my people, I am going to Rome to be crucified a second time", which shames Peter into going back to Rome to accept martyrdom. Historical events Sienkiewicz alludes to several historical events and merges them in his novel, but some of them are of doubtful authenticity. In AD 57, Pomponia was indeed charged with practising a "foreign superstition", usually understood to mean conversion to Christianity. Nevertheless, the religion itself is not clearly identified. According to ancient Roman tradition she was tried in a family court by her own husband Aulus (the pater familias), to be subsequently acquitted. However, inscriptions in the catacombs of Saint Callistus in Rome suggest that members of Graecina's family were indeed Christians. The rumor that Vespasian fell asleep during a song sung by Nero is recorded by Suetonius in the Lives of the Twelve Caesars. The death of Claudia Augusta, sole child of Nero, in AD 63. The Great Fire of Rome in AD 64, which in the novel is started by orders of Nero. There is no hard evidence to support this, and fires were very common in Rome at the time. In Chapter 50, senior Jewish community leaders advise Nero to blame the fires on Christians; there is no historical record of this either. The fire opens space in the city for Nero's palatial complex, a massive villa with lush artificial landscapes and a 30 meter-tall sculpture of the emperor, as well as an ambitious urban planning program involving the creation of buildings decorated with ornate porticos and the widening of the streets (the urban renewal was carried out only after Nero's death). The suicide of Petronius clearly is based on the account of Tacitus. Reception The American journalist William Cowper Brann reviewed Quo Vadis shortly after its publication. His general impression was negative; he found that "to the normal mind [Quo Vadis] is neither entertaining nor instructive" and cited the novel's popularity as an example of the principle that "if a book is only bad enough it is sure of popular success." Brann objected to the length of the story – "500 dreary pages", "a lingering agony drawn out" – saying that "when the author gets hold of a good thing he cannot let go"; he objected also to the characters being, in his view, "all automatons" without interesting motives, arising transparently from the affectations of the author, such that one can "see