Adolf Anton Wilhelm Wohlbrück (19 November 18969 August 1967) was an Austrian actor who settled in the United Kingdom under the name Anton Walbrook. A popular performer in Austria and pre-war Germany, he left in 1936 out of concerns for his own safety and established a career in British cinema. Walbrook is perhaps best known for his roles in the original British film of Gaslight, The Life and Death of Colonel Blimp and The Red Shoes. Life and career Walbrook was born in Vienna, Austria, as Adolf Wohlbrück. He was the son of Gisela Rosa (Cohn) and Adolf Ferdinand Bernhard Hermann Wohlbrück. He was descended from ten generations of actors, though his father broke with tradition and was a circus clown. Walbrook studied with the director Max Reinhardt and built up a career in Austrian theatre and cinema. In 1936, he went to Hollywood to reshoot dialogue for the multinational The Soldier and the Lady (1937) and changed his name from Adolf to Anton. Rather than returning to Austria, where he risked persecution because he was a "Mischling ersten Grades" (mixed race in the first degree) under the Nuremberg Laws as his mother was Jewish and because he was homosexual, he settled in England where he continued working as an actor, making a speciality of playing continental Europeans. He played Otto in the first London production of Design for Living at the Haymarket Theatre in January 1939 (later transferring to the Savoy Theatre), and running for 233 performances, opposite Diana Wynyard as Gilda and Rex Harrison as Leo. In 1952 he appeared at the Coliseum as Cosmo Constantine in Call Me Madam, also participating alongside Billie Worth, Jeff Warren and Shani Wallis on the EMI cast record. Producer-director Herbert Wilcox cast him as Prince Albert in Victoria the Great (1937) and Walbrook also appeared in the sequel, Sixty Glorious Years the following year. He was in director Thorold Dickinson's version of Gaslight (1940), in the role played by Charles Boyer in the later Hollywood remake. In Dangerous Moonlight (1941), a romantic melodrama, he was a Polish pianist torn over whether to return home. For the Powell and Pressburger team in The Life and Death of Colonel Blimp (1943) he played the role of the dashing, intense "good German" officer Theo Kretschmar-Schuldorff, and the tyrannical impresario Lermontov in The Red Shoes (1948). One of his most unusual films, reuniting him with