time was what we'd work on. It was based on how she felt, her mood, and also her listening to the demos that writers would give us." With Swivel, she experimented with horns, drums, guitars and percussion instruments. Mostly inspired by the Fela! sessions, Swivel began to formulate beats using their own recordings and those from Fela! The project was moved to KMA Studios for a week and a half because Roc the Mic was not large enough. There they began recording "I Care", "Best Thing I Never Had" and "Rather Die Young", and completed "Party". They recorded the songs "Schoolin' Life", "1+1" and "Start Over" at Jungle City Studios in New York. MSR Studios was the final New York City-based studio used, and where most of 4 was recorded—only "Party" and "I Was Here" were recorded entirely at other studios. At MSR, Beyoncé emphasized the use of live instruments on songs such as "I Care" and "End of Time". Consequently, most of the instruments, including drums, keyboards, guitar and bass work, were recorded there and performed by Jeff Bhasker and Shea Taylor. Beyoncé asked Frank Ocean to write and record "I Miss You" at MSR, saying to Complex, "[Jay-Z] had a CD playing in the car one Sunday when we were driving to Brooklyn. I noticed his tone, his arrangements, and his storytelling. I immediately reached out to him—literally the next morning. I asked him to fly to New York and work on my record." After listening to each song, Beyoncé would often request the addition of specific instruments, leaving her production team to make the sounds cohesive. Her vocals were recorded through an Avalon Design 737 preamp and compressed in a 1176 Peak Limiter with a 4:1 ratio. After recording the lead vocals for a track, Swivel cut them in different ways and he and Beyoncé picked the best, then recording the backing vocals. Beyoncé composed her own vocal arrangements and harmonies for each song. Her microphones were carefully placed to achieve a blend of sounds with a clear quality. Swivel spoke of her work ethic in an interview for Sound on Sound: After the move to MSR, Beyoncé and her production team began travelling. In the United Kingdom, they worked at Peter Gabriel's Real World Studios in Wiltshire—particularly using Gabriel's multi-instrument room—to create "Love On Top". Soon after, Beyoncé joined Jay-Z in a Sydney mansion, as he