of tracks for the yet to be widely known DJs Pascal F.E.O.S. (Resistance D), Ata and Heiko M/S/O (Ongaku). Uwe Schmidt produced and co-wrote titles such as "Ongaku" and "Cosmic Love", which became successful prototypes for the appearing trance movement. His activities as a music producer continued with the Austrian multimedia artists Station Rose whom had just moved from Vienna to Frankfurt in 1992. The 12-inch "Digit Eyes" was produced by Schmidt and Station Rose the same year. During the production of "Digit Eyes" he was introduced to Tetsu Inoue, a New York-based Japanese electronic music producer, with whom he founded the Datacide project in 1993. Out of the N.G. Medien nucleus the record label POD Communication was founded in 1992. After the bankruptcy of Parade Amoureuse and its sub-labels in 1992, Schmidt moved his activities to POD Communication on which he released a series of 12-inches and albums under the guises of Atom Heart, Lisa Carbon and Atomu Shinzo. Also releasing on POD Communication was the German artist Pete Namlook whom Uwe Schmidt first met at the POD office in Frankfurt. Due to his releases on Parade Amoureuse and POD Communication and his successful production works, Schmidt had quickly obtained a reputation that let him play live concerts all around the world. Together with Tobias Freund, who by then used the Pink Elln pseudonym, Schmidt played a live show at one of the first rave parties ever in Finland in 1992. The live concert was recorded and released on Ongaku Music in 1992, known as "Elektronikkaa – Atom Heart & Pink Elln live in Montreux and Helsinki". A vast amount of productions were released worldwide due to the licensing activities of POD Communication, Ongaku Music and a variety of other Frankfurt-based record companies. After Parade Amoureuse closed down in 1992, his first album Matter was re-released by the Italian record label Contempo Records from Florence. In 1993, Schmidt released the follow up album to Matter: Lassigue Bendthaus' Cloned. Cloned was produced and licensed to Contempo Records together with a sample CD titled Cloned:Binary which contained the sounds used on the original album. Contempo Records went bankrupt in 1993. Due to open payments by those labels, lack of a recording studio and unresolved recording contracts, Schmidt decided to take some months off and lived for half a year in Costa Rica (end of 1992 until early 1993). On the way