Robert Adolph Wilton Morley, CBE (26 May 1908 – 3 June 1992) was an English actor who enjoyed a lengthy career in both Britain and the United States. He was frequently cast as a pompous English gentleman representing the Establishment, often in supporting roles. In 1939 he received an Academy Award nomination for Best Supporting Actor for his portrayal of King Louis XVI in Marie Antoinette. In Movie Encyclopedia, film critic Leonard Maltin describes Morley as "recognisable by his ungainly bulk, bushy eyebrows, thick lips and double chin, ... particularly effective when cast as a pompous windbag." Ephraim Katz in his International Film Encyclopaedia describes Morley as "a rotund, triple-chinned, delightful character player of the British and American stage and screen." In his autobiography, Responsible Gentleman, Morley said his stage career started with managements valuing his appearance for playing "substantial gentleman" roles – as a doctor, lawyer, accountant or other professional member of society. Early life Morley was born in Semley, Wiltshire, England, the son of Gertrude Emily (née Fass) and Robert Wilton Morley, a major in the British Army. His mother came from a German family that had emigrated to South Africa. Morley attended Wellington College, Berkshire, which he hated, followed by RADA. As he was a famous "Old Wellingtonian", generations of headmasters tried to contact him, without success, with Morley stating "the only reason for me visiting Wellington would be to burn it down". Career Morley made his West End stage debut in 1929 in Treasure Island at the Strand Theatre and his Broadway debut in 1938 in the title role of Oscar Wilde at the Fulton Theatre. Although soon won over to the big screen, Morley remained both a busy West End star and successful author, as well as appearing in touring productions. A versatile actor, especially in his younger years, he played Louis XVI in Marie Antoinette (1938), for which he received an Academy Award nomination as Best Supporting Actor. He co-wrote several plays for the stage. His 1937 play Goodness, How Sad was turned into an Ealing Studios film, Return to Yesterday (1940), directed by Robert Stevenson. Later, he had outstanding success in London and New York with Edward, My Son, a gripping family drama written in 1947 in collaboration with Noel Langley. Morley played the central role of Arnold Holt, but in the disappointing film version Spencer Tracy was miscast, turning Holt, an unscrupulous