have overt lesbian themes. Published in 1928, The Well of Loneliness deals with the life of Stephen Gordon, a masculine lesbian who, like Hall herself, identifies as an "invert". The novel paints a vulnerable, sympathetic portrayal of lesbians. Although The Well of Loneliness is not sexually explicit, it was nevertheless the subject of an obscenity trial in the UK, which resulted in an order for the destruction of all copies of the book. The United States allowed its publication only after a long court battle. It is currently published in the UK by Virago, and by Anchor Press in the United States. The Well of Loneliness was number seven on a list of the top 100 lesbian and gay novels compiled by The Publishing Triangle in 1999. It is now noted as the predecessor to the golden age of lesbian pulp fiction. The Girls of Radcliff Hall British composer and bon vivant Gerald Tyrwhitt-Wilson, 14th Baron Berners, wrote a roman à clef titled The Girls of Radcliff Hall, in which he depicts himself and his circle of friends, including Cecil Beaton and Oliver Messel, as lesbian schoolgirls at a school named Radcliff Hall. The novel was written under the pseudonym Adela Quebec and published and distributed privately; the indiscretions to which it alluded created an uproar among Berners' intimates and acquaintances, making the whole affair widely discussed in the 1930s. Cecil Beaton attempted to have all the copies destroyed. The book subsequently disappeared from circulation, making it extremely rare. The story is, however, included in Berners' Collected Tales and Fantasies. Later novels Hall published one novel after The Well of Loneliness. An anonymous verse lampoon titled The Sink of Solitude had appeared during the controversy over The Well. Although its primary targets were James Douglas, who had called for The Wells suppression, and the Home Secretary William Joynson-Hicks, who had started legal proceedings, it also mocked Hall and her book. One of the illustrations, which depicted Hall nailed to a cross, so horrified her that she could barely speak of it for years afterward. Her sense of guilt at being depicted in a drawing that she saw as blasphemous led to her choice of a religious subject for her next novel The Master of the House. At Hall's insistence, The Master of the House was published with no cover blurb, which may have misled some purchasers into thinking it was