up with the idea for an outrageous comedy made up of several short films in the early 2000s. "It's like Funny or Die, only if you could go crazy," judged Farrelly, "because with Funny or Die, there are certain limits. And we just wanted to do that kind of short and go much further than that." Charlie Wessler affirmed that he "wanted to make a Kentucky Fried Movie for the modern age". Wessler then recruited three pairs of directors—Trey Parker and Matt Stone, Peter and Bobby Farrelly, and David and Jerry Zucker—to sign on to write and direct one-third of the project each. He then began working out a deal with a studio for the project, but the project did not stick. "They ended up calling me about a month after we started negotiating the deal and said 'we can't do it' because they had political pressure to not make R-rated movies that were marketed to teenagers," claimed Wessler. He then went to multiple other studios, but, according to Wessler, "no one could understand what [he] was trying to do". In 2009, Peter Farrelly and producer John Penotti took their pitch—along with about 60 scripts for the vignettes—to Relativity Media. At that meeting, Wessler, Penotti, and Farrelly presented one short that they already had shot, starring Kate Winslet as a woman going on a blind date with a seemingly successful and handsome Hugh Jackman. "They just looked at me and said, 'Go for it,'" Wessler told The Hollywood Reporter. "It takes a lot of balls to make something that is not conventional." Relativity provided $6 million for the film, but no other studio would sign on. "Other potential backers", Farrelly revealed, "didn't believe it could happen—a movie with Kate Winslet for $6 million?" The film officially began principal photography in March 2010, but due to its large cast, producer/director Farrelly told Entertainment Weekly that "This movie was made over four years, and they just had to wait for a year or two years for different actors. They would shoot for a week, and shut down for several months. Same thing with the directors. It was the type of movie you could come back to." Shortly before shooting, writers Parker, Stone, and the Zuckers backed out. The film ended up with thirteen directors and nineteen writers tied to it, each one co-writing and directing different segments of the sixteen different storylines.