Azalea), 1957 Bara to Kaizoku (薔薇と海賊 Roses and Pirates), 1958 Onna wa Senryo Sarenai (女は占領されない Women Never Be Captured), 1959 Nettaiju (熱帯樹 Tropical Tree: A Tragedy in Three Acts), 1960 Toka no Kiku (十日の菊 Tenth-Day Chrysanthemums or The Day after the Fair), 1961 Kuro-tokage (黒蜥蜴 The Black Lizard), 1961 Yorokobi no Koto (喜びの琴 The Harp of Joy), 1964 Koi no Hokage (恋の帆影 The Sails of Love), 1964 Sado Kōshaku Fujin (サド侯爵夫人 Madame de Sade), 1965 Suzaku Ke no Metsubo (朱雀家の滅亡 The Decline and Fall of the Suzaku), 1967 Waga Tomo Hittorā (わが友ヒットラー My Friend Hitler), 1968 Raiō no Terasu (癩王のテラス The Terrace of The Leper King), 1969 Modern Noh Plays 近代能楽集 Kantan (邯鄲 The Magic Pillow), 1950 Aya no Tsuzumi (綾の鼓 The Damask Drum), 1951 Sotoba Komachi (卒塔婆小町 Komachi at the Stupa or Komachi at the Gravepost), 1952 Aoi no Ue (葵上 The Lady Aoi), 1954 Hanjo (班女 The Waiting Lady with the Fan), 1955 Dōjōji (道成寺 Dōjō Temple), 1957 Yuya, (熊野 Yuya), 1959 Yoroboshi (弱法師 The Begging Monk or The Blind Young Man), 1960 Genji Kuyō, (源氏供養 Memorial Service of Prince Genji), 1962 Busu (附子 Busu), a Modern Kyogen play written in 1957, published in 1971, but was never performed professionally. Long After Love (Long After Love), a compilation of other Modern Noh plays for performance in New York, written in 1957, published in 1971 Kabuki Jigoku Hen (地獄変 Hell Screen), 1953 (based on Hell Screen, Ryūnosuke Akutagawa's short story) Iwashi Uri Koi Hikiami (鰯売恋曳網 The Sardine Seller's Net of Love), 1954 Yuya (Kabuki), (熊野 (歌舞伎) Yuya (Kabuki) )1955 Fuyō no Tsuyu Ōuchi Jikki (芙蓉露大内実記 The Blush on the White Hibiscus Blossom: Lady Fuyo and the True Account of the Ōuchi Clan), 1955 Musume-gonomi Obi Tori no Ike (むすめごのみ帯取池 Sash Stealing Pond), 1958 Chinsetsu Yumiharizuki (椿説弓張月 Half Moon (like a Bow and arrow setting up): The Adventures of Tametomo or literally A Wonder Tale: The Moonbow), 1969 Ballet Miranda, (ミランダ Miranda), 1968 Libretto Minoko, (美濃子 Minoko), 1964 Buyō Hade-kurabe Chikamatsu Musume (艶競近松娘 The Charming Figure Competition of Chikamatsu Girls), 1951 Muromachi Hangonkō (室町反魂香 The Dead Appearance Incense in Muromachi) 1953 Hashi-zukushi (Buyō) (橋づくし (舞踊) The Seven Bridges (Buyō)), 1958 Translated adaptations Racine's Britannicus, 1957 Oscar Wilde's Salome, 1960 Puccini's Tosca, 1963 Victor Hugo's Ruy Blas, 1966 Criticisms and essays, etc. Sōmonka no Genryu, (相聞歌の源流 The Source of the Love Poem), 1948 Jushosha no Kyoki, (重症者の兇器 The Murder Weapon of