The Mystic Warrior is a 1984 American TV movie about a band of Sioux and the efforts of one man to save his people from destruction through the use of mysterious powers handed down by ancestors. The movie was originally a nine-hour mini-series entitled Hanta Yo to be aired in 1980, instead aired in 1984 as a five-hour mini-series with the new name. The mini-series has been released on DVD in Germany, but no international release as yet. Plot Set in the years 1802 to 1808, the finished film focused on a young brave named Ahbleza, the son of Olepi, chief of a fictional lakota-speaking tribe, the Mahto ('Bear'). Blessed with supernatural visionary powers by the ancient Mahto seer Wanagi, Ahbleza sets about to save his people from the devastations of the future, among them the invasion of the white man. After a lengthy, truth-seeking odyssey fraught with tragedy and sacrifice, Ahbleza assumes his rightful place as spiritual leader of his tribe. Cast Robert Beltran - Ahbleza Devon Ericson - Heyatawin David Yanez - Rion Hunter - Tonweya Brigitte Gault - Kippana Victoria Racimo - Napewaste Nick Ramus - Chief Olepi James Remar - Pesla Ned Romero - Wisa Apollonia Kotero - Wicahpi Branscombe Richmond - Miyaca Will Sampson - Wambli Doug Toby - Young Ahbleza George Aguilar - Kungi Yuha Leader Ivan Naranjo - Ogle Frank Salsedo - Sinte (as Frank Sotonoma Salsedo) Production The five-hour miniseries The Mystic Warrior began life in 1979 when producer David L. Wolper announced plans for a ten-hour adaptation of Hanta Yo, an epic historical novel by Ruth Beebe Hill. Using as her main source a full-blooded Sioux named Chunksa Yuha, Hill fashioned what amounted to a Native American version of Roots, chronicling the history of the fictional Matho (lakota: 'Bear') tribe of the Oglala Lakota Sioux. Although Hill was briefly the darling of the literary cognoscenti, her book was ultimately attacked and discredited by a veritable army of Indian historians, teachers, and activists, who accused her of distorting and falsifying truths in order to promote her own (and Yuha's) sociopolitical agenda. Suddenly, all of the Native American support that had been promised to the miniseries version of Hanta Yo evaporated. When the project finally aired on May 20 through 21, 1984, its running time (and budget) had been cut in half, and the producer was obliged to qualify the credits by noting