Jean-Alfred Villain-Marais (11 December 1913 – 8 November 1998), known professionally as Jean Marais (), was a French actor, film director, theatre director, painter, sculptor, visual artist, writer and photographer. He performed in over 100 films and was the muse and lover of acclaimed director Jean Cocteau. In 1996, he was awarded the French Legion of Honor for his contributions to French Cinema. Early life A native of Cherbourg, France, Marais was a son of Alfred Emmanuel Victor Paul Villain-Marais and his wife, the former Aline Marie Louise Vassord. Career Early films Marais' first role was an uncredited bit in Song of the Streets (1933) and he was in Etienne (1933). Filmmaker Marcel L'Herbier put him in The Sparrowhawk (1933) with Charles Boyer; The Scandal (1934), with Gaby Morlay; Happiness (1934) again with Boyer, The Venturer (1934) with Victor Francen; The New Men (1934) with Harry Baur; and Nights of Fire (1937) with Morlay and Francen. Marcel Carné gave Marais a small role in Bizarre, Bizarre (1937) and the actor was in Abused Confidence (1937) by Henri Decoin; The Patriot (1938), a biopic of Paul I of Russia with Baur, directed by Maurice Tourneur; and Remontons les Champs-Élysées (1938) directed by Sacha Guitry. Jean Cocteau These were small roles. Marais also appeared on stage. He was in a 1937 stage production of Oedipe directed by Charles Dullin, where he was seen by Jean Cocteau. Marais impressed Cocteau, who cast the actor in his play Les Chevaliers de la table ronde. Marais appeared in Cocteau's play Les Parents terribles (1938), supposedly based on Marais' home life, which was a great success. Marais had bigger film parts in The Pavilion Burns (1941) directed by Jacques de Baroncelli, and The Four Poster (1942) directed by Roland Tual. On stage he appeared in La Machine à ecrire (1941) by Cocteau and he directed and designed Racine's Britannicus (1941). He performed briefly with the Comédie-Française, then left acting for a time for fight in Alsace with the Free French Forces, winning the Croix de Guerre. Stardom Marais' first film as leading man was L'Éternel retour (1943), a re-telling of Tristan and Isolde set in 1940s France, written by Jean Cocteau. It was directed by Jean Delannoy and co-starred Madeleine Sologne. It was popular and made him a star. Marais was the male lead in Voyage Without Hope (1943) with Simone Renant directed by Christian-Jaque. Christian-Jaque