had started on two more, "From the Turn of a Card" and "Credit Carnival", which he later recorded on Ravens and Lullabies with Gordon Giltrap. The Wakeman-led material was released on the EP From a Page (2019). By the time recording picked up with Horn in the first week of January 2011, the band had discussed Horn's suggestion of expanding "We Can Fly" into a longform piece and decided to pursue it; Howe said "We couldn't turn that down. It was too good an offer". Wakeman resisted the idea, as the band was midway through recording enough material that they and Horn had agreed to. This resulted in Wakeman's songs being scrapped to make room for the 24-minute six-part "Fly from Here suite", with the two "We Can Fly from Here" demos plus an unreleased third used as the basis of the "We Can Fly", "Sad Night at the Airfield", and "Madman at the Screens" sections. The reissue of Adventures in Modern Recording also contained "Riding a Tide", another Buggles demo that was reworked into "Life on a Film Set". "Sad Night at the Airfield", "Madman at the Screens", and "Life on a Film Set" were all written for the second Buggles album, but Downes has described them as "heavily influenced by our stint in Yes at the time." Further contributions to the "Fly from Here" suite were made by Squire and Howe, the latter contributing the two-minute instrumental section "Bumpy Ride". The band agreed that an album with partial contributions from Horn made little sense, so they enlisted Horn to produce the entire record. During the Christmas break, Wakeman learned that the band had been working with Downes more over time and wanted to bring him in as full-time keyboardist. Howe said that as a co-writer of the "Fly from Here" demos, Downes was better suited to the rest of the album's material. Horn later wrote that he convinced the band to have Downes return as they wrote the song together. Wakeman left, taking the tracks that he worked on with the band with his collaborations with Gordon Giltrap and his solo album Cultural Vandals. Horn produced the album using the digital audio workstation software Pro Tools. He recalled the difficult task of coaching David to sing the English lyrics as he wanted them, given his French-Canadian accent, which took further time. The album was mixed in April 2011