collaboration with Digitana, the SX-1 and the HALia, the former being manufactured as of July 2018, the latter still in pre-production. A series of re-recordings of older tracks, combined with new remixes and related material, was released between 2018 and 2021 for Record Store Day, in place of conventional reissues; the reissue series so far features My Kingdom Re-Imagined, Yage 2019, Cascade 2020 and We Have Explosive 2021. As well as The Future Sound of London, Dougans and Cobain have also revisited older side-projects. Dougans's solo project Humanoid has been active again since 2014, releasing the albums Built by Humanoid and 7 Songs as well as a string of EPs. Meanwhile Cobain, in collaboration with Dougans and new co-producer Enrico Berto, began work on new Amorphous Androgynous material, with a double album of versions and remixes of the track "We Persuade Ourselves We Are Immortal" appearing in 2020. Alongside contributors such as Paul Weller, Ray Fenwick and Brian Hopper, the release features lead vocals by Peter Hammill, who is also credited on the album cover. Further alias releases have included albums released under the Blackhill Transmitter and Synthi-A names, as well as collaborations with Ross Baker and Daniel Pemberton. Independence Since the millennium, FSOL took a more independent turn with their career, releasing their more psychedelic Amorphous Androgynous on an independent label, The Isness on Artful Records and Alice in Ultraland on the progressive Harvest Records (an arm of EMI). They also have their own label called Electronic Brain Violence on which off-beat electronic artists such as Oil and Simon Wells (Headstone Lane) have released EPs and singles. Simon Wells also contributed to Dead Cities on the track "Dead Cities Reprise" Nevertheless, Virgin records still controls FSOL's back catalog and was going to release the Teachings from the Electronic Brain compilation without them, but the duo insisted on taking control of the production of the project. Cobain says that, even with Virgin, the reason they were able to do their own thing and create the music they wanted in the 1990s was because they already had some major hits under their belts such as "Papua New Guinea", "Metropolis" and "Stakker Humanoid" before joining the label. Cobain has said that FSOL's mentality has always been about making a journey of an album rather than focusing on trying to have hit singles. He said that they had several top 40 singles (and