that "unfair" moves, such as strikes to the eyes or groin, are perfectly acceptable, as is whatever else the practitioner feels is necessary to get home that day. Currently, Kajukenbo includes more grappling techniques and more throws than other Kenpo schools. The defense techniques of this martial art are a fusion of blows taken from different styles, which, in a deadly sequence, leads to the immobilization, often definitive, of the opponent. It includes: joint locks, connections between two bones, low blows, and attacks with the help of different combinations. While it contains certain aspects of competition, it mainly focuses on real combat and the meaning of practical analysis. In general, people who practice Kajukenbo think that actions considered ethically "disgusting and extremely unpleasant," such as hitting the eyes or genitals, may be permissible, if they help with the defense against the attacker. Most Kajukenbo schools avoid the spectacular but impractical tricks and moves. The curriculum include different counterattacks against punches, knives, sticks, firearms and grappling. Although the different types of Kajukenbo originate from a common base, variations are possible. This martial art is based on four different styles. It is impossible to incorporate them entirely: specialization is inevitable. An open approach therefore pushes Kajukenbo schools to incorporate strikes and techniques from other martial arts into their practice. Examples are Filipino Escrima and Japanese Aikidō. Certain Kajukenbo schools direct attention to 26 fundamental forms ("Kata"). These Kata had been divided into 13 "Pinyans" and 13 "Concentrations". Each one has its own specific name: for example, the first one is called "crane strike/tiger's claw". The name of each "Concentration" describes its characteristic movement. So, the first concentration includes a crane strike and a tiger claw. These sequences are incorporated into Kajukenbo to enhance the student's skills. Each movement in these forms has its own meaning. For example, the first beat in "Pinyan 1" is a right outside strike that moves into the backbend position during the beat. This motion can be applied to block a blow with a punch. These sequences also focus on combat that faces more than one opponent. Frank Ordonez's Kajukenbo Prayer includes a consistent mystical practice that most schools lack. Over time, students of this martial art have been taught that Kajkenbo is based on three fundamental elements: spirit, mind and body. Throughout the teachings the students and the instructor alike open their hands to represent peace; then