be in the film, following the destruction of the first in The Dark Knight. Further set photos revealed a "new vehicle" being transported to Wabash Tunnel, prompting speculation as to its nature. In June 2011, Autoblog confirmed the presence of the new Lamborghini Aventador on the film set. Several accidents occurred during the production of the film. While filming at Wollaton Hall, Nottingham, a tractor-trailer crashed into the main entrance, though no one was injured. A stuntman parachutist later crashed through the roof of a home in Cairngorm Gliding Club, Feshiebridge in Scotland, and became wedged there after a failed landing during a skydiving stunt; he was not seriously injured. While filming scenes in Pittsburgh, Hathaway's stunt double crashed into an IMAX camera while filming a sequence that required her to ride a Batpod down a flight of stairs during a riot. There were no injuries, but the camera was destroyed. A second accident took place in Pittsburgh when the truck carrying the then-unidentified vehicle later termed "the Bat" went off-course and crashed into a lighting array, damaging the model of the aircraft. Production was delayed while the model was repaired. Shortly before Christmas of 2011, Christopher Nolan invited several prominent directors, including Edgar Wright, Michael Bay, Bryan Singer, Jon Favreau, Eli Roth, Duncan Jones and Stephen Daldry, to Universal CityWalk's IMAX theatre for a private screening of the first six minutes of The Dark Knight Rises, which had been shot on IMAX film and edited from the original camera negative. Nolan, feeling that the use of film stock in cinema was being phased out due to the introduction of digital cinematography and projection, used this screening to make a case for the continued use of film, which he asserts still offers superior image quality to any digital format, and warned the filmmakers that unless they continued to assert their choice to use film in their productions, they may eventually lose it as an option. Nolan explained; "I wanted to give them a chance to see the potential, because I think IMAX is the best film format that was ever invented. It's the gold standard and what any other technology has to match up to, but none have, in my opinion. The message I wanted to put out there was that no one is taking anyone's digital cameras away. But if we want film to continue as an option, and