
SHOTTLE BOP Unknown February by Theodore Sturgeon (1918- )
I'd never seen the place before, and I lived just down the block and around the corner. I'll even give you the address, if you like. "The Shottle Bop," between Twentieth and Twenty-first Streets, on Tenth Avenue in New York City. You can find it if you go there looking for it. Might even be worth your while, too. But you'd better not. "The Shottle Bop." It got me. It was a small shop with a weather-beaten sign swung from a wrought crane, creaking dismally in the late fall wind. I walked past it, thinking of the engagement ring in my pocket and how it had just been handed back to me by Audrey, and my mind was far removed from such things as shottle bops. I was thinking that Audrey might have used a gentler term than "useless" in describing me: and her neatly turned remark about my being a "constitutional psychopathic incompetent" was as uncalled for as it was spectacular. She must have read it somewere, balanced as it was by "And I wouldn't marry you if you were the last man on earth!" which is a notably worn cliche. "Shottle Bop!" I muttered, and then paused, wondering where I had picked up such oddly rhythmic syllables with which to express myself. I'd seen it on that sign, of course, and it had caught my eye. "And what," I asked myself, "might be a Shottle Bop?" Myself replied promptly, "Dunno. Toddle back and have a look." So toddle I did, back along the east side of Tenth, wondering what manner of man might be running such an establishment in pursuance of what kind of business. I was enlightened on the second point by a sign in the window, all but obscured by the dust and ashes of apparent centuries, which read:
There was another line of smaller print there. I rubbed at the crusted glass with my sleeve and finally was able to make out.
With things in them.
Just like that:
WE SELL BOTTLES With things in them.
Well of course I went in. Sometimes very delightful things come in bottles, and the way I was feeling, I could stand a little delighting. "Close it!" shrilled a voice, as I pushed through the door. The voice came from a shimmering egg adrift in the air behind the counter, low-down. Peering over, I saw that it was not an egg at all, but the bald pate of an old man who was clutching the edge of the counter, his scrawny body streaming away in the slight draft from the open door, as if he were made of bubbles. A mite startled, I kicked the door with my heel. He immediately fell on his face, and then scrambled smiling to his feet. "Ah, it's so good to see you again," he rasped. I think his vocal cords were dusty, too. Everything else here was. As the door swung to, I felt as if I were inside a great dusty brain that had just closed its eyes. Oh yes, there was light enough. But it wasn't the lamp light and it wasn't daylight. It was like�like light reflected from the cheeks of pale people. Can't say I enjoyed it much. "What do you mean, `again'?" I asked irritably. "You never saw me before." "I saw you when you came in and I fell down and got up and saw you again," he quibbled, and beamed. "What can I foo for do?" "Huh?" I huhed, and then translated it into "What can I do for you?" "Oh, I said. "Well, I saw your sign. What have you got in a bottle that I might like?" "What do you want?" "What've you got?" He broke into a piping chant�I remember it yet, word for word.
"For half a buck, a vial of luck Or a bottle of nifty breaks Or a flask of joy, or Myrna Loy For luncheon with sirloin steaks
"Pour out a mug from this old jug, And you'll never get wet in rains. I've bottles of grins and racetrack wins and lotions to ease your pains.
"Here's bottles of imps and wet-pack shrimps From a sea unknown to man, And an elixir to banish fear, And the sap from the pipes of Pan.
"With the powdered horn of a unicorn You can win yourself a mate; With the rich hobnob; or get a job� It's yours at a lowered rate."
"Now wait right there!" I snapped. "You mean you actually sell dragon's blood and ink from the pen of Friar Bacon and all such mumbo-jum?" He nodded rapidly and smiled all over his improbable face. I went on�"The genuine article?" He kept on nodding. I regarded him for a moment. "You mean to stand there with your teeth in your mouth and your bare face hanging out and tell me that in this day and age, in this city and in broad daylight, you sell such trash and then expect me�me, an enlightened intellectual�" "You are very stupid and twice as bombastic," he said quietly. I glowered at him and reached for the doorknob�and there I froze. And I mean froze. For the old man whipped out an ancient bulb-type atomizer and squeezed a couple of whiffs at me as I turned away; and so help me, I couldn't move! I could cuss, though, and boy, did I. The proprietor hopped over the counter and ran over to me. He must have been standing on a box back there, for now I could see he was barely three feet tall. He grabbed my coat tails, ran up my back and slid down my arm, which was extended doorward. He sat down on my wrist and swung his feet and laughed up at me. As far as I could feel, he weighed absolutely nothing. When I had run out of profanity�I pride myself on never repeating a phrase of invective�he said, "Does that prove anything to you, my cocky and unintelligent friend? That was the essential oil from the hair of the Gorgon's head. And until I give you an antidote, you'll stand there from now till a week from text Nuesday!" "Get me out of this," I roared, "or I smack you so hard you lose your brains through the pores in your feet!" He giggled. I tried to tear loose again and couldn't. It was as if all my epidermis had turned to high-carbon steel. I began cussing again, but quit in despair. "You think altogether too much of yourself," said the proprietor of the Shottle Bop. "Look at you! Why, I wouldn't hire you to wash my windows. You expect to marry a girl who is accustomed to the least of animal comfort, and then you get miffed because she turns you down. Why does she turn you down? Because you won't get a job. You're a no-good. You're a bum. He, he! And you have the nerve to walk around pelling teople where to get off. Now if I were in your position I would ask politely to be released, and then I would see if anyone in this shop would be good enough to sell you a bottle full of something that might help out." Now I never apologize to anybody, and I never back down, and I never take any guff from mere tradesmen. But this was different. I'd never been petrified before, nor had my nose rubbed in so many gaffing truths. I relented. "O.K., O.K.; let me break away then. I'll buy something." "Your tone is sullen," he said complacently, dropping lightly to the floor and holding his atomizer at the ready. "You'll have to say `Please. Pretty please.' " He went back of the counter and returned with a paper of powder which he had me sniff. In a couple of seconds I began to sweat, and my limbs lost their rigidity so quickly that it almost threw me. I'd have been flat on my back if the man hadn't caught me and solicitously led me to a chair. As strength dribbled back into my shocked tissues, it occurred to me that I might like to flatten this hobgoblin for pulling a trick like that. But a strange something stopped me�strange because I'd never had the experience before. It was simply the idea that once I got outside I'd agree with him for having such a low opinion of me.
He wasn't worrying. Rubbing his hands briskly, he turned to his shelves. "Now, let's see . . . what would be best for you, I wonder? Hm-m-m. Success is something you couldn't justify. Money? You don't know, how to spend it. A good job? You're not fitted for one." He turned gentle eyes on me and shook his head. "A sad case. Tsk, tsk." I crawled. "A perfect mate? Uh-huh. You're too stupid to recognize perfection, too conceited to appreciate it. I don't think that I can�Wait!" He whipped four or five bottles and jars off the dozens of shelves behind him and disappeared somewhere in the dark recesses of the store. Immediately there came sounds of violent activity�clinkings and little crashes; stirrings and then the rapid susurrant grating of a mortar and pestle; then the slushy sound of liquid being added to a dry ingredient during stirring; and at length, after quite a silence, the glugging of a bottle being filled through a filtering funnel. The proprietor reappeared triumphantly bearing a four-ounce bottle without a label. "This will do it!" he beamed. "That will do what?" "Why, cure you!" "Cure�" My pompous attitude, as Audrey called it, had returned while he was mixing. "What do you mean cure? I haven't got anything!" "My dear little boy," he said offensively, "you most certainly have. Are you happy? Have you ever been happy? No. Well, I'm going to fix all that up. That is, I'll give you the start you need. Like any other cure, it requires your cooperation. "You're in a bad way, young fellow. You have what is known in the profession as retrogressive metempsychosis of the ego in its most malignant form. You are a constitutional unemployable; a downright sociophagus. I don't like you. Nobody likes you." Feeling a little bit on the receiving end of a blitz, I stammered, "W-what do you aim to do?" He extended the bottle. "Go home. Get into a room by yourself�the smaller the better. Drink this down, right out of the bottle. Stand by for developments. That's all." "But�what will it do to me?" "It will do nothing to you. It will do a great deal for you. It can do as much for you as you want it to. But mind me, now. As long as you use what it gives you for your self-improvement, you will thrive. Use it for self-glorification, as a basis for boasting, or for revenge, and you will suffer in the extreme. Remember that, now." "But what is it? How�" "I am selling you a talent. You have none now. When you discover what kind of a talent it is, it will be up to you to use it to your advantage. Now go away. I still don't like you." "What do I owe you?" I muttered, completely snowed under by this time. "The bottle carries its own price. You won't pay anything unless you fail to follow my directions. Now will you go, or must I uncork a bottle of jinn�and I don't mean London Dry?" "I'll go," I said. I'd seen something swirling in the depths of a ten-gallon carboy at one end of the counter, and I didn't like it a bit. "Good-by." "Bood-gy," he returned. I went out and I headed down Tenth Avenue and I turned east up Twentieth Street and I never looked back. And for many reasons I wish now that I had, for there was, without doubt, something very strange about that Shottle Bop.
I didn't simmer down until I got home; but once I had a cup of black Italian coffee under my belt I felt better. I was skeptical about it at last. I was actually inclined to scoff. But somehow I didn't want to scoff too loudly. I looked at the bottle a little scornfully, and there was a certain something about the glass of it that seemed to be staring back at me. I sniffed and threw it up behind some old hats on top of the closet, and then sat down to unlax. I used to love to unlax. I'd put my feet on the doorknob and slide down in the upholstery until I was sitting on my shoulder blades, and as the old saying has it, "Sometimes I sets and thinks, and sometimes I just sets." The former is easy enough, and is what even an accomplished loafer has to go through before he reaches the latter and more blissful state. It takes years of practice to relax sufficiently to be able to "just set." I'd learned it years ago. But just as I was about to slip into the vegetable status, I was annoyed by something. I tried to ignore it. I manifested a superhuman display of lack of curiosity, but the annoyance persisted. A light pressure on my elbow, where it draped over the arm of the chair. I was put in the unpleasant predicament of having to concentrate on what it was; and realizing that concentration on anything was the least desirable thing there could be. I gave up finally, and with a deep sigh, opened my eyes and had a look. It was the bottle. I screwed up my eyes and then looked again, but it was-still there. The closet door was open as I had left it, and its shelf almost directly above me. Must have fallen out. Feeling that if the damn thing were on the floor it couldn't fall any farther, I shoved it off the arm of the chair with my elbow. It bounced. It bounced with such astonishing accuracy that it wound up in exactly the same spot it had started from�on the arm of the easy-chair, by my elbow. Startled, I shoved it violently. This time I pushed it hard enough to send it against the wall, from which it rebounded to the shelf under my small table, and thence back to the chair arm�and this time it perched cozily against my shoulder. Jarred by the bouncing, the stopper hopped out of the bottle mouth and rolled into my lap; and there I sat, breathing the bittersweet fumes of its contents, feeling frightened and silly as hell. I grabbed the bottle and sniffed. I'd smelled that somewhere before�where was it? Uh�oh, yes; that mascara the Chinese honkytonk girls use in Frisco. The liquid was dark �smoky black. I tasted it cautiously. It wasn't bad. If it wasn't alcoholic, then the old man in the shop had found a darn good substitute for alcohol. At the second sip, I liked it and at the third I really enjoyed it and there wasn't any fourth because by then the little bottle was a dead marine. That was about the time I remembered the name of the black ingredient with the funny smell. Kohl. It is an herb the Orientals use to make it possible to see supernatural beings. Silly superstition! And then the liquid I'd just put away, lying warm and comfortable in my stomach, began to fizz. Then I think it began to swell. I tried to get up and couldn't. The room seemed to come apart and throw itself at me piecemeal, and I passed out.
Don't you ever wake up the way I did. For your own sake be careful about things like that. Don't swim up out of a sodden sleep and look around you and see all those things fluttering and drifting and flying and creeping and crawling around you�puffy things dripping blood, and filmy, legless creatures, and little bits and snatches of pasty human anatomy. It was awful. There was a human hand afloat in the air an inch away from my nose; and at my startled gasp it drifted away from me, fingers fluttering in the disturbed air from my breath. Something veined and bulbous popped out from under my chair and rolled across the floor. I heard a faint clicking, and looked up into a gnashing set of jaws without any face attached. I think I broke down and cried a little. I know I passed out again. The next time I awoke�must have been hours later, because it was broad daylight and my clock and watch had both stopped�things were a little better. Oh, yes, there were a few of the horrors around. But somehow they didn't bother me much now. I was practically convinced that I was nuts; now that I had the conviction, why worry about it? I dunno; it must have been one of the ingredients in the bottle that had calmed me down so. I was curious and excited, and that's about all. I looked around me and I was almost pleased. The walls were green! The drab wallpaper had turned to something breathtakingly beautiful. They were covered with what seemed to be moss; but never moss like that grew for, human eyes to see before. It was long and thick, and it had a slight perpetual movement�not that of a breeze, but of growth. Fascinated, I moved over and looked closely. Growing indeed, with all the quick magic of spore and cyst and root and growth again to spore; and the swift magic of it was only a part of the magical whole, for never was there such a green. I put out my hand to touch and stroke it, but I only felt the wallpaper. But when I closed my fingers, on it, I could feel that light touch of it in the palm of my hand, the weight of twenty sunbeams, the soft resilience of jet-darkness in a closed place. The sensation was a delicate ecstasy, and never have I been happier than I was at that moment. Around the baseboards were little snowy toadstools, and the floor was grassy. Up the hinged side of the closet door climbed a mass of flowering vines, and their petals were hued in tones indescribable. I felt as if I had been blind until now, and deaf, too; for now I could hear the whispering of scarlet, gauzy insects among the leaves and the constant murmur of growth. All around me was a new and lovely world, so delicate that the wind of my movements tore petals from the flowers, so real and natural that it defied its own impossibility. Awestruck, I turned and turned, running from wall to wall, looking under my old furniture, into my old books; and everywhere I looked I found newer and more beautiful things to wonder at. It was while I was flat on my stomach looking up at the bed springs, where a colony of jewellike lizards had nested, that I first heard the sobbing.
It was young and plaintive, and had no right to be in my room where everything was so happy. I stood up and looked around, and there in the corner crouched the translucent figure of a little girl. She was leaning back against the wall. Her thin legs were crossed in front of her, and she held the leg of a tattered toy elephant dejectedly in one hand and cried into the other. Her hair was long and dark, and it poured and tumbled over her face and shoulders. I said, "What's the matter, kiddo?" I hate to hear a child cry like that. She cut herself off in the middle of a sob and shook the hair out of her eyes, looking up and past me, all fright and olive skin and big, filled violet eyes. "Oh!" she squeaked. I repeated, "What's the matter? Why are you crying?" She hugged the elephant to her breast defensively, and whimpered, "W-where are you?" Surprised, I said, "Right here in front of you, child. Can't you see me?" She shook her head. "I'm scared. Who are you?" "I'm not going to hurt you. I heard you crying, and I wanted to see if I could help you. Can't you see me at all?" "No," she whispered. "Are you an angel?" I guffawed. "By no means!" I stepped closer and put my hand on her shoulder. The hand went right through her and she winced and shrank away, uttering a little wordless cry. "I'm sorry," I said quickly. "I didn't mean . . . you can't see me at all? I can see you." She shook her head again. "I think you're a ghost," she said. "Do tell!" I said. "And what are you?" "I'm Ginny," she said. "I have to stay here, and I have no one to play with." She blinked, and there was a suspicion of further tears. "Where did you come from?" I asked. "I came here with my mother," she said. "We lived in lots of other rooming houses. Mother cleaned floors in office buildings. But this is where I got so sick. I was sick a long time. Then one day I got off the bed and came over here, but then when I looked back I was still on the bed. It was awful funny. Some men came and put the 'me' that was on the bed onto a stretcher-thing and took it�me out. After a while Mummy left, too. She cried for a long time before she left, and when I called to her she couldn't hear me. She never came back, and I just got to stay here." �Why?� "Oh, I got to. I�don't know why. I just got to." "What do you do here?" "I just stay here and think about things. Once a lady lived here, had a little girl just like me. We used to play together until the lady watched us one day. She carried on somethin' awful. She said her little girl was possessed. The girl kept call-in' me, 'Ginny! Ginny! Tell Mamma you're here!'; an' I tried, but the lady couldn't see me. Then the lady got scared an' picked up her little girl an' cried, an' so I was sorry. I ran over here an' hid, an' after a while the other little girl forgot about me, I guess. They moved," she finished with pathetic finality. I was touched. "What will become of you, Ginny?" "I dunno," she said, and her voice was troubled. "I guess I'll just stay here and wait for Mummy to come back. I been here a long time. I guess I deserve it, too." "Why, child?" She looked guiltily at her shoes. "I couldn' stand feelin' so awful bad when I was sick. I got up out of bed before it was time. I shoulda stayed where I was. This is what I get for quittin'. But Mummy'll be back; just you see." "Sure she will," I muttered. My throat felt tight. "You take it easy, kid. Any time you want someone to talk to, you just pipe up, I'll talk to you any time I'm around." She smiled, and it was a pretty thing to see. What a raw deal for a kid! I grabbed my hat and went out. Outside things were the same as in the room to me. The hallways, the dusty stair carpets wore new garments of brilliant, nearly intangible foliage. They were no longer dark, for each leaf had its own pale and different light. Once in a while I saw things not quite so pretty. There was a giggling thing that scuttled back and forth on the third-floor landing. It was a little indistinct, but it looked a great deal like Barrelhead Brogan, a shanty-Irish bum who'd returned from a warehouse robbery a year or so ago, only to shoot himself accidentally. With his own gun. I wasn't sorry. Down on the first floor, on the bottom step, I saw two youngsters sitting. The girl had her head on the boy's shoulder, and he had his arms around her, and I could see the banister through them. I stopped to listen. There voices were faint, and seemed to come from a long way away. He said, "There's one way out." She said, "Don't talk that way, Tommy!" "What else can we do? I've loved you for three years, and we still can't get married. No money, no hope�no nothing. Sue, if we did do it, I just know we'd always be together. Always and always�" After a long time she said, "All right, Tommy. You get a gun, like you said." She suddenly pulled him even closer. "Oh, Tommy, are you sure we'll always be together just like this?" "Always," he whispered, and kissed her. "Just like this." Then there was a long silence, while neither moved. Suddenly they were as I had first seen them, and he said: "There's only one way out." And she said, "Don't talk that way, Tommy!" And he said, "What else can we do? I've loved you for three years�" It went on like that, over and over and over. I felt lousy. I went on out into the street.
It began to filter through to me what had happened. The man in the shop had called it a "talent." I couldn't be crazy, could I? I didn't feel crazy. The draught from the bottle had opened my eyes on a new world. What was this world? It was a thing peopled by ghosts. There they were�storybook ghosts, and regular haunts, and poor damned souls�all the fixings of a storied supernatural, all the things we have heard about and loudly disbelieve and secretly wonder about. So what? What had it all to do with me? As the days slid by, I wondered less about my new, strange surroundings, and gave more and more thought to that question. I had bought�or been given�a talent. I could see ghosts. I could see all parts of a ghostly world, even the vegetation that grew in it. That was perfectly reasonable�the trees and birds and fungi and flowers. A ghost world is a world as we know it, and a world as we know it must have vegetation. Yes, I could see them. But they couldn't see me! O.K.; what could I get out of it? I couldn't talk about it or write about it because I wouldn't be believed; and besides, I had this thing exclusive, as far as I knew; why cut a lot of other people in on it? On what, though? No, unless I could get a steer from somewhere, there was no percentage in it for me that I could see. And then, about six days after I took that eye-opener, I remembered the one place where I might get that steer. The Shottle Bop! I was on Sixth Avenue at the time, trying to find something in a five-and-dime that Ginny might like. She couldn't touch anything I brought her but she enjoyed things she could look at�picture books and such. By getting her a little book of photographs of trains since the "De Witt Clinton," and asking her which of them was like ones she had seen, I found out approximately how long it was she'd been there. Nearly eighteen years. Anyway, I got my bright idea and headed for Tenth Avenue and the Shottle Bop. I'd ask that old man�he'd tell me. At the corner of Ninth Avenue I bumped into Happy Sam Healy and Fred Bellew. Fred was good people, but I never had much use for Happy Sam. He went for shaggy hats and lapelled vests, and he had patent-leather hair and too much collar-ad good looks. I was in a hurry and didn't want to talk to anyone, but Sam grabbed me by the arm. "Slow down, mug, slow down! Long time no see. Where you bound in such a hurry?" "Going over to Tenth to see a man about you." Sam quit grinning and Fred walked over. "Why can't you guys quit knocking each other?" he asked quietly. If it weren't for Fred, Sam and I would have crossed bows even more than we did, which was still altogether too much. "I'll always speak civilly to a human being," I said. "Sam's different." Sam said, "Don't set yourself up, chum. I'm cutting some ice with a certain party that froze you out." "If you say exactly what you mean, I'll probably rap you for it," I flared. Fred pushed hastily between us. "I'll see you later, Sam," he said. He pushed me with some difficulty away from the scene. Sam stood staring after us for a minute and then put his hands in his pockets, shrugged, grinned, and went jauntily his own way. "Aw, why do you always stand in front of that heel when I want to scrape him off the sidewalk?" I complained. "Calm down, you big lug," Fred grinned. "That bantam wants trouble with you because of Audrey. If you mess him up, he'll go running to her about it, and you'll be really out." "I am already, so what?" He glanced at me. "That's up to you." Then, seeing my face, he said quickly, "O.K., don't tell me. It's none of my business. I know. How've you been?" I was quiet for a while, walking along. Fred was a darn good egg. You could tell a guy like that practically anything. Finally, I said, "I'm looking for a job, Fred." He nodded. "Thought you would. Doing what?" Anybody else, knowing me, would have hooted and howled. "Well, I�" Oh, what the hell, I thought, I'll tell him. If he thinks I'm nuts, he won't say so to anyone but me. Old Fred didn't look like much, with his sandy hair and his rimless specs and those stooped shoulders that too much book reading gave him, but he had sense. "I was walking down Tenth," I began
By the time I had come to the part about the ghost of the kid in my room, we had reached Tenth Avenue in the late Twenties, and turned south. I wasn't paying much attention to where we were, to tell you the truth, and that's why what happened did happen. Before I had a chance to wind up with the question that was bothering me�"I have it . . . what will I do with it?" Fred broke in with "Hey! Where is this place of yours?" "Why�between Nineteenth and Twentieth," I said. "Holy smoke�we're at Eighteenth! We walked right past it!" Fred grinned and swung around. We went back up the avenue with our eyes peeled, and not a sign of the Shottle Bop did we see. For the first time a doubtful look crept onto Fred's bland face. He said: "You wouldn't kid me, would you, lug?" "I tell you�" I began. Then I saw a penny lying on the sidewalk. I bent to pick it up, and heard him say, "Hey! There it is! Come on." "Ah! I knew it was on this block!" I said, and turned toward Fred. Or where Fred had been. Facing me was a blank wall. The whole side of the block was void of people. There was no sign of a shop or of Fred Bellew. I stood there for a full two minutes not even daring to think. Then I walked downtown toward Twentieth, and then uptown to Twenty-first. Then I did it again. No shop. No Bellew. I stood frothing on the uptown corner. What had that guy done; hopped a passing truck or sunk into the ground or vanished into the shop? Yeah; and no shop there! A wise guy after all. I trod the beat once more with the same results. Then I headed for home. I hadn't gone twenty feet when 'I heard the pound of someone running, and Fred came panting up and caught my shoulder. We both yelped at once�"Hey! Where've you been?" I said, "What was the idea of ducking out like that? Man, you must've covered a hundred yards in about six seconds to get away from me while I picked up a penny off the sidewalk!" "Duck out nothing!" said Bellow, angrier than I'd ever seen him. "I saw the store and went in. I thought you were right behind me. I look around and you're outside, staring at the shop like it was something you didn't believe. Then you walk off. Meanwhile the little guy in the store tries to sell me some of his goods. I stall him off, still looking for you. You walk past two or three times, looking in the window. I call you; you don't bat an eyelash. I tell the little guy: 'Hold on�I'll be back in a second with my friend there.' He rears back on his heels and laughs like a maniac and waves me out. Come on, dope. Let's go back. That old man really has something there. I'd say I was in the market for some of that stuff of his!" "O.K., O.K.," I said. "But Fred�I'll swear I didn't see the place. Come on then; lead me to it. I must be going really screwball." "Seems like," said Fred. So we went back, and there was no shop at all. Not a sign of one. And then and there we had one pip of an argument. He said I'd lied about it in the first place, and I said, well, why did he give me that song-and-dance about his seeing it, and he said it was some kind of a joke I'd pulled on him; and then we both said, "Oh yeah?" a couple of times and began to throw punches. I broke his glasses for him. He had them in his pocket and fell down on them. I wound up minus a very good friend and without my question answered�what was I going to do with this "talent?" I was talking to Ginny one afternoon about this and that when a human leg, from the knee down, complete and puffy, drifted between us. I recoiled in horror, but Ginny pushed it gently with one hand. It bent under the touch, and started toward the window, which was open a little at the bottom. The leg floated toward the crack and was sucked through like a cloud of cigarette smoke, reforming again on the other side. It bumbled against the pane for a moment and then ballooned away. "My gosh!" I breathed. "What was that?" Ginny laughed. "Oh, just one of the Things that's all 'e time flying around. Did it scare you? I used to be scared, but I saw so many of them that I don't care any more, so's they don't light on me." "But what in the name of all that's disgusting are they?" "Parts." Ginny was all childish savoir-faire. "Parts of what?" "People, silly. It's some kind of a game, I think. You see, if someone gets hurt and loses something�a finger or an ear or something, why, the ear the inside part of it, I mean, like me being the inside of the 'me' they carried out of here�it goes back to where the person who owned it lived last. Then it goes back to the place before that, and so on. It doesn't go very fast. Then when something happens to a whole person, the `inside' part comes looking for the rest of itself. It picks up bit after bit�Look!" She put out a filmy forefinger and thumb and nipped a flake of gossamer out of the air. I leaned over and looked closely; it was a small section of semitransparent human skin, ridged and whorled. "Somebody must have cut his finger," said Ginny matter-of-factly, "while he was living in this room. When something happens to um�you see! He'll be back for it!" "Good heavens!" I said. "Does this happen to everyone?" "I dunno. Some people have to stay where they are�like me. But I guess if you haven't done nothing to deserve bein' kept in one place, you have to come all around pickin' up what you lost." I'd thought of more pleasant things in my time.
For several days I'd noticed a gray ghost hovering up and down the block. He was always on the street, never inside. He whimpered constantly. He was�or had been�a little inoffensive man of the bowler hat and starched collar type. He paid no attention to me�non of them did, for I was apparently invisible to them. But I saw him so often that pretty soon I realized that I'd miss him if he went away. I decided I'd chat with him the next time I saw him. I left the house one morning and stood around for a few minutes in front of the brownstone steps. Sure enough, pressing through the flotsam of my new, weird coexistent world, came the slim figure of the wraith I had noticed, his rabbit face screwed up, his eyes deep and sad, and his swallowtail coat and striped waistcoat immaculate. I stepped up behind him and said, "Hi!" He started violently and would have run away, I'm sure, if he'd known where my voice was coming from. "Take it easy, pal," I said. "I won't hurt you." "Who are you?" "You wouldn't know if I told you," I said. "Now stop shivering and tell me about yourself." He mopped his ghostly face with a ghostly handkerchief, and then began fumbling nervously with a gold toothpick. "My word," he said. "No one's talked to me for years. I'm not quite myself, you see." "I see," I said. "Well, take it easy. I just happen to've noticed you wandering around here lately. I got curious. You looking for somebody?" "Oh, no," he said. Now that he had a chance to talk about his troubles, he forgot to be afraid of this mysterious voice from nowhere that had accosted him. "I'm looking for my home." "Hm-m-m," I said. "Been looking a long time?" "Oh, yes." His nose twitched. "I left for work one morning a long time ago, and when I got off the ferry at Battery Place I stopped for a moment to watch the work on that newfangled elevated railroad they were building down there. All of a sudden there was a loud noise�my goodness! It was terrible�and the next thing I knew I was standing back from the curb and looking at a man who looked just like me! A girder had fallen, and�my word!" He mopped his face again. "Since then I have been looking and looking. I can't seem to find anyone who knows where I might have lived, and I don't understand all the things I see floating around me, and I never thought I'd see the day when grass would grow on lower Broadway�oh, it's terrible." He began to cry. I felt sorry for him. I could easily see what had happened. The shock was so great that even his ghost had amnesia! Poor little egg�until he was whole, he could find no rest. The thing interested me. Would a ghost react to the usual cures for amnesia? If so, then what would happen to him? "You say you got off a ferryboat?" "Yes." "Then you must have lived on the Island . . . Staten Island, over there across the bay!" "You really think so?" He stared through me, puzzled and hopeful. "Why sure! Say, how'd you like me to take you over there? Maybe we could find your house." "Oh, that would be splendid! But�oh, my, what will my wife say?" I grinned. "She might want to know where you've been. Anyway, she'll be glad to have you back, I imagine. Come on; let's get going!"
I gave him a shove in the direction of the subway and strolled down behind him. Once in a while I got a stare from a passerby for walking with one hand out in front of me and talking into thin air. It didn't bother me very much. My companion, though, was very selfconscious about it, for the inhabitants of his world screeched and giggled when they saw him doing practically the same thing. Of all humans, only I was invisible to them, and the little ghost in the bowler hat blushed from embarrassment until I thought he'd burst. We hopped a subway�it was a new experience for him, I gathered�and went down to South Ferry. The subway system in New York is a very unpleasant place to one gifted as I was. Everything that enjoys lurking in the dark hangs out there, and there is quite a crop of dismembered human remains. After this day I took the bus. We got a ferry without waiting. The little gray ghost got a real kick out of the trip. He asked me about the ships in the harbor and their flags, and marveled at the dearth of sailing vessels. He tsk, tsk�ed at the Statue of Liberty; the last time he had seen it, he said, was while it still had its original brassy gold color, before it got its patina. By this I placed him in the late '70s; he must have been looking for his home for over sixty years! We landed at the Island, and from there I gave him his head. At the top of Fort Hill he suddenly said, "My name is John Quigg. I live at 45 Fourth Avenue!" I've never seen anyone quite so delighted as he was by the discovery. And from then on it was easy. He turned left, and then right, and then left again, straight down for two blocks and again right. I noticed�he didn't�that the street was marked "Winter Avenue." I remembered vaguely that the streets in this section had been numbered years ago. He trotted briskly up the hill and then suddenly stopped and turned vaguely. "I say, are you still with me?" "Still here," I said. "I'm all right now. I can't tell you how much I appreciate this. Is there anything I could do for you?" I considered. "Hardly. We're of different times, you know. Things change." He looked, a little pathetically, at the new apartment house on the corner and nodded. "I think I know what happened to me," he said softly. "But I guess it's all right. . . . I made a will, and the kids were grown." He sighed. "But if it hadn't been for you I'd still be wandering around Manhattan. Let's see�ah; come with me!" He suddenly broke into a run. I followed as quickly as I could. Almost at the top of the hill was a huge old shingled house, with a silly cupola and a complete lack of paint. It was dirty and it was tumble-down, and at the sight of it the little fellow's face twisted sadly. He gulped and turned through a gap in the hedge and down beside the house. Casting about in the long grass, he spotted a boulder sunk deep into the turf. "This is it," he said. "Just you dig under that. There is no mention of it in my will, except a small fund to keep paying the box rent. Yes, a safety-deposit box, and the key and an authorization are under that stone. I hid it"�he giggled�"from my wife one night, and never did get a chance to tell her. You can have whatever's any good to you." He turned to the house, squared his shoulders, and marched in the side door, which banged open for him in a convenient gust of wind. I listened for a moment and then smiled at the tirade that burst forth. Old Quigg was catching real hell from his wife, who'd sat waiting for over sixty years for him! It was a bitter stream of invective, but�well, she must have loved him. She couldn't leave the place until she was complete, if Ginny's theory was correct, and she wasn't really complete until her husband came home! It tickled me. They'd be all right now! I found an old pinchbar in the drive and attacked the ground around the stone. It took quite a while and made my hands bleed, but after a while I pried the stone up and was able to scrabble around under it. Sure enough, there was an oiled silk pouch under there. I caught it up and carefully unwrapped the strings around it. Inside was a key and letter addressed to a New York bank, designating only "Bearer" and authorizing use of the key. I laughed aloud. Little old meek and mild John Quigg, I'd bet, had set aside some "mad money." With a layout like that, a man could take a powder without leaving a single sign. The son-of-a-gun! I would never know just what it was he had up his sleeve, but I'll bet there was a woman in the case. Even fixed it up with his will! Ah, well�I should kick! It didn't take me long to get over to the bank. I had a little trouble getting into the vaults, because it took quite a while to look up the box in the old records. But I finally cleared the red tape, and found myself the proud possessor of just under eight thousand bucks in small bills�and not a yellowback among 'em! Well from then on I was pretty well set. What did I do? Well, first I bought clothes, and then I started out to cut ice for myself. I clubbed around a bit and got to know a lot of people, and the more I knew the more I realized what a lot of superstitious dopes they were. I couldn't blame anyone for skirting a ladder under which crouched a genuine basilisk, of course, but what the heck�not one in a thousand have beasts under them! Anyway, my question was answered. I dropped two grand on an elegant office with drapes and dim indirect lighting, and I got a phone installed and a little quiet sign on the door�Psychic Consultant. And, boy, I did all right. My customers were mostly upper crust, because I came high. It was generally no trouble to get contact with people's dead relatives, which was usually what they wanted. Most ghosts are crazy to get in contact with this world anyway. That's one of the reasons that almost anyone can become a medium of sorts if he tries hard enough; Lord knows that it doesn't take much to contact the average ghost. Some, of course, were not available. If a man leads a pretty square life, and kicks off leaving no loose ends, he gets clear. I never did find out where these clear spirits went to. All I knew was that they weren't to be contacted. But the vast majority of people have to go back and tie up those loose ends after they die�righting a little wrong here, helping someone they've hindered, cleaning up a bit of dirty work. That's where luck itself comes from, I do believe. You don't get something for nothing. If you get a nice break, it's been arranged that way by someone who did you dirt in the past, or someone who did wrong to your father or your grandfather or your great uncle Julius. Everything evens up in the long run, and until it does, some poor damned soul is wandering around the earth trying to do something about it. Half of humanity is walking around crabbing about its tough breaks. If you and you and you only knew what dozens of powers were begging for the chance to help you if you'll let them! And if you let them, you'll help clear up the mess they've made of their lives here, and free them to go wherever it is they go when they're cleaned up. Next time you're in a jam, go away somewhere by yourself and open your mind to these folks. They'll cut in and guide you all right, if you can drop your smugness and your mistaken confidence in your own judgment. I had a couple of ghostly stooges to run errands for me. One of them, an ex-murderer by the name of One-eye Rachuba, was the fastest spook ever I saw, when it came to locating a wanted ancestor; and then there was Professor Grafe, a frog-faced teacher of social science who'd embezzled from a charity fund and fallen into the Hudson trying to make a getaway. He could trace the most devious genealogies in mere seconds, and deduce the most likely whereabouts of the ghost of a missing relative. The pair of them were all the office force I could use, and although every time they helped out one of my clients they came closer to freedom for themselves, they were both so entangled with their own sloppy lives that I was sure of their services for years. But do you think I'd be satisfied to stay where I was, making money hand over fist without really working for it? Oh, no. Not me. No, I had to bigtime. I had to brood over the events of the last few months, and I had to get dramatic about that screwball Audrey, who really wasn't worth my trouble. I had to lie awake nights thinking about Happy Sam and his gibes. It wasn't enough that I'd proved Audrey wrong when she said I'd never amount to anything. I wasn't happy when I thought about Sam and the eighteen a week he pulled down driving a light delivery truck. Uh-huh. I had to show them up. I even remembered what the little man in the Shottle Bop had said to me about using my "talent" for bragging or for revenge. That didn't make any difference to me. I figured I had the edge on everyone, everything. Cocky, I was. Why, I could send one of my ghostly stooges out any time and find out exactly what anyone had been doing three hours ago come Michaelmas. With the shade of the professor at my shoulder, I could backtrack on any far-fetched statement and give immediate and logical reasons for backtracking. No one had anything on me, and I could out-talk, out-maneuver, and out-smart anyone on earth. I was really quite a feller. I began to think, "What's the use of my doing as well as this when the gang on the West Side don't know anything about it?" and "Man, would that half-wit Happy Sam burn up if he saw me drifting down Broadway in my new eight-thousand-dollar roadster!" and "To think I used to waste my time and tears on a dope like Audrey!" In other words, I was tripping up on an inferiority complex. I acted like a veridam fool, which I was. I went over to the West Side. It was a chilly, late winter night. I'd taken a lot of trouble to dress myself and my car so we'd be bright and shining and would knock some eyes out. Pity I couldn't brighten my brains up a little. I drove up in front of Casey's pool room, being careful to do it too fast, and concentrating on shrieks from the tires and a shuddering twenty-four-cylinder roar from the engine before I cut the switch. I didn't hurry to get out of the car, either. Just leaned back and lit a fifty-cent cigar, and then tipped my hat over one ear and touched the horn button, causing it to play "Tuxedo Junction" for forty-eight seconds. Then I looked over toward the pool hall. Well, for a minute I thought that I shouldn't have come, if that was the effect my return to the fold was going to have. And from then on I forgot about anything except how to get out of here. There were two figures slouched in the glowing doorway of the pool room. It was up a small side street, so short that the city had depended on the place, and old institution, to supply the street lighting. Looking carefully, I made out one of the silhouetted figures as Happy Sam, and the other was Fred Bellew. They just looked out at me; they didn't move; they didn't say anything, and when I said, "Hiya, small fry�remember me?" I noticed that along the darkened wall flanking the bright doorway were ranked the whole crowd of them�the whole gang. It was a shock; it was a little too casually perfect. I didn't like it. "Hi," said Fred quietly. I knew he wouldn't like the bigtiming. I didn't expect any of them to like it, of course, but Fred's dislike sprang from distaste, and the others' from resentment, and for the first time I felt a little cheap. I climbed out over the door of the roadster and let them have a gander at my fine feathers. Sam snorted and said, "Jellybean!" very clearly. Someone else giggled, and from the darkness beside the building came a high-pitched, "Woo-woo!" I walked up to Sam and grinned at him. I didn't feel like grinning. "I ain't seen you in so long I almost forgot what a heel you were," I said. "How you making?" "I'm doing all right," he said, and added offensively, "I'm still working for a living." The murmur that ran through the crowd told me that the really smart thing to do was to get back into that shiny new automobile and hoot along out of there. I stayed. "Wise, huh?" I said weakly. They'd been drinking, I realized�all of them. I was suddenly in a spot. Sam put his hands in his pockets and looked at me down his nose. He was the only short man that ever could do that to me. After a thick silence he said: "Better get back to yer crystal balls, phony. We like guys that sweat. We even like guys that have rackets, if they run them because they're smarter or tougher than the next one. But luck and gab ain't enough. Scram." I looked around helplessly. I was getting what I'd begged for. What had I expected, anyway? Had I thought that these boys would crowd around and shake my hand off for acting this way? There was something missing somewhere, and when I realized what it was, it hit me. Fred Bellew�he was just standing there saying nothing. The old equalizer wasn't functioning any more. Fred wasn't aiming to stop any trouble between me and Sam. I was never so alone in my life!
They hardly moved, but they were all around me suddenly. If I couldn't think of something quickly, I was going to be mobbed. And when those mugs started mobbing a man, they did it up just fine. I drew a deep breath. "I'm not asking for anything from you, Sam. Nothing; that means advice, see?" "You're gettin' it!" he flared. "You and your seeanses. We heard about you. Hanging up widow-women for fifty bucks a throw to talk to their 'dear departed'! P-sykik investigator! With a line! Go on; beat it!" I had a leg to stand on now. "A phony, huh? Why you gabby Irishman, I'll bet I could put a haunt on you that would make that hair of yours stand up on end, if you have guts enough to go where I tell you to." "You'll bet? That's a laugh. Listen at that, gang." He laughed, then turned to me and talked through one side of his mouth. "All right, you wanted it. Come on, rich guy; you're called. Fred'll hold the stakes. How about ten of your lousy bucks for every one of mine? Here, Fred�hold this sawbuck." "I'll give you twenty to one," I said half hysterically. "And I'll take you to a place where you'll run up against the homeliest, plumb-meanest old haunt you ever heard of." The crowd roared. Sam laughed with them, but didn't try to back out. With any of that gang, a bet was a bet. He'd taken me up, and he'd set odds, and he was bound. I just nodded and put two century notes into Fred Bellew's hand. Fred and Sam climbed into the car, and just as we started, Sam leaned out and waved. "See you in hell, fellas," he said. "I'm goin' to raise me a ghost, and one of us is going to scare the other one to death!" I honked my horn to drown out the whooping and hollering from the sidewalk and got out of there. I turned up the parkway and headed out of town. "Where to?" Fred asked after a while. "Stick around," I said, not knowing. There must be some place not far from here where I could find an honest-to-God haunt, I thought, one that would make Sam backtrack and set me up with the boys again. I opened the compartment in the dashboard and let Ikey out. They was a little twisted imp who'd got his tail caught in between two sheets of steel when they were assembling the car, and had to stay there until it was junked. "Hey, Ike," I whispered. He looked up, the gleam of the compartment light shining redly in his bright little eyes. "Whistle for the professor, will you? I don't want to yell for him because those mugs in the back seat will hear me. They can't hear you." "O.K., boss," he said; and putting his fingers to his lips, he gave vent to a blood-curdling, howling scream. That was the prof's call-letters, as it were. The old man flew ahead of the car, circled around and slid in beside me through the window, which I'd opened a crack for him. "My goodness," he panted, "I wish you wouldn't summon me to a location which is traveling with this high degree of celerity. It was all I could do to catch up with you." "Don't give me that, professor," I whispered. "You can catch a stratoliner if you want to. Say, I have a guy in the back who wants to get a real scare from a ghost. Know of my around here?" The professor put on his ghostly pince-nez. "Why, yes. Remember my telling you about the Wolfmeyer place?" "Golly�he's bad." "He'll serve your purpose admirably. But don't ask me to go there with you. None of us ever associates with Wolfmeyer. And for Heaven's sake, be careful." "I guess I can handle him. Where is it?" He gave me explicit directions, bade me good night and left. I was a little surprised; the professor traveled around with me a great deal, and I'd never seen him refuse a chance to see some new scenery. I shrugged it off and went my way. I guess I just didn't know any better.
I headed out of town and into the country to a certain old farmhouse. Wolfmeyer, a Pennsylvania Dutchman, had hanged himself there. He had been, and was, a bad egg. Instead of being a nice guy about it all, he was the rebel type. He knew perfectly well that unless he did plenty of good to make up for the evil, he'd be stuck where he was for the rest of eternity. That didn't seem to bother him at all. He got surly and became a really bad spook. Eight people had died in that house since the old man rotted off his own rope. Three of them were tenants who had rented the place, and three were hobos, and two were psychic investigators. They'd all hanged themselves. That's the way Wolfmeyer worked. I think he really enjoyed haunting. He certainly was thorough about it anyway. I didn't want to do any real harm to Happy Sam. I just wanted to teach him a lesson. And look what happened! We reached the place just before midnight. No one had said much, except that I told Fred and Sam about Wolfmeyer, and pretty well what was to be expected from him. They did a good deal of laughing about it, so I just shut up and drove. The next item of conversation was Fred's, when he made the terms of the bet. To win, Sam was to stay in the house until dawn. He wasn't to call for help and he wasn't to leave. He had to bring in a coil of rope, tie a noose in one end and string the other up on "Wolfmeyer's Beam"�the great oaken beam on which the old man had hung himself, and eight others after him. This was as an added temptation to Wolfmeyer to work on Happy Sam, and was my idea. I was to go in with Sam, to watch him in case the thing became dangerous. Fred was to stay in the car o hundred yards down the road and wait. I parked the car at the agreed distance and Sam and I go out. Sam had my tow rope over his shoulder, already noosed Fred had quieted down considerably, and his face was real serious. "I don't think I like this," he said, looking up the road al the house. It hunched back from the highway, and looked like a malign being deep in thought. I said, "Well, Sam? Want to pay up now and call it quits?" He followed Fred's gaze. It sure was a dreary looking place, and his liquor had fizzed away. He thought a minute, then shrugged and grinned. I had to admire the rat. "Hell, I'll go through with it. Can't bluff me with scenery, phony." Surprisingly, Fred piped up, "I don't think he's a phony, Sam. He showed me something one day, over on Tenth Avenue. A little store. There was something funny about it. We had a little scrap afterward, and I was sore for a long time, but�I think he has something there." The resistance made Sam stubborn, though I could see by his face that he knew better. "Come on, phony," he said and swung up the road. We climbed into the house by way of a cellar door that slanted up to a window on the first floor. I hauled out a flashlight and lit the way to the beam. It was only one of many that delighted in turning the sound of one's footsteps into laughing whispers that ran round and round the rooms and halls and would not die. Under the famous beam the dusty floor was dark-stained. I gave Sam a hand in fixing the rope, and then clicked off the light. It must have been tough on him then. I didn't mind, because I knew I could see anything before it got to me, and even then, no ghost could see me. Not only that, for me the walls and floors and ceilings were lit with the phosphorescent many-hued glow of the ever-present ghost plants. For its eerie effect I wished Sam could see the ghost-molds feeding greedily on the stain under the beam. Sam was already breathing heavily, but I knew it would take more than just darkness and silence to get his goat. He'd have to be alone, and then he'd have to have a visitor or so. "So long, kid," I said, slapping him on the shoulder; and I turned and walked out of the room. I let him hear me go out of the house and then I crept silently back. It was without doubt the most deserted place I have ever seen. Even ghosts kept away from it, excepting, of course, Wolfmeyer's. There was just the luxurous vegetation, invisible to all but me, and the deep silence rippled by Sam's breath. After ten minutes or so I knew for certain that Happy Sam had more guts than I'd ever have credited him with. He had to be scared. He couldn't�or wouldn't�scare himself. I crouched down against the wall of an adjoining room and made myself comfortable. I figured Wolfmeyer would be along pretty soon. I hoped earnestly that I could stop the thing before it got too far. No use in making this any more than a good lesson for a wiseacre. I was feeling pretty smug about it all, and I was totally unprepared for what happened. I was looking toward the doorway opposite when I realized that for some minutes there had been the palest of pale glows there. It brightened as I watched; brightened and flickered gently. It was green, the green of things moldy and rotting away; and with it came a subtly harrowing stench. It was the smell of flesh so very dead that it had ceased to be really odorous. It was utterly horrible, and I was honestly scared out of my wits. It was some moments before the comforting thought of my invulnerability came back to me, and I shrank lower and closer to the wall and watched. And Wolfmeyer came in. His was the ghost of an old, old man. He wore a flowing, filthy robe, and his bare forearms thrust out in front of him were stringy and strong. His head, with its tangled hair and beard, quivered on a broken, ruined neck like the blade of a knife just thrown into soft wood. Each slow step as he crossed the room set his head to quivering again. His eyes were alight; red they were, with deep green flames buried in them. His canine teeth had lengthened into yellow, blunt tusks, and they were like pillars supporting his crooked grin. The putrescent green glow was a horrid halo about him. He was a bright and evil thing. He passed me, completely unconscious of my presence, and paused at the door of the room where Sam waited by the rope. He stood just outside it, his claws extended, the quivering of his head slowly dying. He stared in at Sam, and suddenly opened his mouth and howled. It was a quiet, deadly sound, one that might have come from the throat of a distant dog, but, though I couldn't see into the other room, I knew that Sam had jerked his head around and was staring at the ghost. Wolfmeyer raised his arms a trifle, seemed to totter a bit, and then moved into the room. I snapped myself out of the crawling terror that gripped me and scrambled to my feet. If I didn't move fast Tiptoeing swiftly to the door, I stopped just long enough to see Wolfmeyer beating his arms about erratically over his head, a movement that made his robe flutter and his whole figure pulsate in the green light; just long enough to see Sam on his feet, wide-eyed, staggering back and back toward the rope. He clutched his throat and opened his mouth and made no sound, and his head tilted, his neck bent, his twisted face gaped at the ceiling as he clumped backward away from the ghost and into the ready noose. And then I leaned over Wolfmeyer's shoulder, put my lips to his ear, and said: "Boo!" I almost laughed. Wolfmeyer gave a little squeak, jumped about ten feet, and, without stopping to look around, high-tailed out of the room so fast that he was just a blur. That was one scared old spook! At the same time Happy Sam straightened, his face relaxed and relieved, and sat down with a bump under the noose. That was as close a thing as ever I want to see. He sat there, his face soaking wet with cold sweat, his hands between his knees, staring limply at his feet. "That'll show you!" I exulted, and walked over to him. "Pay up, scum, and may you starve for that week's pay!" He didn't move. I guess he was plenty shocked. "Come on!" I said, "Pull yourself together, man! Haven't you seen enough? That old fellow will be back any second now. On your feet!" He didn't move. "Sam!" He didn't move. "Sam!" I clutched at his shoulder. He pitched over sideways and lay still. He was quite dead. I didn't do anything and for a while I didn't say anything. Then I said hopelessly, as I knelt there. "Aw, Sam. Sam�cut it out, fella." After a minute I rose slowly and started for the door. I'd taken three steps when I stopped. Something was happening! I rubbed my hand over my eyes. Yes, it�it was getting dark! The vague luminescence of the vines and flowers of the ghost-world was getting dimmer, fading, fading� But that had never happened before! No difference. I told myself desperately, it's happening now, all right. I got to get out of here! See? You see? It was the stuff�that damn stuff from the Shottle Bop. It was wearing off! When Sam died it . . . it stopped working on me! Was this what I had to pay for the bottle? Was this what was to happen if I used it for revenge? The light was almost gone�and now it was gone. I couldn't see a thing in the room but one of the doors. Why could I see that doorway? What was that pale-green light that set off its dusty frame? Wolfmeyer! I got to get out of here! I couldn't see ghosts any more. Ghosts could see me now. I ran. I darted across the dark room and smashed into the wall on the other side. I reeled back from it, blood spouting from between the fingers I slapped to my face. I ran again. Another wall clubbed me. Where was that other door? I ran again, and again struck a wall. I screamed and ran again. I tripped over Sam's body. My head went through the noose. It whipped down on my windpipe, and my neck broke with an agonizing crunch. I floundered there for half a minute, and then dangled. Dead as hell, I was. Wolfmeyer, he laughed and laughed.
Fred found me and Sam in the morning. He took our bodies away in the car. Now I've got to stay here and haunt this damn old house. Me and Wolfmeyer.
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