leave Jefferson Airplane to focus on their project Hot Tuna, Slick formed Jefferson Starship with Paul Kantner and other bandmates, and also began a string of solo albums with Manhole, followed by Dreams, Welcome to the Wrecking Ball!, and Software. Manhole also featured keyboardist/bassist Pete Sears, who later joined Jefferson Starship in 1974. Sears and Slick penned several early Jefferson Starship songs together, including "Hyperdrive" and "Play On Love". Dreams, which was produced by Ron Frangipane and incorporated many of the ideas she encountered attending twelve-step program meetings, is the most personal of her solo albums and was nominated for a Grammy Award. The song "Do It the Hard Way" from Dreams is one example of Slick's music at the time. Slick was nicknamed "The Chrome Nun" by David Crosby, who also used the nickname "Baron von Tollbooth" for Kantner. Their nicknames appear as the title of an album she made in 1973 with bandmates Kantner and David Freiberg: Baron von Tollbooth & the Chrome Nun. 1984–1989: Starship and Jefferson Airplane reunion During the 1980s, while Slick was the only member remaining from Jefferson Airplane in Starship, the band went on to score three chart-topping successes with "We Built This City", "Sara", and "Nothing's Gonna Stop Us Now". Despite the success, Slick since has spoken negatively about the experience and the music. In 1987, Slick co-hosted The Legendary Ladies of Rock & Roll, for which she also sang backing vocals on "Be My Baby" and "Da Doo Ron Ron". She left Starship in 1988, shortly after the release of No Protection. In 1989, Slick and her former Jefferson Airplane band members reformed the group. They released a self-titled reunion album, and held a successful tour before disbanding. 1989–present: Retirement Following the Jefferson Airplane reunion, Slick retired from the music business. During a 1998 interview with VH1 on a Behind the Music documentary featuring Jefferson Airplane, Slick, who was never shy about the idea of getting old, said that the main reason she retired from the music business was, "All rock-and-rollers over the age of 50 look stupid and should retire." In a 2007 interview, she repeated her belief that, "You can do jazz, classical, blues, opera, country until you're 150, but rap and rock and roll are really a way for young people to get that anger out", and, "It's silly to perform a song that has no relevance to