explaining his aesthetics and youth, A Portrait of the Artist and Stephen Hero, as well as his notebooks from Trieste concerning the philosophy of Thomas Aquinas; they all came together in five carefully paced chapters.Stephen Hero is written from the point of view of an omniscient third-person narrator, but in Portrait Joyce adopts the free indirect style, a change that reflects the moving of the narrative centre of consciousness firmly and uniquely onto Stephen. Persons and events take their significance from Stephen, and are perceived from his point of view. Characters and places are no longer mentioned simply because the young Joyce had known them. Salient details are carefully chosen and fitted into the aesthetic pattern of the novel. Publication history In 1913, W. B. Yeats sent the poem I Hear an Army by James Joyce to Ezra Pound, who was assembling an anthology of Imagist verse entitled Des Imagistes. Pound wrote to Joyce, and in 1914 Joyce submitted the first chapter of the unfinished Portrait to Pound, who was so taken with it that he pressed to have the work serialised in the London literary magazine The Egoist. Joyce hurried to complete the novel, and it appeared in The Egoist in twenty-five installments from 2 February 1914 to 1 September 1915. There was difficulty finding a British publisher for the finished novel, so Pound arranged for its publication by an American publishing house, B. W. Huebsch, which issued it on 29 December 1916. The Egoist Press republished it in the United Kingdom on 12 February 1917 and Jonathan Cape took over its publication in 1924. In 1964 Viking Press issued a corrected version overseen by Chester Anderson that drew upon Joyce's manuscript, list of corrections, and marginal corrections to proof sheets. This edition is "Widely regarded as reputable and the 'standard' edition." As of 2004, the fourth printing of the Everyman's Library edition, the Bedford edition, and the Oxford World's Classics edition used this text. Garland released a "copy text" edition by Hans Walter Gabler in 1993. Major characters Stephen Dedalus – The main character of A Portrait of the Artist as a Young Man. Growing up, Stephen goes through long phases of hedonism and deep religiosity. He eventually adopts a philosophy of aestheticism, greatly valuing beauty and art. Stephen is essentially Joyce's alter ego, and many of the events of Stephen's life mirror events from Joyce's own youth.