Stage 42, New York (2022) Starlight Express Bochum, Germany (2018) Clueless, (original creative), Signature Theater, Off-Broadway (2018) The Secret Garden, The Lincoln Center, New York (2017) Schikaneder, (original creative) Vienna (2016) Bodyguard, Netherlands (2015) Secret Cinema - The Empire Strikes Back, London (2015) Disney's Hunchback of Notre Dame, (original creative), worldwide (2014) Moeder ik wil bij de revue, (original creative), Netherlands (2014) Disney's Beauty & The Beast worldwide (2014) Disney's The Little Mermaid worldwide (2012) Sister Act (2011) Hairspray (2010) High School Musical Two, (original creative) (2009) Flashdance, (original creative) (2009) West End straight plays Owen has worked as sound designer on the following West End straight plays in London, although the timeline suggests he is no longer active in this particular discipline: Barking in Essex, (original creative), Wyndhams Theatre (2013) Uncle Vanya, Vaudeville Theatre (2012) Long Days Journey in to Night, Apollo Theatre (2012) Sign of the Times, (original creative), Duchess Theatre (2011) End of the Rainbow, (original creative), Trafalgar Theatre (2010) Woman in Black, Fortune Theatre (2010) An Ideal Husband, Vaudeville Theatre (2010) Prick Up Your Ears, (original creative), Comedy Theatre (2009) Dealers Choice, Trafalgar Theatre (2007) Jeffery Bernard is Unwell, Garrick Theatre (2006) Dickens Unplugged!, Comedy Theatre (2008) Epitaph for George Dillon, Comedy Theatre (2005) Technical achievements Owen is credited with a long list of technical achievements and industry firsts. A pioneer in the field of immersive theatre sound, Owen was the first person to use the object based wave field synthesis immersive audio in both Londons West End and on New Yorks Broadway, for the musicals Come from Away and Diana, respectively. He created the world's first sound design to incorporate object based mixing in to a rotating auditorium for Andrew Lloyd Webbers Cinderella musical at the Gillian Lynne Theatre in London; and what was, at the time, the largest SoundScape installation in the world for arena musical Starlight Express. Owen is also credited as the first person to integrate wireless tracking of performers in to an object based sound system on Broadway, this time for MJ the Musical. Indeed, he and his team are credited with creating one of the industry standard control applications for live immersive audio, d&b's EnSnap, used on multiple shows and productions around the world. Owen's use and development of cutting-edge technologies is not limited to immersive audio. He is believed to have designed the show with the largest number of