Boy, created by Osamu Tezuka, premiered on Fuji TV on January 1, 1963. It became the first anime series shown widely to Western audiences, especially to those in the United States, becoming relatively popular and influencing U.S. popular culture, with American companies acquiring various titles from Japanese producers. Astro Boy was highly influential to other anime in the 1960s, and was followed by a large number of anime about robots or space. While Tezuka released many other animated shows, like Jungle Emperor Leo, anime took off, studios saw it as a commercial success, even though no new programs from Japan were shown on major U.S. broadcast media from the later 1960s to late 1970s. The 1960s also brought anime to television and in America. 1963 introduced Sennin Buraku as the first "late night" anime and Toei Doga's first anime television series Wolf Boy Ken. Mushi Pro continued to produce more anime television and met success with titles such as Kimba the White Lion in 1965. What is noted as the first magical girl anime, Sally the Witch, began broadcasting in 1966. The original Speed Racer anime television began in 1967 and was brought to the West with great success. At the same time, an anime adaptation of Tezuka's Princess Knight aired, making it one of very few shoujo anime of the decade. The first anime adaptation of Shotaro Ishinomori's manga Cyborg 009 was created in 1968, following the film adaptation two years prior. 1969's "Attack no.1", the first shoujo sports anime was one of the first to have success in Japanese primetime and was also popular throughout Europe, particularly in Germany under the name "Mila Superstar." The long-running Sazae-san anime also began in 1969 and continues today with excess of 6,500 episodes broadcast as of 2014. With an audience share of 25% the series is still the most-popular anime broadcast. 1970s During the 1970s, the Japanese film market shrank due to competition from television. This reduced Toei animation's staff and many animators went to studios such as A Pro and Telecom animation. Mushi Production went bankrupt (though the studio was revived 4 years later), its former employees founding studios such as Madhouse and Sunrise. Many young animators were thrust into the position of director, and the injection of young talent allowed for a wide variety of experimentation. One of the earliest successful television productions in the early 1970s was Tomorrow's