Henry II of France and Queen Catherine de'Medici in the Basilica of St Denis, five kilometers north of Paris. The mascarons remained in place until 1851–1854, when the bridge was completely rebuilt. At that time six of the original mascarons from the 16th century were placed in the Musée Carnavalet, along with eight molds of other originals. Eight other originals were first placed in the Musée de Cluny – Musée national du Moyen Âge, and are now in the French National Museum of the Renaissance in the Château d'Écouen. During their reconstruction, the Renaissance masks were replaced with copies made by noted 19th-century sculptors, including Hippolyte Maindron, Hubert Lavigne, Antoine-Louis Barye and Fontenelle. Fontenelle made 61 masks, which are found on the upstream side of the bridge between the right bank and the Île de la Cité. Equestrian statue of Henry IV At the point where the bridge crosses the Île de la Cité, there stands a bronze equestrian statue of king Henry IV, originally commissioned from Giambologna under the orders of Marie de Médicis, Henri's widow and Regent of France, in 1614. After his death, Giambologna's assistant Pietro Tacca completed the statue, which was erected on its pedestal by Pietro Francavilla, in 1618. It was destroyed in 1792 during the French Revolution, but was rebuilt in 1818, following the restoration of the Bourbon monarchy. Bronze for the new statue was obtained with the bronze from a statue of Louis Charles Antoine Desaix, as well as from the statue of Napoleon in Place Vendôme, which was melted down. The new statue was cast from a mold made using a surviving cast of the original. Inside the statue, the new sculptor François-Frédéric Lemot put four boxes, containing a history of the life of Henry IV, a 17th-century parchment certifying the original statue, a document describing how the new statue was commissioned, and a list of people who contributed to a public subscription. La Samaritaine Between 1712 and 1719, replacing an earlier one, a large pump house was built on the bridge. It was decorated with an image of the Samaritan woman at the well. As a result, the structure (which included a carillon) was named La Samaritaine. Years after it was torn down (in 1813), Ernest Cognacq, a 19th-century merchant, set up a stand on the site and gradually grew his business to what became, in 1869, the department store La