seems to lack a part for an obbligato instrument. For the Bach Cantata Pilgrimage of the Monteverdi Choir (and John Eliot Gardiner), Robert Levin reconstructed a version for flauto traverso and oboe d'amore. The duet is also accompanied only by the continuo, but seems complete. The melody of the closing chorale is rare elsewhere, but appeared in Weimar not only in this work, but also in a chorale prelude of Johann Gottfried Walther. Recordings Die Bach Kantate Vol. 54, Helmuth Rilling, Frankfurter Kantorei, Bach-Collegium Stuttgart, Arleen Augér, Alyce Rogers, Kurt Equiluz, Wolfgang Schöne, Hänssler 1976 J. S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 8, Nikolaus Harnoncourt, Vienna Boys Choir, Concentus Musicus Wien, boy soprano, Paul Esswood, Kurt Equiluz, Robert Holl, Teldec 1986 J. S. Bach: Complete Cantatas Vol. 3, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Barbara Schlick, Elisabeth von Magnus, Paul Agnew, Klaus Mertens, Antoine Marchand 1995 J. S. Bach: Cantatas Vol. 3, Masaaki Suzuki, Bach Collegium Japan, Yumiko Kurisu, Yoshikazu Mera, Makoto Sakurada, Peter Kooy, BIS 1996 Bach Cantatas Vol. 11, John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists, Magdalena Kožená, Sara Mingardo, Christoph Genz, Peter Harvey, Soli Deo Gloria 2000 References Sources Ach! ich sehe, itzt, da ich zur Hochzeit gehe BWV 162; BC A 148 / Sacred cantata (20th Sunday after Trinity) Bach Digital Cantata BWV 162 Ach! ich sehe, itzt, da ich zur Hochzeit gehe: history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas Website BWV 162 Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162: English translation, University of Vermont Ach! ich sehe, itzt, da ich zur Hochzeit gehe: text, scoring, University of Alberta Chapter 22 BWV 162 Ach, ich sehe, itzt, da ich zur Hochzeit gehe / Ah, I see as I proceed to the marriage. Julian Mincham, 2010 Luke Dahn: BWV 162.6 bach-chorales.com Church cantatas by Johann Sebastian Bach 1715 compositions 1716 compositions