
Halloween is going to be jealous.
Copyright © 2011 by Pill Hill Press
All stories contained in this volume have been published with permission from the authors.
All Rights Reserved
No portion of this publication may be reproduced, stored in any electronic system, or transmitted in form or by any means, electronic, mechanical, photocopy, recording, or otherwise, without written permission from the authors. This is a work of fiction. Any resemblance to any actual person, living or dead, events, or locales is entirely coincidental.
ISBN: 978-1-61706-157-8
Printed in the USA byPill Hill PressCover art by Greg SmallwoodFirst Printing November 2011
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Table of Contents
Consensual by Jack Ketchum writing as Jerzy Livingston
Securedate.com by Boyd E. Harris
The Greatest Sin by Kevin Wallis
The Greenhouse Garden of Suicides by Kirk Jones
I Heart Recycling by Lesley Conner
Remember What I Said About Living Out in the Country? by A.J. Brown
Every Day a Holiday by Steve Lowe
Seeing Red by Chris Lewis Carter
Southern Fried Cruelty by Matt Kurtz
By Bizarre Hands by Joe R. Lansdale
We Run Races With Goblin Troopers by Lee Thompson
Pascal's Wager by Wrath James White
A Special Surprise at Thanksgiving Dinner by Elle Richfield
Waiting for Santa by Bentley Little
Hung With Care by Ty Schwamberger
Sunshine Beamed by Marie Green
Dia de los Inocentes by Elias Siqueiros
Three, Two, One by Nate Southard
by Jack Ketchumwriting as Jerzy Livingston
We rolled away from one another. We were exhausted, both of us, but for different reasons. Her reason was that her coming had been a hell of a long time coming. So long in fact that I was practically ready to go again. They say the tongue is the strongest muscle in the body per square inch and I didn't know about that but mine felt like it had been bench-pressing hundred-pound weights.
A hundred repetitions.
"You want a beer, Stroup?" she said.
Her fingernails were drawing tight little circles around my navel. I was old enough to be her father. It didn't matter. If she kept that up I'd be ready again any minute but my tongue still needed a rest.
"A beer would be nice, Carol."
She reached across my chest for the royal blue kimono I only knew was royal blue because now and then I'd seen it in the light. She kept the bedroom as dark as the inside of a cave and at the moment it smelled about as rank. Summertime sex in the city. I heard the rustle of silk and her perfume wafted toward me like a sudden field of clover.
"Be right back," she said.
The bedroom door opened and she stepped out into the dimly lit hallway and I could see a little. The kimono fluttered across her thighs like a big grateful butterfly riding along for the nectar.
It had been three weeks now I'd been fucking Carol and I'd yet to see her wholly naked. Her habit was to turn off the lights before we started and close the bedroom door behind her like this was a quickie and she was expecting company any minute, even though it wasn't a quickie and she lived alone. The blinds were always drawn. She never seemed to want to fuck in daytime so the most I could tell from what little ambient light the city streets provided was that she wasn't deformed, had a nice little mole on her left front hip and was of a generally uniform color.
I asked her once what was with the Stygian Darkness bit.
We couldn't light a candle maybe?
We'd both quit smoking. So glowing embers were out.
She laughed. "I dunno, Stroup. I think it's sort of sexy. A little spooky. Like I can't tell what you're going to do next, where you're going to touch me. A little dangerous. It's like I'm doing it with...well, a kind of succubus, you know?"
"Incubus. Succubus would be you."
"Right. You don't mind, do you?"
"To quote our president, 'Security is the essential roadblock to achieving a road map to peace.'"
"Huh?"
"Look it up. Washington, D.C., July 25th, 2003."
"I don't understand."
"Whatever makes you feel secure or insecure, Carol, whichever you want it's fine with me. Even if they're as confused as that dickless fuck. The exceptions being golden showers, vomiting on purpose and coprolagnia."
"Coprolagnia?"
"Playing with shit."
"Eeeeew."
"I thought you'd feel that way."
I'd never questioned her about it since. Though sometimes I wanted to. Taste, touch and scent are perfectly good senses but sometimes you want a little presentation as well. The parsley sprig on the dinnerplate.
She slid into the room through the crack in the doorway with two cold Becks sweating in the bottle and we savored them. We'd met over Becks at the All State Cafe.
She asked me if I had to work tomorrow. I told her I didn't---the goddamn copy was in. Drill bits. I was writing about drill bits. The book was a flop everywhere but at the remainder tables so I was back to copy again. My next assignment? Crest Whitestrips. Don't be annoyed if you can't quite see the connection.
"You?"
"No. I switched shifts with Janet."
That was a relief. I didn't need the guilt. It was two in the morning already. Carol was a nurse's aide on the geriatric ward over at St. Luke's and even though she was twenty-five years younger than me, still a just kid as far as I was concerned, even on a good day with plenty of sleep she was dead on her feet half the time when it was over.
"That mean we can go again?"
She smiled and finished her beer. "Mmmmm," she said. "Sure does."
She set the beer down and got up and closed the door.
Closing the door. That was how I knew she was serious.
The dark descended and she descended spread-legged across my thighs a few seconds later. She was naked. No kimono. Her body was cool to the touch and then it wasn't.
We made the usual noises.
"You know what we never do, Stroup?" she said.
She was riding me high, posting like a rider in an equestrian event and I was below her, pumping away. I wasn't really used to questions at this juncture.
"Uh, what?"
"We don't talk about what we like. About what really gets us off."
"I thought we were getting off pretty good, Carol."
"We are."
For emphasis she hit the saddle, twice. Hit it hard. Think a pair of body blows from Sonny Liston.
The saddle said "OH!" and "OH!" The saddle was way too old for this shit.
She posted again. Much better.
"What I mean is, everybody has some special thing or things they like during sex, right? Sometimes you find out what they are by accident, trial and error. You trip over them. But it's better to just tell it, get it out there, don't you think? Because sometimes the person never finds out."
"Kind of like a g-spot?" I said. "A sort of little-to-the-left kind of thing?"
"Kind of. What do you like, Stroup?"
"I like this, Carol."
"I know you do. You're not going to come yet are you?"
"Not if we keep talking. I don't think so."
"Good."
I wasn't exactly sure I was telling the truth. It was a pretty safe bet that Carol wouldn't come even with me working her clit with thumb and forefinger which I'd been doing continually since she climbed aboard with only that one minor pause during her switch from equestrian to bronc buster. The noises she made told me she liked that fine but it was the tongue that really got to her in general. The weightlifter.
"So what do you really like? Tell me and I'll do it."
"I'm embarrassed, Carol..."
"No you're not. Nothing embarrasses you."
"Our president does."
"Bush aside, Stroup."
"That didn't sound right. Not under these circumstances. Was that meant to be instructional? You want to rephrase that?"
"Goddamn President Bush aside, Stroup."
"My nipples are sensitive."
"What? Right now? Is that a bad thing?"
"No. The left one slightly more so than the right. If you sort of nibble at it, that'd be good. But either one will do. Left or right. Your pick."
"I thought it was only women who were really sensitive there. That's rare in guys, isn't it, Stroup?"
"I don't know. It's not the sort of thing that normally comes up in conversation during the Yankee game. 'You see that line drive? Yeah! Man! my nipples are sensitive!'"
Then I shut up because she bent over and went to work on the left one and she was so obviously a natural at it that I had to wonder if there wasn't a woman in her past somewhere, thinking it was maybe something to ask her about later not that I minded one way or another and I could feel it travel all the way down my spine into my cock in little electric bursts. She must have sensed something because she pulled away.
"You going to come, Stroup?"
"Mmmmmuhhhhh," I said.
"Oh no you're not."
And I didn't even see it coming. There was no way to roll with the thing. It was a good one too. All of a sudden my cheek was burning and the crown on my molar, upper right quadrant, felt loose.
"Jesus, Carol! You slapped me! You goddamn slapped me!"
I had to admit it had done the trick though. I was down. Though not out.
"Sorry. Reach over and turn on the light, Stroup."
"Huh?"
"I want to show you something. The table lamp. Turn it on."
This was interesting.
I was going to see whatever it was she hadn't wanted me to see so far.
At first I couldn't figure it. She looked like a woman with all parts intact. Very much intact---and I wondered for the umteenth time what she saw in an old bum like me. Her areolae were darker than I'd expected. The navel dove deeper than my tongue had bothered to notice. That was about it.
She turned a little to the right and I saw the white smooth scar tissue over two of her left ribs, crawling toward her back a few inches below her breast. The one on top was maybe an inch long. The one below it more like three.
"Whew," I said. "And I never felt those?"
"I hold my elbow this way, it's hard to reach them. See? Do they disgust you?"
"Hell no, Carol. Guys like scars. We're kinda odd that way. But what the hell happened?"
I pumped a few times and she posted just to keep things rolling.
"I was driving my boyfriend's car one night back in high school. Some drunk kissed my bumper passing me on Route 10 and I went off an embankment. My boyfriend was so goddamn proud of that car---vintage black '71 Volvo, in fabulous condition. But there were no airbags back then and I wasn't wearing a belt so I went into the steering wheel. Compound fracture of the ribs. I reached around and I could feel them sticking out of me. It was pretty...intense."
"Intense? I would think so. God, yes."
"I came like a sonovabitch, Stroup."
"What?"
"I swear to God. I didn't think it was ever going to stop. It was pouring out of me."
"This is a joke now, right?"
"No. It was pretty embarrassing too. I was wearing these Garfield THRILL ME panties and they were just soaked through completely. And you know, the medics, they had to undress me, so..."
She let it just trail off that way. That was fine by me. I was starting to wilt again.
She pumped. I pumped. That was better.
But I was starting to get this feeling. This weird, bad association. I had the sense that what she was going to say to me next would not be about nipple nibbling or blowing in her ear.
"I get off on broken bones, Stroup. That's my thing."
"You do. You get off on broken bones."
"I do. For me there's nothing like it."
"That's pretty new and different, Carol."
"I know. But I'm not the only one, Stroup. There are chat groups on the net. There's websites."
"Uh-huh."
"You should check it out."
"Sure. Why not? I've already been through most of the quadruple-amputee sites."
"I'm serious, Stroup."
"I'm sorry. I didn't mean any offense, Carol. Honest."
"So will you?"
"What? Break your ribs?"
She laughed. "No, silly. That would be getting pretty extreme, don't you think? You could do a finger, though. I'd really like that. In fact I'm getting all hot just thinking about you breaking my finger, Stroup. Will you do that for me?"
"I wouldn't know how, for godsakes. What if I tried to break it and just disjointed it or something? Would that be disappointing to you?"
"You think I'm crazy, don't you."
"No. I think you're getting wetter all the time, though. Jeez."
"I told you. I work with osteoporosis patients, Stroup, you know? They break bones every day. Sometimes I get so hot I have to go to the ladies' room and...am I telling you too much about this?"
"It's possible."
"You think I'm crazy."
"I do not. If you wanted to get pregnant that would be crazy."
"Fuck me, Stroup. Break my finger, okay?"
"I..."
"How isn't a problem. I'll show you how."
"You've done this before."
"Not to myself. It doesn't work if I try to do it. I chicken out. Somebody else has to. But yeah, there have been guys willing. Look at this."
She swung her left foot up beside me on the bed. I thought that was pretty damn athletic of her. I pumped a few times. New position. Not bad.
"See that?"
Her big toe was a mess. All bent to hell out of shape. I hadn't noticed that. Who looks at feet?
"That was Ron. He went overboard one night with a pair of pliers. I told the doctors a manhole cover fell on it. I don't think they believed me, though. I dumped him the following day."
She swung the leg around. We were in post position again. She pulled up high so that I was almost out of her. Almost but not quite. My shaft was suddenly very cool and wet. The glans nestled.
"Here's what you do," she said.
She took the pinkie of her left hand between the thumb and forefinger of her right so that the thumb pressed flat against the bottom of the second joint and the forefinger pressed down over the knuckle.
"This is called a phalanx. It's a very small bone but you'd be surprised how hard it is to break. See, the joint ligaments and capsule tend to rupture before the bone snaps. Which is pretty intense too but it's not what we're after here. You have to do it fast and you only get one try."
She drew up and down, up and down. A smile in her eyes and on her lips.
"C'mon, Stroup," she said. "Astound me."
I TOOK HER HAND. I placed my fingers just so.
I guess I got it right.
"YOU KNOW, NOT MANY guys will do this, Stroup."
"I'm not surprised."
She moved aside the heavy butcher-block cutting board and snuggled close. It was the following night. I had just taken out her terminal phalanx---the tip of her pinkie---with a ball peen hammer. Smashed it against the board.
Same hand.
The board was wet with blood. The bed was wet with us.
She'd decided to wait on dealing with the first break---just splinted it herself. She was going in to work tomorrow and she'd have both of them taken care of then. She hadn't decided on the right explanation yet.
I couldn't help her on that one. My imagination failed me.
Meantime she'd thought ahead this time and had gauze and tape and peroxide and codeine waiting on the nightstand. At least I didn't have to look at the thing. Unless you counted seepage.
"How bad is it?"
She smiled. "Bad. I took the codeine, though. I really want you to know, Stroup. That was one of the best. God, that was good!"
"Thanks. You weren't so bad yourself. What next?"
She considered. "I dunno. I work with my hands. So I have to give these time to heal. A toe, maybe?"
"You'll limp."
"I bought these shoes that are a little too big, you know? just in case."
"In case?
"In case I met somebody like you, Stroup."
I couldn't fathom what in the hell it was she was feeling. Imagination failed me there too. She seemed happy though.
"Yeah. Toes, I think," she said.
"Plural?"
"One to start with, silly. I've got this vise under the bed in the toolbox. You can do it slowly. Little by little. Oh my god, Stroup, there I go, I'm getting wet again!"
"Wait a minute. You're not saying...?"
"No, jesus, I couldn't take that now. Not after this."
"Okay. I get it. You got it. I'm there."
I slid down the long delicious length of her and proceeded.
I MASHED HER MIDDLE toe, right foot, the following week.
It occurred to me that Carol might have done very well during the Inquisition. Thumbscrews, The Boot, The Rack. I doubt they'd have known what to make of her though, except to be terrified out of their freaking minds that they'd actually finally met a witch and would've burned her first chance they got. That would have been the downside I guess. Carol wasn't into burning.
I'd asked her.
If they noticed the limp at work, nobody said anything.
SHE HAD SOME VACATION days coming so I took some time off from the ad copy and we flew to Sarasota. The agency was pissed. They wanted me to do a TV-only ad for a Best of Barry Manilow collection. You know the type. Your CD starts skipping before you hit the PLAY button. I told them I was wrong for the job anyway. I liked heavy metal. They said there was evidence heavy metal was turning kids into murderers. I told them if that was true then Barry Manilow was probably turning them into florists.
It was the beginning of May, so the Florida humidity hadn't descended yet and the hotel was cheap enough so we rented a car and spent the days basking in the sun on the fine white sand at Siesta Key and window shopping at St. Armand's Circle, eating streetside there and then going back to our hotel to do what we did best together and it was only when she showed me the Louisville Slugger that I got worried.
We were lying in bed. Mr. Muscle was very sore.
"Correct me if I'm wrong but isn't that assault and battery? No pun intended."
"Not if it's consensual. I figure if you choke up high on it you can bring it down right over my forearm.
"Both hands?"
"I think you'd have to use both hands, yeah. Otherwise it's not gonna break. I'll just wind up with a hell of a bruise."
"And we don't want that."
"No."
"Can I think about it?"
"Sure. I'm too pooped tonight anyway. I just thought, how appropriate, you know? We're here in Sarasota. The Cincinnati Reds do their spring training down here. Whenever I see them on TV I'll think of you."
I was dead tired too, but I kept thinking, lying there in bed that I was maybe getting in a little over my head on this and that the pinkie or toe were one thing but that the radius or ulna were probably another. Not to mention all the sensitive nerves and tender blood vessels in attendance. That I could possibly cripple the nutty bitch and then where would I be? My sleep was troubled. I remember morphing into Yogi Berra at some point and that Berra was striking out again---he could never hit worth a damn---and I remember thinking the way you do when you're half asleep and half awake that I wasn't even playing for the right team.
At another point I was arrested by the Sarasota police.
The charge was breaking and entering.
The wake-up call was good though. The wake up call was Carol's lips sliding up and down my dick and before you could say Boy Howdy I was tickling her tonsils with the thing.
She looked up and smiled around it and I think she said, "morning."
I know I said morning back.
She lifted herself up onto her knees and slid me inside her and started moving back and forth and side to side and soon I was starting to come, I could tell it was on its way, not only from the feeling down below but because I have this sort of involuntary grunting moaning thing I do way back in my throat---and because I had my eyes closed I didn't see it coming a second time.
She'd reached down behind her on the bed I guess and next thing I knew my right collarbone felt like it had just exploded. I screamed and bucked her off me back hard onto my thighs and the bat flew out of her hands to the floor and my come whipped off into her hair like strands of gooey tinsel on a Christmas tree. She was smiling. I was shouting, groaning.
"You fucking...!"
"I thought you'd like to see what it was like," she said. "So, what do you think?"
"You fucking...you crazy....fucking...!"
And I don't know how I managed it through the pain or even saw her clearly enough through the dots of yellow bursting in front of my eyes, but I leaned up into her and planted my left fist into the side of her jaw like it was born to be there once, just once in a goddamn lifetime and then leave its mark forever.
She didn't fall off the bed---she dove off the bed. Sideways, almost gracefully. She looked like a girl sliding dreamlike off her ski in some Esther Williams movie. Well, we were in Florida.
My collarbone was killing me. My fist was killing me. I felt like one big sack of pain.
So much for the thrill of broken bones.
Thanks so much for sharing.
I could hear her sobbing down beside the bed.
Somehow I got to my feet and walked over. She was lying on her back, her right shoulder off at a strange unnatural angle. She was trying to hold her jaw in place with her left hand.
"I think you broke my jaw," she sobbed.
At least I think that's what she said.
I could see she'd dislocated her shoulder.
I hated to watch a woman cry so I went into the bathroom and got her a hand towel and bent down and gave it to her. That jaw looked broken all right.
"I got one question for you, Carol," I said.
I could see our near future then clear as the Sarasota night. The hospital, the explanations, probably the cops. The flight back to New York with the passengers and flight attendants all looking at us like gee, what a terrible awful shame, it must have been an awful wreck, I wonder if anybody else survived? Then the breakup, the tears, the inevitable parting of ways.
"Whussat?" she said. I had to ask.
"Didja come?"
SECUREDATE.COM
by Boyd E. Harris
Melanie crossed her legs under her tailored suit and said, "You know, we're not really an online dating service anymore. So much is done in-person now that SD has developed into a hybrid of sorts. Think of it as having the best of both worlds. Personalized service from field experts and the non-intrusive benefits of first meeting your prospects online. So are you nervous?"
"Yes." Patrice's voice was frail, her demeanor the same.
"It's a significant step to take." Melanie leaned forward a little. "I was divorced three years ago myself. It took a while, but I made it back to dating six months later. I subscribed to Securedate.com and remember how nervous I was in the interview. But here I am, engaged to be married to a wonderful man." She paused, noticing Patrice wanting to ask something.
"How many dates will it take?" Patrice managed.
"It depends on your compatibility, and after each new date, we will know a little more about you. Our state of the art security design does a background check on every member, every week. And just recently we installed a new program that actually analyzes every potential match you might have.
"We call it 'Agent Cupid'. We've hired the best programmers and the best researchers around to implement this program."
Patrice crumpled her brows together. "Agent Cupid?"
"Yes. It analyzes all available information on potential clients, starting with your legal history. We won't have any ex-cons or pedophiles sneaking through our gate." She snickered to emphasize how ridiculous the thought was. "It does a credit check, an employment check and it even analyzes your tax records. It checks marriage history, and even past living arrangements."
Patrice nodded.
Melanie continued, "Nothing gets by Agent Cupid. And we're constantly doing things to improve his arsenal of information gathering abilities. Even this morning, our engineers are installing software that will pull up not only statewide, but national records." She grinned. "You're not wanted for grand theft auto in Arizona, are you?"
Patrice, becoming a little more comfortable, smiled and shook her head.
"Well then you qualify. We'll put you into the Securedate exclusive power search membership right away." Melanie stood up. "Follow me."
Patrice apprehensively held up her forefinger and asked, "Melanie, how much will it cost?"
Melanie sat back down. "Patrice..." She paused for effect. "Think about the attorney costs in your divorce, and how your ex drained your accounts before you knew he was cheating."
Patrice raised her head in surprise. "How could you know all that?"
The answer came with a tone of surprise from the question. "Agent Cupid." Melanie moved over to the sofa and seated herself next to Patrice. She put one arm around her and held a box of tissue in front of her with the other.
"Thank you," Patrice said as she pulled one from the container.
"Patrice dear, we are not cheap. The initial membership is $4,500. Every first date is $1,500..."
Patrice blew her pink, irritated nose. It had been tender for over a year.
Melanie completed her close, "But you know that these fees pale in comparison to the costs you'll incur if you end up with another creep like your ex-husband."
Patrice held the tissue on her nose and covered most of her face to sponge the fresh tears. Then she nodded.
AT 330 POUNDS, AND sporting a pasty bald spot on the pinnacle of his upper forehead, Drake Drebbins's appearance wasn't exactly a strong point. He preferred working out of home, but currently he was installing and testing new software.
Today was a tough one. The system was having hiccups. From his custom built chair, he cursed the program. "Damn script errors...! Script error, script error, script error!" The system was temporarily frozen, so he decided to take management his progress report the old fashioned way.
He stepped into the hallway and spotted Melanie in the lounge. The girl sitting with her was astonishing. A perfect mix of beauty and innocence. Drake tilted his head a little, a sweat mustache beading along his upper lip. His deep, hollow breathing sped up. He quivered as the two women got up and approached him.
Melanie stopped and said, "Oh Patrice, meet Drake. He's our wizard behind Agent Cupid."
Patrice smiled. "Hi Drake."
Drake's head went hot. Through heavy gasps, he managed, "Hello."
Then the two women continued toward Melanie's office and Drake fell back into the room and collapsed in his custom chair. The progress report would wait.
AGENT CUPID HAD LIFE, and Drake smiled. Like any detective, the critical task was to filter out the unnecessary data and to make sense of what remained. Drake had complete access to the company system from his apartment, and he'd recently stuffed away his collection of Marvel comics to study Patrice Giddings and the men she spoke with. Making sure his software was ready to protect women like her had become his new fixation.
An instant message from Agent Cupid distracted him. "Patrice is important to you."
Drake clicked his response. "Yes, I want to tell her that I love her."
AC > "Not a good idea."
Drake > "I know."
AC > "She is vulnerable, though. I'll keep an eye on her."
Drake > "Thanks."
AFTER A FINAL DIAGNOSTIC, Drake concluded that the system was operating perfectly. Agent Cupid was armed with a new weapon, nationwide cognizance. Securedate.com now had access to vital records from any state.
Instead of celebrating with the others, Drake raced out of the office. He set his abundant posterior on the custom built, extra wide seat of his turbo moped, with its custom pink paint job. His rolls of skin dangled from his arms as he grabbed the handle bars. The moped roared to life and he sped from the parking lot into the hazy and ominous Iscariot Falls city night.
DRAKE COULDN'T BELIEVE HIS eyes. He stared into the screen, reading a copy of Leighton Witherspoon's marriage certificate. Cupid had done a careful study in Florida and had found only this, no divorce decree.
Tonight Patrice would have her first date, and it would be with this man.
Cupid's message to Drake appeared. "He lied on his application, said he was divorced."
Drake pounded back, "I knew it. He's smooth-talked her."
AC > "Lied to her."
Drake wiped his massive forearm over his drenched face, droplets of sweat flinging onto the desk. Witherspoon had promised Patrice a surprise restaurant for dinner. Drake was in a panic. His pupils swelled.
AC > "He's going to destroy her."
Drake > "She needs help before that happens!"
AC > "That's right. It's time to act."
Drake > "What do we do?"
AC > "You know what to do."
Drake > "No, I don't. Tell me."
AC > "It's time to go live with this thing."
Drake > "You mean...?"
AC > "Yes."
Drake > "But, it's too early. This could jeopardize the project!"
AC > "Some things are worth the risk..."
There was a long pause, and then Agent Cupid stared at the screen from the other side for the first time. He was now in the flesh, and he felt the sweat trickling down from his massive new forehead, onto his meaty upper lip. He felt the heavy rasps of his chest pumping the cool air in and the hot air out. He paused in place for just a moment to acclimate, then stood up from the custom made office chair and backed away from Drake's computer.
His first audible words were, "There now, it's about time."
AGENT CUPID STRUGGLED WITH the stretchy tights. They had been purchased from Party People Warehouse, with special embroidery done at Lonny's Tailors. He heaved and pulled, stretching the heavy duty spandex in stages, sliding it over a new fold of fat with each, mighty tug.
Once finished, the superhero incarnate stood in front of Drake's full-length mirror. The vision before him was spectacular; a powerful man, legs and arms of Mr. Universe. The chest pumped upward, yielding the six-pack any woman would crave. He turned his head for a look at the facial profile. Under the mask, a powerful jawbone angled into a proud, protruding chin. He grinned, revealing pearly white teeth, and they glistened under the closet light.
LEIGHTON PARKED THE CAR on the hill leading to her apartment and went around to Patrice's side to open her door.
She stepped out and with a warm smile, said, "Thank you."
He pierced her eyes with a deep gaze. He was fatefully perfect tall, dark, and handsome. Smooth, confident, refined. There was an enchanting sparkle in his eyes. Her nervousness subsided. She now felt uncontrollable warmth growing in her heart. She wondered if he could be her one and true soul mate.
He held his arm out and she hooked hers through his. They climbed the hill toward her apartment entrance. They passed a funny looking pink Scooter and they both gawked at its absurdity.
"Interesting seat," he said, which ignited a rash of giggles from both of them.
They reached the front door. She stepped up and turned to face him. Their eyes met again, and his sparkle returned.
He leaned forward to kiss her, but then he pulled back. She detected deep concern. He glanced down and then restored his focus into her eyes. He spoke with a new, cautious tone. "Patrice, I have to be completely honest with you. I lied on my Securedate application. I'm not divorced yet. It's a nightmare situation that still has a way to go. I was swept up by a conniving woman and I allowed her take advantage of my inexperience. I caught her cheating and since then, she has gone to every length to discredit my reputation and destroy me. She won't settle. She'd rather clean me out in court, even if she gets less that way.
"It's been so bad that I picked up and moved here to get away from it all. I'm looking for the one person who will dispel this horrible chapter of my life. I can't stop this hopeless romantic inside that tells me you're the one. I tell you this, praying you'll forgive me. Hoping you'll..."
She lifted her forefinger and gently touched his lips. "Shhh. It's okay."
She raised her own lips up to his face, gently pressing them to his. But something told her she pressed too hard, because his eyes opened unnaturally wide, bulging from their sockets. His head tilted backward, then rolled off of his shoulders behind him. It made the thunk of a cantaloupe as it hit the sidewalk. His body fell forward into her arms, quivering in shock, the open neck resting against her chin. Blood surged from his jugular into her nose and mouth. Choking on the stream, she held her love for a brief moment, then dropped his spasming corpse to the concrete. She coughed up a glob of thick gore and looked out to see Leighton's open-eyed head rolling off the sidewalk into the street. Each time it made a full rotation, his frozen eyes seemed to glance at her.
Under panicked arrhythmic breathing, she looked up to find a giant man in a tight, hot pink suit. Folds of fat from his feet to his chin were covered with tired spandex. An equally bright cape covered his lumpy shoulders and arms. There was a large, red heart embroidered on his chest sporting the initials "AC." A mask covered his eyes, each side in the shape of hearts. Heavy sweat trickled from under the tight mask and white spittle clung to the corners of his mouth. His right arm was holstering a large, blood-soaked Odachi Samurai sword to his left hip.
Once he completed sheathing the sword, he dug his fists into his waist.
Agent Cupid said with a deep, resonating voice, "Good evening, ma'am. This mendacious client will no longer be a threat to you or any other female patron of Securedate.com. You may now carry on with your quest to find the perfect love through the exclusivity of the safest dating service in the land." He saluted her. "My work here is done."
With that, Agent Cupid turned and burst into a dramatic, broad stepping run. He mounted the love bike and once again, it roared to life. He made his escape, slowing and swerving momentarily to avoid Leighton's rolling head. His long, sleek cape caught air and flapped upward, revealing that the love bike's funny seat had now hidden itself under a magnificent, hot pink ass.
by Patrick Shand
The face stared at him from the foot of his bed.
Logan wanted to look away. He wanted to throw his legs over the bed and run like hell---but he couldn't. He was frozen there, staring back at the shiny black eyes. It was a child's face. A little girl. She had fat cheeks that were alive with maggots and worms, and her smile was black. Her hair was matted to her head as if she'd just come out of a bath.
Logan's wife lay next to him, snoring.
When he'd first seen the face out of the corner of his eye, he tried to blink it away. Whenever the lights went out, Logan always thought that he saw something that wasn't there. One night he flicked out the lights, settled into bed, and screamed when he saw a tarantula, just inches from his face. Leaping up, he slammed on the light switch with his balled fist until it finally came on, and he saw that, with the glow of the lamp, his tarantula was just a scratch on the wall.
But that was different---now as much as he blinked, as hard as he looked, the face didn't go away. The eyes that bulged out of the tiny sockets didn't turn into a shirt thrown over a chair. The worms that writhed from the flesh didn't reveal themselves to be the shadow of branches moving with the wind.
The face stared at him.
Beginning to get short of breath, Logan elbowed his wife. "Ash," he said. She stirred. "Ashley," he said again, and this time it sounded like begging.
She groaned. "What? What?"
"Ashley," Logan repeated. He closed his eyes, looking away from the face, and put his forehead on his wife's shoulder.
"Ugh, Logan... Stop saying my name," Ashley said. "I need to sleep. We have to get up early and... and get stuff ready for the party. Why do I have to explain this to you at three in the morning?"
Logan stretched his arm across the bed and slowly pointed.
"There," he said. "Look."
Not wanting to see the face's fat eyeballs move with delight when Ashley made eye contact as they had when he first looked, Logan watched his wife sit up in bed and squint through the darkness.
"What am I looking for?" she asked.
Logan looked across the bed and there it was, still staring at him. Slowly, a tiny, dirty hand rose up from beneath the bed and waved.
His voice hushed, he said, "You don't see it?"
"There's nothing there," Ashley said, ripping the covers off of him as she turned over in the bed. "Go to sleep."
"Goodnight," Logan said, staring at the face. Silently, its wet lips parted and, revealing a tar black smile, it mouthed a word to him.
Hello.
LOGAN FELL IN LOVE with Ashley on her favorite holiday...Leap Day. She was the only person that he'd ever known that celebrated, much less recognized, the holiday---but every four years, when February was granted an extra calendar day, Ashley went all out and threw the biggest party she could afford. In college, back when dorm parties were thrown for reasons as small as someone getting a B minus, a professor calling in sick or a frat boy taking a particularly monstrous shit, it wasn't odd to see parties thrown for bizarre or obscure holidays. Upon entering Ashley's dorm room, though, he could tell that she was serious about Leap Day. Her entire room was covered in decorations from every holiday, Christmas to Rosh Hashanah to Arbor Day, and there were tables lined with food that would rival any Thanksgiving feast Logan would ever see. Amazed, he sought out the girl behind the party and discovered Ashley in the kitchen, preparing desserts as people chugged forties around her, smiling her proud smile.
"Leap Day, huh?" he'd said.
"Best holiday in the world," she had replied, giving him the smile that he instantly wanted to kiss.
"Why?" he'd asked, though he was starting to really dig the holiday himself.
"The world is a mess," she said. "Time is a mess. Reality is a mess. Leap Day is the one holiday that tries to catch up with everything, set things back in order. It stops the world from breaking."
"Wow," he said.
"Also, my daddy used to celebrate it when I was a kid," she said. "And I loved that."
He walked over to her, looked down at the desserts that she was working on and asked if he could help. That was the beginning of their story.
"ARE YOU MAD AT me?" he asked. Eight years had passed, and they were back in a kitchen, now in a different house---their own house---setting up for Leap Day.
"Annoyed," she said, which is what she always said when she was mad.
"I saw something," he said.
"Yeah, I know," she said, putting a tray of breaded chicken into the oven. "But there was nothing there. If you'd have gotten up and looked around, you would have seen that there was nothing there. You know how important Leap Day is to me. We have a bunch of people coming over, and---"
"I saw a face," Logan cut in.
"A face," she repeated.
He nodded. In the daylight, with his wife in front of him holding a bowl of cookie dough with hands covered in bright yellow oven mits, the idea seemed more preposterous than it was scary.
He shook his head. "Sorry. I, uh...I don't know. I thought I saw something. Maybe I was dreaming."
"Sometimes, the shit you say really creeps me out," Ashley said. "Now, make those cookies into awesome shapes and make me forget that I'm pissed at you."
"Annoyed," Logan corrected with a smile.
Ashley, chuckling, walked out of the room saying "A face," under her breath.
Logan looked down at the cookie dough and remembered the little girl's rotted, torn flesh. A face.
FOUR YEARS BEFORE LOGAN saw the face, on their second Leap Day spent together, Logan and Ashley threw a party at the apartment they were renting together. The party was smaller than the one from college and there fewer cases of beer, but it was still a blast. With Logan's help, Ashley turned the apartment into a veritable house of worship for holidays. It was part haunted house, part winter wonderland, all amazing. When their friends arrived and made their way to the den, where turkey dinner would be served with egg nog and pumpkin pie, they all complimented Ashley on how beautiful---and, to quote Logan's friend Charles, "how batshit crazy"---the place looked.
"Bit of a smaller crowd than last year," Logan whispered to Ashley when they went to the kitchen to bring out the pie.
"Yeah," she said, "which means less broken ornaments and more coherent conversation. Anyway, we're still waiting on a guest. I've got a friend from work coming. Stephanie. You'll love her."
"Oh yeah?"
"She's so intense," Ashley said, grinning. "She told me this amazing story that made me really think about Leap Day. It's...it's actually kind of delightfully creepy."
"How so?"
"I'll let her explain it to you when she gets here," Ashley said. "She's something else, Logan."
LOGAN SAT ON THE couch, looking at the decorations. Halloween, Christmas, Easter, Thanksgiving...even Groundhog Day. Who knew there were decorations for Groundhog Day? If someone could find them, though, it was Ashley.
Thinking about the face all day had slowed him down, but Logan managed to help his wife make the house look as decorative as all of the previous Leap Days. He hoped that the party, his favorite day of the year that only happened every four years, would take his mind off of those wet eyes that seemed as if they were ready to pop out of the little girl's skull.
And her black, rotted grin.
By the time the night came and the party was about to begin, Logan found that it was hard for him to stand on his feet. As a child, he had been deathly scared of spiders to the point where he would, much to his embarrassment, scream like a little girl whenever he saw one descend in front of his face. It played with his mind; it made him see tarantualas when there were only scratches on the wall. He'd never been paralyzed by the fear, though.
Now, he felt the terror running through his veins like static. He couldn't move from the couch because every time he closed his eyes, he saw the dead girl waving at him from across the bed.
Hello.
He had been sitting there for thirty minutes while Ashley did the last bits of preparation from the party. She was not happy about it. It was Leap Day, though, so the smile didn't fade from her face the way it had from her eyes. If he had room in his mind for sadness, he would be crushed that he was ruining their favorite day.
The doorbell rang.
Ashley walked past Logan, throwing a "Get up, please! Come on!" over her shoulder.
He did. He forced himself up. His legs were weightless, and he felt as if he would topple over, so he lumbered over to the wall, propping himself up. He leaned back until he could see down the hallway, looking past the den and into the foyer, where Ashley was talking in hushed whispers to someone at the door. He couldn't hear any of it.
Finally, Ashley closed the door, turned around and walked back to Logan. Alone. Now, she wasn't smiling. Her lips were pulled down into a harsh frown and her eyes were wide, glassy with shock.
"Stephanie is dead," she said.
For a moment, the face was pushed out of Logan's head. He reached out and touched Ashley's shoulder. "What?"
"Stephanie...she died She got into a... She spun off the road," she said, and pushed her face into Logan's shirt. She hugged him, so he hugged her back. Muffled, she said into his shirt, "No Leap Day this year. No..."
He hugged her, thinking about Stephanie, about meeting her at the last Leap Day. The orange, glowing, toothy face of a jack-o'-lantern grinned at him from the wall.
FOUR YEARS PRIOR, STEPHANIE made a big impression on Logan and Ashley's Leap Day party. She showed up in time for dessert, bringing with her a big brown bag. Her hair was streaked with white, but it wasn't like an old person's hair. It was straight and neat, like the rest of her. Logan guessed that she must have been fifty, but she had a young smile and bright eyes.
"Okay, let's creep this up a bit," Ashley said after dessert had been dutifully devoured. She took out some candles, lit them and turned off all of the lights.
"Scary stories? What are we, eleven? Should I get my marshmallows and branch?" Kathleen, one of Ashley's oldest friends, cracked.
"You laugh now," Ashley said. "But wait until you hear what Stephanie has to say."
The group of friends gave a chorus of oooooooohs. Logan laughed and felt young again. He put his arm around Ashley.
"Thanks for the atmosphere, Ash," Stephanie said. "Nothing like a few candles to make a normal room extraordinarily sinister, right? That's kind of how I think of Leap Day. February 29th. The day that shouldn't be."
"I think of pie, crazy decorations and excessive amounts of beer," Charles said.
"Which is fine," Stephanie said. "I love those things myself. I was just a bit surprised that Ash hadn't heard of the...darker side of this day. So I figured I'd share."
"Bring it on!" Ashley said, and Logan smiled. He planned on asking her to be his wife later than night.
"I can list all of the disasters that happened on February 29th. I can give you a million reasons why it's scarier than Halloween, than Friday the 13th, than...well, just about any day. But here's something that's more than a reason...here's a legend."
"She is intense," Logan whispered in Ashley's ear.
"The twenty-ninth is a day of chaos. It's when the fabric of reality between our world and...well, I'll say 'other' worlds, is at its weakest. It's when things can communicate with us, if we try. That's the legend, anyway. That all it takes is as much as a wave from one of us and something other than us will be able to see us. And maybe...just maybe...it will be able to wave back," Stephanie said, letting her eyes pass over each of them.
"And by 'something' you mean...?" Logan said.
Stephanie gave a slight shrug that seemed at odds with her knowing smile. "Let's find out." She reached into her brown bag and pulled out four small mirrors. "Who wants to say hi?"
"Do it!" Ashley said, pushing Logan.
"Huh?" Logan said. "Do it?"
"Yeah, it'll be fun," Ashley said. "I want to watch you shit your pants."
"Fine," Logan said. "Give me."
Stephanie handed Logan a small mirror, also giving one to Charles and one to his sister Charlotte. She kept one for herself.
"Now," she said. "It's simple. Look into the mirror. Make sure you can't see anything. Just pure darkness. Take a step back from the candle if that helps. When you're just looking at nothing but darkness, look at the mirror and say, 'Hello. I know you're there. I can see you. Can you see me? But! Don't do this lightly, friends. When you make contact with another realm, it leaves you forever susceptible to...seeing things. Experiencing things."
Smirking, Logan leaned away from the candle, looking into the mirror as Ashley leaned over his shoulder, clearly entertained. He heard Charlotte start to speak to her mirror, so he figured he might as well start.
He looked into the black mirror.
"Hello," he said. "I know you're there. I can see you. Can you see me?" He waited. Of course, he saw nothing...just blackness.
The others had similar results. Stephanie shrugged and said with a laugh, "Maybe the spirits are too busy having Leap Day parties to give a crap about us. Let's drink."
Logan put the mirror down and, wrapped his arms around Ashley again. For a moment, he felt a strange feeling on the back of his neck, as if he were being looked at from behind. He almost got up to turn on the light the way he had for the not-tarantula that had been on his wall, but he shrugged and hugged the woman who, after that night, would become his fiancée and, later, his wife.
AFTER THEY TOOK DOWN the Leap Day decorations, Ashley told Logan that she didn't want to think about anything, least of all Stephanie's death. She just wanted to go to sleep. It was as if she'd never been mad about Logan's behavior.
She cuddled up to him in bed, crying softly. Even though they no longer worked together and Stephanie seemed to get stranger every time they would meet up, Ashley and Stephanie were very good friends through the years. Stephanie had been a bridesmaid. If Ashley hadn't felt obligated to give the title to Kathleen, her childhood friend, she would've made Stephanie the Maid of Honor.
Now, she was dead. Logan didn't know what to say. His mind was still muddled from the horror of the previous night. But that was over---it was time to be there for his wife.
He fell asleep to the sound of her quiet sobs.
He woke up to the familiar, creeping sensation of being watched.
He squinted in the darkness and saw it at the end of the bed. The face, just barely peering over the end of the bed.
"Ashley," he said. She snored quietly.
The face moved up until he could see the smile again. The black, dripping, toothless smile.
"Ashley," he begged. He went to shake his wife awake, but his hands were gripping the sheets so hard that he couldn't release them. He was completely paralyzed.
The face lifted as the dead girl stood up, revealing a ripped grey dress with decayed, festering flesh beneath it. She waved to him, and then, this time, she spoke.
"Hello."
Her voice was like glass breaking. Like tires squealing on the road.
Logan tried to call his wife's name again, but nothing came out of his throat. Slowly, delicately, the dead girl placed a bruised, bloated knee onto the bed, lifting herself up onto it. She leered at Logan, grinning, dripping scum onto the sheets, and said, "I know you're there."
He tried to scream, but it was just a moan. Ashley stirred next to him.
The girl climbed across the sheets weightlessly. Logan gagged at the hot, oily smell. "I can see you."
He looked away from her, pretending she was just a not-tarantula, a scratch on the wall, nothing. He settled down in bed and looked at Ashley, pretending that nothing in the whole world existed but her.
The girl leaned over him, her face inches from his, the black juice dripping from her mouth, the worms crawling through her soft flesh, her eyes threatening to pop out of their sockets. "Can you see me?"
She brought her hand down into his mouth, forced it down his throat, and ripped, feeling the vibrations of the scream that Logan couldn't make run through his ruined, bloody throat.
ASHELY WAS ASLEEP. SHE didn't know that the man lying next to her was dead, that blood was flowing from his mouth and the horrible, gaping hole in his throat, forming a warm, crimson puddle on the sheets. She didn't feel the weightless creature crawl off of the bed and sit on the floor. She couldn't see the creature, and it couldn't see her.
But it still stared, because it knew something was there. The creature stared at Ashley in the dark, unseen, and stayed until the sun peeked through the blinds and woke Ashley up... so she could face her own nightmare.
by Shane McKenzie
Slim tilted the vodka bottle over his mouth, tapping the bottom of it to get at that last stinging drop he knew was in there. He stuck out his quivering tongue and snorted when the bottle refused to comply.
"Fuck!"
The bottle smashed into a sparkling mist as it disintegrated against the brick wall.
"Fuck..."
Luther sniffed Slim's right leg again, and for the hundredth time, Slim kicked him away with the left. The right leg lay there on the concrete like a useless slab of meat; he hadn't felt a thing in that leg for some time now... but he could smell it loud and clear.
And Luther smelled it too. As strong as the odor was to Slim, he imagined Luther's heightened sense of smell made it like fireworks in his nose. The dog's saliva poured from his tongue as he panted.
Slim didn't like looking at it. Nothing he could do about it anyway, so he just kept his pant leg down and pretended nothing was wrong. Even when the wound would leak fluid, soaking it into the fabric of his already grime-covered jeans, he would just let it dry, then scrape away the milky film with his serrated thumbnail.
Slim had one cigarette left, but no goddamn lighter. He didn't think he'd ever find the strength to go get one either; it was getting harder and harder to stand up, let alone walk anywhere. He stuffed his hand into his coat pocket, felt the cigarette there, sighed. His nicotine addiction was kicking him in the balls, but he chewed on it until it subsided.
Luther's eyes went from Slim's leg, back to Slim's face. His tail was between his legs and he whined, whispery and low. His tongue slithered over his chops and snout, matting the hair down with dampness.
Slim flinched as laughter erupted from the street just a few feet away from where he and Luther sat, concealed by the alley's darkness like two broken-winged bats on a cave floor. The alley was their home. Well, Slim hadn't meant for it to be their home, but he sat there one day when his leg was smarting something fierce, and he hadn't been able to move since. Therefore, home sweet home the alley became. It wasn't so bad at first. He'd plopped down within arm's reach of a trash can that had some salvageable food inside. He didn't know who it belonged to, but whoever it was, they hadn't refilled it since he'd been there. He hoped for them to come each day, but they always disappointed. And as he sat there in that spot, the feeling in his leg turned from excruciating pain to nothing---an ominous numbness.
He didn't know how long he'd been sitting in that spot, lost track of the coming and going of sunlight. A cakey soup of his own shit and piss cemented him to the ground and wall he was propped up against. The smell of it mixed with the pungent aroma of his festering leg and became a potpourri of putridity. Flies zigzagged around them in a constant chaotic buzz.
Slim twisted his head to face the ruckus sounding from his left and saw a man, each one of his arms wrapped around the necks of scantily clad girls on either side of him. All three of them smothered in green clothing. Slim envied their obvious intoxication, and just watching them stumble along made him shake with need. The girls, wobbly-legged themselves, had to hold up the mumbling man as his feet danced drunkenly on the pavement, refusing to stay straight. They giggled in unison, then lost their footing and all collapsed into a dogpile of green cotton and sweaty skin.
Luther growled. He stepped in between Slim and the interlopers, lowered his head and glared at them.
"Whoa...fuckin' dog," the man said, one of the girls' legs pinned under his chest. "Here poochy poochy." This was followed by howling laughter and snickering from the girls.
They started to climb back to their feet when one of the females noticed Slim. She squinted into the darkness, simultaneously stumbling to catch her balance. A verdant shine reflected off the plastic clover necklace dangling from her neck.
"S-someone there?" She took about five clumsy steps into the alley, her ankles threatening to snap as she tried balancing on her high-heels. She stopped suddenly. "God damn...fuckin' smells!"
This remark invited more snickering and cackling from the others. Luther took a few more steps toward her.
Slim stayed quiet. He only wanted them to leave him be. His body shook with hunger and thirst, and most of all, withdrawal. He just stayed still, peering at the girl who stared at him as if he was some kind of zoo animal on display for her pleasure. A fly landed on his nose and tickled it with tiny filth-dipped legs.
The man, with help from the other female, joined their friend in gawking at Slim. They all just stood there, silent, as if just the smell of him had sobered them up.
"Hey...buddy," the man said. "Y-you're not wearing any gr...green." He nearly fell over after saying this, but his friend kept him up.
"Come on," the girl holding him up said, "let's get f-fuck outta here. That mu...motherfucker reeks!"
Luther took another step toward them. Slim thought about pulling him back, but he didn't. He just stayed put, as if remaining perfectly still would camouflage him from the drunkards' sight.
"H-hey," the man said, "buddy. D-don't you know...you can get p-pinched if you don't wear green?"
The girl took blind steps backward, pulling the man along. His eyes showed that he wasn't finished talking, but his legs did nothing to keep him there. He was pulled away, and Slim was thankful.
Just leave me be,goddamnit.
The other girl, the one closest to him, still stared. "He's right you know. B-bad luck not to wear green."
Luther barked and snapped his jaws at her. A foamy beard had formed around his mouth, droplets creating an inkblot on the concrete below him.
The girl lifted her shirt and her tiny breasts stared at Slim, triangles of paler skin surrounding her hot pink nipples. Her clover necklace clanked against itself as it dangled over her bunched up shirt. "Happy Saint Patrick's Day," she said. Then she turned awkwardly and followed her friends out of the alley.
Slim knew he should have been excited to see a pair of breasts. It had been so long. The last pair he'd seen must have been two years ago, and those belonged to Gretchen. That woman would suck a dick for a cigarette butt. Slim remembered he couldn't even see her nipples through all the grime and grease.
But even though the sight of the clean, young breasts was refreshing, he felt more depressed than anything. The girl had no shame in exposing herself to him. Might as well have been flashing her tits at a pile of maggoty shit for all she cared. An inanimate stinking mound of filth.
Fuck!
And Slim could give a flying fuck about Saint Patrick's Day. Or any other useless holiday for that matter. Watching countless groups of staggering drunks, all clad in their green, made Slim clench his fists to calm the shakes.
Bad luck not to wear green? You can pinch me right here, bitch!
As the thoughts swirled in his mind, Slim grabbed his crotch and pulled on it, wishing he'd had the nerve to do it while the girl was still staring at him.
He didn't feel the other tugging. He'd been staring toward the street, watching other drunks as they left the bars. He'd been thinking about the pink nipples staring at him.
He couldn't feel Luther sinking his teeth into the flesh of his calf, just to the side of his shin bone, the part numbed by disease. When he heard the slobbery growl, he turned and gasped.
"Luther, no!" He reached out and grabbed a handful of loose skin on the dog's haunches, the fur sharp like the bristles of a broom. He tried to pull the dog off of him, but Luther was in another world. A world fueled by hunger and desperation. "Fuck!"
Slim had never wanted to see his leg. Not after the feeling in it had gone. He was too scared of what he'd see there. The last time he saw it, the deep red of the open wound that refused to heal was surrounded by blackened flesh.
But Luther had torn away the fabric of his pant leg. His snout was stained red...but a diseased red. A dark, milky red. The dog pulled away momentarily to swallow a considerable chunk, and without meaning to, Slim looked down. At his leg. As the blood pumped from the ragged wound, the smell pumped out with it. The air was thick with it.
Slim vomited onto his chest, still doing what he could to keep Luther away.
The black flesh had darkened into a color he'd never seen before. It was deeply dark, inky. Surrounding the black flesh, splattered in milky crimson, was green. Spreading over his shin and under his calf, snaking its way over skin that only months ago was unaffected by his infection.
Green.
Flies buzzed and crawled over the open flesh, their wiggling white offspring burrowing into the tissue. Having had a taste of the pungent meat, Luther became ravenous. As hard as he tried, Slim could do nothing to keep the dog away from getting another mouthful.
As Luther's mouth clamped down, pinching his leg, Slim could only watch as the dog gorged himself. The dog ate the softened, diseased flesh, mouthful after mouthful, grunting and snorting as he went.
Slim had a moment before Luther dug deep enough for him to feel it, past the dead, black and green flesh to the sensitive meat around his shin bone, to think about what the drunk group had said to him.
D-don't you know...you can get p-pinched if you don't wear green?
He jammed his hand into his pocket and removed the wrinkled cigarette. He clamped it between chapped lips and searched his pockets for a lighter he knew wasn't there.
B-bad luck not to wear green.
He screamed as Luther bit down again and the cigarette fell into a spreading pool of blood, soaking it in. This time, he felt it. Loud and clear. He looked down at his ruined leg, saw there were still portions of his flesh tainted with that green color.
It didn't keep his dog from pinching him, over and over, until his teeth scraped against bone.
by Lee Thomas
Sally turned on the faucet and splashed cold water over the eggs. She'd placed a dozen Grade AAs at the bottom of the pasta pot, careful so as not to crack their white shells. Stepping back, she put a hand on her hip and looked through the window as the water level rose. Gray sky. Wind pushing the tops of trees. Her gaze roamed to the distant edges of the yard, the rows of rose bushes on the left and the six-foot hedges on the right. Straight ahead at the end of fifty yards of immaculate emerald grass, stood a blonde brick wall held in place by lines of dove-white mortar. The striking grid between the bricks caught her attention for a moment, but it was the play set beyond the patio that pulled her gaze like a magnet.
Eric called it a swing set. When she'd heard that he'd ordered such a thing for their daughter, Sally had expected one of the metal tube and rubber seated constructions of her youth. She should have known better. Eric did nothing cheaply. It had taken a fourteen-foot truck to haul the thing to Sally's house. Two men who looked like extras from a Mafia movie had hauled the pieces and parts to the backyard and had spent two days building the thing, which was part tree house, part jungle gym and yes, part swing set. A stainless steel slide twisted from the second story to the patch of sand below. Mary had been thrilled by the structure. She'd jumped up and down, clapping her hands, squealing and racing toward the edifice with such joy, Sally had felt guilty for trying to talk her husband out of buying it.
Of course the set was too extravagant---ridiculously so---for a four-year-old. Not only was it enormous, it cost more than Sally's first car had. Further, she just didn't see the point. At her daughter's age, Sally'd had only a rusted bicycle, handed down from her older brother, Mitchell, and random toys---a few dolls, a couple of puzzles, an incomplete set of Lincoln Logs and another of Tinker Toys---and they'd kept her occupied well enough. Granted, she would never wish her childhood on Mary; she wouldn't wish it on anyone.
All beautiful plants start buried in crap, Eric had told her.
Her husband, a font of bumpersticker wisdom and Hallmark sentiment, was, nonetheless, wonderful. She just wished he could forgo this one tradition: the eggs; the hunt. She found Easter and its trappings distasteful, but she'd kept such feelings to herself, choosing instead to pretend disinterest in the springtime festival.
Sally turned off the tap. Water covered the eggs. Ripples ran over the surface, and she stared into the pasta pot, unnerved by the sudden idea that each egg would have eventually become a chick, a living creature if only it had remained untouched. But did it matter? Either way---whether hard-boiled or allowed to gestate and hatch and sprout feathers---the things were still low rungs on the food chain. At least this way they weren't forced to push toward maturity through suffering and perplexity.
None of that for these little guys. Just some water. A bit of flame. A pool of scald. Oblivion before sentience.
She carried the pot to the stove and set it on the front burner, and then ratcheted on the gas flame.
SALLY IS TEN YEARS old. It is nighttime and she peers through her bedroom window. A man stands in the yard below---a shadow with just a smudge of pale where his face should be. He lights a match, revealing coarse, familiar features, and lifts it towards the cigarette in his mouth and the fire catches in his eyes and they burn like a rat's eyes, and she sees his lips spread away from the cigarette butt, rising at the edges into a horrible smile. He clamps onto the cigarette with his prominent front teeth and the cherry of the smoke burns the same color as his eyes and Sally feels dread like streams of ice on her back. She leaps away from the window and races to her bed. With the covers over her head like a shield, she squeezes her eyes closed and breathes heavily and curls into the smallest ball she can manage.
THE WATER BOILED. SALLY checked the digital timer on the range. She pinched the phone between her shoulder and ear, listening to her mother babble on about the holiday, and Sally mumbled and grunted, agreeing with her mother while forcing herself to hear nothing the woman said. A big family event. Everyone will be there. The whole Carter clan. Mitchell and his family. Cousins whose names she couldn't keep straight---was Kelly the one with epilepsy? Or was that Karen? Had Jim just returned from Germany or was that Jimmy, Jim's second cousin? Her aunts. Their husbands. And Henry.
Sally had asked her mother to rescind Uncle Henry's invitation, but her mother had wanted a reason for excluding the man, and Sally couldn't give a reason.
To make matters worse, her appeal to keep Henry out of the holiday had caused an inquisition, which she was in no condition to face. So, Sally had decided to keep her branch of the family tree---her Eric, her Mary---at home. Naturally her mother had refused to let it rest. She'd gone through Eric, had played her guilt games and the bullshit family-is-everything card, and Eric too had wanted an excuse from Sally, and she hadn't provided one. No reason. Nothing she could verbalize.
The eggs boiled. Sally looked through the bubbles at them. One of the shells had cracked. A thin white tail grew from the slit, tried to rise on the scalding tide.
Sally suddenly felt ill, and she covered her mouth with a palm. She looked away from the pot.
Her mother prattled on like an adult in a Peanuts cartoon, all warble and distortion. Sally grunted and said, "I really have to get back to the eggs," noting another three minutes on the timer. There was no rush to finish the eggs; she wanted off of the phone. She couldn't bear her mother's shiny, happy voice and her exhilaration of reunion with the various spawn of the Carter family. Sally believed the only thing to celebrate regarding her family was distance.
"Happy Easter, honey," her mother said. "We'll see you soon."
Happy Easter. Now there was an oxymoron. A grotesque joke. An impossibility.
Did her mother even know what she was celebrating? Really? The woman thought it was a grand celebration of Christ's rebirth, but Easter had been celebrated long before the Christians had co-opted its lunar date. Tammuz. Semiramis. Ishtar. Ester. Those were the first deities recognized with springtime bacchanals.
But the Christians had invaded pagan lands. Strategy and weaponry had given them victory, but they wanted more than compliance; they demanded converts. Faith had to follow flesh into submission. Like all good molesters, they presented the pagans gifts to make them compliant. They offered to allow, even encourage, the pagans' festivals of spring, but over time added their own philosophy to the goings on, and eventually the church absorbed the power of these events.
And so Easter was born, with its bunnies and its bonnets and its marshmallow candies and its eggs.
The egg.
A symbol of fertility. Of actual birth, not rebirth.
And what did the fucking misguided children of Christ do with that symbol? They took the egg, and...
---Here is your innocence. Here is your unblemished whiteness. Let's harden it with scalding water and then make it up with dyes and paints and bits of glitter and then we'll break it open and peel away its alluring costume before we devour it whole.
YOU DON'T WANT TO stain your pretty white dress. Take it off.
ONE EGG DROWNED IN the blue dye and another soaked up green pigment like toxic waste. These were the last two. The once-white shells were now stained sickly pastels. After they dried, Sally would attack them with the glue stick and the glitter. She'd use the pre-printed decals and the paint pens to finish them off.
Normally, decorating and hiding the eggs was Eric's job. Sally had made it clear that she would have none of it, but this year Eric had pleaded with her. He'd been called into the hospital three days running and he hadn't had the chance to decorate eggs for their daughter. Sally had insisted that the ritual was unnecessary, but the misery in Eric's eyes and the sadness in his voice when he asked her to "please reconsider," had clearly indicated how important the ritual was to him, so Sally had relented.
Her eggs would never look as nice as the ones her husband made. He used crayons to create relief in the dyed color and expertly stenciled intricate designs. Eric made genuinely beautiful holiday eggs---a feat well beyond her capabilities. But she had to try. Despite her disgust with the holiday, she still wanted everything to be perfect for her daughter. Sally was just happy she'd remembered to use the wire egg ladle, paper towels and some latex gloves (a benefit of having a doctor in the house) so her fingers didn't get decorated as well.
The cracked egg nestled in a kitchen towel, unaccompanied. The broken thing rested alone, as if Sally feared its damage was contagious.
Later in the afternoon, Mary would hunt eggs in the backyard of her grandmother's house, along with her cousins and second cousins. As far as Sally was concerned, one hunt should have been more than enough, but Eric was a creature of habit. Traditionally, he gave their daughter a special gift at Easter, and this year was no different. He'd bought Mary a lovely silver bracelet and a cheap plastic egg in which to hide it. Since he didn't want to take the chance of another child finding the prized egg and throwing a fit when they couldn't keep the treasure inside, a pre-extended-family backyard hunt was his answer. The bracelet was yet another extravagance and something else Sally would have to keep track of. Mary was too young to understand the value of jewelry beyond the aesthetic pleasure of sparkling metals and glittering stones. The bracelet, like the earrings Eric had bought his little girl for Christmas, would go in Sally's jewelry box to be issued to her daughter for special occasions.
A little girl shouldn't have to worry about losing such things.
THE KITCHEN IS TOO hot. It is always too hot.
Her mother and aunts race from oven to Frigidaire to counter to oven again. The air is honeyed with the scent of ham glaze and rich with the earthy scent of baking sweet potato casserole. Sugar cookies cool on wire racks. But the wonderful smells are tainted by the tangy stink of cigarette smoke. All of the grownups smoke, it seems. Aunt Sheila stirs the ambrosia salad. A cigarette teeters precariously on her lower lip as she scoops great spoonfuls of Cool Whip and canned fruit. Sheila's husband sits in the corner; Henry adds nothing to the women's babble. He smokes a cigarette of his own as he'd done in the side yard the night before, staring up through Sally's window. With a penknife he cleans his fingernails and pauses only to ash his cigarette in the bulky glass tray on the windowsill.
Sally tries to not look at the man. Every time she does, he is looking back at her, and his eyes still look fiery, his front teeth are still too large. Henry has full, rounded cheeks, covered in a rough fur of stubble, and it's Easter so Sally immediately thinks of bunnies---not rats the way she had the night before. Had she warmer feelings toward him, she might feel grateful to have an uncle Easter Bunny. Only Henry doesn't look like the dapper, well-groomed Peter Rabbit from her storybook; he looks like a sickly and mean cousin to that magical creature.
"Sally," her mother barks, "you get on out of here. I don't want you getting muck on your dress. You go on up to your room until it's time for church."
"Don't badger the girl, Millie," Uncle Henry says, sounding uncommonly protective.
"Mind your business," Aunt Sheila snaps at her husband.
Sally doesn't move. Leaving the kitchen means passing by Uncle Henry, and Sally doesn't want to get near the man.
Impatient, her mother says, "You go on, now. I won't tolerate a disobedient child. Go on."
Sally turns and encounters her Uncle's sick-bunny eyes. He smiles at her and shrugs as if to say, I tried. She lowers her head, focuses on the light playing off the toes of her black shoes, and hurries out of the too-hot room. Her mother's voice is trailing after her: "And don't forget your basket. You won't get many eggs if you don't have your basket."
She trudges through the house, avoiding the screeching, silliness, and roughhousing of her cousins. In her room, she closes the door and sits on the edge of the bed, wishing the holiday were over so the family would go away---so Henry would go away.
ERIC AND MARY WERE at the sunrise service held in St David's Lutheran Church. Even if she hadn't been charged with decorating the eggs, Sally wouldn't have joined them. She hadn't been to church in thirty years, not even for her wedding. Another point she refused to discuss with Eric, or anyone else.
She was glad her daughter enjoyed it, though.
Sally's faith had never been allowed to fully form before it had been broken. Sometimes, she regretted her belief in religion's impossibility. The comfort. The hope. To shed life and rise into glory. To one day know the grand plan, to feel swaddled in its calculation and reason. It would be amazing to believe that everything had a purpose, and the guiding force of all things was a being of good. Wonderful. Sally so wished she could look forward to such a revelation. But she couldn't. Life was life. Death was death.
Her family would be gone until ten-thirty, and then Eric would bring their daughter home to begin the hunt for the things Sally had been charged with hiding: the plastic egg holding the silver bracelet and most of the eggs Sally had decorated that morning.
Most of them.
She drank from her coffee and opened the fridge and knelt down to open the crisper. There, the decorated eggs rested on a white cloth like vivid tumors. Sneering at the display, Sally placed her coffee cup on the counter and reached in for the fabric nest. Her hands shook, and she closed her eyes. Took a deep breath.
Once the eggs were on the counter, Sally transferred them to a wicker basket she had filled with green plastic confetti. Mary would use the same basket to gather the colorful atrocities later that morning. Joyful and ignorant of the ritual's meaning, her daughter would push aside leaves and crouch behind stones...
Such a lovely, ghunt.
"Don't," Sally whispered, choking back a sob.
All she had to do was get through the next ten minutes. Hide the eggs and come back inside. She didn't have to watch Mary. Didn't have to watch the...
Ghunt.
SALLY SITS ON HER bed. Uncle Henry fills the doorway. Though not tall, he is an adult and built wide, so he looks like a wall erected between her and the rest of the house. He holds a sugar cookie out to her, but she shakes her head.
"You look pretty," Uncle Henry says, bouncing the cookie in the air like he's trying to lure a dog inside. "Why you have to look so pretty?"
"F-for church," Sally says, wondering why her uncle is asking her a question when he already knows the answer. "F-for the pi-nic and the eh-ghunt."
"For the what?" Uncle Henry asks. A terrible grin pulls at his lips.
Her uncle steps into the room, and the reek of cigarettes pours from him like skunk and Sally is all the more unsure. She can barely think, and when she tries to tell her uncle about the church's picnic and Easter egg hunt, all that comes out is, "Ghunt."
"A ghunt, huh?" he says. "Tell me about your ghunt."
Now he's really smiling, but something has changed in his eyes. They look like the eyes of a painting. Flat. Hard. Fixed on an image Sally cannot imagine. Startled by this transformation, she forgets to speak.
"Cat got your tongue?" Uncle Henry asks. He pushes the cookie into his pants pocket and draws out a pack of cigarettes, never breaking eye contact with Sally. "Such a lucky pussy," he says. Then he chuckles and slides a Marlboro between his damp lips.
Sally doesn't understand the filthy sentiments adrift on her uncle's foul breath. She doesn't want to know. Something tells her to move, to get out of the room, so she stands from the bed. Before she takes her first step, he says, "Sit back down, now. Your mama don't tolerate a disobedient child, so you do what you're told."
"But, I have to get ready for church. Mama'll be cross if I make everybody late."
"Your mama's already left. I told 'em I'd get you there. Ain't a problem. Church is just down the street. Hardly a walk at all."
"She left?"
"You sound worried. Nothing to be worried about."
Sally tries to speak but her throat is completely closed as if she is being strangled.
"We got things to talk about," Henry says and closes the door.
ONE EGG WENT BENEATH the rose bush on the south edge of the lawn and another went behind the bleached stone beside the patio. Sally put another at the base of the redwood play set and then, as an afterthought, she climbed the narrow ladder and put another in the corner of the play set's second level.
Carefully, she climbed down the ladder and began walking to the back of the property.
"SEE THAT?" UNCLE HENRY whispers, his voice dry and rasping. "Just like an egg."
Sally can see little through the scrim of tears. She doesn't want to see.
"And what do we do with eggs?" Uncle Henry asks.
SHE DROPPED THE EGG on the grass and stared at it, half expecting the dyed shell to emit a scream of terror, of pain. Sally took a step back and closed her eyes, pushing out the tears pooled on the lower lids.
"YOU DON'T TELL ANYONE what you did," Uncle Henry says. "You understand that? You never tell a soul what you did to me."
She doesn't know what she's done to him.
Sally stares at the floor, but it isn't there. There are no boards, no nails. Beneath her is the surface of a swirling black lake, like a swamp filled with grease and bile and...
The fluid ripples and twists under her feet like the mouth of a maelstrom and she wishes it would pull her down and away---even drowning would be better than enduring her uncle's stare. His voice is like pennies in a grinder, and her mind pulls away, so far away, until his words are lost in the gurgle of the whirling bog. She shivers and closes her eyes and begins to whisper a prayer to the black fluid, but then she is being shaken and drawn back from the whirlpool of filth, and she is looking into the diseased-rabbit face of her uncle and his foul breath is on her skin and his grinding-penny decree demands her oath.
"You say it," he insists.
"I promise," she says.
"Promise what?" Uncle Henry asks.
"Promise I'll never say anything."
"About what you did?"
"Yes, sir."
"Get out of here," he tells her with a chuckle. "We don't want you to be late for your ghunt."
She shuffles to the door.
"Get yourself a bushel of eggs," he says.
He laughs, and the sound is wet and horrible and far worse than his speaking voice. Sally shakes all over as if emerging from a frozen lake. She hurries to the bathroom and vomits and vomits until her body feels like it's been crushed between two cars.
SALLY WALKED IN FROM the backyard. A single egg remained in the basket---the cracked one with the red bottom and the halo of glitter. She traced the crack from the narrow dome to the fat base with a finger. She carried the basket to the basement door, opened it, and descended the steps. At the bottom, she again regarded the egg and again touched it as if it were a good luck charm.
She was still infuriated with her mother for including Uncle Henry in the family Easter. Sally had protested vehemently, going so far as to nearly break her promise and reveal what the sick old man had done to her all of those years ago, but Sally couldn't get the words out. She couldn't explain about the egg.
How could her mother not see his disease? Filth and sickness covered every inch of him. He was woven from perversity. Carved from shit. How could her mother let him anywhere near her?
How could Sally let him anywhere near her daughter?
In the basement, she crossed the cold cement floor to the door to the fruit cellar and pulled it back, allowing a wedge of light to drape along the plank stairs and puddle on the mud-caked feet below.
The simple answer was: she couldn't.
As she descended the stairs, Uncle Henry was slowly revealed to her. He lay motionless. Naked. Damaged.
The dark dirt beneath him coiled and swirled and turned darker still, and together they road the surface of the gloomy bog. Nail heads jutted from his eye sockets; they had punctured the orbs and released a greasy pale fluid along with blood to dribble down her uncle's stubbled cheeks---the juice dried to a crust, now. His upper lip had receded in rigor, adding prominence to his bucked teeth. His jaw lay open, propped against his second chin. Blood clotted the frayed gray hairs and made dark veins in the creped skin of his chest and belly. Before the drill, she'd used the clamps, and she'd used the hammer and she'd used the pliers. She'd used the blowtorch. Between his legs was nothing but a blackened terrain that looked no more threatening than a scoop of scorched casserole. The holes in his torso---ragged, clotted, and numerous---had been bored over the course of thirty minutes. The third aperture, the one through the hairy flesh above the old man's heart, had been the last wound her uncle had protested---though he'd done so with little more than a hiss of breath. After that one, he'd lay still. There were twelve holes total: an even dozen.
"I know what to do with an egg," she said.
Sally knelt down and placed the decorated egg against her uncle's prominent front teeth. She forced the shell and the tumescent content through his parted lips, and worked it back and forth, trying to insert it whole. It cracked further and broke apart. When a piece fell to his chest, Sally retrieved the yellow scrap and worked it between his cold cheek and gums. Additional bits of yellow and white began to rain from his lips.
Unsatisfied, Sally retrieved them and worked them into his gums as she'd done with the first piece. Then she took the hammer from the floor beside her. She swung it with all of her strength. The steel head smashed her uncle's lips and shattered his buckteeth, sending them and the bulk of the egg deep into his mouth and to the rim of his throat.
"Swallow it," she whispered.
Then she pulled back the hammer and swung again.
JOYEUX PÂQUES
by Emma Ennis
Christine Lake inched her way over to the window. She planted herself in the corner, her hand shaking as she stretched it out to the curtain that was only ever closed on that particular night of the year. As her fingers probed a tiny gap between the material and the window, her body leaned away on instinct, as though she had no control over its various attachments.
Her fearful eyes scanned the garden in the gloom of early morning. Her heart hammered against her chest as she took in the eerie mist hanging low over the lawns and wrapping around the boles of the miserable trees that cried dewy tears. It was to the end of the garden, down by the fence that her eyes feared to travel the most. But she willed them, and her heart was stilled, her blood slowing to a more civilized trickle in her veins. There was nothing down there.
Suddenly the horizon pinked, a great slash of rosy dawn cut the gray sky and she watched it spread. The glow warmed her and one by one her knotted muscles began to unwind. After all those years of fear and hiding, of wondering, it turned out that the rumors were just that---rumors.
Light began to spread and now the dew glistened on the leaves. In the corner of the garden the hedge moved. Christine stiffened and almost jumped away from the window in fright before a gray-brown rabbit hopped into the clearing. She breathed a sigh of relief and smiled at the sight.
The little fella was in no hurry; its whiskers twitched as it glanced around, absorbing its new surroundings.
And then time seemed to slow down.
As Christine watched, her eyes wide, she saw a clawed hand creep from the hedge. With a swift swipe it captured the rabbit. Its snowy legs thrashed against the hold, but the gnarled fingers tightened around it, the filthy, pointed nails puncturing the little body.
From inside the house Christine could hear the creature's agonized squeal as its captor squeezed ever tighter.
A bloody, coiled thing fell from the rabbits anus, still attached somewhere inside. Its eyes bulged like cooking egg-whites and were seconds from popping with the pressure as its head lolled around on its neck in a desperate struggle for air. With one final jerk its spine snapped and the writhing ceased. It hung like a used dishrag over the grotesque fingers.
And then she stepped into the garden.
Christine clamped her hands over her mouth. Air hissed from between her fingers as she screamed her throat raw, the sound muffled against her palm. She dropped to her knees when the thing on the lawn turned towards the window.
Fear and shock invaded her body, turning it ice cold. Her stomach convulsed and she braced herself against the wall as she vomited pools of bile and terror.
AH, EASTER. A TIME of yellow and green; of fluffy bunnies and downy chicks. Kids with chocolate-ringed lips grip colorful baskets in smeared hands, their teeth watering and fingers itching for the egg hunt. For a few hours there is an excitement in the air that is almost akin to Christmas.
But not in the town of Murrins. There the doors were locked and bolted, blinds firmly closed. And they remained so until the sun was high in the sky and the latter half of the day had begun. Nothing happened before then; there were no morning egg hunts, no early sermons in the church to celebrate the Ascension.
Families huddled inside in darkness and fear until the clock in the village struck twelve. Then cautious cracks appeared in curtains. Doors eased open and father figures emerged to inspect the lawns. The lucky ones got to walk back inside with such obvious relief that the difference in his posture from the man who had walked out moments before was as stark as if it were two separate people.
Small bonfires were lit around the backs of the houses of the less fortunate. Fathers, husbands, eldest sons could be seen toting shovels, grimacing and staying as far back as possible from the pulsating, oozing thing carried on the other end; big green globs that dripped mucus and trailed after-birth. They were tossed into the flames with a hiss and crackle. And then, as the heat set in, an unearthly wail like a cat being skinned alive would fill the air.
When the sound faded and died, and the town fell quiet, only then could the Easter festivities begin.
Murrins was not a pretty town. There was nothing in particular wrong with it. It had all the right ingredients; pretty flowers sprang from their perfectly groomed beds, litter was kept off the streets. The buildings all had uniform, old-world façades of wood and stone; no tumbledown shacks or ugly, unpainted edifices to break the charm. Livestock grazed contentedly in the lush meadows that surrounded the town and wild critters could often be seen darting from the woods.
It was like a dream, a postcard, but one had only to set foot in the town to sense the tainted air of the place. Especially on that day: Easter Sunday. No amount of town planning or aesthetics could mask it.
The town had a history, and not one that it was proud to tell. This was not something one would find in local tourist information pamphlets; it was known only to the inhabitants, passed around by word of mouth in whispered conversations designed to shock and frighten. Inevitably leaks occurred, rumors got out, and that history became a stigma that lay like a cloud over the town and stained gray the countenances of the inhabitants.
The story varied depending on the age of the teller and the shock-factor intended, but the basic plot was always the same.
It happened many years before, so many that those who could remember were long gone and only their great, great grandchildren remained. There lived a girl in the town. She was bubbly and pretty and outgoing, sometimes to an eyebrow-raising degree. Some called her feisty, headstrong; others called her a harlot. Perhaps it was due to the fact that her mother had died giving birth to her and she had never had that maternal figure to teach her the ways of ladies and coach her on decorum.
Whatever the reason, when a passing battalion stopped in the town, she became besotted with one of the soldiers and no laws of chastity could keep her from him. The whole town looked on with clucking tongues; nobody took the time to tell her.
And so the soldier passed on and the girl's belly grew so that it could no longer be ignored. It was a disgrace; the talk of the town. Something had to be done before word spread to the neighboring villages.
She was hidden away, and for nine months that was how she stayed.
On Easter morning her child was born. All pink and wriggling it was taken away from her. She heard its first cries as the door closed on her lonely prison, her arms clasped over her empty chest. She never knew if she was mother to a son or daughter.
Nobody knows for sure what became of the child. The most PG rated stories told of it being sent off to an orphanage in a far away city. Other versions were not so kind to her progeny. There was a well in the center of town. For many years it had been closed up, cemented in, and water was drawn from a spring in a less convenient location on the outskirts. There is no documented reason why. The stench and toxicity of decomposing flesh after a time made for undesirable cooking water perchance? Maybe that was the ill-fated infant's first cot, its newborn cries replaced by watery gurgles as it was held down with a stick like the unwanted litter from a stray cat, the dark and the cold closing in around it as its short life ended. I leave each to make their own conclusions on the matter, but the general rule of thumb is: the deeper buried the truth, the more heinous the crime behind it.
All that remained was the question of the girl. What to do about her? She was tainted, used, an embarrassment. No man would have her for a wife. And worst of all---she was the weak link in the town's secret.
So she stayed locked up, and it soon became evident that she had her uses after all. There were men in the town who had needs that their wives could or would not satisfy. And of course there were those who had no wives---widowers, bachelors. You know, the upstanding citizens who could afford a penny or two for a ride of the corrupted daughter.
No one ever questioned why every nine months or so a fresh, moist squealing bundle of joy was brought from the house; there was the reputation of the town to think about. The whole town participated in her lifelong rape, whether they laid a hand on her or not, whether or not they were the ones who wielded the throbbing, twitching rods that plugged at her womb daily and nightly, sometimes mere days after she had given birth.
And then something happened.
Monday night was Bridge night in the local hall for the ladies, and hence, it was the busy night at the house. It didn't run on an appointment system; the men just dropped by when they felt the stirrings. The women were away, the men were left unattended...and we all know whose hands the devil makes work for.
It became poker night at the house, mainly because the queues were getting longer by the week and the patrons needed a way to amuse themselves while they awaited their turn. On that particular night the parish pastor was downstairs with the girl. It was not in his habit to call to the house on Monday nights, usually coming instead at quieter, more clandestine times. But, when nature calls...
He was a respected and busy man, so naturally when he showed up he skipped to the head of the queue. He had been down there for some time when an inhuman roar rose from the bowels of the house, shaking the foundations of the town. In homes all along the street, people stopped what they were doing and shivered; the Devil had come to Murrins.
In a stumbling body, the men rushed downstairs, the loving father at the forefront, anxious to protect his business interest. He flung open the door and a wave of that awful howl buffeted them with its force.
On the floor by the bed was a man, naked and bloody. Where his penis should have stood, proud and erect, was a jagged stump, a geyser of blood spurting from the center, the flow already ebbing as his life did. The detached appendage was lying on the floor by the door like a giant fat slug; a slimy streak marked its track down the wall where it had been flung.
She was crouched over him, her thumbs dug deep into his eye sockets. Vitreous fluid leaked from around her fingers, getting sucked up his nostrils with each agonised breath he took. His leg twitched as her long nails shorted some circuit in his brain.
Her head snapped up and she glared at the string of shocked faces outside the door, faces she knew only too well, faces that would, at some point in the night, have been hovering over hers, sweating and contorting with exertion and unrequited ecstasy.
Her eyes flashed red and black, something very alive and very diabolical behind them. Her hair was a tangled black mass around her pale, sunken face. Her dry, abused lips cracked and split as they stretched in a deranged snarl, her teeth ringed with blood.
All the torment and torture, the pain and injustice had broken through that feminine shell and manifested itself into the demon that stood before them.
The growling sound was coming from deep within her throat. It grew and rolled up through the house, filling the foggy night air. People set down their forks or newspapers and listened in fear.
A blue flame licked the house, flicking out from under it, forked and pointed like a dragons tongue. Within minutes it had consumed the house and everyone in it.
That night, all through the town, every infant disappeared from under the watchful noses of their loving parents. Mass panic erupted the next morning when beds were found cold and empty. Terrified parents met at the ends of driveways, wringing their hands in despair, tears cleaving tracks of worry down their cheeks.
One by one they found them; their mangled bodies scattered across the woods and fields like discarded dolls. Some bobbed face down in the well, all bloated and sodden. The lifeless forms of others dangled from the trees as though dropped from a height, their necks twisted, limbs shorn. Others lay on the cold ground, broken and bloody, spines snapped like twigs. They all had one thing in common---there were none left alive. She had exacted revenge for each monster that had been planted in her belly, and for the only one that she had cared about.
And so, according to the legend, that was how it began.
On Easter morning she came, The Easter Bunny, stalking through the gardens of the town. In some she left her mucus-coated gifts to the inhabitants, others she passed right through.
When Christine was a kid she remembered warnings from her mother not to look out the window on that night before Easter, and never, under any circumstances, to go outside before her father said it was okay. She remembered vividly the burning rituals in the back yard.
Her mother told her once of a time when she herself was a child, when she dared to look out the window. She screamed so loud her ears rang and Christine's grandmother had covered her eyes, comforting her and chastising her in equal measure.
"You don't want to see that, Christine," she had said.
Now her mother was gone. She had died old and gray and peaceful in her sleep on a blustery day the previous autumn. Christine had a child of her own. A two year old with bouncing blonde curls that she refused to trim.
Her father lived with them, supported by a walking stick those days. Countless times Christine had tried to move from Murrins, but life had always gotten in the way and thwarted her plans. Now her father did not want to leave her mother and she, Christine, must look. For the sake of her son and all the unborn children she and her husband wanted to create, she got up with her boy at dawn and stood at the window on Easter morning, to see if the legends were just horror stories, or history.
CHRISTINE DRAGGED HERSELF TO her feet, her legs shaking. Her gut contracted and her whole body screamed at her to run away, but her traitorous hands once again reached out and lifted the curtain. Her heart beat like a drum when she saw that she was still there and it had not been her imagination, her tired eyes conjuring falsities.
She stood on the lawn, looking down at the grass. She was naked, scraggy black hair sprouting in patches from her wrinkled skin. Her hideous, saggy breasts dangled like excess flaps of skin against her stomach. As Christine watched, she squatted low over the ground. The window was open a crack and the smell of her wafted across the garden on the breeze; the smell of blood and filth and sex.
From the dense black bush at her pubis something began to emerge. A gelatinous goo slipped from between her legs and hung there like a string of clear snot. She shifted on her feet and an oval, membranous thing fell to the ground with a wet plop. Blood and amniotic fluid splattered with its exit.
It lay there, pulsing between her feet. Something moved beneath the transparent shell; something pink and green and monstrous.
She moved over a few paces and squatted again. Christine could see her tense up as she forced out another seed.
And as if her eyes weren't abominated enough, they took in something worse.
A thousand 'what-ifs' lashed at her in a successive assault: What if they had thrown out the rancid meat they found in the fridge the night before instead of feeding it to the dog? Then it wouldn't have started to squirt its reeking diarrhoea all over the floor and have to be put outside for the night. What if Carl had pushed him out the back door instead of the front? What if he had not gone to bed so early and hence been so befuddled that he had not latched the door after him? What if Christine had been watching her son instead of the gorgon on the lawn with her slimy discharge?
All those little links created a chain of events that led her to the point where she was now watching them both.
Christine was frozen in fear as she watched her little boy wander into the garden, his blonde curls bouncing as he walked. The two outside were unaware of each other.
She willed the hag not to turn around; she tried to catch her son's attention; she struggled to make her legs move.
But nothing worked.
The hag suddenly pivoted, her black and red eyes fixing on the unsuspecting toddler. She bounded across the distance between them like some grotesque rabbit. His curls sprung when she grabbed him. His high-pitched wail of terror pierced Christine's heart. In a single movement she cracked him in half like an egg. His juices flowed, his cries ceased.
She lowered her horrible head to his back and with teeth as sharp as razors, tore away a chunk of fabric and innocent flesh. She spat it aside and ducked down again, ripping away pieces of his little body until she got to the good stuff, the marrow in his bones, the fluid from his severed spine. She drank it down with relish, her horrible lips wrapping greedily around the bone.
Inside the house Christine found her voice. She screamed until her throat felt like it was going to bleed.
A hand clamped over her mouth and she was dragged away from the window. She spun around to face her father. Tears streaked both their faces.
"My baby!" she wailed. "What's she doing to him?"
Her legs went from under her and her father followed her to the ground, his arms gripping her tight with a strength that had not wasted along with his body.
"You have to let him go," he whispered, his voice cracking with emotion. "We must bear the sins of our forefathers. It is the burden of our town."
Christine hiccuped huge sobs that racked her body.
"My baby," she moaned, lying down on the floor and curling up in a protective ball while her father tried his best to soothe her through his own pain.
How some things always stay the same. Just as people never asked where the newborn babies came from that were carted from that house long ago, now they turned a blind eye when the younger members of the community failed to show, their presence replaced by red rings around the eyes of their parents.
Nothing much had changed in Murrins over the years; nothing much at all.
by Kevin Wallis
Lawrence opened his eyes into blackness.
"Brooke?" His throat ached with the words. When only the rasping of his own breath replied, his chest tightened and a wave of terror descended. "Brooke!"
"Here." Her voice was steadier than his, but thick with her own fear. "I'm here, Lawrence."
His sigh sounded like a November gale in the silence. His wife's form started to materialize several yards away as his vision fought the darkness. Realizing he was lying on his back, Lawrence tried to sit, but pain hammered his head and he fell back with a moan. He felt the back of his skull with a shaky hand and found a lump the size of a walnut. A crusty mass flaked beneath his touch. Dried blood, he assumed, and the darkness deepened at the thought.
"What happened?" he asked. Brooke had always been the smart one. He prayed that strength would surface now. "Where the hell are we?"
"No idea. But my head hurts like a bitch."
"Mine too." Inhaling and holding his breath against the pain, Lawrence sat. His head threatened to drag him back to the deep, but he managed to get upright and suppress the dizziness. He dragged his hand across the ground towards his wife, needing to feel her skin, her hair, her breath. He shook his head, growled as the lump throbbed and stabbed, but managed to clear his sight enough to find her in the lessening dark; despite its dampness and palpable tremor, her hand had never felt so warm.
"I feel dirt beneath us," she said.
The darkness had ebbed enough to allow Lawrence his first view of his surroundings, and his flesh chilled in the humid April night. They sat in a space the size of a child's bedroom. An odor of wet earth saturated the already moist air, and a glimmer of moonshine flickering through a crack in the ceiling granted them just enough light by which to see. The four surrounding walls, either caked with or entirely comprised of mud, seemed to pulse, throb, breathe with the threat of constricting them into pulp. A nonsymmetrical box was described into the dirt of the far wall like a crudely carved door. The ground consisted of the same muddy substance as the walls, and chunks of it clung to his hands and feet...
Oh God.
His feet were bound by chains as thick as a giant's thumb; the other end of the chains vanished into the hard-packed earth. He looked at Brooke and found her chained to the ground, as well. Terror licked his spine.
"Are you okay, baby?"
"I think so. I don't...do you remember what happened?"
Amazed at the steadiness in her voice, Lawrence said, "No...I think...I was smoking by the car. We had just packed up the tent, right? That's the last thing I remember."
Brooke twisted her bound legs beneath her so that she could sit upright. "I remember double-checking the campsite, making sure the fire wasn't still smoldering in the pit. I...I heard a creak behind me, thought it was you. There was a smell..."
"Like something burning, right? Like a fire? I smelled it too. Then..." He rubbed the back of his head and flinched at the pain. "Then we woke up here."
"What the fuck, Lawrence, what the fuck? Where are we? Who would do this?"
Stay calm, sweetie, please stay calm. If you panic I'm gonna lose it. Sweat dripped down his forehead, hung off the tip of his nose, and fell to the mud unheeded.
"I remember something else," she said. "The trees, right before we were hit by whatever hit us." She leaned forward, fixed his wide gaze with conviction. "They moved---"
The door camouflaged into the far wall slammed open with a wet thud. The couple shrieked like a single organism and scuttled backwards, stopping with pained grunts when their leg shackles pulled taut.
The stench of a thousand swampland logs swept into the earthen room. Lawrence gagged and buried his nose into his filthy sleeves. The air was fat with the smell of wood, the stink of wet things. He shut his eyes, afraid to let the poison in, and let toxic tears flow. The stench wasn't nauseating in itself---it smelled green, lush, alive---but the concentrated thickness and intensity of the smell overpowered what little resolve Lawrence still possessed and drove a string of whimpers from his throat.
It's a dream, he thought. This is a dream smell. But when the sound of shuffling footsteps followed the stench into their prison, he opened his eyes and prayed to be awakened.
The figure striding into the room was easily seven feet tall. He limped towards Lawrence with an unsteady gait, his legs teetering and seeming to threaten collapse with each step, like a toddler learning to walk but too inexperienced to trust his limbs. A gown of thick brown fabric covered his thin frame to where his knees should've been, and a hooded cowl capped his head, rendering shadows over his face.
Brooke lunged against her chains. "Who the fuck you think you are the fuck did you do to---" She stopped as the towering figure turned in the middle of a rickety step and strode towards her.
"No!" Lawrence screamed. "Me! Come to me!"
The figure drew his right hand from his robes. A mound of black dirt lay in its palm. Brooke had backed away as far as her binds would allow, and Lawrence saw blood ringing her thin ankles where the chains bit. The man---that's no man you know that's no man---stopped in front of her, dark crumbs falling from his upturned hands. With a crack that stained Lawrence's jeans with a spurt of urine, each of the figure's legs bent at the middle and snapped, creating a pair of splintered, jagged knees. Brooke screamed, covered her ears as if preparing for the next explosion of breaking joints.
The thing knelt before her, its face cloaked in the darkness of its hood. Its left arm emerged from its sleeves, as straight and unwavering as its legs had been before the deafening crack. Lawrence envisioned a snake slithering from its den as the arm grew longer, longer, knotty yet smooth. Lawrence lunged, fingers curled and eager for the thing's neck, but his chains locked tight and he pitched forward, his face slamming into the earthen floor. He raised his head into blindness, tried to scrape the grime out of his eyes. His ears, however, were ruthlessly keen, and pain riddled his chest as he heard his wife's shrieks collapse into retching, choking sobs.
The thing was on him before he could regain his sight. A hand as hard as granite grabbed the back of his skull and wrenched his head back. Lawrence screamed. A ball of dirt smashed into his mouth. He shook his head, tried to dislodge the filth, to see his attacker. Blinking away enough for a hint of blurred sight, he saw only the hooded figure's arm, directly in front of his face and shoving the soil down his throat. He gagged, spit, shrieked behind the wall of dirt filling his mouth, and finally, he swallowed. The dirt, now muddy with his saliva, slid down his esophagus like a ribbon of slime. He coughed, exaggerated the action in an effort to expel the dirt from his mouth, his stomach, his lungs, but the thing pressed harder. Lawrence could taste its fist in his mouth, and it tasted like timber.
He raised his teary gaze to the thing's face. Shadows still embraced its details, but a creak sounded from within the darkness like a door opening upon a haunted room. It's smiling, he thought, and closed his eyes again, praying he'd never have to see that grin. He thrashed against the thing's pressing arm, its shoving and choking and suffocating arm...
Bark, he thought. Its arm looks like bark.
It spoke then, its voice a log dragged across bones. "The trees did more than move. They screamed." It lowered its face to within inches of Lawrence's own. It reeked of oak and summer. "Remember your greatest sin, murderer."
It rose and backed away. Lawrence heard its irregular footsteps retreating, heard the moaning and spitting of his wife across the room. He shoved his fingers into his mouth, digging for loose dirt, spitting and spitting and screaming when nothing but flecks came out.
HE DIDN'T REMEMBER PASSING out, but when he awoke, the stench of vomit dominated any lingering odor of wood or mud. A crusty film of dried puke coated his face, and he wiped the gunk with his shirt, managing only to smear sweat-saturated dirt into the mess.
Brooke moaned from behind him. He sat up, reached for his wife, his fingers just able to brush her outstretched arm, her face fuzzy in the thin moonlight. She gave him a mockery of a smile.
The bravado was gone, all the spunk and grit and attitude he had fallen in love with, gone. Her eyes shook off her smile with disdain and broadcast the truth: she was terrified and lost. Lawrence had never seen this expression in her eyes before, didn't think defeat had ever been wired into her genes. But even the effort of smiling, her attempt to placate the fear that must be plastered across his own face, spoke of the fight in her bones, the strength of her soul.
He didn't blame his wife for her fear. He was mortified, beyond the capacity to control his terror. Every cell in his being shrieked for release, begged to awaken from the nightmare. Raw courage in the midst of insane violence, brashness in the face of murderous psychosis, spitting into the grin of your kidnapper while chained to the ground and blinded by his blade, none of those responses to the world's basest evil held true outside of the clichéd heroes of Hollywood. In the real world, terror bit with monstrous jaws and didn't let go after a hail of curses and a few clever one-liners. It scoffed at your defiance and giggled at your anger.
"I love you," he said.
"I love you too, Lawrence."
"We're gonna get out of this." Her smile returned, even less convincing than the first.
"You were throwing up in your sleep," she said. "I was afraid you'd choke."
"I wouldn't call it sleep. I think I passed out."
"He said something to you, didn't he?"
He let her call the hooded beast a "he," figured to correct her by saying "it" would only add to her anguish. "He told me the trees laughed. And to remember my greatest sin."
"Your...what the hell does that mean?"
"I don't know." Lawrence lowered his head, closed his eyes against the barrage of remembered mistakes that suddenly assaulted him. But they were mistakes, not sins against his fellow man---fights by his middle school flagpole that he should've ended before throwing that final, nose-crunching punch; lies to college bedmates when they pressed him for his phone number the morning after; an extra few lines on his resume here, a few too many intoxicated drives home there, but nothing, nothing, that justified this hell.
"I'm a good man, right, honey?"
"The best man."
"I never hurt you, did I? Never hurt anyone on purpose when I could help it, right?"
"No, Lawrence, you never hurt me. You're a good man. I don't know what this is all about either. Maybe we hurt his family or something. Caused an accident we didn't know about? A car wreck or something?"
"So he makes us eat dirt? I feel like I could throw up for anoth---" He looked at the vomit puddled on the ground beside him. The mess was thick, putrid, but free of soil. "Brooke, where's the dirt? How could I not have thrown up the dirt?"
Tears cleared a path through the mud on her cheeks, and her soft sniffles watered his eyes. He touched his belly, imagined his stomach absorbing a mountain of mud, making it as one with himself as his blood and bone. God, I want a smoke.
"I'm gonna get you out of here. Look at me. I'm gonna get you out of this."
Brooke answered with a scream. Lawrence followed her eyes. The hooded lunatic stood in the crude doorway. A saw dangled from his hands.
The mind bends, stretches, conforms to its surroundings with elastic resiliency and rabid stubbornness. It takes the mysteries of the universe, all the darkness and wonder, the wicked and the miraculous, the unknown and the unknowable, and molds itself into a state of either comprehension or ignorance. Only the purest experiences, the Grand Truths of the world, unhindered and unbound by any attempt at understanding, immune to man's feeble pokes and prods, can transform the human mind into the babbling mass of jelly it is at its core. And as the towering demon strode into the room and lowered its saw to Brooke's feet, Lawrence's mind imploded.
He heard her sanity dissolving with her screams---gurgling, inhuman shrieks that warped his reality into a cacophony of drivel. He was aware of thrashing, screeching his own mad song. Brooke kicked, over and over like a crazed cyclist, but the thing grabbed one of her legs and jerked it straight, wrenching it into stillness. Lawrence could only see its cloaked back, but with an echoing crack its arm bent, descended, and began to pump back and forth in rhythm with the crunching of blade on bone. Blood soaked into the dirt at Brooke's feet, pooling as the ground swallowed its fill. A toe dropped to the floor, plopped into the puddle of blood, followed by another, another, one more. Brooke's shrieks faded into nothing, her eyes rolled back, her beautiful brown eyes, and as the creature raised its saw to her fingers, it spoke.
"Eventually everyone sins against my bride."
As the first finger fell to the floor, Lawrence joined his wife in blackness.
HE CUT OFF HER fingers, he cut off her toes, and soon he'll be coming to cut off my nose.
The words rolled through his conscience, high and singsong like a child jumping rope. They giggled and kicked and nudged him awake.
"You're a rude man, Mr. Lawrence."
Brooke. But no. She had never called him Mr. Lawrence, or rude for that matter. And her voice didn't slice through his flesh like a rusty blade. He kept his eyes closed.
"I haven't even touched you, yet you faint while I am speaking to you. And rest assured, I have no plans for your...nose."
He opened his eyes, meant to tell the giant to go to Hell, leave them alone, fuck off, but his voice dribbled from his mouth as incoherent nonsense. The thing in the robes stood over him. Brooke's leg, gray and bare and severed at the hip, hung from its hand.
The thing followed Lawrence's gaze, then tossed the leg into the dirt. "Unnecessary," it said. "Unaesthetic."
Rage engulfed him, obliterated any desire for self-preservation. He saw only Brooke, his still and forever Brooke, and prayed for death's reunion. He growled as he lunged; his fingers found his kidnapper's neck and squeezed. It felt like squeezing lumber. The thing laughed, like gravel crunching underfoot.
"Let's stop the charade, Mr. Lawrence. Do you remember your sins?"
"I didn't do anything to you!" He abandoned the fruitless attempt at choking his enemy and, realizing that his feet were unchained, leapt towards its face and groped for the hood. If he was to die, he would see the face of his killer.
The thing grabbed Lawrence's arm. It twisted its wrist, and Lawrence's forearm snapped in the middle and burst through his skin like a baby elephant's trunk. He wailed, clutched the break. His vision blurred as if challenging the reality of his arm's new angles.
"Your attacks were becoming tiresome," the thing said. It grabbed Lawrence by the hair and strode towards the door of the mud room. Lawrence's healthy hand left the wreckage of the fracture and grabbed the beast's wrist, trying to alleviate the agony in his scalp. Like a parent dragging an irate child in the midst of a tantrum, the giant took Lawrence from his prison and showed him a glimpse of Hell.
"This is the price for your sins," it said, and raised Lawrence by the hair until his feet dangled from the ground. Lawrence thrashed in terror, the pain in his head forgotten before the scene in front of him.
They stood in a forest. The moon shone full and heavy, illuminating every ghastly detail. Trees dotted the landscape, and they screamed in silent agony. Faces blended into the bark, blemishes in each trunk describing mouths full of soundless shrieks, eyes of the blackest fear. Hundreds of trees, hundreds of bodies, still but alive, flesh made wood, begging yet reverent to their master as it carried Lawrence into their midst. A maple the size of a teenage girl wept sap as they passed. An oak with a linebacker's girth glared with crooked knotholes and offered unheard prayers with a furry mouth. A cone of fungus hung from a conifer and fit its grimacing face like a beard. Lawrence went slack, dangled, his protruding radius bouncing painlessly off his captor's robes, his fight lost among the human dead and the thriving flora.
"Your kind sins against my bride with never a moment to consider her love for you, never a thought for the grace of her soul." The beast lowered Lawrence to the ground, still grasping a clawful of hair, and dragged him deeper into the human forest. "You set up camps to praise the gift of her vastness, to cheer your own courage for daring to sleep without electricity and shelter. Yet you continue to cut, and hack, and saw at her bones. Your garbage sinks into her flesh and poisons her veins. You rob her waters of their creations, and litter her air in toxins and smoke."
The thing picked Lawrence up once more and turned him to within inches of its obscure face. An earthy odor emanated from the shadows, a green and blooming smell that nearly dragged a mirthless laugh from Lawrence. The wind groaned through the bodies as if dreading the moments to come.
"And you burn her limbs with smoldering embers."
With a snap and a crack, its free arm broke, bent, and pulled back its hood. Lawrence cackled with lunatic terror.
Eyes as black and deep as wormholes glared, gauged, judged. Its flesh was cracked and rough, a mosaic of grays and browns and reds. Leaf-clad branches the size of fingers jutted from its cheeks, its chin, its brows. Speaking through a distorted fissure in its bark the width of a snake hole, it said, "Do you remember your embers, Mr. Lawrence?"
And he did. He tasted the last drag off his cigarette, recalled his pride as he watched the muscles in Brooke's legs when she stooped to roll up the tent. He felt his fingers flick the cigarette into the dry brush lining their campsite, watched its glowing orange tip somersault and fall. Banished details returned, the gathering smoke where the cigarette still burned, the scent of flaming kindling, the thickness in the air as it prepared to sear. He saw Brooke's forgotten look of horror as a shadow grew behind him, heard a now familiar crack, then pain and the dark.
"Seventy-three trees burned before the heavens doused them with tears. Seventy-three, Mr. Lawrence. And so I replenish, as I've replenished since my bride first took me to her side, and I remind the sinners of their sins."
His stomach lurched, spasmed, seemed to rip apart with a stab of pain. Lawrence tried to look down, wanted to watch his viscera uncoil, but the tree man still clutched him by the hair and held his gaze. The pain lessened, and his mouth filled with the taste of soil. His tongue rolled around the flavor and rejoiced.
"You were preparing us," he said. His voice was a rustle of leaves. "For planting."
"You prepared yourself when you scorched my bride."
"Brooke ... Brooke never hurt you. Never hurt your..." He spit out a raspy laugh. "Your bride."
"Are those who love sinners not sinners themselves? And she does look quite beautiful, does she not?" The tree man turned Lawrence's head.
Brooke stood mere feet from him. Her arms shot skyward, as dark and rough as old leather, branches and thorns lining her hide like warts, ending in fingerless hands that resembled the pine cones that would gather in their yard each fall. Her eyes, as lovely a shade of brown as they had been at their wedding, stared at the sun in reverence. Her mouth was a yawning O and ringed with a bundle of tiny pink flowers the shade of her lips in the morning. She was buried in the forest floor up to her remaining knee.
It pruned her, he realized, and his mind slammed shut like a coffin lid. He dimly noticed the tree man had set him down, but any thoughts of running vanished into Brooke's pleading wooden eyes.
"It took her fingers and it took her toes and it will not be done 'til it buries my soul." He laughed the words like a poorly delivered punchline.
"And your soul will replenish all that you have taken," the tree man said, stepped between husband and wife, and drew its saw from its cloak.
"Mother Nature is a forgiving bride," it said. "Nature's Father, however, is not." Its crack of a mouth fractured into a crooked grin. "Today is Arbor Day, Mr. Lawrence. Let us celebrate." It raised its arms. The saw gleamed in the moon's pale glow, and the trees welcomed a brother.
by Kirk Jones
Doctor Bryukhonenko's Experiments in the Revival of Organisms, and the accompanying footage of a small canine head severed from its body, its life sustained with the help of machinery, now flashed in Dick's mind as he watched the severed head of a middle-aged woman in the same condition. Like the dog in Bryukhonenko's tests, the woman reacted to various stimuli. Her eyes lazily followed his hand when he waved them before her. She squinted under heavy lighting. She was, in a scientific capacity, alive.
As he scrawled the results down in his journal, the woman's eyes spun like a roulette wheel, darting from one corner of the room to the next. Then the scattershot movements slowed, and she settled on him.
He dismissed it as chance and continued in his journal until a rhythmic clicking drew him back to the head. Her jaw fell agape as she continued looking at him. Then it snapped shut. Her features distorted to a look of terror. She opened her mouth again. Only a faint gurgle issued forth, but he saw the movements of her lips, and knew what she was trying to say: "Where am I?"
SWEAT BEADED AND STREAMED down the phone as Dick waited for his contact to answer. Finally, Sands picked up.
"Agent Sands here."
"She looked at me," Dick stammered.
"Dick?"
"That woman, she looked directly at me and tried to speak."
"Then the experiment was a success?"
Dick wiped the sweat away from his receding hairline. "I think she's conscious."
"That's great!"
"I can't do this."
"Dick, you need to calm down. Tara's a suicide victim."
"Please don't use her name."
"Sorry. She was clinically dead for nearly two hours before we got her up there. She'd be six feet under by now if you hadn't revived her."
"I can't test a live specimen."
"Look, it's probably just muscle reflex. You were the only thing moving in the room and her eyes responded to the stimuli. Jaw spasms are normal as well. You know this."
"I don't think I can go back in there."
"That's fine. Your contractual obligations have been met. You've tested her reflexes and the results were more than we had hoped for. I'll send someone up tomorrow to clean up, and you can get back to the university."
"Thanks, Sands."
Dick hung up the phone and looked out past the garden to the greenhouse where the suicide victim's head rested in a large plastic dish. He thought about the eyes, a deep green clouded with death, reverberating with fear. A few days earlier, he imagined she would have stirred something in him long since gone, a rekindled sense of purpose, of youth perhaps. But now she was incapable of inspiring anything but fear. He shuddered as a wave of cold washed over his back and trailed down his spine like a slug scrolling down the leaf of a maple. Sleep wouldn't come easily for him, and the nearest liquor store was over twenty miles away. The neighbor had been watching his movements closely during the past few evenings, and leaving the greenhouse out of range seemed like too great a risk for a bottle of scotch. So he decided to go through the motions, the ritual to prepare for sleep that would never come.
As he opened the toothpaste on the bathroom sink and squeezed the innards onto his brush, he thought about the girl in the greenhouse opening a bottle of prescription tranquilizers and filling her stomach with them. He spit, let himself fall into bed, and writhed beneath the blankets, thinking of the aging woman doing the same, only uncovered on her bathroom floor. The paramedics had found her naked, completely exposed to the world.
He wished Sands had left her veiled in anonymity when he delivered the head. At the same time, he found himself wondering what her body looked like. Did she groom herself for the suicide, knowing she'd inevitably be found by someone, or had a plant-like mesh of hair rested between her legs when the EMT walked in? That was something he dared not ask Sands, nor think about until now, though the thought of her naked body had chipped away at his conscience. He hadn't been with a woman in almost three years, so long that sexualizing the bodiless head of a woman was not beyond him. He wondered where her body was now, and the idea of her headless corpse sickened him. Strangely, though he had always considered himself an 'ass man,' it was the face that allowed thoughts of her body to blossom, and not a headless body that brought his arousal to peak.
It was about that time that his panic diminished enough to allow him a few hours of sleep. His dreams were not so kind. Since he was young, sleep paralysis had gripped him from time to time. But the fear of asphyxiation always manifested as something else within, a dead body with its arms wrapped tight around him, a heavy beast crushing him underfoot, or sucking the breath from his lungs. Tonight it was the head, staring into him from atop his chest. He woke swatting at the woman's face until he realized he had been dreaming, and then ran to the window to make sure the greenhouse door was closed. He had left the lights on.
Reluctantly, he put on his slippers and walked to the greenhouse. That familiar chill ran through him again as he stepped inside. He avoided looking at the head on the table and turned the lights off, rushing back out and closing the door behind him. As he walked back to the house, the sound of shattered glass echoed in the distance. He turned and walked cautiously back to the door. In the moonlight, the head seemed less foreboding. He could see just enough to confirm that it was still on the table. He edged closer, noticing something large atop the table near the head. He grabbed a hoe in the corner and gripped it tightly, taking a hand off it quickly to turn the lights on.
He expected to see a cat, or a feral dog perhaps. Instead, he saw the root system he had used to sustain the woman's head. It had sprouted a mass of foliage so thick that it had knocked a beaker from the table. And it was moving.
The woman's head turned towards him. Again, it mouthed the words, "Where am I?" Only this time he swore he could hear her.
He tried to swallow the fear that welled up inside him, but could not. "Vermont," he replied.
"What happened to me?"
He took a step closer. "You're...you tried to take your own life. I've managed to keep you alive."
He was close enough now to see the plant life attached to her heaving. She began to cry. "Is this hell?"
"No." He put his hand on the tangle of leaves and small branches, pulling away as quickly as he touched it. There, under the surface, he felt a heartbeat, or plant life emulating a heartbeat. He inspected the plant closer. It was forming a torso. Thick branches sprouted from where the shoulders would be. Somehow, the plant was attempting to reproduce her body. "Is... is there anything I can do to make this easier on you?" he asked.
She closed her eyes. "Kill me," she said. "I don't want to live like this."
He turned for the door. "I'm afraid I can't do that. I'm sorry."
"Then stay with me," she said. "I don't want to be alone."
"I..." he now longed for the comfort of his bed more than ever before, not to sleep, but for a semblance of safety. "Okay." He pulled a chair towards her and sat down, careful not to look her in the eye. "Do you want to hear more about why you're here?"
"I don't want to think about it anymore tonight." She closed her eyes. "Just don't leave me alone."
THE NEXT MORNING HE woke tangled in a myriad of branches obscuring the daylight. He tore at them until he realized he was not confined, but simply covered. Her body had grown significantly over night. Her arms were now almost completely developed, with thick veined limbs extending into five separate digits. Her legs were beginning to sprout. She moaned and the body began to move. What he recognized as a crude rendering of hands moved towards him. "Thank you," she said. "For staying with me."
He pulled away. "You're welcome."
"And fuck you for doing this to me."
"What?"
"Who the fuck do you think you are? Look at me."
He turned away until she sat up and turned his face to meet hers. She stared into him. "What kind of sick shit are you doing up here in the mountains? Am I the first?"
He nodded. "A firm paid me. I didn't know you'd end up like this. You were clinically dead."
"You should have left me that way. Look at my body." She looked at the hand that cradled his chin. "I want to see my face."
He walked to the far corner of the room and brought back a small mirror plate. "Your head was the only thing the firm gave me. They asked me to reproduce the results of my thesis experiment. I thought they'd bring a finger, or a hand at the most. I never thought they'd ask me to do this."
She looked at herself in the mirror. "I want to be alone."
"Can I bring you anything?"
"Go."
He complied, returning to the house to check his messages. Sands had called. Dick played the message:
"Dick, I'll have someone up there this evening. It's the best I could do. They'll bring a ticket for your flight back to Indiana and clean up for you. Hope you're holding up all right."
He deleted the message and tried to wash himself of everything in the shower, the evidence and the memories of the last few days. In less than twenty-four hours it would be over. The head would be in Sands's custody and he would be on his way home. He rinsed the soap from his scalp, holding his eyes shut to let the water run over his face. Then the shower curtain opened.
It was her, body fully developed. Large flowers emulating the pigment of her original skin tone had blossomed across her torso.
"Jesus!" he shouted.
She grabbed him by the throat and pinned him to the wall, stepping in beside him. "I want to feel human again. I want to be human again." She kissed him forcefully. His hands worked their way around her waistline gently. She reciprocated, drawing him close to her. She pulled his arm away from her waist and guided it between her legs, pressing his finger inwards.
He pulled away. "Shit!"
He held his hand up. Blood spat from thorn-covered wounds. When he looked up again, she was gone.
After searching the entire house, he dressed and made his way to the greenhouse. He found her crouched in the corner. She cowered. "Stay away from me!"
He knelt down beside her. On the floor, the mirror he had given her earlier lay shattered. One of the pieces was covered with thick mucus-like strands of green. A puddle of the same substance gathered nearby below her wrists, which were riddled with deep gashes.
She hid the wounds. "You should have let me die."
He lifted her off the floor. "Come on."
They went back to the house together. He wrapped the wounds in gauze and led her to his bed, where she slept throughout the day. He sat at the edge of the bed watching her grow, not larger, but she was beginning to fill out. The thin vines that had made up her appendages were now of greater substance. A thick, white moss began to grow over them like skin.
Her body continued to develop as night drew in. Dick watched until he heard a car pull into the driveway. Sands's man had arrived.
Dick met him at the door.
The man handed Dick a plane ticket scheduled for departure the following morning. "Agent Brody. I'm here to clean up."
"What are you going to do with...with the head?" Dick asked.
"I'll take care of that. You just pack up. I'll take you to the airport first thing in the morning."
Dick pointed to the greenhouse. "It's in there."
As soon as Agent Brody started for the greenhouse, Dick ran upstairs. "Wake up," he whispered.
"What's wrong?"
"Someone's here. They've come to take you. They don't know what you've become though. They still think you're just...they think it's just your head."
She sat up. "I'm not going anywhere."
"We have to go." Dick rose to check the window. Brody was already on his way back to the house. "Shit."
Downstairs Agent Brody let himself inside. "Dick?"
Dick hurried down to meet him. "What's up?"
Brody eyed him suspiciously. "There's nothing out there."
"Really?"
Brody waved him to the greenhouse. "Come on."
Dick followed him, looking back at Tara through the upstairs window.
Brody waited at the entrance for Dick to open the door. He passed through the threshold and turned the lights on. "She's right over here." He pointed to the dish, feigning surprise. "She's not there."
A familiar sound pierced the air behind him, like the subtle, singular snap of a jaw closing. Brody had drawn his gun.
"Where's the head, Dick?"
Dick slowly turned around with his hands in the air. "I buried it."
"Bullshit. Sands said you wouldn't go near that goddamned thing after the experiment. What happened?"
"You want to know what happened to her?" Dick asked. "Look behind you."
Brody turned around and fired one shot into the wiry humanoid before him. She didn't flinch. He fired again and her hands encompassed his, crushing them around the gun. As she loosened her grip Brody's arms dropped to his side. Tara straightened her fingers and drove them through his eyes, deep into his brain. They danced on the back of his skull, eventually piercing the other side. As she held him there suspended above the ground, she drove her other hand into his entrails, spilling them onto the floor.
"Stop!" Dick shouted.
She dropped the agent's body and started for him. "He was going to shoot you."
"You didn't have to kill him."
"What would you have done?"
Dick shook his head. "They'll send more now. I'll never be able to go back to the university."
"Don't you want to stay here with me?"
His head continued to shake. "We can't be together."
She started towards him. "What do you mean?"
"Look at you. You're not even human anymore. We'd have to spend the rest of our lives in hiding. You can't be seen. They'll kill you, or tuck you away somewhere and keep you alive to experiment on you."
"Like you did?"
"I didn't know it'd turn out like this." He backed against the wall. "You were right. They should have let you die."
"It's not so bad, Dick. You'll see."
She lurched over him and drove her hands into his chest. He felt her gnarled fingers work through his heart as she drew him close. Blood pumped through the holes forged by her fingers until everything around him went black.
A DAY LATER HE woke face-down in the greenhouse. He tried to lift himself, but found he couldn't move.
"I followed your notes as closely as I could." Tara leaned down to address him. "Your body isn't growing as quickly as mine is, but I think within a few days you should be as good as new."
Dick's jaw snapped wildly as he tried to speak.
She put her finger to his lips. "Shhh. Rest now." She walked to the doorway and turned off the lights. "Tomorrow's Arbor Day. We'll celebrate."
I HEART RECYCLING
by Lesley Conner
Matt slammed the door of his stepdad's Escalade, looking around the graveled parking lot surrounded by the forest and one shadowed path. There were no other cars in the small lot, no buildings, no people. Just Matt, his mom, his stepdad, and his two half-sisters.
And a rabbit, perched just off the gravel, staring at Matt with wide, moist eyes, completely still.
I have to spend all day pissing in the woods with a bunch of bunnies just because Tucker thinks we should plant a tree for Earth Day. Matt could hear his stepdad's voice in his head---It'll be good for Brooklyn and Dallas. In his opinion, it was the biggest waste of time. If you're going to plant a tree, why would you do it in a forest? There are already trees there. And he was sure their town had planned some Earth Day festivities anyway, like cleaning up the park or something. Why couldn't they've just gone and done that instead of wasting the entire day out here? But he'd come along without too much complaining to keep his mom happy, drawing the line when she wanted him to wear a t-shirt with a picture of Earth hugging itself. He was here; he didn't have to look stupid, too.
Stooping, Matt picked up a chunk of gravel, skipping it across the lot towards the rabbit. The rabbit jumped high in the air as the rock came skittering towards it, twisting and bounding into the dark undergrowth. Matt shook his head as he crossed the lot, following his family into the forest.
Brooklyn bounced down the path. There was a sapling under one arm, twirling like a tornado in its plastic pot with each step, and Matt was certain the poor thing would be toast before his family decided to put it in the ground. They'd already killed one by forgetting to water it, and had to buy a new one on the way. He watched his sister trailing the fingers of her free hand along the vegetation growing at the side of the path, yanking handfuls of leaves out every few steps, and he couldn't help but roll his eyes. He'd never understand kids.
His mom Jenn and Tucker were walking with Dallas a little behind Brooklyn. Jenn had a leather backpack hanging low on her back, stuffed with goodies for a picnic. Tucker swung a small spade, he liked to call a shovel, from his hand, pointing out the birds in the trees to two-year-old Dallas.
Chirp-chirp. Digging around in his pocket, Matt pulled out his phone.
How's Fucker?
Reading the message from his best friend Jacob, Matt couldn't help but smirk as he slid his gaze toward Tucker.
He's wearing loafers. Who wears loafers to go hiking?
He really is a fucker.
"Matt, you are not going to be on that phone all day. Tell Jacob you'll talk to him later."
Hearing his mom's voice, Matt's fingers flew over the keypad.
Yeah. Let you know how it goes later. Mom's cutting me off.
He snapped the phone shut without waiting for a reply. Looking up, he saw Jenn staring at him over the top of Dallas's head. The toddler was balanced on one hip, wiggling to get down. Setting the girl on her feet, Jenn kept her gaze on her son, silently reminding him of the conversation they'd had the day before. Don't mess up the day. Tucker had gone to a lot of trouble planning it; it was important to him. Matt nodded his understanding and shoved the phone deep into his pocket. Quickening his steps, he hurried to Dallas, who was bent down, pushing in an anthill. The bugs struggled out of the collapsed earth, spinning in confused circles as Dallas poked again and again at the soft dirt.
"Come on, Dally. Walk with Bubby."
Dallas looked up at him, one finger poised to thrust downward again, her hair pulled in two tight pigtails, a brown, "I Heart Recycling" t-shirt stretched over her belly. The heart was made with pink recycling arrows.
"Hi, Bubby. Look. Bugs." A toothy grin spread across her face. Pulling Dallas to standing, Matt pushed more soil on top of the swarming ants with the toe of his sneaker. Their antennae waved angrily as they scrambled up and over the shifting dirt.
"Yep, sweetie, bugs."
He walked a few feet behind the rest of his family, Dallas jerking on his arm with her tottering steps. His mom went over and put her arm around Tucker, leaning her head on his shoulder, and Matt could hear the cadence of their conversation, as slow and steady as breathing. Brooklyn twirled around them at a dizzying speed only young children can keep up, her higher voice interjecting among his parents' lower tones. The sight should've been reassuring, a happy family, something he knew wasn't common, but it only made Matt realize how much he didn't fit in.
His mom had him at sixteen years old. She'd never told him much about his real dad, other than he was a huge loser who couldn't handle having a baby. They'd lived with his grandparents the first five years of his life. Then Jenn managed to scrape enough money together between her two jobs to pay for a lousy, one bedroom apartment and a couple of night classes at the community college. It'd only been about six months after moving in when Jenn met Tucker. The relationship moved quickly, and before Matt was seven, he had a stepfather and his own bedroom in the suburbs. Brooklyn had been born when he was twelve, and Dallas when he was fifteen; his mom finally had the perfect family. Her only reminder that life had ever been unsavory was Matt.
She liked to tell him he was her surprise; something she didn't know she wanted until she got it, but he knew he was a mistake. Christ, his mom was younger than him when he was born, and he definitely wasn't ready for a kid of his own.
The fact was Matt knew he had it good. Tucker was a goofball, but he was fair and loved his mom. Brooklyn and Dallas were the best. It'd been lonely growing up without any siblings, so he was glad they had each other. Sometimes he just got tired of acting like he was a part of everything. I don't even need to be here. I could be home playing Call of Duty and no one would even notice.
Picking up Dallas, Matt jogged up to the rest of the family. Giggles burst from the toddler with each jostling step, sounding like shrieks bouncing off the dense trees. She grabbed his face, squishing his cheeks forward painfully, and he scrunched his lips together, blowing a raspberry on her arm, making her laugh even harder.
"Here. Walk with Mommy for a minute." He handed her over to Jenn, who unwrapped herself from Tucker's side. Dallas immediately reached for him.
"I want Bubby. I go you." "I'll be right back." He hated seeing the tears welling in her eyes, but he had to walk away for a minute, take a deep breath.
"Where are you going?" Jenn's eyebrows knit together.
"Gotta take a piss." Matt turned to step off the path and head a few feet into the forest. "I'll be back in a minute."
"Just don't get lost. I think we're going to find someplace to eat lunch in a couple of minutes, then we're going to plant our tree. I don't want to walk too far with the girls." Jenn looked down at Brooklyn, who held the sapling up. A grin cut her face in two, revealing pink gums with white stabbing through where her big teeth were coming in. The tree leaned to one side, lacking the energy to stand up straight anymore.
Matt rolled his eyes.
"I'm taking a piss. I'm not hiking into the wilderness. Be right back."
"I need to piss, too," Brooklyn said. "Where's the potty?"
Jenn sighed loudly, putting Dallas on her feet and reaching for Brooklyn's hand. Even though her back was to him, Matt could tell she was irritated by the set of her shoulders. Tucker looked at him, his lips pulled in a tight line, freezing the smile that had started to spread across Matt's face.
"You could have chosen your words more carefully. Your sisters look up to you."
"Sorry."
Matt ducked into the woods before Tucker had a chance to say anything more. Green leaves formed a wall between him and his family, giving him a curtain of privacy. Closing his eyes, he rolled his head around on his neck, trying to release some of the annoyance building from being on Tucker's stupid outing. He shook his head. Tucker tried to do what was best, but sometimes Matt wondered if he had any idea how ridiculous it all seemed.
Brooklyn and Dallas are having fun. The thought popped into his head, seemingly from nowhere, and he knew it was true.
"Fuck." Matt kicked at a tree trunk, knocking bark to the ground. He stomped a few more feet into the forest. Looking back towards the path, he couldn't see or hear his family, so he figured they hadn't heard him drop the F-bomb. Tucker would love that. Pulling a cigarette from his pocket, he leaned against a tree, sliding down until he sat on the ground, and smoked. His dad had been non-existent, nowhere to be found. That didn't mean Tucker was an ass.
He jabbed a knuckle into his stinging eye, rubbing at it viciously. There was no way in hell he was going to cry over a deadbeat fucker.
Shit.
He should be happy for Brooklyn and Dallas. They had a dad who loved them, who cared. Fact was Tucker cared about him, too, even though blood didn't bind them. It was just hard knowing somewhere out there was someone who didn't give a shit. Someone who could just walk away.
"Ow!" A searing pain ripped through Matt's leg from his ankle to his knee, burning through his muscles, causing them to spasm. He smacked at it, jerking up his pant leg to reveal a twisted ant seizing in death and an angry welt running up his calf. Brushing the bug off, he looked at the ground, searching for an anthill or a marching army coming to swarm him. He didn't see anything.
He stood, flicking his half smoked cigarette to the ground and then snuffing it out with his foot. Turning back towards the path, he kept his gaze downward, wondering where the ant had come from. He searched the trunk of the tree he'd been leaning against as he passed it. Do ants make nests in trees?
Whumpf!
Matt crashed to the ground, his ankle twisting like the ant's body. Blood poured from his nose and his chest tightened. He tried sucking in a deep breath, but earth clogged his mouth and he choked, coughing up soil slimy with saliva.
"Oh shit, oh shit, oh shit." It hurt to breath, to move, but he kept muttering under his breath. Slowly, he sat up. His ankle had already swollen to the size of a grapefruit and didn't look like it was slowing. The skin was pulled tight and purple. Next to it was a perfect loop of tree root shooting straight out of the ground that he'd snagged his foot on. The soil was loosened all around and under it. How had he missed that? Using the tree trunk for leverage, Matt pulled himself up. Gently, he tested his ankle. It hurt like a bitch, but he didn't think it was broken. Wiping his bloody nose on his sleeve, he limped towards the path.
Ten minutes later he found his family sitting in a half circle at the base of a tree. Tucker looked up as he hobbled towards them. His sharp intake of breath made Jenn look up from the yogurt she was feeding Dallas.
"Matt, what happened to you?" She hurried toward him, bending his head back so she could check his nose.
"I tripped. I'm fine." The blood had congealed into a thick crust over his upper lip, cracking with each word.
Jenn shook her head, like she couldn't believe her son could be so clumsy. She gripped his elbow, leading him to the picnic, letting out a loud sigh as she helped him sit on the ground.
"Your ankle looks pretty bad. You sure you're okay?" Tucker asked. He was sitting on a low rock beside Brooklyn, half a peanut butter sandwich gripped in one hand.
"Yeah. It's just twisted, not broken. I tripped over a stupid root."
"You're lucky. What would we have done if you'd broken it?" Jenn wiped her hands on her pants before sitting back down.
"I guess we would have had to call for help. I don't know, Mom. I didn't fall on purpose." He grabbed a bag of chips and a juice pouch out of his mom's bag, putting his head down to end the conversation. Why did she sound so irritated? If one of the girls had fallen she'd be all over them, kissing them to make the booboo go away.
Out of the corner of his eye, Matt saw Tucker shake his head, then turn towards Brooklyn.
"So, Brookie, why are we out here today?"
"'Cause it's Earth Day." She grinned, knowing she'd answered her dad's question correctly.
"Yes, but what are we doing?"
"Planting our tree, so it can be with its family." Brooklyn stretched her foot forward, pointing to the sapling with her toe. It toppled over, half of the rich soil falling out of the pot as it rolled down the gentle slope away from her. Tucker reached out his hand and steadied the tree, but didn't sit it upright. He watched his daughter as she jumped up from her spot beside him and plunged her hand into the backpack filled with goodies. When she sat back down, she had an oatmeal cookie in her hand.
"Right, we're planting our tree, but why?"
Brooklyn slowly unwrapped her cookie, letting the clear plastic fall to the ground as she took a huge bite. Around a mouthful of cookie and cream filling, she answered: "'Cause it's Earth Day."
Leaning his head forward, Matt couldn't help but think again how stupid this was. If Brooklyn didn't understand what they were doing, then no way Dallas would. What was the point?
"Look! A bunny!"
Matt looked up to see Brooklyn walking towards a brown rabbit sitting on its back legs in the weeds at the edge of the path. It looked just like the rabbit he'd seen in the parking lot and was just as observant. Both of its ears were pointed forward, honing in on everything the family did. It sat very still, only its little bunny nose twitching.
"Here, bunny. Want a bite of my cookie?" Leaning forward, she bent down, holding out a small piece. The rabbit twitched...and then jumped on her.
Tucker shot up as Brooklyn screamed. The rabbit bit deep into her arm, and she waved it back and forth in the air, trying desperately to shake the beast off. Blood ran down her skin and coated the bunny, clumping its soft fur into a black mass. Tucker started towards her but stopped when he saw more rabbits in the shadows of the foliage. The muscles in his face twitched, pulling his lips away from his teeth.
"Tucker! Help her!" Jenn stood, Dallas pressed against her chest. Tears streamed down both their faces, and Dallas kept screaming, "Brookie, Brookie," over and over again.
Seeing Tucker wasn't moving, Matt forced himself to stand. Something popped in his ankle with the sudden movement, and he threw up what little he'd eaten. The acidic smell of juice and chips ran down his face and covered his shirt and hands.
"Get out of the way." He shoved passed Tucker, reaching out for the rabbit latched onto his sister's arm. He grabbed her shoulder, trying to turn her toward him so he could get to the animal, but she was so hysterical she must have not realized it was him, screaming even louder and trying to get away. He tightened his grip, yelling her name. Her hair stuck to her face, snot and tears glistening against her pale skin.
Matt grabbed the rabbit, the soft fur at its neck sliding between his fingers, leaving tuffs sticking in the vomit splatter. The rabbit screamed as he wrenched it off Brooklyn. Blood coated its fur, its teeth chomping to grab ahold of her again. He flung it away, the motion like a flag signaling the other rabbits hiding in the undergrowth along the path. They launched themselves at Brooklyn. She'd lain down, cradling her bleeding arm, wailing in pain. The rabbits covered her like a blanket before Matt could reach for her. Her screeches filled the forest.
"Brooklyn!" Matt tried to pull the rabbits away, but they bucked their back legs, scratching long fissures into his forearms. Their teeth locked on her flesh, ripping away chunks of skin and muscle before going back for more. He couldn't get to his sister.
Desperate, he looked for Tucker and his mom. Anyone to help. Jenn stood frozen. Her eyes were wide, her arms locked as tightly on Dallas as the rabbits were on Brooklyn. She shook her head, denying what she saw, a high-pitched keening whistling between loose lips. Tucker backed down the path. His face was white, his nostrils flaring as he snorted air, and he looked close to hyperventilating. His chin jutted forward, pulling the muscles in his neck tight, making them stand out. Scarlet lips flapped, no sound coming out as he tried to remember how to talk.
"It can't be. This can't be." He stuttered and stumbled over his words and over the path. "Brooklyn. JENN!" Tucker turned to run; a black shadow dashed toward him from the woods.
Matt jerked his head back towards his mom, barely registering that Brooklyn was quiet, only a lulling slurp coming from the furry mass covering her body. Unable to comprehend what he saw, paralysis overcame him.
The tree behind his mom was moving. Not blowing in the wind, but moving. A limb bent downward striking her across the head. Matt watched in horror as she stumbled and Dallas tumbled from her arms, bouncing off a rock and rolling across the dirt path. A loud snap punctuated her screams as her left arm broke.
The forest became a blur of movement. The tree struck Jenn a second time, knocking her off her feet, blood pouring from her scalp. Then it struck again and again, not giving her time to cry out.
It was Tucker who screamed in pain, and when Matt looked, he saw a large buck pinning his stepdad to a tree. Tucker beat at the animal, causing more injury to himself than he inflicted. Red oozed from his arms where again and again he tried to push the deer away, slicing his flesh on its large rack. Finally, the deer backed up. Tucker fell to the ground, moaning and curling in anguish. The buck attacked again, this time with his hooves.
Matt's chest felt tight and his arms and legs tingled. His ankle was forgotten. Nothing made sense and he didn't know what to do. Everyone he loved, everyone in his entire family, was hurt or dying.
Finally, Dallas's cries cracked through his shock. Matt's eyes truly opened and all he saw was red. Blood covered the earth and pounded in his ears as he raced forward to scoop up his baby sister. She lay on the ground, one arm bent awkwardly behind her, rolling back and forth, screaming.
Ants covered her feet and legs like stockings. Matt remembered the searing pain he'd felt when the ant had bitten him earlier, and his stomach rolled with the thought of feeling the hundreds covering Dallas. Fighting back the urge to be sick, he snatched her off the ground, flinching when she bellowed louder than before. A quarter-sized hole had been under her body, ants exploding from the earth in droves. He stumbled away, trying to escape the clicking mandibles. Dallas's arm flopped uselessly, Jell-o in a plastic bag. He beat at her legs, trying to wipe away the clinging insects and ignoring the familiar burn as their mouths bit deep into his skin. As they fell away, he saw her feet had been flayed, leaving raw meat exposed. Matt couldn't contain the nausea anymore. He heaved. Bile, hot and scalding, burned his throat and mouth.
Dallas's screams beat against Matt's ears, but the forest grew quiet. Standing on shaking legs, he looked around at what was left of his family. Tucker had been smashed to a liquefied pulp covering the pathway like a puddle. His mom was a bundle of bruises. Every one of her limbs lay snapped in the wrong direction, sometimes two. Her face was slack, a large hole in her head. A gray substance leaked into her hair, clumping it together. Matt couldn't bring himself to think of it as her brain; it was just gray. Turning back to look in the direction they'd been heading, he saw the rabbits were gone. So was most of Brooklyn. What lay on the ground wasn't his sister, but scraps from a ravaged meal.
Matt couldn't get any air as the images pressed down on him. Spots danced before his eyes. He was going to pass out, and it would be a relief. He had to get away, anyway he could, even if it was through unconsciousness.
No. He couldn't let that happen. There was nothing he could do for Brooklyn, his mom or Tucker, but Dallas was still alive. He had to get her help. Matt stumbled up the path, his gut clenching every time he jostled Dallas and she whimpered.
"It's okay, baby. Bubby will get you out. I'll get you out." Hot tears poured down his face. Everything had gone so wrong, so quickly.
Matt heard the branch before he felt it. A sharp whistling, then his arms went numb. Dallas fell, and as he watched her, tumbling in slow-motion, he looked down and saw the branch protruding from his chest. A red stain blossomed outward, soaking his shirt and dripping down his stomach in hot rivers. With a groan, his body slid forward, falling toward the ground. He tried to roll away from Dallas, but found he couldn't move, could only watch as he crushed her already tortured legs. She shrieked.
Matt could feel himself growing weaker. The branch had punched a geyser through him, letting his life pour onto the ground. Dallas struggled to sit herself up, pulling at her legs, trying to get them out from under him. Finally, slippery with blood, she managed to break free. She crawled forward till she reached Matt's head. His eyes kept sliding closed.
"Bubby. Bubby, get up. I go you." She patted his face. He jerked his eyes open and wanted to cry. Dallas was sitting right there. He needed to get her out of the forest, but he couldn't. There was no way. The only thing he could do was watch over her until death took him. Watch over her and watch out for the tree still moving behind her. It picked up the sapling Brooklyn had dropped, and then gouged a small hole in the earth a little ways from its trunk, placing the sapling in it and gently pushing the soil around the smaller tree. Seemingly satisfied, it was finally still, the only sound Dallas's pleading and the only movement her frantic patting on his cheek.
"Pease, Bubby. Pease. I go you."
by John McNee
When the explosives in Pedro Piss-Pants's colon went off, they blew nearly his entire left ass cheek some 137 yards southwest, to land on the corrugated iron awning of Za's Tattoo Parlor. It was found and eaten by a stray cat later that same evening and is the only notable piece of Pedro to remain officially unaccounted for.
When Pedro spattered himself across the back lot of the TP Auto Company, showering the rusted scrap metal wig-wam in a toxic rain of blood and effluent, his antagonists did the predictable thing. They ran. Eyes streaming, ears ringing, and mouths screaming (though of course they couldn't hear themselves) they ran, away from each other, away from the scene of the crime and, they might hope, to safety.
Blake Rawlinson, 14, ran West, to nearby Elmer View and the warmth and comforts of the Rawlinson family trailer.
His younger brother, 12-year-old Kuger, might have been expected to follow, but he didn't. He ran East, to the dry riverbed, in hopes of finding a ditch to crawl into.
Gary ran furthest of all, clean across town in fact, to Victoria Square, on the South Side, where the newly strung fairy lights had just been lit. The Mariachi band was already in full swing and his cousin, Officer Dabney Tibbs, was busy persuading Hector Nunez to slide him an apple empanada on the house. Perk of the gig, after all.
Dabney's partner, Tony Hierra, was, as ever, the one who asked all the pertinent questions. "What you mean he exploded?"
"What do you think I mean?" Gary sobbed, snot dripping from his nose. "He blew up, okay? He exploded!"
"Hold up," Dabney said. "Who's Pedro Piss-Pants?"
"I heard of this kid," Tony answered, grimly. "Homeless, messed up in the head, lives out by the freeway. Easy pickings. That it, Gary? That what you and your messed-up little buddies were doing? Nothin' on TV, so you thought you'd go pick on the local retard wet-back?"
"Why they call him Piss-Pants?" Dabney asked.
"'Cause he's always pissing his pants," Gary said.
"Damn it," Tony said. "What did you do to him?"
Gary squeezed his eyes shut and took a deep breath. "We tied him to the fence and then...we stuck a bunch of fireworks up his ass."
"Jesus," Dabney said.
"Momma's sick little puppies," Tony said. "He dead?"
"That's what I've been saying!" Gary cried. "He fuckin' exploded! Everything but his arms and his head blew up into a billion pieces! Looked like...like taco meat."
"Jesus," Dabney repeated.
"It was just a joke, okay?" Gary said. "It was meant to be funny! It was just a fuckin' joke!"
DABNEY DIDN'T IMMEDIATELY UNDERSTAND what the play was. Even when he and Tony had left Gary behind with a warning "not to go far" and taken the patrol car up to 14th Avenue with the lights off and not a word to anyone who might want to know, even then he didn't quite get it. But when, as they pulled into the TP Auto forecourt, he turned to Tony and said, "You want I should call this in?" Tony was quick to set him straight.
"Hell you mean call it in?" he barked. "We're not calling anything in. You nuts? We're handling this shit. Understand?"
"Clean it up? Aw, no, Tony. Man, I don't...I don't know about that..."
"No? Then what? You tell me. Tell me! Never mind making it through the cluster-fuck and managing, somehow, to keep your job. Never mind that. Suppose you do. You really want to stick around for the shit-storm when you're the cop who was on watch the night a retarded little Mexican got ass-raped with M-80s and blown to hell by a bunch of white kids? One of whom---need I remind you---is your little cousin? Huh? On Cinco defuckin' Mayo? Huh? You think about that. Even if you're still alive at the end of it your life won't be worth living!"
"Yeah, but..." Dabney said. "But..."
"But?"
Dabney shook his head. "But shit."
Tony nodded, satisfied. "Come on. Let's make it quick."
Dusk was falling fast. They grabbed a couple of flashlights and slid around the side of the old building into the broken metal mess of the back lot. They quickly made their way to the far end and found the fence Gary had told them about...but they didn't find Pedro.
"Gone," Dabney said. "Where could he go? How could he go?"
"I can barely bring myself to say it," Tony groaned. "But do you think that the little prick is just screwin' with us?"
Dabney pursed his lips and squinted real hard---his rarely seen 'thinking face'. "No," he answered. "No, I don't believe it."
Tony shone a light on the dirt at their feet, illuminating brown stains that might have been dried blood. "Okay," he said. "Let's...let's take a look around. You head over there."
They split up, scrabbling among the shadows and detritus of half-digested automobile parts.
"Some blood over here," Dabney called out.
"Here too," Tony said as he cast his gaze over the scrap-metal wig-wam that, once upon a time when it was new and prettily painted, had held pride of place in the forecourt. Tony could still recall the look of pride on old man Pendleton's face as he unveiled it. Now just one more reminder of how the whole town was going to shit.
"Ah, Jesus," Dabney muttered from somewhere in the darkness.
"What is it?" Tony called.
"I think...I think I found a foot."
Tony winced. "Bag it."
"Yeah, okay... Shit. He had a lot of hair for just a little kid."
"Shhh!"
"What?"
"Shut up!" Tony crouched low, turning the flashlight's beam towards the rear wall of the building. He held his breath, listening to the shadows, so sure he'd heard it. A third voice. The softest whisper. The most pathetic, wilting little cry for...
"...help..."
Officers Hierra and Tibbs quickly regrouped and approached the source of the muted plea. They found a young boy, sprawled out in the dirt, his insides splayed about him, skin a sickly shade of gray, but everything in his vicinity splashed with deep, dark red.
The two men stared down at the boy, he looking back at them, watching as their expressions shifted from disgust to confusion to plain old horror.
As ever, it was left to Dabney to speak the obvious. "That ain't Pedro." 12-year-old Kuger Rawlinson, cradling his own intestines in his hands, licked at his lips with his bone-dry tongue and tried to speak. "Help me," he breathed. "He...hurt me. He hurt me...real bad."
"No shit," Tony said, his tone humorless. He lowered himself to his haunches and drew as close to the kid as he dared. "Who did this to you?"
Kuger blinked, failed to focus. "P-Pedro," he whimpered. "I came back. I came back and I found him and he was still alive... Still...still alive... So... so I cut him down and he...he hurt me."
"How could he do that?" Dabney said. "How was he even alive?"
Tony waved for his partner to shut up. "Where is he now, Kuger?"
The boy's watery eyes darted to the left. "That...he ran...that way... He... he hurt me..."
Tony followed the boy's glance to the narrow alleyway that ran behind the stores, towards the trailer park. "All right, son," he said. "That's all right. Try not to talk."
"I think..." Kuger rasped. "I think I'm gonna die."
Tony looked the ravaged kid up and down and nodded. "Yeah. Well, that's all right too."
"I'm...gonna die..."
Tony nodded. "That's okay, son. You go right ahead." He stood, turned, and led Dabney a few paces away, leaving Kuger to the darkness.
"Mom!" he cried. "Mom! Mom! Mom!"
He didn't say anything else after that.
It was Tony who finally broke the painful silence. "Do me a favor, Dabs," he said. "Go grab the 12 gauge from the car."
THEY MOVED QUICKLY, FOLLOWING dappled blood spots along the alley, Dabney with his Glock pistol out in front of him, Tony carrying the shotgun. Elmer View wasn't a long way, but it was too damn far for someone with no feet, so they were surprised---again---to find the trail led them all the way out the alley, down the street, and through the side gate to the trailer park.
Most of the homes were dark and there were no people around. It was a fair assumption that they'd all gone to join the parade. Tony could hear the distant clatter of a rhythm section and Rick Soto's incomprehensible chatter blasting out of the loudspeakers in the square.
"Look there," Dabney said, flicking his head at the trailer up ahead, lit up inside and out---and the screen door hanging off its hinges.
Tony nodded. The two approached in silence and entered unannounced.
Inside, they found Blake Rawlinson, older brother of the recently departed Kuger Rawlinson. They found some of him in the hall, some of him in the bathroom, a few pieces scattered about the living room, and the rest in the kitchen.
On cursory examination of the property, the officers also discovered an upturned bloodstained cardboard box---marked 'Kuger's stash'---from which spilled several hundred dollars' worth of no-doubt illegally obtained Mexican fireworks. These too were scattered around the trailer, and always in the vicinity of smeared bloody handprints, which Tony would wager were not made by Blake. These prints trailed from the cardboard box in Blake's room, across the carpet, through the trailer, into the kitchen, and up onto the countertop. The window over the sink was smashed and, peering through and shining his flashlight onto the ground below, Dabney could make out further tracks leading out the main gate---back towards town.
"ALL RIGHT," DABNEY SAID when they were back in the patrol car and speeding down 14th Avenue. "Fine. I'll say it. I'm not afraid to say it..."
"Say what?" Tony growled from the driver's seat.
"What the fuck is going? What the Jesus fucking fuck is going on?"
"You asking me?"
"How is it," Dabney said, near hysteria, "that a little kid, blown in half, no guts, no balls, no legs, nothing left of him but two arms and a head, manages to survive and---more than that---rip two other healthy kids to pieces and take off into the night?"
"You asking me?"
"How the fuck is that possible, Tony? How does that even happen?"
"I don't know, Dabs. I'll be sure to ask him."
GARY TIBBS SAT ON a bench by the Victoria Square bus stop. Behind him people were shouting, laughing, singing. White men in cheap sombreros danced with drunken women in brightly-colored dresses with skirts that swirled about them as Thurman's Hermanos blasted out the hits of Herb Alpert. Some kids he knew from school were at the banquet table but they'd finally stopped trying to get his attention after the seventeenth attempt and once the tacos had arrived.
Gary wasn't in the mood. After what he'd seen, he'd never eat tacos again.
He was thinking about the kid he'd helped murder and wondering why, no matter what Blake Rawlinson said, no matter how retarded it truly was, it always sounded like a great idea at the time.
He was thinking about the expression on Pedro's face---the fear in those eyes. And he was thinking about that last, truly awful, stupid moment when he lit the fuse. The one fact he neglected to mention to Tony and Dabney. "That's right, fellas. Kuger's fireworks, Blake's idea, and my matches." Those fuckin' Rawlinson brothers. He swore to himself that if he ever saw those two again, he'd kill 'em.
And then he saw something that distracted him from such noble thoughts. He was staring across the street, not focusing on anything in particular, but settling into the middle distance between two parked cars on either side of D-Lo's Bail Bonds and just a little to the left of Albert Ramirez, who sat on the curb with his head in his hands, trying not to puke fourteen frozen margaritas into the gutter. Into that middle distance came something, or someone, loping dangerously along the sidewalk. Gary focused his gaze then, and saw something that, he knew, simply could not be.
NO ONE SEEMED TO notice Tony was carrying a shotgun as he walked down Vista. Or if they did, they didn't care. They were all too drunk, too involved in their own good times.
When did Cinco de Mayo become such a big deal? he wondered to himself. When he was a kid, there wasn't a thing about being Latino in a white town that seemed worth celebrating. Not to him and sure as shit not to the town elders, but look at it now. Walking down the street he had to navigate all the spent beer bottles and streamers that littered the sidewalk. He said to himself: This is the kind of shit that happens when no one's got any jobs to go to in the morning. They focus all their energies on the next big event that offers them the chance to get fed, get loaded, and get laid, while halfway across town their children are committing murder.
"Hey, Tony," his radio crackled. "Tony, come in!"
"What is it?"
"I'm in Victoria Square." Dabney's voice. "I just saw Blake Rawlinson's mother. She looks pretty drunk. You want me to...?"
"I don't want you to do anything except find Gary," Tony said. "And don't use this frequency."
He let go of the radio and saw Albert Ramirez approaching. A stumbling kind of gait, but there was purpose in it. Over his shoulder Tony could see the crowds at Victoria, now counting down to the big fireworks display. "DIEZ!" they cheered.
"Hey!" Albert called, above the din. "Hey, Tony!"
"NUEVE!"
"How're you doing, Mr. Ramirez?"
"OCHO!"
"What? Oh, I'm... I'm fine, I guess, it's just... Well..."
"SIETE!"
Tony did his best to smile. "Maybe one too many, huh?"
"SEIS!"
"What? I... Well, I guess so. Maybe."
"CINCO!"
"Listen," Tony said. "I don't suppose you've seen Gary Tibbs around have you? Little kid?"
"CUATRO!"
"Oh, sure, yeah, Gary, yeah," Albert said. "Running. He was running, over... over that way." He pointed towards the square.
"TRES!"
"Okay, thanks a lot," Tony said.
"DOS!"
"I saw... I saw something else," Albert slurred as Tony strode past. "I saw something really...fucking weird."
"UNO!"
The crowd hushed as, high over their heads, just two rockets soared into the night and popped. One red, one green. And that was it.
"Some fuckin' spectacle," Tony muttered.
DABNEY WAS AT THE banquet table, talking to a couple of kids from Gary's school, when event coordinator Trica Munoz approached. "Hey, Tibbs," she called. "Get over here!" Even her walk was furious as she strode through the suddenly subdued crowd, flanked on her right by Joe Floss, pyrotechnic engineer.
"What, uh... What's the problem, Ms. Munoz?" Dabney asked.
"I'll tell you what the goddamned problem is," Tricia said, squinting through square-framed spectacles. "Some son of a bitch has stolen our fireworks!"
"Five hundred rockets!" Floss cried. "They were all rigged to go. I checked them myself just five minutes ago and they were all there. Then... Nothing! Two left! The vicious son of a bitch leaves me two!"
"Where's your boss?" Tricia said. "Where's Campbell? I want him down here!"
"Well," Dabney said, "The Chief's, um... I don't think he's---" "Do you have any idea how much those fireworks cost?" she said. "How much this whole event has cost? And we just lost our centerpiece! It's ruined! The whole day is ruined!"
"Now just listen..."
Somebody screamed. Just one person, from far behind, to the back of the crowd; one woman---Dabney couldn't see her---let out a horrified shriek. And while she was screaming, she was joined in chorus by two others. And before anyone was quite sure what was happening, everyone was screaming.
Then they ran, scattering out, scrambling to be away while Dabney stood where he was, and Tricia Munoz and Joe Floss and all the people at the banquet table and around cast confused glances at each other or opened their mouths to ask "What's going on?" though nobody could hear them and they couldn't hear themselves over the sound of sheer, desperate panic.
"Get down," Dabney said, drawing his pistol, jerking his head left and right trying to see. "Everybody get down."
"What the hell?" Joe Floss said, spinning about as men, women, and children shoved past. "What the hell?"
Then they saw.
"Oh, Jesus," Floss said.
"Get down!" Dabney said.
And Tricia Munoz screamed.
Pedro Piss-Pants loped towards them on hands steeped in blood. It was true what they'd said. There was almost nothing of him from the neck down except a leaking ribcage and the torn remnants of a yellow t-shirt. His head lolled about on his shoulders, eyes blank, tongue hanging out of his mouth. His face was that of a dead child. No expression, no recognition. If it weren't for the fact he was hurling himself towards them, Dabney would have sworn the kid was dead. That and the sound he made. Welling up from deep in the back of his throat---a horrible howl like a strangled goose.
Dabney raised his weapon, clicked off the safety, put his finger on the trigger---just as Tricia spun herself into him and knocked them both to the ground.
"Damn it!" he said, scrambling out from under her. He got onto his knees and lined up to take the shot again---but Pedro wasn't there.
"Look out!" Floss cried.
Dabney looked left and found Pedro looming above him, perched on the edge of the banquet table. He swung the pistol around as Pedro thrust out one bloodstained claw. They touched, briefly, and then Dabney's Glock was clattering to the floor along with three of his fingers.
He screamed and fell back as Tricia screamed and stood up. Pedro silenced her with a lightning-quick slice of his arm. Her open neck sprayed the table scarlet as her decapitated head bounced away into the gutter.
Dabney rolled onto his stomach, left hand pressed against the ragged stumps on his right. He saw his pistol lying a few feet away. Saw too Floss bending down to pick it up, turning back towards Pedro, nothing but horror in those bulging eyes. Pedro sprung from the table again, arcing across the air as Floss raised the Glock, and landed on his chest, spearing one arm through his guts.
Joe screamed, blood billowing from his stomach, and opened fire. Of the seven rounds he managed to get off, two went into the ground, three into the banquet table, two into the air, and one through Dabney's eyeball, splattering his brains out the back of his skull.
And that, for Officer Dabney Tibbs, was that.
TONY WAS FACED WITH a wave of terrified people as he neared the square. He ran, plowed through them, dodging their panicky blows, forcing his way into Victoria---to find Pedro, still up to his elbows in Joe Floss.
He racked the shotgun, raised it to his shoulder, and fired---just a moment too late.
Pedro sprang again, as impossibly fast as before, back to the table. Floss took the full blast of the shotgun to his face. He did a graceful spin on his heel, then dropped.
Tony racked the shotgun and let another shell rip, shattering bottles, plates, and bowls with buckshot, sending colorful explosions of salsa and guacamole into the air, chasing Pedro as he thundered up the table.
Pedro dug a claw into the wood and spun back, leaping into the air, jagged arms like swords jutting out from his body, that awful animal sound tearing up out of his throat.
Tony fired again and caught him in mid-air, blasting him apart like a clay pigeon. He sounded like a wet sack of shit when he hit the ground.
Feeling the sweat on his back and the crunch of tortilla chips under his boots, Tony walked slowly towards the corpse, racking the shotgun as he came, his eyes never leaving Pedro, watching what was left of him gurgle and twitch on the ground. When he was close enough, he placed a foot on Pedro's chest and stared down into his unblinking eyes.
"What are you?" he said.
"Cluuuurrr-ghk-bllllrrrulk..." Pedro said. "Pillkchr-plechrluuuuurck-chkgkhhh..."
Tony shook his head. "Fine," he said. He dropped the shotgun and walked a few paces away to where a bat stood upright in the remains of broken piñata. He pulled the bat out of its shattered husk and walked back. "Be that way," he said, before swinging the bat down and pounding Pedro Piss-Pants's head into paste.
WHEN IT WAS OVER Tony sat down with his back to the banquet table, picked up a discarded bottle of Corona, and took a swig. Some curious souls were milling about on the fringes of the square now and he could hear sirens in the distance. There would be a lot of explaining to do. Looking around, he saw the destruction, the puddles of blood, the trampled bodies... For the first time he saw Dabney, lying dead beside Tricia Munoz with a bullet in his eye.
Immediately he closed his eyes and turned away, for a moment certain he was going to vomit. When he opened them again, he saw Gary.
"Gary?" he said, and rose.
The kid shuffled slowly towards him, weeping black tears from bloodshot eyes. Tony approached, unable to shift his gaze from that pale, pained face. There were black stains around his mouth, his nose, his ears. He clutched quivering hands to his belly as he stepped forward, taking tiny, shuffling steps.
Tony could feel other eyes on them, people crowding around now to get a look. "Gary?" he said. "Gary, what's wrong?"
The boy finally opened his mouth to speak, but no words came out. Only black. Black saliva poured from his lips and a cough sent a black cloud into the air, close enough for Tony to smell it.
It smelled of gunpowder. Enough gunpowder to fill five hundred fireworks. More than that. Enough to blow him and everyone within fifty yards to oblivion. All poured down Gary's throat, forced into every orifice, bursting out of his bulging stomach.
That was when Tony looked down and saw the kid's pants looped around his ankles. He saw the trail of blood droplets on the ground. He smelled the burning. He heard the crackle of the fuse.
And in his head, the voices of that expectant crowd echoed again: Tres, dos, uno...
REMEMBER WHAT I SAID ABOUT LIVING OUT IN THE COUNTRY?
by A. J. Brown
I never wanted no kids. I don't like 'em, didn't like 'em when I was one. Sure as hell ain't interested in raisin' any of my own. Why put myself through that hell for the rest of my life? I even killed one of them fuckers when I was sixteen. He was a snot-nosed brat, around the age of eight or nine, annoyin' as hell.
I had been fishin' out at Mr. Lehman's pond not too far from Ma and Pa's house, maybe a mile or so up the road. The boy---I think his name was Wade---come up out of the bramble makin' an ungodly noise, all twigs a snappin' and leaves a rustlin'.
"Howdy, Mister," he said in this curious I-want-to-be-friends tone. I tried ignorin' him, turnin' my back and watchin' my cane pole for any hits. He rounded me, stuck his dirty face in mine, "Wha'cha doin'?"
"Fishin'," I said.
"Wha'cha fishin' for?"
"Bream."
"Wha's bream?"
"A fish."
I stood from the stump I had been sittin' on, stretched my back and took a few steps toward the water. Loose moss covered the embankment, makin' it slicker than owl snot on a wet roof.
"You catch anything yet?" Wade asked.
"Nope. Too much noise. Them fish don't like noise."
He looked around, then back at me. "I don't hear nothin'."
"I hear you," I said and squatted to pick up my pole. There wouldn't be any fish bitin' with that motor mouth yappin' away.
The kid got right up next to me and when I stood, I stepped on his foot, tiltin' off balance. Like I said before, that moss was slick and my other foot went out from under me. I fell onto my ass, mud and moss clingin' to my breeches. My cane pole went into the water. I'd have to go in after it. Wade, he started laughin' like he saw somethin' funny. I saw nothin' funny about what had happened and anger got the best of me.
I grabbed a rock from the edge of the water and stood. Wade laughed until he saw me comin' at him. By then my hand was reared back and I was about to clock him one good. He hit the ground and the rock slid from my hand. That boy hollered like a brayin' horse, his head all split open and blood spillin' from the wound, through his fingers and down his face. I yanked him by one leg, pulled him into the water with me. About waist deep, I grabbed his head and shoved it under. He kicked and splashed, his hands beatin' at my arms until he went all still. I lifted his head out the water and looked into those dead brown eyes then lowered him back into the pond. I gave him a good shove and he floated a little ways before sinkin' on down.
I got my cane pole and headed on home. That's the good thing about livin' out in the country back a few years, ain't nobody ever knew when you did somethin' wrong and there ain't no fancy city folk there to do any real lookin' into someone's death. Wade drowned and that was the end of that.
See, kids ain't never been for me. Like I said, I never wanted them and almost every girl I've ever met has. It's never really been a good combination.
Then I met Barbara. I was nineteen and she was seventeen. She wasn't the best lookin' gal in our neck of the woods, but she had all of her teeth and didn't want no kids and that was good enough for me. I didn't mind that she was a little overweight, not fat or anything, but she had some pounds in her gut that looked like a spare tire, except when she was on her back, and that's where I liked her most anyway.
Me and Barb got along right nicely there for a while. Decent conversation and she was a wild one in the hay. And she wasn't the clingy type. She left me to my own when I wanted to be. Then one day she comes by the house while I was feedin' the pigs. She looked all sheepish and wouldn't meet me eye to eye.
"What's a matter with you, Barb?" I asked.
She started cryin' and if there's one thing I hate more than youngins, it's a bawlin' woman.
"What in hell has come over you?" I yelled, left the pen.
"I'm gonna have a child."
I ain't said a thing for a few moments, just took in what she had said. She gave me that sheepish look, like she didn't know how that shit happened. Then that anger come over me again, just like it did with that kid a few years back. I stomped on over to her and took her by her dark hair---got a big old handful of it so she couldn't run away from me---and pulled her head back.
"I told you, I ain't no daddy and I ain't havin' no youngins."
She yelled out like a wounded mutt and I slapped my hand over her mouth to shut her up. I took her round to the barn where we had fooled around many times. We climbed on up into the hayloft and I tossed her on the floor. She didn't like it none and started to say so, but I didn't care much for her speakin' to me. She took the back of my hand across her face. A knuckle split on one of her teeth and her head rocked to the side. Barb yelled at me again and tried to get up, said she was leavin'.
Like hell she was.
I brought my foot down on the side of her head and she fell like a wounded doe. I took hold of the rope that runs the pulley system in the hayloft. We used it to raise and lower bails. While she was all dazed, her mouth bleedin', a bloom of purple risin' up on one side of her face, I took that rope and slipped it over her head, pulled it tight 'round her neck.
Barb's eyes grew wide and she tried to get that rope from 'round her throat. Her face turned all pink then red. I yanked on the rope, letting it slide over the pulley. Barb come up off her back and slid across the hayloft until her feet met the edge. Another tug and she was danglin' out over the barn's floor, legs all a kickin' and her face turnin' dark purple. Her mouth hung open and her tongue lolled up out of it. It only took a couple minutes before she stopped strugglin' and her arms fell down to her sides. She spun in circles for a few more minutes like a cow on a meat hook. One eye had popped out and sat by her nose. I let go of the rope and let her fall to the hard ground where she bust open like a pumpkin.
Remember what I said about livin' in the country? I buried Barb out near the trees where Pa's old tractor sat. I could have buried her out where Ma and Pa were, but she wasn't family and I'll be damned if she was going to be treated as such. No one thought much about her after that. Barb had just left town, got tired of bein' a whore for a mean old country boy I reckon.
Like I said before and I'll say it again, I never wanted no kids. Barb, she knew that and still got herself pregnant. She had it comin'.
It was a few years later before I met my wife, Mae Elizabeth. She had been workin' at the feed store. Now that was a fine woman, unlike Barb. Sure she had all her teeth, but they was white and when she smiled she lit up the damn room. She didn't have no spare tire in her gut either---her stomach was as flat when she stood as it was when she was on her backside. I ain't gonna sit here and lie---I was right smitten by that little blonde-haired philly.
I reckon I was more smitten with her than I thought, 'cause before I knew it we was married and I hadn't even told her how much I hated children. Of course, she never brought it up that she wanted a few of 'em either. I just guessed she wasn't the motherin' type.
For a few years all went well. We were happy together and she was a willin' partner. But one day she got all sick and got to tossin' her lunch for a couple hours. It's just the flu bug I told her when she said somethin' about seeing Doc Holloway in town. Then I noticed somethin' all wrong about her. She had gotten a little fat in the stomach---not that doughy weight like Barb, but more firm and in one area.
A couple days later she came back from in town. I should have known better than to let her go by herself. She rubbed her belly like it was somethin' special and she had a glow about her. Then she said them words.
"Today's Mother's Day."
"Really? I didn't know. My momma's dead."
I stared at her a minute, tryin' to read what was on her face, in them eyes. They were different. She bit her bottom lip and said, "Cyrus, yah gonna be a poppa and I'm gonna be a momma."
We had been standin' on the porch when she said them words. It wraps around the side of the house and there are twelve steps that run from ground to the landin'. I ain't never showed an ounce of anger toward Mae---not once since the day I met her in the feed store and my heart went all a flutter---but I felt my face get hot and it happened too damn quick for me to think about it.
I leveled a fist into her stomach. She doubled over and fell to her knees, clutchin' her gut, her mouth open like she was a fish out of water tryin' to breathe. I reckon I could have stopped there, that I could have gotten hold of myself and helped her up. But, I didn't do that. Instead, I grabbed her by that long blond hair and shoved her as hard as I could off of the porch. She rolled down the steps and landed on the ground. One arm sat at a bent angle and there was a nasty gash in her forehead.
I went down the steps after her and planted my boot into her stomach, you know, just to be certain that baby wasn't a comin' out alive. I got on my knees and lifted her head so she could look right on up at me. "We ain't havin' no kids."
There was a moment where I thought about takin' her out to the barn and stringin' her up just like I did Barb, but then my heart went all a flutter again and I felt bad for what I had done. I helped her up, even carried her up the steps and into the house. I bandaged her arm---it was broke pretty bad and I guess I should have taken her to see Doc Holloway, but this wasn't between us and him. No sir.
Shortly after that Mae got to bleedin' between her legs and she passed that baby out. I was there as she screamed and cried and that deformed lookin' thing come out from her body. I snipped that chord with my knife and left the house to the sound of her weeping. Down at Lehman's pond I tossed that bloody sack of nothin' into the water, watched it sink like Wade had and made my way home.
It was a while before Mae talked to me again and she acted strange for long spells during the day, takin' long walks and comin' back with dirt on her clothes, like she had been wallerin' around in the mud. She was a country girl so I thought nothin' of it---them girls have been known to climb trees and go skinny dippin' and get down and work right alongside the men out in the fields. She wasn't the dainty type for sure, but she had changed.
There was no touchin' her and that made me ache inside. After a while of this I got to where when I saw her my heart didn't flutter and I stopped gettin' sad at what I had done. And you see, I'm a man and a man has his needs and if she wasn't gonna give it to me, well then I just as soon take it from her. She put up a holy fight the first few times, scratchin' at me like she was a cat cornered by a big ol' dog. A few knocks to her head took the fight out of her and I would take care of myself and be done with her for a while.
If Mae would have had some place to go, I think she'd have left me and that would have been that and none of this other stuff would've happened. But her Ma and Pa had nothin' to do with her after she went up and married me. They said I was no good for her. Turns out, they was probably right.
The two of us went about our lives, sharin' a roof and a bed, but not much more than that. I cooked my own meals and tended to the farmin' and animals. She wandered about in the woods, I reckon becomin' one with nature or tryin' to find herself like them city girls do when they don't know nothin' else.
It was a Tuesday when she started to vomit again. It had been a little under a year since the first time she got all sick with them flu like symptoms. I knew it wasn't no bug in her stomach causin' them heavin's. She had that look women get when their bodies are a changin' with a child inside of 'em.
That anger, it's a mighty mean thing and it hopped on my back and steered me toward her while she made her way into the woods to do whatever it was she did. I came up on her, rope in hand and slapped the back of her head with an open hand. She tipped forward, landing in the tangle of some bushes. Before she could get herself out I pulled her free and roped her hands together, tyin' her to a tall oak. She screamed and yelped like a wounded dog. A few slaps to the side of her head ended that nonsense.
I pulled her breeches off and tossed them aside. She struggled and her eyes said everything. She was scared of what I was going to do. I looked around the woods until I found a fallen branch, thick and sturdy enough. I didn't mind with her screams when I shoved the tip of that thing straight between her legs and inside her. I moved it around, shovin' it a good foot up inside her. I pulled it out and stuck it back in, roughin' up her hole and insides and puttin' an end to her baby havin' abilities.
When I was done, bark and blood caked the inside of her legs. Mae sagged against the tree, her arms still tied tight around it. I grabbed her face, squeezed her cheeks tight. "We ain't havin' no damn kids. Yah hear me?"
I cut the rope and she fell to the ground. Mae closed her legs up and curled into a ball, her arms around her knees. And she cried. The anger flared up again, but I ain't had it in me to kill her. I could have just drug her down to the pond and ended it right there, but I didn't. I walked off, crashin' through the woods like an angry grizzly bear.
Mae didn't come home that night. Or the next. I went out to the woods, found the rope and the branch I had used on her. The ground was damp where she had bled onto it. But, there was no Mae in sight. I hadn't seen her in, I reckon six weeks.
I had seen shadows move in the night, heard her howling at the moon like a rabid wolf or coyote. I went out looking for her several times, but never could find her. I could hear her all right, but it was like she was a ghost hauntin' the woods and tryin' to scare me away. That wasn't gonna happen.
This mornin' I got up and headed out, shotgun in hand. I wasn't huntin' no food. Not this time. I spent the better part of the day rootin' around in the woods. There were some small tracks, like a woman's, and then I found what looked like a small grass hut---mostly twigs, branches, and leaves, just large enough for someone to sleep in, but not much else. The shirt and breeches Mae had been wearin' the last time I saw her was in there, layin' in a heap in one corner.
There was a smell, like somethin' had died. I followed it to the clothes. They wasn't in a heap after all. They was folded over on top of somethin'. When I pulled the shirt free, somethin' brown and skeletal fell out. It was small enough to fit in my hand. I looked a bit closer and that's when I backed on out of there, my heart in my throat and the feelin' like the devil was right behind me.
Well, I was half right. The devil, he wasn't behind me, but Mae was and I don't know when she got my shovel, but I caught sight of it right before it connected with my face.
I woke to the night. Crickets and frogs talked to one another like they always did. My head hurt like I had spent the night drinkin' Cousin Billy's moonshine up in the mountains. My shoulders ached and when I tried to move my arms, I couldn't. Mae had tied them over my head, the rope around a tree, much like I had done her. I was spread out, my legs opened and all my clothes missin'. I tried pullin' free, but you know, Mae, she's a country girl and she knows how to tie them knots so nothin' can get away.
She come through the trees all quiet-like. I caught a glimpse of her in the moon that broke between the trees. She was as naked as the day she was born. Scratches and bruises covered her body and she was dirty like she ain't never had a bath in her life. She held somethin' in her hands---a tiny somethin'.
"Cyrus," she whispered, drawin' out my name like a school girl teasin' another one. "Today's Mother's Day."
"Mae, you let me go now and it won't be all that bad, yah hear me?" She stood in the moonlight, her eyes on her hands and when she looked up I saw all the crazy on her face.
"Did yah hear me?" she asked and took a step forward. She knelt down beside me. The stench of shit and filth got all over me and I felt my stomach jerk. "I said it's Mother's Day."
"I heard yah, Mae, but that don't mean nothing---you ain't nobody's mother."
She laughed, a haunting sound that fills my ears even now. "But, Cyrus, I am a momma. And you are a poppa. You just ain't never met your son." She set that thing on my chest, its dead body dry like a leaf and stinkin' of water and rot. "We're gonna celebrate, Cyrus. Our first Mother's Day together." She giggled, this time the craziness surfacing from her throat.
That brings me to where I am right now, all tied up, a dead unformed child on my chest. Mae, she walked away a few minutes ago, back through those trees toward Ma and Pa's house. She's comin' back. I can hear her howlin' at the moon. She's gettin' closer and closer and she's wantin' to celebrate. And, yah know, we're out here in the country and nobody's gonna hear me scream...
by Steve Lowe
Junior slipped up behind the bastard in silence, but that didn't matter. The guy wouldn't have heard him anyway, with his face buried in the rear of his whore. The bastard slurped and grunted and the whore moaned, a sound more akin to the sad lowing of a cow in a pen than one of ecstasy. Their musk filled the hovel, crudely scratched out of a limestone wall of the underground city, and caused Junior's stomach to buck.
He stood for a moment behind them and watched, absently hefting the reassuring weight of the Polack in his hands. The bastard pushed so far up the whore's bony backside his eyebrows disappeared into the gray flesh of her buttocks. Positioned on her hands and knees facing a blank wall, her back and her head sagging, she coughed and spat on the filthy ground before continuing her moaning.
Junior lined up his target on the gyrating back of the bastard's filthy bald head. He practiced a couple half swings with the Polack, aiming the filed-down point at the base of the bastard's skull.
The Polack had once been a Pulaski, a tool used in a time lost to history by smokejumpers to fight wildfires, but Junior had made some modifications to it. He shortened the wood handle by a foot for easier range of motion in tight quarters, and wrapped it with leather strapping for a better grip. With a wood-chopping axe head on one side, a normal Pulaski had a broad, flat opposite end that was useful for trenching the ground when cutting fire lines, but Junior had set the edges to a grindstone, shaping it into a murderous point. Plenty of bastards had screamed for mercy beneath its killing strike, but not this one. His life ended the moment the Polack pierced his brain stem.
The point entered the soft spot just below the skull at the top of the spinal column. The force drove his head further into the whore until the point struck the inside of his jawbone and stopped. The whore let out a sharp cry from the sudden pressure and turned to look at Junior through strands of mottled hair.
Junior pulled the Polack back, bringing the dead bastard with it, still affixed. Blood spurted from his mouth where the Polack had pushed through the back of his throat, severing his tongue, which remained in the whore's backside, twitching and squirting red down her thighs. She screamed and clenched, and the tongue disappeared inside of her. She scrambled away on her hands and knees to the far corner of the room and huddled into a ball, shrieking and squirming against the foreign object inside of her.
Junior put his foot to the back of the bastard's head and pulled the Polack free. He wiped it clean on the bastard's pants then reached behind his back for his canteen. After a long swig of warm water, he screwed the cap back on and tossed it at the hysterical whore.
"Shut up, Marie," he said. She immediately did so, her eyes wide with shock that he knew her name. "Take that and go clean yourself."
JUNIOR STOOD WITH HIS back to her as she tended to her mess. When he turned back, she was wrapped in a torn, stained afghan. Junior recognized it as one that had once been draped over the back of their couch at home. She gave the bastard's body on the floor a wide berth and sat on the stack of cardboard boxes that made up her bed, knees tucked up against her chest, arms wrapped tight around them. After a long moment of rocking and staring at nothing, she seemed to return to reality and looked up at him.
"Junior?"
He scanned her face, shrouded by shadow and twisted strands of hair. "Yeah, sis. It's me."
She looked back and forth from him to the bastard on the floor to the doorway, the only exit from the dank hole she called home.
"Why are you here?" she said.
"Why you think? I come for you."
"No you didn't."
Junior leaned the Polack against an earthen wall and squatted on his haunches. "I did. For you and for information."
"What information?"
"Like where Big Karl is."
She didn't answer at first, just watched him with huge round eyes that glittered in the low light. "What do you mean to do?"
Junior laid a hand on the Polack. "Just what you think. I mean to kill that son of a bitch with this."
"You'll never get close enough to him."
"Watch me."
She began to rock again. "Saying you do that. Then what?"
"Then nothing. I ain't thought that far ahead."
"His people won't let you live, even if you do carry out the deed."
"That don't matter to me. All that matters is the deed be done."
More silence. Both of them lost in their thoughts.
Finally, Marie said, "What is today?"
"I make it to be Friday, seventeenth of June."
"No, I mean what holiday?"
"I believe that's Metallurgist's Day." One of the new holidays invented after the so-called Great Awakening. Just another farce of a holiday. There was one for every day on the calendar now.
"Oh." She fiddled and looked down at her hands. "So tomorrow is Appreciation Day, right?"
Appreciation Day, to show their deep and unending appreciation for being "liberated by the benevolent freedom fighters of the Hallmark Society." Nothing but a bunch of psycho pseudo-anarchists parading around; essentially what every other day was. The holiday really didn't matter, except for one. Junior spat on the ground in disgust. "Yeah."
"And that means this Sunday is..." She watched him, waiting.
"Yep," he said. "Father's Day."
Marie sat straight up, the tangles of hair falling away from her lined face. "I know where Big Karl is."
SLEEP CAME IN FITS and starts to Junior that night. Tomorrow, Marie would lead him to their father. Junior had not seen Big Karl since the day of the Great Awakening, just over a year ago.
Junior was returning home from his shift at the printing press, a grueling 16-hour workday with no breaks. He shared a dank two-bedroom apartment with Marie and his mother and father. Big Karl no longer had a respectable vocation. Once a firefighter, he now came and went days at a time, and at all hours. He had grown secretive and strange, near incoherent much of the time. And violent. Mother's face bore evidence of that, as did Marie's.
A blow to the jaw dazed Junior as he stepped into the apartment, a heavy blast from something thick and metal that embedded bits of broken molars into his cheek and tongue. When he opened his eyes, the world was on its side. Marie and mother both sat on the floor, cowering and bleeding. They cried, but Junior heard nothing save the ringing in his ears.
"This is it!" Big Karl crossed in front of him, shouting, waving an axe around. He dropped to a knee and cocked his head sideways to look into Junior's eyes. "Are you ready, boy?"
He spun the axe in his hands, waiting for an answer. "You ain't ready," he said. "You ain't prepared to do your part. You never were with me."
Junior coughed and spit out broken teeth. Somewhere nearby, an explosion rocked the apartment building and pieces of ceiling board dropped to the floor in dusty plumes.
"Hear that?" Big Karl threw back his head and whooped loudly. His eyes flared with insanity. "This is finally IT! The day is here!"
Junior's father turned and kicked Marie in the chest with a heavy work boot, sending the slight girl hard into the wall. She slumped to her left and did not move. Big Karl turned to Junior's mother and screamed at her with inhuman rage. She stared up at him in shock, a vacant look on her face. She never flinched, even as Big Karl raised the axe above his head and brought it down on her with all the force he could muster. The blade split the top of her skull with a meaty thock, pushing her head down between her shoulder blades. The sharp snap of her neck bounced off the walls of the close apartment like a thunderclap and the weight of the axe pulled her forward until the handle hit the floor. Her head wobbled on her shoulders like her neck was filled with gelatin and she slumped sideways until it came to rest against Marie's leg.
Big Karl turned away from his wife and stomped around in a circle, still whooping maniacally. It was as though he was bursting from the inside with gallons of adrenaline, or perhaps some potent drug racing through his veins. His eyes bulged and veins stood out along his temples and forearms like virulent earthworms burrowing beneath his skin.
Junior's senses slowly returned as he lay there. The Pulaski lay on the floor next to the rest of his father's forgotten firefighting equipment. Big Karl stopped at the opposite wall, his back to them, grunting and growling and punching holes through the drywall. Junior wiggled his extremities, making sure he could still feel them. He reached for the Pulaski and stumbled to his feet, a shower of sparks exploding in his vision.
Big Karl pummeled the wall, leaving bloody streaks on the edges of the holes, while mumbling, "Let's go, let's go, let's go." He turned and took a step forward but stopped when he saw Junior, wobbly on his feet, the Pulaski high in the air. Big Karl sidestepped just enough, a slight tilt back and to the right, so the axe-end of the Pulaski just missed his face. He brought his left hand up to catch it, but instead the blade landed in the meat between his middle and ring fingers, and did not stop until it struck the top of his radius bone at the wrist.
Blood sprayed from the wound and covered Junior. It ran in his eyes and he staggered back, wiping at them. When he could see again, Big Karl was gone, the Pulaski on the floor in a pool of red. Junior stood in the middle of the apartment listening to the intensifying chaos outside, the Great Awakening whipping up toward a crescendo. He swayed on his feet and tried to maintain consciousness.
He had no idea how long he stood there. The next image he could recall was sitting on the floor, blood from his broken mouth splatting on the carpet between his legs. Marie's screams barely registered in his mind. She pulled at his arms and spoke to him, and the memory of her tear-streaked face as she dragged him out of the apartment clouded his mind as he tried once more to sleep.
The world changed that day, a little over a year ago, April 23rd, the Venerated Day of the Great Awakening on the Hallmark calendar. The one-year anniversary "celebration" had lasted more than a month, but with so many holidays in between, it was impossible to tell when one excuse for bedlam ended and the next began. The world was an orgy of violence and destruction and lawlessness, but only one of the 365 holidays mattered at all to Junior now.
Father's Day was tomorrow.
IN THE MONTH AFTER the Great Awakening, Junior lost track of Marie. It was a dark time that he found more difficult to remember with each passing day, as though none of it much mattered after what Big Karl had done to them. He spent most of the last twelve months lost, above ground and below, where many sought a respite from the depravity topside, but found only a darker version had sprouted up underground. Once Junior knew what he would do, he had searched for weeks until he found Marie, in an abandoned subway tunnel that had been repurposed as a marketplace for vice. He barely recognized her at first. She looked like an old black-and-white photographic version of herself.
"You'll have to move the cover," she said, rousing him from his mind fog. "It's too heavy for me."
Junior climbed the slick ladder to the sewer grate and pressed against it, using all of his strength to lift the heavy iron disk and slide it away enough so they could pass. He clambered up and then reached back to aide his sister.
He stood and looked around the alley, listening to the din of random gunfire and shouting male voices on a nearby main street. The day's revelry was beginning again. "I haven't been topside in some time," he said.
"Neither have I." Marie looked around nervously, checking the dark corners and doorways along the alley that the waning afternoon sun failed to penetrate.
When she turned back to Junior, he was gone. "Junior?" "Hey, baby."
A drunk appeared from a doorway behind her and stumbled up the alley, his left foot dragging along the ground, disturbing the trash and sodden ticker tape from forgotten parades. Marie backed away, eyes darting around for something to defend herself with.
"Where you going, bitch?"
Before she could respond, Junior sprang from behind a flipped-over dumpster, the Polack a blur through the air. The sharpened tip entered the back of the drunk's neck and burst through the other side. He froze for a moment, his eyes bulging. The liquor bottle in his left hand clattered to the ground as he clawed at his throat, his mouth opening and closing silently like a dying fish. Junior put a foot in the small of the man's back and kicked him forward, off of the Polack. Blood coated the cracked brick wall to his right as if it had been dispensed from a paint sprayer. Junior picked up the liquor bottle, wiped the mouth with his shirt, and held it up to the light to see its contents. Then he drained what liquid had not spilled on the ground and tossed the empty bottle on top of its former owner.
Marie stood aside as Junior passed and said, "Aren't you just a chip off the old block?"
Junior grasped her throat and hissed in her face, hot and boozy. "Don't you ever say that again."
He immediately regretted doing it and backed off, unable to look Marie in the eyes. She stood rubbing her neck, watching him. "You really hate him, don't you?"
Heat flushed into his cheeks. "Don't you?"
She responded immediately. "Yes."
"Then let's go find him." Junior grabbed her by the elbow, not as rough as before, and guided her toward the sound of merrymaking on the next block.
JUNIOR LEANED THE POLACK next to him and watched the parade through a fist-sized hole in the cinderblock wall of what had once been a Chinese market. Men in flamboyant suits walked alongside and danced atop a trailer being pulled by a pickup truck outfitted with metal grates over the windows. The trailer was adorned with torn, dirty bunting and a sign, which had been written on and painted over several times. The misspelled words "Celabrashun of Pullies and Levers" had been hastily crossed out with black spray paint. Above those letters, in the same spray paint, had been written "Festivul Of Archers."
At the front of the float, a man hung from a metal pole, swaying from a chain affixed to the top and strung under his arms and back around his neck, looking like a human tetherball. The truck lurched forward, the driver gunning the engine whenever a reveler crossed in front of his path. He ran one man's leg over and the crowd cheered when the man fell to the ground in agony. He lay in the street screaming until another man in filthy white pants and heavy-soled boots kicked him in the teeth. He lay there spitting the contents of his mouth onto the pavement in silence as the party moved on without him.
Screams from the man on the pole drew Junior's attention back to the procession as it passed directly in front of the store. The parade goers were armed with all manner of bows and arrows and crossbows, and they randomly fired bolts into their captive's non-vital organs. He began to resemble a voodoo doll, or a pincushion. The bed of the trailer was slick with his blood and he moaned in soft agony when his voice gave out. The centerpiece of the Festival of Archers celebration.
Junior scanned the crowd for the one face he cared to see. Among them, a full head above the rest, strode Big Karl. He lingered toward the back of the procession, watching everything unfolding before him, a smirk on his clean-shaven face. He was dressed in a fine looking suit, and Junior thought there was an emblem stitched onto the breast of the jacket, but he couldn't tell from that distance.
"There he is," Junior said.
Marie peeked around the edge of a broken window and looked at the crowd who whooped and laughed and hurled catcalls and arrows at the man on the pole. After a moment, she slipped away from the window, back into the shadows. "How will you do it?"
Junior thought a moment, counting the men walking with Big Karl. While he watched the parade, his men watched everything else. In his mind, Junior saw it unfold. He was quick and, with the Polack in his hand, he was a killing machine. He would wait for them to pass and slip out to the street, come in from behind low and fast, using the settling dusk as his cover. He only needed one swing. Anything that happened after that didn't matter.
Junior slipped his boots off to maintain the advantage of stealth, eyes still locked on Big Karl and the parade. He said to Marie, "You should go now. This will be done in less than a minute and you don't want to be around when it's over. Big Karl will be dead and that will be that."
Marie did not respond. He waited for her to say something, put up some kind of protest, but she remained silent. He reached for the Polack and turned to look at her one last time, to tell her goodbye. At the same moment he realized the leather-wrapped handle of the Polack was not where he had left it, a red streak entered his field of vision. Heavy metal struck him on the right cheek and a burst of stars exploded in his head just before he passed out.
JUNIOR AWOKE TO INTENSE pain running down his arms into his shoulders. He looked up at each hand, clamped tight by thick metal cuffs, which were anchored into a wall by chains. His feet just barely scraped the ground and he put his weight on his toes, trying to take the strain off his wrists. His toes and calves instantly began to burn and cramp.
"Lookie who's awake."
Big Karl stepped from the shadows into the pale light of a single bare bulb in the ceiling just above Junior. He stood with his arms crossed at his chest, just below the official seal of the Hallmark Society, embroidered on the left breast of his navy blue jacket. He leaned down to look into Junior's half-open left eye. "I was starting to wonder if you would come around."
Junior spoke slowly, trying to enunciate around the swollen bulge that was the right side of his face. "Love the suit. Real Hallmark man now, huh?"
Big Karl ran a hand over the emblem on his jacket. "Yeah, you like that? Pretty snazzy. You remember the old guy in the apartment next door to us? Always banged on the wall because he thought we were making too much noise? Turns out he was a hell of a tailor. A real whiz with his hands. I've got them in a jar somewhere, in fact. I should have had a couple more suits made up first, but oh well." His face lit up with a huge, deranged smile. "Live and learn."
"You some kind of boss man now?"
"You could say that."
"Pretty proud of yourself, huh?"
The big smile faded a bit. "Pride's got nothing to do with it."
"With what, murder? Mayhem? That's what your Hallmark Society is all about, isn't it?"
Big Karl shook his head. "You don't seem to understand much, do you? We at Hallmark celebrate living. Life comes and goes. But while you're alive, every day should be a celebration."
"How is stringing up a man and shooting him full of arrows a celebration of life?"
Big Karl's smile turned into a crooked grin and his face went from friendly to devious with the slightest adjustment of his eyebrows. "The world was already going to hell in a hand basket before Hallmark. We just help people get through each day they have left. Some folks accept this gift. Others don't. We have no time for those who don't."
"So people have one choice? Become the murderer or the victim."
The smile returned but the eyebrows remained angered, sending a chill through Junior.
"I see you've made your decision on which to be," Big Karl said. "Gotten pretty damn good at it, too, from what I hear."
Junior imagined Marie somewhere nearby, suffering a similar fate, or worse. "Where's Marie? What did you do to her?"
"Marie? I think she should be the last of your worries. Marie will get what's coming to her."
Junior roared at his father and pushed off the wall with his feet, flailing a kick at Big Karl that didn't come within three feet. He slammed back against the hard wall and felt most of the fight leave him along with the air in his lungs. He hung there, the cuffs biting into his wrists, his chest heaving. Big Karl leaned in close, laughing.
"I never did get you, kid. You always defied me, no matter what it was. Take out the trash, help me chop your mother's head off. Didn't matter, you never would go along."
Big Karl held out his left hand, shrouded in a black leather glove, and said, "How about now, son? I'll give you one last chance. Join me and we'll rule the galaxy together as father and son."
Junior tried to spit on him, but struggled to pucker properly due to the pain in his face. Instead, the saliva just dribbled from his lips and down the front of his shirt. He turned his head away from Big Karl, who laughed again. "That was from an old movie. Before your time, though, I guess."
"Tell me, you bastard. What have you done with her?"
Big Karl just stood there smiling, his hands in the pockets of his nice blue suit. He remained that way for a moment with a wistful look on his face before turning to his right and nodding his head.
Marie appeared from the darkness. She sauntered up to their father and placed a hand on his shoulder. She laid her head against his arm and they both smiled at Junior. "Happy Father's Day, daddy," she said.
Big Karl kissed her forehead and walked away. "Thank you, baby. I'm glad you're back."
"Me too." He handed her the Polack and she watched him as he left the room. Then she turned back to Junior, who sputtered and choked on his confusion.
"Sorry, Junior," she said. "It's a brave new world. Gotta do what you gotta do."
Marie spit into her hands and rubbed them together, then hefted the Polack over her head and reared back twice, measuring the feel of it. Once satisfied, she sucked in a deep breath and swung hard, gritting her teeth, sending the honed spike into Junior's screaming mouth.
by Chris Lewis Carter
Our company picnic is almost over when my boss climbs the makeshift stage built alongside a wall of cresting sand dunes. He wrenches the microphone free from its stand, causing a whine of feedback that jolts the crowd to attention.
"Good afternoon, ladies and gentlemen! How is everybody feeling today?"
I finish the last bite of my hot dog, then wipe my ketchup-stained hands down the front of my yellow SunVerge t-shirt. Standing next to me, the blonde HR rep with a huge rack wrinkles her nose in disgust, so I wink and use the leftover ketchup on my fingers to smear a heart across my chest. She rolls her eyes and marches off, as the enthusiastic voice of my boss once again sweeps the beach.
"On behalf of myself, Kenneth Morgan, and the entire SunVerge family, it's great to---"
More feedback squeals from the mic, and our resident tech geek scrambles to a nearby amplifier and fiddles with the knobs.
"Testing, testing? Okay, I think that's better," Kenneth says, now at a more reasonable volume. "As I was saying, it's great to see everyone here at our annual employee appreciation day. Before we go any further, I'd like to personally thank some people who have gone above and beyond to make this event run smoothly."
Kenneth points at the tech geek, a scrawny kid with a wispy chin beard and horn-rimmed glasses. Office gossip is that he's almost thirty, but he barely looks old enough to be out of high school. "First, to Philip Barnes, for helping out with our sound system. Don't worry, he'll mute me if I say anything too embarrassing." He pauses for a laugh that never comes, then adds, "Come on, let's hear it for Phil."
A few people feign a polite clap, but most decide that it's not worth the effort of putting down their drinks. Philip waves for a few awkward seconds, then becomes interested in checking the extension cord at his feet.
"Second, to the lovely Miss Christine Dawson for organizing our games and activities. Where are you hiding, Christine?"
Across the beach, the blonde climbs on top of a picnic table and performs a sort of wiggling curtsy that sends most of the guys into a round of hooting applause. With her SunVerge shirt knotted just below her chest to expose her tanned midriff, and hot-pink bikini bottoms riding high, it isn't hard to imagine how "Christmas Party" Christine earned her nickname.
Someone wolf whistles as she bends over to pick up her drink, which draws a few laughs from the crowd.
"Hey now, I'd know that sound anywhere," Kenneth says, motioning towards a row of barbeques. "Tommy Hayes, you old hound dog. Don't think I've forgotten about those fantastic burgers of yours."
"It's all in the seasoning, boss," he calls back, stepping out from behind the grill to show off his greasy apron, which drapes over his thick slab of a gut and stops just above the knees of his cargo shorts. He waves at Christine, then makes a big show of gesturing at the words, "Kiss The Cook," embroidered on his apron's front.
Kenneth scans the crowd until he notices me standing by the ice chests, then shoots me a quick thumbs up. I return the gesture, but it takes most of my self-restraint not to flip him off instead.
In his mind, we're still every bit the colleagues we were before last month's performance evaluation. He thinks I'm still clueless as to why I didn't get that promotion.
What a jackass.
"On a more serious note, I'd just like to say how grateful I am to have spent another year with this organization. This job means the world to me, it really does." He lowers the mic and teethes on his knuckle, then puffs out an exaggerated breath. "Anyway, I know there's been a lot of tension around the office lately, and the economy has been slower to rebound than we'd all like, but I promise to keep fighting for each and every one of you. Whatever it takes, we'll get through it together."
He locks eyes with me again, so I smile and clap like he's the Second Coming in flowered swim trunks.
Pulling this off was even easier than I'd thought.
"Which is why I'd like to extend an extra special thanks to our lead programmer, Simon Gaines, for approaching me with his idea for a team-building exercise that we're all about to take part in."
Honestly, the people of Venezuela deserve most of the credit. They've been doing it for over sixty years. I just introduced the concept to middle-management.
Kenneth pauses for what I can only assume is dramatic effect, then says, "Have any of you heard of La Tomatina?"
A dull murmur ripples throughout the crowd.
"It's a holiday they have in Spain," he says. "Every year, on the last Wednesday in August, thousands of people visit the town of Bunol to take part in an hour-long tomato fight. Well, guess what? We're about to have one of our own."
The murmur swells to a nervous chatter. If I wasn't the guy who sold Kenneth a line about this being a great way for the staff to "vent their aggressions," and "have a unique, cultural experience," maybe I'd be confused too.
"It might sound strange at first but it's going to be great, I promise." Down the beach, a few of the workers pull back a large blue tarp, revealing hundreds of plastic bags leaking red pulp.
People crane their necks to get a good look, muttering things like, "ridiculous," and, "waste of food," which is fine by me. Making Kenneth look insane for green-lighting this idea is a nice bonus.
"Before anyone asks, these tomatoes were overripe to begin with," he says. "And they've been crushed, so nobody can throw anything dangerous."
Well, nobody is a strong word.
"Everyone will get their own bag of tomatoes and then we're going to have a ten minute free-for-all. Come on, meet me by the pile. Let's get this ball rolling!"
Kenneth leaves the stage to a half-hearted round of applause, then immediately becomes surrounded by a hoard of unsettled employees. For a moment, I almost feel bad for the guy. He doesn't have a clue what he's just endorsed.
Then I remind myself how he screwed me out of a ten percent pay increase and three more vacation days a year.
Which is why I came prepared.
NO ONE KNOWS WHAT inspired the first Tomatina back in the mid-1940's, but the most popular theory involves a mob of disgruntled residents attacking an elected official with tomatoes. These days, tens of thousands flock to Bunol every year for the event, and they'll pelt each other with over one hundred metric tons of overripe tomatoes in sixty minutes.
But over here, hundreds of SunVerge employees crowd around a mountain of sticky plastic bags, each person removing one from the pile with all the enthusiasm of handling roadkill.
While they distribute the ammo, I'm out of sight, crouched inside a sand dune crater, unearthing the bag I'd planted there earlier this morning. When it's finally exhumed, I sneak a quick peek at its contents.
Three large beefsteak tomatoes.
Stuffed with rocks.
Am I being petty? Sure, but it's the perfect crime. Kenneth Morgan is going to have one of these babies punch a hole in that cheesy grin of his. While the chaos is in full swing, nobody will be able to trace a loaded tomato back to me, and it's not as if they'll be able to dust the skin for prints. He gets a few cracked teeth or a bloody nose, and I get some anonymous revenge for screwing me out of a pay grade.
How's that for thinking outside the box?
I drop the tomatoes in my pockets and head down to join the group. Someone who I vaguely recognize from accounting hands me a bag dripping with red juice, and I quickly add my secret payload. Their size and shape should make them easy to find when I need to use one.
When everyone has a supply of squashed fruit, Kenneth jogs back to the microphone with his own bag of tomatoes in hand. "All right, I think we're good," he says. "In a few hours, the tide will wipe this beach clean, but the memories will last us a lifetime. And remember, our Tomatina is going to last for ten minutes."
He lifts the stopwatch dangling around his neck and taps a few buttons. "Ready? Set? Go!"
I lob a handful of mashed pulp into the crowd, setting off a chain reaction of fleshy tomatoes that sail through the air like a volley of arrows before splattering across the employees. The juice leaves its mark upon impact, dyeing scores of yellow SunVerge t-shirts with bright red wounds, trickling down shocked faces and staining patches of sand.
Within seconds, the entire group is caught up in the hysteria. They're spreading out across the beach, screaming, tossing food like an out-of-control children's party. Some of them are taking cover behind picnic tables and overturned beach chairs. Others are firing wildly at whoever happens to be close by.
But most of them are no different from me. They're out to settle office grudges, one tomato at a time.
People are teaming up, signing unspoken contracts to single out mutually despised co-workers. That guy who always drinks the last cup of coffee but never puts on a fresh pot, he's getting pummelled from at least four different angles. Little Miss Always Steals Your New Pen, she's drenched in red slop.
Deep down, most of us would take retribution for the simplest things. All we need is the right opportunity.
I weave throughout the fray in search of Kenneth, flinging the occasional tomato to keep from standing out. It probably doesn't matter at this point, though. Nobody is concerned about what I'm doing. They're all too busy enjoying their little slice of warfare.
That's when I notice Philip, the tech geek, standing by himself near the tide line, with one hand cupped above his brow to block out the glare. He's looking at something, or someone, so intently that he doesn't notice me duck behind a trash barrel to get a better view of the object in his other hand. It's a fresh beefsteak tomato, like the three I have stashed in my bag, but it's bulging with tiny pinpoints of silver that gleam against the sunlight.
A rush of panic tenses my muscles. Philip is carrying loaded tomatoes too. How did he find out about La Tomatina before today? Has he been spying on me, digging through my work computer's internet history?
From behind me, a tomato flies overhead, severing me from my thoughts. It hits Philip directly in the face with an explosion of pulp, and he staggers back a few steps towards the water.
He scowls and removes his glasses, searching for a yellow patch of shirt to wipe them clean. As he holds them up to inspect his work, another tomato soars through the air and strikes him right between the eyes.
Philip screams and clutches his face as a deep red liquid trickles out from between his fingers. He lowers his trembling hands and screams again, only now I understand why. His face is a mixture of blood, tomato juice, and thin shards of metal that look like broken razor blades. Some of the larger pieces have punctured his eyelids, and now Philip's every blink drives them deeper inside his eyes, slicing through layer after layer of sensitive tissue until his irises turn to gobs of blue jelly.
I whirl around and search for his attacker, but it could be anybody. Hundreds of people are running back and forth, firing chunks of red, drowning out his cries with their own excited cheers.
Philip staggers toward the crowd, waving his arms and shouting for help, but that just makes him an easier target, and I watch him get pelted mercilessly before he disappears. Inside our ten minutes of company-sanctioned pandemonium, his blood is no different than their tomato juice. No one is going to notice until this is over.
A tomato thumps against the trash barrel, and I dive towards the sand like a soldier in a foxhole. The person responsible fires another one that lands nearby, and I look up to see my boss, no more than twenty feet away, covered in pulp and laughing hysterically. He throws one more that pegs me in the shoulder, then vanishes back into the swarm.
"Son of a bitch," I mutter, scrambling to my feet and across the beach in pursuit. I try to single him out of the crowd, but it's impossible. We're no more than three minutes into La Tomatina and already everyone looks the same. Red-drenched shirts and shorts. Faces caked with red gore.
Life, dyed red.
After taking a few more hits, I distance myself from the mob and make my way towards the stage, taking shelter beside a stack of ice chests. Kenneth will have to pass alongside me in order to call off the game, and that's when I'll strike.
Don't get me wrong, I feel terrible for Philip, but I'm not stupid. Getting involved could mean shooting to the top of some lunatic's hit-list, which is exactly what I don't need. Whoever Philip managed to piss off that bad is his problem now, not mine.
Besides, I've got my own payback to focus on.
It isn't long before someone else is headed this way, but even though he's stained like the rest, I can tell it isn't Kenneth. This person is at least twice his size, with a sagging gut that's slapping rhythmically against his cargo shorts.
It's Tommy Hayes, our chef extraordinaire, and he's pawing at his throat, wheezing, struggling to breathe, as a deeper shade of red oozes down his SunVerge shirt. He staggers toward the row of barbeques no more than fifty feet away, pulling whole beefsteak tomatoes from his bag and scattering them on the sand like landmines.
He manages to drop over a dozen of them before he trips over a folding chair and stumbles headlong into a massive drum-grill. His hand hooks the lid and yanks it forward, sending an avalanche of glowing charcoal onto the ground. He claws at the air for a moment, then collapses on top of the pile, howling as the briquettes hiss against his exposed skin.
Tommy rolls onto his back and thrashes wildly, accidentally kicking the stand of the next grill in line. It lurches forward and the lid flies back, pouring another landslide of charcoal onto his massive gut. A cloud of smoke and white ash envelops his body, turning his cries for help into a breathless gasp. He's being cooked alive on both sides, only this time he doesn't have the energy to get away. When the ash finally settles, the air is sizzling with the sound of burning fat.
I leap out from behind the ice chests and race for Tommy, but he isn't moving, and I can already smell the sickening tang of charred flesh. The heat has peeled away most of his clothes, exposing patches of swollen, purple-red skin, that glisten in the afternoon sun.
I take a moment to suppress my gag reflex, and that's when I notice the huge gash across Tommy's throat and the shards of glass that are still lodged inside. Blood bubbles down his neck and pools along his shoulder until it glides away in silent streams of red, occasionally fizzing against a stray briquette.
This whole thing has gone from dangerous to completely fucked, and I regret ever mentioning that it existed. Spain has managed to pull off this event for over sixty years without incident, and SunVerge has chalked up at least one casualty in about five minutes.
When our investors told us to innovate on established concepts, this probably isn't what they had in mind.
I'm about to make a break for my car when I see someone else approaching, her huge rack bouncing in time with each step. Tomato juice or not, I'd know that body regardless of what it was covered in.
It's "Christmas Party" Christine, and she's headed straight for Tommy's body, running faster than I can process the potential danger of the tomatoes he'd scattered only seconds earlier.
"Wait, stop!" I shout, but it's too late. Christine, barefoot and unaware, stomps down on one of the beefsteak tomatoes. A patch of sewing needles sprout through the top of her foot, squirting blood in all directions.
"Fuck!" she shrieks, raising her foot off the ground to inspect the wound. "My fucking foot! What did you do!"
"It was Tommy," I say, motioning in his general direction. "He dropped them all just before---" Once again, I stifle the urge to vomit. The smell of scorched meat is stronger than ever. "Just try not to move, okay? You'll drive them in further."
Christine hops to maintain her balance, careful not to land on another whole tomato. "Well, did he say anything to you?" she asks through gritted teeth. "Like who did this to him?"
"No, nothing," I say, taking a step back. "He just ran up here and collapsed."
"Well, I'm sorry you had to see him like this," she says, slowly reaching into her bag. "Poor Tommy. If only he could have kept his mouth shut."
I catch a glimmer of reflected glass from the tomato in her hand, and my instinct takes over. In one swift motion, I reach inside my bag, grab one of the rock-filled tomatoes, and hurl it toward Christine's head. It catches her in the jaw and sends her crashing to the ground, where she sprawls across no less than a half-dozen loaded tomatoes. She screams and flops onto her stomach, clawing desperately at the patches of needles that have sank deep inside her leg, her ass, her shoulder. After a few moments of useless flailing, Christine props herself up on both knees and clutches at her throat, retching and heaving until she coughs up a gob of blood onto the sand. She studies it for a moment, then reaches down and lifts a pile of red-soaked needles out of the splatter. It's only now that I realize there's a tomato skin pinned to the side of her neck, held in place by hundreds of tiny pinpoints.
Christine turns toward me and attempts to speak, but her voice is little more than a wet gargle. She holds up the pile of needles between her fingers, waving them at me as blood pours out of her mouth and down her chest, dyeing a path through the chunks of tomato still clinging to her skin. She coughs once more before her body slumps to the side and goes limp. Her eyes flutter for the briefest of moments, then close permanently.
I drop my bag and stare at the two dead bodies sprawled across the sand, covered in blood and tomato juice. Down the beach, people are still laughing and screaming, red shapes dancing in a sea of carnage.
Are there any more co-worker-stalking psychos out there? How many others are injured---or worse---and being overlooked by people like me? I look towards the stage, at the microphone stand positioned near the center. I can put a stop to this, call off the fight a few minutes early, before it gets any worse.
Heart pounding in my ears, I bolt for the stage and reach the bottom stair when I hear a voice call, "Simon, is that you?" I swivel around to see Kenneth's stained head peering over the lip of a sand dune wall. "The microphone doesn't work, I've tried," he says, motioning me towards the embankment. "They'll run out of tomatoes eventually. Get up here, we can wait this out together."
I run towards the dune, using whatever momentum I can manage to propel myself up the side. Kenneth grabs my hand, hauling me over the top and into the crater, where I collapse onto my back and gulp for air.
We both sit in silence, listening to the distant sounds of La Tomatina. "Is everything okay?" Kenneth says, after I've managed to catch my breath. "You seem pretty upset. Not enjoying the game anymore?"
I freeze, then realize he probably didn't see what just happened from his position up here. This is my chance to get out clean.
"No, sir. Some of the other employees are throwing more than just tomatoes. I think some people are getting hurt."
Kenneth raises an eyebrow. "That's a major accusation, Simon." "It's the truth, honest," I say. "Philip Barnes, Tommy Hayes, Christine Dawson. All three of them are out for blood, and who knows how many other people are in on it."
"Those three? I should have guessed," Kenneth says. "They've been a powder keg ever since Philip caught Christine and Tommy fooling around at last year's Christmas party."
His frankness catches me off guard. "Really? I didn't know that."
"Not many people do," he says, sliding over beside me. "I met with them a few months back. We all agreed that as long as the matter was kept secret, they were allowed to keep working for SunVerge. Not to mention, I would have three permanent members of the event planning committee."
I force a smile, then lean back and rest my head against the sandy bank. Up here, it feels like the insanity on the beach is a million miles away.
"So how do you think they found out about La Tomatina?" I say, staring off into the bright blue sky. "Wasn't it supposed to be a surprise?"
"Oh, that's easy. They knew because I told them," he says, reaching into his bag. "After all, I'm going to need a good alibi."
As I'm about to speak, Kenneth grabs a golf ball-sized tomato and forces it inside my mouth, then clamps his arms around my head, covering my nose and holding my jaw shut.
"Did you honestly think I didn't know you were up to something?" he whispers, tightening his grip. "I saw what you just did to Christine. Was that tomato meant for me, by chance?"
I swing my fists wildly but I'm beginning to feel lightheaded. Flecks of light dance in front of my eyes.
"Although I have to admit, you're a pretty smart guy. It's no wonder why they're looking at you to be my replacement. Talking with corporate behind my back, warning them I'd give you a poor review if I felt that my position was being threatened. Well, guess what? You nailed it, and now they want me out of here."
My lungs scream for air, so I bite down on the tomato and start to chew. At once, hundreds of tiny glass fragments fill my mouth, and it feels like a rusty box grater is being dragged across my gums. Some of the fragments burrow through the insides of my cheeks, while others slice through the lingual vein underneath my tongue. Citric acid floods the cuts, stinging so bad that I scream through my closed mouth, but that only sends more of the glass fragments and acid tumbling down my throat, ripping and burning as they go.
"This job means everything to me, Simon. I wasn't just pandering in my speech. And if I can't have it, they sure as hell won't be giving it to you."
I'm about to pass out when the stopwatch around Kenneth's neck begins to beep. He tosses me to the ground where I try to spit up some of the blood and glass clogging my windpipe, but it's no use. My insides are tearing to shreds, and each breath feels like I'm swallowing hot coals.
"Ten minutes already. I guess La Tomatina is officially over," he says. "Again, thanks so much for the great idea, Simon. We'll have to do this again next year. Well, the rest of us, anyway."
He disappears down the side of the dune, leaving me to gasp for air that never comes. That's when I slump over, landing face first into a patch of red sand.
And all I can taste is tomato.
by Matt Kurtz
Trench pulled the white cargo van into an area of the factory's parking lot that wasn't consumed by weeds.
"We're here, gentlemen," he said, staring into the review mirror.
Silence.
Only the full moon above and the van's headlights pierced the darkness of the dilapidated textile plant. Trench climbed from the vehicle and moved to its rear, gravel crunching underfoot. He swung the doors open and stared inside. A smile spread across his face.
Three men lay unconscious on the scuffed metal floor. Their wrists were handcuffed behind their backs, ankles heavily duct-taped, and mouths gagged with cloth. Their various attires ranged from a wife-beater and jeans to a trucker's ball cap and shorts to only a ratty pair of underwear briefs (soiled with a shit-stain). All lay next to one another, their heads just shy of the open door.
Trench couldn't help but think how easy it would be to slide the unconscious men forward and hang their heads over the bumper...then just slam the doors with all his might. He didn't think it would decapitate them but he knew it would, at the very least, crack their heads open like ripe melons.
No, that'd be too simple. Granted, he had a strict schedule with plenty of jobs throughout the day, but he absolutely refused to do any of them half-assed, especially the first one of the bunch. Besides, it had been made very clear to Trench that these gentlemen needed to be fully aware of what was happening to them (much like their victims, who had been completely conscious).
Trench retrieved an ammonia inhalant from his pocket, cracked it, and waved it under their noses. "Rise and shine."
The men sprung awake, grimacing from the pungent smell. Their bloodshot eyes widened even more upon the realization that they were bound and gagged. They stared at one another then up at their captor.
Trench grabbed Wife-Beater and pulled him out, letting him drop to the ground unaided. With arms bound behind his back, the man landed on his collar bone and let out a muffled cry. He rolled over and stared up with a look that read: Why would you do that?
"Oh, I'm sorry, hoss," Trench said. "Am I treatin' ya...inhumanely?"
Wife-Beater's eyes bulged from their sockets over Trench's choice of words.
Trench shot him a wink then turned back to the van. "C'mon, fellas. Out ya go." He grabbed Trucker-Cap and dumped him like a bag of trash.
Shit-Stain was the last out, hitting the gravel where he trembled uncontrollably. It might have been from the man's lack of clothing on such a chilly night or the mere fact that Shit-Stain was scared shitless. Whatever the case, Trench couldn't give a rat's ass as to why the guy was vibrating. He had a job to do.
Trench hooked a hand under Shit-Stain's armpit and dragged the man toward a cement wall built to protect a power transformer at the far end of the lot. His bare kneecaps scraped across the rough gravel which elicited screams of pain. Then the man really wailed passing over the broken beer bottle that Trench seemed to make a beeline for. He slid him to the wall, propping him upright in a seated position.
"Now you make sure you stay against this here wall. Don't go wandering off. Understand?"
The man nodded with tears streaming down his face and blood down his dirt-caked legs.
Trench returned to the other two men and got them into position. Trucker-Cap was seated against an old oak in one of the lot's crumbling tree boxes, his arms stretched backwards and manacled behind its thick trunk. A long heavy chain was looped around his neck and padlocked between two of its links, forming a steel noose. The other end of it was coiled into a neat pile on the ground beside him. Trench made sure the man's sweat-stained cap was on tight by pulling its bill down and giving it a good shake.
Wife-Beater was left lying on his stomach in the middle of the gravel lot. Only now he had a thick steel chain threaded under his armpits and padlocked around his neck. And just like his buddy, the other end of his metal noose was arranged on the ground in a neat circular pile at the rear of the van.
Trench stepped dead center of the imaginary triangle formed by the placement of his prisoners.
"Now y'all are probably itchin' to know why I pulled ya outta your homes at this time of night. Obviously if ya got half a brain in your head, you'd consider present company and what today's date is as of midnight." Trench paused and waited for a response.
They eyeballed one another then looked back at him in equal parts fear and confusion.
Trench exhaled. "Okay, fellas. Don't it seem like an odd coincidence that we're having ourselves a Woodson Poultry Plant employee reunion on World Animal Day?" He smiled and raised his arms. "Hell, we're out here to celebrate the chicken!"
The men suddenly grew real fidgety, shaking their heads and mumbling behind their gags.
Trench held up his hand and they fell silent. "I know you all got shit canned after that video was leaked. Some might say that losing your job was punishment enough. Unfortunately for y'all, the people that hired me, who prefer to remain anonymous, don't think so. But all that's in the statement they provided."
He unfolded a piece of paper and a pair of reading glasses, both removed from his interior coat pocket. "Sorry," Trench said, appearing slightly embarrassed over the need for specs. "Can't read shit without my cheaters." He placed the glasses on the end of his nose and cleared his throat.
"Gentlemen..." He began to read the letter with very little inflection. "The August 15th videotape released to the press from an undercover investigation showed evidence of you three completely failing to recognize that chickens are living sentient beings capable of feeling pain and distress." Trench guffawed and looked up at the men. "Kinda funny this whole thing's over a few maltreated yard birds, huh?"
They failed to see the humor in any of the proceedings.
Trench shrugged and continued reading. "This videotape depicts scenes of the worst cruelty we have ever witnessed against animals and it is extremely difficult to accept that this is occurring in the United States of America. These heinous acts that you perpetrated during shifts at the poultry plant included stomping on chickens, kicking them, and violently slamming them against floors and walls. Ripping the animals' beaks off, twisting their heads off, spitting tobacco into their eyes and mouths, spray-painting their faces, and squeezing their bodies so hard that the birds expelled feces---all while the chickens were still alive. Although your employment with Woodson Poultry Plant was rightfully terminated, we feel justice has not been truly served. After deliberation between various groups, we, acting as judge and jury, hereby sentence you to a proper punishment as yet to be determined by your executioner..."
Trench paused and thumbed his chest. "That'd be me," then continued, "...ahhh...where was I...? Oh...hereby sentence...proper punishment as yet to be determined by your executioner. We grant him complete creative freedom in his choice of retribution, as long as it takes into account the particular act of cruelty that you engaged." Trench carefully folded the glasses and paper, returning both to his jacket pocket.
Shit-Stain, Wife-Beater, and Trucker-Cap all stared at him, wide-eyed, with bated breath. Trench strolled back to the van, passing Wife-Beater on the ground, not even giving the man a second glance.
"Now don't get me wrong, boys."
Trench stopped at the bumper and picked up the loose end of Wife-Beaters chain from its neatly arranged coil. "I ain't some animal lover the way these people are. But I do hold the firm belief that ya never harm anything without having every intention of serving it up on your plate." Trench fished in his coat pocket and produced another padlock. "Must admit though, I've never had a particular fondness for yard bird. More of a red meat type of guy." Trench looped the chain around the trailer hitch and snapped the lock through its links, securing it to the van. "So let's get this show on the road!"
Wife-Beater's eyes widened in terror. He frantically shook his head and pleaded incoherently behind his gag.
Trench crouched beside the begging man. "You're the one that likes to throw live chickens against the wall and spike 'em like footballs, right?" Not waiting for a response, Trench turned and addressed the other two men. "Now, since I ain't strong enough to throw this here fella against the wall the way he does chickens, I came up with a pretty ingenious solution. So you two check this out and tell me what ya think."
Although he was tethered to the van, Wife-Beater flopped and tried to squirm in the opposite direction to get away.
Trench climbed into the vehicle and fired up the engine. The tailpipe blew a cloud of exhaust and dust over Wife-Beater. The tires spun, kicking up even more debris, and the van shot forward.
Wife-Beater climbed to his knees, pleading for the vehicle to stop. His bulging, bloodshot eyes shifted between the unspooling coil of chain and the van speeding away in the distance. He turned back to his buddies and saw the horror on their faces. Then his chain pulled taut and he was ripped from the ground, flying forward after the van. Dragged across the parking lot, he kicked up a cloud of dust and rocks. His muffled screams were overpowered by the roar of the van's engine.
Shit-Stain squeezed his eyes shut and looked away. Trucker-Cap couldn't; he continued to watch in absolute shock as the van made a wide U-turn. It eventually straightened out, racing directly for the brick wall that Shit-Stain was sitting against. Whether Wife-Beater was still being drug was open for debate since everything behind the van was completely concealed by the billowing dust cloud tinted red by the tail lights.
The van's horn honked twice. Shit-Stain opened his eyes and saw the vehicle barreling toward him.
Smiling ear to ear, Trench hit the horn again and waved out the window. With ankles bound and hands cuffed behind his back, Shit-Stain wobbled to his feet to get out of the way. He hopped twice, lost his balance, and fell to the ground. His nostrils flaring, he attempted to climb to his feet again.
Trucker-Cap yelled at him to just roll out of the way but his gag made it sound like an old hound dog barking. Shit-Stain hopped once, tripped, and fell again. Before he could fail at a third attempt to flee, the van blew by and narrowly missed running him over.
The vehicle made a sharp right turn at the very last minute and skidded to a stop, parallel to the wall. The taut chain suddenly dropped to the ground and a red, white, and flesh-colored (flailing) projectile shot from the crimson dust cloud and slammed against the cement wall.
The impact splattered the object; half of it exploded into a pink mist while the rest painted the wall like a piece of art by Jackson Pollock. The chain's links whipped against the cement with such force, they sent up a shower of sparks.
A bloody rain of bones, gristle, and brains descended over the immediate area, covering both man and machine.
"Holy shit!" Trench screamed from the van. "How's that for a chicken toss?"
Turning on the windshield wipers to clear away the bloodstained brain matter and the single molar with a filling in it, Trench stuck his head out, honked the horn, and screamed again. "Abracadabra! Made that fucker disappear into thin air!" He jammed his foot on the gas and made another U-turn, aiming the vehicle at the remaining men.
Seeing the approaching headlights, Shit-Stain curled up in a ball and started to cry. The van swerved around him (dragging the chain with the blood-soaked sleeveless undershirt still tangled around its end) and skidded to a stop in front of the tree with Trucker-Cap. Leaving the engine running, Trench jumped out, unlocked the padlock around the trailer hitch, and dropped Wife-Beater's bloody chain to the ground. He strutted over to the metal coil beside Trucker-Cap and grabbed the other end of his steel noose.
"This here's dedicated to the one that pulls the heads off live chickens." He winked at Trucker-Cap. "And there he is!" he said, playfully pointing at him.
Trucker-Cap frantically shook his head, the chain around his neck jingling like bells. Tears streamed down his puffing cheeks. Snot shot from his nose. He fought to break free from his restraints, his hands turning purple from pulling at the cuffs with such ferocity.
Trench ignored the man's theatrics and padlocked the end of his chain to the trailer hitch.
While Trucker-Cap begged for his life and Trench returned behind the wheel, Shit-Stain gingerly climbed to his feet and started to hop in the opposite direction.
An engine roared. The van shot forward. The chain pulled tight.
And Trucker-Cap's head ripped right off. His noggin was yanked away so fast that his ball cap simply dropped into his lap like it had been perched atop a balloon that had just been popped. A moment later, everything in the immediate vicinity of the tree was drenched in an arterial spray that shot from the corpse's neck stump.
Shit-Stain refused to look back at the massacre. He kept hopping, hoping that if he didn't fall there might be some chance he'd get away. Before he could get far, something round and hard, like an extra-large coconut, clobbered him over the head with a wet splat. He wobbled and stumbled to the ground. Both he and Trucker-Cap's decapitated head landed in the dirt next to one another. Staring face to face with his buddy's wide-eyed severed noggin, Shit-Stain began to vomit. Since his mouth was plugged with cloth, part of the puke shot up his nasal cavity and bubbled out his nose, while the rest forced itself back down his throat, choking him.
He was quickly rolled on his side. There was a flash of a blade then the cloth gag dropped away from his vomit filled mouth.
"Not gettin' out that easy, hoss," Trench said, holding an open Buck knife. He patted the man on the back like he was trying to burp a baby. "C'mon. Get it all out."
Shit-Stain heaved, coughed, and hacked out the remaining vomit while its acid burned his nostrils and throat. With strands of snot and spittle hanging off his face, he looked up at Trench with watery, bloodshot eyes. "Please! Please, mister! They were chickens for Christ sake!"
While alternating the Buck knife from hand to hand, Trench carefully slipped on leather work gloves. "Don't matter if it was only a cockroach, hoss" he said, waving the blade around. "I was hired to do a particular job and it's time I finish it."
"Oh, God! Please don't!"
Trench crouched next to Shit-Stain and pointed the knife at his face.
"Now, you...you were the one guilty of tearing off them chicken beaks for a chuckle."
"They'd already been through the hangin' line. They was dead, Mister! Their throats already slit! I swear!"
"Hell, now. I'd seen the tape and I beg to differ. Them chickens hadn't even made it to the line. They were squawkin' in the coop when ya pulled 'em out and did your business. Eye for an eye, remember?" He knelt, clamping his meaty thighs around Shit-Stain's head to hold it still. Trench stuck a finger in each nostril, pulled the man's nose up, and placed the blade underneath it. "Now, you hold still when I start cuttin'. I'm gonna be mighty pissed if I slice myself on your account."
"NO! Wait! Wait! What you're doing...how is it any different than what we did to those birds?"
Trench paused for a moment then let go of the man's nose. "Hmmm. Ya know...this is wrong."
Shit-Stain nodded; a glimmer of hope danced in his eyes that he might be set free, unharmed (at least physically).
"A chicken's nose is really just two holes on top its beak," Trench said, repositioning himself beside Shit-Stain's right shoulder. "So their beaks would be the equivalent of our mouths. And it'd make more sense if..." Trench stabbed the knife into the dirt, freeing both hands to stick into Shit-Stain's mouth.
The bound man screamed as one of the gloved hands hooked onto the roof of his mouth while the other clamped down on his jawbone.
The veins in Trench's forearms bulged as he pulled apart with all his might. There was a sickening crack, a tearing sound, then gurgling.
With eyes rolled back in his head and tongue dangling practically to his chest, Shit-Stain floundered on the ground. His bladder and bowels released, coating him in a muddy mixture of shit, piss, and blood.
Trench stepped back and looked at the bloody mandible in his hand. "As for your comparison of me and you, I already told ya...I only kill what I plan on eatin'." He gave the jawbone the once over. There was hardly any meat there but he'd find use for it somehow, having been raised to use all parts of the buffalo.
While Shit-Stain gasped and gargled out his dying breath, Trench turned around and took in the carnage coating the area.
He walked to the back of the van, climbed in, and slid one of the extra large (320 qt) polyurethane coolers to the edge of the open door, tossing the jawbone into it. He double-checked to make sure the cooler's drain plug was firmly in place (or there would be one hell of a mess inside the vehicle) then removed the axe and snow shovel (perfect for scooping up the squishy bits) that were mounted on the van's interior wall.
Trench checked his watch and smiled. Ahead of schedule.
He stepped from the vehicle to start gathering the meat for his next couple of meals.
AN HOUR LATER, THE cargo van plowed down the rural highway toward the rising sun. Trench sat behind the wheel with a cell phone raised to his ear.
"Gotcha. Yes, sir, I understand."
A billboard blew by, announcing ANDERSON FUR FARM -- NEXT RIGHT.
"Will do. Okay, I'm at the next one. And just to be clear, you're fine with me keepin' as many skins as I want, right?" Trench smiled and nodded. "Why yes, sir. You did promise lotsa perks with the job. Okay, sir. I'll be checking-in to give ya an update when I'm through here and headin' to the next one. Uh-huh, will do."
Trench snapped his cell phone shut and tossed it into the passenger seat. It landed on top of the folded pouch that contained his skinning tools. Since the minks wouldn't be harvested until next month, the amount of employees needed to run the farm would be next to none. Trench could only hope that there would still be enough working today to reupholster his leather couch. He estimated he'd need the skins of four or five normal-sized employees. Maybe less if some of them were big ol' fat people.
Whether skinny or fat, they were cold, heartless monsters, deserving of the same fate as that of their victims.
Trench put on his blinker and began to slow for the upcoming exit.
It was time to go to work.
by Joe R. Lansdale
When the traveling preacher heard about the Widow Case and her retarded girl, he set out in his black Dodge to get over there before Halloween night.
Preacher Judd, as he called himself---though his name was really Billy Fred Williams---had this thing for retarded girls, due to the fact that his sister had been simple-headed, and his mama always said it was a shame she was probably going to burn in hell like a pan of biscuits forgot in the oven, just on account of not having a fun set of brains.
This was a thing he had thought on considerable, and this considerable thinking made it so he couldn't pass up the idea of baptizing and giving some God-training to female retards. It was something he wanted to do in the worst way, though he had to admit there wasn't any burning desire in him to do the same for boys or men or women that were half-wits, but due to his sister having been one, he certainly had this thing for girl simples.
And he had this thing for Halloween, because that was the night the Lord took his sister to hell, and he might have taken her to glory had she had any Bible-learning or God-sense. But she didn't have a drop, and it was partly his own fault, because he knew about God and could sing some hymns pretty good. But he'd never turned a word of benediction or gospel music in her direction. Not one word. Nor had his mama, and his papa wasn't around to do squat.
The old man ran off with a buck-toothed laundry woman that used to go house to house taking in wash and bringing it back the next day, but when she took in their wash, she took in Papa too, and she never brought either of them back. And if that wasn't bad enough, the laundry contained everything they had in the way of decent clothes, including a couple of pairs of nice dress pants and some pin-striped shirts like niggers wear to funerals. This left him with one old pair of faded overalls that he used to wear to slop the hogs before the critters killed and ate Granny and they had to get rid of them because they didn't want to eat nothing that had eaten somebody they knew. So, it wasn't bad enough Papa ran off with a beaver-toothed wash woman and his sister was a drooling retard, he now had only the one pair of ugly, old overalls to wear to school, and this gave the other kids three things to tease him about, and they never missed a chance to do it. Well, four things. He was kind of ugly too.
It got tiresome.
Preacher Judd could remember nights waking up with his sister crawled up in the bed alongside him, lying on her back, eyes wide open, her face bathed in cool moonlight, picking her nose and eating what she found, while he rested on one elbow and tried to figure why she was that way.
He finally gave up figuring, decided that she ought to have some fun, and he could have some fun too. Come Halloween, he got him a bar of soap for marking up windows and a few rocks for knocking out some, and he made his sister and himself ghost-suits out of old sheets in which he cut mouth and eye holes.
This was her fifteenth year and she had never been trick-or-treating. He had designs that she should go this time, and they did, and later after they'd done it, he walked her back home, and later yet, they found her out back of the house in her ghost suit, only the sheet had turned red because her head was bashed in with something and she had bled out like an ankle-hung hog. And someone had turned her trick-or-treat sack---the handle of which was still clutched in her fat grip---inside out and taken every bit of candy she'd gotten from the neighbors.
The sheriff came out, pulled up the sheet and saw that she was naked under it, and he looked her over and said that she looked raped to him, and that she had been killed by bizarre hands.
Bizarre hands never did make sense to Preacher Judd, but he loved the sound of it, and never did let it slip away, and when he would tell about his poor sister, naked under the sheet, her brains smashed out and her trick-or-treat bag turned inside out, he'd never miss ending the story with the sheriff's line about her having died by bizarre hands.
It had a kind of ring to it.
He parked his Dodge by the roadside, got out and walked up to the Widow Case's, sipping on a FROSTY ROOT BEER. But even though it was late October, the Southern sun was as hot as Satan's ass and the root beer was anything but frosty.
Preacher Judd was decked out in his black suit, white shirt and black loafers with black and white checked socks, and he had on his black hat, which was short-brimmed and made him look, he thought, exactly like a traveling preacher ought to look.
Widow Case was out at the well, cranking a bucket of water, and nearby, running hell out of a hill of ants with a stick she was waggling, was the retarded girl, and Preacher Judd thought she looked remarkably like his sister.
He came up, took off his hat and held it over his chest as though he were pressing his heart into proper place, and smiled at the widow with all his gold-backed teeth.
Widow Case put one hand on a bony hip, used the other to prop the bucket of water on the well-curbing. She looked like a shaved weasel, Preacher Judd thought, though her ankles weren't shaved a bit and were perfectly weasel-like. The hair there was thick and black enough to be mistaken for thin socks at a distance.
"Reckon you've come far enough," she said. "You look like one of them Jehova Witnesses or such. Or one of them kind that run around with snakes in their teeth and hop to nigger music."
"No ma'm, I don't hop to nothing, and last snake I seen I run over with my car."
"You here to take up money for missionaries to give to them starving African niggers? If you are, forget it. I don't give to the niggers around here, sure ain't giving to no hungry foreign niggers that can't even speak English."
"Ain't collecting money for nobody. Not even myself."
"Well, I ain't seen you around here before, and I don't know you from white rice. You might be one of them mash murderers for all I know."
"No ma'm, I ain't a mash murderer, and I ain't from around here. I'm from East Texas."
She gave him a hard look. "Lots of niggers there."
"Place is rotten with them. Can't throw a dog tick without you've hit a burr-head in the noggin'. That's one of the reasons I'm traveling through here, so I can talk to white folks about God. Talking to niggers is like," and he lifted a hand to point, "talking to that well-curbing there, only that well-curbing is smarter and a lot less likely to sass, since it ain't expecting no civil rights or a chance to crowd up with our young'ns in schools. It knows its place and it stays there, and that's something for that well-curbing, if it ain't nothing for niggers."
"Amen."
Preacher Judd was feeling pretty good now. He could see she was starting to eat out of his hand. He put on his hat and looked at the girl. She was on her elbows now, her head down and her butt up. The dress she was wearing was way too short and had broken open in back from her having outgrown it. Her panties were dirt-stained and there was gravel, like little b.b.s hanging off of them. He thought she had legs that looked strong enough to wrap around an alligator's neck and choke it to death.
"Cindereller there," the widow said, noticing he was watching, "ain't gonna have to worry about going to school with niggers. She ain't got the sense of a nigger. She ain't got no sense at all. A dead rabbit knows more than she knows. All she does is play around all day, eat bugs and such and drool. In case you haven't noticed, she's simple."
"Yes ma'm, I noticed. Had a sister the same way. She got killed on a Halloween night, was raped and murdered and had her trick-or-treat candy stolen, and it was done, the sheriff said, by bizarre hands."
"No kiddin'?"
Preacher Judd held up a hand. "No kiddin'. She went on to hell, I reckon, 'cause she didn't have any God talk in her. And retard or not, she deserved some so she wouldn't have to cook for eternity. I mean, think on it. How hot it must be down there, her boiling in her own sweat, and she didn't do nothing, and it's mostly my fault cause I didn't teach her a thing about The Lord Jesus and his daddy, God."
Widow Case thought that over. "Took her Halloween candy too, huh?" "Whole kit and kaboodle. Rape, murder and candy theft, one fatal swoop. That's why I hate to see a young n like yours who might not have no Word of God in her... Is she without training?"
"She ain't even toilet trained. You couldn't perch her on the outdoor convenience if she was sick and her manage to hit the hole. She can't do nothing that don't make a mess. You can't teach her a thing. Half the time she don't even know her name." As if to prove this, Widow Case called, "Cindereller."
Cinderella had one eye against the ant hill now and was trying to look down the hole. Her butt was way up and she was rocking forward on her knees.
"See," said Widow Case, throwing up her hands. "She's worse than any little ole baby, and it ain't no easy row to hoe with her here and me not having a man around to do the heavy work."
"I can see that... By the way, call me Preacher Judd... And can I help you tote that bucket up to the house there?"
"Well now," said Widow Case, looking all the more like a weasel, "I'd appreciate that kindly."
He got the bucket and they walked up to the house. Cinderella followed, and pretty soon she was circling around him like she was a shark closing in for the kill, the circles each time getting a mite smaller. She did this by running with her back bent and her knuckles almost touching the ground. Ropes of saliva dripped out of her mouth.
Watching her, Preacher Judd got a sort of warm feeling all over. She certainly reminded him of his sister. Only she had liked to scoop up dirt, dog mess and stuff as she ran, and toss it at him. It wasn't a thing he thought he'd missed until just that moment, but now the truth was out and he felt a little teary eyed. He half-hoped Cinderella would pick up something and throw it on him.
The house was a big, drafty thing circled by a wide flower bed that didn't look to have been worked in years. A narrow porch ran halfway around it, and the front porch had man-tall windows on either side of the door.
Inside, Preacher Judd hung his hat on one of the foil wrapped rabbit ears perched on top of an old SYLVANIA tv set, and followed the widow and her child into the kitchen.
The kitchen had big iron frying pans hanging on wall pegs, and there was a framed embroidery that read GOD WATCHES OVER THIS HOUSE. It had been faded by sunlight coming through the window over the sink.
Preacher Judd sat the bucket on the ice box---the old sort that used real ice---then they all went back to the living room. Widow Case told him to sit down and asked him if he'd like some ice-tea.
"Yes, this bottle of FROSTY ain't so good." He took the bottle out of his coat pocket and gave it to her.
Widow Case held it up and squinted at the little line of liquid in the bottom. "You gonna want this?"
"No ma'am, just pour what's left out and you can have the deposit." He took his Bible from his other pocket and opened it. "You don't mind if I try and read a verse or two to your Cindy, do you?"
"You make an effort on that while I fix us some tea. And I'll bring some things for ham sandwiches, too."
"That would be right nice. I could use a bite."
Widow Case went to the kitchen and Preacher Judd smiled at Cinderella. "You know tonight's Halloween, Cindy?"
Cinderella pulled up her dress, picked a stray ant off her knee and ate it.
"Halloween is my favorite time of the year," he continued. "That may be strange for a preacher to say, considering it's a devil thing, but I've always loved it. It just does something to my blood. It's like a tonic for me, you know?"
She didn't know. Cinderella went over to the tv and turned it on.
Preacher Judd got up, turned it off. "Let's don't run the SYLVANIA right now, baby child," he said. "Let's you and me talk about God."
Cinderella squatted down in front of the set, not seeming to notice it had been cut off. She watched the dark screen like the White Rabbit considering a plunge down the rabbit hole.
Glancing out the window, Preacher Judd saw that the sun looked like a dropped cherry snow cone melting into the clay road that led out to Highway 80, and already the tumble bug of night was rolling in blue-black and heavy. A feeling of frustration went over him, because he knew he was losing time and he knew what he had to do.
Opening his Bible, he read a verse and Cinderella didn't so much as look up until he finished and said a prayer and ended it with "Amen."
"Uhman," she said suddenly.
Preacher Judd jumped with surprise, slammed the Bible shut and dunked it in his pocket. "Well, well now," he said with delight, "that does it. She's got some Bible training."
Widow Case came in with the tray of fixings. "What's that?"
"She said some of a prayer," Preacher Judd said. "That cinches it. God don't expect much from retards, and that ought to do for keeping her from burning in hell." He practically skipped over to the woman and her tray, stuck two fingers in a glass of tea, whirled and sprinkled the drops on Cinderella's head. Cinderella held out a hand as if checking for rain.
Preacher Judd bellowed out. "I pronounce you baptized. In the name of God, The Son, and The Holy Ghost. Amen."
"Well, I'll swan," the widow said. "That there tea works for baptizing?" She sat the tray on the coffee table.
"It ain't the tea water, it's what's said and who says it that makes it take... Consider that gal legal baptized... Now, she ought to have some fun too, don't you think? Not having a full head of brains don't mean she shouldn't have some fun."
"She likes what she does with them ants,"
Widow Case said. "I know, but I'm talking about something special. It's Halloween. Time for young folks to have fun, even if they are retards. In fact, retards like it better than anyone else. They love this stuff... A thing my sister enjoyed was dressing up like a ghost."
"Ghost?" Widow Case was seated on the couch, making the sandwiches. She had a big butcher knife and she was using it to spread mustard on bread and cut ham slices.
"We took this old sheet, you see, cut some mouth and eye holes in it, then we wore them and went trick-or-treating."
"I don't know that I've got an old sheet. And there ain't a house close enough for trick-or-treatin' at."
"I could take her around in my car. That would be fun, I think. I'd like to see her have fun, wouldn't you? She'd be real scary too under that sheet, big as she is and liking to run stooped down with her knuckles dragging."
To make his point, he bent forward, humped his back, let his hands dangle and made a face he thought was in imitation of Cinderella.
"She would be scary, I admit that," Widow Case said. "Though that sheet over her head would take some away from it. Sometimes she scares me when I don't got my mind on her, you know? Like if I'm napping in there on the bed, and I sorta open my eyes, and there she is, looking at me like she looks at them ants. I declare, she looks like she'd like to take a stick and whirl it around on me."
"You need a sheet, a white one, for a ghost-suit."
"Now maybe it would be nice for Cindereller to go out and have some fun." She finished making the sandwiches and stood up. "I'll see what I can find."
"Good, good," Preacher Judd said rubbing his hands together. "You can let me make the outfit. I'm real good at it."
While Widow Case went to look for a sheet, Preacher Judd cite one of the sandwiches, took one and handed it down to Cinderella. Cinderella promptly took the bread off of it, ate the meat, and laid the mustard sides down on her knees.
When the meat was chewed, she took to the mustard bread, cramming it into her mouth and smacking her lips loudly.
"Is that good, sugar?" Preacher Judd asked.
Cinderella smiled some mustard bread at him and he couldn't help but think the mustard looked a lot like baby shit, and he had to turn his head away.
"This do?" Widow Case said, coming into the room with a slightly yellowed sheet and a pair of scissors.
"That's the thing," Preacher Judd said, taking a swig from his ice tea. He set the tea down and called to Cinderella.
"Come on, sugar, let's you and me go in the bedroom there and get you fixed up and surprise your mama."
It took a bit of coaxing, but he finally got her up and took her into the bedroom with the sheet and scissors. He half-closed the bedroom door and called out to the widow. "You're going to like this."
After a moment, Widow Case heard the scissors snipping away and Cinderella grunting like a hog to trough. When the scissors sound stopped, she heard Preacher Judd talking in a low voice, trying to coach Cinderella on something, but as she wanted it to be a surprise, she quit trying to hear. She went over to the couch and fiddled with a sandwich, but she didn't eat it. As soon as she'd gotten out of eyesight of Preacher Judd, she'd upended the last of his root beer and it was as bad as he said. It sort of made her stomach sick and didn't encourage her to add any food to it.
Suddenly the bedroom door was knocked back, and Cinderella, having a big time of it, charged into the room with her arms held out in front of her yelling, "Woooo, woooo, goats."
Widow Case let out a laugh. Cinderella ran around the room yelling, "Woooo, woooo, goats," until she tripped over the coffee table and sent the sandwich makings and herself flying.
Preacher Judd, who'd followed her in after a second, went over and helped her up. The Widow Case, who had curled up on the couch in natural defense against the flying food and retarded girl, now uncurled when she saw something dangling on Preacher Judd's arm. She knew what it was, but she asked anyway. "What's that?"
"One of your piller cases. For a trick-or-treat sack." "Oh," Widow Case said stiffly, and she went to straightening up the coffee table and picking the ham and makings off the floor.
Preacher Judd saw that the sun was no longer visible. He walked over to a window and looked out. The tumble bug of night was even more blue-black now and the moon was out, big as a dinner plate, and looking like it had gravy stains on it.
"I think we've got to go now," he said. "We'll be back in a few hours, just long enough to run the houses around here."
"Whoa, whoa," Widow Case said. "Trick-or-treatin' I can go for, but I can't let my daughter go off with no strange man."
"I ain't strange. I'm a preacher." "You strike me as an all right fella that wants to do things right, but I still can't let you take my daughter off without me going. People would talk."
Preacher Judd started to sweat. "I'll pay you some money to let me take her on."
Widow Case stared at him. She had moved up close now and he could smell root beer on her breath. Right then he knew what she'd done and he didn't like it any. It wasn't that he'd wanted it, but somehow it seemed dishonest to him that she swigged it without asking him. He thought she was going to pour it out. He started to say as much when she spoke up.
"I don't like the sound of that none, you offering me money."
"I just want her for the night," he said, pulling Cinderella close to him. "She'd have fun."
"I don't like the sound of that no better. Maybe you ain't as right thinking as I thought."
Widow Case took a step back and reached the butcher knife off the table and pushed it at him. "I reckon you better just let go of her and run on out to that car of yours and take your ownself trick-or-treatin'. And without my piller case."
"No ma'm, can't do that. I've come for Cindy and that's the thing God expects of me, and I'm going to do it. I got to do it. I didn't do my sister right and she's burning in hell. I'm doing Cindy right. She said some of a prayer and she's baptized. Anything happened to her, wouldn't be on my conscience."
Widow Case trembled a bit. Cinderella lifted up her ghost-suit with her free hand to look at herself, and Widow Case saw that she was naked as a jay-bird underneath.
"You let go of her arm right now, you pervert. And drop that piller case... Toss it on the couch would be better. It's clean."
He didn't do either.
Widow Case's teeth went together like a bear trap and made about as much noise, and she slashed at him with the knife.
He stepped back out of the way and let go of Cinderella, who suddenly let out a screech, broke and ran, started around the room yelling, "Wooooo, wooooo, goats."
Preacher Judd hadn't moved quick enough, and the knife had cut through the pillow case, his coat and shirt sleeve, but hadn't broke the skin.
When Widow Case saw her slashed pillow case fall to the floor, a fire went through her. The same fire that went through Preacher Judd when he realized his J.C. Penney's suit coat which had cost him, with the pants, $39.95 on sale, was ruined.
They started circling one another, arms outstretched like wrestlers ready for the run together, and Widow Case had the advantage on account of having the knife.
But she fell for Preacher Judd holding up his left hand and wiggling two fingers like mule ears, and while she was looking at that, he hit her with a right cross and floored her. Her head hit the coffee table and the ham and fixings flew up again.
Preacher Judd jumped on top of her and held her knife hand down with one of his, while he picked up the ham with the other and hit her in the face with it, but the ham was so greasy it kept sliding off and he couldn't get a good blow in.
Finally he tossed the ham down and started wrestling the knife away from her with both hands while she chewed on one of his forearms until he screamed.
Cinderella was still running about, going, "Wooooo, wooooo, goats," and when she ran by the SYLVANIA, her arm hit the foil-wrapped rabbit ears and sent them flying.
Preacher Judd finally got the knife away from Widow Case, cutting his hand slightly in the process, and that made him mad. He stabbed her in the back as she rolled out from under him and tried to run off on all fours. He got on top of her again, knocking her flat, and he tried to pull the knife out. He pulled and tugged, but it wouldn't come free. She was as strong as a cow and was crawling across the floor and pulling him along as he hung tight to the thick, wooden butcher knife handle. Blood was boiling all over the place.
Out of the corner of his eye, Preacher Judd saw that his retard was going wild, flapping around in her ghost-suit like a fat dove, bouncing off walls and tumbling over furniture. She wasn't making the ghost sounds now. She knew something was up and she didn't like it.
"Now, now," he called to her as Widow Case dragged him across the floor, yelling all the while, "Bloody murder, I'm being kilt, bloody murder, bloody murder!"
"Shut up, goddamnit!" he yelled. Then, reflecting on his words, he turned his face heavenward. "Forgive me my language, God." Then he said sweetly to Cinderella, who was in complete bouncing distress, "Take it easy, honey. Ain't nothing wrong, not a thing."
"Oh Lordy mercy, I'm being kilt!" Widow Case yelled. "Die, you stupid old cow."
But she didn't die. He couldn't believe it, but she was starting to stand. The knife he was clinging to pulled him to his feet, and when she was up, she whipped an elbow around, whacked him in the ribs and sent him flying.
About that time, Cinderella broke through a window, tumbled onto the porch, over the edge and into the empty flowerbed.
Preacher Judd got up and ran at Widow Case, hitting her just above the knees and knocking her down, cracking her head a loud one on the SYLVANIA, but it still didn't send her out. She was strong enough to grab him by the throat with both hands and throttle him.
As she did, he turned his head slightly away from her digging fingers, and through the broken window he could see his retarded ghost. She was doing a kind of two step, first to the left, then to the right, going, "Unhhh, unhhhh," and it reminded Preacher Judd of one of them dances sinners do in them places with lots of blinking lights and girls up on pedestals doing lashes with their hips.
He made a fist and hit the widow a couple of times, and she let go of him and rolled away. She got up, staggered a second, then started running toward the kitchen, the knife still in her back, only deeper from having fallen on it.
He ran after her and she staggered into the wall, her hands hitting out and knocking one of the big iron frying pans off its peg and down on her head. It made a loud BONG, and Widow Case went down.
Preacher Judd let out a sigh. He was glad for that. He was tired. He grabbed up the pan and whammed her a few times, then, still carrying the pan, he found his hat in the living room and went out on the porch to look for Cinderella.
She wasn't in sight.
He ran out in the front yard calling her, and saw her making the rear corner of the house, running wildly, hands close to the ground, her butt flashing in the moonlight every time the sheet popped up. She was heading for the woods out back.
He ran after her, but she made the woods well ahead of him. He followed in, but didn't see her. "Cindy," he called. "It's me. Ole Preacher Judd. I come to read you some Bible verses. You'd like that wouldn't you?" Then he commenced to coo like he was talking to a baby, but still Cinderella did not appear.
He trucked around through the woods with his frying pan for half an hour, but didn't see a sign of her. For a half-wit, she was a good hider.
Preacher Judd was covered in sweat and the night was growing slightly cool and the old Halloween moon was climbing to the stars. He felt like just giving up. He sat down on the ground and started to cry.
Nothing ever seemed to work out right. That night he'd taken his sister out hadn't gone fully right. They'd gotten the candy and he'd brought her home, but later, when he tried to get her in bed with him for a little bit of the thing animals do without sin, she wouldn't go for it, and she always had before. Now she was uppity over having a ghost-suit and going trick-or-treating. Worse yet, her wearing that sheet with nothing under it did something for him. He didn't know what it was, but the idea of it made him kind of crazy.
But he couldn't talk or bribe her into a thing. She ran out back and he ran after her and tackled her, and when he started doing to her what he wanted to do, out beneath the Halloween moon, underneath the apple tree, she started screaming. She could scream real loud, and he'd had to choke her some and beat her in the head with a rock. After that, he felt he should make like some kind of theft was at the bottom of it all, so he took all her Halloween candy.
He was sick thinking back on that night. Her dying without no God-training made him feel lousy. And he couldn't get those TOOTSIE ROLLS out of his mind. There must have been three dozen of them. Later he got so sick from eating them all in one sitting that to this day he couldn't stand the smell of chocolate.
He was thinking on these misfortunes, when he saw through the limbs and brush a white sheet go by.
Preacher Judd poked his head up and saw Cinderella running down a little path going, "Wooooo, wooooo, goats."
She had already forgotten about him and had the ghost thing on her mind.
He got up and crept after her with his frying pan. Pretty soon she disappeared over a dip in the trail and he followed her down.
She was sitting at the bottom of the trail between two pines, and ahead of her was a clear lake with the moon shining its face in the water. Across the water the trees thinned, and he could see the glow of lights from a house. She was looking at those lights and the big moon in the water and was saying over and over, "Oh, priddy, priddy."
He walked up behind her and said, "It sure is, sugar," and he hit her in the head with the pan. It gave a real solid ring, kind of like the clap of a sweet church bell. He figured that one shot to the bean was sufficient, since it was a good overhand lick, but she was still sitting up and he didn't want to be no slacker about things, so he hit her a couple more times, and by the second time, her head didn't give a ring, just sort of a dull thump, like he was hitting a thick, rubber bag full of mud.
She fell over on what was left of her head and her butt cocked up in the air, exposed as the sheet fell down her back. He took a long look at it, but found he wasn't interested in doing what animals do without sin anymore. All that hitting on the Widow Case and Cinderella had tuckered him out.
He pulled his arm way back, tossed the frying pan with all his might toward the lake. It went in with a soft splash. He turned back toward the house and his car, and when he got out to the road, he cranked up the Dodge and drove away noticing that the Halloween sky was looking blacker. It was because the moon had slipped behind some dark clouds. He thought it looked like a suffering face behind a veil, and as he drove away from the Case's, he stuck his head out the window for a better look. By the time he made the hill that dipped down toward Highway 80, the clouds had passed along, and he'd come to see it more as a happy jack-o-lantern than a sad face, and he took that as a sign that he had done well.
by John Bruni
A stiff wind blows chills through my tightening skin, and the ground crunches beneath my feet. Laughter drifts through the streets, and the sweet scent of candy tickles the inside of my nose.
A small hand slips into my own, and I look down to see Dracula. Underneath the makeup and blood, my son smiles up at me, showing off his plastic fangs. His fingers are cold and sticky, which means he's been sneaking into his trick-or-treat bag. I think I should say something, but the moment is too precious. Let his mother chide him later. Now is the time to enjoy the crisp autumn night.
My eyes meet with Suzette's over Duane's widow-peaked head. We rarely get to enjoy time together with our son these days because of work, and it's good to see her eyes bubbling over with joy. Perhaps it's the cool breeze that brings tears to her cheeks, but I doubt it.
We approach our house, and Duane stops to play with the skeleton in our front yard. The neighbors like our decorations. They believe we're in the spirit of the season. We win local awards on a yearly basis.
Suzette pauses to keep an eye on our son, probably because she has noticed his shiny fingertips, and I clomp up the porch steps, fiddling in my pocket for the keys.
The first thing I notice is the candy dish. It has been overturned, and there are no treats on the deck. The sign, "Help yourself! Happy Halloween!" remains, and I can see a tiny sneaker-print on it.
Then I see the door, and my guts freeze as if the frigid air has managed to penetrate my skin.
There is a bloody handprint on the door, and it shows only four fingers. I know what has happened.
With a casual smile, I ease down the steps and approach Suzette. "Hey, baby." I peck her on the cheek. "Why don't you take Duane to Mrs. Starkey's place for a while? You know how he likes her hot chocolate."
She glances sidelong at me. "Are you all right, Sid?"
I try not to look behind me at the door. "Sure. I'll call you in a bit, okay?" This time, she kisses me on the cheek. I barely register it as she leads Duane away; I am too focused on the open door, on the crimson handprint.
When I'm sure Suzette and Duane are gone, I take the penknife from my pocket. The blade is not very long, but it is sharper than a box cutter.
Gingerly, I push the door all the way open, and I glance down at the carpet. There are spots of blood no larger than pinpricks. Anyone who isn't looking would miss them.
I touch a red dot, and my finger comes away smudged with crimson.
Fresh.
I follow the miniscule trail until I realize that it leads to the kitchen. Here, the drops are more plentiful. Just before I reach the threshold, I see long slashes of blood, as if something had been dragged through here.
I stoop down and peer into the kitchen at knee-height. It is probably an unnecessary precaution, but it always pays to be prepared.
"Brother Sid! Careful as ever, I see! What's up, man?"
I stand and step over the blood. The man in my kitchen is almost a reflection of me. We are identical in all ways except two: he is more muscular than me, and he sports a mustache. My twin brother, Stan, believes this makes him look macho. I believe it makes him look like Groucho Marx, and judging from the rest of our family, my opinion is the more popular one.
"What are you doing here?" I ask.
He waves a dismissive hand at me. It is covered with blood and is missing its pinkie finger. A childhood accident. He shouldn't have been playing with Dad's favorite hunting knife.
"You could have called," I say.
"Sorry. This ain't the kind of thing you talk about over the phone."
"Are you in trouble?"
He shrugs. "In a way. Not with the law, though. Check it out."
Stan steps aside and gestures with his hand, a game-show host revealing a prize, at the kitchen table, where the corpse of a young woman rests, eviscerated.
"Why have you brought her here?" I ask.
"I need your help."
The answer is immediate, without consideration. "No."
"Come on, man! I need you back in the game!"
"You're on your own," I say. "Take this body out of here before my wife and son get home."
Stan's lower lip quivers. "I can't do this without you, bro. You were always the brains of the operation. I'm screwing everything up without you. This broad's the mayor's daughter, and I didn't figure that out until it was too late."
I sigh. "Why do you think I stopped working with you? You took too many chances. I can't bail you out of everything."
Stan grins, and the mustache slithers beneath his nose. "Bro, get real. The thrill comes from taking chances, not from being careful all the time. That's why I need you, Sid. You're the yin to my yang. Together, we're like...like the dynamic duo, or something."
"I think you need to get real. Weren't you listening to anything Dad taught us? We have urges, Brother Stan, just like Dad and Grandpa. They always told us to be careful. Look what your thrills have gotten you." I point to the mayor's daughter.
Stan sniffs and wipes his nose with the back of his hand. I don't know if he is aware of doing this, but it is something he has always done when he wasn't getting his way.
"Dad always liked you best," he says.
"That's because I always listened to him when he was trying to teach us something," I say.
"I'm willing to learn now." He shows me his palms, both blood-red, as if he expects a hug. "Whatever you say, we'll do, Brother Sid. Deal?"
I shake my head. "I'm a family man now. I have to think of Suzette and Duane."
He smiles, but his teeth don't show. His head starts bobbing up and down, a nervous tick that Dad used to have when he was frustrated. "I knew you'd say that. How about this? If you don't partner up with me like in the old days, I'll kill your precious family." He produces a large hunting knife from behind the corpse. It is red, and it is Dad's. It's the same blade that took Stan's finger when we were kids.
"Come on, Brother Stan. You don't mean that."
"I do, Brother Sidney. I was at least paying attention to one of Dad's sermons. 'Always stick with your brother. No one else is going to understand what you need to do.' Remember?"
I do, but something tells me Dad never saw this moment coming. Anger burns the chilly night air from my skin, and I say, "What if I just kill you?"
Stan laughs. "You couldn't do that. You like me too much."
Which is true. The anger dissipates, and I look away from my twin brother's eyes.
I open my mouth to apologize when I hear a feminine voice say, "I would. I don't like you at all."
I look up from my feet, and there is Suzette, holding her own knife, which she has just drawn across Stan's throat. I had not heard her come in, and judging from Stan's wide eyes and open windpipe, he had not either.
I'd taught her well.
Stan flails around for a while, but all he can breathe at this point is his own blood, so it doesn't take long for him to drop to the floor. Suzette steps around him and hugs me.
"I thought I told you to stop hanging out with your loser brother." She talks into my flannelled chest, so her words are muffled. But I've heard this before.
"I didn't invite him," I say. "He just stopped over, looking for help."
"I heard what he'd said about me and Duane."
I look at Stan's dribbling throat. "I kind of figured."
She pulls away, then stands on tiptoes to kiss me. "I'm sorry I killed your brother, Sid, but he was too dangerous."
I kiss her back. "I know."
"Mom! Dad! Look at me!"
We turn toward our son. Duane has cut his uncle's nose and mustache off, and he's taped them to his glasses as if it is a phony Groucho get-up. He waves his grandpa's knife around as he laughs. "I'm Uncle Stan!"
Suzette exchanges a glance with me, and I raise an eyebrow. The hint of a smile dances on her lips. We've taught Duane a lot, but he still has a long way to go.
"All right, kiddo," she says. "You've had enough fun for one night. It's bedtime. Take your uncle's face off."
"But Mom!"
She forces him upstairs, and I open his trick-or-treat bag next to the mayor's daughter on the kitchen table. A clump of body parts comes out, and I start counting the fingers, ears, eyeballs, and noses. When I'm done, Suzette walks in.
"Not a bad haul," I say.
Suzette ignores me. She looks at the two bodies and grimaces, her hands on her hips. "What are we going to do about this?"
I hug her from behind and kiss her on the neck. "Don't worry about it. I'm the brains of the operation."
WE RUN RACES WITH GOBLIN TROOPERS
by Lee Thompson
November 9th
In the War he took the intestines of your enemies and made dolls for the village children. They weren't much more than sock puppets, but he was good with his hands and he told stories that made children smile.
Until recently he worked as an auto mechanic.
In the War he held and shushed children, and they trusted him because he had the saddest eyes they'd ever seen. The kids felt sorry for him, even though you'd just murdered their parents and left behind broken homes, while he told them, "It was all a horrible accident, understand? But you can build a fire and eat the dolls in a day or two."
Jim was always spinning twisted metaphors from flesh and blood.
He taught the children how to be cannibals so they didn't starve once your platoon moved on to their next objective.
YOU OPEN THE FRIDGE.
He smirks.
He whispers, Two days it's going to be Veteran's Day, boy. Two days and the skies will blaze with fire and smoke like they used to.
You set the rifle, the shotgun, and the .45 on a drab green mattress. The room is bare the way people are when they're isolated and have nothing to accompany them but reflection and hindsight. Your parents were proud of you throughout school, fought like hell to keep you from becoming a soldier because soldiers die in faraway places and leave behind nothing more than thin sheets of metal, worn boots, and fading memories.
You've seen death and tasted its hot kiss when the heart lights with fire and smoke fills the sky behind you. When your tour was complete, you sat at their kitchen table again nursing a cup of coffee. They hovered close by, nearly ghosts, and asked you if you were okay. You never answered. You were still running races with goblin troopers. And you hear them in the trees late at night, and behind the walls as you drift to sleep. Their eyes are pure white, their tongues black, and they whisper gunfire into the caverns of your mind.
The apartment is on the third floor. From the bedroom window you see the city sprawled like some fallen and pummeled giant, buildings like bones ripped from concrete flesh.
Everything is gray, you tell yourself.
It helps you remember the night Jim taught you about pain.
JIM HELD A GIRL face down on a green mattress. He chopped her arms off and babbled about how the war was over, but there was another one building. He sent you into the other room to give her children cookies. But you stayed by the door for a moment and listened to her cry against her gag, watched her face spasm in pain, maybe expecting him to ram himself into her any moment while she bled to death, but Jim wasn't like that. He didn't give a shit about violating anyone. He needed them to create art so children might see that the world was cruel and indifferent. People didn't care, and they wouldn't stop you, and he smiled at you sometimes when you gave the kids milk and Oreos, like he wanted you to remember that the lesson was for everyone.
From the doorway you watched the light flee her remaining eye. She offered one final shiver before Jim gutted her and took a hacksaw to her legs. You shivered too but not in terror, nor in excitement, but simply because Jim had shown you something important at the expense of someone else. Not everyone can be this happy and sad at the same time, you thought. Jim glared over his shoulder while the kids in the living room watched Sponge Bob pursue an adventure in Rock Bottom. You thought, I've always been trapped there, but Jim's trying to show me the way back to the surface. You helped him because you wanted to know what it was like to stare into dead eyes again, thinking maybe then you'd learn to appreciate your own life.
But Jim had another lesson planned to teach you that.
November 10th
YOUR BACK HURTS FROM sleeping on the floor. The guns on the green mattress are well-oiled and they shine so brightly they hurt your eyes. You're not some twisted asshole who's out to wreak havoc on the world for being evil, or even for hurting you first. You don't know what you are. You think, I'm not like everyone else. I'm alone. That's it. Truth. You're isolated again in this little third story apartment and your stomach knots because you haven't eaten in three days and before you had a job but it's gone and once had a family but they're somewhere else now, and you're so hungry for someone else's touch the way a bum is. You know they don't beg change just to get a bottle of wine. They need someone's fingers to brush theirs, if only for a moment, because it proves they still exist.
There's a knife on the dresser. It's black and sharp.
Someone moves in the hall.
Goblins move like shadows across the wall.
You're at the door and looking through the peep hole.
A woman stands on the other side. She's a hooker, you think, but you don't remember calling one.
How the hell am I supposed to pay her?
You have no money left.
Your stomach rumbles.
Goblins skitter across the roof.
The girl outside scratches on the door until the sound of it starts driving you a little crazy and that's the last thing you want because to go crazy will ruin the little celebrations life throws your way when you open the fridge and stare into Jim's eyes.
You open the door, open your mouth and the hooker looks you up and down, appraising you. She can tell you're broke, exhausted, heartbroken. She says softly, "You're just one of them who needs someone to talk to, aren't you?" You nod, but think of the knife on the dresser, think of intestines and dimming lights. "I understand," she says. "It's a fucked up world we live in." You agree. She doesn't touch you but almost seems like she wants to. You think of the guns on the bed. Jim in the fridge. Your wife and kids.
You ask the whore her name and she lies to you.
It's okay, you tell yourself, she doesn't know me. Of course she'd lie.
But it still bothers you.
Jim lied.
He promised and took a lot.
The girl is barely out of her teens. She looks so much older. There's a bit of dirt caked beneath her nails and you wonder how it got there. You imagine her in a graveyard with the wind rattling dark branches, tears in her eyes, as she buries her dreams.
You say, "I'm sorry. I'm really sorry."
You make a move to hug her but she back peddles into the hall and whips her head left and right, looking for a way out. If you tell her there's not an exit anymore she'll cry so you let her search the halls for a door until she returns.
SHE'S THE FIRST PERSON who has really seen you, and in doing so she sees herself, her life as it really is, every bloody and lonely juncture, and she cries. You invite her in because it's better to be lonely together than it is apart. She sees the guns on the bed you've pulled into the living room. She says nothing. You ask if she wants something to eat as she rubs her arms and tells you about her life, how it has always been like this, how she did what she had to do, but wasn't proud of any of it, or herself. You open the fridge and move Jim's head aside so you can get at his fingers. You tell her, "You can spend the night if you want. I won't hurt you."
She stares at the guns and doesn't answer.
You cook two fingers for each of you and wash it down with water from the tap. She thanks you and asks as she looks at a picture of your wife and son on the wall near the window, "You have a family somewhere?"
You haven't told anyone. The police would charge you as an accomplice. Instead, you direct the question at her. You say, "Who hurt you?"
She describes a man who had loved her in the shallowest of terms, a pale reflection of the love he carried for himself. He'd fucked her friend, her best friend---they'd grown up together, they'd cried on each other's shoulders more times than she could ever count---and the man, he'd taken her friend in and put her out, and she had nothing but the clothes on her back. He took her far from her family and she couldn't go back to them, they'd laugh at her, they'd say, I told you so... So she worked where she could but nothing ever lasted when she kept stumbling from the shock and hopelessness and the stench of rarely showering because she didn't have a home anymore. She wanted to kill him but she didn't have the guts. She wanted to forgive him but...
"He is a thing now," she says, and, "how do you forgive a thing?"
You say, "I don't know. You don't, I guess."
"No," she says, shaking her head and looking at the guns. She stands and walks to the window. The clock on the nightstand says 11:54 p.m., the time you were born. She says, "Oh my god! There he is..." and she's laughing and crying. You grab the rifle and move to her side. Looking out the window you see a lot of people prowling the street. You hold Jim's gun, stand in his apartment---his payment for what he tore from you and everyone else. You squint as a man below looks up. It's Jim. His face is too white in the murk. You hand the rifle to the whore and unlock the window and push it up. The night outside is cool and soft and it seeps into the room and caresses both of you. You look at the clock, look at Jim down there, remembering what he did and somewhere in the distance, like the sound of coming thunder, hear goblins running wild.
The whore begs, "That's him," and jams her finger at a man. You work the bolt on the rifle and flip the safety. You can't miss from here. People laugh below. Jim is still watching you. You think, Give me a second...
The whore's husband has his arm around another woman's waist; they're walking away from you. You sight on the middle of his back and let out a breath slowly as you draw slack from the trigger...
November 11th
...THE ALARM BEEPS AND you squeeze off a shot too soon. It takes the man high in the shoulder, paints half the girl's face like a rose as they both stumble.
The whore says, "You didn't get him good enough!"
You think, Give me a second... as shadows dart about in the street and cars blare their horns and people stop to stare at the strange couple dancing on the sidewalk. They look around, the husband holding his shoulder, face scrunched up in pain, the girl clinging to his arm and trying to pull him away. You put a bullet in his chest and he hits concrete but you can't hear anything now because your ears are ringing and Jim is down there pointing at the apartment window, ratting you out after all the times you covered for him. You draw a bead on his chest and fire lights the sky and he drops out of sight as a car speeds past.
The whore cries, "There he is! You missed him!" But the man she's pointing at is not Jim, so you think she means you missed her husband, though you were certain you'd dropped him. But there he is, looking up at you, horror carved into his features because he sees his wife with another man. And you pull the trigger and put him down. But Jim is hiding in a phone booth across the street and he thinks you can't see him, thinks you don't remember how he showed you his masterpiece, how he used bits of your wife's viscera to paint unicorns on your son's bare chest, how he whispered to him, "It's okay. It was an accident, but this will make it better, watch..."
You pull the trigger and work the bolt and bodies are piling up as sirens scream and cars jam the street below, no one knowing whether to go back or forward---just as stuck as you---and the whore flickers because at this point you don't really need her anymore. Your wife's hand strokes your neck and she whispers of blood and love while goblins, who look so much like your son, dance in your periphery vision.
PASCAL'S WAGER
by Wrath James White
Spectral flames flashed about the room, casting horrible shadows that moved independently of the light as if animated. The twisted silhouettes of tortured, malformed creatures limped and convulsed in the fiery twilight, shrieking and roaring as fire ran down the walls and long finger-like tendrils of electricity crackled in the air like lightning. Ghostly figures whirled around the room in a mad frenzy, hurling their ethereal bodies against the walls and knocking books and artifacts off the dressers.
More of the bizarre apparitions crowded their way into Jamie's bedroom as he rubbed sleep from his eyes and tried to focus on the chaos raging all around him. Dark abominable creatures growled, screamed, and shouted in unknown languages. At least Jamie tried to pretend that he didn't understand them, but he could make out enough of the gibberish to be afraid. All of them were calling out for Jamie's soul. Jamie shuddered and prayed, sweat bulleting down his face, his body shivering, a scream trapped in his throat.
Fire belched from the floor and engulfed the room in smoke and ash. The sudden, stifling heat seared the air in his lungs and boiled the tears in Jamie's eyes. A voice like the roar of thunder buffeted his eardrums and shook the room, rattling his skull and threatening to shatter his mind like a pane of glass in a hurricane. Jamie clamped his hands over his ears and screamed as loud as his scalded lungs would permit him.
The flames died away suddenly as if they had never been, leaving only the cold night air blowing through cracks in the locked windows and shut doors. The caustic stench of burning souls still lingered in the air, tickling the hairs in Jamie's nostrils with the scent of hell.
Jamie knew he had welcomed many horrible things into his life with his compulsion, but he could not stop. He had no choice. He had to be sure.
Doors slammed and mirrors and windows cracked. The floors and walls heaved as if they were breathing and undulated like a snake gorged with a fresh kill. The shadows in the room grew denser. Jamie could feel hot breath on his face as they moved in closer. He felt hands all over him, tugging at his skin, trying to claw their way through his flesh to get at his soul. Many voices shouted in his face at once, cursing and spitting at him as they dragged him from bed.
Every night these ghostly assaults worsened. The Gods were getting angry. It was time to begin his morning rituals.
JAMIE FLOGGED HIMSELF IN a delirious rapture as he simultaneously dug his jagged nails into the goat's thigh, wrestling the muscle free of the sinews and ligaments that held it. A warm arterial spray spurted into his mouth, gagging him as he bit into the animal's jugular with his blunt little teeth, ripping the still twitching and spasming muscle from the animal's bones as it moaned and yelped.
He continued lashing himself with the cat-o'-nine tails, praying and chanting fanatically in Aramaic, Greek, and Latin. The knotted leather barbed with bits of bone flayed open his skin and gouged deep into his back muscles, ripping out small chunks of meat and hurling them into the air. The pain was terrible. Luckily, flagellation was not a part of his daily rituals. At best, it was a bi-weekly thing.
Jamie collapsed as the pain washed over him. His stomach roiled and bile scalded the back of his throat. The room spun and began to blur as he fought to hold onto consciousness and fend off the waves of nausea. Jamie turned his eyes heavenward, imagining how Jesus must have felt as he was lashed by Roman soldiers on his way to be crucified.
"Oh, sweet Jesus."
Jamie's back was a bloody ruin when he finally laid down the blood-drenched flail and picked up the sacrificial knife. He was panting heavily and dizzy from pain and exertion when he cut open the goat's belly and dug his fingers into the animal's steaming entrails, tearing out its guts in ragged handfuls. After all this time, the oily texture of the fat worm-like intestines slipping through his fingers was still revolting to him.
Finally, Jamie removed the goat's still beating heart, held it above his head, mumbled a long litany of prayers honoring nearly a dozen different deities and then bit into the heart, stilling it.
He ate one entire ventricle, struggling to keep it down as his stomach tried to reject it, then divided the rest of the heart up between four different altars. The intestines he placed on the crude little altar by his bedside. The head he placed atop a particularly dark and terrible looking shrine that was tucked in the closet. Next, he began draining the animal's blood and dividing it up into bowls which he placed on different altars in the bedroom, living room, and kitchen. Even the animal's eyes and genitalia were laid at the feet of one of the myriad statues and icons decorating Jamie's apartment.
After the goat had been completely gutted, he placed part of it in the freezer and the rest in the garbage. He'd learned with difficulty that the garbage disposal could not handle large bones. Jamie went back to the cages and removed a chicken. In a gentle reverent voice, he chanted prayers in Greek, Roman, Hebrew, Hindu, Spanish, and Yoruba before ripping the chicken's throat out with his teeth, cutting off its feet and head, ripping out its entrails, and splattering its blood on the walls and floor.
The chicken blood decorated seven other altars by the time he was done. It helped, he found, to combine rituals. Otherwise, his morning prayers would take forever. Even now, he had to start before the sun rose in order to finish them all before work. Next, Jamie removed a rabbit, then a dove, then two more chickens, and then a lamb. The apartment was a slaughterhouse before The Gods Jamie worshipped were finally satiated.
Blood splattered the room in every direction and rained down the walls like red teardrops. The plastic tarp covering the floor now held the expanding puddle in which Jamie knelt, knees splashing in the tacky effluence. The animals Jamie had sacrificed to one God or another littered the tarp around him. Birds, butterflies, rabbits, sheep, and goat, some vivisected, some disemboweled or beheaded, and some immolated. Warm entrails, heads, limbs, and bowls of blood decorated the innumerable altars and icons crowding the candle-lit apartment.
The bloodiest part of his morning ritual over, Jamie stared at the ceiling, trying to see through it to the sky above and through that to The Gods in heaven as he pierced himself with needles and inhaled incense while kneeling on a mat and praying to the east. He still had many more rituals to go, many more gods to pay homage to before he could begin his day. To some, he offered fruit. For some, a simple candle and incense sufficed. For others, he burned money or special herbs. For some, he wrote prayers on the walls, or he scrawled them on paper and burned them. For others, he gave sacrifice. To them all, he pledged his eternal, unfailing devotion.
He recited prayers from The Bible, The Book of Mormon, The Koran, The Torah, The Tao Te Ching, The I Ching, The Dhammapada, The Adi Granth, The Bhagavad Ghita, The Vedas, and The Avesta. He chanted spells and incantations from ancient grimoires and from fading xerox copies of hieroglyphics chiseled into temple walls and written on ancient scrolls. He had to make sure he had all his bases covered. Any of them could have been the true religion, any of the hundreds of deities could have been the right one, the one that would assure him a place in paradise when he died. Since he could not be sure which one it was, it was best to be safe and believe in them all.
Religious tomes cluttered the apartment in dusty heaps, filling the air with a musty newspaper smell. Candles of varying sizes and description flickered in almost every corner along with incense and herbs that, mixed with the dank mildewed stench of aging books and the funky animal smells of fur, excrement, blood, and organs, made the air almost unbreathable. A miasma of fragrant smoke and ash lingered in each room, a perpetual fog. Tikis, totems, statues and other icons, effigies, and symbols hung from the walls and sat atop every surface that would support them, representing over one thousand different religious sects.
Candles cast their flickering shadows across walls graffitied with prayers, spells, and other symbols of worship. The apartment was a shrine to mankind's entire religious history.
Darkening pools of red stained the warped hardwood floors in every room and many of the prayers and symbols written on the walls were drawn in the same brown-red blood.
Dozens of animals raged, screeched, barked, and hissed in their cages. The smell of death was driving them mad. Each morning, a company that bred animals for experimentation brought him fresh shipments of creatures that he promptly slaughtered while praying without relent to one God after another. Cartons of rabbits, monkeys, snakes, and birds, cages of sheep and goats, hit his doorstep each morning and by the following morning those same cages and cartons would be empty. His trash can was full of their mutilated remains. His garbage stank like an abattoir.
Jamie stepped into the shower to wash the morning's sacrifice from his hands, face, and hair. Blood spiraled down the drain as he scrubbed his skin and hair. He could feel the tension in his muscles relax slightly as he washed away his sins. As distasteful as they were, the sacrifices always made Jamie feel better. They quieted the demons within as well as those haunting the shadows around him. Jamie winced as he washed one of the numerous bleeding sores on his body and noticed with dismay that the melanoma was spreading. If the prayers were working, he couldn't tell.
Jamie dressed quickly and walked past the cages of animals doomed to be executed that very evening into the room where he kept his "other" sacrifices, the ones plucked from street corners or stolen from emergency rooms. He paused briefly, staring at the locked door and listening to the muffled weeping within. He continued past.
Downstairs, below his apartment, was the occult shop he owned with his family. Jamie had worked there since he dropped out of college. He hurried around, tidying up and turning on lights, trying to eradicate every shadow in the room. But there were always places for shadows to hide.
He turned the sign around so that it showed "open," unlocked the door, then plopped down behind the counter in front of his laptop to begin his research.
He punched in "Human Sacrifice and Religion" and his mind reeled as pages and pages of links sprang up on the screen, each one a different religion requiring its adherents to murder and mutilate in the name of its God, gods, Goddess, goddesses, saints, demons, angels, and/or devils.
"What do I do?" he gasped, staring at the screen in astonishment, overwhelmed by the enormity of his predicament.
He thought about limiting his religious mania to only modern religions or only the major ones, but he was smart enough to know that just because an idea or ideology had fallen out of popularity didn't make it any less true. Truth was not a matter of popular opinion. Presidents, movie stars, and rock stars were the results of popular opinion, and he was seldom impressed with the tastes and wisdom of the masses. Most people, he knew, were idiots, terrified of truth, happier with pretty lies no matter who they had to hurt to maintain them.
"So, I am back where I started. Who is right?"
The bell on the door rang, announcing the arrival of a customer and startling Jamie out of his meditations.
The girl who shuffled in past the rows of love potions, power candles, and voodoo dolls had that look about her that told Jamie she was on the run from something or someone. Her eyes kept sweeping the floor, nervously shifting left to right and never once looking up at any of the spells, amulets, and potions lining the shelves. Her clothes were ill fitted, as if she had recently lost a lot of weight, yet she was far from emaciated. She was even plump in spots---all the right spots---thighs, hips, ass, breasts, the type of woman Jamie had always been attracted to before the disease robbed him of his desire. Even her shoes looked too big, slapping the tile floor as she shuffled up one aisle and down the other, looking at nothing. She was dressed inappropriately for the weather which wasn't unusual. Most of the women in the neighborhood were strippers or whores who were accustomed to ignoring the frigid temperature in order to attract customers. She was not a shopper. She had come in to the store to hide.
Jamie slid out from behind the desk, leaving his computer in search mode, listing one religion after another and each demanded human blood to appease its Gods. He sidled up beside the young girl and smiled.
"Can I help you with something?"
"Do you have anything to ward off evil?"
"Lots of things. Evil spirits or evil people?"
"People. The worst kind of people." The girl's eyes glanced towards the store window as if she were expecting an attack from that direction.
"Who's after you?"
The girl's eyes rose to look up at Jamie. She stared at the rashes and lesions on his face and then back into his eyes.
"Are you sick or something?"
"AIDS. I'll probably be dead by the end of the year. Now, you tell me your story. Drugs? Prostitution? Ran away from home?"
"All of the above. Except, I didn't run away in the usual sense. I'm nineteen. My parents aren't exactly going to be calling out the FBI, and yesterday was my first night as a prostitute and my last. Some guy tried to kill me. He threatened to cut my tits off if I didn't let him fuck me in the ass. I ran and now my pimp is after me. I just met him, too."
Jamie saw a quick, furtive movement out of the corner of his eye and turned in time to see something dark and ill-formed, the shadow of some grotesquely deformed thing, detach itself from the darkness behind one of the massive bookshelves lining the walls and dart across the room to join the other shadows behind the closet door. His pulse quickened. He didn't know what these things were. Demons his rituals had summoned? Messengers of the many Gods he worshipped? Some of the lesser Gods themselves? He knew what they wanted, and he knew they were getting impatient.
"Well, I've got an apartment upstairs if you need a place to stay. You don't have to worry about me trying to fuck you or anything. All the medications I'm on have left me with very little libido."
His smile trembled as it spread across his face. He hoped she would attribute the bizarre expression to his disease and not the fear steadily increasing within him as more shadows flitted about the room on the edge of his peripheral vision.
"I'm sorry to hear that."
"It's a blessing really. Could you really see me trying to get laid, looking the way I do? I don't need that kind of frustration and I wouldn't want to accidentally get someone else sick. Believe it or not, I used to be a really good-looking guy."
The girl smiled at him. "I believe it."
"So, what do you think? Tomorrow's Thanksgiving. Nobody should be alone on Thanksgiving. Do you want a place to stay for a few days?"
She looked around the occult shop and back into Jamie's eyes. She was obviously the type who thought she could see everything about people in their eyes. Of course, if that were true, she wouldn't have picked up a sadistic trick and fallen in with a pimp.
"You're not into some satanic cult shit are you?"
Jamie smiled nervously.
"Yes. I am. And tonight at midnight, I'm going to sacrifice you to the goddess Kali or maybe the sun god Ra or maybe even Pele' or Huitzilopochtli. He's a particularly bloodthirsty Aztec deity, but then, he's partial to virgins. I don't suppose you happen to be a..."
"Not by a long shot." The girl laughed.
"Oh well, I guess there won't be any sacrifices tonight."
"My name is Katherine. My friends call me Kitten."
"Hello, Kitten. My name is Jamie."
"You own this place or just run it?"
"My family owns it, my two brothers, my sister, and I. But since I'm the only one who didn't want to sell the place and divide up the money when my parents died, I run it by myself. Once I croak they'll liquidate everything, but for now it's mine."
"Cool. Mind If I take a look at that apartment?"
"Sure. Follow me."
They walked to the back of the shop, past the register and up a flight of stairs to Jamie's apartment door.
Jamie fumbled with his keys while he tried to figure out what to do.
"How long have you lived up here?"
"Since high school. This was my first apartment and it looks like it'll be my last."
Kitten smiled sympathetically, but said nothing. Jamie opened the door and the smell of incense and candles wafted out followed by the smell of animals. Kitten stepped inside and winced when the door slammed shut behind her.
THROUGH THE FOG OF incense she spotted the walls covered in blood spatters and scrawled prayers. She saw the cages upon cages of animals from rats to monkeys to snakes to goats and the multitude of statues, icons, totems, and altars. When she heard the sound of a muffled human voice coming from inside a locked room down the hall, Kitten knew something was wrong. She heard the door lock behind her, heard the footsteps approaching, saw the bowls of entrails atop the various altars, and felt the bile rise up to scald the back of her throat. Her eyes watered as she recalled the dozens of horror films she'd seen as a kid. They always culminated in a moment like this, the audience shouting for the heroine/victim to get out of there while the killer crept up behind her. For the second night, she had placed her life in jeopardy.
"Why does this shit always happen to me?" she said out loud as she turned back towards Jamie, already anticipating his attack. Her body dumped a gallon of adrenalin into her bloodstream in preparation to run or fight for her life. But it was too late. She wilted to the carpet as Jamie brought the sixty-pound brass Buddha down onto her skull. Minutes later she was hog-tied and gagged, locked in a room with two other girls her age and a boy no older than fourteen who appeared to be as sick as Jamie. She began to weep then stopped when she realized it would do her no good. She just had to wait for Jamie to get back so she could try to reason with him and seize any opportunity to escape.
JAMIE SAT WITH HIS back to the locked door as he listened to Kitten's muffled screams. He had been sitting there for hours, watching with dread as the sun traveled across the sky, trying to work up the nerve to sacrifice one of his captives before nightfall. The winter solstice was drawing near. The shadows were increasing and they were hungry. He could see the bloodlust in their fiery red eyes as they glared at him from every dark corner.
The room began to shake as the shadows continued to multiply, thrashing about in fits of rage, eager to get at Jamie or the sacrifices he held locked behind the door. The floor bounced and rattled like a rollercoaster as the screams and roars of the demons drowned out the sounds of Kitten's weeping. Jamie clamped his hands over his ears again, trying to shut them out.
"Go away. Go away. Go away! I won't do it. I can't! Not yet! I...I'm not ready yet. She's not right. She's too alive. I'll find you someone better. I'll find someone tonight."
Jamie grabbed his coat and hat as he walked out of his occult shop and locked it up for the evening. He had to get out of there. He needed to think, to figure out what to do, and he needed to find more sacrifices.
As confusing as his life had become, his compulsive prayers and rituals at least made him feel like he was doing something to save himself. It made him feel as if he were taking control of his life. Kidnapping girls made him feel powerful. He just wasn't sure he could take it to the next level, not until he was positive that this was what God, or Gods, or the Goddess wanted.
Jamie scratched absentmindedly at the raspberry-red melanoma spreading across his cheek as he pulled the collar of his jacket up against the cold. There was no parking lot on this street and parking meters lined the block in both directions checked almost compulsively by ticket-happy meter-maids, so he parked his '77 VW Beetle nearly two blocks away. As he walked, he smiled up at Ra as the fiery sun god struggled to break free of the clouds even as he hurtled towards the horizon. Jamie turned away as the dark clouds began to form hideous faces, human faces with horns and fangs and odd growths and tumors protruding from their skin. Reptilian eyes turned toward him as their mouths split wide with ear piercing shrieks. Jamie was pissing The Gods off with his refusal to act. But he just wasn't sure what he was supposed to do.
Jamie studied every face that passed him. In some he saw the same taint of death that marred his own dour features. Others bristled with life so brilliantly that it was almost blinding. Jamie chastised himself for his jealousy as he scowled at them and imagined sacrificing them to the Sky Gods. But Jamie knew he didn't have the heart to sacrifice anyone so alive. If he did manage to kill, it had to be something more like euthanasia. The three whores he had locked up in his room were all drug addicted street walkers who would have doubtlessly killed themselves in some way had he not interceded. The boy was dying from multiple sclerosis and was already partially paralyzed. Their deaths would be a mercy.
But would it be enough to appease the Gods?
The latest religion Jamie had adopted believed that without a human blood-sacrifice, the Aztec god Huitzilopochtli would be depleted of tonally and all movement in the universe would cease. The prospect so terrified Jamie that it haunted his dreams. Night after night he awakened screaming, throwing off his sweat-drenched sheets, grabbing for one of the hundreds of idols, amulets, and totems that guarded his bedside against evil and death.
In the morning he'd run panicked for his window afraid the earth had ceased its rotation, only relieved once he'd seen the sun rise. Last week he'd nearly fainted when he'd stepped out of his shop into the street only to find the road empty of cars and people and not so much as a breeze stirring the air. He'd thought that his procrastination had doomed the earth to inertia. That had decided the matter for him. He began collecting sacrifices that very same evening.
He'd picked up Naomi in a crack-house. He just walked in while she was nodding from a nose full of heroin and just about to chase it with a hit of rock cocaine, scooped her up into his arms, and carried her to his car. She slurred against his neck as he carried her, already negotiating for the next hit, heedless of any peril she might be in.
"Yooooou want to fuck? You can do anything you want for fifty bucks. Or I'll suck your dick for ten. For ten more I'll even let you fuck me in the ass. Just let me finish this last hit and I'll go anywhere you want. Hey!"
She cried out as he folded her anemic body up into the trunk of his beetle and slammed it shut. He had to sit on it like he was closing an overstuffed suitcase in order to get the trunk to close. He dislocated her hip and broke three of her ribs but he made her fit. He could hear her cry out as her body collapsed in on itself and the trunk locked in place.
The very next day, Tara leapt into his car willingly as he pulled to a stop at a street corner crowded with prostitutes and drug dealers.
"Hey, daddy! Want some pussy?"
There were shadows all around her crying out for her blood. She didn't seem to notice or care. Jamie heard a horrifying voice boom in the cramped confines of the car.
"Kill this whore! Sacrifice her!"
He wasn't sure which God had said it, but he knew he had to obey. He gave her a snort of heroin and a whack on the head with a tire iron then drove straight to his apartment where he chained her up in the room with Naomi. He'd kidnapped little Bill while he was leaving the hospital after his last check-up, the one when they told him he only had a few more months to live. He'd scooped the boy up out of his wheelchair and walked right out of the building with him. So far he hadn't hurt any of them. So far he hadn't found the nerve.
The Aztecs sacrificed twenty thousand people a year to their gods to keep the earth in motion, Jamie thought. All I need is one to make my contribution. Why is it so hard?
He thought about Kitten, about Bill, and Naomi, and Tara, all chained up in his apartment waiting for him to make up his mind. But he just couldn't bring himself to do it. The question kept nagging at him.
What if I am wrong? What if this isn't the true religion? What if by killing someone I am committing a sin and damning my soul to hell?
But then the opposite thought would immediately rise up to complicate things and send him spiraling into a near panic.
What if the Aztecs, the Druids, the Africans, the Greeks, the Polynesians, the Egyptians, and three quarters of the ancient world were right? What if by not killing I am damning myself?
Since he'd first been diagnosed HIV positive and then with full-blown AIDS Jamie had been struggling with this same dilemma. Ever since his death sentence, he'd decided that in order to ensure his soul would not perish or suffer eternal damnation he'd had better play it safe and worship every god known to man just in case one of them was the TRUE god. Better safe than sorry. The problem was that so many of the religions conflicted. What was canonized by one was condemned by another. Sinner and saint were one and the same depending on the religion or the times. In order to cover his ass, he'd have to worship every religion, but by worshipping them all he was sinning against many and condemning his soul anyway. And then there were the jealous Gods, the monotheistic religions that made it a sin to worship any other. They pissed Jamie off the most.
There has to be a solution, Jamie thought. There has to be a way to make it work.
Jamie unlocked his car and collapsed behind the wheel. He closed his eyes and bit down on his lower lip trying to control his frustration.
What do I do? What if they are all wrong?
Jamie sighed in exasperation and looked at his face in the mirror. He looked like the Ghost of Christmas Past. He knew he'd be dead soon. If he couldn't save his body then he had to at least save his soul. He drove to the hospital and followed the familiar path to the terminal ward. No one thought to question his presence there. With his emaciated body shivering from fever, the various rashes and tumors on his face and hands, Jamie looked like death. AIDS was kicking his ass. But he wasn't technically terminal yet. The people housed here had only days or weeks to live. Jamie had another reason for visiting the terminal ward. Jamie was after virgins.
Finding virgins of any age was difficult. Even nuns were getting laid these days. Priests and altar-boys were having more sex than rock-stars if the rumors were true. The only place he could be relatively sure to find a pure unsullied virgin was among the diseased and dying. He considered it a safe assumption that the young adults, twenty-one and under, who'd spent much of their lives in and out of the hospital, probably hadn't gotten laid much.
Jamie smiled at the night nurses as he passed their station. They smiled back with expressions of pity, disgust, or apathy. None of them questioned him. They had little doubt that he belonged. Jamie shuffled his way down to the farthest room and grabbed a wheelchair that sat unattended in the hallway. There was a boy inside the room exuding the all-too familiar smell of cancer. The smell was so overpowering that even without reading his chart Jamie knew the kid was terminal. No one survived with that much cancer.
The kid was tiny, his appetite long destroyed by chemotherapy along with his hair. Jamie looked down into the boy's eyes as they fluttered open, his brilliant blue irises now wan and rheumy.
"Hi, kid. How was your Thanksgiving? Did they serve you turkey?"
The boy scowled and turned up his nose.
"Yeah, I don't suppose turkey and gravy from the hospital cafeteria is much of a treat. Your parents sent me to get you out of here. Nobody should have to die in a place like this. We're going outside beneath the stars. Would you like that?"
The boy nodded, too weak to speak. Jamie took a quick look at his medical chart to get his name and the name of his doctor should he need it. Then he slid the IV from the boy's arm, disconnected his morphine drip, and removed his oxygen mask.
"You okay breathing without this thing?"
Again, the boy nodded.
Jamie threw back the kid's covers and slid one arm under his legs and the other under his shoulder and lifted him from the bed. The boy's head flopped backwards as if he had no spine and his head weighed a ton. Jamie eased him gently into the wheelchair.
"Do you have regular clothes?"
The kid nodded towards the closet across the room and Jamie walked over and withdrew a pair of shorts and a t-shirt. The kid must have been in the hospital since the summer. Jamie removed the boy's hospital gown and slipped his t-shirt on over his head. Then he slid his shorts on.
"It's kind of chilly out now. We'll take this blanket with us to keep you warm."
Jamie whipped the thin hospital blanket from the bed and wrapped it around the boy's bare legs.
"There. That's better. You ready to go?"
The boy smiled and Jamie wheeled him out of the room.
He wheeled the kid down the opposite hall, away from the nurse's station, and into an elevator. Minutes later, Jamie strolled leisurely through the main lobby and out the front door without anyone once stopping to question why such a sick boy was being taken out into the cold.
Jamie wheeled the boy out to the parking lot and right up to his car. He slid the passenger seat back as far as it would go and lifted the boy into it. Then he hopped in on the opposite side and sped out of the parking lot leaving the wheelchair abandoned.
The boy was smiling as he looked out the window at all the passing cars. Jamie wondered how long it had been since he'd been outside. He decided to drive him around a little for one last tour of the city before taking him to the park and butchering him.
They cruised around Central Park, past Trump Tower and Rockefeller Center. Jamie watched as the boy craned his neck to see the top of the skyscrapers. He turned at Broadway and they cruised all the way down to Times Square. The boy smiled at the lights, and Jamie checked his watch. It would be dark soon.
Jamie turned the VW around and headed back toward the park. It was already emptying out. He decided to wait until the darkness was absolute. There were very few people willing to brave the park after dark even with all the progress Mayor Giuliani had made in the war on crime. They'd be alone soon.
They sat outside Tavern On The Green watching the carriage drivers change shifts as the sky grew darker. The park was alive with movement. Very little of it was human. Bizarre shapes gyrated and convulsed, thrashing about in the darkness. Here and there Jamie caught a hint of fangs or claws or flaming red eyes. He tried his best to hide his fear from the boy.
The hot dog and ice-cream vendors were streaming out of the park like cockroaches. Jamie jumped out of the car as one of them passed.
"Hey, my man, can I buy a fudgesicle from you? Two, please?"
"Uh-uh. I'm done for the night. I've got to get home to my family," the guy said, his voice tinged with some faint Middle-Eastern accent that was nearly undetectable beneath the more pronounced Brooklyn one. The grizzled old ice-cream vendor pushed his cart right past Jamie without looking. He'd obviously had a bad day. Sales for ice-cream probably weren't too good in November.
"C'mon, can't you help me out? My kid is dying of cancer and I'm just trying to show him a good time on Thanksgiving before he has to go back to the hospital."
"Thanksgiving is tomorrow. And I need to get home to my family tonight."
"He might not be alive tomorrow."
The ice-cream man knelt down and peered into the car. He saw the emaciated boy sitting in the front seat wrapped in a blanket, his mouth hanging open, struggling to breathe, his hair all but gone, and his eyes hollow pits sunk deep into his face. The boy's eyes swam sluggishly towards the scruffy old ice-cream man as if even that took great effort. He smiled painfully, and the old man gasped and looked back at Jamie.
"Oh, Jesus. Is he gonna be okay?"
"No. No, he's not."
"I'm sorry, man. Here, just take the ice-cream. I already totaled my receipts for the day. It would be too much effort to make change for you anyway."
"I appreciate it."
Jamie took the ice-cream and hopped back into the car. The boy was too weak to hold the fudgesicle, so Jamie held it for him. He didn't start eating his own ice-cream until the boy had finished all of his. When the boy was finished, Jamie wiped his chin with the blanket and unwrapped his own. They sat there quietly watching the curtain of night thicken as Jamie slurped on the melting fudgesicle. It was a good thing it was cold out or the ice-cream would have already melted.
"Thank you."
It was a hoarse whisper barely audible above the sounds of traffic and the rustling of the trees. Jamie wasn't certain he'd even heard it. He turned towards the boy. There were tears streaming from the kid's eyes as he stared back at him.
"Don't thank me."
"My parents never come to visit anymore. They say it's too painful for them to see me like this. I know they didn't send you. They've forgotten about me. I don't know why you're doing this. But thank you."
Jamie had to lean close to the boy's lips to hear him. His voice was so weak, unable to get enough air into his lungs to project it. That close the smell of the cancer inside him was suffocating. Jamie smiled back at the boy and studied the kid's face. It seemed impossibly cruel that someone so young was dying. Jamie wondered how long the kid had left. If he was in the terminal ward than it wasn't long. They had only been gone for an hour but Jamie could already see the pain in the boy's face as his morphine wore off and the agony of his disease slowly crept back upon him. His face twitched and spasmed as he struggled to maintain that appreciative smile despite his increasing discomfort. Soon the pain would be unbearable to him.
There's no such thing as mercy killing, Jamie thought. Every death is an injustice.
Jamie cursed and started the engine. The wheelchair was still in the parking lot when they arrived back at the hospital. He wheeled the boy back through the lobby, up to his room, and then lifted him back into his bed.
"Thank you." The boy wheezed again. Jamie turned quickly away. He walked off mumbling prayers in dialects that hadn't been spoken on earth in two millenniums. His mind was in a tailspin as he drove home.
I can't do it. I can't fucking do it. I'm doomed. My soul is doomed. There has to be a way to satisfy them all without killing. There has to be a way!
The VW rocked and shook as shadows and dark apparitions hurled themselves against the vehicle, attacking it in a rage of disappointment. Jamie tried to keep his eyes on the road, looking straight ahead and not at the twisted creatures slithering across his windshield trying to pry their way in to pluck him from the vehicle and tear him apart, to punish him for failing them yet again.
"Give us our sacrifice! You owe us! Kill for us! Give us our sacrifice."
"Who are you? What the fuck are you? Are you a God? A devil? What?"
"We are God. Kill for us! Kill for us!"
Jamie parked his VW back in its usual spot and headed straight for his apartment, shrugging off the spectral fingers clawing at him, threatening to make a sacrifice of him. He could feel the weight of their bodies as they grabbed hold of him as if they wanted to make it clear to him that they were not hallucinations. They wanted him to feel their strength and power. Jamie felt hands around his throat, choking him. He felt something jump on his back and drag him down. He was still being strangled as kicks and punches began raining down upon him. Jamie felt his ribs crack as something kicked him in his side. What little air remained in his lungs came exploding out as something punched up into his abdomen. He almost passed out when the presence seated on top of him suddenly disappeared and the pressure around his throat abated. He was left alone on the sidewalk bleeding and panting after being mugged by things he could not see. Jamie staggered home, trying to figure out what to do. This was no longer a matter of curing a disease. It was about saving his immortal soul.
He unlocked his front door and then the door to the spare bedroom where Tara, Naomi, Billy, and Kitten were still held captive.
"Tomorrow is Thanksgiving. The spirits are demanding a symbol of my gratitude, a tribute, a sacrifice. But first, we're going to have a last meal, a Thanksgiving feast."
His captives wept and trembled as he spoke. Jamie dropped his head then slowly turned and walked out the door, back to his room.
Jamie's dreams were dark and violent. Demons and spirits, angry demigods and angels, worried at him as he slept. He dreamt about murdering Kitten, the prostitutes, and the young boy, ripping their hearts out to sacrifice to the gods. He dreamt of what would befall him if he didn't. He imagined himself covered in blood, sawing a torso, that appeared to be the streetwalker named Naomi, in two. In his dream, he had an erection. He woke up with a scream and was appalled to discover that he had orgasmed. His underwear were soaked with sweat and semen. He had cum while dreaming about mutilating one of the women he had locked up in the next room.
What the hell is wrong with me?
He stripped out of his soiled briefs and dashed into the shower. As he scrubbed his drying seed from his pubic hair, he steeled his nerves for what he had to do. The sun was at its full height when he stepped from the shower. It was Thanksgiving Day. Time to show his gratitude to the gods with a blood sacrifice.
Today, Jamie forsook his normal rituals. Instead, he took the last three chickens from the cage and slit their throats. He offered their blood and entrails to the various deities who were satisfied by such pedestrian offerings. The rest of them went into a large pan then into his oven. He sautéed some potatoes and green beans as well. It was all he had in his cupboard. He wished there was time to make a pie. It just wasn't Thanksgiving without pumpkin pie, but cold shivers wracked his body and the thought of venturing out into the cold to go grocery shopping made the chills worsen. It would not be much of a last meal.
Half the day was gone before the meal was ready. Jamie had been purposely avoiding the room where Kitten and his other three captives. He didn't want to look them in the eyes until he absolutely had to. He knew that doing so might steal his resolve.
He placed the three chickens, the potatoes, and the beans on a platter and carried them into the room along with several plates.
"I know this isn't much, but it's the best I could do on short notice. I wanted this day to be as happy as I could make it. You know...under the circumstances."
He went to each girl and untied one of their hands. He untied Tara and Naomi first. They backed into a corner hugging each other waiting for the violence to begin. When he got to the boy, he untied both of his hands. There was little threat of him escaping.
He began serving them, filling their plates with chicken and vegetables.
"You don't expect us to eat this shit," Tara said defiantly.
"I was hoping you would. It is Thanksgiving." She knocked the plate out of his hand as he knelt to hand it to her.
"I said, I'm not eating this shit! Just let me go!"
"LET US GO!" Naomi yelled, adding her voice to Tara's. Kitten and the boy remained silent, cowering in the corner.
Jamie sighed. There was no sense keeping them any more. Jamie knew now that he had no heart for murder. The very idea of it, after the dream he'd had, made his stomach roil.
"Okay, I'll let you go." He stood up and walked over to the girls, untying them one at a time.
"Don't hurt me. Please, don't hurt me. I'll eat the chicken if you want me to." Tara whimpered as Jamie untied her legs and her other arm.
"I'm not going to hurt you. Just get the fuck out of here. Go ahead, get out!"
The girls nearly trampled Kitten, who was still tied up, as they scrambled for the door.
"Wait! Take him with you! He can't walk!"
Jamie was busy untying Billy as the girls dashed out of the apartment and down the steps.
"Fuck that! You take that little motherfucker back wherever you got him from, you sick perverted bastard! We're callin' the cops on your ass!"
Jamie heard the door slam downstairs as they ran out into the street. Then he heard them screaming for help. He sighed wearily and untied Kitten. She pulled the gag out of her mouth and stared at Jamie, scared and perplexed, trying once again to read his soul in his eyes and once again failing.
"You letting me go?"
"Yes."
She shook her head in puzzlement.
"Then why'd you kidnap me in the first place?"
"You wouldn't understand. Just please take Billy with you when you leave?"
Kitten reached down and threw the boy's arm over her shoulder then tried to stand. It didn't work. She tossed him over her shoulders in a fireman's carry and walked slowly toward the door. She stopped in the living room and eased the boy back down to the floor, turning to face Jamie again.
"Why the fuck did you knock me over the head like that?"
"I'm sorry. I was just confused."
Jamie could barely look at her. His eyes rose no higher than her shoes. Despite herself, Kitten felt pity for him. She could only imagine how insane she would be if she were slowly dying, rotting away piece by piece. Who knew what kind of crazy shit she'd do?
"Those girls are going to bring the cops back here ya know?"
"I know."
"Then what are you going to do?"
"I'll be dead before they get here."
"What? Why?"
"I have to. It's the only way to satisfy them all. I've got to sacrifice myself."
"What are you talking about?"
"The Gods!" Jamie yelled gesturing around the room at the innumerable objects of worship, "They want blood and I can't give it to them! I'm too much of a pussy. But there is one sacrifice I can give them. I'm man enough for that at least."
"What are you talking about?"
"Pascal's Wager! You know... It's safer to believe in God on the off chance that God exists so that you go to heaven then not to believe and wind up burning in hell. But there are just so many! How do you choose?"
"I don't understand."
So Jamie explained. He told her about Huitzilopochtli and Esus and Kali and Pele' and Ra and the myriad other bloodthirsty deities and their demands for human sacrifice. He explained to her that there was no more evidence to support one religion than another, so he couldn't be sure which one to worship. The only way to be sure was to worship them all, which meant killing.
"Will you help me?"
"Help you kill yourself?"
Kitten looked at Jamie and thought about all the terrible things she'd done in her life just to get high or disgrace her parents or impress her friends and how helping Jamie take his own life was really not much worse than blowing a guy for a hit of crack or pulling a train with half the football team in high school just to get attention. He was dying anyway so it wouldn't exactly be murder.
Would it?
Perhaps, in some way, helping him would even bring her redemption.
Jamie wrote down all the prayers, blessings, and incantations she would need to send his soul off properly.
"You've got to recite all of these after I'm dead."
"Okay." She didn't know what else to say. This was all so surreal, so unbelievable.
Kitten watched as Jamie climbed onto the biggest altar in the room and doused himself with lighter fluid. He laid more than a dozen different sacrificial knives and daggers out in front of him and began jamming them into his stomach one at a time until his lower abdomen bristled with the quivering hilts of blood-spattered steel. He began chanting and praying, crying out in mortal anguish each time he buried a new knife into his flesh. His eyes rolled up into his head as waves of agony ripped through him, burning in his gut. He bit through his bottom lip and almost lost consciousness for the second time that day. Blood bubbled up from between his lips and gushed from his wounds, drenching the altar. Still, he picked up another knife and then another and another until only one remained. He sat there swaying back and forth with a belly full of steel, looking as if he were about to expire right that instant. His chest rose and fell in deep laborious breaths as he stared at the last knife.
Jamie looked around the room.
"Do you see them?"
Kitten looked around and shrugged her shoulders.
"See who?"
"The Gods. They are confused. They weren't expecting this."
"What do you want me to do now?" Kitten interrupted.
Jamie's eyes swung slowly towards her, missed her, and then swung back until they finally focused upon her. He opened his mouth and a spray of blood erupted from his lips as he spoke.
"This last knife is going in my chest and after that I'll be dead so you have to cut my heart out for me and put it on that altar over there and recite these prayers. You have to make sure you say the right ones. Cut out my intestines and divide them up between those three altars by the bathroom over there and then chant this." He handed her a sheet of paper stained with so much blood it was almost unreadable.
"Okay," she replied staring at the blood-drenched sheet of loose-leaf as if it were something dangerous capable of attacking her.
"After that you have to cut off my head and put it at the feet of that statue of Artemis, but you have to be naked when you do it and you have to recite this six times before you chop my head off. After you chop off my head you need to remove my brain and put half of it in that bowl over there and the other half in that goblet by that statue over there next to the door."
"Who is that?"
"Some Polynesian deity. I can't pronounce his name. Now, after you've done all of that, just take my blood and pour it into those sixteen bowls over there on those altars and then burn my body on this one. You got that?"
"Uh...yeah...I---I guess so." Kitten's stomach was roiling. She wasn't sure she was up for this. The blood spurting from the wounds in his belly was already starting to make her woozy.
Jamie picked up the last dagger and poured the remaining lighter fluid over his head. Jamie coughed up a thick wad of coagulated blood from a punctured lung and smiled through teeth streaked with gore. He laughed, wincing from the pain of the blades crowded into his abdomen. His stomach acids had already begun to leak out and corrode his organs. Blood sprayed from his lips as his laughter grew louder. He almost fell from the altar as the pain doubled him over.
Tears squeezed out from the corners of his eyes and rained down his cheeks as he stared heavenward, his arms held out in supplication. With all his prayers and sacrifices he had still seen no evidence of the all-powerful deities he'd read about in so many cultures. All he'd seen were the terrible bloodthirsty things that lurked in the dark. He had still yet to find God. He still had no idea which religion was the right one. He recited more prayers in languages that were dead before the fall of Rome and shoved the last blade into his chest with such force that the tip of the blade burst out through his back.
"But...but suicide is a sin. It says so in the Bible. What if you end up in hell?"
"Then I have lost nothing."
Jamie smiled in exhausted relief as his soul vacated the flesh.
He fell back upon the altar and Kitten seized the knife in his chest. She had to jerk several times with all her weight and strength to dislodge it from his sternum. She then began cutting out his heart in vigorous strokes that left her sopping in blood up to her elbows. She turned her head as she sawed through his ribcage, thankful he had chosen a serrated blade to plunge into his heart, trying her best not to regurgitate on him. She lost the battle with her stomach and yesterday's lunch spewed forth in a deluge of liquid yellow.
Blood pumped from Jamie's wounds. His heart sputtered to a halt. Blood plastered Kitten's t-shirt to her breasts. The sound of steel on bone was even more nauseating than the wet squishy sounds of the blade cutting into meat and tissue. More blood splattered her face as she severed his aorta. She almost feinted again when Jamie's corpse began its death spasms. Kitten had almost forgotten about Jamie's disease and had to stop to wash her hands and face and put plastic gloves on before continuing. It was probably too late now anyway.
Jamie hadn't told her which knife to use to cut out his intestines or which sword to cut his head off with and for a moment Kitten stood there looking around at the mess of blood and meat in confusion. It was okay though; there were a lot of knives to choose from. She would think of something. She began chanting the different prayers Jamie had left for her as she continued to unmake his corpse. She'd do her best to make sure Jamie's soul found peace, even though she was certain she had already damned her own to hell.
The night had begun to flee the morning as Kitten finished unmaking Jamie's corpse and distributing it among the various altars. She was surprised that the police had not returned with the whores, but she did not dwell on it. The two women had probably picked up tricks on their way home or had gotten high or been snatched up by their pimps. She could only imagine the kind of beating their pimps would lay on them when they finally found them after being missing for days. She doubted that anyone would have believed that they'd been kidnapped by a terminally ill man and then released without so much as a scratch. Kitten thought of what her own pimp would have done and shuddered.
She sat there for a long moment looking at the remains of Jamie's gutted corpse, looted of all its blood and organs. She'd even removed his eyes, teeth, and sexual organs which now decorated altars on both sides of the apartment. Kitten remained seated beside Jamie's body, breathing heavily and feeling exhausted as if the long hours of ritual mutilation had sapped all of her strength. It dawned on her that the sky had remained in that dim twilight between morning and night the entire time she'd been carving on Jamie's corpse. She poured more lighter fluid onto what remained of Jamie's corpse and prepared to set it ablaze, but match after match failed to ignite. Soon, she'd littered the floor with an entire box of matches.
Kitten looked around the room as the fine delicate hairs on her neck and arms rose and her body began to tremble. The sense that something was terribly wrong grew inside her until she was completely terrified yet unable to articulate why.
The room was still near dark as Kitten rose from the floor and walked over to the nearest window. She slid the window open and was surprised at the silence that greeted her. There was no traffic on the entire street. There was no movement at all in fact. Not a bird chirped, not a dog barked, not a horn honked, not a single human voice or footstep could be heard, not even the rustling of the wind through the trees. Everything had simply ceased movement. Kitten looked up into the sky. Her head felt heavy and her neck muscles had barely enough strength to lift it. She wobbled and had to grab hold of the window sill to keep from falling over. When she finally lifted her eyes skyward her legs began to tremble and then finally gave out on her, depositing her on the seat of her pants on the hardwood floor of Jamie's apartment.
The sky was not covered in clouds as she'd been expecting. There were very few clouds in the sky at all. The sun had simply not risen. It was still low in the sky just barely peeking over the ocean but it wasn't rising. It was stuck there on the edge of the sky, boiling on the horizon. Even the clouds did not move, their momentum arrested, hovering in the sky. All movement everywhere had ceased. It was then that Kitten remembered the one deity that had most terrified Jamie, the Aztec god Huitzilopochtli. Jamie had warned her that without a blood sacrifice Huitzilopochtli would cease to provide the world with something he called tonally and all movement on earth would cease. But the sheet of paper with prayers she was supposed to recite to Huitzilopochtli was covered with so much of Jamie's blood that she'd been unable to read any of it and so, she'd simply skipped them.
She looked back at the horizon hoping that she was wrong even as she began to feel her own energy winding down. The sun had still not moved and appeared to be dimming as if it too were losing energy. Her sin against the bloodthirsty Aztec deity had damned more than just this world...perhaps the entire solar system, maybe even the entire universe.
Kitten collapsed onto her back as her muscles lost all vitality and shut down. Her arms and legs went numb, her heartbeat slowed, and her breathing became more shallow. Even her thoughts began to slow. She imagined how enraged Huitzilopochtli must have been, watching as all the other Gods received their offerings of blood while He alone was denied. She imagined how intense his wrath must have been after centuries of being ignored by humanity only to be reawakened by Jamie with the promise of blood and then snubbed.
With a sigh that emptied her soul Kitten watched the sun turn black and fall from the sky just as the fading spark within her winked out.
A SPECIAL SURPRISE AT THANKSGIVING DINNER
by Elle Richfield
Hector had prepared dinner. There was nothing unusual here, as he always cooked all of their dinners, along with lunches, teas, and breakfasts too.
"Where's our soup?" Norma whined, dictating her usual tirade of instructions, too lazy to lift a pudgy finger herself.
Hector smiled with unusual warmth as his family sat with him at the table for a very special Thanksgiving dinner. He looked at the clock. The roast would be done soon and need to come out to rest, he thought. The dinner was going to be timed just right. "Coming, dear," he mumbled scuttling off to the stove.
"It's so sad I have no grandchildren sat here with me today, isn't it Hector?" Ilene snapped from the table. There it was, her first cutting remark of many, thought Hector. But this one was particularly sharp---it was always his fault in her eyes they didn't have any children. He waited for her to continue as she always did.
"The little cries of joy with Christmas approaching---but if that's what God wanted, then I'll accept it. Even when Norma could have tried elsewhere."
And right on cue, the same pained look was directed to Norma, who undeservedly lapped up the pity. It was no secret Ilene had wanted better for her daughter, and "trying elsewhere" was her way of letting Hector know that.
At the stove, Hector's smile started to feel hotter. Behind his teeth and eyes was an uprising of anticipation. It was as though all of his suppressed feelings, thoughts and needs had fermented to create a deep well of fury within himself that he could no longer control. But most worrying of all, he no longer cared---he welcomed the approaching red void. For a moment he lost himself in the tomato soup as he ladled it into the bowls.
"So what roast are we having, Hector? Is it beef? Is it duck? It sure doesn't smell like turkey to me. Why didn't you ask us what we wanted?" Norma said, rolling her eyes at her mother.
"It's a surprise," Hector called with an excitement in his voice that even surprised himself. He noticed he was grinning again, which was usually quite a rare occurrence.
Ilene was a little discomforted by his out-of-place glee. "And what have you got to be so happy about?" she said, doing her damnedest to peg him right back down again.
"It's Thanksgiving and I want to thank you for all the lovely years we have had together, today," Hector said.
Ilene and Norma stared oddly at him, caught off guard by the words, before wolfing down the soup now in front of them, along with plenty of bread and butter.
Hector smiled some more as he watched them eat. He couldn't eat much himself; the ticking of the clock distracted him and seemed to grow louder and louder in his ears. Excitedly, he scuttled back to the oven and carefully removed the foiled up roasting tray.
"Open some more wine. We're out, you useless man," Norma barked.
"A real man would never let a lady's glass become empty while dining, would he, Norma?" Ilene said.
Even on special occasions, they didn't hold back on lashing their tongues. But today, Hector barely heard them, and their words no longer stung. He only heard the clock. He placed the heated trays of veg on the table, and fetched more wine.
Tick...tock...tick...tock.
He peeled back the foil on the roast try and looked on with glee---his warm smile now taking on a grimace of joyous proportions. "Perfect," Hector announced. Things were getting a little quieter at the table.
There were no sarcastic comments or nasty jibes, but he knew there wouldn't be now. The hands of the clock had counted ten minutes since soup. He turned around carrying the roast in its tray, and lovingly placed it centerpiece. "Ah...she's warm now."
Silence. A slightly soured smell was filling the air. Ilene had slumped in her chair, so Hector reached for the rope he had prepared earlier to secure her in an upright position. Norma's substantial size lodged her just fine, her head perching well on her stubby neck, but she was starting to drool.
The muscle-paralyzing drug had worked perfectly; Hector smiled. And he was enjoying the scenes of panic dancing in Norma and Ilene's eyes---because they were still very conscious. They could hear everything. They could feel everything. But they couldn't say a thing. As much as they didn't want to look---they had no way of not looking at the center of the table. There, lying in the roasting tray, was a small fetus, still in the fetal position.
Hector could tell you there was a surprising number of abortions at the hospital where he worked. It was one of his jobs to take the bodies to the furnace. He hated this grisly task, which rubbed raw with his emotions. Carefully, he now set out his new carving set on the table, which included an extra sharp 12-inch blade, a 10-inch blade, and a fork. The electric meat carver had been upgraded to pro-chef standards and was purposely attached to a long extension cable. He felt absolutely marvelous. The bubbling well of red had finally burst and was pulsating its force through his veins. He started to hum a seasonal tune.
"Now, where was I? Norma. It's Thanksgiving! And firstly I want to thank you for being my wife. And what a wonderful wife you have been, haven't you?" Hector said. "Did you ever listen to me when I explained how much I wanted a family? How I wanted children of our own? Did you ever hear how much it meant to me?"
Norma's eyeballs stared rigidly at him, especially when he rose from his chair and picked up the electric meat carver. He walked over to her.
"Did you hear me? Because I don't think you EVER did. Or ever cared to hear me." The meat carver roared into action, and he held it up to her head. "So I don't think you'll be needing these any more."
Hector began to hack off one of Norma's ears sending thick slicks of red into the surrounding vicinity. The sound was like music to him. "I think I'll leave your other ear for now," Hector said as the severed ear plunked wetly onto the floor. "I want to make sure you can definitely hear me when I thank you some more.
"And Ilene." He turned to face her enthusiastically. "I want to thank you for all those kind and considerate words you have shared with me over the years." There was much more movement in Ilene's eyes, a possible sign that the drug was wearing off a little, or she hadn't eaten as much of the soup. Her eyeballs bulged out as if on stalks as Hector moved closer. Prying open Ilene's jaw, he pulled out her tongue. Her eyes darted around in terror.
"Let's try the 10-inch out, eh?" In three hacks, he removed a substantial amount of her limp tongue. Blood oozed over her chin, matching her soup stains on the tablecloth rather well.
He turned back to Norma. "You see, Norma---you don't seem to have heard me when I said I wanted children," Hector shouted in her good ear. "Because I found your pills, and I found out how long you've been taking them.
"You NEVER wanted children, did you?" Shock was slowly glazing Norma's eyes.
"AND DID YOU HEAR THAT, ILENE?" He shot a look toward his mother in law. "You thought it was me---my fault---and you always made sure I knew it. YOU SAID I MADE YOUR SKIN CRAWL." Hector was feeling the red---it swelled through him and the release felt magnificent. "Well allow me to make sure that never happens to you again."
The electric carver cut a neat circle through the skin around Ilene's mid upper arm. Hector had been present during numerous operations at the hospital, where he would clear away unwanted debris and the likes. As he peeled the skin down her arm with a little encouragement from the 10-inch blade, Ilene's eyes went from frenzied to frozen. The skin hung away from the arm like old cloth, exposing the deep red below. Blood and other fluids dripped onto the floor below her hand.
From Norma, faint grunts and very slight movement were beginning to cloud Hector's cathartic silence. He looked down lovingly at the baking tray. "Norma, this is Cara." He placed his hand on the small not-quite-formed body. Rather than roast, he had warmed her through in the oven, and as he closed his eyes and placed his hand on her body he imagined she was sleeping. He wanted her so much. He picked Cara up from the tray, and for a while, nursed her over his shoulder
Norma's grunts had now turned into high-pitched squealing, taking Hector away from his daydream. "Look, Cara, mommy wants to play a game," he said. He placed her softly back down in the baking tray. "She's the Big Bad Wolf, and if we see her move, we scare her away!"
Norma's stubby index finger began to twitch.
"Look! It's the Big Bad Wolf, Cara!" and Hector promptly reached for the 12-inch blade and whacked the finger right off. The squeals got louder, but unfortunately for her, her left foot twitched back, and Hector saw it. He lost no time in hacking the foot off with a relish that consumed him, alternating both knives in the procedure. And he just couldn't stop smiling!
"There, there, the wolf can't hurt you now, Cara." He placed her back over his shoulder and patted her gently.
Norma moaned as the bloody stump swung gently beneath her.
"Shhhh---don't wake Cara up---she's sleeping now," Hector whispered. His eyes were closed, but when he opened them, reality came swiftly back, his face twisting in torment.
"Why, Norma?" he said. "I know you went to a different hospital. Us porters, we all know each other you see...we stick together. My mate Joe---he recognized the name. He got curious, checked the file for an address. I told him to bring it to me. You...YOU...had no right."
Norma's pleas halted as a dawning of realization washed across her eyes that were darting between the tray and Hector.
"Yes this...this is our daughter, and YOU killed her. I wanted to love her and take care of her... And are YOU too evil, too selfish to be mother to your own child? IS THAT IT? Did you really think I was going to take this? I owe it to Cara." Hector was now sobbing for what could have been.
"We're going to put things right, aren't we, Cara?"
He picked up the 12-inch blade from the floor by Norma's foot, picked up the fork from the table. Walking over to her, the squeals became more desperate. Without regret he rammed the fork into her stomach where he thought her womb might be, and proceeded to cut a neat circle with the blade. The blood sprayed and oozed. He carefully lifted Cara, and tucked her gently into the space---her space---her home. It was quieter again now. After Hector took off his spectacles to wipe away the blood, he saw Norma's eyes had rolled up into her skull.
He turned to Cara, and said, "There, there. Happy Thanksgiving, my darling. Thank you so much for allowing me to be your daddy today."
by Bentley Little
At first, I thought she was joking.
"What do you think Santa's going to bring you?"
I looked at her. There was no "cute" look on her face, and she hadn't said it in a babyish voice. Thank God. There's nothing I hate more than a grown woman who pulls that baby shit. Still, why else would she say it? "I don't know. Dog crap."
She slapped me, laughing. "Come on. I'm serious."
"What are you talking about?"
"Santa. Santa Claus. What do you think he's going to bring you?"
Was it possible? Could a person actually have lived twenty-three years and still believe in Santa Claus? I looked at her again. Yes. It was possible.
It wasn't one of those questions that come up in conversation. Even though I'd known her for six years, and even though we'd been going together for the last three, I'd never thought to ask her whether or not she believed in Santa Claus. Of course, I'd asked her what she'd received each Christmas, but I didn't think to ask her who'd given what. It didn't seem to matter.
But now we were married.
I thought briefly of calling her parents and asking them about her belief, but then decided against it. We all have little idiosyncrasies. Hell, I'm afraid of the dark.
I decided to humor her. "What do you think he's bringing you?"
She smiled and put a finger to her lips. "Can't tell."
"Why not?"
"I won't get it then."
I shrugged and turned back to the tree decorations. What the hell. So she had a few weird ideas to go along with her unshakable faith.
I put the star on top of the tree. What kind of parents did she have? I wondered. They seemed all right to me; a little conservative, perhaps, but that was to be expected for Orange County. In private, though, with just their daughter they had to be real looney tunes.
I'd have to ask her about it someday.
We finished trimming the tree, then went on to the other decorations. She had several varieties of nativity scenes, a stack full of advent calendars and a life-sized cardboard cutout of Rudolph. In addition, there was a series of green construction paper letters hooked together with string. "Wa-who-voorhees-Da-who-doorhees," I said aloud. "What's that?"
She laughed. "It's from 'The Grinch.' You know. That's the song the Whos sing. I made it when I was twelve. That's my favorite Christmas show."
I didn't remember the song, but then I hadn't seen 'The Grinch' for the past few years. I'd have to check it out.
"Where are your decorations?" she said.
I unwrapped my sole contribution---a little glass sphere filled with water and fake snow which fell on little plastic pine trees when shaken.
She put it on the living room table and shook her head. "Pitiful," she said. "Really pitiful. You have no Christmas spirit." She kissed the tip of my nose. "But I love you anyway."
I kissed her back. "I love you too."
THE WEATHER WAS COLD, unnaturally cold, and we spent most of December huddled around the fireplace under an afghan. It was our honeymoon, so we were able to fend off the holiday party invitations without too much trouble. It was just as well. I hated parties. And, to be honest, I didn't want my friends to find out that I'd married a girl who still believed in Santa Claus. At Christmas parties, the main topic of conversation is Christmas, and the subject was bound to come up sometime.
So we stayed home. We talked, read, made and drank a lot of hot tea, fucked a lot. She was good in bed. Damn good. The best I'd had, in fact. She knew some tricks that would make a man's hair stand on end.
I asked her about her previous experience once, and she surprised me by saying she had none. I asked her how she knew so much, and she just smiled. "It comes naturally," she said.
As the big day grew closer, she grew ever-more excited. She started whistling and humming Christmas songs under her breath. She smiled all the time. She talked real fast.
It was catching. I must admit.
Christmas Eve we watched Christmas shows. She'd videotaped 'The Grinch,' 'Rudolph' and all her favorites. Mostly kid shows. She laughed and clapped and giggled through each one like she'd never seen it before.
The tape only had about two hours worth of stuff on it. I wanted to watch another movie after but she insisted we go straight to bed. Santa wouldn't come unless we were fast asleep, she said.
That was fine by me. I'd bought maybe twenty dollars worth of small items that I planned to stuff in her stocking, and the sooner she fell asleep the sooner I could put it out.
She was too excited to make love, and all my amorous advances were met with slight slaps or giggled "not nows." So I left her alone. Ten minutes later, she was dead to the world, her sexy lips parted, her mouth half open, almost snoring. I crept out of bed, got the presents from their hiding place under the bathroom sink and filled up her stocking. I put a few token presents in mine as well, just so she'd think Santa had really been there. The things we do for love, as the song says.
I went back to bed and crawled under the covers, snuggling against her warm, soft ass.
I was awakened by a noise on the roof.
I sat up and looked over at Patty. She was still sound asleep. The blue light of the digital clock above her head said two o'clock.
The noise came again. A scuffling sound, like the roof was being raked. Or reindeer hooves, a voice in the back of my mind said.
The scuffling sounds moved. From above our heads to over the living room. To the fireplace.
My heart was pounding now. I knew this was no normal noise. I also knew it was no burglar. Something was up there which I was afraid to acknowledge. Something in a red and white suit.
This was crazy. There was no such thing as Santa Claus. Santa was a myth, a joke played on little kids by their parents and reinforced by the marketing powers that be. He was a fictional figure, a cartoon character. Like Paul Bunyan or Bugs Bunny. I was letting Patty's childish talk get to me. I was starting to imagine things.
The sound came again.
I was not imagining it.
Oh God. The sound of those pawing hooves on the roof is something we wait for our entire child lives. The sound of presents arriving. The happiest sound in the world. But when you hear that sound as an adult it is no longer so cheerful. You no longer want to hear it. And when you do, it scares the shit out of you.
I was tempted to hide my head under the covers and plug my ears and wait for morning. I could feel the fear rising in my body like bile, causing a wave of cold to travel from the soles of my feet, through my arms, to the top of my head. I started to shake; not just small trembles, but huge, wracking spasms.
But I didn't hide. I ran over to the switch, turned on the bedroom light and stood there listening. Patty was still asleep.
There was a sudden, jarring, growling sound, and I jumped. It moved from the roof, down the fireplace and into the living room. I didn't know what to do. "Patty!" I hissed. "Patty!" but she wouldn't wake up.
I thought of calling the police, but quickly discarded the idea.
Something---or someone---was definitely moving around out there now. I could hear its heavy footsteps moving from the living room to the dining room/kitchen area. The refrigerator was opened, then closed.
The noises moved back to the living room by the fireplace, and I heard several small, thudding sounds followed by several small crashes. Then came a whistling. My God, the thing was whistling a song to itself! I listened carefully: the bastardization of a popular Christmas carol.
What was out there? I wondered. What the fuck was it?
There was only one way to find out, I knew, but I wasn't ready yet. I stood next to the light switch, trying to gather up my courage, trying to formulate some sort of plan.
My feet started moving without my consent, carrying me through the door and out into the hall. The hall light was on---I always kept it on---so I stayed close to the right wall, moving slowly. I didn't want him to see me.
Like the hero in Clement Moore's story, I peeked around the corner and saw a red suited figure stuffing things into a stocking. Patty's stocking. He had thrown out all my presents and they were strewn over the living room floor, crushed, apparently stomped on. He'd left my stocking alone.
I said nothing, but watched him work. He did indeed have a large canvas bag with him, just like everyone said. It was filled with all kinds of goodies---mostly toys. He was also fat, just like expected.
Then he turned around. And I gasped.
His skin was dark green with mottled brown splotches all over it. He had no beard. His eyes, beady and close-set, were yellow with no iris or pupil. His mouth, set below a large, hooked nose, was filled with several hundred infinitesimal baby teeth, all pointed and the same color as his eyes.
But I hardly noticed the face. For underneath the red coat he was nude; his skin the same green and brown all over his body. And sticking straight out was a large priapic penis.
He looked toward me, hearing my gasp, and he smiled. His dimples weren't merry. "Happy holidays," he said. His voice was a whiny squeak, barely human at all. His eyes bored into mine and the world disappeared in a yellow haze.
I could not have been out for more than a few minutes, but when I awoke he was gone. His bag was still there, though, so I assumed he must still be in the house. I shook my head, trying to get rid of that drugged-out feeling. I tried to stand up. My body was heavy. It felt like I was suspended in water.
"Yes! Yes!"
I heard the whiny voice coming from our bedroom and, with a puking feeling in my guts, started staggering through the hallway.
Patty was kneeling on top of the bed, ass up, her nightie flipped over her back. Her head lolled to one side and her eyes were closed. She was still asleep, somehow, though her body appeared to be animated.
The creature was on his knees directly behind her, his oversized organ shoved all the way into her. "Yes!" he chanted. "Yes! Yes!"
"No!" I screamed at the top of my lungs, but the sound came out a whisper. He looked at me and my body froze as if paralyzed. But I remained awake, conscious, and I realized as he moved in and out of my wife that he wanted me to watch. He grinned, his yellow teeth glowing strangely.
NO! I wanted to yell. GET THE FUCK OUT OF HERE! But my mouth would no longer work. My face muscles were frozen. The tears rolled silently down my face.
He pulled out of her, and I realized as he positioned his massive cock a little higher that he was going to fuck her in the ass.
Names, curses, obscenities assaulted my brain as I was forced to watch. He leaned onto her back and grabbed her large breasts from behind; squeezing them, kneading them, fondling them. My frenzied mind planned innumerable deaths and exquisite tortures.
He came, his whole body suddenly jolted by a series of shudders, and once again he pulled out. I saw sickening yellowish liquid dripping from the tip of his penis.
Patty rolled onto her back at a whisper from him, and opened her mouth. He shoved the entire organ into her mouth, balls included, and I could see her cheek muscles moving and bulging. Her eyes, however, were still closed and I knew that, somehow, some way, she had not awakened. He was doing this to her without her knowledge, probably against her will, and he was able to keep her asleep.
He came again and hopped off the bed, cackling. He put a finger aside of his nose and ran out of the room. A minute later, I heard the strange growling sound, now moving up the chimney. After that, the shuffling noises reappeared on the roof and then disappeared. From far off, on the wind, I heard the whistling of Christmas carol travesties.
SHE AWOKE IN THE morning happy and refreshed and rushed immediately to the fireplace to look at her presents. She laughed and squealed with delight as she sorted through the contents of her stocking.
I felt like hitting her across the mouth, like beating the shit out of her. I blamed her. I knew that what had happened was not her fault, but the feeling remained, irrationally, that she had been unfaithful to me, that she had fucked someone---something---else.
At the same time, I realized that this was the logical extension of Christmas---the grownup version. This was what took the place of candy canes and small toys. This was what Santa brought to adults.
I looked into her innocent eyes. She was so happy, so ecstatic, so full of holiday joy.
But Christmas had been metamorphosed, for me, to hell.
I thought about it all day. And I knew that I had a year in which to convince her that Santa Claus was not real, that first her parents and now I filled her stockings with presents. I had a year in which to shatter her faith. I had a year in which to transform her into a normal, well-adjusted unbelieving adult.
It seemed like plenty of time.
BUT NOW IT IS March. And after three solid months of attempted brainwashing, her faith in Santa is still unshakable as ever.
And lately, she's been talking about the Easter Bunny.
I don't know what the fuck I'm going to do.
by Ty Schwamberger
The newly fallen snow crunched under his black boots as he walked towards the next house. This one wasn't quite as nice looking as the previous residence he had visited, but he was sure there would still be some nice little boys, or maybe even girls, that had been good enough all year to deserve a bountiful helping of Christmas presents. He disappeared for a moment behind a large pine tree nestled beside the house and paused. He looked through the pointy, green needles of the tree and out into the street.
Not a creature is stirring... He smiled and then continued on his way.
Ducking into a deep shadow by the side of the house, he rose up on his tiptoes and looked through the snow covered window. No, it wasn't real snow. He could tell that easily enough. It had come from one of those aerosol spray cans that contained that fake, white sticky stuff that clung to windows during the season of ever-lasting joy. At first it was hard for him to see in, so he took one mitted-hand off the big, red sack he was carrying on his back and gently placed it upon the window. He slid his hand back and forth a few times until the condensation on the outside of the window disappeared and he was able to gaze inside.
The stockings are hung by the chimney with care... He then repeated the next line, silently this time, deep inside his soul, then smiled. God, did he love this time of year.
As he pushed the window up into its frame, smiled, and wondered if it was a Christmas miracle that this particular house's window hadn't been secured as all the others. Not that it really mattered; by chimney, by magic key through the front door, or climbing through an unlocked window he had never been denied getting into a house on the Eve of the most wondrous day of the year.
He flung the heavy sack off his back and tossed it through the open window.
He then pushed himself up and onto the window sill, then followed the sack full of goodies into the nice, warm house.
AFTER STRUGGLING TO PICK his rotund self up off the floor, he huffed a few times, and went to the open window and dropped it back into place. He wasn't sure why he did it, but then reached up and slid the lock into place. He then turned around and took a nice, long look around the cozy living room.
The first thing he noticed was that the fireplace still had some glowing embers. He slowly walked over, bent down, and stuck his still-mitted hands under the hearth. Even though the fire wasn't roaring anymore with hot delight, it still provided enough warmth to seep through the heavy, black gloves and reach his almost-frostbit hands.
After all, it had been a hell of a long night already and just the thought that he was really just getting started made him feel exhausted. But, this was his chosen profession, one he had made many, many years ago, so he felt like cold or no cold, it was his duty to carry out what he promised himself oh so long ago.
After crouching by the almost-dead fire for a few minutes, he slowly stood up and stretched his red, fur covered arms over his stocking-covered head. He then turned around and took a long look at the rest of the room. The decorations included: snowmen, igloos, polar bears, angels, and even a figurine of himself. Santa. His belly shook like a bowl full of jelly, but he didn't make a sound. He couldn't. Oh, no.
Not with the children nestled all snug in their beds...
He smiled, again. Then hoped against hope his hunch was right.
Leaving his already full sack on the floor, he proceeded out of the living room, towards the staircase leading upstairs to the family's bedrooms, but not before picking up a gingerbread cookie from a Christmas tree plate, and biting the little man's head off.
He wanted to laugh through his cookie filled teeth, but knew he couldn't.
He didn't want to wake anyone, especially the parents...
Who had just settled their brains for a long winter's nap.
The word 'nap' made him laugh, again, but this time he couldn't keep it in.
As pieces of cookie flew out of his snapping jaws and hit his boots, he started up the stairs.
He paused for a moment at the top, pulling out a long, curved knife from the sheath buckled to his wide, black belt and then started down the dark hallway.
His first stop was the parent's room.
Then, no matter if they had been good or bad, it was off to the kid's room to slice and dice them and make himself all glad.
"JERRY...JERRY. WAKE UP. I think I heard something."
The balding father rolled over onto his back, stifled a last snore and mumbled, "Huh. What. What did you say, dear?"
"I said, I think I heard something, or someone, downstairs."
"Ah geez, Helen. It's probably just the long limbs of the pine hitting the side of the house. I promise, first thing tomorrow morning after the kids have opened their presents that I'll bundle up and finally go out there and cut a few limbs back, okay? Now, please, let me get some more sleep. You know as well as I do that the kids will be up at the ass-crack of dawn and running in here to jump on the bed to wake us up." Then, still half asleep, the husband and father rolled back onto his side and started snoring again.
The wife and mother mumbled, "But..." then stopped from saying anything else. Sure, her husband was a kind and loving man but even he had his limits. Especially if she woke him in the middle of the night, like she often did, for a noise that she 'heard' downstairs or outside the house. Each and every time in the past that she had nagged until he had gotten out of bed and went downstairs or out into the cold to investigate---it turned up nothing. So, this time, since it was Christmas Eve and all, she decided to keep her mouth shut.
After deciding not to bother her husband any longer, she lay back down onto her pillow and closed her eyes. She was about to drift off when she heard something, again, closer this time than before. For the life of her it had sounded like it was coming from the hallway outside their bedroom door. Helen knew she if she didn't have her husband take a look, pissed as he might get, she would never be able to fall back asleep and it would ruin her chances of being rested enough for a day full of opening presents, the kids running this way and that around the house while playing with their multitude of new toys, or cooking their annual Christmas Day feast. Finally, after thinking about it for another minute or two, and 'hearing' another sound out in the hallway, she rolled onto her left side, placed a hand on her husband's shoulder and gave it a soft shake.
He rustled in his sleep but didn't wake.
She leaned over, knowing one sure fire way to stir him whether he was sleeping or just acting dead, and started to nibble on his ear. Just as she expected, he let out a soft, low moan.
"Hummm... Well, now. I think I can be persuaded to get up for something like this, dear." He then rolled onto his back again and reached for Helen's...
He heard the creaking of the bedroom door being opened.
"Damn kids," he mumbled, giving his wife a quick kiss and then quickly sitting up in bed. Through the dark, he said in a deep voice, "I told you kids to stay in bed, if nothing else, until the sun is above the horizon." He paused, looking at the clock on his nightstand and seeing it wasn't even 3:00 am, yet. He then turned back to the fully-opened door and shouted, "Hey! What did I tell you damn kids, huh? I told you to..."
His words were cut short as a sharp blade was quickly and precisely drawn across his neck. Blood spurted onto his attacker and his wife.
Helen began to scream, but it was only for a moment, as a giant shadow suddenly leapt through the air, smashing on top of her, making the air in her lungs burst out.
Helen lay under the rotund man and thrashed this way and that. She felt something poke in between her legs, but the thoughts of being raped quickly dissipated as she felt something cold and sharp against the side of her neck. She wanted to scream, again, but the large man had already placed a large, smothering glove over her mouth. Finally, not that she wanted to, but knowing she had to, she opened her eyes...
And said to herself, Oh my God, it must be St. Nick!
Helen started to repeat a line in the famous poem over and over again to herself, Now dash away! Dash away!
Above, she saw Santa start laughing. Then he said, "Dash away all!"
Then he slashed Helen's throat and her fright was never more.
He then sawed off both the husband and wife's hands, stuffed them into the deep pockets of his big, red coat and walked out of the room, gently shutting the door behind him.
WALKING DOWN THE HALL towards the sleeping girls' room, his eyes twinkled with delight and he could feel his dimples, his cheeks full with merry. And, yes, his cheeks were like roses, his nose like a cherry, but that was from the blood that had splattered upon his face from Helen and Jerry (not that he knew or even cared to know their names). As he wiped the dripping knife blade off on his fur covered right leg, he brought up his other arm and mopped up his face. He smiled, again, knowing he had just done the world some justice---teaching people, especially the ones that acted like good model citizens, with their expensive cars and homes (not that this particular family had either of those luxuries, but that really didn't matter in his faltering mind at this point), when they were anything but. Besides, he was St. Nick, Santa Claus, goddammit, and it was his job to check off on his list who was naughty or nice.
Coming up to the girls' room, he slid the now clean, shiny blade back into the sheath on his belt and then slowly reached out with the same hand and grasped the doorknob. He gave it a quick wiggle back and forth, making sure the door was indeed unlocked, then twisted it all the way to the left and slowly eased the door inward. He then tiptoed into the dark room, shutting the door behind him.
DRESSED IN HIS TRADITIONAL holiday garb, he stood at the side of the girls' bunk beds, his head throbbing with naughty images and his mouth watering with want. No, he wasn't a pedophile, never even had the slightest inkling to be one. What he wanted, craved, more than anything was to teach all the bad boys and girls in the world, more realistically the city he resided in, that no bad deed goes unpunished. Especially when it was supposed to be the season of giving and all he ever felt like the world ever gave him every Christmas was a lump of coal in his stocking. But not this Christmas. Oh, no. This Christmas, he was going to show the world; house by house, adult by adult, child by child, that this old St. Nick was someone to not be fucked with any longer.
HE TOOK CARE OF the first girl, the one on the top bunk, with one quick slash of his knife. Blood squirted from her carotid onto his face, changing his snow, white beard into crimson and mess. It was quick and painless and she didn't scream. The blood from the girl ran down his chin to the end of the beard's now tangled mess and down the front of his plump belly.
He smiled and chuckled to himself as he started to saw off the little girl's hands, knowing she would never open another Christmas present ever again.
AFTER STUFFING ANOTHER SET of hands into his pockets, he leaned down close to the older of the two girls and took a good look. If he had to guess, he'd say she was probably either a senior in high school or a freshman in college, home for winter break. At first he got so close to her face that he felt the tip of the girl's cold nose against his. He lifted his head away a bit so they weren't touching any longer and then took his free, left hand, and slowly pulled the heated blanket off her body, piling it down by her feet.
Even though she was the older of the two girls, she was still dressed from neck to toe in long, green pajamas. He tried to think of the name of the new blanket-like invention where you could literally have your entire body zipped inside a blanket, but at this very moment the name escaped him. But, it didn't matter. Not really. It would soon be off her, anyway. Then he would show her how people in the world, rich, spoiled people like her, always treated people like him.
The true outcasts, the little people, the elves of society.
EVEN THOUGH SHE WAS way past the age of believing in Santa Claus, Crystal had dreams of sugar plums dancing in her head as she slept. Sure, she kept up with the myth of Santa for her little sister, Susie, but she definitely didn't believe any more. But, in her dream world, where everything was always perfect, Santa did exist and he brought her, not a shiny sled or a new Barbie doll with long, golden locks, but the hot stud quarterback on her college's football team---and he was all tied up in a red bow just for her. She had the wet dream of waking up Christmas morning and seeing that Santa had delivered her ultimate present, Jake, and he was waiting for her, only her, under her parents' Christmas tree. She would run over to him, throwing her little sister out of the way, and tackle him like a linebacker, wanting to plant his ass into the ground. Then, suddenly she was naked, except for a red stocking hat with a big, white fluffy ball at its end, and it kept hitting her in the sides of the face as she rode him like a reindeer wearing a saddle.
As Crystal climaxed, she awoke.
At first the room was too dark for her eyes, but soon they adjusted to the dim light from the moon coming in through the curtained window.
Then she saw a man, a big man dressed all in red, leaning down only inches from her face. He looked like Santa, but since she didn't believe in St. Nick, she knew it wasn't the real McCoy. Besides, she didn't see a stump of a pipe held tight in his teeth nor the smoke that would be coming from it encircling his head like a wreath.
Her eyes shot open wide and she tried to scream. But, her cries of terror were cut off by the big man slamming a big, mitted hand down upon her face. She shook her head back and forth but it was no use. She tried to kick her legs this way and that but they wouldn't move. She was stuck. Done for. And she didn't know what to do. She wasn't sure if it was the holiday spirit or a never-dying love in her heart, but all she cared about right now was to know her sister was okay. She didn't care what Santa, not that this fat man was the real deal, did or didn't do to her, as long as Susie was safe. Crystal wanted to ask, to beg, for 'Santa' to tell her that he hadn't harmed Susie, but she had no way of doing so. The fact of the matter was, if the big man kept the pressure over her mouth and nose any longer, she was going to pass out and then she'd have no idea what ever happened to Susie, or even her parents for that matter, because the man would probably end up raping and killing her somewhere outside on top of a pile of cold, white snow. She could picture in her head the man raping her, then slipping a long, cold blade deep within her belly, until she couldn't plead or beg at all.
Crystal closed her eyes and waited for death. She knew she was done for and there was no reason to fight someone so much bigger, stronger than her, so she just gave up. Crystal then felt a lone tear form in the corner of her closed, right eye, and felt it then run off her face, onto her pillow.
Then the pressure from the big man's hand disappeared.
After what seemed like forever, Crystal slowly opened her eyes and noticed that the big man was now gone like the last wisp of smoke from a snuffed candle.
She quickly climbed out of bed to check on her little sister.
And that's when she let out a blood-curdling scream.
HE WAS ALREADY LOADING up gifts from under the twinkling tree and stuffing them into his already full sack when he heard a scream coming from upstairs.
Now I've got something to dread. He knew he should have finished the girl off, just like he had done to her parents and sister, but there was just something about her that he couldn't bring himself to slice and dice her like all the others tonight. As he continued to load the last of the presents into the already bulging sack, he felt a stir in his heart. Something strange was happening, though he couldn't quite put a finger on it, nor did he have the time to do so.
The pounding of footsteps from above and another scream made him turn his head with a jerk towards the staircase. Yes, she would be coming downstairs next and that would probably mean she would run to the phone and call the police. He definitely didn't need that. Oh, no. Not on a night like tonight---the Eve of the happiest day of the year.
Jerking the rope on the sack to close it, he hurried over to the fireplace. He heard the girl start down the stairs and knew he had to work fast.
He pulled the knife from his belt with his right hand and reached under his heavy coat with his left. He pulled six nails off a chain that was hanging around his neck and placed them pointed end into his mouth. He looked through the near-darkness to the staircase and saw a blur jump from the third to last step, turn, and then race to the back of the house, towards the kitchen where he assumed the phone was located.
He quickly dug his free hand into his soggy, left pocket, and pulled out the first of the six hands he had stuffed inside.
As he heard the girl start screaming, presumably into the phone to the police, he pointed the handle side of the knife away from him, and used it to start hammering each hand to the mantle of the fireplace.
As he worked, he repeated the line he had said earlier, but changing the words a bit this time.
The hands are hung by the chimney with care...in hopes that folks from everywhere far and wide will know that Christmas is the time to die! He laughed.
He then raced to the window and threw up the sash and leaped into the night and was ready to run away fast...
When something that felt like a sheet of snow coming from the roof smashed him to the ground.
Suddenly, he was being pounded in the sides and back of his head by big, heavy fists. He was pinned to the ground by a great mass and the blows started to rock his head and jaw back and forth. He felt teeth begin to crack and his jaw begin to bust as the onslaught continued, the bones in his head felt like they were going to turn to dust.
CRYSTAL WAS WRAPPED IN a large, Christmas tree covered blanket as the first of several police cruisers and other emergency personnel pulled up in front of the house and came running towards her. All at once they began shouting, "Did you see where he went?", "Are you okay, miss?", "What the hell happened here?" and the like and then they started to go about their business.
When she was finished being treated by one very calm, and very good looking young EMT, she heard something coming from above---on the roof. Her heart began to pound in her chest, as she jumped off the porch and ran into the front yard screaming, "He's up there. He's on the roof. I hear him...I hear him, damnit!"
With a crime scene to secure, a killer on the loose, and a growing crowd of neighbors coming out of their homes to see what was going on, no one seemed to be paying Crystal any attention.
But then, Crystal noticed two things at once---a figure on the ground outside her living room window, lying in the middle of a large patch of blood soaked snow, and a large, red figure standing up on the roof, waving to her.
She lifted her hand from underneath the blanket to do the same, but quickly put it back under. She didn't want people to see her 'waving to someone on the roof' and think she was crazy, especially since that was probably what they were already thinking with her family being slaughtered and all. Besides, with everything that did happen she might very well be going crazy and seeing imaginary people, Santa Claus of all things, up on the roof.
Crystal then thought she heard a clatter on the roof and a shout into the night.
But, that was just another piece of the myth that she would keep inside, nice and tight, for the rest of her life.
by Marie Green
Sunshine could make peanut shapes under her slippers. Two feet placed close together in the shallow dusting of morning snow and a quick hop away made peanuts, side by side, in neat pairs of slipper prints. Soon the driveway was covered, resembling a shell-littered steakhouse floor. Puffs of warm, steamy breath billowed above in the frigid morning air, the small clouds dissipating against the festively-lit facade of the neighbor's house across the dirt road. Delicate, multicolored bulbs shone against tufts of perfectly fallen, glistening snow. Slipper clad footfalls added a cold crunch to the still morning as she stepped across the road, closer to the warm vision the neighbor's yard offered. A beautifully decorated Spruce was just within reach across the pickets. She breathed deep, stealing the strong, wintery scent of snow-coated pine. One hand rose to touch it, fingers grazing the scarlet tinsel and sharp needles. A dreamy, envious sigh became frost in the chill, dying hopelessly.
Santa Claus comes to houses like this.
Crows and magpies squawked piercing threats at one another up the road to the right, startling away the daydream. Someone had run over a deer last night and a bunch of scavenging birds fought for their share of the bloodied carcass. There was a big mess on the side of the road. A portion of the birds parted from the kill as she approached, shrieking as they dove at other birds in the air, giving a glimpse of the mutilation. Shades of brilliant red contrasted against the fresh snow and black and white birds. That's a no no, thoughts chided. Shouldn't be so close.
A racking shiver jolted her away from the fascination of watching the birds fight. Sunshine wiped her wet nose on the matted fabric of her pajama gown and resigned to walking back up the driveway to her own house. As she passed through the gap in the fence that was once a gate, her foot glanced off a can. A short clatter ensued as it smashed against a snow-covered pile of empties. Blue aluminum peeked through the snow like ornamental bulbs.
A cough sounded inside the house, stilling Sunshine in her peanut tracks.
No one will be happy if I ain't inside while they sleep. No one needs to spend their time watching to be sure I don't wander off and get lost.
As expected, no one came outside to see what she was doing. She continued toward the front door but just as her hand touched the icy knob, the urge struck one last time to see the pretty Christmas tree across the road. A lip quivered atop a trembling chill-pink chin.
As she turned to the darkened windows of the house to which she was consigned, her gaze came to rest on the thin branches of the sole, sickly pine in the yard. Picking up a can showed how much the can's weight also resembled a Christmas bulb, and she carefully threaded a few of the tree's needles through the aluminum tab to hold it in place.
I can do it! Just need more....
Ignoring the sting of cold fingers, she worked diligently, gathering more frosty cans from the yard to decorate the pine. Remembering the red tinsel from the neighbor's tree, she scanned the yard for something similar to use, but aside from a length of torn, yellow tape that read CAUTION, nothing resembled tinsel.
"Ohhhhh," she moaned low.
Birds squawked on the roadside.
A crow pulled something long, shiny, and red from beneath the bloodied fur. After looking back at the darkened window for reassurance that no one would witness, Sunshine ran from the yard to scare the birds away. She smiled as she looked at the piled length of ropey flesh. The pungent smell of coppery, warm blood hung in a thick halo around the deer.
Fast, fast... Her hand traced the end to some place under the deer's hind legs and gave it a pull. Brown fluid squished between her fingers. Nausea roiled deep in her gut.
Tummy ache. Sunshine looked away. A hard shake of her hands cleared them of the mess, flinging dark streaks into the snow, splattering the worn flannel sleep shirt with brown stripes of stinking matter. There, she thought, relieved. She choked up her shaking grip and tried again, causing the carcass to slide to rest on top of her slipper.
A squeal erupted from her chest. "Bad...bad deer," she wailed. She jerked her foot from beneath the weight and had to go to her knees to retrieve her slipper, quickly, not missing more than a beat in her quest.
She placed her feet on either side of the carcass and repositioned her hands on the sinewy cord. Leaning back, she grunted loud. She gasped as her hands slicked up the bloodied tube, sending her sprawling backward, landing on her bottom in the streaked and splattered snow.
"Owwwwwie," she cried.
She pushed back to her feet and wiped her hands on her nightgown. She studied the firmly anchored treasure and knew she would need the scissors out of the what's-it drawer in the kitchen to cut it loose.
When she was little it was against the rules to take the scissors because they were sharp, but that had been a long time ago. She'd outgrown Aunt Sal at seventeen, and was almost as tall as Cousin Benny; although she knew she was done growing now. Aunt Sal said that she was taller than Momma had been but Sunshine didn't remember what Momma looked like. Cousin Benny said Momma was really pretty, just like Sunshine.
Sunshine walked as quiet as she could past the couch where Cousin Benny sprawled, mouth open in an alcohol-induced slumber. A sour smell hung in the chilly air inside the house, and Sunshine couldn't help inhaling through her nose as she quietly tiptoed her way across the room. Her foot hit a can and it cracked its way across the small living room, ricocheting off a pile of discarded pizza boxes and two-liter Mountain Dew bottles, sending two of them toppling loudly onto the dilapidated, mud-streaked, hard wood floor. Oh no, no, no. Sunshine held her breath.
Benny snorted in his sleep, and caught a bit of escaping saliva with his tongue before it slid from the corner of his mouth and onto the stained couch cushion. His tattered blanket slid onto the floor, exposing an erection. Sunshine's eyes darted away as memories invaded her mind. Her sticky hands clawed fistfuls of flannel.
"It's okay, Sunny," he'd breathed against her ear, "We're grownups now..."
She didn't like to look at Cousin Benny anymore. He had told her it would be fun, that she would like it. His hands made her feel good. He hadn't told her that it would make her feel creepy and as if she was misbehaving every time she saw him. Or that it would hurt.
Movement brought her back to the present as he rolled onto his side, still asleep.
Sunshine continued on to the kitchen and got the scissors. Her nose was so cold that it itched with runny mucus. She scrubbed it with a numb hand then wiped it on a dishtowel. Aunt Sal would tell her again that women who thought like little girls, like Sunshine did, couldn't go outside alone. Couldn't use the scissors alone. Couldn't go to school alone, or go for a walk alone. Aunt Sal would be angry when she saw Sunshine had gone outside by herself but the reward far outweighed the cost.
We're gonna have a real Christmas tree this year. Maybe Santa will come to our house. Then Aunt Sal won't be mad anymore.
She slipped quietly outside.
Soon, Sunshine had clipped free her prize and trotted back toward the front yard.
Quick like a bunny...quick like a bunny, she thought, matching time to the beat of her slippers in the snow. As she ran past the neighbors' tree, she smiled when she saw the curtain close across their front window. An excited, screeching giggle escaped her. The neighbors must be jealous that she, too, had a beautiful Christmas tree.
She carefully adorned the tree, taking time to arrange the hardening ropes in precise scallops from the long branches at the small tree's base clear to the top. She stood back, wiping her soiled hands on the front of her nightgown.
Snow fell again and large, fluffy wet flakes came to rest on the blue aluminum. All she needed to complete the tree was an angel for the top. A scan of the yard and roadside offered nothing. Even walking and toeing snow-covered heaps was fruitless.
Maybe there's an angel inside.
Wandering from room to room, she searched diligently as her eyes adjusted to the dim lighting, careful not to wake anyone else until the tree was done.
Oh boy! The Baby Alive she'd begged for last time Aunt Sal had taken her along to Goodwill peeked from under yellowed sheets on her bed. She'd found the perfect tree topper. Eager, she grabbed the doll.
Silent as a mouse. She slipped past Benny and back out the front door.
Baby Alive sat crooked atop the tree, slid past a scalloped, sticky tree branch and fell into the snow. Sunshine picked the doll up and wiped the dark red streaks from the doll's rubbery skin. The tree's spindly top bounced upright. Tree topper angels had a place for the tree to go on their bottoms. The toy didn't have wings either but her dolly had a sweet face like real tree-topper angels. Upending Baby Alive revealed the place where the baby doll went potty.
The hole there was small but after working at it, Sunshine stripped the needles away and was able to jam the red-streaked doll down onto the tree top.
"Pretty," she said.
Sunshine rocked back and forth in her slippers. Snow melted against her pink skin, causing rivulets of blood-streaked, icy water to trail down her face. She beamed. Her tree was beautiful. Her rocking was soon accompanied by soft humming, which quickly turned into a few disjointed and choppy Christmas carols, as best as she could remember them.
The neighbors' curtains were open once more and someone stood inside with the telephone held tight to an ear.
Dense morning fog now joined the freely falling snow, encasing the scene of Sunshine's Christmas as a dusky, echoless vignette. Through the thickening fog, spinning blue and red lights approached slowly, routinely, as they reflected off the shining snow.
Sunshine sang louder, dancing in swirling circles around the tree as the lights grew brighter. The sound of a car grew near and a police cruiser pulled into their driveway.
The neighbor in the window flung his free hand toward the road as he screamed silently into the receiver of his phone.
Sunshine's front door flew open and Aunt Sal stepped outside to get a look at who was parked in the yard. Bloodshot eyes swept the footprints in the driveway, the bloodied path beside the road, the small tree in her front yard. Her bloody, smiling niece.
"See! See!" Sunshine squeaked. "Merry, Merry Christmas!"
"Oh, Sunny, what have you done?" Aunt Sal managed to say. She turned her head to release the vomit induced by last night's cheap pinot and the aromas emitted from the scene in the yard.
Empowered, Sunshine sang louder.
Aunt Sal will tell me how beautiful our tree is after she's done being sick and finds her some morning coffee. Maybe she will even sing Jingle Bells or Silent Night if I say pretty please...I will just have to wait.
Sunshine beamed.
by Elias Siquerios
How fast could Tito run? And when his legs gave out in this land of splintering stone and crowded cacti, who would he cry out to when they brought him back to the ranch to face that despicable thing?
The night covered him. That was good. He stopped to catch his breath, sitting on the hard ground, feeling the cold December wind on his face and neck. He was heading north, following the road but hidden out of sight. Now and then he could hear voices that came out of the desert. He didn't think they were real because they vanished as soon as he'd stop to listen. When he forgot about them they would come again.
A vehicle neared along the road. He could hear its wheels on the gravel and crouched. When it passed he stood up and continued his run, knowing he would have to trust someone enough at some point so that he could ask for help. But when could he trust someone? The ranch he had escaped was isolated. He thought that everyone within several miles of the ranch must be affiliated to the men who had kidnapped him and his friends.
He had been on the run all day, the sun stealing life from him. When the sun proved too much he had crawled under an overhanging stone by the side of a small hill and rested until the sun began to set. When the car was gone he continued, closer to the road where the ground was smoother and he could make better time. Tito noticed more cars coming and ducked back into the brush and when he saw that cars were also growing numerous in the opposite direction he could tell there was a town or city near.
He continued on the road when traffic cleared, slowing his pace to a walk. He felt tears well up in his eyes and thought of his mother in El Paso. She had begged Tito not to go to Mexico, had said that it was no longer the same country as it used to be. He thought she was over worrying and said that it was just for the weekend and that he'd bring two friends with him. She argued with him on the phone but it would be impossible for her to talk him out of it, especially as he was six hundred miles away in Austin, TX, twenty-two years old, and as stubborn as his father.
It had all seemed well thought out to Tito. His friend Roger Winslow had a girlfriend from a rich family named Gloria in Monterrey. The parents were away in New York City for two weeks and Roger's girlfriend had said she'd have the family home all to herself. She spoke of Monterrey's nightclubs that didn't close until four in the morning, spoke of her hot girlfriends, of her new Mercedes. Tito and his friends were all from working class families driving beat-up Toyotas and geriatric pickups. They were student aid boys; naturally the pictures she posted on Facebook of herself and her friends would rile them up. They had discussed the dangers. They discussed them for a whole night. They had a simple plan, to cross the border from Del Rio over to Mexico at Ciudad Acuna, thereby bypassing the notorious city of Nuevo Laredo, then proceed with caution, obeying every law, carrying tourist cards, with Tito being the one to deal with any police since he spoke Spanish and was of Mexican descent. The three boys, Tito, Roger, and Michael Hopler, even set aside three hundred dollars for mordida money in case some crooked cops decided to supplement their income at their expense. The mordida money was Gloria's idea.
They thought they had it all worked out.
Tito saw lights up ahead over a small hill. A glow of homes stretched out several miles in different directions. When he cleared the hill he could see the town itself, not large enough to be a city, but comforting in its size of four to eight hundred people. He tried to think of the maps he had read on the way down here, tried to picture where he was, but no dice. A cattle truck roared by, going toward town. He followed the road into town and hoped for the best. A truck moving toward town approached and he could see a man and a woman sitting within. He flagged them down. They asked him in Spanish what had happened to him. Tito realized how he must look to them in his filthy clothes and raw face. He couldn't speak. When he tried he almost sobbed. He pointed in the direction from whence he came.
"Do you need to go to the police?" the driver asked.
"No," Tito managed to say. "No police!"
THE COUPLE DROVE TITO into town and left him at a corner where an auto shop blared norteño music from within. Tito had asked the couple for the time and was surprised that it was barely nine in the evening. He felt as if he had been traveling the darkness of the desert for much longer. He crossed the street toward the storefront of a closed Florist. A man on a motorbike appeared out of nowhere and zipped out of sight, leaving only the smell of burnt petrol in the night air around him.
Most of the businesses were closed. A stray dog sniffed at full garbage cans at the edge of the sidewalk. The trees raised skeletal boughs over the sidewalk and the fallen leaves had long since turned to brown pulp on the ground. Tito turned a corner and saw a bar at the end of the next street. The red heavy door to the bar was propped open and a Rolling Stones song blared from within. There was a painted sign over the door which showed the name of the establishment, Toritos De Oro, written in red lettering over a golden bull.
The bar was empty save for two tables at which several of the locals had gathered. Tito looked toward them, fearing that they might be the men from the ranch but the faces were all unfamiliar. He passed the bartender without looking at him and found a sign directing him to the bathrooms. He entered the bathroom and squinted from the bright overhead light. The room smelled of old urine. The white paint was peeling off of the ceiling in large patches. Tito went to the sink and looked in the mirror.
He looked like shit.
His lip was cut open at the bottom right side and he had a gash under his nose as well. Both lacerations had stopped bleeding but there was a coat of crusted blood in both places. His left eye was swollen and he had several lumps on his head on that side as well. He had a large lump on the back of his neck which felt warm when he touched it. He ran water from the faucet and wasn't surprised when only the cold water worked. The cold water felt good on his face. He washed the coated blood from his neck as well, ran water over his hair and talked to himself, unaware of what he was saying. He saw that his shirt was drenched in blood along the collar but there was nothing he could do about that now. He looked at the bloodstain, touched the warm bulge on his neck. He had been bitten there. He shook his head as if to forget the memory.
He tried to piss but nothing came of it. He flushed the urinal anyway. It wouldn't turn off. He slapped at the handle with the side of his hand several times before the water stopped.
He made his way back out to the bar, walking slowly, looking toward the bartender now who spoke on the phone.
Is he calling them? Tito thought.
A woman sat alone at the bar. She had been texting on her phone and then she put the phone down and stirred her drink. The bartender, a balding heavy man wearing a blue short-sleeved shirt, hung up the phone when Tito approached. "Que te paso?" he asked.
Tito ignored the bartender's question. He sat beside the woman, his hand on the back of his neck.
"Oh my god!" the woman beside him screamed in English. She grabbed him by the shoulders. "Tito, oh my god! What are you doing here?"
Tito turned to her. After several seconds of drawing a blank he recognized her. "Gloria. What happened?"
"Do you know him?" the bartender asked her in Spanish.
"Yes," she said. "He's a friend of mine. Can you bring him a beer?"
The bartender nodded and walked to the fridge and pulled out a Dos Equis. He opened it and placed a small napkin in front of Tito, placing the beer on it. Tito looked at the beer but did not pick it up.
"What happened to you?" she asked. She ran her hand gently over his face. He pulled away although she had been careful not to touch any of the wounded skin. "What happened? Where are the others?"
Tito shook his head. He tried not to sob. "They're dead. I got away. You don't know what they did to us. They killed Roger and Michael. You have to help me."
"I will. Have a drink. Yes, no, not too quick, yes, slower. Drink it slower." She was helping him lift the bottle. Some beer missed his mouth and dribbled down his chin. She smiled weakly, motherly. She eyed his wounds, the bulge at the back of his neck. He ran his hand to the bulge and she pulled his hand away, "Careful with that. It looks bad."
"How did you know where we were?"
"I didn't. You didn't make it last night. This is a bad country these days. I figured something happened and I drove the route I knew you'd be taking, looking for any sign of a car wreck. I stopped in a couple of towns and asked the police if some young Americans had come through. I talked to them in this town too but they said nothing happened. I stopped in for a drink before heading north. But tell me what happened. Are you sure they're dead?"
Tito nodded, drinking hard from his beer, craving the buzz that would come from it.
"Roger's dead?"
Tito grabbed her hand. "Yes, Roger died. I'm sorry."
"What the fuck happened!"
Tito finished the rest of his beer and then ordered another. He felt the bulge behind his neck and noticed it was bigger, firmer. The bartender came back with another beer and placed it in front of him. Tito drank, winced at the bitter taste and looked at the bartender who walked away. The bitterness soon vanished as he drank. He felt lighter of head, better. He turned to Gloria. He said that cartel members had pulled them over on the road at gunpoint outside of a small gas station, had tied their hands behind their backs and blindfolded them with electrical tape. They then drove them to a ranch. When the tape was removed the boys found themselves in a large room with a concrete floor. There was a large wooden table at the center of the room and several men lulled about dressed in western clothes.
Because Tito knew Spanish, the leader of the cartel members, a tall man with longish hair and an acne-scarred face, questioned him as to their intentions in the country. When the leader learned that the boys had no other intention than having a good time in Monterrey he smiled, his acne-scarred face stretching to reveal a gold brace over his two front teeth. The leader said, "You boys are innocent. Do you know what today is? It is la Día De Los Inocentes, the day of the innocents. You see, once a year we find boys like you, not always Americans, sometimes boys lost on the street, sometimes a young girl who has strayed from her mother at the Mercado, and we introduce you to Gonzalo. Gonzalo is our leader, our spiritual center. You'll all meet him tonight. Let's start with your quiet friend, Michael."
Four men in the room had stripped Michael nude and tied him face down to the large wooden table. A tall and very muscular man entered the room with a hammer in his hand. It had the appearance of a meat mallet but much larger. While Michael screamed the muscular man begin to hammer his legs, back, and arms. He lifted and dropped the mallet with precise movements, sending a jolt of pain through Michael's brain that made his screaming seem unreal and when his lungs could no longer produce sound from the pain Michael closed his eyes.
The muscular man then oiled the naked body from a bucket by the table. He was using the end of a small broom to do it and when he satisfied himself he wiped his hands on a rag, picked up the mallet and began hammering Michael's body again: the arms, the hands which cracked with each thud of the mallet, the legs, buttocks, and back. The muscular man, while Tito and Roger screamed for him to stop, then placed his hand over the boy's face and said Gonzalo would be pleased.
Roger tried to run when his turn came up. Two of the men caught him before he made it to the door. All three fell to the floor and one of the gangsters pulled out a 9 mm. and hit Roger at the back of the head with it. He was out cold.
The two gangsters dragged him to the table, stripped him and strapped him down. The large muscular man cleaned the oil off of the mallet, raised it, took a deep breath and brought the mallet down at the back of Roger's legs. Roger screamed himself awake, his eyes wild while scanning the room. The acne-faced leader laughed. The hammer came down again and again. Roger couldn't handle it as well as Michael. He kept passing out from the pain. The muscular man would reach near the bucket where he had a bottle of ammonia. The ammonia would wake Roger up in time for further beatings.
Then it was Tito's turn. As they led him to the table his legs buckled but two men held him by the armpits and made sure he made it the whole way. He asked the leader why they were doing this. "Gonzalo is now very old. He can no longer bite from the apple of youth with the teeth of the aged."
Tito couldn't remember the beating. He took his mind back to Austin, back to a night he has spent in a hotel with a girl from St. Edwards University who had a boyfriend at the time. He hadn't felt guilty. He had been madly in love with her for a long time before her boyfriend entered the picture. He had relished every moment, every touch, every smell, and when it was over she broke all ties with him. He was wondering, as the mallet fell on his body, as the oil was placed on his back and legs, what her breath smelled like now, what her hand felt like. Tito had always thought it took a lot of will power to detach your mind from your body but he had been wrong; it took a lot of pain.
The cartel members then dragged the three boys out to the back of the ranch, pulling their limp bodies by the arms toward a tall wooden statue of a man with the head of a goat and a grotesquely enlarged penis. The acne-scarred cartel leader laughed and wiped some spit from his lips. He turned to Tito and said in Spanish, "Now you boys are going to meet Gonzalo. You'll see how we do things here on la Día De Los Inocentes. Gonzalo isn't what he used to be in his prime. He doesn't perform like he used to. His heart is fading and our power is fading too. We get our trucks in without being seen. We get invisibility from him. You...you will get plenty more, hermanito."
They took Roger before the statue first. Roger had passed out during Tito's torture and had not yet awaken. They lay him in the grass. Michael and Tito both looked on absently. The ritual of pain had made their bodies useless, their emotions drained of urgency. The muscular man who had beaten their bodies with the mallet neared with a large knife and plunged it deep into Roger's chest. He cut his heart out quickly as if he had performed the operation numerous times before. He held the heart up to the night sky and said that here was the heart of an innocent. The cartel members lowered their heads and whispered solemn words as if at mass. The muscular man walked toward the statue with the heart in his hand held high. Tito noticed that the statue was licking its lips.
"What do you mean it was licking its lips?"
"I meant the fuckin' thing licked its lips! A long purple tongue licked the lips and the man held the heart up to its mouth and the fuckin' thing starting eating it. Blood ran down its mouth! It was eating it!" Tito rubbed the back of his neck again.
"Don't touch it," Gloria said.
"It really hurts."
"Don't touch it."
"That's where it bit me."
"There, on the neck?" She moved his collar and looked closely. "We'll take you to a hospital in Monterey. I don't want to take you to one around here. Just tell me what happened."
"A man stood at the side and hacked Roger's body to pieces. They brought pieces of Roger to the statue, pieces it could eat. The statue was able to eat some, other pieces fell out of its mouth. At that point it was Michael's turn. Michael was fighting. Seeing that fuckin' statue take a bite out of Roger got us out of our stupor. Michael broke free but the muscled man tackled him and put him in a headlock while other men punched and kicked at him. It was too much for Michael. He was too weak from the beating. They then tore his heart out too. I started to scream at that point. I turned away. I could hear the fuckin' thing chomping though, I could hear it. I tried to get away but they dragged me to it. I fought hard. I even snapped the muscular man's head back with a punch. I almost broke free but one of them kicked at my legs and knocked me down. I couldn't fight them off anymore. I thought they would do the same to me as the others but they picked me up and carried me to the statue. They placed me in front of it. I felt its arms come alive and they were strong, they embraced me and wouldn't let me go... Then, then...the thing...it penetrated me with its dick. From behind. It put it in there and then it bit my neck." Tito grew quiet. "My head."
"What's wrong?"
"Everything's really weird right now. Something's not right."
"Do you remember how you got away?"
Tito shook his head, feeling the lump on the back of his neck. It was much bigger now. He would have been alarmed had not the drink stolen that emotion from him. He then turned to Gloria. It started to come back to him.
The statue had let him go and he collapsed on the ground in a fetal position. The cartel members did not approach him but a woman did. In his state of bewilderment he vaguely recognized her face. She cradled his head on her lap and said consoling words in Spanish, moving the hair back from his forehead which she kissed. He then knew it was Gloria and smiled up at her. That's when the drug runners approached, helping Gloria with the young man, carrying him to her car where they placed him in the backseat with his clothes.
"I feel really bad!" Tito said, standing from his barstool.
The bartender watched from far away but did not approach.
"You were there!" Tito yelled, pointing at Gloria as he clutched at the back of his neck with his other hand. "What did you do to me? It's moving!"
Indeed, underneath the rise of flesh at the back of his neck there was movement, a squishing sound, a thrust of weight.
"Oh god! Gloria, what did you do to me!" His legs gave out from under him and he collapsed.
Gloria then looked to the other men sitting at the bar and said, "He's going to hurt it."
"No," the acne-scarred leader said. "He won't."
Tito looked at the cartel members. Where did they come from? He shook his head. The drug in his drink was kicking into overtime. He tried to stand but collapsed again.
"Hermanito," the acne-scarred leader said, "you're a fool. You know what December 28th is? It is our fool's day. And you, hermanito, are the biggest of fools. You didn't believe them when they said not to come to my country, didn't believe me when I told you about Gonzalo, and didn't believe me when I said he gave us the gift of invisibility. But he is old now, hermanito."
Tito felt his eyes grow heavy, his limbs relax. The cartel members lit up cigarettes and ordered drinks. Gloria said her two dogs back home were probably missing her.
TITO AWOKE ON THE ranch as dawn streaked the eastern ridge with red and yellow clouds. He saw the muscular man bent over him, holding Tito's head up several inches off the ground. Tito felt an extreme pain in his neck. He cried out and could not understand why his body would not move. He realized that he was in the field where his friends had been murdered. He looked for the statue but could not locate it. Then he realized it had been taken down. A stone pedestal remained on which the object had rested.
Tito screamed as his neck seemed to have been torn open. His eyes moved to his wrists which he saw were tied to what looked like tent pegs at either side of him. He looked down and saw his legs were tied in the same fashion. The muscular man said something to someone. He sounded content. There were people behind Tito but he couldn't see them. They began to give applause.
The muscular man rose and Tito's head fell backwards, blood gushing from the back of his neck. Tito could now see the people behind him. It was the cartel. They were all dressed in suits, their hair carefully combed. Gloria was there as well, wearing a white dress. She had fixed her hair so that it fell in curls over her shoulders. The muscular man laughed. He cradled something in his arms. Tito realized that it had come from his neck. The muscular man held it up for all to see, a small wooden child with the head of a goat. The muscular man pulled a large dagger from his belt and knelt close to Tito, plunging the blade deep into Tito's chest while Tito saw the lifeless wooden child with the goat's head lick its lips in anticipation.
Tito smiled. A tear ran down his face. He felt strangely proud as the sight faded from his mind and as his head tilted glassy-eyed to the side. It was his after all. It was new to the world, to be fed by a world of fools. And it was his.
THREE, TWO, ONE
by Nate Southard
JANUARY 1ST, LAST YEAR, 1:14 AM
Just made it home and got the door shut and barricaded. Whole lot of close calls on the way back, but I had my eyes open. Amazing how easy things can be when you're one of the few who knows what's going on.
Pretty loud out there right now, but I think it's going to get a whole lot louder. Way it sounds this second, it could still be people partying. Well, maybe half. There's plenty of screams. It's a weird smash of noise, all of it just pushing together into this strange bunch of chaos. Makes me wonder how it's all going to go, if it really will get louder or if this is the worst of it. Maybe it'll start to ease off soon. What if Manhattan's a ghost town by noon? I don't think it could happen that fast, but what do I know? We didn't exactly get a chance to rehearse this. It's the night, yeah?
Exciting days.
Walking through Times Square before midnight...well, it erased any doubts I had, right? It was like a zoo. Even smelled like one. All those people crammed up against each other. They're slapping hands and laughing, kissing. I walked past one couple kissing in the middle of the throng. He had his hand down the front of her pants, and his entire arm was working. The woman moaned into his mouth as she worked her hips against his hand. I looked around to see if anybody else had noticed this disgusting scene, and the only other man who had was laughing, cheering them on while he snapped a picture. Probably wanted to join in the fun.
So I moved through the crowd, acting like I was enjoying myself when I really just wanted to throw up. Part of it was disgust, yeah, but a lot of it was excitement. Everything had built to that moment, the new year---The Last Year---only a minute or so away. I even put on one of those pairs of cheap, ridiculous party glasses, the kind with the plastic bent into the shapes of stars. They hid my eyes, which was good, and they took attention away from the surgical mask I was wearing. I'd drawn a smiley face on it, so the few people that did seem to notice only pointed and laughed. Whenever they did that, I gave them a nod and shot them a thumbs up. They never even noticed the test tube in my other hand or The Complex falling out of it and sifting away on the soft breeze.
I dumped my last dose as the crowd started counting down from ten. The ball was dropping, and everybody was hopping up and down so that the crowd was throbbing around me. I got excited. Trailing the tube behind me, I smiled behind my mask, and I wanted to laugh. If I hadn't been so scared of ruining my mask, I would have.
The crowd was chanting, "Three, Two," as I shook out the last of the powder. I tossed away the tube as the crowd screamed, "One!" Then, I pushed my way out of there as the crowd burst into that New Year's song that everybody sings. Maybe it would have been fun to stick around and watch things happen, but I agreed to document. That means I had to hurry my behind out of there and get home.
On my way back to the apartment, I heard more than saw the change starting. There was one woman tearing at her face with a broken bottle. She just stood there at the mouth of an alley, bent at the waist and crouching a bit on her knees as she worked and worked. Not once did I hear her cry out. It wasn't until I made it another block that I heard the first screams, a man who could still form enough words to tell people to get off him. By the time I got within two blocks of home, the screams were springing up from every direction, some of them hard to distinguish from party noise and some impossible to mistake.
As I walked up the apartment steps, I heard a man grunting, a sound like stone colliding with stone ringing with each utterance. I don't know what he was doing, but I think I can imagine. Maybe I should have gone and checked. I am supposed to be documenting, after all. Thing is, I don't think I was ready to handle it. Dropping The Complex still had me all jittery.
Yeah. So, there's the big reveal. Here I am, one of the few who was chosen to stay behind and document for future generations (if there are any), and I was too scared to do it. Why lie about it? I was scared. Not the best start, but I think I can do better.
I need some water. Back in a bit.
JANUARY 1ST, LAST YEAR, 2:04 AM
NEWS REPORTS ARE REALLY coming in now. Not surprising, considering there were already camera crews in the city. What gets me is that reports are already coming in from pretty much everywhere. Just watched a story on riots in a small Indiana town just across the state border from Cincinnati. I wonder if somebody got infected in the city and then went home and spread it, or if it's some kind of sympathetic riot. That would be an interesting twist, all right, and I don't think it's one anybody saw coming. I'll have to keep an eye on this...
JANUARY 1ST, 4:37 AM
IF THERE WERE DOUBTS before, they're gone now. The news is showing coverage all the time now, calling it the New Year's Riots. Ridiculous (I'm not supposed to editorialize, but I'm human). What I can hear from my place on the fifth floor is louder than any riot I've ever imagined. Screams and pounding and gunfire, roaring engines and the crackling of fires.
Hmm. I wonder if it will be the fire that gets me. That would be terrible. Not the dying part. That's something I've been ready for this entire time. The record, though. Right now, I'm putting everything on the hard drive and printing copies up for binding. If and when the power goes out (because some things were kind of up in the air, as far as I can tell), I'll need to switch over to pen and paper. What good's the record if a fire sweeps through and destroys it, though? What's more important, remaining passive or protecting the record?
If I knew who any of the other recorders were, I'd call and ask them. How stupid is that? At the end of the day, it's just idiotic. Here I am, almost four hours into mankind's last year on this planet, and I'm worrying about making phone calls. I promise you the switchboards are jammed up from here to San Diego.
Speaking of which, the West Coast should have started their last year by now. No coverage of it yet, but they've only had a little more than ninety minutes to relay.
Something just exploded! It was about half a block away. I checked out the window (part of my preparations involved boarding up the windows, but I left viewing ports like any good witness) and saw this van burning, just a big ball of flame. That was something I expected. The two people nearby weren't.
One of them was on fire, but she either didn't know or didn't care. I think it was a woman, but it was hard to tell from a distance. She kept throwing fists at the other one, who appeared to be a man who was scared out of his mind. He kept trying to turn away, and she just kept hitting him. When he finally did get his back to her, she jumped on it, and then they were both on fire. She rode him to the ground and looked to be slamming his head against the street. I watched her do that for almost a minute, the man bucking beneath her, and then they both just collapsed to the pavement and lay there, burning.
Fascinating.
JANUARY 1ST, 10:14 AM
CAN'T BELIEVE I MANAGED to squeeze in a little sleep. I guess the fact that there's not a lot of light coming in the windows makes it easier. When I woke up, there wasn't a lot of screaming going on, but there was quite a bit of gunfire. I peeked out a few of my ports, and I saw a single military Humvee cruising the street below. There was blood smeared along the sides, and one of the doors was missing. I couldn't get a good enough look to see if there was actual military sitting inside or somebody who'd jacked it, though. I wonder which is the case.
There's a lot of smoke in the city this morning. A gray haze kind of hangs around everything. Through the cameras I placed on the roof, I can see at least seven columns of thick, black smoke rising out of the city. There's at least one fire burning about five blocks west of here. I'll have to go up to the roof later and see if I can get a better look at the rest of the area. Probably some interesting things to see. Maybe after I grab a bite. I'll have to be careful. Never know how much of the building might be infected.
JANUARY 1ST, 11:56 AM
SOMEBODY JUST JUMPED FROM a window above me. Don't know which floor, and I didn't even hear them fall. Just the impact on the pavement. By the time I could get to the ports and look, two others had come out of the woodwork and were stomping on what was left of the body. They're gone now, and the body is just a red smear on the pavement. When the two (they have to be infected) ran off, they're pants were soaked up to the knee, covered in filth and blood. They'd probably spent close to five minutes just stomping on that corpse. I know I should have timed it for history's sake, but I couldn't tear my eyes away. That could happen to me. Most likely, it will. Surgical masks aren't going to stop it forever, right?
Well, that's a sobering thought. Do I have any booze left?
JANUARY 1ST, 4:17 PM
HERE WE ARE, THREE minutes until four-twenty, and I don't have even a single bud. How's that for failing to plan ahead?
The news networks are still going strong. I guess they warranted some kind of guard or something. Local stations are a bit spotty, though. While the CBS affiliate is still going strong, Fox and NBC are out. ABC has gone guerilla. There's no anchor behind a desk. Instead, there are about half a dozen terrified people huddled in some kind of control room. A woman I don't recognize, not pretty enough to be on-air talent, keeps reading updates from an iPhone. Her hands are shaking, and her face is dirty enough that I can see the tracks her tears have cut down her cheeks.
Every few seconds, something bangs nice and loud. I'm guessing it's somebody trying to get into their room, because everybody jumps whenever it happens. Even the camera does a little up and down.
A part of me wants to laugh. It was people like this who got us into this mess, all the bullshit media putting out more noise than signal, never telling us how things really are. That's one of the reasons we decided to make this The Last Year. Everybody needed to know things had turned awful. They needed their eyes opened.
The camera has turned to stare at a bald man wearing glasses. He looks old, maybe in his sixties. He's shaking like he's cold, and when he talks the first thing he says is, "I'm sorry. I can't do it anymore." Then, he starts sobbing. It's those big, body-wracking sobs you had when you were a kid. He spends a few seconds trying to say something else, but the first syllable keeps getting stuck in his throat. The woman who was reading the report tries to pat his shoulder, but he shoves her away, shouting. There are more shouts, a bunch of those bangs, and the camera starts moving around like its operator is panicking or searching for something. Images whip past the camera so fast I have to close my eyes to keep from getting sick (great observer, I know), and then there's a scream and the camera whips back to the crying man.
He's not crying anymore, or if he is he's past the point of caring. A metal ballpoint pin juts from his throat, and he's pushing it in deeper. Blood gouts from around the object, staining the others in the room. The woman's screaming like some kind of hysterical basket case, now. Some of the others try to subdue the bleeding man, but he pushes them back. The camera backs against the wall. Trying to find a clear shot, I guess. It stays put until the man finally slumps to the floor and dies. Then, everybody else stands around crying for awhile while the banging gets quieter and then finally goes away.
I watch every second even though I know it's all disgusting. If the world wasn't ending, these people would probably have their own reality show by Friday. Lock them in a room, leave them a pen, and see who makes it out alive.
We did the right thing. I'm sure of it.
Hmm... CBS is gone now. That didn't take long at all.
JANUARY 2ND, 12:32 AM
THERE'S SOMEBODY IN THE hallway. It's quiet now, but I know somebody was out there at least a minute ago. They were banging on the door, trying to get in. Lot of racket. Enough to wake me up, and I even took a sleeping pill beforehand.
A part of me wants to think it's just somebody who's either infected or running from infected slamming into random doors, trying to find a place to hide or a body to kill. I didn't have any lights on, no radio or TV. Thing is, I haven't heard a sound since I woke up. If it was random, they would have continued down the hall, right? Maybe I'm imagining things, or maybe the sound was out of a dream. No. That's not right, either. This is...
There it was again!
Seriously, I am not making this up. Why the hell would I? Four loud, pounding hits against my apartment door. I looked through the peekhole, but the hallway's empty, at least in front of my door. Shit, this doesn't make sense. It's been a day. Less than! Way too early for cabin fever to be setting in.
JANUARY 2ND, 1:07 AM
PROBABLY A DUMB MOVE, but I had to leave the apartment and check things out. I was supposed to go out sooner or later and see how The Last Year is progressing, so it wasn't like I could stay shut in. Things are different when I know there's somebody out there and nearby, though.
So I went up and down the hall, and then I went up one floor and down one floor to do the same thing. Before I left the apartment, I grabbed a butcher knife. Not a bad little weapon if it comes down to it. I didn't see anybody, though. At least not anybody who was still alive. The stairway between four and five looked like a slaughter house and smelled about the same. The bottom of my shoes are still tacky with drying blood. I think I counted five bodies scattered around the stairs. It was hard to tell, because not all of them were in one piece. One of them---a woman with hair that I think used to be blonde---was strung out from one landing to the next, bits and pieces ripped and stretched and held together by the tiniest morsels of tendon or intestine or skin. There was a smile on her face, so I know she was infected. I still don't know who designed The Complex, but I read the info on it, and it's dangerous stuff. Feelings of euphoria mixed with intense rage and paranoia. Who would have come up with something like that? If I didn't know better, I'd say our government had done it. Sounds like the kind of sick weapon those bastards would love.
Would have loved? I don't even know. No word on the box about what the federal government might be up to. That's weird, isn't it? Maybe they're all dead. Or hiding.
So I searched, and I was quiet about it. Maybe the sound's a little muffled in my apartment, but once I got out in the hallway I could tell there were infected alive in my building. I could hear them laughing and growling and at least one of them slamming their body against a wall or a door over and over again. Sounded like it was maybe on the seventh floor. Should leave me safe.
Long and short, I didn't see anybody who could have been the culprit. Maybe I could knock on some doors, but I'm nowhere near that stupid.
Doubtful I'll pull it off, but I should try to get more sleep.
JANUARY 2ND, 8:42 AM
SOMEBODY'S BEEN IN MY apartment. I can tell.
It sounds paranoid, and I'm aware of that, but I know what I know. Somebody moved my furniture around when I was asleep. There's not a lot of it, so I can tell when it's been moved. My notebooks were by my bed last night, but they were in the middle of the living room floor this morning, opened and looked through. The one recliner I left facing the window was pushed up against the door. That means whoever did it found some other way out of here. I need to find out how. Where.
Scratches on my arm, too. Big, red, and savage. Maybe they did something to me while I slept. I've been spending so much time awake and documenting that I could have slept through anything.
I need to see how they got out. So I can keep them from getting back in.
JANUARY 2ND, 10:03 AM
MEDICINE CABINET. IT TOOK me forever, but I remembered reading in some book or other that these places just jam the medicine cabinet of two adjacent units into a hole in the wall. Sure enough, once I got my cabinet out of the wall, I found myself looking at the back of another cabinet. I shoved that one out and listened to the mirror shatter against the sink.
Then, I waited. Whoever had been in my apartment might still be next door, and that meant they'd heard the mirror breaking. I stood there, my knife in my hand, trying to ignore the way those scratches on my arm were itching like mad. When I finally got tired of waiting, I crawled through. I won't lie, either. When I was squirming through that hole, I felt sure somebody would come running into the bathroom to kill me. Maybe an infected with open sores all over their body and foam pouring out of their mouth, red eyes full of blood. Even with my knife hand free, I doubted I could keep one of them from stretching me out like that woman on the stairs. I wanted to try, though. Wanted to stab and stab until whoever it was became one giant, bleeding wound.
No one appeared, though. Even when I sprawled on the bathroom floor and wrapped a towel around my hand (like an idiot, I cut my palm on the broken mirror), I didn't hear so much as a whisper or a squeaking floorboard. That scared me even more, because maybe it meant somebody was hiding. There was no way they couldn't have heard me coming.
I checked the entire apartment though, and I didn't find anything. Well, that wasn't entirely true. I did find a man crumpled on the floor. His face was a wet ruin, a bloody splatter decorating the wall with a smear beneath it. I figure he bashed his face in until he collapsed, but I don't know where he got the energy. He'd already torn open his own belly. When I found him, he still had both hands in his guts. It amazes me what The Complex can do once it gets in your system.
Okay, so I don't know who was in here. They're not getting back in, though. I put my medicine cabinet back in place and then covered it with duct tape, securing it to the wall. No way is it budging now.
Back to work, I guess.
JANUARY 3RD, 12:11 PM
THE NETWORKS ARE GONE. Fox News went out last. They probably had the most guns. The last person they had on camera was obviously infected with The Complex. She was crying blood, red tears following the scratches on her cheeks, and she had one hand beneath the desk, working like crazy on something. When she lifted her hand to run it over her face, it was slick with red. She sucked some off her fingers after smearing the rest across her face. Then she (I'm really not sure how this is possible) broke her own neck. All at once, she started shouting, "I'm in charge, here! You don't exist!" Then, she grabbed the back of her head with one hand and her chin with the other and gave everything a hard jerk. I heard something pop, and she just slumped behind the desk.
So I guess Fox is still on, but it's just a camera pointing at an empty desk. Not exactly thrilling news. Fair and balanced, though.
The roof cameras tell me about half the city is on fire now. I couldn't see too many people still up and moving, but that might just be the way the cameras are positioned. Can't see anybody out the ports either, though. Kind of shocking that it's happening so fast. Yeah, I knew it would be fast, but this is almost superhuman in its speed.
Hand itches almost as bad as my arm. Trying not to scratch. Want to hit something.
JANUARY 3RD, 4:52 PM
MY ARM IS BLEEDING, I've scratched it so much, and there are black trails running up to my shoulder. Not good. I know what these signs mean. They mean that, even with the mask and all the other precautions, I have it. I'm infected with The Complex. No, I never really believed I'd be immune, despite the things we did to build our immune systems. I thought it would take longer than this, though. Three days? What a waste. Document the end of the world, The Last Year...and only get three days of it.
It's not right, and it's not fair (or balanced!), and I hate it.
The Complex is taking longer than usual, but I don't know how long I'll really have. Usually, it's a matter of minutes, maybe thirty or forty-five to take you from first exposure to homicidal maniac. I woke up with this thing on my arm, though. Can't even convince myself it took cutting my hand to get it. So how long is this going to take? How much will it hurt?
I'm scared. So scared I want to scream.
Happy New Year.
JANUARY 3rd, 6:22 PM
HEAD HURTS. NO, IT'S splitting. Feels like there are bees in there. Or razors slashing, slashing, slashing. My mouth is dry, and my guts are in knots. This is how it feels. It makes me wonder what the rest felt like. Maybe they went through all of this in those first thirty minutes after exposure. Or maybe it only took five. Maybe there's so much more coming after this, and I don't know how long it's going to take or what's going to happen.
The walls are cracking. It's so slow, so tiny, that I can barely tell it's happening, but that is what's occurring. These tiny spider web cracks are working their way from floor to ceiling, and...
Okay, this is weird. I know how it will sound. It's true, though. I swear, I'm not making this up.
There are shadows in the cracks, and they want to get out. If I stare at the cracks long enough, I can see the shadows reaching out like tendrils. They're still small, but they're getting bigger, reaching farther, trying to open the cracks wider and get through. Because they want me, I think. I've thought about it as I watch them, and it's the only explanation that makes sense. The shadows want me.
Jesus, what did we do?
6:41 PM
VOICES NOW. THEY FILL my head. I can't make out the words. They're garbled and guttural, but I think they're angry. There's no shot at seduction, no attempt to put me at ease. Just syllables like crags. Every moment, they grow louder, angrier, and I'm beginning to wonder if they're not in my head but maybe in the room with me. Maybe they're coming from the shadows, which have now punched holes in the wall and whip through the air like they're trying to snatch anything unlucky enough to get too close. At least now I know what the banging was. It was those things trying to punch through from somewhere else. They were knocking down my illusions, knocking them down so hard they'll never rise again.
And there's water on the floor. I don't know when it showed up. I think maybe it's been there for a while, and it just took me forever to notice it. There's a few inches on the floor, brackish and brown and thick with terrible things that move. I can feel them squiggling their way past my feet, can hear them splashing as they cross my floor.
I tried to tell myself none of it's there. Over and over again, I wanted to think it was my imagination, that The Complex had driven me mad, was driving me faster and faster. I can feel them, though. And I can hear them. And no matter how much I might wish I was just crazy, I think I know the truth. I don't think The Complex is a drug or a virus anymore. I think it's a doorway. I think it opens you up and lets you see things the way they really are.
Blood's running down my face, welling up in my eyes and then spilling. I can taste raw meat in my mouth, and I want to taste more. My veins have turned black, and there are more shadows now. They're reaching out from the scratches in my arm and the cut in my hand. A thick one like a jungle snake is in my throat, choking me as it fights to wrestle free of my belly.
7:01 PM
THEY WERE RIGHT. THEY were always right. The world is a horrible place. It's just that no one can see it. But now The Complex has opened their eyes. It's opened mine.
This is The Last Year. God help us all.
AJ Brown lost his sanity some years ago when he penned his first story based on a nightmare he once had. From that point on, he wrote anything that wished to be written, the stories telling themselves more than him. Some of his works have appeared in Necrotic Tissue, Allegory, Bards and Sages Quarterly and Dark Distortions anthology among others.
John Bruni's work has appeared most notably in SHROUD, CTHULHU SEX MAGAZINE, TRAIL OF INDISCRETION, TALES OF THE TALISMAN, and a number of others including the critically acclaimed anthology from Comet Press, VILE THINGS. He was the editor of TABARD INN: TALES OF QUESTIONABLE TASTE. He lives in Elmhurst, IL and can be found at www.talesofunspeakabletaste.blogspot.com.
Chris Lewis Carter was born and raised in Newfoundland, Canada, where he currently lives with his wife, Melissa. His work has been featured in 3AM Magazine, Nelson Literacy 8, The Cuffer Anthology: Volume Two, Word Riot, and four Pill Hill Press anthologies. He is working on his first novel, and can be reached at chrislewiscarter@gmail.com. Fun Fact: He isn't crazy about tomatoes.
Lesley Conner lives near Hagerstown, MD with her husband and their two daughters. She avoids the woods. To see if she ever conquers her fear, or she stays smart (and alive?) by staying inside, check out her blog at www.lesleyconner.com.
Emma Ennis grew up in Ireland with the Leprechauns, or so her vertically challenged family are known. She has always dreamed of being a writer...that and someday getting her legs lengthened. For more information about Emma, visit her blog at http://authoremmaennis.blogspot.com.
Marie Green lives in the town of Colorado Springs, Colorado, nestled against the Rockies. A lover of music, animals and writing, she is a student of British Literature, Creative Writing and Drama. She toured London and Stratford in 2010 where she attended workshops on Literature and Theatre. A writer of Psychological Horror, Marie also writes Creative Nonfiction and Paranormal stories, as well.
Boyd E. Harris is the publisher of and an editor for Cutting Block Press (www.cuttingblock.net), a company specializing in horror anthologies. His books, +Horror Library+ Volume 3 and +Horror Library+ Volume 4, earned nominations for the Bram Stoker Award for best anthology. Boyd is also a two time Black Quill Award winning editor. A writer at heart, Boyd has had dozens of stories published in various anthologies and magazines, and hopes to spend more time exploring horror fiction through his own pen.
Kirk Jones is an instructor of humanities for the SUNY system. His work appears in The New Flesh: Episode I, Technicolor Tentacles, Told You So, and Unicorn Knife Fight. His first book, Uncle Sam's Carnival of Copulating Inanimals, was published by Eraserhead Press imprint, NBAS, in 2010.
Jack Ketchum's first novel, Off Season, prompted the Village Voice to publicly scold its publisher in print for publishing violent pornography. He personally disagrees but is perfectly happy to let you decide for yourself. His short story The Box won a 1994 Bram Stoker Award from the HWA, his story Gone won again in 2000 -- and in 2003 he won Stokers for both best collection for Peaceable Kingdom and best long fiction for Closing Time. He has written twelve novels, arguably thirteen, five of which have been filmed -- The Girl Next Door, Red, The Lost, Offspring and The Woman, written with Lucky McKee. His stories are collected in The Exit at Toledo Blade Boulevard, Peaceable Kingdom, Closing Time and Other Stories, and Sleep Disorder, with Edward Lee. His horror-western novella The Crossings was cited by Stephen King in his speech at the 2003 National Book Awards. He has been elected Grand Master for the 2011 World Horror Convention.
Originally a part-time independent filmmaker and screenwriter, Matt Kurtz decided to narrow his creative energy to focus more on short stories and future novels. He writes twisted tales for fun from somewhere within the state of Texas. His fiction can be found in anthologies from Pill Hill Press, Blood Bound Books, Comet Press and Necrotic Tissue Magazine.
Joe R. Lansdale is the author of novels, short stories, screenplays and comic scripts. His work has been filmed and adapted to comics, and he has received the Edgar Award, Eight Bram Stokers, The Grinzani Cavour Prize for literature, and numerous other literary recognitions. His novella BUBBA HOTEP was made into the cult film of the same name, and his short story INCIDENT ON AND OFF A MOUNTAIN ROAD was part of the MASTERS OF HORROR SERIES on SHOWTIME.
Steve Lowe is a former sports writer with the South Bend Tribune, and an occasional stringer for the Associated Press. These days, instead of sports he writes weird, dark, occasionally humorous fiction which contains slightly more made-up content than his sports stories. His first book, Muscle Memory, was released in October 2010 as part of the New Bizarro Author Series from Eraserhead Press. His second book, Wolves Dressed as Men, came out in November 2010 from Eternal Press. His short fiction has appeared in the print anthologies Dead Bait and Toe Tags II, and on websites like Drabblecast, Three Crow Press, Unicorn Knife Fight, and Liquid Imagination, among others.
Shane McKenzie is the head editor and co-owner of Sinister Grin Press. His work can be found in various anthologies. He has a story in Cutting Block Press' Horror Library Volume 5, and has multiple books coming out soon from Deadite Press. Come say hello at www.shanemckenziewriter.blogspot.com. If you don't, he will destroy you.
John McNee is employed as a reporter for a local newspaper on the west coast of Scotland. He also writes horror. He is a firm believer that the maxim "truth is stranger than fiction" only applies to those suffering from a severe lack of imagination. His work appears elsewhere in the anthologies Ruthless, DOA, Steamy Screams and Gospels of Blood, Psalms of Despair, as well as in the online and print versions of Sex and Murder magazine.
Elle Richfield is primarily an alternative singer-songwriter exploring the darker side of existence, but like many others of the download era, chewed up and spat out by the music industry. Currently delving into script writing for film and more story telling.
Ty Schwamberger is growing force within the horror genre. He is the author of a novel, multiple novellas, collections and editor on several anthologies. In addition, he's had many short stories published online and in print. Two stories, 'Cake Batter' (released in 2010) and 'House Call' (currently in pre-production in 2011), have been optioned for film adaptation. He's also the Managing Editor of The Zombie Feed, an imprint of Apex Publications. You can learn more at: http://tyschwamberger.com.
Patrick Shand worked on the official comic book continuation of Joss Whedon's "Angel" with IDW Publishing. His Angel story, "My Only Friend," appeared in their "Angel: Yearbook" in May 2011. He's also published short stories in various literary magazines and anthologies, in addition to writing plays that have been produced in New York City.
Elias Siqueiros was born and raised in El Paso TX. He has most recently published in The Harrow, Fantastic Horror, and will have a short story of his appear in Tattered Souls Vol. 2 by Cutting Block Press.
Nate Southard's books include Scavengers, Red Sky, Just Like Hell, Broken Skin, This Little Light of Mine, and He Stepped Through. His short fiction has appeared in such venues as Cemetery Dance, Black Static, Thuglit, and the upcoming anthology Supernatural Noir. A graduate of The University of Texas with a degree in Radio, Television, and Film, Nate lives in Austin, Texas. You can learn more at natesouthard.com.
Lee Thomas is the Bram Stoker Award and Lambda Literary Award-winning author of STAINED, PARISH DAMNED, THE DUST OF WONDERLAND, and the critically-acclaimed short story collection IN THE CLOSET, UNDER THE BED. Recent and forthcoming titles include THE GERMAN, SWALLOWED BY THE CRACKS, THE BLACK SUN SET, FOCUS (co-written with Nate Southard), and TORN. You can find him on the web at www.leethomasauthor.com
Lee Thompson has work in Delirium Books, Shock Totem, Dark Discoveries and other places that'll get under your skin. His fiction is like a dark Twilight Zone meets Alfred Hitchcock Mystery. Check out sexy pics of him online: http://leethompsonfiction.com
Kevin Wallis dedicates this story to AJ Brown, Lee Thompson and Steve Lowe, who have inspired and mentored him, and whose work he is honored to accompany in this book. He is forever grateful to these men, even though they continue to be shamefully jealous of Kevin's virility and testicular fortitude. Kevin's first collection of dark fiction, "Beneath the Surface of Things", can be found at Amazon and Bards & Sages Publishing.
Wrath James White is a former World Class Heavyweight Kickboxer, a professional Kickboxing and Mixed Martial Arts trainer, distance runner, performance artist, former street brawler and professional bad-ass who is now known for creating some of the most disturbing works of fiction in print. Wrath's most recent books are PURE HATE, THE REAPER, SKINZZ, and LIKE PORNO FOR PSYCHOS. He is also the author of THE RESURRECTIONIST, YACCUB'S CURSE, SUCCULENT PREY, EVERYONE DIES FAMOUS IN A SMALL TOWN, THE BOOK OF A THOUSAND SINS, HIS PAIN, and POPULATION ZERO. He is the co-author of TERATOLOGIST co-written with the king of extreme horror, Edward Lee, ORGY OF SOULS co-written with Maurice Broaddus, HERO co-written with J.F. Gonzalez, and POISONING EROS co-written with Monica J. O'Rourke. Wrath lives and works in Austin, Texas with his two daughters, Isis and Nala, his son Sultan and his wife Christie.
Table of Contents
Consensual by Jack Ketchum writing as Jerzy Livingston
Securedate.com by Boyd E. Harris
The Greatest Sin by Kevin Wallis
The Greenhouse Garden of Suicides by Kirk Jones
I Heart Recycling by Lesley Conner
Remember What I Said About Living Out in the Country? by A.J. Brown
Every Day a Holiday by Steve Lowe
Seeing Red by Chris Lewis Carter
Southern Fried Cruelty by Matt Kurtz
By Bizarre Hands by Joe R. Lansdale
We Run Races With Goblin Troopers by Lee Thompson
Pascal's Wager by Wrath James White
A Special Surprise at Thanksgiving Dinner by Elle Richfield
Waiting for Santa by Bentley Little
Hung With Care by Ty Schwamberger
Sunshine Beamed by Marie Green
Dia de los Inocentes by Elias Siqueiros
Three, Two, One by Nate Southard

