Doctor Who Live: The Monsters Are Coming! is an arena stage show based on the BBC TV programme Doctor Who. Plot The live show is an implied sequel to the 1973 Doctor Who television episode Carnival of Monsters. It centres around Vorgenson, the Greatest Showman in the Galaxy, who with the help of his incredible invention, 'The Minimiser', can make any Doctor Who character appear on stage as part of his travelling show dedicated to his hero. The show features Matt Smith as the Eleventh Doctor in pre-recorded video clips, with Nigel Planer as Vorgenson, The Inter-Galactic Showman. The show features numerous monsters from the show: the Judoon, Clockwork Robots, Silurians, Weeping Angels, Ood, Cybermen, Daleks, Scarecrows, Winders and Smilers. After showing off the different monsters he has captured Vorgenson reveals that he plans to use his device to create a scenario in which the Doctor will believe that the audience is in peril, he does this by pulling Winston Churchill from World War II, causing a paradox and threatening the present. As Vorgenson leaves the stage, Churchill is able to take advantage of this moment by contacting the Doctor through a mobile phone, and the Doctor rushes on his way to save Winston and the audience. Once Vorgenson comes back, he manages to sends Winston back into the minimiser and then sends the Judoon into the audience to find the Doctor in case he has already arrived. The Judoon attempt to scan Voregenson (who is an alien) but he tricks them into thinking the Doctor is in the minimiser and they return to it. Vorgenson leaves. The Doctor contacts the audience and tells them that if he shouts "Geronimo!" at them they must shout it back as this will automatically bring the TARDIS to the Doctor. A beep on the TARDIS screen troubles the Doctor, who cautions the audience that a group of Weeping Angels have escaped from the minimiser. The Doctor warns them not to blink, and leaves. A weeping angel appears on the big screen in a neutral position, staying there for a few minutes. Suddenly, the audience is distracted by a group of policemen entering from the back of the theatre, informing the audience to stay in their seats, and revealing that they were alerted by an anonymous tipoff. The police walk onto the stage and are picked off one-by-one by two new angels that have