as a sleuth provided some fine comic moments. Paul Whitelaw in Metro was also positive, although he noted "At times it felt forced, with a sense of trying slightly too hard when a touch more subtlety would have brought out the essential Adamsian eccentricity." Dan Owen of Obsessed with Film noted that the adaptation played with the idea of inexplicable situations: "Purists may grumble this isn't the Dirk Gently they wanted to see, but it's more accessible and practicable. And while Dirk Gently is certainly another gimmicky detective series (yawn), its details are unique and engrossing enough to shrug off the genre's clichés. In some ways it's a pastiche of whodunits, taking the genre's often tenuous explanations to an outrageous extreme." Paul Whitelaw in The Scotsman noted that "Although Adams's more ambitious concepts are sidelined in favour of a more prosaic - if nonetheless enjoyable - sci-fi mystery, Overman captures at least some of the wit and whimsy of his distinctive comic voice" going on to suggest "This modestly-budgeted pilot suggests potential for a series, so the deviation from Adams's originals makes sense. It also adds yet another very British oddball to the pantheon currently occupied by Doctor Who and Sherlock." Series One Critical opinion to the full series was mildly positive. The adaptation from the Adams' novels was the focus of several reviews. Jane Simon, writing in The Mirror stated "It's just a shame creator Douglas Adams isn't around to see how Howard Overman has transferred Dirk to the screen. He'd definitely approve." Mark Braxton in the Radio Times likewise agreed that "Overman has plucked the comic essence of Adams from his novel...and worked it into a digestible, enjoyably eccentric format." Stuart Jeffries in The Guardian, meanwhile, found a comparison between the tone of the series and 1960s spy/detective capers; "Never since The Avengers has there been anything so unremittingly silly on British television as Dirk Gently...Dainty harpsichord music tells us we're back in an era of TV misrule, in whose glory days John Steed, Mrs Peel and Randall and Hopkirk (Deceased) played fast and loose with viewers' intelligences." AA Gill, who had previously expressed a dislike for the source novel when discussing the pilot episode was less complimentary, writing in the Sunday Times on 11 March 2012 "Who'd have guessed that this would ever get recommissioned?...It has to get a nomination as the greatest waste of the most