In 1992, suddenly and very publicly, The KLF retired from the music industry and deleted their entire back catalogue. Drummond and Cauty re-emerged in 1993 as the K Foundation, releasing one limited edition single ("K Cera Cera") and awarding the £40,000 K Foundation art award for the "worst artist of the year". In 1994, the duo courted infamy by setting fire to one million pounds in cash on the Scottish island of Jura. In 1995, they undertook a screening tour of a film of the burning, before signing a moratorium on K Foundation activities. Cauty worked with Drummond again in 1997 with a campaign to "Fuck the Millennium", the highlight of which was a 23-minute live performance satirising the "pop comeback", in which Cauty and Drummond appeared as grey-haired pensioners and wheeled around the stage in electric wheelchairs. They returned as The Justified Ancients of Mu Mu in 2017, with a novel - 2023: A Trilogy - and a 3-day festival, "Welcome to the Dark Ages". Cauty confirmed that the duo's work is an ongoing project. Throughout their career, Drummond has often been the mouthpiece of the group and was sometimes viewed, subjectively, as their chief protagonist. NME, for example, wrote: "One suspects that the real boiling genius of the duo is initiated by Drummond. The elements of the K Foundation affair are classic Drummond – honesty mixed with deranged publicity-seeking, pop terrorism ideas mixed with utter strangeness and mysticism..., and a sense that the things pop groups do should be visionary and above all should not be mundane." However, the initial idea for the K Foundation's one million incineration was Cauty's, although he was beginning to express regret in 1995 at which time Drummond remained resolute. Contrasting with Drummond's image, Jimmy Cauty was perceived, or presented, as "Rockman Rock – cool dude"; the "quiet", enigmatic one, a "long-haired and quietly spoken chain-smoker: a leather-jacketed misfit [who] has carried his adolescent rock obsession into adulthood". However, as the previously quoted NME piece cautioned, "We can't underestimate the importance of Jimmy Cauty". Cauty was the musical bedrock of The KLF, whether laying down the starting track for "Doctorin' the Tardis", or playing electric guitar, bass, drums and keyboard on "America: What Time Is Love?". He and his wife, Cressida, were at the centre of KLF operations, living and working at Trancentral (actually the Cautys' squat in Stockwell, London) and driving the