Emperor Constantine defeated Licinius at the Battle of Adrianople in 324 AD, not far from the Michaelion, a church dedicated to Archangel Michael. Constantine felt that Licinius was an agent of Satan and associated him with the serpent described in the Book of Revelation (12:9). After the victory, Constantine commissioned a depiction of himself and his sons slaying Licinius represented as a serpent – a symbolism borrowed from the Christian teachings on the Archangel to whom he attributed the victory. A similar painting, this time with the Archangel Michael