Luis Rosales Camacho (31 May 1910 – 24 October 1992) was a Spanish poet and essay writer member of the Generation of '36. He was born in Granada (Spain). He became a member of the Hispanic Society of America and the Royal Spanish Academy in 1962. Rosales obtained the Miguel de Cervantes Prize in 1982 for his literary work. He died in Madrid in 1992, aged 82. Biography He was born in Granada in 1910, into a very conservative family. His beginnings in literary training are related to the environment of artists from the Gallo magazine (although he never published in it), whose members —Enrique Gómez Arboleya, Manuel López Banús, Joaquín Amigo and Federico García Lorca, among others—, will become his great friends. In 1930, after a couple of publications in the avant-garde magazine Granada Gráfica, he made his first poetic reading at the Granada Artistic, Literary and Scientific Center, which was considered a success - the Granada press echoed, and since then his interventions in this institution were numerous—; months later, he began his studies in Philosophy and Law at the University of Granada. In 1932 he moved to Madrid to continue his studies in Philology, obtaining a doctorate. There he began his friendship with Pedro Salinas and Jorge Guillén, who introduced him to Los Cuatro Vientos, considered the last collective magazine of the group of poets of the Generation of '27. In the second number of said magazine, in April 1933, they collaborate the great intellectuals of the time such as Miguel de Unamuno, Benjamín Jarnés, Manuel Altolaguirre, María Zambrano, Luis Felipe Vivanco, Leopoldo Vivanco, Claudio de la Torre, Vicente Aleixandre, Antonio Marichalar, Jaime Torres Bodet and Rainer María Rilke; and Rosales himself publishes his first poems: Eclogue of sleep and Ode of anxiety. He continued his literary activity in Cruz y Raya, a magazine directed by José Bergamín. He also publishes his verses in Vértice and Caballo Verde para la Poesía, a magazine directed by Pablo Neruda in which poems by other writers such as Vicente Aleixandre or Miguel Hernández also appeared. In the capital of Spain he met the Panero (Juan and Leopoldo) and Luis Felipe Vivanco, companions of what will later be called Generation of 36 (or of the War), of which Dionisio Ridruejo is also a part, and whose common axes, In addition to his affinity and camaraderie, were his intimate Catholicism and his