Connally rapidly raises and then lowers both arms, then turns to his right toward the Zapruder camera, but it is not clear that he is turning to see what has happened to Kennedy. Connally's cheeks then puff out, and his mouth opens. Many suggest that he is beginning to show the shock of the bullet. Others suggest that Connally is doing exactly what he said he did in reaction to hearing the first bullet: he said he realized an assassination was unfolding so he turned to see the President. It is at this point that some critics of the single-bullet theory believe Connally is actually hit by a second and separate bullet, and this is also what Connally himself believed, but only on the supposition that the first shot he heard was one that struck the president. (If the first shot missed the president, then Connally's memory of being hit later corresponds with the single-bullet theory). Proponents of the single-bullet thesis argue that Connally is simply exhibiting a delayed pain reaction to having been hit by the same bullet that hit Kennedy, a third of a second earlier. Some critics believe the puffing out of Connally's cheeks is simply physics at work, as the bullet collapses one of his lungs, forcing air into his mouth. Other critics believe that the puffing of Connally's cheeks result from him shouting, "Oh, no, no, no", which his wife, Nellie, said he shouted after the first shot but before the second shot. The premise that a collapsed lung would cause Connally's cheeks to puff out is dismissed by Michael Baden, chief forensic pathologist for the HSCA. "When the lung is punctured, as Connally's was, the air in the lung goes out into the chest cavity, not out of the mouth, so Connally's cheeks puffing out would have not been caused by air trying to escape." When an enhanced copy of the Zapruder film was released in 1998, many felt the delayed reaction theory was debunked. Others, particularly Posner, noted that Connally's right lapel flips up at frame 224 (it hides the right part of his white collar in frame 224, which is far more clearly seen in both frames 223 and 225). In this same frame, as noted above, Connally suddenly becomes blurred with regard to the rest of the automobile (Connally is clear in frame 223). Frame 224 is precisely the best-posited frame