and remark that "the work illustrated that robots, in fact, don't rule everything, and for the time being, are still subjected to individual and groups shortcomings". First presented at the Istanbul Biennial in 2001, Nomadic Folly (2001) consists of a large wooden deck made of Turkish cypress and four huge umbrellas. Visitors can relax and linger in this tent-like structure, replete with opulent handmade carpets, braided ropes, hanging glass and metal lamps, and wedding fabrics embroidered with sparkling threads and traditional patterns. In 2005, Burden released Ghost Ship, his crewless, self-navigating yacht which docked at Newcastle-upon-Tyne on 28 July after a 5-day trip from Fair Isle, near Shetland. The project was commissioned by the company Locus+ at a cost of £150,000, and was funded with a significant grant from Arts Council England, being designed and constructed with the help of the Marine Engineering Department of the University of Southampton. It is said to be controlled via onboard computers and a GPS system; however, in case of emergency the ship is 'shadowed' by an accompanying support boat. In 2008, Burden created Urban Light, a sculptural work consisting of 202 found antique street lights that had once stood around Los Angeles. He bought the lights from the contractor who installed Urban Light, Anna Justice. The work is on view outside of the Los Angeles County Museum of Art, and the solar-powered lights are illuminated at dusk. In the summer of 2011, Burden finished his kinetic sculpture, Metropolis II, which took four years to build. It was installed at LACMA in Fall 2011. "Chris Burden's Metropolis II is an intense kinetic sculpture, modeled after a fast paced, frenetic modern city." Suspended from opposite ends of a telescoping balance beam of velvety rusted steel are a restored bright yellow 1974 Porsche sports car and a small meteorite. Porsche With Meteorite (2013) balances perfectly, with the heavier car much closer to the vertical support. Light of Reason was commissioned by Brandeis University in 2014 and stands outside the Rose Art Museum on campus. The sculpture consists of three rows of 24 Victorian lamp posts which point away from the museum's entrance. The sculpture serves as a gateway and outdoor event space, and has become a campus landmark. Burden's last completed project – a working dirigible that flies in perfect circles called Ode to Santos Dumont after the pioneering Brazilian aviator – was unveiled at a