with all-Sanskrit lyrics, and described by Simon Leng as a "rocking companion" to "Awaiting on You All" "Going Down to Golders Green" – a Sun Records-era Presley parody based on the melody of "Baby Let's Play House". Contributing musicians The precise line-up of contributing musicians is open to conjecture. Due to the album's big sound and the many participants on the sessions, commentators have traditionally referred to the grand, orchestral nature of this line-up. In 2002, music critic Greg Kot described it as "a who's who of the decade's rock royalty", while Harris writes of the cast taking on "a Cecil B. De Mille aspect". The musicians included Bobby Whitlock, Jim Gordon, Carl Radle, Bobby Keys, Jim Price and Dave Mason, all of whom had recently toured with Delaney & Bonnie. Along with Eric Clapton, there were also musicians whose link with Harrison went back some years, such as Ringo Starr, Billy Preston and German bassist Klaus Voormann, the latter formerly of Manfred Mann and a friend since the Beatles' years in Hamburg. Handling much of the keyboard work with Whitlock was Gary Wright, who went on to collaborate regularly with Harrison throughout the 1970s. From within Apple's stable of musicians, Harrison recruited the band Badfinger, future Yes drummer Alan White, and Beatles assistant Mal Evans on percussion. Badfinger drummer Mike Gibbins' powerful tambourine work led to Spector giving him the nickname "Mr Tambourine Man", after the Dylan song. According to Gibbins, he and White played most of the percussion parts on the album, "switch[ing] on tambourine, sticks, bells, maracas ... whatever was needed". Gibbins' bandmates Pete Ham, Tom Evans and Joey Molland provided rhythm acoustic-guitar parts that, in keeping with Spector's Wall of Sound principles, were to be "felt but not heard". Other contributors included Procol Harum's Gary Brooker, on keyboards, and pedal steel player Pete Drake, the last of whom Harrison flew over from Nashville for a few days of recording. Adding to his and Badfinger's acoustic guitars on some All Things Must Pass tracks, Harrison invited Peter Frampton to the sessions. Although uncredited for his contributions, Frampton also played acoustic guitar on the country tracks featuring Drake; he and Harrison later overdubbed further rhythm parts on several songs. Orchestral arranger John Barham also attended the sessions, occasionally contributing on harmonium and vibraphone. Simon Leng consulted Voormann, Barham and Molland for his chapter covering the making of All