no cuts and no equalizations in the post-production. In the background, are distinctly audible the sounds of nature, that come to be part of the music, in which harping and traditional tunes are predominant. The Myst In spring 2005, The Myst was produced: an expression of musical and personal evolution of the group. It was the first real session in a recording studio for the orchestra. Amplifying and recording parts for such a large number of harps, as well as other instruments ("The Myst" saw the cooperation of nearly 40 musicians, including guest stars) required over 200 hours of hard work at Suonovivo Studios, near Bergamo. This second release gives room to a more diverse repertoire, comprising some rearranged traditional tunes and original compositions by Fabius Constable, echoing the most various influences, from tango to classical music, from folk to more introspective songs, like "A bigger dream " and the title track "The Myst". Tale of the Fourth In 2008, Celtic Harp Orchestra released the third CD, Tale of the Fourth: a concept album related to the Fibonacci sequence of numbers. It represents a further change in musical style, as some of the new tracks were composed while Fabius Constable was on tour in the Far East, and later rearranged with the addition of a typical rock trio: electric guitar, bass guitar and drums. This recording session was held at Auditoria Records, near Como, paving the way for the lasting collaboration with producer Aki Chindamo. The third album, although containing some Irish classics, including Constable’s variations of "Greensleeves" and "O'Carolan's Concerto", is far from the canons of traditional music. Harp sound, which is strongly distinctive of CHO, is in fact interpreted and mixed in an innovative way, with sounds such as Moog and Hammond. An experiment that was worth the nomination of Tale of the Fourth for best album and best recording at Prog Academy Awards in 2008. Three Letters to the Moon The intense touring of the next two years, gave birth, in 2010, to Three Letters to the Moon. The first part of the CD, Letter From The Sleeper, contains solo compositions by Fabius Constable. It emphasizes a more intimate and reflective style, resembling influences of Japanese, North African and Celtic music. The second part, Letter From The Dreamers, has a massive sound impact, with the orchestra to the full, the presence of the choir and the rock