Jana Natya Manch (JANAM) of Safdar Hashmi did in the 1970s and 1980 as did M. K. Raina, who staged his production of Maxim Gorky's The Mother in front of factories, inspiring many other practitioners to take theatre to the communities. The Bhopal gas tragedy (1984) saw a new wave of protest presentations in many cities, just as Bhisham Sahni wrote Muavze (Compensation, 1990) later staged by Raina. Eventually Hashmi was killed in 1989, while his production Halla Bol (Attack) was being performed in front of a factory in Sahibabad near Delhi by political goons. Though by this time street theatre had been discovered as an important tool and medium, with notable directors like Bansi Kaul and Prasanna, street theatre had reached prisons, slums and red-light areas. Habib Tanvir is another pioneer in Hindi theatre, who first moved to Mumbai in 1943 from native Bilaspur looking for work in Hindi films that is when he came in contact with IPTA and Progressive Writers Association. He moved to Delhi in 1954 and joined hands with 'Hindustani theatre' of Begum Qudsia Zaidi, writer, and theatre director who had important impact on evolving theatre tradition in Delhi, who together with Habib Tanvir, made its debut with the production of a Hindustani version of Kalidas's Shakuntala and later produced Shudraka's Mrichakatika as Mitti Ki Gadi (Little Clay Cart) as an operatic version in nautanki-style, using tribal artists. He successfully wrote and directed Agra Bazar (1954), before he left for England. After his return from RADA, Habib began his work with Chhattisgarhi tribals, at the Naya Theatre, a theatre company he founded in 1959 in Bhopal, and went on to include indigenous performance forms such as nacha to create a new theatrical language, later he wrote Charandas Chor (1975), Gaon ka Naam Sasural, Mor Naam Damad and Kamdeo ka Apna Basant Ritu ka Sapna and notably staged, Asghar Wajahat's Jis Lahore Nai Dekhya (1990). Apart from him, B. V. Karanth too brought in folk forms into his work, staged many productions in Hindi, especially during his stint with the Rangamandal repertory at the Bharat Bhavan in Bhopal. In the 1960s, like other parts of India, modern Hindi Theatre movement also started in Bihar. Satish Anand, actor and director, is the maker of modern Hindi theatre in Bihar. He is known as trend setter in contemporary modern Indian theatre. Satish Anand established his own theatre group