separately from SFGATE, whose staff are independent of the print newspaper. across all platforms the Chronicle has 34 million unique visitors each month, with SFGATE receiving 135.9 million pageviews and 25.1 million unique visitors per month and SFChronicle.com 31.3 million pageviews and 31.3 million unique visitors per month globally. Praise, criticism, and features The paper has received the Pulitzer Prize on a number of occasions. Despite an illustrious and long history, the paper's news reportage is not as extensive as in the past. The current day Chronicle has followed the trend of other American newspapers, devoting increasing attention to local and regional news and cultural and entertainment criticism to the detriment of the paper's traditionally strong national and international reporting, though the paper does maintain a Washington, D.C., bureau. This increased focus on local news is a response to the competition from other Bay Area newspapers including the resurrected San Francisco Examiner, the Oakland Tribune, the East Bay Times (formerly Contra Costa Times) and the Mercury News. Lance Williams and Mark Fainaru-Wada received the 2004 George Polk Award for Sports Reporting. Fainaru-Wada and Williams were recognized for their work on uncovering the BALCO scandal, which linked San Francisco Giants star Barry Bonds to performance-enhancing drugs. While the two above-named reporters broke the news, they are by no means the only sports writers of note at the Chronicle. The Chronicles sports section, edited by Al Saracevic and called Sporting Green as it is printed on green-tinted pages, is staffed by a dozen writers. The section's best-known writers are its columnists: Bruce Jenkins, Ann Killion, Scott Ostler, Saracevic and Tom Stienstra. Its baseball coverage is anchored by Henry Schulman, John Shea, and Susan Slusser, the first female president of the Baseball Writers' Association of America (BBWAA). The Chronicle's Sunday arts and entertainment insert section is called Datebook, and has for decades been printed on pink-tinted paper in a tabloid format. Movie reviews (for many years written by nationally known critic Mick LaSalle) feature a unique rating system: instead of stars or a "thumbs up" system, the Chronicle has for decades used a small cartoon icon, sitting in a movie theater seat, known as the "Little Man," explained in 2008 by the Chicago Sun-Times film critic Roger Ebert: "...the only rating system that makes any sense is the Little Man of the San Francisco Chronicle, who is seen (1) jumping out of his