Charles Édouard Dutoit (born 7 October 1936) is a Swiss conductor. He is currently the principal guest conductor for the Saint Petersburg Philharmonia and co-director of the MISA Festival in Shanghai. In 2017, he became the 103rd recipient of the Royal Philharmonic Society Gold Medal Award. Dutoit held previous positions with the London Royal Philharmonic Orchestra, the Philadelphia Orchestra, the Orchestre Symphonique de Montréal, the Tokyo NHK Symphony and the Orchestre National de France. As of 2017, he is conductor emeritus of the Verbier Music Festival Orchestra. He is an honorary member of the Ravel Foundation in France and the Stravinsky Foundation in Switzerland. In December 2017, following allegations of sexual assault, the Boston and San Francisco Symphonies cancelled his engagements. In a statement, Dutoit denied the charges. Biography Dutoit was born in Lausanne, Switzerland. He studied there, and graduated from the Conservatoire de musique de Genève, where he won first prize in conducting. Then he went to the Accademia Chigiana in Siena at the invitation of Alceo Galliera. In his younger days, he frequently attended Ernest Ansermet's rehearsals and had a personal acquaintance with him. He also worked with Herbert von Karajan at Lucerne as a member of the festival youth orchestra and studied at Tanglewood. Dutoit began his professional music career in 1957 as a viola player with various orchestras across Europe and South America. In January 1959, he made his debut as a professional conductor with an orchestra of Radio Lausanne and Martha Argerich. From 1959 he was a guest conductor of the Orchestre de la Suisse Romande and the Lausanne Chamber Orchestra. After this, he was the conductor for Radio Zurich until 1967, when he took over the Bern Symphony Orchestra from Paul Kletzki, where he stayed for 11 years. While head of the Bern Symphony, he also conducted the National Symphony Orchestra of Mexico from 1973 to 1975, and Sweden's Gothenburg Symphony from 1975 to 1978. Dutoit was principal guest conductor of the Minnesota Orchestra in the early 1980s. In 1977, Dutoit became the artistic director of the Orchestre Symphonique de Montréal (OSM). In the words of Glasgow-based music critic Kate Molleson: "A 20-year recording contract with Decca made the MSO the most recorded orchestra in the world, and the best of these recordings — Ravel's La Valse and Daphnis et Chloe, Debussy's La Mer, Stravinsky's French-period ballets — remain unsurpassed." Reaction to Dutoit joining