Esarhaddon as such. Whether Ashurbanipal is to blame for the fall of the Assyrian Empire relatively quickly after his death is disputed. J. A. Delaunay, author of the Encyclopaedia Iranica entry on Ashurbanipal, writes that the Neo-Assyrian Empire under Ashurbanipal had already begun "exhibiting clear symptoms of impending dislocation and fall", while Donald John Wiseman, in the Encyclopaedia Britannica article on Ashurbanipal, holds that "It is no indictment of his rule that his empire fell within two decades after his death; this was due to external pressures rather than to internal strife". Gérard Chaliand holds that the fall of the Assyrian Empire should be blamed on Ashurbanipal's "mediocre heirs" rather than Ashurbanipal himself; there is however no evidence that his heirs were incompetent rulers. Sinsharishkun, under whom the empire collapsed, was a militarily competent ruler, utilizing the same tactics as his predecessors. Eckart Frahm believes the seeds of Assyria's fall were sown in Ashurbanipal's reign, in particular through the disconnect between the king and the traditional elite and through Ashurbanipal's sack of Babylon. Ashurbanipal in popular culture Ashurbanipal has been the subject of numerous pieces of artwork created in modern times. In 1958, surrealist painter Leonora Carrington painted Assurbanipal Abluting Harpies, an oil on canvas at the Israel Museum depicting Ashurbanipal pouring a white substance onto the heads of pigeon-like creatures with human faces. A statue of the king, called Ashurbanipal, was created by sculptor Fred Parhad in 1988 and placed on a street near the San Francisco City Hall. The statue cost $100,000 and was described as the "first sizable bronze statue of Ashurbanipal". It was presented to the City of San Francisco as a gift from the Assyrian people on May 29, 1988, Parhad being of Assyrian descent. Some local Assyrians expressed fears that the statue resembled the legendary Mesopotamian hero Gilgamesh more than it resembled the actual Ashurbanipal. Parhad defended the statue as representing Ashurbanipal, though explained that he had taken some artistic liberties. Ashurbanipal has also made occasional appearances in popular culture in various media. Robert E. Howard wrote a short story entitled The Fire of Asshurbanipal, first published in the December 1936 issue of Weird Tales magazine, about an "accursed jewel belonging to a king of long ago, whom the Grecians called Sardanapalus and the Semitic peoples Asshurbanipal". "The Mesopotamians", a 2007 song by They Might Be Giants, mentions Ashurbanipal alongside Sargon, Hammurabi. and Gilgamesh.