little Fleetwood Mac and even ABBA, but it's this mix of easy to identify styles, coupled with their telling ability to deliver a catchy melody, that makes the album better than most debuts from girl bands. Overall, then, we had more reason to be optimistic rather than glum about the emergence of yet another girl band." Release and promotion The album was released 6 June 2011. On 8 May 2011, Dean Piper of The Mirror said that he's thrilled of amazing pre-sales of the album. This album was seen on top five of Play.com album pre-orders while top ten on Amazon and HMV album pre-orders. Singles "Not a Love Song" is the first single released from the album. It was released on 25 February 2011 in Ireland and 4 March 2011 in the United Kingdom. The song debuted at number 22 on the Irish Singles Chart. IndieLondon said "it drops a definite country-pop twang over its chorus. But it works nonetheless." "Starlight" is the second single from the album. It was released 6 June 2011 in Ireland and United Kingdom. The song debuted at number 57 on the UK Singles Chart. Unreality Shout gave the single saying: "A more sophisticated effort. It recalls the sound of girl bands from the 90's, perhaps a little too much" Entertainment Focus added: "The track is similar in style to the band's debut single with each girl getting the opportunity to sing a few lines. A driving beat moves the song through the verses to a radio-friendly chorus whilst the girls showcases impressive vocal prowess. The end result is something more mature than Girls Aloud or The Saturdays and perhaps a little closer to The Corrs at their peak." Totally Vivid stated: "It starts slow and subtle before launching into a soaring, spacey chorus - properly epic in all sense of the word. The chorus of 'I wanna dance underneath your light, cos you pull me in like you're on my side. When I die in the day, I'm revived at night. Can I call you mine,' is just amazing; one of those real bliss on the dancefloor moments. And just at the end of the clip you can hear the beginnings of a dub-step breakdown. The mix just got even better. What I really love is that as dancey as this version is, it retains enough pop sensibility that it could just as