of the choruses, second keyboard plays strings throughout and subtle tambourine synths are layered over the top of the mid-tempo Soul groove. In the middle eight the insistent piano riff changes to a funky 60-second piano break on top of the underlying instrumental. Lyrically, the song is about the insecurities of being in-love if not reciprocated or if lost. And the constant repetition of the title in the chorus refrain highlights the desperate mood of the song and the want of trying to get 'good love' if not being received. For the re-release, in Autumn 1992, Mike Pickering and Paul Heard approached Sasha with the idea to funk up two singles from Northern Soul ahead of its re-release: "Someday" and "How Can I Love You More?" into a massive alternative dance tunes, and he did. The biggest track and the album's lead single, "How Can I Love You More?" was chosen to be re-released the following spring, while the band worked on tracks for their new album. Heather’s vocals were slightly sped up, some new vocal ad-libs were added and the melody speed increased from 125 to 140 bpm. The song stays true to the original piano arrangements, but layers of synths were added, new percussion, a second keyboard playing europhoric chords to replace the original string arrangement and a faster drum beat with a 4-tap reverb were added. Critical reception Larry Flick from Billboard complimented the song a "mid-tempo jewel". Anderson Jones from Entertainment Weekly described it as "heartsick". Irish Evening Herald declared it as a "delicious" and "classic club hit". Paul Mathur from Melody Maker remarked its "heart-cracking beauty". Alan Jones from Music Week felt "How Can I Love You More" is "their best single". On the 1993 version, Jones named it Pick of the Week, noting, "The natural flow of the song has been sacrificed for a spacier mix and a hypnotic ambient dub which veers close to "French Kiss" territory, but should find favour in clubs, ensuring that the record is a hit yet again." Andy Beevers from the RM Dance Update described it as "an up-tempo affair built around the catchiest of basslines and a timeless piano and strings arrangement." Chart performance When the single was initially released the first time it entered the chart at lowly number 61 at the end of October 1991, consequently spending the next five weeks climbing gradually to a