Biscay Gothic art was created in France during the 13th century, but it wasn't until the 14th century when it was introduced in Biscay, due to the region's poverty. In the 14th century the population and the economy grew, carrying Gothic art and architecture into Biscay. Throughout Spain, Gothic architecture became common half century later than in France. As the French influence entered by Navarre, it avoided the Basque Country, meaning that the Gothic style was common in Biscay even later than much of Spain. Even then, there are few large Gothic projects in the region, with Santiago's cathedral in Bilbao or Andra Mari of Lekeitio as notable exceptions. Most of the buildings in the Gothic style were begun in the 14th century, but only Santiago's cathedral was ended then. The rest were consecrated between the 15th and 16th centuries. Buildings in 'Biscay Gothic' lost the spirit of the International Gothic: they were not monumental buildings with large windows creating striking visual displays, but smaller buildings, becoming a characteristic of the local Gothic style. Andra Mari of Guernica, Getxo, Orduña, Gueñes, Erandio, Galdakao, Portugalete and Lekeitio, Santa Eufemia of Bermeo, Santiago's Cathedral, Basilica of Begoña, San Vicente and San Anton of Bilbao and San Severino of Balmaseda have to be named as important buildings of the Gothic of Biscay. Chapels of San Antón The Church of San Antón contains three chapels: Chapel of Provost This is the first and widest chapels that the church. Built in 1530 this chapel is an example of the late Gothic style which can be seen in other nearby construction like Begoña, La encarnación, San Vicente of Abando and San Pedro of Deusto. There is a large ogival arch at the entrance of the chapel. This arch is closed by a grille that was forged in Bilbao. At the top of the entrance the coat of arms of the chapel's founders (the Lezama-Leguizamón family) are displayed. Historically, was a passageway that linked this chapel and Lezama-Leguizamón family's tower house. There is a stained glass window located in the front wall. The chapel held two altarpieces. One of the altarpieces is dedicated to Santa Ana and the other is dedicated to Virgen de la Consolación. At present the chapel contains an altar that contains a wood carved sculpture of Inmaculada and some paintings. There is also a silver lamp with the following inscription carved on it: