Kala Sangam at Patna, capital of Bihar in 1962. Created a very healthy theatre environment and popularize Hindi plays and theatre by constantly and regularly staging plays like Dharmvir Bharti's Andha Yug, Mudrarakshash's Merjeeva, Mohan Rakesh's Adhe-Adhure, Ashadh Ka Ek Din and Lahron ke Rajhans, Badal Sircar's Baki Itihas, Ballabhpur Ki Roopkatha, Pagla Ghora and Juloos, vijay Tendulkar's Khamosh Adalat jari hai, Jat Hi Puchho Sadhu Ki,Gireesh Karnad's Tughlaq, Sophocles Greek tragedy Oedipus, Rambriksha Benipuri's Ambapali, Shanti Mehrotra's Thahra Hua Pani, Ek Tha Gadha, Kisi Ek Phool Ka Naam Lo, Godan, Chandrashekhar Kambar's Aur Tota Bola, Ibsen's Enemy of the people(Janshatru), Ben Johnson's Volpony (Chor Ke Ghar Mor), Delhi Uncha Sunati Hai, Manoj Mitr's Rajdarshan, Debashish Majumdar's Tamrapatra,Sushil Kumar Singh's Singhasan Khali Hai, Bertolt Brecht's Three Penny Opera ( Do Takkey Ka Swang), Jyoti Mahpseker's Beti Aayee Hai etc. Kala Sangam's director Satish Anand had taken every new production as a theatre workshop. He worked hard and trained actors-actresses in every department. Production of Adhe-Adhure in 1973 was considered a great happening in History of the cultural field of Bihar. This incident was considered as renaissance of theatre in Bihar. Kala Sangam always preferred to take up socio-political-economic issues in its plays. Variety in designing the play-productions with innovative ideas and high class powerful performances injected and created a keen interest for theatre among the people of Bihar. The conservative and orthodox society opened up slowly and started liberalizing their views about theatre and its actors-actresses. A large number of working women and school-college-going girls were allowed by their guardians and parents to participate actively in plays and they made their presence felt with their talents. Hundreds of boys and girls were trained by Satish Anand during these years. The quality and class of Kala Sangam's play-productions established Kala Sangam as one of the leading theatre group of India. Patna became the one of the most theatre-active center of India in 70s, 80s and 1990s. Kala Sangam had organised its first theatre festival and first all India theatre Seminar in 1978. Kala Sangam presented its five plays, Andha Yug, Ashadh Ka Ek Din, Lahron Ke Rajhans, Ballabhpur Ki Roopkatha and Singhasan Khali Hai. The subject of the All India theatre seminar was "Aaj Ka Natak Aur Rangmanch" (Today's Drama & theatre) Mr. B.V Karanth, Dr. Pratibha Agarwal and Sachidanand Hiranand Vatsyayan were the guest speaker of this seminar. 2nd Kala