
My dear James
You have always been one of the most faithful and kindly of my readers, and I was therefore seriously perturbed when I received from you a word of criticism.
You complained that my murders were getting too refined---anaemic, in fact. You yearned for a 'good violent murder with lots of blood'. A murder where there was no doubt about its being murder!
So this is your special story---written for you. I hope it may please.
Your affectionate sister-in-law
Agatha
Contents
The Agatha Christie Collection
Stephen pulled up the collar of his coat as he walked briskly along the platform. Overhead a dim fog clouded the station. Large engines hissed superbly, throwing off clouds of steam into the cold raw air. Everything was dirty and smoke-grimed.
Stephen thought with revulsion:
'What a foul country---what a foul city!'
His first excited reaction to London, its shops, its restaurants, its well-dressed, attractive women, had faded. He saw it now as a glittering rhinestone set in a dingy setting.
Supposing he were back in South Africa now...He felt a quick pang of homesickness. Sunshine---blue skies---gardens of flowers---cool blue flowers---hedges of plumbago---blue convolvulus clinging to every little shanty.
And here---dirt, grime, and endless, incessant crowds---moving, hurrying---jostling. Busy ants running industriously about their ant-hill.
For a moment he thought, 'I wish I hadn't come...'
Then he remembered his purpose and his lips set back in a grim line. No, by hell, he'd go on with it! He'd planned this for years. He'd always meant to do---what he was going to do. Yes, he'd go on with it!
That momentary reluctance, that sudden questioning of himself: 'Why? Is it worth it? Why dwell on the past? Why not wipe out the whole thing?'---all that was only weakness. He was not a boy---to be turned his this way and that by the whim of the moment. He was a man of forty, assured, purposeful. He would go on with it. He would do what he had come to England to do.
He got on the train and passed along the corridor looking for a place. He had waved aside a porter and was carrying his own raw-hide suitcase. He looked into carriage after carriage. The train was full. It was only three days before Christmas. Stephen Farr looked distastefully at the crowded carriages.
People! Incessant, innumerable people! And all so---so---what was the word---so drab-looking! So alike, so horribly alike! Those that hadn't got faces like sheep had faces like rabbits, he thought. Some of them chattered and fussed. Some, heavily middle-aged men, grunted. More like pigs, those. Even the girls, slender, egg-faced, scarlet-lipped, were of a depressing uniformity.
He thought with a sudden longing of open veldt, sun-baked and lonely...
And then, suddenly, he caught his breath, looking into a carriage. This girl was different. Black hair, rich creamy pallor---eyes with the depth and darkness of night in them. The sad proud eyes of the South...It was all wrong that this girl should be sitting in this train among these dull, drab-looking people---all wrong that she should be going into the dreary midlands of England. She should have been on a balcony, a rose between her lips, a piece of black lace draping her proud head, and there should have been dust and heat and the smell of blood---the smell of the bull-ring---in the air...She should be somewhere splendid, not squeezed into the corner of a third-class carriage.
He was an observant man. He did not fail to note the shabbiness of her little black coat and skirt, the cheap quality of her fabric gloves, the flimsy shoes and the defiant note of a flame-red handbag. Nevertheless splendour was the quality he associated with her. She was splendid, fine, exotic...
What the hell was she doing in this country of fogs and chills and hurrying industrious ants?
He thought, 'I've got to know who she is and what she's doing here...I've got to know...'
Pilar sat squeezed up against the window and thought how very odd the English smelt...It was what had struck her so far most forcibly about England---the difference of smell. There was no garlic and no dust and very little perfume. In this carriage now there was a smell of cold stuffiness---the sulphur smell of the trains---the smell of soap and another very unpleasant smell---it came, she thought, from the fur collar of the stout woman sitting beside her. Pilar sniffed delicately, imbibing the odour of mothballs reluctantly. It was a funny scent to choose to put on yourself, she thought.
A whistle blew, a stentorian voice cried out something and the train jerked slowly out of the station. They had started. She was on her way...
Her heart beat a little faster. Would it be all right? Would she be able to accomplish what she had set out to do? Surely---surely---she had thought it all out so carefully...She was prepared for every eventuality. Oh, yes, she would succeed---she must succeed...
The curve of Pilar's red mouth curved upwards. It was suddenly cruel, that mouth. Cruel and greedy---like the mouth of a child or a kitten---a mouth that knew only its own desires and that was as yet unaware of pity.
She looked round her with the frank curiosity of a child. All these people, seven of them---how funny they were, the English! They all seemed so rich, so prosperous---their clothes---their boots---Oh! undoubtedly England was a very rich country as she had always heard. But they were not at all gay---no, decidedly not gay.
That was a handsome man standing in the corridor...Pilar thought he was very handsome. She liked his deeply bronzed face and his high-bridged nose and his square shoulders. More quickly than any English girl, Pilar had seen that the man admired her. She had not looked at him once directly, but she knew perfectly how often he had looked at her and exactly how he had looked.
She registered the facts without much interest or emotion. She came from a country where men looked at women as a matter of course and did not disguise the fact unduly. She wondered if he was an Englishman and decided that he was not.
'He is too alive, too real, to be English,' Pilar decided. 'And yet he is fair. He may be perhaps Americano.' He was, she thought, rather like the actors she had seen in Wild West films.
An attendant pushed his way along the corridor.
'First lunch, please. First lunch. Take your seats for first lunch.'
The seven occupants of Pilar's carriage all held tickets for the first lunch. They rose in a body and the carriage was suddenly deserted and peaceful.
Pilar quickly pulled up the window which had been let down a couple of inches at the top by a militant-looking, grey-haired lady in the opposite corner. Then she sprawled comfortably back on her seat and peered out of the window at the northern suburbs of London. She did not turn her head at the sound of the door sliding back. It was the man from the corridor, and Pilar knew, of course, that he had entered the carriage on purpose to talk to her.
She continued to look pensively out of the window.
Stephen Farr said:
'Would you like the window down at all?'
Pilar replied demurely:
'On the contrary. I have just shut it.'
She spoke English perfectly, but with a slight accent.
During the pause that ensued, Stephen thought:
'A delicious voice. It has the sun in it...It is warm like a summer night...'
Pilar thought:
'I like his voice. It is big and strong. He is attractive---yes, he is attractive.'
Stephen said: 'The train is very full.'
'Oh, yes, indeed. The people go away from London, I suppose, because it is so black there.'
Pilar had not been brought up to believe that it was a crime to talk to strange men in trains. She could take care of herself as well as any girl, but she had no rigid taboos.
If Stephen had been brought up in England he might have felt ill at ease at entering into conversation with a young girl. But Stephen was a friendly soul who found it perfectly natural to talk to anyone if he felt like it.
He smiled without any self-consciousness and said:
'London's rather a terrible place, isn't it?'
'Oh, yes. I do not like it at all.'
'No more do I.'
Pilar said: 'You are not English, no?'
'I'm British, but I come from South Africa.'
'Oh, I see, that explains it.'
'Have you just come from abroad?'
Pilar nodded. 'I come from Spain.'
Stephen was interested.
'From Spain, do you? You're Spanish, then?'
'I am half Spanish. My mother was English. That is why I talk English so well.'
'What about this war business?' asked Stephen.
'It is very terrible, yes---very sad. There has been damage done, quite a lot---yes.'
'Which side are you on?'
Pilar's politics seemed to be rather vague. In the village where she came from, she explained, nobody had paid very much attention to the war. 'It has not been near us, you understand. The Mayor, he is, of course, an officer of the Government, so he is for the Government, and the priest is for General Franco---but most of the people are busy with the vines and the land, they have not time to go into these questions.'
'So there wasn't any fighting round you?'
Pilar said that there had not been. 'But then I drove in a car,' she explained, 'all across the country and there was much destruction. And I saw a bomb drop and it blew up a car---yes, and another destroyed a house. It was very exciting!'
Stephen Farr smiled a faintly twisted smile.
'So that's how it seemed to you?'
'It was a nuisance, too,' explained Pilar. 'Because I wanted to get on, and the driver of my car, he was killed.'
Stephen said, watching her:
'That didn't upset you?'
Pilar's great dark eyes opened very wide.
'Everyone must die! That is so, is it not? If it comes quickly from the sky---bouff---like that, it is as well as any other way. One is alive for a time---yes, and then one is dead. That is what happens in this world.'
Stephen Farr laughed.
'I don't think you are a pacifist.'
'You do not think I am what?' Pilar seemed puzzled by a word which had not previously entered her vocabulary.
'Do you forgive your enemies, señorita?'
Pilar shook her head.
'I have no enemies. But if I had---'
'Well?'
He was watching her, fascinated anew by the sweet, cruel upward-curving mouth.
Pilar said gravely:
'If I had an enemy---if anyone hated me and I hated them---then I would cut my enemy's throat like this...'
She made a graphic gesture.
It was so swift and so crude that Stephen Farr was momentarily taken aback. He said:
'You are a bloodthirsty young woman!'
Pilar asked in a matter-of-fact tone:
'What would you do to your enemy?'
He started---stared at her, then laughed aloud.
'I wonder---' he said. 'I wonder!'
Pilar said disapprovingly:
'But surely---you know.'
He checked his laughter, drew in his breath and said in a low voice:
'Yes. I know...'
Then with a rapid change of manner, he asked:
'What made you come to England?'
Pilar replied with a certain demureness.
'I am going to stay with my relations---with my English relations.'
'I see.'
He leaned back in his seat, studying her---wondering what these English relations of whom she spoke were like---wondering what they would make of this Spanish stranger...trying to picture her in the midst of some sober British family at Christmas time.
Pilar asked: 'Is it nice, South Africa, yes?'
He began to talk to her about South Africa. She listened with the pleased attention of a child hearing a story. He enjoyed her naïve but shrewd questions and amused himself by making a kind of exaggerated fairy story of it all.
The return of the proper occupants of the carriage put an end to this diversion. He rose, smiled into her eyes, and made his way out again into the corridor.
As he stood back for a minute in the doorway, to allow an elderly lady to come in, his eyes fell on the label of Pilar's obviously foreign straw case. He read the name with interest---Miss Pilar Estravados---then as his eye caught the address it widened to incredulity and some other feeling---Gorston Hall, Longdale, Addlesfield.
He half turned, staring at the girl with a new expression---puzzled, resentful, suspicious...He went out into the corridor and stood there smoking a cigarette and frowning to himself...
In the big blue and gold drawing-room at Gorston Hall Alfred Lee and Lydia, his wife, sat discussing their plans for Christmas. Alfred was a squarely built man of middle age with a gentle face and mild brown eyes. His voice when he spoke was quiet and precise with a very clear enunciation. His head was sunk into his shoulders and he gave a curious impression of inertia. Lydia, his wife, was an energetic, lean greyhound of a woman. She was amazingly thin, but all her movements had a swift, startled grace about them.
There was no beauty in her careless, haggard face, but it had distinction. Her voice was charming.
Alfred said:
'Father insists! There's nothing else to it.'
Lydia controlled a sudden impatient movement. She said:
'Must you always give in to him?'
'He's a very old man, my dear---'
'Oh, I know---I know!'
'He expects to have his own way.'
Lydia said dryly:
'Naturally, since he has always had it! But some time or other, Alfred, you will have to make a stand.'
'What do you mean, Lydia?'
He stared at her, so palpably upset and startled, that for a moment she bit her lip and seemed doubtful whether to go on.
Alfred Lee repeated:
'What do you mean, Lydia?'
She shrugged her thin, graceful shoulders.
She said, trying to choose her words cautiously:
'Your father is---inclined to be---tyrannical---'
'He's old.'
'And will grow older. And consequently more tyrannical. Where will it end? Already he dictates our lives to us completely. We can't make a plan of our own! If we do, it is always liable to be upset.'
Alfred said:
'Father expects to come first. He is very good to us, remember.'
'Oh! good to us!'
'Very good to us.'
Alfred spoke with a trace of sternness.
'Lydia said calmly:
'You mean financially?'
'Yes. His own wants are very simple. But he never grudges us money. You can spend what you like on dress and on this house, and the bills are paid without a murmur. He gave us a new car only last week.'
'As far as money goes, your father is very generous, I admit,' said Lydia. 'But in return he expects us to behave like slaves.'
'Slaves?'
'That's the word I used. You are his slave, Alfred. If we have planned to go away and Father suddenly wishes us not to go, you cancel your arrangements and remain without a murmur! If the whim takes him to send us away, we go...We have no lives of our own---no independence.'
Her husband said distressfully:
'I wish you wouldn't talk like this, Lydia. It is very ungrateful. My father has done everything for us...'
She bit off a retort that was on her lips. She shrugged those thin, graceful shoulders once more.
Alfred said:
'You know, Lydia, the old man is very fond of you---'
His wife said clearly and distinctly:
'I am not at all fond of him.'
'Lydia, it distresses me to hear you say things like that. It is so unkind---'
'Perhaps. But sometimes a compulsion comes over one to speak the truth.'
'If Father guessed---'
'Your father knows perfectly well that I do not like him! It amuses him, I think.'
'Really, Lydia, I am sure you are wrong there. He has often told me how charming your manner to him is.'
'Naturally I've always been polite. I always shall be. I'm just letting you know what my real feelings are. I dislike your father, Alfred. I think he is a malicious and tyrannical old man. He bullies you and presumes on your affection for him. You ought to have stood up to him years ago.'
Alfred said sharply:
'That will do, Lydia. Please don't say any more.'
She sighed.
'I'm sorry. Perhaps I was wrong...Let's talk of our Christmas arrangements. Do you think your brother David will really come?'
'Why not?'
She shook her head doubtfully.
'David is---queer. He's not been inside the house for years, remember. He was so devoted to your mother---he's got some feeling about this place.'
'David always got on Father's nerves,' said Alfred, 'with his music and his dreamy ways. Father was, perhaps, a bit hard on him sometimes. But I think David and Hilda will come all right. Christmas time, you know.'
'Peace and goodwill,' said Lydia. Her delicate mouth curved ironically. 'I wonder! George and Magdalene are coming. They said they would probably arrive tomorrow. I'm afraid Magdalene will be frightfully bored.'
Alfred said with some slight annoyance:
'Why my brother George ever married a girl twenty years younger than himself I can't think! George was always a fool!'
'He's very successful in his career,' said Lydia. 'His constituents like him. I believe Magdalene works quite hard politically for him.'
Alfred said slowly:
'I don't think I like her very much. She is very good-looking---but I sometimes think she is like one of those beautiful pears one gets---they have a rosy flush and a rather waxen appearance---' He shook his head.
'And they're bad inside?' said Lydia. 'How funny you should say that, Alfred!'
'Why funny?'
She answered:
'Because---usually---you are such a gentle soul. You hardly ever say an unkind thing about anyone. I get annoyed with you sometimes because you're not sufficiently---oh, what shall I say?---sufficiently suspicious---not worldly enough!'
Her husband smiled.
'The world, I always think, is as you yourself make it.'
Lydia said sharply:
'No! Evil is not only in one's mind. Evil exists! You seem to have no consciousness of the evil in the world. I have. I can feel it. I've always felt it---here in this house---' She bit her lip and turned away.
Alfred said, 'Lydia---'
But she raised a quick admonitory hand, her eyes looking past him at something over his shoulder. Alfred turned.
A dark man with a smooth face was standing there deferentially.
Lydia said sharply:
'What is it, Horbury?'
Horbury's voice was low, a mere deferential murmur.
'It's Mr Lee, madam. He asked me to tell you that there would be two more guests arriving for Christmas, and would you have rooms prepared for them.'
Lydia said, 'Two more guests?'
Horbury said smoothly, 'Yes, madam, another gentleman and a young lady.'
Alfred said wonderingly: 'A young lady?'
'That's what Mr Lee said, sir.'
Lydia said quickly:
'I will go up and see him---'
Horbury made one little step, it was a mere ghost of a movement but it stopped Lydia's rapid progress automatically.
'Excuse me, madam, but Mr Lee is having his afternoon sleep. He asked specifically that he should not be disturbed.'
'I see,' said Alfred. 'Of course we won't disturb him.'
'Thank you, sir.' Horbury withdrew.
Lydia said vehemently:
'How I dislike that man! He creeps about the house like a cat! One never hears him going or coming.'
'I don't like him very much either. But he knows his job. It's not so easy to get a good male nurse attendant. And Father likes him, that's the main thing.'
'Yes, that's the main thing, as you say. Alfred, what is this about a young lady? What young lady?'
Her husband shook his head.
'I can't imagine. I can't even think of anyone it might be likely to be.'
They stared at each other. Then Lydia said, with a sudden twist of her expressive mouth:
'Do you know what I think, Alfred?'
'What?'
'I think your father has been bored lately. I think he is planning a little Christmas diversion for himself.'
'By introducing two strangers into a family gathering?'
'Oh! I don't know what the details are---but I do fancy that your father is preparing to---amuse himself.'
'I hope he will get some pleasure out of it,' said Alfred gravely. 'Poor old chap, tied by the leg, an invalid---after the adventurous life he has led.'
Lydia said slowly:
'After the---adventurous life he has led.'
The pause she made before the adjective gave it some special though obscure significance. Alfred seemed to feel it. He flushed and looked unhappy.
She cried out suddenly:
'How he ever had a son like you, I can't imagine! You two are poles apart. And he fascinates you---you simply worship him!'
Alfred said with a trace of vexation:
'Aren't you going a little far, Lydia? It's natural, I should say, for a son to love his father. It would be very unnatural not to do so.'
Lydia said:
'In that case, most of the members of this family are---unnatural! Oh, don't let's argue! I apologize. I've hurt your feelings, I know. Believe me, Alfred, I really didn't mean to do that. I admire you enormously for your---your---fidelity. Loyalty is such a rare virtue in these days. Let us say, shall we, that I am jealous? Women are supposed to be jealous of their mothers-in-law---why not, then, of their fathers-in-law?'
He put a gentle arm round her.
'Your tongue runs away with you, Lydia. There's no reason for you to be jealous.'
She gave him a quick remorseful kiss, a delicate caress on the tip of his ear.
'I know. All the same, Alfred, I don't believe I should have been in the least jealous of your mother. I wish I'd known her.'
'She was a poor creature,' he said.
His wife looked at him interestedly.
'So that's how she struck you...as a poor creature...That's interesting.'
He said dreamily:
'I remember her as nearly always ill...Often in tears...' He shook his head. 'She had no spirit.'
Still staring at him, she murmured very softly:
'How odd...'
But as he turned a questioning glance on her, she shook her head quickly and changed the subject.
'Since we are not allowed to know who our mysterious guests are I shall go out and finish my garden.'
'It's very cold, my dear, a biting wind.'
'I'll wrap up warmly.'
She left the room. Alfred Lee, left alone, stood for some minutes motionless, frowning a little to himself, then he walked over to the big window at the end of the room. Outside was a terrace running the whole length of the house. Here, after a minute or two, he saw Lydia emerge, carrying a flat basket. She was wearing a big blanket coat. She set down the basket and began to work at a square stone sink slightly raised above ground level.
Her husband watched for some time. At last he went out of the room, fetched himself a coat and muffler, and emerged on to the terrace by a side door. As he walked along he passed various other stone sinks arranged as miniature gardens, all the products of Lydia's agile fingers.
One represented a desert scene with smooth yellow sand, a little clump of green palm trees in coloured tin, and a procession of camels with one or two little Arab figures. Some primitive mud houses had been constructed of plasticine. There was an Italian garden with terraces and formal beds with flowers in coloured sealing-wax. There was an Arctic one, too, with clumps of green glass for icebergs, and a little cluster of penguins. Next came a Japanese garden with a couple of beautiful little stunted trees, looking-glass arranged for water, and bridges modelled out of plasticine.
He came at last to stand beside her where she was at work. She had laid down blue paper and covered it over with glass. Round this were lumps of rock piled up. At the moment she was pouring out coarse pebbles from a little bag and forming them into a beach. Between the rocks were some small cactuses.
Lydia was murmuring to herself:
'Yes, that's exactly right---exactly what I want.'
Alfred said:
'What's this latest work of art?'
She started, for she had not heard him come up.
'This? Oh, it's the Dead Sea, Alfred. Do you like it?'
He said, 'It's rather arid, isn't it? Oughtn't there to be more vegetation?'
She shook her head.
'It's my idea of the Dead Sea. It is dead, you see---'
'It's not so attractive as some of the others.'
'It's not meant to be specially attractive.'
Footsteps sounded on the terrace. An elderly butler, white-haired and slightly bowed, was coming towards them.
'Mrs George Lee on the telephone, madam. She says will it be convenient if she and Mr George arrive by the five-twenty tomorrow?'
'Yes, tell her that will be quite all right.'
'Thank you, madam.'
The butler hurried away. Lydia looked after him with a softened expression on her face.
'Dear old Tressilian. What a standby he is! I can't imagine what we should do without him.'
Alfred agreed.
'He's one of the old school. He's been with us nearly forty years. He's devoted to us all.'
Lydia nodded.
'Yes. He's like the faithful old retainers of fiction. I believe he'd lie himself blue in the face if it was necessary to protect one of the family!'
Alfred said:
'I believe he would...Yes, I believe he would.'
Lydia smoothed over the last bit of her shingle.
'There,' she said. 'That's ready.'
'Ready?' Alfred looked puzzled.
She laughed.
'For Christmas, silly! For this sentimental family Christmas we're going to have.'
David was reading the letter. Once he screwed it up into a ball and thrust it away from him. Then, reaching for it, he smoothed it out and read it again.
Quietly, without saying anything, his wife, Hilda, watched him. She noted the jerking muscle (or was it a nerve?) in his temple, the slight tremor of the long delicate hands, the nervous spasmodic movements of his whole body. When he pushed aside the lock of fair hair that always tended to stray down over his forehead and looked across at her with appealing blue eyes she was ready.
'Hilda, what shall we do about it?'
Hilda hesitated a minute before speaking. She had heard the appeal in his voice. She knew how dependent he was upon her---had always been ever since their marriage---knew that she could probably influence his decision finally and decisively. But for just that reason she was chary of pronouncing anything too final.
She said, and her voice had the calm, soothing quality that can be heard in the voice of an experienced nannie in a nursery:
'It depends on how you feel about it, David.'
A broad woman, Hilda, not beautiful, but with a certain magnetic quality. Something about her like a Dutch picture. Something warming and endearing in the sound of her voice. Something strong about her---the vital hidden strength that appeals to weakness. An over-stout dumpy middle-aged woman---not clever---not brilliant---but with something about her that you couldn't pass over. Force! Hilda Lee had force!
David got up and began pacing up and down. His hair was practically untouched by grey. He was strangely boyish-looking. His face had the mild quality of a Burne Jones knight. It was, somehow, not very real...
He said, and his voice was wistful:
'You know how I feel about it, Hilda. You must.'
'I'm not sure.'
'But I've told you---I've told you again and again! How I hate it all---the house and the country round and everything! It brings back nothing but misery. I hated every moment that I spent there! When I think of it---of all that she suffered---my mother...'
His wife nodded sympathetically.
'She was so sweet, Hilda, and so patient. Lying there, often in pain, but bearing it---enduring everything. And when I think of my father'---his face darkened---'bringing all that misery into her life---humiliating her---boasting of his love affairs---constantly unfaithful to her and never troubling to conceal it.'
Hilda Lee said:
'She should not have put up with it. She should have left him.'
He said with a touch of reproof:
'She was too good to do that. She thought it was her duty to remain. Besides, it was her home---where else should she go?'
'She could have made a life of her own.'
David said fretfully:
'Not in those days! You don't understand. Women didn't behave like that. They put up with things. They endured patiently. She had us to consider. Even if she divorced my father, what would have happened? He would probably have married again. There might have been a second family. Our interests might have gone to the wall. She had to think of all those considerations.'
Hilda did not answer.
David went on:
'No, she did right. She was a saint! She endured to the end---uncomplainingly.'
Hilda said, 'Not quite uncomplainingly or you would not know so much, David!'
He said softly, his face lighting up:
'Yes---she told me things---She knew how I loved her. When she died---'
He stopped. He ran his hands through his hair.
'Hilda, it was awful---horrible! The desolation! She was quite young still, she needn't have died. He killed her---my father! He was responsible for her dying. He broke her heart. I decided then that I'd not go on living under his roof. I broke away---got away from it all.'
Hilda nodded.
'You were very wise,' she said. 'It was the right thing to do.'
David said:
'Father wanted me to go into the works. That would have meant living at home. I couldn't have stood that. I can't think how Alfred stands it---how he has stood it all these years.'
'Did he never rebel against it?' asked Hilda with some interest. 'I thought you told me something about his having given up some other career.'
David nodded.
'Alfred was going into the army. Father arranged it all. Alfred, the eldest, was to go into some cavalry regiment, Harry was to go into the works, so was I. George was to enter politics.'
'And it didn't work out like that?'
David shook his head.
'Harry broke all that up! He was always frightfully wild. Got into debt---and all sorts of other troubles. Finally he went off one day with several hundred pounds that didn't belong to him, leaving a note behind him saying an office stool didn't suit him and he was going to see the world.'
'And you never heard any more of him?'
'Oh, yes, we did!' David laughed. 'We heard quite often! He was always cabling for money from all over the world. He usually got it too!'
'And Alfred?'
'Father made him chuck up the army and come back and go into the works.'
'Did he mind?'
'Very much to begin with. He hated it. But Father could always twist Alfred round his little finger. He's absolutely under Father's thumb still, I believe.'
'And you---escaped!' said Hilda.
'Yes. I went to London and studied painting. Father told me plainly that if I went off on a fool's errand like that I'd get a small allowance from him during his lifetime and nothing when he died. I said I didn't care. He called me a young fool, and that was that! I've never seen him since.'
Hilda said gently:
'And you haven't regretted it?'
'No, indeed. I realize I shan't ever get anywhere with my art. I shall never be a great artist---but we're happy enough in this cottage---we've got everything we want---all the essentials. And if I die, well, my life's insured for you.'
He paused and then said:
'And now---this!'
He struck the letter with his open hand.
'I am sorry your father ever wrote that letter, if it upsets you so much,' said Hilda.
David went on as though he had not heard her.
'Asking me to bring my wife for Christmas, expressing a hope that we may be all together for Christmas; a united family! What can it mean?'
Hilda said:
'Need it mean anything more than it says?'
He looked at her questioningly.
'I mean,' she said, smiling, 'that your father is growing old. He's beginning to feel sentimental about family ties. That does happen, you know.'
'I suppose it does,' said David slowly.
'He's an old man and he's lonely.'
He gave her a quick look.
'You want me to go, don't you, Hilda?'
She said slowly:
'It seems a pity---not to answer an appeal. I'm old-fashioned, I dare say, but why not have peace and goodwill at Christmas time?'
'After all I've told you?'
'I know, dear, I know. But all that's in the past. It's all done and finished with.'
'Not for me.'
'No, because you won't let it die. You keep the past alive in your own mind.'
'I can't forget.'
'You won't forget---that's what you mean, David.'
His mouth set in a firm line.
'We're like that, we Lees. We remember things for years---brood about them, keep memory green.'
Hilda said with a touch of impatience:
'Is that anything to be proud of? I do not think so!'
He looked thoughtfully at her, a touch of reserve in his manner.
He said: 'You don't attach much value to loyalty, then---loyalty to a memory?'
Hilda said:
'I believe the present matters---not the past! The past must go. If we seek to keep the past alive, we end, I think, by distorting it. We see it in exaggerated terms---a false perspective.'
'I can remember every word and every incident of those days perfectly,' said David passionately.
'Yes, but you shouldn't, my dear! It isn't natural to do so! You're applying the judgment of a boy to those days instead of looking back on them with the more temperate outlook of a man.'
'What difference would that make?' demanded David.
Hilda hesitated. She was aware of unwisdom in going on, and yet there were things she badly wanted to say.
'I think,' she said, 'that you're seeing your father as a bogy! Probably, if you were to see him now, you would realize that he was only a very ordinary man; a man, perhaps, whose passions ran away with him, a man whose life was far from blameless, but nevertheless merely a man---not a kind of inhuman monster!'
'You don't understand! His treatment of my mother---'
Hilda said gravely:
'There is a certain kind of meekness---of submission--- brings out the worst in a man---whereas that same man, faced by spirit and determination, might be a different creature!'
'So you say it was her fault---'
Hilda interrupted him.
'No, of course I don't! I've no doubt your father treated your mother very badly indeed, but marriage is an extraordinary thing---and I doubt if any outsider---even a child of the marriage---has the right to judge. Besides, all this resentment on your part now cannot help your mother. It is all gone---it is behind you! What is left now is an old man, in feeble health, asking his son to come home for Christmas.'
'And you want me to go?'
Hilda hesitated, then she suddenly made up her mind. 'Yes,' she said. 'I do. I want you to go and lay the bogy once and for all.'
George Lee, M.P. for Westeringham, was a somewhat corpulent gentleman of forty-one. His eyes were pale blue and slightly prominent with a suspicious expression, he had a heavy jowl, and a slow pedantic utterance.
He said now in a weighty manner:
'I have told you, Magdalene, that I think it my duty to go.'
His wife shrugged her shoulders impatiently.
She was a slender creature, a platinum blonde with plucked eyebrows and a smooth egg-like face. It could, on occasions, look quite blank and devoid of any expression whatever. She was looking like that now.
'Darling,' she said, 'it will be perfectly grim, I am sure of it.'
'Moreover,' said George Lee, and his face lit up as an attractive idea occurred to him, 'it will enable us to save considerably. Christmas is always an expensive time. We can put the servants on board wages.'
'Oh, well!' said Magdalene. 'After all, Christmas is pretty grim anywhere!'
'I suppose,' said George, pursuing his own line of thought, 'they will expect to have a Christmas dinner? A nice piece of beef, perhaps, instead of a turkey.'
'Who?' The servants? Oh, George, don't fuss so. You're always worrying about money.'
'Somebody has to worry,' said George.
'Yes, but it's absurd to pinch and scrape in all these little ways. Why don't you make your father give you some more money?'
'He already gives me a very handsome allowance.'
'It's awful to be completely dependent on your father, as you are! He ought to settle some money on you outright.'
'That's not his way of doing things.'
Magdalene looked at him. Her hazel eyes were suddenly sharp and keen. The expressionless egg-like face showed sudden meaning.
'He's frightfully rich, isn't he, George? A kind of millionaire, isn't he?'
'A millionaire twice over, I believe.'
Magdalene gave an envious sigh.
'How did he make it all? South Africa, wasn't it?'
'Yes, he made a big fortune there in his early days. Mainly diamonds.'
'Thrilling!' said Magdalene.
'Then he came to England and started in business and his fortune has actually doubled or trebled itself, I believe.'
'What will happen when he dies?' asked Magdalene.
'Father's never said much on the subject. Of course one can't exactly ask. I should imagine that the bulk of his money will go to Alfred and myself. Alfred, of course, will get the larger share.'
'You've got other brothers, haven't you?'
'Yes, there's my brother David. I don't fancy he will get much. He went off to do art or some tomfoolery of that kind. I believe Father warned him that he would cut him out of his will and David said he didn't care.'
'How silly!' said Magdalene with scorn.
'There was my sister Jennifer too. She went off with a foreigner---a Spanish artist---one of David's friends. But she died just over a year ago. She left a daughter, I believe. Father might leave a little money to her, but nothing much. And of course there's Harry---'
He stopped, slightly embarrassed.
'Harry?' said Magdalene, surprised. 'Who is Harry?'
'Ah---er---my brother.'
'I never knew you had another brother.'
'My dear, he wasn't a great---er---credit---to us. We don't mention him. His behaviour was disgraceful. We haven't heard anything of him for some years now. He's probably dead.'
Magdalene laughed suddenly.
'What is it? What are you laughing at?'
Magdalene said:
'I was only thinking how funny it was that you---you, George, should have a disreputable brother! You're so very respectable.'
'I should hope so,' said George coldly.
Her eyes narrowed.
'Your father isn't---very respectable, George.'
'Really, Magdalene!'
'Sometimes the things he says make me feel quite uncomfortable.'
George said:
'Really, Magdalene, you surprise me. Does---er---does Lydia feel the same?'
'He doesn't say the same kind of things to Lydia,' said Magdalene. She added angrily, 'No, he never says them to her. I can't think why not.'
George glanced at her quickly and then glanced away.
'Oh, well,' he said vaguely. 'One must make allowances. At Father's age---and with his health being so bad---'
He paused. His wife asked:
'Is he really---pretty ill?'
'Oh, I wouldn't say that. He's remarkably tough. All the same, since he wants to have his family round him at Christmas, I think we are quite right to go. It may be his last Christmas.'
She said sharply:
'You say that, George, but really, I suppose, he may live for years?'
Slightly taken aback, her husband stammered:
'Yes---yes, of course he may.'
Magdalene turned away.
'Oh, well,' she said, 'I suppose we're doing the right thing by going.'
'I have no doubt about it.'
'But I hate it! Alfred's so dull, and Lydia snubs me.'
'Nonsense.'
'She does. And I hate that beastly manservant.'
'Old Tressilian?'
'No, Horbury. Sneaking round like a cat and smirking.'
'Really, Magdalene, I can't see that Horbury can affect you in any way!'
'He just gets on my nerves, that's all. But don't let's bother. We've got to go, I can see that. Won't do to offend the old man.'
'No---no, that's just the point. About the servants' Christmas dinner---'
'Not now, George, some other time. I'll just ring up Lydia and tell her that we'll come by the five-twenty tomorrow.'
Magdalene left the room precipitately. After telephoning she went up to her own room and sat down in front of the desk. She let down the flap and rummaged in its various pigeon-holes. Cascades of bills came tumbling out. Magdalene sorted through them, trying to arrange them in some kind of order. Finally, with an impatient sigh, she bundled them up and thrust them back whence they had come. She passed a hand over her smooth platinum head.
'What on earth am I to do?' she murmured.
On the first floor of Gorston Hall a long passage led to a big room overlooking the front drive. It was a room furnished in the more flamboyant of old-fashioned styles. It had heavy brocaded wallpaper, rich leather armchairs, large vases embossed with dragons, sculptures in bronze...Everything in it was magnificent, costly and solid.
In a big grandfather armchair, the biggest and most imposing of all the chairs, sat the thin, shrivelled figure of an old man. His long clawlike hands rested on the arms of the chair. A gold-mounted stick was by his side. He wore an old shabby blue dressing-gown. On his feet were carpet slippers. His hair was white and the skin of his face was yellow.
Ashabby, insignificant figure, one might have thought. But the nose, aquiline and proud, and the eyes, dark and intensely alive, might cause an observer to alter his opinion. Here was fire and life and vigour.
Old Simeon Lee cackled to himself, a sudden, high cackle of amusement.
He said:
'You gave my message to Mrs Alfred, hey?'
Horbury was standing beside his chair. He replied in his soft deferential voice:
'Yes, sir.'
'Exactly in the words I told you? Exactly, mind?'
'Yes, sir. I didn't make a mistake, sir.'
'No---you don't make mistakes. You'd better not make mistakes either---or you'll regret it! And what did she say, Horbury? What did Mr Alfred say?'
Quietly, unemotionally, Horbury repeated what had passed. The old man cackled again and rubbed his hands together.
'Splendid...First rate...They'll have been thinking and wondering---all the afternoon! Splendid! I'll have 'em up now. Go and get them.'
'Yes, sir.'
Horbury walked noiselessly across the room and went out.
'And, Horbury---'
The old man looked round, then cursed to himself.
'Fellow moves like a cat. Never know where he is.'
He sat quite still in his chair, his fingers caressing his chin till there was a tap on the door, and Alfred and Lydia came in.
'Ah, there you are, there you are. Sit here, Lydia, my dear, by me. What a nice colour you've got.'
'I've been out in the cold. It makes one's cheeks burn afterwards.'
Alfred said:
'How are you, Father, did you have a good rest this afternoon?'
'First rate---first rate. Dreamt about the old days! That was before I settled down and became a pillar of society.'
He cackled with sudden laughter.
His daughter-in-law sat silently smiling with polite attention.
Alfred said:
'What's this, Father, about two extra being expected for Christmas?'
'Ah, that! Yes, I must tell you about that. It's going to be a grand Christmas for me this year---a grand Christmas. Let me see, George is coming and Magdalene---'
Lydia said:
'Yes, they are arriving tomorrow by the five-twenty.'
Old Simeon said:
'Poor stick, George! Nothing but a gasbag! Still, he is my son.'
Alfred said:
'His constituents like him.'
Simeon cackled again.
'They probably think he's honest. Honest! There never was a Lee who was honest yet.'
'Oh, come now, Father.'
'I except you, my boy. I except you.'
'And David?' asked Lydia.
'David now. I'm curious to see the boy after all these years. He was a namby-pamby youngster. Wonder what his wife is like? At any rate he hasn't married a girl twenty years younger than himself, like that fool George!'
'Hilda wrote a very nice letter,' said Lydia. 'I've just had a wire from her confirming it and saying they are definitely arriving tomorrow.'
Her father-in-law looked at her, a keen, penetrating glance.
He laughed.
'I never get any change out of Lydia,' he said. 'I'll say this for you, Lydia, you're a well-bred woman. Breeding tells. I know that well enough. A funny thing, though, heredity. There's only one of you that's taken after me---only one out of all the litter.'
His eyes danced.
'Now guess who's coming for Christmas. I'll give you three guesses and I'll bet you a fiver you won't get the answer.'
He looked from one face to the other. Alfred said frowning:
'Horbury said you expected a young lady.'
'That intrigued you---yes, I dare say it did. Pilar will be arriving any minute now. I gave orders for the car to go and meet her.'
Alfred said sharply:
'Pilar?'
Simeon said:
'Pilar Estravados. Jennifer's girl. My granddaughter. I wonder what she'll be like.'
Alfred cried out:
'Good heavens, Father, you never told me...'
The old man was grinning.
'No, I thought I'd keep it a secret! Got Charlton to write out and fix things.'
Alfred repeated, his tone hurt and reproachful:
'You never told me...'
His father said, still grinning wickedly:
'It would have spoilt the surprise! Wonder what it will be like to have young blood under this roof again? I never saw Estravados. Wonder which the girl takes after---her mother or her father?'
'Do you really think it's wise, Father,' began Alfred. 'Taking everything into consideration---'
The old man interrupted him.
'Safety---safety---you play for safety too much, Alfred! Always have! That hasn't been my way! Do what you want and be damned to it! That's what I say! The girl's my granddaughter---the only grandchild in the family! I don't care what her father was or what he did! She's my flesh and blood! And she's coming to live here in my house.'
Lydia said sharply: 'She's coming to live here?'
He darted a quick look at her. 'Do you object?'
She shook her head. She said smiling:
'I couldn't very well object to your asking someone to your own house, could I? No, I was wondering about---her.'
'About her---what d'you mean?'
'Whether she would be happy here.'
Old Simeon flung up his head.
'She's not got a penny in the world. She ought to be thankful!'
Lydia shrugged her shoulders.
Simeon turned to Alfred:
'You see? It's going to be a grand Christmas! All my children round me. All my children! There, Alfred, there's your clue. Now guess who the other visitor is.'
Alfred stared at him.
'All my children! Guess, boy! Harry, of course! Your brother Harry!'
Alfred had gone very pale. He stammered:
'Harry---not Harry---'
'Harry himself!'
'But we thought he was dead!'
'Not he!'
'You---you are having him back here? After everything?'
'The prodigal son, eh? You're right. The fatted calf! We must kill the fatted calf, Alfred. We must give him a grand welcome.'
Alfred said:
'He treated you---all of us---disgracefully. He---'
'No need to recite his crimes! It's a long list. But Christmas, you'll remember, is the season of forgiveness! We'll welcome the prodigal home.'
Alfred rose. He murmured:
'This has been---rather a shock. I never dreamt that Harry would ever come inside these walls again.'
Simeon leaned forward.
'You never liked Harry, did you?' he said softly.
'After the way he behaved to you---'
Simeon cackled. He said:
'Ah, but bygones must be bygones. That's the spirit for Christmas, isn't it, Lydia?'
Lydia, too, had gone pale. She said dryly:
'I see that you have thought a good deal about Christmas this year.'
'I want my family round me. Peace and goodwill. I'm an old man. Are you going, my dear?'
Alfred had hurried out. Lydia paused a moment before following him.
Simeon nodded his head after the retreating figure.
'It's upset him. He and Harry never got on. Harry used to jeer at Alfred. Called him old Slow and Sure.'
Lydia's lips parted. She was about to speak, then, as she saw the old man's eager expression, she checked herself. Her self-control, she saw, disappointed him. The perception of that fact enabled her to say: 'The hare and the tortoise. Ah, well, the tortoise wins the race.'
'Not always,' said Simeon. 'Not always, my dear Lydia.'
She said, still smiling:
'Excuse me, I must go after Alfred. Sudden excitements always upset him.'
Simeon cackled.
'Yes, Alfred doesn't like changes. He always was a regular sobersides.'
Lydia said:
'Alfred is very devoted to you.'
'That seems odd to you, doesn't it?'
'Sometimes,' said Lydia, 'it does.'
She left the room. Simeon looked after her.
He chuckled softly and rubbed his palms together. 'Lots of fun,' he said. 'Lots of fun still. I'm going to enjoy this Christmas.'
With an effort he pulled himself upright, and with the help of his stick, shuffled across the room.
He went to a big safe that stood at the corner of the room. He twirled the handle of the combination. The door came open and, with shaking fingers, he felt inside.
He lifted out a small wash-leather bag, and opening it, let a stream of uncut diamonds pass through his fingers.
'Well, my beauties, well...Still the same---still my old friends. Those were good days---good days...They shan't carve you and cut you about, my friends. You shan't hang round the necks of women or sit on their fingers or hang on their ears. You're mine! My old friends! We know a thing or two, you and I. I'm old, they say, and ill, but I'm not done for! Lots of life in the old dog yet. And there's still some fun to be got out of life. Still some fun---'
Tressilian went to answer the doorbell. It had been an unusually aggressive peal, and now, before he could make his slow way across the hall, it pealed out again.
Tressilian flushed. An ill-mannered, impatient way of ringing the bell at a gentleman's house! If it was a fresh lot of those carol singers he'd give them a piece of his mind.
Through the frosted glass of the upper half of the door he saw a silhouette---a big man in a slouch hat. He opened the door. As he had thought---a cheap, flashy stranger---nasty pattern of suit he was wearing---loud! Some impudent begging fellow!
'Blessed if it isn't Tressilian,' said the stranger. 'How are you, Tressilian?'
Tressilian stared---took a deep breath---stared again. That bold arrogant jaw, the high-bridged nose, the rollicking eye. Yes, they had all been there three years ago. More subdued then...
He said with a gasp:
'Mr Harry!'
Harry Lee laughed.
'Looks as though I'd given you quite a shock. Why? I'm expected, aren't I?'
'Yes, indeed, sir. Certainly, sir.'
'Then why the surprise act?' Harry stepped back a foot or two and looked up at the house---a good solid mass of red brick, unimaginative but solid.
'Just the same ugly old mansion,' he remarked. 'Still standing, though, that's the main thing. How's my father, Tressilian?'
'He's somewhat of an invalid, sir. Keeps his room, and can't get about much. But he's wonderfully well, considering.'
'The old sinner!'
Harry Lee came inside, let Tressilian remove his scarf and take the somewhat theatrical hat.
'How's my dear brother Alfred, Tressilian?'
'He's very well, sir.'
Harry grinned.
'Looking forward to seeing me? Eh?'
'I expect so, sir.'
'I don't! Quite the contrary. I bet it's given him a nasty jolt, my turning up! Alfred and I never did get on. Ever read your Bible, Tressilian?'
'Why, yes, sir, sometimes, sir.'
'Remember the tale of the prodigal's return? The good brother didn't like it, remember? Didn't like it at all! Good old stay-at-home Alfred doesn't like it either, I bet.'
Tressilian remained silent looking down his nose. His stiffened back expressed protest. Harry clapped him on the shoulder.
'Lead on, old son,' he said. 'The fatted calf awaits me! Lead me right to it.'
Tressilian murmured:
'If you will come this way into the drawing-room, sir. Iam not quite sure where everyone is...They were unable to send to meet you, sir, not knowing the time of your arrival.'
Harry nodded. He followed Tressilian along the hall, turning his head to look about him as he went.
'All the old exhibits in their place, I see,' he remarked. 'I don't believe anything has changed since I went away twenty years ago.'
He followed Tressilian into the drawing-room. The old man murmured:
'I will see if I can find Mr or Mrs Alfred,' and hurried out.
Harry Lee had marched into the room and had then stopped, staring at the figure who was seated on one of the window-sills. His eyes roamed incredulously over the black hair and the creamy exotic pallor.
'Good Lord!' he said. 'Are you my father's seventh and most beautiful wife?'
Pilar slipped down and came towards him.
'I am Pilar Estravados,' she announced. 'And you must be my Uncle Harry, my mother's brother.'
Harry said, staring:
'So that's who you are! Jenny's daughter.'
Pilar said: 'Why did you ask me if I was your father's seventh wife? Has he really had six wives?'
Harry laughed.
'No, I believe he's only had one official one. Well---Pil---what's your name?'
'Pilar, yes.'
'Well, Pilar, it really gives me quite a turn to see something like you blooming in this mausoleum.'
'This---maus---please?'
'This museum of stuffed dummies! I always thought this house was lousy! Now I see it again I think it's lousier than ever!'
Pilar said in a shocked voice:
'Oh, no, it is very handsome here! The furniture is good and the carpets---thick carpets everywhere---and there are lots of ornaments. Everything is very good quality and very, very rich!'
'You're right there,' said Harry, grinning. He looked at her with amusement. 'You know, I can't help getting a kick out of seeing you in the midst---'
He broke off as Lydia came rapidly into the room.
She came straight to him.
'How d'you do, Harry? I'm Lydia---Alfred's wife.'
'How de do, Lydia.' He shook hands, examining her intelligent mobile face in a swift glance and approving mentally of the way she walked---very few women moved well.
Lydia in her turn took quick stock of him.
She thought: 'He looks a frightful tough---attractive though. I wouldn't trust him an inch...'
She said smiling:
'How does it look after all these years? Quite different, or very much the same?'
'Pretty much the same.' He looked round him. 'This room's been done over.'
'Oh, many times.'
He said:
'I meant by you. You've made it---different.'
'Yes, I expect so...'
He grinned at her, a sudden impish grin that reminded her with a start of the old man upstairs.
'It's got more class about it now! I remember hearing that old Alfred had married a girl whose people came over with the Conqueror.'
Lydia smiled. She said:
'I believe they did. But they've rather run to seed since those days.'
Harry said:
'How's old Alfred? Just the same blessed old stick-in-the-mud as ever?'
'I've no idea whether you will find him changed or not.'
'How are the others? Scattered all over England?'
'No---they're all here for Christmas, you know.'
Harry's eyes opened.
'Regular Christmas family reunion? What's the matter with the old man? He used not to give a damn for sentiment. Don't remember his caring much for his family, either. He must have changed!'
'Perhaps.' Lydia's voice was dry.
Pilar was staring, her big eyes wide and interested.
Harry said:
'How's old George? Still the same skinflint? How he used to howl if he had to part with a halfpenny of his pocket-money!'
Lydia said:
'George is in Parliament. He's member for Westeringham.'
'What? Popeye in Parliament? Lord, that's good.'
Harry threw back his head and laughed.
It was rich stentorian laughter---it sounded uncontrolled and brutal in the confined space of the room. Pilar drew in her breath with a gasp. Lydia flinched a little.
Then, at a movement behind him, Harry broke off his laugh and turned sharply. He had not heard anyone coming in, but Alfred was standing there quietly. He was looking at Harry with an odd expression on his face.
Harry stood a minute, then a slow smile crept to his lips. He advanced a step.
'Why,' he said, 'it's Alfred!'
Alfred nodded.
'Hallo, Harry,' he said.
They stood staring at each other. Lydia caught her breath. She thought:
'How absurd! Like two dogs---looking at each other...'
Pilar's gaze widened even further. She thought to herself:
'How silly they look standing there...Why do they not embrace? No, of course the English do not do that. But they might say something. Why do they just look?'
Harry said at last:
'Well, well. Feels funny to be here again!'
'I expect so---yes. A good many years since you---got out.'
Harry threw up his head. He drew his finger along the line of his jaw. It was a gesture that was habitual with him. It expressed belligerence.
'Yes,' he said. 'I'm glad I have come'---he paused to bring out the word with greater significance---'home...'
'I've been, I suppose, a very wicked man,' said Simeon Lee.
He was leaning back in his chair. His chin was raised and with one finger he was stroking his jaw reflectively. In front of him a big fire glowed and danced. Beside it sat Pilar, a little screen of papier-mâché held in her hand. With it she shielded her face from the blaze. Occasionally she fanned herself with it, using her wrist in a supple gesture. Simeon looked at her with satisfaction.
He went on talking, perhaps more to himself than to the girl, and stimulated by the fact of her presence.
'Yes,' he said. 'I've been a wicked man. What do you say to that, Pilar?'
Pilar shrugged her shoulders. She said:
'All men are wicked. The nuns say so. That is why one has to pray for them.'
'Ah, but I've been more wicked than most.' Simeon laughed. 'I don't regret it, you know. No, I don't regret anything. I've enjoyed myself...every minute! They say you repent when you get old. That's bunkum. I don't repent. And as I tell you, I've done most things...all the good old sins! I've cheated and stolen and lied...lord, yes! And women---always women! Someone told me the other day of an Arab chief who had a bodyguard of forty of his sons---all roughly the same age! Aha! Forty! I don't know about forty, but I bet I could produce a very fair bodyguard if I went about looking for the brats! Hey, Pilar, what do you think of that? Shocked?'
Pilar stared.
'No, why should I be shocked? Men always desire women. My father, too. That is why wives are so often unhappy and why they go to church and pray.'
Old Simeon was frowning.
'I made Adelaide unhappy,' he said. He spoke almost under his breath, to himself. 'Lord, what a woman! Pink and white and pretty as they make 'em when I married her! And afterwards? Always wailing and weeping. It rouses the devil in a man when his wife is always crying...She'd no guts, that's what was the matter with Adelaide. If she'd stood up to me! But she never did---not once. I believed when I married her that I was going to be able to settle down, raise a family---cut loose from the old life...'
His voice died away. He stared---stared into the glowing heart of the fire.
'Raise a family...God, what a family!' He gave a sudden shrill pipe of angry laughter. 'Look at 'em---look at 'em! Not a child among them---to carry on! What's the matter with them? Haven't they got any of my blood in their veins? Not a son among 'em, legitimate or illegitimate. Alfred, for instance---heavens above, how bored I get with Alfred! Looking at me with his dog's eyes. Ready to do anything I ask. Lord, what a fool! His wife, now---Lydia---I like Lydia. She's got spirit. She doesn't like me, though. No, she doesn't like me. But she has to put up with me for that nincompoop Alfred's sake.' He looked over at the girl by the fire. 'Pilar---remember---nothing is so boring as devotion.'
She smiled at him. He went on, warmed by the presence of her youth and strong femininity.
'George? What's George? A stick! A stuffed codfish! a pompous windbag with no brains and no guts---and mean about money as well! David? David always was a fool---a fool and a dreamer. His mother's boy, that was always David. Only sensible thing he ever did was to marry that solid comfortable-looking woman.' He brought down his hand with a bang on the edge of his chair. 'Harry's the best of 'em! Poor old Harry, the wrong 'un! But at any rate he's alive!'
Pilar agreed.
'Yes, he is nice. He laughs---laughs out loud---and throws his head back. Oh, yes, I like him very much.'
The old man looked at her.
'You do, do you, Pilar? Harry always had a way with the girls. Takes after me there.' He began to laugh, a slow wheezy chuckle. 'I've had a good life---a very good life. Plenty of everything.'
Pilar said:
'In Spain we have a proverb. It is like this:
'Take what you like and pay for it, says God.'
Simeon beat an appreciative hand on the arm of his chair.
'That's good. That's the stuff. Take what you like...I've done that---all my life---taken what I wanted...'
Pilar said, her voice high and clear, and suddenly arresting:
'And you have paid for it?'
Simeon stopped laughing to himself. He sat up and stared at her. He said, 'What's that you say?'
'I said, have you paid for it, Grandfather?'
Simeon Lee said slowly:
'I---don't know...'
Then, beating his fist on the arm of the chair, he cried out with sudden anger:
'What makes you say that, girl? What makes you say that?'
Pilar said:
'I---wondered.'
Her hand, holding the screen, was arrested. Her eyes were dark and mysterious. She sat, her head thrown back, conscious of herself, of her womanhood.
Simeon said:
'You devil's brat...'
She said softly:
'But you like me, Grandfather. You like me to sit here with you.'
Simeon said: 'Yes, I like it. It's a long time since I've seen anything so young and beautiful...It does me good, warms my old bones...And you're my own flesh and blood...Good for Jennifer, she turned out to be the best of the bunch after all!'
Pilar sat there smiling.
'Mind you, you don't fool me,' said Simeon. 'I know why you sit here so patiently and listen to me droning on. It's money---it's all money...Or do you pretend you love your old grandfather?'
Pilar said: 'No, I do not love you. But I like you. I like you very much. You must believe that, for it is true. I think you have been wicked, but I like that too. You are more real than the other people in this house. And you have interesting things to say. You have travelled and you have led a life of adventure. If I were a man I would be like that, too.'
Simeon nodded.
'Yes, I believe you would...We've gipsy blood in us, so it's always been said. It hasn't shown much in my children---except Harry---but I think it's come out in you. I can be patient, mind you, when it's necessary. I waited once fifteen years to get even with a man who'd done me an injury. That's another characteristic of the Lees---they don't forget! They'll avenge a wrong if they have to wait years to do it. A man swindled me. I waited fifteen years till I saw my chance---and then I struck. I ruined him. Cleaned him right out!'
He laughed softly.
Pilar said:
'That was in South Africa?'
'Yes. A grand country.'
'You have been back there, yes?'
'I went back last five years after I married. That was the last time.'
'But before that? You were there for many years?'
'Yes.'
'Tell me about it.'
He began to talk. Pilar, shielding her face, listened.
His voice slowed, wearied. He said:
'Wait, I'll show you something.'
He pulled himself carefully to his feet. Then, with his stick, he limped slowly across the room. He opened the big safe. Turning, he beckoned her to him.
'There, look at these. Feel them, let them run through your fingers.'
He looked into her wondering face and laughed.
'Do you know what they are? Diamonds, child, diamonds.'
Pilar's eyes opened. She said as she bent over:
'But they are little pebbles, that is all.'
Simeon laughed.
'They are uncut diamonds. That is how they are found---like this.'
Pilar asked incredulously:
'And if they were cut they would be real diamonds?'
'Certainly.'
'They would flash and sparkle?'
'Flash and sparkle.'
Pilar said childishly:
'O-o-o, I cannot believe it!'
He was amused.
'It's quite true.'
'They are valuable?'
'Fairly valuable. Difficult to say before they are cut. Anyway, this little lot is worth several thousands of pounds.'
Pilar said with a space between each word:
'Several---thousands---of---pounds?'
'Say nine or ten thousands---they're biggish stones, you see.'
Pilar asked, her eyes opening:
'But why do you not sell them, then?'
'Because I like to have them here.'
'But all that money?'
'I don't need the money.'
'Oh---I see,' Pilar looked impressed.
She said:
'But why do you not have them cut and made beautiful?'
'Because I prefer them like this.' His face was set in a grim line. He turned away and began speaking to himself. 'They take me back---the touch of them, the feel of them through my fingers...It all comes back to me, the sunshine, and the smell of the veldt, the oxen---old Eb---all the boys---the evenings...'
There was a soft tap on the door.
Simeon said: 'Put 'em back in the safe and bang it to.'
Then he called: 'Come in.'
Horbury came in, soft and deferential.
He said: 'Tea is ready downstairs.'
Hilda said: 'So there you are, David. I've been looking for you everywhere. Don't let's stay in this room, it's so frightfully cold.'
David did not answer for a minute. He was standing looking at a chair, a low chair with faded satin upholstery. He said abruptly:
'That's her chair...the chair she always sat in...just the same---it's just the same. Only faded, of course.'
A little frown creased Hilda's forehead. She said:
'I see. Do let's come out of here, David. It's frightfully cold.'
David took no notice. Looking round, he said:
'She sat in here mostly. I remember sitting on that stool there while she read to me. Jack the Giant Killer---that was it---Jack the Giant Killer. I must have been six years old then.'
Hilda put a firm hand through his arm.
'Come back to the drawing-room, dear. There's no heating in this room.'
He turned obediently, but she felt a little shiver go through him.
'Just the same,' he murmured. 'Just the same. As though time had stood still.'
Hilda looked worried. She said in a cheerful determined voice:
'I wonder where the others are? It must be nearly tea-time.'
David disengaged his arm and opened another door.
'There used to be a piano in here...Oh, yes, here it is! I wonder if it's in tune.'
He sat down and opened the lid, running his hands lightly over the keys.
'Yes, it's evidently kept tuned.'
He began to play. His touch was good, the melody flowed out from under his fingers.
Hilda asked: 'What is that? I seem to know it, and I can't quite remember.'
He said: 'I haven't played it for years. She used to play it. One of Mendelssohn's Songs Without Words.'
The sweet, over-sweet, melody filled the room. Hilda said:
'Play some Mozart, do.'
David shook his head. He began another Mendelssohn.
Then suddenly he brought his hands down upon the keys in a harsh discord. He got up. He was trembling all over. Hilda went to him.
She said: 'David---David.'
He said: 'It's nothing---it's nothing...'
The bell pealed aggressively. Tressilian rose from his seat in the pantry and went slowly out and along to the door.
The bell pealed again. Tressilian frowned. Through the frosted glass of the door he saw the silhouette of a man wearing a slouch hat.
Tressilian passed a hand over his forehead. Something worried him. It was as though everything was happening twice.
Surely this had happened before. Surely---
He drew back the latch and opened the door.
Then the spell broke. The man standing there said:
'Is this where Mr Simeon Lee lives?'
'Yes, sir.'
'I'd like to see him, please.'
A faint echo of memory awoke in Tressilian. It was an intonation of voice that he remembered from the old days when Mr Lee was first in England.
Tressilian shook his head dubiously.
'Mr Lee is an invalid, sir. He doesn't see many people now. If you---'
The stranger interrupted.
He drew out an envelope and handed it to the butler.
'Please give this to Mr Lee.'
'Yes, sir.'
Simeon Lee took the envelope. He drew out the single sheet of paper it held. He looked surprised. His eyebrows rose, but he smiled.
'By all that's wonderful!' he said.
Then to the butler: 'Show Mr Farr up here, Tressilian.'
'Yes, sir.'
Simeon said: 'I was just thinking of old Ebenezer Farr. He was my partner out there in Kimberley. Now here's his son come along!'
Tressilian reappeared. He announced: 'Mr Farr.'
Stephen Farr came in with a trace of nervousness. He disguised it by putting on a little extra swagger. He said---and just for the moment his South African accent was more marked than usual: 'Mr Lee?'
'I'm glad to see you. So you're Eb's boy?'
Stephen Farr grinned rather sheepishly.
He said: 'My first visit to the old country. Father always told me to look you up if I did come.'
'Quite right.' The old man looked round. 'This is my granddaughter, Pilar Estravados.'
'How do you do?' said Pilar demurely.
Stephen Farr thought with a touch of admiration:
'Cool little devil. She was surprised to see me, but it only showed for a flash.'
He said, rather heavily: 'I'm very pleased to make your acquaintance, Miss Estravados.'
'Thank you,' said Pilar.
Simeon Lee said: 'Sit down and tell me all about yourself. Are you in England for long?'
'Oh, I shan't hurry myself now I've really got here!'
He laughed, throwing his head back.
Simeon Lee said: 'Quite right. You must stay here with us for a while.'
'Oh, look here, sir. I can't butt in like that. It's only two days to Christmas.'
'You must spend Christmas with us---unless you've got other plans?'
'Well, no, I haven't, but I don't like---'
Simeon said: 'That's settled.' He turned his head. 'Pilar?'
'Yes, Grandfather.'
'Go and tell Lydia we shall have another guest. Ask her to come up here.'
Pilar left the room. Stephen's eyes followed her. Simeon noted the fact with amusement.
He said: 'You've come straight here from South Africa?'
'Pretty well.'
They began to talk of that country.
Lydia entered a few minutes later.
Simeon said: 'This is Stephen Farr, son of my old friend and partner, Ebenezer Farr. He's going to be with us for Christmas if you can find room for him.'
Lydia smiled.
'Of course.' Her eyes took in the stranger's appearance. His bronzed face and blue eyes and the easy backward tilt of his head.
'My daughter-in-law,' said Simeon.
Stephen said: 'I feel rather embarrassed---butting in on a family party like this.'
'You're one of the family, my boy,' said Simeon. 'Think of yourself as that.'
'You're too kind, sir.'
Pilar re-entered the room. She sat down quietly by the fire and picked up the hand screen. She used it as a fan, slowly tilting her wrist to and fro. Her eyes were demure and downcast.
'Do you really want me to stay on here, Father?' asked Harry. He tilted his head back. 'I'm stirring up rather a hornet's nest, you know.'
'What do you mean?' asked Simeon sharply.
'Brother Alfred,' said Harry. 'Good brother Alfred! He, if I may say so, resents my presence here.'
'The devil he does!' snapped Simeon. 'I'm master in this house.'
'All the same, sir, I expect you're pretty dependent on Alfred. I don't want to upset---'
'You'll do as I tell you,' snapped his father.
Harry yawned.
'Don't know that I shall be able to stick a stay-at-home life. Pretty stifling to a fellow who's knocked about the world.'
His father said: 'You'd better marry and settle down.'
Harry said: 'Who shall I marry? Pity one can't marry one's niece. Young Pilar is devilish attractive.'
'You've noticed that?'
'Talking of settling down, fat George has done well for himself as far as looks go. Who was she?'
Simeon shrugged his shoulders.
'How should I know? George picked her up at a mannequin parade, I believe. She says her father was a retired naval officer.'
Harry said:
'Probably a second mate of a coasting steamer. George will have a bit of trouble with her if he's not careful.'
'George,' said Simeon Lee, 'is a fool.'
Harry said: 'What did she marry him for---his money?'
Simeon shrugged his shoulders.
Harry said: 'Well, you think that you can square Alfred all right?'
'We'll soon settle that,' said Simeon grimly.
He touched a bell that stood on a table near him.
Horbury appeared promptly. Simeon said:
'Ask Mr Alfred to come here.'
Horbury went out and Harry drawled:
'That fellow listens at doors!'
Simeon shrugged his shoulders.
'Probably.'
Alfred hurried in. His face twitched when he saw his brother. Ignoring Harry, he said pointedly:
'You wanted me, Father?'
'Yes, sit down. I was just thinking we must reorganize things a bit now that we have two more people living in the house.'
'Two?'
'Pilar will make her home here, naturally. And Harry is home for good.'
Alfred said: 'Harry is coming to live here?'
'Why not, old boy?' said Harry.
Alfred turned sharply to him.
'I should think that you yourself would see that!'
'Well, sorry---but I don't.'
'After everything that has happened? The disgraceful way you behaved. The scandal---'
Harry waved an easy hand.
'All that's in the past, old boy.'
'You behaved abominably to Father, after all he's done for you.'
'Look here, Alfred, it strikes me that's Father's business, not yours. If he's willing to forgive and forget---'
'I'm willing,' said Simeon. 'Harry's my son, after all, you know, Alfred.'
'Yes, but---I resent it---for Father's sake.'
Simeon said: 'Harry's coming here! I wish it.' He laid a hand gently on the latter's shoulder. 'I'm very fond of Harry.'
Alfred got up and left the room. His face was white. Harry rose too and went after him, laughing.
Simeon sat chuckling to himself. Then he started and looked round. 'Who the devil's that? Oh, it's you, Horbury. Don't creep about that way.'
'I beg your pardon, sir.'
'Never mind. Listen, I've got some orders for you. I want everybody to come up here after lunch---everybody.'
'Yes, sir.'
'There's something else. When they come, you come with them. And when you get half-way along the passage raise your voice so that I can hear. Any pretext will do. Understand?'
'Yes, sir.'
Horbury went downstairs. He said to Tressilian:
'If you ask me, we are going to have a Merry Christmas.'
Tressilian said sharply: 'What d'you mean?'
'You wait and see, Mr Tressilian. It's Christmas Eve today, and a nice Christmas spirit abroad---I don't think!'
They came into the room and paused at the doorway.
Simeon was speaking into the telephone. He waved a hand to them.
'Sit down, all of you. I shan't be a minute.'
He went on speaking into the telephone.
'Is that Charlton, Hodgkins & Bruce? Is that you, Charlton? Simeon Lee speaking. Yes, isn't it?...Yes...No, I wanted you to make a new will for me...Yes, it's some time since I made the other...Circumstances have altered...Oh no, no hurry. Don't want you to spoil your Christmas. Say Boxing Day or the day after. Come along, and I'll tell you what I want done. No, that's quite all right. I shan't be dying just yet.'
He replaced the receiver, then looked round at the eight members of his family. He cackled and said:
'You're all looking very glum. What is the matter?'
Alfred said: 'You sent for us...'
Simeon said quickly: 'Oh, sorry---nothing portentous about it. Did you think it was a family council? No, I'm just rather tired today, that's all. None of you need come up after dinner. I shall go to bed. I want to be fresh for Christmas Day.'
He grinned at them. George said earnestly:
'Of course...of course...'
Simeon said: 'Grand old institution, Christmas. Promotes solidarity of family feeling. What do you think, Magdalene, my dear?'
Magdalene Lee jumped. Her rather silly little mouth flew open and then shut itself. She said: 'Oh---oh, yes!'
Simeon said: 'Let me see, you lived with a retired naval officer'---he paused---'your father. Don't suppose you made much of Christmas. It needs a big family for that!'
'Well---well---yes, perhaps it does.'
Simeon's eyes slid past her.
'Don't want to talk of anything unpleasant at this time of year, but you know, George, I'm afraid I'll have to cut down your allowance a bit. My establishment here is going to cost me a bit more to run in future.'
George got very red.
'But look here, Father, you can't do that!'
Simeon said softly: 'Oh, can't I!'
'My expenses are very heavy already. Very heavy. As it is, I don't know how I make both ends meet. It needs the most rigorous economy.'
'Let your wife do a bit more of it,' said Simeon. 'Women are good at that sort of thing. They often think of economies where a man would never have dreamt of them. And a clever woman can make her own clothes. My wife, I remember, was clever with her needle. About all she was clever with---a good woman, but deadly dull---'
David sprang up. His father said:
'Sit down, boy, you'll knock something over---'
David said: 'My mother---'
Simeon said: 'Your mother had the brains of a louse! And it seems to me she's transmitted those brains to her children.' He raised himself up suddenly. A red spot appeared on each cheek. His voice came high and shrill. 'You're not worth a penny piece, any of you! I'm sick of you all! You're not men! You're weaklings---a set of namby-pamby weaklings. Pilar's worth any two of you put together! I'll swear to heaven I've got a better son somewhere in the world than any of you, even if you are born the right side of the blanket!'
'Here, Father, hold hard,' cried Harry.
He had jumped up and stood there, a frown on his usually good-humoured face. Simeon snapped:
'The same goes for you! What have you ever done? Whined to me for money from all over the world! I tell you I'm sick of the sight of you all! Get out!'
He leaned back in his chair, panting a little.
Slowly, one by one, his family went out. George was red and indignant. Magdalene looked frightened. David was pale and quivering. Harry blustered out of the room. Alfred went like a man in a dream. Lydia followed him with her head held high. Only Hilda paused in the doorway and came slowly back.
She stood over him, and he started when he opened his eyes and found her standing there. There was something menacing in the solid way she stood there quite immovably.
He said irritably: 'What is it?'
Hilda said: 'When your letter came I believed what you said---that you wanted your family round you for Christmas, I persuaded David to come.'
Simeon said: 'Well, what of it?'
Hilda said slowly: 'You did want your family round you---but not for the purpose you said! You wanted them there, didn't you, in order to set them all by the ears? God help you, it's your idea of fun!'
Simeon chuckled. He said: 'I always had rather a specialized sense of humour. I don't expect anyone else to appreciate the joke. I'm enjoying it!'
She said nothing. A vague feeling of apprehension came over Simeon Lee. He said sharply:
'What are you thinking about?'
Hilda Lee said slowly: 'I'm afraid...'
Simeon said: 'You're afraid---of me?'
Hilda said: 'Not of you. I'm afraid---for you!'
Like a judge who has delivered sentence, she turned away. She marched, slowly and heavily, out of the room...
Simeon sat staring at the door.
Then he got to his feet and made his way over to the safe. He murmured: 'Let's have a look at my beauties.'
The doorbell rang about a quarter to eight.
Tressilian went to answer it. he returned to his pantry to find Horbury there, picking up the coffee-cups off the tray and looking at the mark on them.
'Who was it?' said Horbury.
'Superintendent of Police---Mr Sugden---mind what you're doing!'
Horbury had dropped one of the cups with a crash.
'Look at that now,' lamented Tressilian. 'Eleven years I've had the washing up of those and never one broken, and now you come along touching things you've no business to touch, and look what happens!'
'I'm sorry, Mr Tressilian. I am indeed,' the other apologized. His face was covered with perspiration. 'I don't know how it happened. Did you say a Superintendent of Police had called?'
'Yes---Mr Sugden.'
The valet passed a tongue over pale lips.
'What---what did he want?'
'Collecting for the Police Orphanage.'
'Oh!' The valet straightened his shoulders. In a more natural voice he said:
'Did he get anything?'
'I took up the book to old Mr Lee, and he told me to fetch the superintendent up and to put the sherry on the table.'
'Nothing but begging, this time of year,' said Horbury. 'The old devil's generous, I will say that for him, in spite of his other failings.'
Tressilian said with dignity:
'Mr Lee has always been an open-handed gentleman.'
Horbury nodded.
'It's the best thing about him! Well, I'll be off now.'
'Going to the pictures?'
'I expect so. Ta-ta, Mr Tressilian.'
He went through the door that led to the servants' hall.
Tressilian looked up at the clock hanging on the wall.
He went into the dining-room and laid the rolls in the napkins.
Then, after assuring himself that everything was as it should be, he sounded the gong in the hall.
As the last note died away the police superintendent came down the stairs. Superintendent Sugden was a large handsome man. He wore a tightly buttoned blue suit and moved with a sense of his own importance.
He said affably: 'I rather think we shall have a frost tonight. Good thing: the weather's been very unseasonable lately.'
Tressilian said, shaking his head:
'The damp affects my rheumatism.'
The superintendent said that the rheumatism was a painful complaint, and Tressilian let him out by the front door.
The old butler refastened the door and came back slowly into the hall. He passed his hand over his eyes and sighed. Then he straightened his back as he saw Lydia pass into the drawing-room. George Lee was just coming down the stairs.
Tressilian hovered ready. When the last guest, Magdalene, had entered the drawing-room, he made his own appearance, murmuring:
'Dinner is served.'
In his way Tressilian was a connoisseur of ladies' dress. He always noted and criticized the gowns of the ladies as he circled round the table, decanter in hand.
Mrs Alfred, he noted, had got on her new flowered black and white taffeta. A bold design, very striking, but she could carry it off, though many ladies couldn't. The dress Mrs George had on was a model, he was pretty sure of that. Must have cost a pretty penny. He wondered how Mr George would like paying for it! Mr George didn't like spending money---he never had. Mrs David now: a nice lady, but didn't have any idea of how to dress. For her figure, plain black velvet would have been the best. Figured velvet, and crimson at that, was a bad choice. Miss Pilar, now, it didn't matter what she wore, with her figure and her hair she looked well in anything. A flimsy cheap little white gown it was, though. Still, Mr Lee would soon see to that! Taken to her wonderful, he had. Always was the same way when a gentleman was elderly. A young face could do anything with him!
'Hock or claret?' murmured Tressilian in a deferential whisper in Mrs George's ear. Out of the tail of his eye he noted that Walter, the footman, was handing the vegetables before the gravy again---after all he had been told!
Tressilian went round with the soufflé. It struck him, now that his interest in the ladies' toilettes and his misgivings over Walter's deficiencies were a thing of the past, that everyone was very silent tonight. At least, not exactly silent: Mr Harry was talking enough for twenty---no, not Mr Harry, the South African gentleman. And the others were talking too, but only, as it were, in spasms. There was something a little---queer about them.
Mr Alfred, for instance, he looked downright ill. As though he had had a shock or something. Quite dazed he looked and just turning over the food on his plate without eating it. The mistress, she was worried about him. Tressilian could see that. Kept looking down the table towards him---not noticeably, of course, just quietly. Mr George was very red in the face---gobbling his food, he was, without tasting it. He'd get a stroke one day if he wasn't careful. Mrs George wasn't eating. Slimming, as likely as not. Miss Pilar seemed to be enjoying her food all right and talking and laughing up at the South African gentleman. Properly taken with her, he was. Didn't seem to be anything on their minds!
Mr David? Tressilian felt worried about Mr David. Just like his mother, he was, to look at. And remarkably young-looking still. But nervy; there, he'd knocked over his glass.
Tressilian whisked it away, mopped up the stream deftly. It was all over. Mr David hardly seemed to notice what he had done, just sat staring in front of him with a white face.
Thinking of white faces, funny the way Horbury had looked in the pantry just now when he'd heard a police officer had come to the house...almost as though---
Tressilian's mind stopped with a jerk. Walter had dropped a pear off the dish he was handing. Footmen were no good nowadays! They might be stable-boys, the way they went on!
He went round with the port. Mr Harry seemed a bit distrait tonight. Kept looking at Mr Alfred. Never had been any love lost between those two, not even as boys. Mr Harry, of course, had always been his father's favourite, and that had rankled with Mr Alfred. Mr Lee had never cared for Mr Alfred much. A pity, when Mr Alfred always seemed so devoted to his father.
There, Mrs Alfred was getting up now. She swept round the table. Very nice that design on the taffeta; that cape suited her. A very graceful lady.
He went out to the pantry, closing the dining-room door on the gentlemen with their port.
He took the coffee tray into the drawing-room. The four ladies were sitting there rather uncomfortably, he thought. They were not talking. He handed round the coffee in silence.
He went out again. As he went into his pantry he heard the dining-room door open. David Lee came out and went along the hall to the drawing-room.
Tressilian went back into his pantry. He read the riot act to Walter. Walter was nearly, if not quite, impertinent!
Tressilian, alone in his pantry, sat down rather wearily.
He had a feeling of depression. Christmas Eve, and all this strain and tension...He didn't like it!
With an effort he roused himself. He went to the drawing-room and collected the coffee-cups. The room was empty except for Lydia, who was standing half concealed by the window curtain at the far end of the room. She was standing there looking out into the night.
From next door the piano sounded.
Mr David was playing. But why, Tressilian asked himself, did Mr David play the 'Dead March'? For that's what it was. Oh, indeed things were very wrong.
He went slowly along the hall and back into his pantry.
It was then he first heard the noise from overhead: a crashing of china, the overthrowing of furniture, a series of cracks and bumps.
'Good gracious!' thought Tressilian. 'Whatever is the master doing? What's happening up there?'
And then, clear and high, came a scream---a horrible high wailing scream that died away in a choke or gurgle.
Tressilian stood there a moment paralysed, then he ran out into the hall and up the broad staircase. Others were with him. That scream had been heard all over the house.
They raced up the stairs and round the bend, past a recess with statues gleaming white and eerie, and along the straight passage to Simeon Lee's door. Mr Farr was there already and Mrs David. She was leaning back against the wall and he was twisting at the door handle.
'The door's locked,' he was saying. 'The door's locked!'
Harry Lee pushed past and wrested it from him. He, too, turned and twisted at the handle.
'Father,' he shouted. 'Father, let us in.'
He held up his hand and in the silence they all listened. There was no answer. No sound from inside the room.
The front door bell rang, but no one paid any attention to it.
Stephen Farr said:
'We've got to break the door down. It's the only way.'
Harry said: 'That's going to be a tough job. These doors are good solid stuff. Come on, Alfred.'
They heaved and strained. Finally they went and got an oak bench and used it as a battering-ram. The door gave at last. Its hinges splintered and the door sank shuddering from its frame.
For a minute they stood there huddled together looking in. What they saw was a sight that no one of them ever forgot...
There had clearly been a terrific struggle. Heavy furniture was overturned. China vases lay splintered on the floor. In the middle of the hearthrug in front of the blazing fire lay Simeon Lee in a great pool of blood...Blood was splashed all round. The place was like a shambles.
There was a long shuddering sigh, and then two voices spoke in turn. Strangely enough, the words they uttered were both quotations.
David Lee said:
'The mills of God grind slowly...'
Lydia's voice came like a fluttering whisper:
'Who would have thought the old man to have had so much blood in him?...'
Superintendent Sugden had rung the bell three times. Finally, in desperation, he pounded on the knocker.
A scared Walter at length opened the door.
'Oo-er,' he said. A look of relief came over his face. 'I was just ringing up the police.'
'What for?' said Superintendent Sugden sharply. 'What's going on here?'
Walter whispered:
'It's old Mr Lee. He's been done in...'
The superintendent pushed past him and ran up the stairs. He came into the room without anyone being aware of his entrance. As he entered he saw Pilar bend forward and pick up something from the floor. He saw David Lee standing with his hands over his eyes.
He saw the others huddled into a little group. Alfred Lee alone had stepped near his father's body. He stood now quite close, looking down. His face was blank.
George Lee was saying importantly:
'Nothing must be touched---remember that---nothing---till the police arrive. That is most important!'
'Excuse me,' said Sugden.
He pushed his way forward, gently thrusting the ladies aside.
Alfred Lee recognized him.
'Ah,' he said. 'It's you, Superintendent Sugden. You've got here very quickly.'
'Yes, Mr Lee.' Superintendent Sugden did not waste time on explanations. 'What's all this?'
'My father,' said Alfred Lee, 'has been killed---murdered...'
His voice broke.
Magdalene began suddenly to sob hysterically.
Superintendent Sugden held up a large official hand. He said authoritatively:
'Will everybody kindly leave the room except Mr Lee and---er---Mr George Lee?...'
They moved slowly towards the door, reluctantly, like sheep. Superintendent Sugden intercepted Pilar suddenly.
'Excuse me, miss,' he said pleasantly. 'Nothing must be touched or disturbed.'
She stared at him. Stephen Farr said impatiently:
'Of course not. She understands that.'
Superintendent Sugden said, still in the same pleasant manner: 'You picked up something from the floor just now?'
Pilar's eyes opened. She stared and said incredulously: 'I did?'
Superintendent Sugden was still pleasant. His voice was just a little firmer.
'Yes, I saw you...'
'Oh!'
'So please give it to me. It's in your hand now.'
Slowly Pilar unclosed her hand. There lay in it a wisp of rubber and a small object made of wood. Superintendent Sugden took them, enclosed them in an envelope and put them away in his breast pocket. He said: 'Thank you.'
He turned away. Just for a minute Stephen Farr's eyes showed a startled respect. It was as though he had underestimated the large handsome superintendent.
They went slowly out of the room. Behind them they heard the superintendent's voice saying officially:
'And now, if you please...'
'Nothing like a wood fire,' said Colonel Johnson as he threw on an additional log and then drew his chair nearer to the blaze. 'Help yourself,' he added, hospitably calling attention to the tantalus and siphon that stood near his guest's elbow.
The guest raised a polite hand in negation. Cautiously he edged his own chair nearer to the blazing logs, though he was of the opinion that the opportunity for roasting the soles of one's feet (like some mediaeval torture) did not offset the cold draught that swirled round the back of the shoulders.
Colonel Johnson, Chief Constable of Middleshire, might be of the opinion that nothing could beat a wood fire, but Hercule Poirot was of the opinion that central heating could and did every time!
'Amazing business that Cartwright case,' remarked the host reminiscently. 'Amazing man! Enormous charm of manner. Why, when he came here with you, he had us all eating out of his hand.'
He shook his head.
'We'll never have anything like that case!' he said. 'Nicotine poisoning is rare, fortunately.'
'There was a time when you would have considered all poisoning unEnglish,' suggested Hercule Poirot. 'A device of foreigners! Unsportsmanlike!'
'I hardly think we could say that,' said the chief constable. 'Plenty of poisoning by arsenic---probably a good deal more than has ever been suspected.'
'Possibly, yes.'
'Always an awkward business, a poisoning case,' said Johnson. 'Conflicting testimony of the experts---then doctors are usually so extremely cautious in what they say. Always a difficult case to take to a jury. No, if one must have murder (which heaven forbid!) give me a straightforward case. Something where there's no ambiguity about the cause of death.'
Poirot nodded.
'The bullet wound, the cut throat, the crushed-in skull? It is there your preference lies?'
'Oh, don't call it a preference, my dear fellow. Don't harbour the idea that I like murder cases! Hope I never have another. Anyway, we ought to be safe enough during your visit.'
Poirot began modestly:
'My reputation---'
But Johnson had gone on.
'Christmas time,' he said. 'Peace, goodwill---and all that kind of thing. Goodwill all round.'
Hercule Poirot leaned back in his chair. He joined his fingertips. He studied his host thoughtfully.
He murmured: 'It is, then, your opinion that Christmas time is an unlikely season for crime?'
'That's what I said.'
'Why?'
'Why?' Johnson was thrown slightly out of his stride. 'Well, as I've just said---season of good cheer, and all that!'
Hercule Poirot murmured:
'The British, they are so sentimental!'
Johnson said stoutly: 'What if we are? What if we do like the old ways, the old traditional festivities? What's the harm?'
'There is no harm. It is all most charming! But let us for a moment examine facts. You have said that Christmas is a season of good cheer. That means, does it not, a lot of eating and drinking? It means, in fact, the over eating! And with the overeating there comes the indigestion! And with the indigestion there comes the irritability!'
'Crimes,' said Colonel Johnson, 'are not committed from irritability.'
'I am not so sure! Take another point. There is, at Christmas, a spirit of goodwill. It is, as you say, "the thing to do". Old quarrels are patched up, those who have disagreed consent to agree once more, even if it is only temporarily.'
Johnson nodded.
'Bury the hatchet, that's right.'
Poirot pursued his theme:
'And families now, families who have been separated throughout the year, assemble once more together. Now under these conditions, my friend, you must admit that there will occur a great amount of strain. People who do not feel amiable are putting great pressure on themselves to appear amiable! There is at Christmas time a great deal of hypocrisy, honourable hypocrisy, hypocrisy undertaken pour le bon motif, c'est entendu, but nevertheless hypocrisy!'
'Well, I shouldn't put it quite like that myself,' said Colonel Johnson doubtfully.
Poirot beamed upon him.
'No, no. It is I who am putting it like that, not you. Iam pointing out to you that under these conditions---mental strain, physical malaise---it is highly probable that dislikes that were before merely mild and disagreements that were trivial might suddenly assume a more serious character. The result of pretending to be a more amiable, a more forgiving, a more high-minded person than one really is, has sooner or later the effect of causing one to behave as a more disagreeable, a more ruthless and an altogether more unpleasant person than is actually the case! If you dam the stream of natural behaviour, mon ami, sooner or later the dam bursts and a cataclysm occurs!'
Colonel Johnson looked at him doubtfully.
'Never know when you're serious and when you're pulling my leg,' he grumbled.
Poirot smiled at him.
'I am not serious! Not in the least am I serious! But all the same, it is true what I say---artificial conditions bring about their natural reaction.'
Colonel Johnson's manservant entered the room.
'Superintendent Sugden on the phone, sir.'
'Right. I'll come.'
With a word of apology the chief constable left the room.
He returned some three minutes later. His face was grave and perturbed.
'Damn it all!' he said. 'Case of murder! On Christmas Eve, too!'
Poirot's eyebrows rose.
'It is that definitely---murder, I mean?'
'Eh? Oh, no other solution possible! Perfectly clear case. Murder---and a brutal murder at that!'
'Who is the victim?'
'Old Simeon Lee. One of the richest men we've got! Made his money in South Africa originally. Gold---no, diamonds, I believe. He sunk an immense fortune in manufacturing some particular gadget of mining machinery. His own invention, I believe. Anyway, it's paid him hand over fist! They say he's a millionaire twice over.'
Poirot said: 'He was well liked, yes?'
Johnson said slowly:
'Don't think anyone liked him. Queer sort of chap. He's been an invalid for some years now. I don't know very much about him myself. But of course he is one of the big figures of the county.'
'So this case, it will make a big stir?'
'Yes. I must get over to Longdale as fast as I can.'
He hesitated, looking at his guest. Poirot answered the unspoken question:
'You would like that I should accompany you?'
Johnson said awkwardly:
'Seems a shame to ask you. But, well, you know how it is! Superintendent Sugden is a good man, none better, painstaking, careful, thoroughly sound---but---well, he's not an imaginative chap in any way. Should like very much, as you are here, benefit of your advice.'
He halted a little over the end part of his speech, making it somewhat telegraphic in style. Poirot responded quickly.
'I shall be delighted. You can count on me to assist you in any way I can. We must not hurt the feelings of the good superintendent. It will be his case---not mine. Iam only the unofficial consultant.'
Colonel Johnson said warmly:
'You're a good fellow, Poirot.'
With those words of commendation, the two men started out.
It was a constable who opened the front door to them and saluted. Behind him, Superintendent Sugden advanced down the hall and said:
'Glad you've got here, sir. Shall we come into this room here on the left---Mr Lee's study? I'd like to run over the main outlines. The whole thing's a rum business.'
He ushered them into a small room on the left of the hall. There was a telephone there and a big desk covered with papers. The walls were lined with bookcases.
The chief constable said: 'Sugden, this is M. Hercule Poirot. You may have heard of him. Just happened to be staying with me. Superintendent Sugden.'
Poirot made a little bow and looked the other man over. He saw a tall man with square shoulders and amilitary bearing who had an aquiline nose, a pugnacious jaw and a large flourishing chestnut-coloured moustache. Sugden stared hard at Hercule Poirot after acknowledging the introduction. Hercule Poirot stared hard at Superintendent Sugden's moustache. Its luxuriance seemed to fascinate him.
The superintendent said:
'Of course I have heard of you, Mr Poirot. You were in this part of the world some years ago, if I remember rightly. Death of Sir Bartholomew Strange. Poisoning case. Nicotine. Not my district, but of course I heard all about it.'
Colonel Johnson said impatiently:
'Now, then, Sugden, let's have the facts. A clear case, you said.'
'Yes, sir, it's murder right enough---not a doubt of that. Mr Lee's throat was cut---jugular vein severed, I understand from the doctor. But there's something very odd about the whole matter.'
'You mean---?'
'I'd like you to hear my story first, sir. These are the circumstances: This afternoon, about five o'clock, I was rung up by Mr Lee at Addlesfield police station. He sounded a bit odd over the phone---asked me to come and see him at eight o'clock this evening---made a special point of the time. Moreover, he instructed me to say to the butler that I was collecting subscriptions for some police charity.'
The chief constable looked up sharply.
'Wanted some plausible pretext to get you into the house?'
'That's right, sir. Well, naturally, Mr Lee is an important person, and I acceded to his request. I got here a little before eight o'clock, and represented myself as seeking subscriptions for the Police Orphanage. The butler went away and returned to tell me that Mr Lee would see me. Thereupon he showed me up to Mr Lee's room, which is situated on the first floor, immediately over the dining-room.'
Superintendent Sugden paused, drew a breath and then proceeded in a somewhat official manner with his report.
'Mr Lee was seated in a chair by the fireplace. He was wearing a dressing-gown. When the butler had left the room and closed the door, Mr Lee asked me to sit near him. He then said rather hesitatingly that he wanted to give me particulars of a robbery. I asked him what had been taken. He replied that he had reason to believe that diamonds (uncut diamonds, I think he said) to the value of several thousand pounds had been stolen from his safe.'
'Diamonds, eh?' said the chief constable.
'Yes, sir. I asked him various routine questions, but his manner was very uncertain and his replies were somewhat vague in character. At last he said, "You must understand, Superintendent, that I may be mistaken in this matter." I said, "I do not quite understand, sir. Either the diamonds are missing or they are not missing---one or the other." He replied, "The diamonds are certainly missing, but it is just possible, Superintendent, that their disappearance may be simply a rather foolish kind of practical joke." Well, that seemed odd to me, but I said nothing. He went on: "It is difficult for me to explain in detail, but what it amounts to is this: So far as I can see, only two persons can possibly have the stones. One of those persons might have done it as a joke. If the other person took them, then they have definitely been stolen." I said, "What exactly do you want me to do, sir?" He said quickly, "I want you, Superintendent, to return here in about an hour---no, make it a little more than that---say nine-fifteen. At that time I shall be able to tell you definitely whether I have been robbed or not." I was a little mystified, but I agreed and went away.'
Colonel Johnson commented:
'Curious---very curious. What do you say, Poirot?'
Hercule Poirot said:
'May I ask, Superintendent, what conclusions you yourself drew?'
The superintendent stroked his jaw as he replied carefully:
'Well, various ideas occurred to me, but on the whole, I figured it out this way. There was no question of any practical joke. The diamonds had been stolen all right. But the old gentleman wasn't sure who'd done it. It's my opinion that he was speaking the truth when he said that it might have been one of two people---and of those two people one was a servant and the other was a member of the family.'
Poirot nodded appreciatively.
'Très bien. Yes, that explains his attitude very well.'
'Hence his desire that I should return later. In the interval he meant to have an interview with the person in question. He would tell them that he had already spoken of the matter to the police but that, if restitution were promptly made, he could hush the matter up.'
Colonel Johnson said:
'And if the suspect didn't respond?'
'In that case, he meant to place the investigation in our hands.'
Colonel Johnson frowned and twisted his moustache. He demurred.
'Why not take that course before calling you in?'
'No, no, sir.' The superintendent shook his head. 'Don't you see, if he had done that, it might have been bluff. It wouldn't have been half so convincing. The person might say to himself, "The old man won't call the police in, no matter what he suspects!" But if the old gentleman says to him, "I've already spoken to the police, the superintendent has only just left." Then the thief asks the butler, say, and the butler confirms that. He says, "Yes, the superintendent was here just before dinner." Then the chief is convinced the old gentleman means business and it's up to him to cough up the stones.'
'H'm, yes, I see that,' said Colonel Johnson. 'Any idea, Sugden, who this "member of the family" might be?'
'No, sir.'
'No indication whatsoever?'
'None.'
Johnson shook his head. Then he said:
'Well, let's get on with it.'
Superintendent Sugden resumed his official manner.
'I returned to the house, sir, at nine-fifteen precisely. Just as I was about to ring the front door bell, I heard a scream from inside the house, and then a confused sound of shouts and a general commotion. I rang several times and also used the knocker. It was three or four minutes before the door was answered. When the footman at last opened it I could see that something momentous had occurred. He was shaking all over and looked as though he was about to faint. He gasped out that Mr Lee had been murdered. I ran hastily upstairs. I found Mr Lee's room in a state of wild confusion. There had evidently been a severe struggle. Mr Lee himself was lying in front of the fire with his throat cut in a pool of blood.'
The chief constable said sharply:
'He couldn't have done it himself?'
Sugden shook his head.
'Impossible, sir. For one thing, there were the chairs and tables overturned, and the broken crockery and ornaments, and then there was no sign of the razor or knife with which the crime had been committed.'
The chief constable said thoughtfully:
'Yes, that seems conclusive. Anyone in the room?'
'Most of the family were there, sir. Just standing round.'
Colonel Johnson said sharply:
'Any ideas, Sugden?'
The superintendent said slowly:
'It's a bad business, sir. It looks to me as though one of them must have done it. I don't see how anyone from outside could have done it and got away in time.'
'What about the window? Closed or open?'
'There are two windows in the room, sir. One was closed and locked. The other was open a few inches at the bottom---but it was fixed in that position by a burglar screw, and moreover, I've tried it and it's stuck fast---hasn't been opened for years, I should say. Also the wall outside is quite smooth and unbroken---no ivy or creepers. I don't see how anyone could have left that way.'
'How many doors in the room?'
'Just one. The room is at the end of a passage. That door was locked on the inside. When they heard the noise of the struggle and the old man's dying scream, and rushed upstairs, they had to break down the door to get in.'
Johnson said sharply:
'And who was in the room?'
Superintendent Sugden replied gravely:
'Nobody was in the room, sir, except the old man who had been killed not more than a few minutes previously.'
Colonel Johnson stared at Sugden for some minutes before he spluttered:
'Do you mean to tell me, Superintendent, that this is one of those damned cases you get in detective stories where a man is killed in a locked room by some apparently supernatural agency?'
A very faint smile agitated the superintendent's moustache as he replied gravely:
'I do not think it's quite as bad as that, sir.'
Colonel Johnson said:
'Suicide. It must be suicide!'
'Where's the weapon, if so? No, sir, suicide won't do.'
'Then how did the murderer escape? By the window?' Sugden shook his head.
'I'll take my oath he didn't do that.'
'But the door was locked, you say, on the inside.'
The superintendent nodded. He drew a key from his pocket and laid it on the table.
'No fingerprints,' he announced. 'But just look at that key, sir. Take a look at it with that magnifying glass there.'
Poirot bent forward. He and Johnson examined the key together. The chief constable uttered an exclamation.
'By Jove, I get you. Those faint scratches on the end of the barrel. You see 'em, Poirot?'
'But yes, I see. That means, does it not, that the key was turned from outside the door---turned by means of a special implement that went through the keyhole and gripped the barrel---possibily an ordinary pair of pliers would do it.'
The superintendent nodded.
'It can be done all right.'
Poirot said: 'The idea being, then, that the death would be thought to be suicide, since the door was locked and no one was in the room?'
'That was the idea, M. Poirot, not a doubt of it, I should say.'
Poirot shook his head doubtfully.
'But the disorder in the room! As you say, that by itself wiped out the idea of suicide. Surely the murderer would first of all have set the room to rights.'
Superintendent Sugden said: 'But he hadn't time, Mr Poirot. That's the whole point. He hadn't time. Let's say he counted on catching the old gentleman unawares. Well, that didn't come off. There was a struggle---a struggle heard plainly in the room underneath; and, what's more, the old gentleman called out for help. Everyone came rushing up. The murderer's only got time to nip out of the room and turn the key from the outside.'
'That is true,' Poirot admitted. 'Your murderer, he may have made the bungle. But why, oh why, did he not at least leave the weapon? For naturally, if there is no weapon, it cannot be suicide! That was an error most grave.'
Superintendent Sugden said stolidly:
'Criminals usually make mistakes. That's our experience.'
Poirot gave a light sigh. He murmured:
'But all the same, in spite of his mistakes, he has escaped this criminal.'
'I don't think he has exactly escaped.'
'You mean he is in the house still?'
'I don't see where else he can be. It was an inside job.'
'But, tout de même,' Poirot pointed out gently, 'he has escaped to this extent: You do not know who he is.'
Superintendent Sugden said gently bur firmly:
'I rather fancy that we soon shall. We haven't done any questioning of the household yet.'
Colonel Johnson cut in:
'Look here, Sugden, one thing strikes me. Whoever turned that key from the outside must have had some knowledge of the job. That's to say, he probably has had criminal experience. These sort of tools aren't easy to manage.'
'You mean it was a professional job, sir?'
'That's what I mean.'
'It does seem like it,' the other admitted. 'Following that up, it looks as though there were a professional thief among the servants. That would explain the diamonds being taken and the murder would follow on logically from that.'
'Well, anything wrong with that theory?'
'It's what I thought myself to begin with. But it's difficult. There are eight servants in the house; six of them are women, and of those six, five have been here for four years and more. Then there's the butler and the footman. The butler has been here for close on forty years---bit of a record that, I should say. The footman's local, son of the gardener, and brought up here. Don't see very well how he can be a professional. The only other person is Mr Lee's valet attendant. He's comparatively new, but he was out of the house---still is---went out just before eight o'clock.'
Colonel Johnson said:
'Have you got a list of just who exactly was in the house?'
'Yes, sir. I got it from the butler.' He took out his note-book. 'Shall I read it to you?'
'Please, Sugden.'
'Mr and Mrs Alfred Lee. Mr George Lee, M.P., and his wife, Mr Henry Lee, Mr and Mrs David Lee. Miss'---the superintendent paused a little, taking the words carefully---'Pilar'---he pronounced it like a piece of architecture---'Estravados. Mr Stephen Farr. Then for the servants: Edward Tressilian, butler. Walter Champion, footman. Emily Reeves, cook. Queenie Jones, kitchenmaid. Gladys Spent, head housemaid. Grace Best, second housemaid. Beatrice Moscombe, third housemaid. Joan Kench, betweenmaid. Sydney Horbury, valet attendant.'
'That's the lot, eh?'
'That's the lot, sir.'
'Any idea where everybody was at the time of the murder?'
'Only roughly. As I told you, I haven't questioned anybody yet. According to Tressilian, the gentlemen were in the dining-room still. The ladies had gone to the drawing-room. Tressilian had served coffee. According to his statement, he had just got back to his pantry when he heard a noise upstairs. It was followed by a scream. He ran out into the hall and upstairs in the wake of the others.'
Colonel Johnson said:
'How many of the family live in the house, and who are just staying here?'
'Mr and Mrs Alfred Lee live here. The others are just visiting.'
Johnson nodded.
'Where are they all?'
'I asked them to stay in the drawing-room until I was ready to take their statements.'
'I see. Well, we'd better go upstairs and take a look at the doings.'
The superintendent led the way up the broad stairs and along the passage.
As he entered the room where the crime had taken place, Johnson drew a deep breath.
'Pretty horrible,' he commented.
He stood for a minute studying the overturned chairs, the smashed china, and the blood-bespattered débris.
A thin elderly man stood up from where he had been kneeling by the body and gave a nod.
'Evening, Johnson,' he said. 'Bit of a shambles, eh?'
'I should say it was. Got anything for us, doctor?'
The doctor shrugged his shoulders. He grinned.
'I'll let you have the scientific language at the inquest! Nothing complicated about it. Throat cut like a pig. He bled to death in less than a minute. No sign of the weapon.'
Poirot went across the room to the windows. As the superintendent had said, one was shut and bolted. The other was open about four inches at the bottom. A thick patent screw of the kind known many years ago as an anti-burglar screw secured it in that position.
Sugden said: 'According to the butler, that window was never shut wet or fine. There's a linoleum mat underneath it in case rain beat in, but it didn't much, as the overhanging roof protects it.'
Poirot nodded.
He came back to the body and stared down at the old man.
The lips were drawn back from the bloodless gums in something that looked like a snarl. The fingers were curved like claws.
Poirot said:
'He does not seem a strong man, no.'
The doctor said:
'He was pretty tough, I believe. He'd survived several pretty bad illnesses that would have killed most men.'
Poirot said: 'I do not mean that. I mean, he was not big, not strong physically.'
'No, he's frail enough.'
Poirot turned from the dead man. He bent to examine an overturned chair, a big chair of mahogany. Beside it was a round mahogany table and the fragments of a big china lamp. Two other smaller chairs lay nearby, also the smashed fragments of a decanter and two glasses, a heavy glass paperweight was unbroken, some miscellaneous books, a big Japanese vase smashed in pieces, and a bronze statuette of a naked girl completed the débris.
Poirot bent over all these exhibits, studying them gravely, but without touching them. He frowned to himself as though perplexed.
The chief constable said:
'Anything strike you, Poirot?'
Hercule Poirot sighed. He murmured:
'Such a frail shrunken old man---and yet---all this.'
Johnson looked puzzled. He turned away and said to the sergeant, who was busy at his work:
'What about prints?'
'Plenty of them, sir, all over the room.'
'What about the safe?'
'No good. Only prints on that are those of the old gentleman himself.'
Johnson turned to the doctor.
'What about bloodstains?' he asked. 'Surely whoever killed him must have got blood on him.'
The doctor said doubtfully:
'Not necessarily. Bleeding was almost entirely from the jugular vein. That wouldn't spout like an artery.'
'No, no. Still, there seems a lot of blood about.'
Poirot said:
'Yes, there is a lot of blood---it strikes one, that. A lot of blood.'
Superintendent Sugden said respectfully:
'Do you---er---does that suggest anything to you, Mr Poirot?'
Poirot looked about him. He shook his head perplexedly.
He said:
'There is something here---some violence...' He stopped a minute, then went on: 'Yes, that is it---violence...And blood---an insistence on blood...There is---how shall I put it?---there is too much blood. Blood on the chairs, on the tables, on the carpet...The blood ritual? Sacrificial blood? Is that it? Perhaps. Such a frail old man, so thin, so shrivelled, so dried up---and yet---in his death---so much blood...'
His voice died away. Superintendent Sugden, staring at him with round, startled eyes, said in an awed voice:
'Funny---that's what she said---the lady...'
Poirot said sharply:
'What lady? What was it she said?'
Sugden answered: 'Mrs Lee---Mrs Alfred. Stood over there by the door and half whispered it. It didn't make sense to me.'
'What did she say?'
'Something about who would have thought the old gentleman had so much blood in him...'
Poirot said softly:
' "Who would have thought the old man to have had so much blood in him?" The words of Lady Macbeth. She said that...Ah, that is interesting...'
Alfred Lee and his wife came into the small study where Poirot, Sugden and the chief constable were standing waiting. Colonel Johnson came forward.
'How do you do, Mr Lee? We've never actually met, but as you know, I'm chief constable of the county. Johnson's my name. I can't tell you how distressed I am by this.'
Alfred, his brown eyes like those of a suffering dog, said hoarsely:
'Thank you. It's terrible---quite terrible. I---this is my wife.'
Lydia said in her quiet voice:
'It has been a frightful shock to my husband---to all of us---but particularly to him.'
Her hand was on her husband's shoulder.
Colonel Johnson said:
'Won't you sit down, Mrs Lee? Let me introduce M. Hercule Poirot.'
Hercule Poirot bowed. His eyes went interestedly from husband to wife.
Lydia's hands pressed gently on Alfred's shoulder.
'Sit down, Alfred.'
Alfred sat. He murmured:
'Hercule Poirot. Now, who---who---?'
He passed his hand in a dazed fashion over his forehead.
Lydia Lee said:
'Colonel Johnson will want to ask you a lot of questions, Alfred.'
The chief constable looked at her with approval. He was thankful that Mrs Alfred Lee was turning out to be such a sensible and competent woman.
Alfred said:
'Of course. Of course...'
Johnson said to himself;
'Shock seems to have knocked him out completely. Hope he can pull himself together a bit.'
Aloud he said:
'I've got a list here of everybody who was in the house tonight. Perhaps you'll tell me, Mr Lee, if it is correct.'
He made a slight gesture to Sugden and the latter pulled out his note-book and once more recited the list of names.
The businesslike procedure seemed to restore Alfred Lee to something more like his normal self. He had regained command of himself, his eyes no longer looked dazed and staring. When Sugden finished, he nodded in agreement.
'That's quite right,' he said.
'Do you mind telling me a little more about your guests? Mr and Mrs George Lee and Mr and Mrs David Lee are, I gather, relatives?'
'They are my two younger brothers and their wives.'
'They are staying here only?'
'Yes, they came to us for Christmas.'
'Mr Henry Lee is also a brother?'
'Yes.'
'And your two other guests? Miss Estravados and Mr Farr?'
'Miss Estravados is my niece. Mr Farr is the son of my father's one-time partner in South Africa.'
'Ah, an old friend.'
Lydia intervened.
'No, actually we have never seen him before.'
'I see. But you invited him to stay with you for Christmas?'
Alfred hesitated, then looked towards his wife. She said clearly:
'Mr Farr turned up quite unexpectedly yesterday. He happened to be in the neighbourhood and came to call upon my father-in-law. When my father-in-law found he was the son of his old friend and partner, he insisted on his remaining with us for Christmas.'
Colonel Johnson said:
'I see. That explains the household. As regards the servants, Mrs Lee, do you consider them all trustworthy?'
Lydia considered for a moment before replying. Then she said:
'Yes. I am quite sure they are all thoroughly reliable. They have mostly been with us for many years. Tressilian, the butler, has been here since my husband was a young child. The only newcomers are the betweenmaid, Joan, and the nurse-valet who attended on my father-in-law.'
'What about them?'
'Joan is rather a silly little thing. That is the worst that can be said of her. I know very little about Horbury. He has been here just over a year. He was quite competent at his job and my father-in-law seemed satisfied with him.'
Poirot said acutely:
'But you, madame, were not so satisfied?'
Lydia shrugged her shoulders slightly.
'It was nothing to do with me.'
'But you are the mistress of the house, madame. The servants are your concern?'
'Oh yes, of course. But Horbury was my father-in-law's personal attendant. He did not come under my jurisdiction.'
'I see.'
Colonel Johnson said:
'We come now to the events of tonight. I'm afraid this will be painful for you, Mr Lee, but I would like your account of what happened.'
Alfred said in a low voice: 'Of course.'
Colonel Johnson said, prompting him:
'When, for instance, did you last see your father?'
A slight spasm of pain crossed Alfred's face as he replied in a low voice:
'It was after tea. I was with him for a short time. Finally I said goodnight to him and left him at---let me see---about a quarter to six.'
Poirot observed: 'You said goodnight to him? You did not then expect to see him again that evening?'
'No. My father's supper, a light meal, was always brought to him at seven. After that he sometimes went to bed early or sometimes sat up in his chair, but he did not expect to see any members of the family again unless he specially sent for them.'
'Did he often send for them?'
'Sometimes. If he felt like it.'
'But it was not the ordinary procedure?'
'No.'
'Go on, please, Mr Lee.'
Alfred continued:
'We had our dinner at eight o'clock. Dinner was over and my wife and the other ladies had gone into the drawing-room.' His voice faltered. His eyes began to stare again. 'We were sitting there---at the table...Suddenly there was the most astounding noise overheard. Chairs overturning, furniture crashing, breaking glass and china, and then---Oh, God'---he shuddered---'I can hear it still---my father screamed---a horrible, long-drawn scream---the scream of a man in mortal agony...'
He raised shaking hands to cover his face. Lydia stretched out her hand and touched his sleeve. Colonel Johnson said gently: 'And then?'
Alfred said in a broken voice:
'I think---just for a moment we were stunned. Then we sprang up and went out of the door and up the stairs to my father's room. The door was locked. We couldn't get in. It had to be broken open. Then, when we did get in, we saw---'
His voice died away.
Johnson said quickly:
'There's no need to go into that part of it, Mr Lee. To go back a little, to the time you were in the dining-room. Who was there with you when you heard the cry?'
'Who was there? Why, we were all---No, let me see. My brother was there---my brother Harry.'
'Nobody else?'
'No one else.'
'Where were the other gentlemen?'
Alfred sighed and frowned in an effort of remembrance.
'Let me see---it seems so long ago---yes, like years---what did happen? Oh, of course, George had gone to telephone. Then we began to talk of family matters, and Stephen Farr said something about seeing we wanted to discuss things, and he took himself off. He did it very nicely and tactfully.'
'And your brother David?'
Alfred frowned.
'David? Wasn't he there? No, of course, he wasn't. I don't quite know when he slipped away.'
Poirot said gently:
'So you had the family matters to discuss?'
'Er---yes.'
'That is to say, you had matters to discuss with one member of your family?'
Lydia said:
'What do you mean, M. Poirot?'
He turned quickly to her.
'Madame, your husband says that Mr Farr left them because he saw they had affairs of the family to discuss. But it was not a conseil de famille, since M. David was not there and M. George was not there. It was, then, a discussion between two members of the family only.'
Lydia said:
'My brother-in-law, Harry, had been abroad for a great number of years. It was natural that he and my husband should have things to talk over.'
'Ah! I see. It was like that.'
She shot him a quick glance, then turned her eyes away.
Johnson said:
'Well, that seems clear enough. Did you notice anyone else as you ran upstairs to your father's room?'
'I---really I don't know. I think so. We all came from different directions. But I'm afraid I didn't notice---I was so alarmed. That terrible cry...'
Colonel Johnson passed quickly to another subject.
'Thank you, Mr Lee. Now, there is another point. I understand that your father had some valuable diamonds in his possession.'
Alfred looked rather surprised.
'Yes,' he said. 'That is so.'
'Where did he keep them?'
'In the safe in his room.'
'Can you describe them at all?'
'They were rough diamonds---that is, uncut stones.'
'Why did your father have them there?'
'It was a whim of his. They were stones he had brought with him from South Africa. He never had them cut. He just liked keeping them in his possession. As I say, it was a whim of his.'
'I see,' said the chief constable.
From his tone it was plain that he did not see. He went on: 'Were they of much value?'
'My father estimated their value at about ten thousand pounds.'
'In fact, they were very valuable stones?'
'Yes.'
'It seems a curious idea to keep such stones in a bedroom safe.'
Lydia interposed.
'My father-in-law, Colonel Johnson, was a somewhat curious man. His ideas were not the conventional ones. It definitely gave him pleasure to handle those stones.'
'They recalled, perhaps, the past to him,' said Poirot.
She gave him a quick appreciative look.
'Yes,' she said. 'I think they did.'
'Were they insured?' asked the chief constable.
'I think not.'
Johnson leaned forward. He asked quietly:
'Did you know, Mr Lee, that those stones had been stolen?'
'What?' Alfred Lee stared at him.
'Your father said nothing to you of their disappearance?'
'Not a word.'
'You did not know that he had sent for Superintendent Sugden here and had reported the loss to him?'
'I hadn't the faintest idea of such a thing!'
The chief constable transferred his gaze.
'What about you, Mrs Lee?'
Lydia shook her head.
'I heard nothing about it.'
'As far as you knew, the stones were still in the safe?'
'Yes.'
She hesitated and then asked:
'Is that why he was killed? For the sake of those stones?'
Colonel Johnson said:
'That is what we are going to find out!'
He went on:
'Have you any idea, Mrs Lee, who could have engineered such a theft?'
She shook her head.
'No, indeed. I am sure the servants are all honest. In any case, it would be very difficult for them to get at the safe. My father-in-law was always in his room. He never came downstairs.'
'Who attended to the room?'
'Horbury. He made the bed and dusted. The second housemaid went in to do the grate and lay the fire every morning, otherwise Horbury did everything.'
Poirot said:
'So Horbury would be the person with the best opportunity?'
'Yes.'
'Do you think that it was he who stole the diamonds, then?'
'It is possible. I suppose...He had the best opportunity. Oh! I don't know what to think.'
Colonel Johnson said:
'Your husband has given us his account of the evening. Will you do the same, Mrs Lee? When did you last see your father-in-law?'
'We were all up in his room this afternoon---before tea. That was the last time I saw him.'
'You did not see him later to bid him goodnight?'
'No.'
Poirot said:
'Do you usually go and say goodnight to him?'
Lydia said sharply:
'No.'
The chief constable went on:
'Where were you when the crime took place?'
'In the drawing-room.'
'You heard the noise of the struggle?'
'I think I heard something heavy fall. Of course my father-in-law's room is over the dining-room, not the drawing-room, so I shouldn't hear so much.'
'But you heard the cry?'
Lydia shuddered.
'Yes, I heard that...It was horrible---like---like a soul in hell. I knew at once something dreadful had happened. I hurried out and followed my husband and Harry up the stairs.'
'Who else was in the drawing-room at the time?'
Lydia frowned.
'Really---I can't remember. David was next door in the music-room, playing Mendelssohn. I think Hilda had gone to join him.'
'And the other two ladies?'
Lydia said slowly:
'Magdalene went to telephone. I can't remember whether she had come back or not. I don't know where Pilar was.'
Poirot said gently:
'In fact, you may have been quite alone in the drawing-room?'
'Yes---yes---as a matter of fact, I believe I was.'
Colonel Johnson said:
'About these diamonds. We ought, I think, to make quite sure about them. Do you know the combination of your father's safe, Mr Lee? I see it is of a somewhat old-fashioned pattern.'
'You will find it written down in a small note-book he carried in the pocket of his dressing-gown.'
'Good. We will go and look presently. It will be better, perhaps, if we interview the other members of the house-party first. The ladies may want to get to bed.'
Lydia stood up.
'Come, Alfred.' She turned to them. 'Shall I send them in to you?'
'One by one, if you wouldn't mind, Mrs Lee.'
'Certainly.'
She moved towards the door. Alfred followed her.
Suddenly, at the last moment, he swung round.
'Of course,' he said. He came quickly back to Poirot. 'You are Hercule Poirot! I don't know where my wits have been. I should have realized at once.'
He spoke quickly, in a low, excited voice.
'It's an absolute godsend your being here! You must find out the truth, M. Poirot. Spare no expense! I will be responsible for any expense. But find out...My poor father---killed by someone---killed with the utmost brutality! You must find out, M. Poirot. My father has got to be avenged.'
Poirot answered quietly:
'I can assure you, M. Lee, that I am prepared to do my utmost to assist Colonel Johnson and Superintendent Sugden.'
Alfred Lee said:
'I want you to work for me. My father has got to be avenged.'
He began to tremble violently. Lydia had come back. She went up to him and drew his arm through hers.
'Come, Alfred,' she said. 'We must get the others.'
Her eyes met Poirot's. They were eyes that kept their own secrets. They did not waver.
Poirot said softly:
'Who would have thought the old man---'
She interrupted him:
'Stop! Don't say that!'
Poirot murmured:
'You said it, madame.'
She breathed softly:
'I know...I remember...It was---so horrible.'
Then she went abruptly out of the room, her husband beside her.
George Lee was solemn and correct.
'A terrible business,' he said, shaking his head. 'A terrible, terrible business. I can only believe that it must---er---have been the work of a lunatic!'
Colonel Johnson said politely:
'That is your theory?'
'Yes. Yes, indeed. A homicidal maniac. Escaped, perhaps, from some mental home in the vicinity.'
Superintendent Sugden put in:
'And how do you suggest this---er---lunatic gained admittance to the house, Mr Lee? And how did he leave it?'
George shook his head.
'That,' he said firmly, 'is for the police to discover.'
Sugden said:
'We made the round of the house at once. All windows were closed and barred. The side door was locked, so was the front door. Nobody could have left by the kitchen premises without being seen by the kitchen staff.'
George Lee cried:
'But that's absurd! You'll be saying next that my father was never murdered at all!'
'He was murdered all right,' said Superintendent Sugden. 'There's no doubt about that.'
The chief constable cleared his throat and took up the questioning.
'Just where were you, Mr Lee, at the time of the crime?'
'I was in the dining-room. It was just after dinner. No, I was, I think, in this room. I had just finished telephoning.'
'You had been telephoning?'
'Yes. I had put a call through to the Conservative agent in Westeringham---my constituency. Some urgent matters.'
'And it was after that that you heard the scream?'
George Lee gave a slight shiver.
'Yes, very unpleasant. It---er---froze my marrow. It died away in a kind of choke or gurgle.'
He took out a handkerchief and wiped his forehead where the perspiration had broken out.
'Terrible business,' he muttered.
'And then you hurried upstairs?'
'Yes.'
'Did you see your brothers, Mr Alfred and Mr Harry Lee?'
'No, they must have gone up just ahead of me, I think.'
'When did you last see your father, Mr Lee?'
'This afternoon. We were all up there.'
'You did not see him after that?'
'No.'
The chief constable paused, then he said:
'Were you aware that your father kept a quantity of valuable uncut diamonds in the safe in his bedroom?'
George Lee nodded.
'A most unwise procedure,' he said pompously. 'I often told him so. He might have been murdered for them---I mean---that is to say---'
Colonel Johnson cut in: 'Are you aware that these stones have disappeared?'
George's jaw dropped. His protuberant eyes stared.
'Then he was murdered for them?'
The chief constable said slowly:
'He was aware of their loss and reported it to the police some hours before his death.'
George said:
'But, then---I don't understand---I---...'
Hercule Poirot said gently:
'We, too, do not understand...'
Harry Lee came into the room with a swagger. For a moment Poirot stared at him, frowning. He had a feeling that somewhere he had seen this man before. He noted the features: the high-bridged nose, the arrogant poise of the head, the line of the jaw; and he realized that though Harry was a big man and his father had been a man of merely middle height, yet there had been a good deal of resemblance between them.
He noted something else, too. For all his swagger, Harry Lee was nervous. He was carrying it off with a swing, but the anxiety underneath was real enough.
'Well, gentlemen,' he said. 'What can I tell you?'
Colonel Johnson said:
'We shall be glad of any light you can throw on the events of this evening.'
Harry Lee shook his head.
'I don't know anything at all. It's all pretty horrible and utterly unexpected.'
Poirot said:
'You have recently returned from abroad, I think, Mr Lee?'
Harry turned to him quickly.
'Yes. Landed in England a week ago.'
Poirot said:
'You had been away a long time?'
Harry Lee lifted up his chin and laughed.
'You might as well hear straight away---someone will soon tell you! I'm the prodigal son, gentlemen! It's nearly twenty years since I last set foot in this house.'
'But you returned---now. Will you tell us why?' asked Poirot.
With the same appearance of frankness Harry answered readily enough.
'It's the good old parable still. I got tired of the husks that the swine do eat---or don't eat, I forget which. I thought to myself that the fatted calf would be a welcome exchange. I had a letter from my father suggesting that I come home. I obeyed the summons and came. That's all.'
Poirot said:
'You came for a short visit---or a long one?'
Harry said: 'I came home---for good!'
'Your father was willing?'
'The old man was delighted.' He laughed again. The corners of his eyes crinkled engagingly. 'Pretty boring for the old man living here with Alfred! Alfred's a dull stick---very worthy and all that, but poor company. My father had been a bit of a rip in his time. He was looking forward to my company.'
'And your brother and his wife, were they pleased that you were to live here?'
Poirot asked the question with a slight lifting of his eyebrows.
'Alfred? Alfred was livid with rage. Don't know about Lydia. She was probably annoyed on Alfred's behalf. But I've no doubt she'd be quite pleased in the end. I like Lydia. She's a delightful woman. I should have got on with Lydia. But Alfred was quite another pair of shoes.' He laughed again. 'Alfred's always been as jealous as hell of me. He's always been the good dutiful stay-at-home stick-in-the-mud son. And what was he going to get for it in the end?---what the good boy of the family always gets---a kick in the pants. Take it from me, gentlemen, virtue doesn't pay.' He looked from one face to another.
'Hope you're not shocked by my frankness. But after all, it's the truth you're after. You'll drag out all the family dirty linen into the light of day in the end. I might as well display mine straight away. I'm not particularly broken-hearted by my father's death---after all, I hadn't seen the old devil since I was a boy---but nevertheless he was my father and he was murdered. I'm all out for revenge on the murderer.' He stroked his jawbone, watching them. 'We're rather hot on revenge in our family. None of the Lees forget easily. I mean to make sure that my father's murderer is caught and hanged.'
'I think you can trust us to do our best in that line, Mr Lee,' said Sugden.
'If you don't I shall take the law into my own hands,' said Harry Lee.
The chief constable said sharply:
'Have you any ideas on the subject of the murderer's identity, then, Mr Lee?'
Harry shook his head.
'No,' he said slowly. 'No---I haven't. You know it's rather a jolt. Because I've been thinking about it---and I don't see that it can have been an outside job...'
'Ah,' said Sugden, nodding his head.
'And if so,' said Harry Lee, 'then someone here in the house killed him...But who the devil could have done it? Can't suspect the servants. Tressilian has been here since the year one. The half-witted footman? Not on your life. Horbury, now, he's a cool customer, but Tressilian tells me he was out at the pictures. So what do you come to? Passing over Stephen Farr (and why the devil should Stephen Farr come all the way from South Africa and murder a total stranger?) there's only the family. And for the life of me I can't see one of us doing it. Alfred? He adored Father. George? He hasn't got the guts. David? David's always been a moon dreamer. He'd faint if he saw his own finger bleed. The wives? Women don't go and slit a man's throat in cold blood. So who did? Blessed if I know. But it's damned disturbing.'
Colonel Johnson cleared his throat---an official habit of his---and said:
'When did you last see your father this evening?'
'After tea. He'd just had a row with Alfred---about your humble servant. The old man was no end bucked with himself. He always liked stirring up trouble. In my opinion, that's why he kept my arrival dark from the others. Wanted to see the fur fly when I blew in unexpectedly! That's why he talked about altering his will, too.'
Poirot stirred softly. He murmured:
'So your father mentioned his will?'
'Yes---in front of the whole lot of us, watching us like a cat to see how we reacted. Just told the lawyer chap to come over and see him about it after Christmas.'
Poirot asked:
'What changes did he contemplate making?'
Harry Lee grinned:
'He didn't tell us that! Trust the old fox! I imagine---or shall we say I hoped---that the change was to the advantage of your humble servant! I should imagine I'd been cut out of any former wills. Now, I rather fancy, I was to go back. Nasty blow for the others. Pilar, too---he'd taken a fancy to her. She was in for something good, I should imagine. You haven't seen her yet? My Spanish niece. She's a beautiful creature, Pilar---with the lovely warmth of the South---and its cruelty. Wish I wasn't a mere uncle!'
'You say your father took to her?'
Harry nodded.
'She knew how to get round the old man. Sat up there with him a good deal. I bet she knew just what she was after! Well, he's dead now. No wills can be altered in Pilar's favour---nor mine either, worse luck.'
He frowned, paused a minute, and then went on with a change of tone.
'But I'm wandering from the point. You wanted to know what was the last time I saw my father? As I've told you, it was after tea---might have been a little past six. The old man was in good spirits then---a bit tired, perhaps. I went away and left him with Horbury. I never saw him again.'
'Where were you at the time of his death?'
'In the dining-room with brother Alfred. Not a very harmonious after-dinner session. We were in the middle of a pretty sharp argument when we heard the noise overhead. Sounded as though ten men were wrestling up there. And then poor old Father screamed. It was like killing a pig. The sound of it paralysed Alfred. He just sat there with his jaw dropping. I fairly shook him back to life, and we started off upstairs. The door was locked. Had to break it open. Took some doing, too. How the devil that door came to be locked, I can't imagine! There was no one in the room but Father, and I'm damned if anyone could have got away through the windows.'
Superintendent Sugden said:
'The door was locked from the outside.'
'What?' Harry stared. 'But I'll swear the key was on the inside.'
Poirot murmured:
'So you noticed that?'
Harry Lee said sharply:
'I do notice things. It's a habit of mine.'
He looked sharply from one face to the other.
'Is there anything more you want to know, gentlemen?'
Johnson shook his head.
'Thank you, Mr Lee, not for the moment. Perhaps you will ask the next member of the family to come along?'
'Certainly I will.'
He walked to the door and went out without looking back.
The three men looked at each other.
Colonel Johnson said:
'What about it, Sugden?'
The superintendent shook his head doubtfully. He said:
'He's afraid of something. I wonder why?...'
Magdalene Lee paused effectively in the doorway. One long slender hand touched the burnished platinum sheen of her hair. The leaf-green velvet frock she wore clung to the delicate lines of her figure. She looked very young and a little frightened.
The three men were arrested for a moment looking at her. Johnson's eyes showed a sudden surprised admiration. Superintendent Sugden's showed no animation, merely the impatience of a man anxious to get on with his job. Hercule Poirot's eyes were deeply appreciative (as she saw) but the appreciation was not for her beauty, but for the effective use she made of it. She did not know that he was thinking to himself: 'Jolie mannequin, la petite. Mais elle a les yeux durs.'
Colonel Johnson was thinking:
'Damned good-looking girl. George Lee will have trouble with her if he doesn't look out. Got an eye for a man all right.'
Superintendent Sugden was thinking:
'Empty-headed vain piece of goods. Hope we get through with her quickly.'
'Will you sit down, Mrs Lee? Let me see, you are---?'
'Mrs George Lee.'
She accepted the chair with a warm smile of thanks. 'After all,' the glance seemed to say, 'although you are a man and a policeman, you are not so dreadful after all.'
The tail-end of the smile included Poirot. Foreigners were so susceptible where women were concerned. About Superintendent Sugden she did not bother.
She murmured, twisting her hands together in a pretty distress:
'It's all so terrible. I feel so frightened.'
'Come, come, Mrs Lee,' said Colonel Johnson kindly but briskly. 'It's been a shock, I know, but it's all over now. We just want an account from you of what happened this evening.'
She cried out:
'But I don't know anything about it---I don't indeed.'
For a moment the chief constable's eyes narrowed. He said gently: 'No, of course not.'
'We only arrived here yesterday. George would make me come here for Christmas! I wish we hadn't. I'm sure I shall never feel the same again!'
'Very upsetting---yes.'
'I hardly know George's family, you see. I've only seen Mr Lee once or twice---at our wedding and once since. Of course I've seen Alfred and Lydia more often, but they're really all quite strangers to me.'
Again the wide-eyed frightened-child look. Again Hercule Poirot's eyes were appreciative---and again he thought to himself:
Elle joue très bien la comédie, cette petite...'
'Yes, yes,' said Colonel Johnson. 'Now just tell me about the last time you saw your father-in-law---Mr Lee---alive.'
'Oh, that! That was this afternoon. It was dreadful!'
Johnson said quickly:
'Dreadful? Why?'
'They were so angry!'
'Who was angry?'
'Oh, all of them...I don't mean George. His father didn't say anything to him. But all the others.'
'What happened exactly?'
'Well, when we got there---he asked for all of us---he was speaking into the telephone---to his lawyers about his will. And then he told Alfred he was looking very glum. I think that was because of Harry coming home to live. Alfred was very upset about that, I believe. You see, Harry did something quite dreadful. And then he said something about his wife---she's dead long ago---but she had the brains of a louse, he said, and David sprang up and looked as though he'd like to murder him---Oh!' She stopped suddenly, her eyes alarmed. 'I didn't mean that---I didn't mean it at all!'
Colonel Johnson said soothingly:
'Quite---quite, figure of speech, that was all.'
'Hilda, that's David's wife, quieted him down and--- well, I think that's all. Mr Lee said he didn't want to see anyone again that evening. So we all went away.'
'And that was the last time you saw him?'
'Yes. Until---until---'
She shivered.
Colonel Johnson said:
'Yes, quite so. Now, where were you at the time of the crime?'
'Oh---let me see, I think I was in the drawing-room.'
'Aren't you sure?'
Magdalene's eyes flickered a little, the lids drooped over them.
She said:
'Of course! How stupid of me...I'd gone to telephone. One gets so mixed up.'
'You were telephoning, you say. In this room?'
'Yes, that's the only telephone except the one upstairs in my father-in-law's room.'
Superintendent Sugden said:
'Was anybody else in the room with you?'
Her eyes widened.
'Oh, no, I was quite alone.'
'Had you been here long?'
'Well---a little time. It takes some time to put a call through in the evening.'
'It was a trunk call, then?'
'Yes---to Westeringham.'
'I see.'
'And then?'
'And then there was that awful scream---and everybody running---and the door being locked and having to break it down. Oh! It was like a nightmare! I shall always remember it!'
'No, no,' Colonel Johnson's tone was mechanically kind. He went on:
'Did you know that your father-in-law kept a quantity of valuable diamonds in his safe?'
'No, did he?' Her tone was quite frankly thrilled. 'Real diamonds?'
Hercule Poirot said:
'Diamonds worth about ten thousand pounds.'
'Oh!' It was a soft gasping sound---holding in it the essence of feminine cupidity.
'Well,' said Colonel Johnson, 'I think that's all for the present. We needn't bother you any further, Mrs Lee.'
'Oh, thank you.'
She stood up---smiled from Johnson to Poirot---the smile of a grateful little girl, then she went out walking with her head held high and her palms a little turned outwards.
Colonel Johnson called:
'Will you ask your brother-in-law, Mr David Lee, to come here?' Closing the door after her, he came back to the table.
'Well,' he said, 'what do you think? We're getting at some of it now! You notice one thing: George Lee was telephoning when he heard the scream! His wife was telephoning when she heard it! That doesn't fit---it doesn't fit at all.'
He added:
'What do you think, Sugden?'
The superintendent said slowly:
'I don't want to speak offensively of the lady, but I should say that though she's the kind who would be first class at getting money out a gentleman, I don't think she's the kind who'd cut a gentleman's throat. That wouldn't be her line at all.'
'Ah, but one never knows, mon vieux,' murmured Poirot.
The chief constable turned round on him.
'And you, Poirot, what do you think?'
Hercule Poirot leaned forward. He straightened the blotter in front of him and flicked a minute speck of dust from a candlestick. He answered:
'I would say that the character of the late Mr Simeon Lee begins to emerge for us. It is there, I think, that the whole importance of the case lies...in the character of the dead man.'
Superintendent Sugden turned a puzzled face to him.
'I don't quite get you, Mr Poirot,' he said. 'What exactly has the character of the deceased got to do with his murder?'
Poirot said dreamily:
'The character of the victim has always something to do with his or her murder. The frank and unsuspicious mind of Desdemona was the direct cause of her death. A more suspicious woman would have seen Iago's machinations and circumvented them much earlier. The uncleanness of Marat directly invited his end in a bath. From the temper of Mercutio's mind came his death at the sword's point.'
Colonel Johnson pulled his moustache.
'What exactly are you getting at, Poirot?'
'I am telling you that because Simeon Lee was a certain kind of man, he set in motion certain forces, which forces in the end brought about his death.'
'You don't think the diamonds had anything to do with it, then?'
Poirot smiled at the honest perplexity in Johnson's face.
'Mon cher,' he said. 'It was because of Simeon Lee's peculiar character that he kept ten thousand pounds worth of uncut diamonds in his safe! You have not there the action of every man.'
'That's very true, Mr Poirot,' said Superintendent Sugden, nodding his head with the air of a man who at last sees what a fellow-conversationalist is driving at. 'He was a queer one, Mr Lee was. He kept those stones there so he could take them out and handle them and get the feeling of the past back. Depend upon it, that's why he never had them cut.'
Poirot nodded energetically.
'Precisely---precisely. I see you have great acumen, Superintendent.'
The superintendent looked a little doubtful at the compliment, but Colonel Johnson cut in:
'There's something else, Poirot. I don't know whether it has struck you---'
'Mais oui,' said Poirot. 'I know what you mean. Mrs George Lee, she let the cat out of the bag more than she knew! She gave us a pretty impression of that last family meeting. She indicates---oh! so naïvely---that Alfred was angry with his father---and that David looked as "though he could murder him". Both those statements I think were true. But from them we can draw our own reconstruction. What did Simeon Lee assemble his family for? Why should they have arrived in time to hear him telephoning to his lawyer? Parbleu, it was no error, that. He wanted them to hear it! The poor old one, he sits in his chair and he has lost the diversions of his younger days. So he invents a new diversion for himself. He amuses himself by playing upon the cupidity and the greed of human nature---yes, and on its emotions and its passions, too! But from that arises one further deduction. In his game of rousing the greed and emotion of his children, he would not omit anyone. He must, logically and necessarily, have had his dig at Mr George Lee as well as at the others! His wife is carefully silent about that. At her, too, he may have shot a poisoned arrow or two. We shall find out, I think, from others, what Simeon Lee had to say to George Lee and George Lee's wife---'
He broke off. The door opened and David Lee came in.
David Lee had himself well in hand. His demeanour was calm---almost unnaturally so. He came up to them, drew a chair forward and sat down, looking with grave interrogation at Colonel Johnson.
The electric light touched the fair peak of hair that grew on his forehead and showed up the sensitive modelling of the cheek bones. He looked absurdly young to be the son of that shrivelled old man who lay dead upstairs.
'Yes, gentlemen,' he said, 'what can I tell you?'
Colonel Johnson said:
'I understand, Mr Lee, that there was a kind of family meeting held in your father's room this afternoon?'
'There was. But it was quite informal. I mean, it was not a family council or anything of that kind.'
'What took place there?'
David Lee answered calmly:
'My father was in a difficult mood. He was an old man and an invalid, of course, one had to make allowances for him. He seemed to have assembled us there in order to---well---vent his spite upon us.'
'Can you remember what he said?'
David said quietly:
'It was really all rather foolish. He said we were no use---any of us---that there wasn't a single man in the family! He said Pilar (that is my Spanish niece) was worth two of any of us. He said---' David stopped.
Poirot said:
'Please, Mr Lee, the exact words, if you can.'
David said reluctantly:
'He spoke rather coarsely---said he hoped that somewhere in the world he had better sons---even if they were born the wrong side of the blanket...'
His sensitive face showed distaste for the words he was repeating. Superintendent Sugden looked up, suddenly alert. Leaning forward, he said:
'Did your father say anything in particular to your brother, Mr George Lee?'
'To George? I don't remember. Oh, yes, I believe he told him he would have to cut down expenses in future; he'd have to reduce his allowance. George was very upset, got as red as a turkey cock. He spluttered and said he couldn't possibly manage with less. My father said quite coolly that he'd have to. He said he'd better get his wife to help him economize. Rather a nasty dig, that---George has always been the economical one---saves and stints on every penny. Magdalene, I fancy, is a bit of a spender---she has extravagant tastes.'
Poirot said:
'So that she, too, was annoyed?'
'Yes. Besides, my father worded something else rather crudely---mentioned her as having lived with a naval officer. Of course he really meant her father, but it sounded rather dubious. Magdalene went scarlet. I don't blame her.'
Poirot said:
'Did your father mention his late wife, your mother?'
The red blood ran in waves up David's temples. His hands clenched themselves on the table in front of him, trembling slightly.
He said in a low choked voice:
'Yes, he did. He insulted her.'
Colonel Johnson said:
'What did he say?'
David said abruptly:
'I don't remember. Just some slighting reference.'
Poirot said softly:
'Your mother has been dead some years?'
David said shortly:
'She died when I was a boy.'
'She was not---perhaps---very happy in her life here?'
David gave a scornful laugh:
'Who could be happy with a man like my father? My mother was a saint. She died a broken-hearted woman.'
Poirot went on:
'Your father was, perhaps, distressed by her death?'
David said abruptly:
'I don't know. I left home.'
He paused and then said:
'Perhaps you may not be aware of the fact that when I came on this visit I had not seen my father for nearly twenty years. So you see I can't tell you very much about his habits or his enemies or what went on here.'
Colonel Johnson asked:
'Did you know that your father kept a lot of valuable diamonds in the safe in his bedroom?'
David said indifferently:
'Did he? Seems a foolish sort of thing to do.'
Johnson said:
'Will you describe briefly your own movements last night?'
'Mine? Oh, I went away from the dinner-table fairly quickly. It bores me, this sitting round over port. Besides, I could see that Alfred and Harry were working up for a quarrel. I hate rows. I slipped away and went to the music-room and played the piano.'
Poirot asked:
'The music-room, it is next to the drawing-room, is it not?'
'Yes. I played there for some time---till---till the thing happened.'
'What did you hear exactly?'
'Oh! A far-off noise of furniture being overturned somewhere upstairs. And then a pretty ghastly cry.' He clenched his hands again. 'Like a soul in hell. God, it was awful!'
Johnson said:
'Were you alone in the music-room?'
'Eh? No, my wife, Hilda, was there. She'd come in from the drawing-room. We---we went up with the others.'
He added quickly and nervously:
'You don't want me, do you, to describe what---what I saw there?'
Colonel Johnson said:
'No, quite unnecessary. Thank you, Mr Lee, there's nothing more. You can't imagine, I suppose, who would be likely to want to murder your father?'
David Lee said recklessly:
'I should think---quite a lot of people! I don't know of anyone definite.'
He went out rapidly, shutting the door loudly behind him.
Colonel Johnson had had no time to do more than clear his throat when the door opened again and Hilda Lee came in.
Hercule Poirot looked at her with interest. He had to admit to himself that the wives these Lees had married were an interesting study. The swift intelligence and greyhound grace of Lydia, the meretricious airs and graces of Magdalene, and now, the solid comfortable strength of Hilda. She was, he saw, younger than her rather dowdy style of hair-dressing and unfashionable clothes made her appear. Her mouse-brown hair was unflecked with grey and her steady hazel eyes set in the rather podgy face shone out like beacons of kindliness. She was, he thought, a nice woman.
Colonel Johnson was talking in his kindliest tone.
'...A great strain on all of you,' he was saying. 'I gather from your husband, Mrs Lee, that this is the first time you have been to Gorston Hall?'
She bowed her head.
'Were you previously acquainted with your father-in-law, Mr Lee?'
Hilda replied in her pleasant voice:
'No. We were married soon after David left home. He always wanted to have nothing to do with his family. Until now we have not seen any of them.'
'How, then, did this visit come about?'
'My father-in-law wrote to David. He stressed his age and his desire that all his children should be with him this Christmas.'
'And your husband responded to this appeal?'
Hilda said:
'His acceptance was, I am afraid, all my doing---I misunderstood the situation.'
Poirot interposed. He said:
'Will you be so kind as to explain yourself a little more clearly, madame? I think what you can tell us may be of value.'
She turned to him immediately.
She said:
'At that time I had never seen my father-in-law. I had no idea what his real motive was. I assumed that he was old and lonely and that he really wanted to be reconciled to all his children.'
'And what was his real motive, in your opinion, madame?'
Hilda hesitated a moment. Then she said slowly:
'I have no doubt---no doubt at all---that what my father-in-law really wanted was not to promote peace but to stir up strife.'
'In what way?'
Hilda said in a low voice:
'It amused him to---to appeal to the worst instincts in human nature. There was---how can I put it?---a kind of diabolical impishness about him. He wished to set every member of the family at loggerheads with one another.'
Johnson said sharply: 'And did he succeed?'
'Oh, yes,' said Hilda Lee. 'He succeeded.'
Poirot said:
'We have been told, madame, of a scene that took place this afternoon. It was, I think, rather a violent scene.'
She bowed her head.
'Will you describe it to us---as truthfully as possible, if you please.'
She reflected a minute.
'When we went in my father-in-law was telephoning.'
'To his lawyer, I understand?'
'Yes, he was suggesting that Mr---was it Charlton?---I don't quite remember the name---should come over as he, my father-in-law, wanted to make a new will. His old one, he said, was quite out of date.'
Poirot said:
'Think carefully, madame; in your opinion did your father-in-law deliberately ensure that you should all overhear this conversation, or was it just by chance that you overheard it?'
Hilda Lee said:
'I am almost sure that he meant us to overhear.'
'With the object of fomenting doubt and suspicions among you?'
'Yes.'
'So that, really, he may not have meant to alter his will at all?'
She demurred.
'No, I think that part of it was quite genuine. He probably did wish to make a new will---but he enjoyed underlining the fact.'
'Madame,' said Poirot, 'I have no official standing and my questions, you understand, are not perhaps those that an English officer of the law would ask. But I have a great desire to know what form you think that new will would have taken. I am asking, you perceive, not for your knowledge, but simply for your opinion. Les femmes, they are never slow to form an opinion, Dieu merci.'
Hilda Lee smiled a little.
'I don't mind saying what I think. My husband's sister Jennifer married a Spaniard, Juan Estravados. Her daughter, Pilar, has just arrived here. She is a very lovely girl---and she is, of course, the only grandchild in the family. Old Mr Lee was delighted with her. He took a tremendous fancy to her. In my opinion, he wished to leave her a considerable sum in his new will. Probably he had only left her a small portion or even nothing at all in an old one.'
'Did you know your sister-in-law at all?'
'No, I never met her. Her Spanish husband died in tragic circumstances, I believe, soon after the marriage. Jennifer herself died a year ago. Pilar was left an orphan. This is why Mr Lee sent for her to come and live with him in England.'
'And the other members of the family, did they welcome her coming?'
Hilda said quietly:
'I think they all liked her. It was very pleasant to have someone young and alive in the house.'
'And she, did she seem to like being here?'
Hilda said slowly:
'I don't know. It must seem cold and strange to a girl brought up in the South---in Spain.'
Johnson said:
'Can't be very pleasant being in Spain just at present. Now, Mrs Lee, we'd like to hear your account of the conversation this afternoon.'
Poirot murmured:
'I apologize. I have made the digressions.'
Hilda Lee said:
'After my father-in-law finished telephoning, he looked round at us and laughed, and said we all looked very glum. Then he said he was tired and should go to bed early. Nobody was to come up and see him this evening. He said he wanted to be in good form for Christmas Day. Something like that.'
'Then---' Her brows knit in an effort of remembrance. 'I think he said something about its being necessary to be one of a large family to appreciate Christmas, and then he went on to speak of money. He said it would cost him more to run this house in future. He told George and Magdalene they would have to economize. Told her she ought to make her own clothes. Rather an old-fashioned idea, I'm afraid. I don't wonder it annoyed her. He said his own wife had been clever with her needle.'
Poirot said gently:
'Is that all that he said about her?'
Hilda flushed.
'He made a slighting reference to her brains. My husband was very devoted to his mother, and that upset him very much. And then, suddenly Mr Lee began shouting at us all. He worked himself up about it. I can understand, of course, how he felt---'
Poirot said gently, interrupting her:
'How did he feel?'
She turned her tranquil eyes upon him.
'He was disappointed, of course,' she said. 'Because there are no grandchildren---no boys, I mean---no Lees to carry on. I can see that that must have festered for a long time. And suddenly he couldn't keep it in any longer and vented his rage against his sons---saying they were a lot of namby-pamby old women---something like that. I felt sorry for him, then, because I realized how his pride was hurt by it.'
'And then?'
'And then,' said Hilda slowly, 'we all went away.'
'That was the last you saw of him?'
She bowed her head.
'Where were you at the time the crime occurred?'
'I was with my husband in the music-room. He was playing to me.'
'And then?'
'We heard tables and chairs overturned upstairs, and china being broken---some terrible struggle. And then that awful scream as his throat was cut...'
Poirot said:
'Was it such an awful scream? Was it'---he paused---'like a soul in hell?'
Hilda Lee said:
'It was worse than that!'
'What do you mean, madame?'
'It was like someone who had no soul...It was inhuman like a beast...'
Poirot said gravely:
'So---you have judged him, madame?'
She raised a hand in sudden distress. Her eyes fell and she stared down at the floor.
Pilar came into the room with the wariness of an animal who suspects a trap. Her eyes went quickly from side to side. She looked not so much afraid as deeply suspicious.
Colonel Johnson rose and put a chair for her. Then he said:
'You understand English, I suppose, Miss Estravados?'
Pilar's eyes opened wide. She said:
'Of course. My mother was English. I am really very English indeed.'
A faint smile came to Colonel Johnson's lips, as his eyes took in the black gloss of her hair, the proud dark eyes, and the curling red lips. Very English! An incongruous term to apply to Pilar Estravados.
He said:
'Mr Lee was your grandfather. He sent for you to come from Spain. And you arrived a few days ago. Is that right?'
Pilar nodded.
'That is right. I had---oh! a lot of adventures getting out of Spain---there was a bomb from the air and the chauffeur he was killed---where his head had been there was all blood. And I could not drive a car, so for a long way I had to walk---and I do not like walking. I never walk. My feet were sore---but sore---'
Colonel Johnson smiled. He said:
'At any rate you arrived here. Had your mother spoken to you of your grandfather much?'
Pilar nodded cheerfully.
'Oh, yes, she said he was an old devil.'
Hercule Poirot smiled. He said:
'And what did you think of him when you arrived, mademoiselle?'
Pilar said:
'Of course he was very, very old. He had to sit in a chair---and his face was all dried up. But I liked him all the same. I think that when he was a young man, he must have been handsome---very handsome, like you,' said Pilar to Superintendent Sugden. Her eyes dwelt with naïve pleasure on his handsome face, which had turned brick-red at the compliment.
Colonel Johnson stifled a chuckle. It was one of the few occasions when he had seen the stolid superintendent taken aback.
'But of course,' Pilar continued regretfully, 'he could never have been so big as you.'
Hercule Poirot sighed.
'You like, then, big men, señorita?' he inquired.
Pilar agreed enthusiastically.
'Oh, yes, I like a man to be very big, tall, and the shoulders broad, and very, very strong.'
Colonel Johnson said sharply:
'Did you see much of your grandfather when you arrived here?'
Pilar said:
'Oh, yes. I went to sit with him. He told me things---that he had been a very wicked man, and all the things he did in South Africa.'
'Did he ever tell you that he had diamonds in the safe in his room?'
'Yes, he showed them to me. But they were not like diamonds---they were just like pebbles---very ugly---very ugly indeed.'
Superintendent Sugden said shortly:
'So he showed them to you, did he?'
'Yes.'
'He didn't give you any of them?'
Pilar shook her head.
'No, he did not. I thought that perhaps one day he would---if I were very nice to him and came often to sit with him. Because old gentlemen they like very much young girls.'
Colonel Johnson said:
'Do you know that those diamonds have been stolen?'
Pilar opened her eyes very wide.
'Stolen?'
'Yes, have you any idea who might have taken them?'
Pilar nodded her head.
'Oh, yes,' she said. 'It would be Horbury.'
'Horbury? You mean the valet?'
'Yes.'
'Why do you think that?'
'Because he has the face of a thief. His eyes go so, from side to side, he walks softly and listens at doors. He is like a cat. And all cats are thieves.'
'H'm,' said Colonel Johnson. 'We'll leave it at that. Now I understand that all the family were up in your grandfather's room this afternoon, and that some---er---angry words passed.'
Pilar nodded and smiled.
'Yes,' she said. 'It was great fun. Grandfather made them oh! so angry!'
'Oh, you enjoyed it, did you?'
'Yes. I like to see people get angry. I like it very much. But here in England they do not get angry like they do in Spain. In Spain they take out their knives and they curse and shout. In England they do nothing, just get very red in the face and shut up their mouths tight.'
'Do you remember what was said?'
Pilar seemed rather doubtful.
'I am not sure. Grandfather said they were no good---that they had not got any children. He said I was better than any of them. He liked me, very much.'
'Did he say anything about money or a will?'
'A will---no, I don't think so. I don't remember.'
'What happened?'
'They all went away---except Hilda---the fat one, David's wife, she stayed behind.'
'Oh, she did, did she?'
'Yes. David looked very funny. He was all shaking and oh! so white. He looked as though he might be sick.'
'And what then?'
'Then I went and found Stephen. We danced to the gramophone.'
'Stephen Farr?'
'Yes. He is from South Africa---he is the son of Grandfather's partner. He is very handsome too. Very brown and big, and he has nice eyes.'
Johnson asked:
'Where were you when the crime occurred?'
'You ask where I was?'
'Yes.'
'I had gone into the drawing-room with Lydia. And then I went up to my room and did my face. I was going to dance again with Stephen. And then, far away, I heard a scream and everyone was running, so I went too. And they were trying to break down Grandfather's door. Harry did it with Stephen, they are both big strong men.'
'Yes?'
'And then---crash---down it went---and we all looked in. Oh, such a sight---everything smashed and knocked over, and Grandfather lying in a lot of blood, and his throat was cut like this'---she made a vivid dramatic gesture at her own neck---'right up under his ear.'
She paused, having obviously enjoyed her narrative.
Johnson said:
'The blood didn't make you feel ill?'
She stared.
'No, why should it? There is usually blood when people are killed. There was, oh! so much blood everywhere!'
Poirot said: 'Did anyone say anything?'
Pilar said:
'David said such a funny thing---what was it? Oh, yes. The mills of God---that is what he said'---she repeated it with emphasis on each word---'The mills---of---God---What does that mean? Mills are what make flour, are they not?'
Colonel Johnson said:
'Well, I don't think there is anything more just now, Miss Estravados.'
Pilar got up obediently. She flashed a quick charming smile at each man in turn.
'I will go now, then.' She went out.
Colonel Johnson said:
'The mills of God grind slowly, but they grind exceeding small. And David Lee said that!'
As the door opened once more, Colonel Johnson looked up. For a moment he took the entering figure to be that of Harry Lee, but as Stephen Farr advanced into the room he saw his error.
'Sit down, Mr Farr,' he said.
Stephen sat. His eyes, cool, intelligent eyes, went from one to the other of the three men. He said:
'I'm afraid I shan't be much use to you. But please ask me anything that you think may help. Perhaps I'd better explain, to start with, who I am. My father, Ebenezer Farr, was Simeon Lee's partner in South Africa in the old days. I'm talking of over forty years ago.'
He paused.
'My dad talked to me a lot about Simeon Lee---what a personality he was. He and Dad cleaned up a good bit together. Simeon Lee went home with a fortune and my father didn't do badly either. My father always told me that when I came to this country I was to look up Mr Lee. I said once that it was a long time ago and that he'd probably not know who I was, but Dad scoffed at the idea. He said, "When two men have been through what Simeon and I went through, they don't forget." Well, my father died a couple of years ago. This year I came over to England for the first time, and I thought I'd act on Dad's advice and look up Mr Lee.'
With a slight smile he went on:
'I was just a little nervous when I came along here, but I needn't have been. Mr Lee gave me a warm welcome and absolutely insisted that I should stay with the family over Christmas. I was afraid I was butting in, but he wouldn't hear of a refusal.'
He added rather shyly:
'They were all very nice to me---Mr and Mrs Alfred Lee couldn't have been nicer. I'm terribly sorry for them that all this should come upon them.'
'How long have you been here, Mr Farr?'
'Since yesterday.'
'Did you see Mr Lee today at all?'
'Yes, I had a chat with him this morning. He was in good spirits then and anxious to hear about a lot of people and places.'
'That was the last time you saw him?'
'Yes.'
'Did he mention to you that he kept a quantity of uncut diamonds in his safe?'
'No.'
He added before the other could speak:
'Do you mean that this business was murder and robbery?'
'We're not sure yet,' said Johnson. 'Now to come to the events of this evening, will you tell me, in your own words, what you were doing?'
'Certainly. After the ladies left the dining-room I stayed and had a glass of port. Then I realized that the Lees had family business they wanted to discuss and that my being there was hampering them so I excused myself and left them.'
'And what did you do then?'
Stephen Farr leaned back in his chair. His forefinger caressed his jaw. He said rather woodenly:
'I---er---went along to a big room with a parquet floor---a kind of ballroom, I fancy. There's a gramophone there and dance records. I put some records on.'
Poirot said:
'It was possible, perhaps, that someone might join you there?'
A very faint smile curved Stephen Farr's lips. He answered:
'It was possible, yes. One always hopes.'
And he grinned outright.
Poirot said:
'Señorita Estravados is very beautiful.'
Stephen answered:
'She's easily the best thing to look at that I've seen since I came to England.'
'Did Miss Estravados join you?' asked Colonel Johnson.
Stephen shook his head.
'I was still there when I heard the rumpus. I came out into the hall and ran hell for leather to see what was the matter. I helped Harry Lee to break the door down.'
'And that's all you have to tell us?'
'Absolutely all, I'm afraid.'
Hercule Poirot leaned forward. He said softly:
'But I think, Monsieur Farr, that you could tell us a good deal if you liked.'
Farr said sharply:
'What d'you mean?'
'You can tell us something that is very important in this case---the character of Mr Lee. You say that your father talked much of him to you. What manner of a man was it that he described to you?'
Stephen Farr said slowly:
'I think I see what you're driving at. What was Simeon Lee like in his young days? Well---you want me to be frank, I suppose?'
'If you please.'
'Well, to begin with, I don't think that Simeon Lee was a highly moral member of society. I don't mean that he was exactly a crook, but he sailed pretty near the wind. His morals were nothing to boast about anyway. He had charm, though, a good deal of it. And he was fantastically generous. No one with a hard-luck story ever appealed to him in vain. He drank a bit, but not over-much, was attractive to women, and had a sense of humour. All the same, he had a queer revengeful streak in him. Talk of the elephant never forgets and you talk of Simeon Lee. My father told me of several cases where Lee waited years to get even with someone who'd done him a nasty turn.'
Superintendent Sugden said:
'Two might play at that game. You've no knowledge, I suppose, Mr Farr, of anyone who Simeon Lee had done a bad turn to out there? Nothing out of the past that could explain the crime committed here this evening?'
Stephen Farr shook his head.
'He had enemies, of course, must have had, being the man he was. But I know of no specific case. Besides,' his eyes narrowed, 'I understand (as a matter of fact, I've been questioning Tressilian) there have been no strangers in or near the house this evening.'
Hercule Poirot said:
'With the exception of yourself, M. Farr.'
Stephen Farr swung round upon him.
'Oh, so that's it? Suspicious stranger within the gates! Well, you won't find anything of that kind. No back history of Simeon Lee doing Ebenezer Farr down, and Eb's son coming over to revenge his dad! No,' he shook his head. 'Simeon and Ebenezer had nothing against each other. I came here, as I've told you, out of sheer curiosity. And moreover, I should imagine a gramophone is as good an alibi as anything else. I never stopped putting on records---somebody must have heard them. One record wouldn't give me time to race away upstairs---these passages are a mile long, anyway---slit an old man's throat, wash off the blood, and get back again before the others came rushing up. The idea's farcical!'
Colonel Johnson said:
'We're not making any insinuations against you, Mr Farr.'
Stephen Farr said:
'I didn't care much for the tone of Mr Hercule Poirot's voice.'
'That,' said Hercule Poirot, 'is unfortunate!'
He smiled benignly at the other.
Stephen Farr looked angrily at him.
Colonel Johnson interposed quickly:
'Thank you, Mr Farr. That will be all for the present. You will, of course, not leave this house.'
Stephen Farr nodded. He got up and left the room, walking with a freely swinging stride.
As the door closed behind him, Johnson said:
'There goes X, the unknown quantity. His story seems straightforward enough. All the same, he's the dark horse. He might have pinched those diamonds---might have come here with a bogus story just to gain admittance. You'd better get his fingerprints, Sugden, and see if he's known.'
'I've already got them,' said the superintendent with a dry smile.
'Good man. You don't overlook much. I suppose you're on to all the obvious lines?'
Superintendent Sugden checked off on his fingers.
'Check up on those telephone calls---times, etc. Check up on Horbury. What time he left, who saw him go. Check up all entrances and exits. Check up on staff generally. Check up financial position of members of family. Get on to the lawyers and check up on will. Search house for the weapon and for bloodstains on clothing---also possibly diamonds hidden somewhere.'
'That covers everything, I think,' said Colonel Johnson approvingly. 'Can you suggest anything, M. Poirot?'
Poirot shook his head. He said:
'I find the superintendent admirably thorough.'
Sugden said gloomily:
'It won't be any joke looking through this house for the missing diamonds. Never saw so many ornaments and knick-knacks in my life.'
'The hiding-places are certainly abundant,' Poirot agreed.
'And there's really nothing you would suggest, Poirot?'
The chief constable looked a little disappointed---rather like a man whose dog has refused to do its trick.
Poirot said:
'You will permit that I take a line of my own?'
'Certainly---certainly,' said Johnson at the same moment as Superintendent Sugden said rather suspiciously:
'What line?'
'I would like,' said Hercule Poirot, 'to converse---very often---very frequently---with members of the family.'
'You mean you'd like to have another shot at questioning them?' asked the colonel, a little puzzled.
'No, no, not to question---to converse!'
'Why?' asked Sugden.
Hercule Poirot waved an emphatic hand.
'In conversation, points arise! If a human being converses much, it is impossible for him to avoid the truth!'
Sugden said:
'Then you think someone is lying?'
Poirot sighed.
'Mon cher, everyone lies---in parts like the egg of the English curate. It is profitable to separate the harmless lies from the vital ones.'
Colonel Johnson said sharply:
'All the same, it's incredible, you know. Here's a particularly crude and brutal murder---and whom have we as suspects? Alfred Lee and his wife---both charming, well-bred, quiet people. George Lee, who's a Member of Parliament and the essence of respectability. His wife? She's just an ordinary modern lovely. David Lee seems a gentle creature and we've got his brother Harry's word for it that he can't stand the sight of blood. His wife seems a nice sensible woman---quite commonplace. Remains the Spanish niece and the man from South Africa. Spanish beauties have hot tempers, but I don't see that attractive creature slitting the old man's neck in cold blood, especially as from what has come out she had every reason to keep him alive---at any rate until he had signed a new will. Stephen Farr's a possibility---that is to say, he may be a professional crook and have come here after the diamonds. The old man discovered the loss and Farr slit his throat to keep him quiet. That could have been so---that gramophone alibi isn't too good.'
Poirot shook his head.
'My dear friend,' he said. 'Compare the physique of M. Stephen Farr and old Simeon Lee. If Farr decided to kill the old man he could have done it in a minute---Simeon Lee couldn't possibly have put up that fight against him. Can one believe that that frail old man and that magnificent specimen of humanity struggled for some minutes overturning chairs and breaking china? To imagine such a thing is fantastic!'
Colonel Johnson's eyes narrowed.
'You mean,' he said, 'that it was a weak man who killed Simeon Lee?'
'Or a woman!' said the superintendent.
Colonel Johnson looked at his watch.
'Nothing much more that I can do here. You've got things well in hand, Sugden. Oh, just one thing. We ought to see the butler fellow. I know you've questioned him, but we know a bit more about things now. It's important to get confirmation of just where everybody says he was at the time of the murder.'
Tressilian came in slowly. The chief constable told him to sit down.
'Thank you, sir. I will, if you don't mind. I've been feeling very queer---very queer indeed. My legs, sir, and my head.'
Poirot said gently: 'You have had the shock, yes.'
The butler shuddered. 'Such---such a violent thing to happen. In this house! Where everything has always gone on so quietly.'
Poirot said:
'It was a well-ordered house, yes? But not a happy one?'
'I wouldn't like to say that, sir.'
'In the old days when all the family was at home, it was happy then?'
Tressilian said slowly:
'It wasn't perhaps what one would call very harmonious, sir.'
'The late Mrs Lee was somewhat of an invalid, was she not?'
'Yes, sir, very poorly she was.'
'Were her children fond of her?'
'Mr David, he was devoted to her. More like a daughter than a son. And after she died he broke away, couldn't face living here any longer.'
Poirot said: 'And Mr Harry? What was he like?'
'Always rather a wild young gentleman, sir, but good-hearted. Oh, dear, gave me quite a turn, it did, when the bell rang---and then again, so impatient like, and I opened the door and there was a strange man, and then Mr Harry's voice said, "Hallo, Tressilian. Still here, eh?" Just the same as ever.'
Poirot said sympathetically:
'It must have been the strange feeling, yes, indeed.'
Tressilian said, a little pink flush showing in his cheek:
'It seems sometimes, sir, as though the past isn't the past! I believe there's been a play on in London about something like that. There's something in it, sir---there really is. There's a feeling comes over you---as though you'd done everything before. It just seems to me as though the bell rings and I go to answer it and there's Mr Harry---even if it should be Mr Farr or some other person---I'm just saying to myself---but I've done this before...'
Poirot said:
'That is very interesting---very interesting.'
Tressilian looked at him gratefully.
Johnson, somewhat impatient, cleared his throat and took charge of the conversation.
'Just want to get various times checked correctly,' he said. 'Now, when the noise upstairs started, I understand that only Mr Alfred Lee and Mr Harry Lee were in the dining-room. Is that so?'
'I really couldn't tell you, sir. All the gentlemen were there when I served coffee to them---but that would be about a quarter of an hour earlier.'
'Mr George Lee was telephoning. Can you confirm that?'
'I think somebody did telephone, sir. The bell rings in my pantry, and when anybody takes off the receiver to call a number, there's just a faint noise on the bell. I do remember hearing that, but I didn't pay attention to it.'
'You don't know exactly when it was?'
'I couldn't say, sir. It was after I had taken coffee to the gentlemen, that is all I can say.'
'Do you know where any of the ladies were at the time I mentioned?'
'Mrs Alfred was in the drawing-room, sir, when I went for the coffee tray. That was just a minute or two before I heard the cry upstairs.'
Poirot asked:
'What was she doing?'
'She was standing by the far window, sir. She was holding the curtain a little back and looking out.'
'And none of the other ladies were in the room?'
'No, sir.'
'Do you know where they were?'
'I couldn't say at all, sir.'
'You don't know where anyone else was?'
'Mr David, I think, was playing in the music-room next door to the drawing-room.'
'You heard him playing?'
'Yes, sir.' Again the old man shivered. 'It was like a sign, sir, so I felt afterwards. It was the "Dead March" he was playing. Even at the time, I remember, it gave me the creeps.'
'It is curious, yes,' said Poirot.
'Now, about this fellow, Horbury, the valet,' said the chief constable. 'Are you definitely prepared to swear that he was out of the house by eight o'clock?'
'Oh yes, sir. It was just after Mr Sugden here arrived. I remember particular because he broke a coffee-cup.'
Poirot said:
'Horbury broke a coffee-cup?'
'Yes, sir---one of the old Worcester ones. Eleven years I've washed them up and never one broken till this evening.'
Poirot said:
'What was Horbury doing with the coffee-cups?'
'Well, of course, sir, he'd no business to have been handling them at all. He was just holding one up, admiring it like, and I happened to mention that Mr Sugden had called, and he dropped it.'
Poirot said:
'Did you say "Mr Sugden" or did you mention the word police?'
Tressilian looked a little startled.
'Now I come to think of it, sir, I mentioned that the police superintendent had called.'
'And Horbury dropped the coffee-cup,' said Poirot.
'Seems suggestive, that,' said the chief constable. 'Did Horbury ask any questions about the superintendent's visit?'
'Yes, sir, asked what he wanted here. I said he'd come collecting for the Police Orphanage and had gone up to Mr Lee.'
'Did Horbury seemed relieved when you said that?'
'Do you know, sir, now you mention it, he certainly did. His manner changed at once. Said Mr Lee was a good old chap and free with his money---rather disrepectfully he spoke---and then he went off.'
'Which way?'
'Out through the door to the servants' hall.'
Sugden interposed:
'All that's O.K., sir. He passed through the kitchen, where the cook and the kitchenmaid saw him, and out through the back door.'
'Now listen, Tressilian, and think carefully. Is there any means by which Horbury could return to the house without anyone seeing him?'
The old man shook his head.
'I don't see how he could have done so, sir. All the doors are locked on the inside.'
'Supposing he had had a key?'
'The doors are bolted as well.'
'How does he get in when he comes?'
'He has a key of the back door, sir. All the servants come in that way.'
'He could have returned that way, then?'
'Not without passing through the kitchen, sir. And the kitchen would be occupied till well after half-past nine or a quarter to ten.'
Colonel Johnson said:
'That seems conclusive. Thank you, Tressilian.'
The old man got up and with a bow left the room. He returned, however, a minute or two later.
'Horbury has just returned, sir. Would you like to see him now?'
'Yes, please, send him in at once.'
Sydney Horbury did not present a very prepossessing appearance. He came into the room and stood rubbing his hands together and darting quick looks from one person to another. His manner was unctuous.
Johnson said:
'You're Sydney Horbury?'
'Yes, sir.'
'Valet attendant to the late Mr Lee?'
'Yes, sir. It's terrible, isn't it? You could have knocked me down with a feather when I heard from Gladys. Poor old gentleman---'
Johnson cut him short.
'Just answer my questions, please.'
'Yes, sir, certainly, sir.'
'What time did you go out tonight, and where have you been?'
'I left the house just before eight, sir. I went to the Superb, sir, just five minutes' walk away. Love in Old Seville was the picture, sir.'
'Anyone who saw you there?'
'The young lady in the box office, sir, she knows me. And the commissionaire at the door, he knows me too. And---er---as a matter of fact, I was with a young lady, sir. I met her there by appointment.'
'Oh, you did, did you? What's her name?'
'Doris Buckle, sir. She works in the Combined Dairies, sir, 23, Markham Road.'
'Good. We'll look into that. Did you come straight home?'
'I saw my young lady home first, sir. Then I came straight back. You'll find it's quite all right, sir. I didn't have anything to do with this. I was---'
Colonel Johnson said curtly:
'Nobody's accusing you of having anything to do with it.'
'No, sir, of course not, sir. But it's not very pleasant when a murder happens in a house.'
'Nobody said it was. Now, then, how long had you been in Mr Lee's service?'
'Just over a year, sir.'
'Did you like your place here?'
'Yes, sir. I was quite satisfied. The pay was good. Mr Lee was rather difficult sometimes, but of course I'm used to attending on invalids.'
'You've had previous experience?'
'Oh, yes, sir. I was with Major West and with the Honourable Jasper Finch---'
'You can give all those particulars to Sugden later. What I want to know is this: At what time did you last see Mr Lee this evening?'
'It was about half-past seven, sir. Mr Lee had a light supper brought to him every evening at seven o'clock. I then prepared him for bed. After that he would sit in front of the fire in his dressing-gown till he felt like going to bed.'
'What time was that usually?'
'It varied, sir. Sometimes he would go to bed as early as eight o'clock---that's if he felt tired. Sometimes he would sit up till eleven or after.'
'What did he do when he did want to go to bed?'
'Usually he rang for me, sir.'
'And you assisted him to bed?'
'Yes, sir.'
'But this was your evening out. Did you always have Fridays?'
'Yes, sir. Friday was my regular day.'
'What happened then when Mr Lee wanted to go to bed?'
'He would ring his bell and either Tressilian or Walter would see to him.'
'He was not helpless? He could move about?'
'Yes, sir, but not very easily. Rheumatoid arthritis was what he suffered from, sir. He was worse some days than others.'
'Did he never go into another room in the daytime?'
'No, sir. He preferred to be in just the one room. Mr Lee wasn't luxurious in his tastes. It was a big room with plenty of air and light in it.'
'Mr Lee had his supper at seven, you say?'
'Yes, sir. I took the tray away and put out the sherry and two glasses on the bureau.'
'Why did you do that?'
'Mr Lee's orders.'
'Was that usual?'
'Sometimes. It was the rule that none of the family came to see Mr Lee in the evening unless he invited them. Some evenings he liked to be alone. Other evenings he'd send down and ask Mr Alfred, or Mrs Alfred, or both of them, to come up after dinner.'
'But, as far as you know, he had not done so on this occasion? That is, he had not sent a message to any member of the family requesting their presence?'
'He hadn't sent any message by me, sir.'
'So that he wasn't expecting any of the family?'
'He might have asked one of them personally, sir.'
'Of course.'
Horbury continued:
'I saw that everything was in order, wished Mr Lee goodnight and left the room.'
Poirot asked:
'Did you make up the fire before you left the room?'
The valet hesitated.
'It wasn't necessary, sir. It was well built up.'
'Could Mr Lee have done that himself?'
'Oh no, sir. I expect Mr Harry Lee had done it.'
'Mr Harry Lee was with him when you came in before supper?'
'Yes, sir. He went away when I came.'
'What was the relationship between the two as far as you could judge?'
'Mr Harry Lee seemed in very good spirits, sir. Throwing back his head and laughing a good deal.'
'And Mr Lee?'
'He was quiet and rather thoughtful.'
'I see. Now, there's something more I want to know, Horbury: What can you tell us about the diamonds Mr Lee kept in his safe?'
'Diamonds, sir? I never saw any diamonds.'
'Mr Lee kept a quantity of uncut stones there. You must have seen him handling them.'
'Those funny little pebbles, sir? Yes, I did see him with them once or twice. But I didn't know they were diamonds. He was showing them to the foreign young lady only yesterday---or was it the day before?'
Colonel Johnson said abruptly:
'These stones have been stolen.'
Horbury cried out:
'I hope you don't think, sir, that I had anything to do with it!'
'I'm not making any accusations,' said Johnson. 'Now then, is there anything you can tell us that has any bearing on this matter?'
'The diamonds, sir? Or the murder?'
'Both.'
'Horbury considered. He passed his tongue over his pale lips. At last he looked up with eyes that were a shade furtive.
'I don't think there's anything, sir.'
Poirot said softly:
'Nothing you've overheard, say, in the course of your duties, which might be helpful?'
The valet's eyelids flickered a little.
'No, sir, I don't think so, sir. There was a little awkwardness between Mr Lee and---and some members of his family.'
'Which members?'
'I gathered there was a little trouble over Mr Harry Lee's return. Mr Alfred Lee resented it. I understand he and his father had a few words about it---but that was all there was to it. Mr Lee didn't accuse him for a minute of having taken any diamonds. And I'm sure Mr Alfred wouldn't do such a thing.'
Poirot said quickly:
'His interview with Mr Alfred was after he had discovered the loss of the diamonds, was it not, though?'
'Yes, sir.'
Poirot leaned forward.
'I thought, Horbury,' he said softly, 'that you did not know of the theft of the diamonds until we informed you of it just now. How, then, do you know that Mr Lee had discovered his loss before he had this conversation with his son?'
Horbury turned brick red.
'No use lying. Out with it,' said Sugden. 'When did you know?'
Horbury said sullenly:
'I heard him telephoning to someone about it.'
'You weren't in the room?'
'No, outside the door. Couldn't hear much---only a word or two.'
'What did you hear exactly?' asked Poirot sweetly.
'I heard the words robbery and diamonds, and I heard him say, "I don't know who to suspect"---and I heard him say something about this evening at eight o'clock.'
Superintendent Sugden nodded.
'That was to me he was speaking, my lad. About five-ten, was it?'
'That's right, sir.'
'And when you went into his room afterwards, did he look upset?'
'Just a bit, sir. Seemed absent-minded and worried.'
'So much so that you got the wind up---eh?'
'Look here, Mr Sugden, I won't have you saying things like that. Never touched any diamonds, I didn't, and you can't prove I did. I'm not a thief.'
Superintendent Sugden, unimpressed, said:
'That remains to be seen.' He glanced questioningly at the chief constable, received a nod, and went on: 'That'll do for you, my lad. Shan't want you again tonight.'
Horbury went out gratefully in haste.
Sugden said appreciatively:
'Pretty bit of work, M. Poirot. You trapped him as neatly as I've ever seen it done. He may be a thief or he may not, but he's certainly a first-class liar!'
'An unprepossessing person,' said Poirot.
'Nasty bit of goods,' agreed Johnson. 'Question is, what do we think of his evidence?'
Sugden summarized the position neatly.
'Seems to me there are three possibilities: (1) Horbury's a thief and a murderer. (2) Horbury's a thief, but not a murderer. (3) Horbury's an innocent man. Certain amount of evidence for (1). He overheard telephone call and knew the theft had been discovered. Gathered from old man's manner that he was suspected. Made his plans accordingly. Went out ostentatiously at eight o'clock and cooked up an alibi. Easy enough to slip out of a cinema and return there unnoticed. He'd have to be pretty sure of the girl, though, that she wouldn't give him away. I'll see what I can get out of her tomorrow.'
'How, then, did he manage to re-enter the house?' asked Poirot.
'That's more difficult,' Sugden admitted. 'But there might be ways. Say one of the women servants unlocked a side door for him.'
Poirot raised his eyebrows quizzically.
'He places, then, his life at the mercy of two women? With one woman it would be taking a big risk; with two---eh bien, I find the risk fantastic!'
Sugden said:
'Some criminals think they can get away with anything!'
He went on:
'Let's take (2). Horbury pinched those diamonds. He took 'em out of the house tonight and has possibly passed them on to some accomplice. That's quite easy going and highly probable. Now we've got to admit that somebody else chose this night to murder Mr Lee. That somebody being quite unaware of the diamond complication. It's possible, of course, but it's a bit of a coincidence.
'Possibility (3)---Horbury's innocent. Somebody else both took the diamonds and murdered the old gentleman. There it is; it's up to us to get at the truth.'
Colonel Johnson yawned. He looked again at his watch and got up.
'Well,' he said, 'I think we'll call it a night, eh? Better just have a look in the safe before we go. Odd thing if those wretched diamonds were there all the time.'
But the diamonds were not in the safe. They found the combination where Alfred Lee had told them, in the small note-book taken from the dressing-gown pocket of the dead man. In the safe they found an empty chamois-leather bag. Among the papers the safe contained only one was of interest.
It was a will dated some fifteen years previously. After various legacies and bequests, the provisions were simple enough. Half Simeon Lee's fortune went to Alfred Lee. The other half was to be divided in equal shares between his remaining children: Harry, George, David and Jennifer.
In the bright sun of Christmas noon, Poirot walked in the gardens of Gorston Hall. The Hall itself was a large solidly built house with no special architectural pretensions.
Here, on the south side, was a broad terrace flanked with a hedge of clipped yew. Little plants grew in the interstices of the stone flags and at intervals along the terrace there were stone sinks arranged as miniature gardens.
Poirot surveyed them with benign approval. He murmured to himself:
'C'est bien imaginé, c¸a!'
In the distance he caught sight of two figures going towards an ornamental sheet of water some three hundred yards away. Pilar was easily recognizable as one of the figures, and he thought at first the other was Stephen Farr, then he saw that the man with Pilar was Harry Lee. Harry seemed very attentive to his attractive niece. At intervals he flung his head back and laughed, then bent once more attentively towards her.
'Assuredly, there is one who does not mourn,' Poirot murmured to himself.
A soft sound behind him made him turn. Magdalene Lee was standing there. She, too, was looking at the retreating figures of the man and girl. She turned her head and smiled enchantingly at Poirot. She said: 'It's such a glorious sunny day! One can hardly believe in all the horrors of last night, can one, M. Poirot?'
'It is difficult, truly, madame.'
Magdalene sighed.
'I've never been mixed up in tragedy before. I've---I've really only just grown up. I stayed a child too long, I think---That's not a good thing to do.'
Again she sighed. She said:
'Pilar, now, seems so extraordinarily self-possessed---I suppose it's the Spanish blood. It's all very odd, isn't it?'
'What is odd, madame?'
'The way she turned up here, out of the blue!'
Poirot said:
'I have learned that Mr Lee had been searching for her for some time. He had been in correspondence with the Consulate in Madrid and with the vice-consul at Aliquara, where her mother died.'
'He was very secretive about it all,' said Magdalene. 'Alfred knew nothing about it. No more did Lydia.'
'Ah!' said Poirot.
Magdalene came a little nearer to him. He could smell the delicate perfume she used.
'You know, M. Poirot, there's some story connected with Jennifer's husband, Estravados. He died quite soon after the marriage, and there's some mystery about it. Alfred and Lydia know. I believe it was something---rather disgraceful...'
'That,' said Poirot, 'is indeed sad.'
Magdalene said:
'My husband feels---and I agree with him---that the family ought to have been told more about the girl's antecedents. After all, if her father was a criminal---'
She paused, but Hercule Poirot said nothing. He seemed to be admiring such beauties of nature as could be seen in the winter season in the grounds of Gorston Hall.
Magdalene said:
'I can't help feeling that the manner of my father-in-law's death was somehow significant. It---it was so very unEnglish.'
Hercule Poirot turned slowly. His grave eyes met hers in innocent inquiry.
'Ah,' he said. 'The Spanish touch, you think?'
'Well, they are cruel, aren't they?' Magdalene spoke with an effect of childish appeal. 'All those bull fights and things!'
Hercule Poirot said pleasantly:
'You are saying that in your opinion señorita Estravados cut her grandfather's throat?'
'Oh no, M. Poirot!' Magdalene was vehement. She was shocked. 'I never said anything of the kind! Indeed I didn't!'
'Well,' said Poirot. 'Perhaps you did not.'
'But I do think that she is---well, a suspicious person. The furtive way she picked up something from the floor of that room last night, for instance.'
A different note crept into Hercule Poirot's voice. He said sharply:
'She picked up something from the floor last night?'
Magdalene nodded. Her childish mouth curved spitefully.
'Yes, as soon as we got into the room. She gave a quick glance round to see if anyone was looking, and then pounced on it. But the superintendent man saw her, I'm glad to say, and made her give it up.'
'What was it that she picked up, do you know, madame?'
'No. I wasn't near enough to see.' Magdalene's voice held regret. 'It was something quite small.'
Poirot frowned to himself.
'It is interesting, that,' he murmured to himself.
Magdalene said quickly:
'Yes, I thought you ought to know about it. After all, we don't know anything about Pilar's upbringing and what her life has been like. Alfred is always so suspicious and dear Lydia is so casual.' Then she murmured: 'Perhaps I'd better go and see if I can help Lydia in any way. There may be letters to write.'
She left him with a smile of satisfied malice on her lips.
Poirot remained lost in thought on the terrace.
To him there came Superintendent Sugden. The police superintendent looked gloomy. He said:
'Good morning, Mr Poirot. Doesn't seem quite the right thing to say Merry Christmas, does it?'
'Mon cher collègue, I certainly do not observe any traces of merriment on your countenance. If you had said Merry Christmas I should not have replied "Many of them!" '
'I don't want another one like this one, and that's a fact,' said Sugden.
'You have made the progress, yes?'
'I've checked up on a good many points. Horbury's alibi is holding water all right. The commissionaire at the cinema saw him go in with the girl, and saw him come out with her at the end of the performance, and seems pretty positive he didn't leave, and couldn't have left and returned during the performance. The girl swears quite definitely he was with her in the cinema all the time.'
Poirot's eyebrows rose.
'I hardly see, then, what more there is to say.'
The cynical Sugden said:
'Well, one never knows with girls! Lie themselves black in the face for the sake of a man.'
'That does credit to their hearts,' said Hercule Poirot.
Sugden growled.
'That's a foreign way of looking at it. It's defeating the ends of justice.'
Hercule Poirot said:
'Justice is a very strange thing. Have you ever reflected on it?'
Sugden stared at him. He said:
'You're a queer one, Mr Poirot.'
'Not at all. I follow a logical train of thought. But we will not enter into a dispute on the question. It is your belief, then, that this demoiselle from the milk shop is not speaking the truth?'
Sugden shook his head.
'No,' he said, 'it's not like that at all. As a matter of fact, I think she is telling the truth. She's a simple kind of girl, and I think if she was telling me a pack of lies I'd spot it.'
Poirot said:
'You have the experience, yes?'
'That's just it, Mr Poirot. One does know, more or less, after a lifetime of taking down statements, when a person's lying and when they're not. No, I think the girl's evidence is genuine, and if so, Horbury couldn't have murdered old Mr Lee, and that brings us right back to the people in the house.'
He drew a deep breath.
'One of 'em did it, Mr Poirot. One of 'em did it. But which?'
'You have no new data?'
'Yes, I've had a certain amount of luck over the telephone calls. Mr George Lee put through a call to Westeringham at two minutes to nine. That call lasted under six minutes.'
'Aha!'
'As you say! Moreover, no other call was put through---to Westeringham or anywhere else.'
'Very interesting,' said Poirot, with approval. 'M. George Lee says he has just finished telephoning when he hears the noise overhead---but actually he had finished telephoning nearly ten minutes before that. Where was he in those ten minutes? Mrs George Lee says that she was telephoning---but actually she never put through a call at all. Where was she?'
Sugden said:
'I saw you talking to her, M. Poirot?'
His voice held a question, but Poirot replied:
'You are in error!'
'Eh?'
'I was not talking to her---she was talking to me!'
'Oh---' Sugden seemed to be about to brush the distinction aside impatiently; then, as its significance sank in, he said:
'She was talking to you, you say?'
'Most definitely. She came out here for that purpose.'
'What did she have to say?'
'She wished to stress certain points: the unEnglish character of the crime---the possibly undesirable antecedents of Miss Estravados on the paternal side---the fact that Miss Estravados had furtively picked up something from the floor last night.'
'She told you that, did she?' said Sugden with interest.
'Yes. What was it that the señorita picked up?'
Sugden sighed.
'I could give you three hundred guesses! I'll show it to you. It's the sort of thing that solves the whole mystery in detective stories! If you can make anything out of it, I'll retire from the police force!'
'Show it me.'
Sugden took an envelope from his pocket and tilted its contents on to the palm of his hand. A faint grin showed on his face.
'There you are. What do you make of it?'
On the superintendent's broad palm lay a little triangular piece of pink rubber and a small wooden peg.
His grin broadened as Poirot picked up the articles and frowned over them.
'Make anything of them, Mr Poirot?'
'This little piece of stuff might have been cut from a spongebag?'
'It was. It comes from a spongebag in Mr Lee's room. Somebody with sharp scissors just cut a small triangular piece out of it. Mr Lee may have done it himself, for all I know. But it beats me why he should do it. Horbury can't throw any light on the matter. As for the peg, it's about the size of a crib-bage peg, but they're usually made of ivory. This is just rough wood---whittled out of a bit of deal, I should say.'
'Most remarkable,' murmured Poirot.
'Keep 'em if you like,' said Sugden kindly. 'I don't want them.'
'Mon ami, I would not deprive you of them!'
'They don't mean anything at all to you?'
'I must confess---nothing whatever!'
'Splendid!' said Sugden with heavy sarcasm, returning them to his pocket. 'We are getting on!'
Poirot said:
'Mrs George Lee, she recounts that the young lady stooped and picked these bagatelles up in a furtive manner. Should you say that that was true?'
Sugden considered the point.
'N-o,' he said hesitatingly. 'I shouldn't quite go as far as that. She didn't look guilty---nothing of that kind---but she did set about it rather---well, quickly and quietly---if you know what I mean. And she didn't know I'd seen her do it! That I'm sure of. She jumped when I rounded on her.'
Poirot said thoughtfully:
'Then there was a reason? But what conceivable reason could there have been? That little piece of rubber is quite fresh. It has not been used for anything. It can have no meaning whatsoever; and yet---'
Sugden said impatiently:
'Well, you can worry about it if you like, Mr Poirot. I've got other things to think about.'
Poirot asked:
'The case stands---where, in your opinion?'
Sugden took out his note-book.
'Let's get down to facts. To begin with, there are the people who couldn't have done it. Let's get them out of the way first---'
'They are---?'
'Alfred and Harry Lee. They've got a definite alibi. Also Mrs Alfred Lee, since Tressilian saw her in the drawing-room only about a minute before the row started upstairs. Those three are clear. Now for the others. Here's a list. I've put it this way for clearness.'
He handed the book to Poirot.
At the time of the crime
George Lee
?
Mrs George Lee
?
David Lee
playing piano in music-room
(confirmed by his wife)
Mrs David Lee
in music-room (confirmed by husband)
Miss Estravados
in her bedroom (no confirmation)
Stephen Farr
in ballroom playing gramophone
(confirmed by three of staff
who could hear the music in
servants' hall).
Poirot said, handing back the list:
'And therefore?'
'And therefore,' said Sugden, 'George Lee could have killed the old man. Mrs George Lee could have killed him. Pilar Estravados could have killed him; and either Mr or Mrs David Lee could have killed him, but not both.'
'You do not, then, accept that alibi?'
Superintendent Sugden shook his head emphatically.
'Not on your life! Husband and wife---devoted to each other! They may be in it together, or if one of them did it, the other is ready to swear to an alibi. I look at it this way: Someone was in the music-room playing the piano. It may have been David Lee. It probably was, since he was an acknowledged musician, but there's nothing to say his wife was there too except her word and his. In the same way, it may have been Hilda who was playing that piano while David Lee crept upstairs and killed his father! No, it's an absolutely different case from the two brothers in the dining-room. Alfred Lee and Harry Lee don't love each other. Neither of them would perjure himself for the other's sake.'
'What about Stephen Farr?'
'He's a possible suspect because that gramophone alibi is a bit thin. On the other hand, it's the sort of alibi that's really sounder than a good cast-iron dyed-in-the-wool alibi which, ten to one, has been faked up beforehand!'
Poirot bowed his head thoughtfully.
'I know what you mean. It is the alibi of a man who did not know that he would be called upon to provide such a thing.'
'Exactly! And anyway, somehow, I don't believe a stranger was mixed up in this thing.'
Poirot said quickly:
'I agree with you. It is here a family affair. It is a poison that works in the blood---it is intimate---it is deep-seated. There is here, I think, hate and knowledge...'
He waved his hands.
'I do not know---it is difficult!'
Superintendent Sugden had waited respectfully, but without being much impressed. He said:
'Quite so, Mr Poirot. But we'll get at it, never fear, with elimination and logic. We've got the possibilities now---the people with opportunity. George Lee, Magdalene Lee, David Lee, Hilda Lee, Pilar Estravados, and I'll add, Stephen Farr. Now we come to motive. Who had a motive for putting old Mr Lee out of the way? There again we can wash out certain people. Miss Estravados, for one. I gather that as the will stands now, she doesn't get anything at all. If Simeon Lee had died before her mother, her mother's share would have come down to her (unless her mother willed it otherwise), but as Jennifer Estravados predeceased Simeon Lee, that particular legacy reverts to the other members of the family. So it was definitely to Miss Estravados' interests to keep the old man alive. He'd taken a fancy to her; it's pretty certain he'd have left her a good slice of money when he made a new will. She had everything to lose and nothing to gain by his murder. You agree to that?'
'Perfectly.'
'There remains, of course, the possibility that she cut his throat in the heat of a quarrel, but that seems extremely unlikely to me. To begin with, they were on the best of terms, and she hadn't been here long enough to bear him a grudge about anything. It therefore seems highly unlikely that Miss Estravados has anything to do with the crime---except that you might argue that to cut a man's throat is an unEnglish sort of thing to do, as your friend Mrs George put it?'
'Do not call her my friend,' said Poirot hastily. 'Or I shall speak of your friend Miss Estravados, who finds you such a handsome man!'
He had the pleasure of seeing the superintendent's official poise upset again. The police officer turned crimson. Poirot looked at him with malicious amusement.
He said, and there was a wistful note in his voice:
'It is true that your moustache is superb...Tell me, do you use for it a special pomade?'
'Pomade? Good lord, no!'
'What do you use?'
'Use? Nothing at all. It---it just grows.'
Poirot sighed.
'You are favoured by nature.' He caressed his own luxuriant black moustache, then sighed. 'However expensive the preparation,' he murmured, 'to restore the natural colour does somewhat impoverish the quality of the hair.'
Superintendent Sugden, uninterested in hair-dressing problems, was continuing in a stolid manner:
'Considering the motive for the crime, I should say that we can probably wash out Mr Stephen Farr. It's just possible that there was some hanky-panky between his father and Mr Lee and the former suffered, but I doubt it. Farr's manner was too easy and assured when he mentioned that subject. He was quite confident---and I don't think he was acting. No, I don't think we'll find anything there.'
'I do not think you will,' said Poirot.
'And there's one other person with a motive for keeping old Mr Lee alive---his son Harry. It's true that he benefits under the will, but I don't believe he was aware of the fact. Certainly couldn't have been sure of it! The general impression seemed to be that Harry had been definitely cut out of his share of the inheritance at the time he cut loose. But now he was on the point of coming back into favour! It was all to his advantage that his father should make a new will. He wouldn't be such a fool as to kill him now. Actually, as we know, he couldn't have done it. You see, we're getting on; we're clearing quite a lot of people out of the way.'
'How true. Very soon there will be nobody left!'
Sugden grinned.
'We're not going as fast as that! We've got George Lee and his wife, and David Lee and Mrs David. They all benefit by the death, and George Lee, from all I can make out, is grasping about money. Moreover, his father was threatening to cut down supplies. So we've got George Lee with motive and opportunity!'
'Continue,' said Poirot.
'And we've got Mrs George! As fond of money as a cat is fond of cream; and I'd be prepared to bet she's heavily in debt at the minute! She was jealous of the Spanish girl. She was quick to spot that the other was gaining an ascendancy over the old man. She'd heard him say that he was sending for the lawyer. So she struck quickly. You could make out a case.'
'Possibly.'
'Then there's David Lee and his wife. They inherit under the present will, but I don't believe, somehow, that the money motive would be particularly strong in their case.'
'No?'
'No. David Lee seems to be a bit of a dreamer---not a mercenary type. But he's---well, he's odd. As I see it, there are three possible motives for this murder: There's the diamond complication, there's the will, and there's---well---just plain hate.'
'Ah, you see that, do you?'
Sugden said:
'Naturally. It's been present in my mind all along. If David Lee killed his father, I don't think it was for money. And if he was the criminal it might explain the---well, the blood-letting!'
Poirot looked at him appreciatively.
'Yes, I wondered when you would take that into consideration. So much blood---that is what Mrs Alfred said. It takes one back to ancient rituals---to blood sacrifice, to the anointing with the blood of the sacrifice...'
Sugden said, frowning:
'You mean whoever did it was mad?'
'Mon cher---there are all sorts of deep instincts in man of which he himself is unaware. The craving for blood---the demand for sacrifice!'
Sugden said doubtfully:
'David Lee looks a quiet, harmless fellow.'
Poirot said:
'You do not understand the psychology. David Lee is a man who lives in the past---a man in whom the memory of his mother is still very much alive. He kept away from his father for many years because he could not forgive his father's treatment of his mother. He came here, let us suppose, to forgive. But he may not have been able to forgive...We do know one thing---that when David Lee stood by his father's dead body, some part of him was appeased and satisfied. "The mills of God grind slowly, yet they grind exceeding small." Retribution! Payment! The wrong wiped out by expiation!'
Sugden gave a sudden shudder. He said:
'Don't talk like that, Mr Poirot. You give me quite a turn. It may be that it's as you say. If so, Mrs David knows---and means to shield him all she knows how. I can imagine her doing that. On the other hand, I can't imagine her being a murderess. She's such a comfortable commonplace sort of woman.'
Poirot looked at him curiously.
'So she strikes you like that?' he murmured.
'Well, yes---a homely body, if you know what I mean!'
'Oh, I know what you mean perfectly!'
Sugden looked at him.
'Come, now, Mr Poirot, you've got ideas about the case. Let's have them.'
Poirot said slowly: 'I have ideas, yes, but they are rather nebulous. Let me first hear your summing-up of the case.'
'Well, it's as I said---three possible motives: hate, gain, and this diamond complication. Take the facts chronologically.
'3.30. Family gathering. Telephone conversation to lawyer overheard by all the family. Then the old man lets loose on his family, tells them where they all get off. They slink out like a lot of scared rabbits.'
'Hilda Lee remained behind,' said Poirot.
'So she did. But not for long. Then about six Alfred has an interview with his father---unpleasant interview. Harry is to be reinstated. Alfred isn't pleased. Alfred, of course, ought to be our principal suspect. He had by far the strongest motive. However, to get on, Harry comes along next. Is in boisterous spirits. Has got the old man just where he wants him. But before those two interviews Simeon Lee has discovered the loss of the diamonds and has telephoned to me. He doesn't mention his loss to either of his two sons. Why? In my opinion because he was quite sure neither of them had anything to do with it. Neither of them were under suspicion. I believe, as I've said all along, that the old man suspected Horbury and one other person. And I'm pretty sure of what he meant to do. Remember, he said definitely he didn't want anyone to come and sit with him that evening. Why? Because he was preparing the way for two things: First, my visit; and second, the visit of that other suspected person. He did ask someone to come and see him immediately after dinner. Now who was that person likely to be? Might have been George Lee. Much more likely to have been his wife. And there's another person who comes back into the picture here---Pilar Estravados. He's shown her the diamonds. He'd told her their value. How do we know that girl isn't a thief? Remember these mysterious hints about the disgraceful behaviour of her father. Perhaps he was a professional thief and finally went to prison for it.'
Poirot said slowly:
'And so, as you say, Pilar Estravados comes back into the picture...'
'Yes---as a thief. No other way. She may have lost her head when she was found out. She may have flown at her grandfather and attacked him.'
Poirot said slowly:
'It is possible---yes...'
Superintendent Sugden looked at him keenly.
'But that's not your idea? Come, Mr Poirot, what is your idea?'
Poirot said:
'I go back always to the same thing: the character of the dead man. What manner of a man was Simeon Lee?'
'There isn't much mystery about that,' said Sugden, staring.
'Tell me, then. That is to say, tell me from the local point of view what was known of the man.'
Superintendent Sugden drew a doubtful finger along his jawbone. He looked perplexed. He said:
'I'm not a local man myself. I come from Reeveshire, over the border---next county. But of course old Mr Lee was a well-known figure in these parts. I know all about him by hearsay.'
'Yes? And that hearsay was---what?'
Sugden said:
'Well, he was a sharp customer; there weren't many who could get the better of him. But he was generous with his money. Openhanded as they make 'em. Beats me how Mr George Lee can be the exact opposite, and be his father's son.'
'Ah! But there are two distinct strains in the family. Alfred, George, and David resemble---superficially at least---their mother's side of the family. I have been looking at some portraits in the gallery this morning.'
'He was hot-tempered,' continued Superintendent Sugden, 'and of course he had a bad reputation with women---that was in his younger days. He's been an invalid for many years now. But even there he always behaved generously. If there was trouble, he always paid up handsomely and got the girl married off as often as not. He may have been a bad lot, but he wasn't mean. He treated his wife badly, ran after other women, and neglected her. She died of a broken heart, so they say. It's a convenient term, but I believe she was really very unhappy, poor lady. She was always sickly and never went about much. There's no doubt that Mr Lee was an odd character. Had a revengeful streak in him, too. If anyone did him a nasty turn he always paid it back, so they say, and didn't mind how long he had to wait to do it.'
'The mills of God grind slowly, yet they grind exceeding small,' murmured Poirot.
Superintendent Sugden said heavily:
'Mills of the devil, more likely! Nothing saintly about Simeon Lee. The kind of man you might say had sold his soul to the devil and enjoyed the bargain! And he was proud, too, proud as Lucifer.'
'Proud as Lucifer!' said Poirot. 'It is suggestive, what you say there.'
Superintendent Sugden said, looking puzzled:
'You don't mean that he was murdered because he was proud?'
'I mean,' said Poirot, 'that there is such a thing as inheritance. Simeon Lee transmitted that pride to his sons---'
He broke off. Hilda Lee had come out of the house and was standing looking along the terrace.
'I wanted to find you, M. Poirot.'
Superintendent Sugden had excused himself and gone back into the house. Looking after him, Hilda said:
'I didn't know he was with you. I thought he was with Pilar. He seems a nice man, quite considerate.'
Her voice was pleasant, a low, soothing cadence to it.
Poirot asked:
'You wanted to see me, you say?'
She inclined her head.
'Yes. I think you can help me.'
'I shall be delighted to do so, madame.'
She said:
'You are a very intelligent man, M. Poirot. I saw that last night. There are things which you will, I think, find out quite easily. I want you to understand my husband.'
'Yes, madame?'
'I shouldn't talk like this to Superintendent Sugden. He wouldn't understand. But you will.'
Poirot bowed. 'You honour me, madame.'
Hilda went calmly on:
'My husband, for many years, ever since I married him, has been what I can only describe as a mental cripple.'
'Ah!'
'When one suffers some great hurt physically, it causes shock and pain, but slowly it mends, the flesh heals, the bone knits. There may be, perhaps, a little weakness, a slight scar, but nothing more. My husband, M. Poirot, suffered a great hurt mentally at his most susceptible age. He adored his mother and he saw her die. He believed that his father was morally responsible for that death. From that shock he has never quite recovered. His resentment against his father never died down. It was I who persuaded David to come here this Christmas, to be reconciled to his father. I wanted it---for his sake---I wanted that mental wound to heal. I realize now that coming here was a mistake. Simeon Lee amused himself by probing into that old wound. It was---a very dangerous thing to do...'
Poirot said: 'Are you telling me, madame, that your husband killed his father?'
'I am telling you, M. Poirot, that he easily might have done so...And I will also tell you this---that he did not! When Simeon Lee was killed, his son was playing the "Dead March". The wish to kill was in his heart. It passed out through his fingers and died in waves of sound---that is the truth.'
Poirot was silent for a minute or two, then he said:
'And you, madame, what is your verdict on that past drama?'
'You mean the death of Simeon Lee's wife?'
'Yes.'
Hilda said slowly:
'I know enough of life to know that you can never judge any case on its outside merits. To all seeming, Simeon Lee was entirely to blame and his wife was abominably treated. At the same time, I honestly believe that there is a kind of meekness, a predisposition to martyrdom which does arouse the worst instincts in men of a certain type. Simeon Lee would have admired, I think, spirit and force of character. He was merely irritated by patience and tears.'
Poirot nodded. He said:
'Your husband said last night: "My mother never complained." Is that true?'
Hilda Lee said impatiently:
'Of course it isn't! She complained the whole time to David! She laid the whole burden of her unhappiness on his shoulders. He was too young---far too young to bear all she gave him to bear!'
Poirot looked thoughtfully at her. She flushed under his gaze and bit her lip.
He said:
'I see.'
She said sharply:
'What do you see?'
He answered:
'I see that you have had to be a mother to your husband when you would have preferred to be a wife.'
She turned away.
At that moment David Lee came out of the house and along the terrace towards them. He said, and his voice had a clear joyful note in it:
'Hilda, isn't it a glorious day? Almost like spring instead of winter.'
He came nearer. His head was thrown back, a lock of fair hair fell across his forehead, his blue eyes shone. He looked amazingly young and boyish. There was about him a youthful eagerness, a carefree radiance. Hercule Poirot caught his breath...
David said: 'Let's go down to the lake, Hilda.'
She smiled, put her arm through his, and they moved off together.
As Poirot watched them go, he saw her turn and give him a rapid glance. He caught a momentary glimpse of swift anxiety---or was it, he wondered, fear?
Slowly Hercule Poirot walked to the other end of the terrace. He murmured to himself:
'As I have always said, me, I am the father confessor! And since women come to confession more frequently than men, it is women who have come to me this morning. Will there, I wonder, be another very shortly?'
As he turned at the end of the terrace and paced back again, he knew that his question was answered. Lydia Lee was coming towards him.
Lydia said:
'Good morning, M. Poirot. Tressilian told me I should find you out here with Harry; but I am glad to find you alone. My husband has been speaking about you. I know he is very anxious to talk to you.'
'Ah! Yes? Shall I go and see him now?'
'Not just yet. He got hardly any sleep last night. In the end I gave him a strong sleeping draught. He is still asleep, and I don't want to disturb him.'
'I quite understand. That was very wise. I could see last night that the shock had been very great.'
She said seriously:
'You see, M. Poirot, he really cared---much more than the others.'
'I understand.'
She asked:
'Have you---has the superintendent---any idea of who can have done this awful thing?'
Poirot said deliberately:
'We have certain ideas, madame, as to who did not do it.'
Lydia said, almost impatiently:
'It's like a nightmare---so fantastic---I can't believe it's real!'
She added:
'What about Horbury? Was he really at the cinema, as he said?'
'Yes, madame, his story has been checked. He was speaking the truth.'
Lydia stopped and plucked at a bit of yew. Her face went a little paler. She said:
'But that's awful! It only leaves---the family!'
'Exactly.'
'M. Poirot, I can't believe it!'
'Madame, you can and you do believe it!'
She seemed about to protest. Then suddenly she smiled ruefully.
She said:
'What a hypocrite one is!'
He nodded.
'If you were to be frank with me, madame,' he said, 'you would admit that to you it seems quite natural that one of his family should murder your father-in-law.'
Lydia said sharply:
'That's really a fantastic thing to say, M. Poirot!'
'Yes, it is. But your father-in-law was a fantastic person!'
Lydia said:
'Poor old man. I can feel sorry for him now. When he was alive, he just annoyed me unspeakably!'
Poirot said:
'So I should imagine!'
He bent over one of the stone sinks.
'They are very ingenious, these. Very pleasing.'
'I'm glad you like them. It's one of my hobbies. Do you like this Arctic one with the penguins and the ice?'
'Charming. And this---what is this?'
'Oh, that's the Dead Sea---or going to be. It isn't finished yet. You mustn't look at it. Now this one is supposed to be Piana in Corsica. The rocks there, you know, are quite pink and too lovely where they go down into the blue sea. This desert scene is rather fun, don't you think?'
She led him along. When they had reached the farther end she glanced at her wrist-watch.
'I must go and see if Alfred is awake.'
When she had gone Poirot went slowly back again to the garden representing the Dead Sea. He looked at it with a good deal of interest. Then he scooped up a few of the pebbles and let them run through his fingers.
Suddenly his face changed. He held up the pebbles close to his face.
'Sapristi!' he said. 'This is a surprise! Now what exactly does this mean?'
The chief constable and Superintendent Sugden stared at Poirot incredulously. The latter returned a stream of small pebbles carefully into a small cardboard box and pushed it across to the chief constable.
'Oh, yes,' he said. 'It is the diamonds all right.'
'And you found them where, did you say? In the garden?'
'In one of the small gardens constructed by Madame Alfred Lee.'
'Mrs Alfred?' Sugden shook his head. 'Doesn't seem likely.'
Poirot said:
'You mean, I suppose, that you do not consider it likely that Mrs Alfred cut her father-in-law's throat?'
Sugden said quickly:
'We know she didn't do that. I meant it seemed unlikely that she pinched these diamonds.'
Poirot said:
'One would not easily believe her a thief---no.'
Sugden said:
'Anybody could have hidden them there.'
'That is true. It was convenient that in that particular garden---the Dead Sea as it represents---there happened to be pebbles very similar in shape and appearance.'
Sugden said:
'You mean she fixed it like that beforehand? Ready?'
Colonel Johnson said warmly:
'I don't believe it for a moment. Not for a moment. Why should she take the diamonds in the first place?'
'Well, as to that---' Sugden said slowly.
Poirot nipped in quickly:
'There is a possible answer to that. She took the diamonds to suggest a motive for the murder. That is to say she knew that murder was going to be done though she herself took no active part in it.'
Johnson frowned.
'That won't hold water for a minute. You're making her out to be an accomplice---but whose accomplice would she be likely to be? Only her husband's. But as we know that he, too, had nothing to do with the murder, the whole theory falls to the ground.'
Sugden stroked his jaw reflectively.
'Yes,' he said, 'that's so. No, if Mrs Lee took the diamonds---and it's a big if---it was just plain robbery, and it's true she might have prepared that garden specially as a hiding-place for them till the hue and cry had died down. Another possibility is that of coincidence. That garden, with its similarity of pebbles, struck the thief, whoever he or she was, as an ideal hiding-place.'
Poirot said:
'That is quite possible. I am always prepared to admit one coincidence.'
Superintendent Sugden shook his head dubiously.
Poirot said:
'What is your opinion, Superintendent?'
The superintendent said cautiously:
'Mrs Lee's a very nice lady. Doesn't seem likely that she'd be mixed up in any business that was fishy. But, of course, one never knows.'
Colonel Johnson said testily:
'In any case, whatever the truth is about the diamonds, her being mixed up in the murder is out of the question. The butler saw her in the drawing-room at the actual time of the crime. You remember that, Poirot?'
Poirot said:
'I had not forgotten that.'
The chief constable turned to his subordinate.
'We'd better get on. What have you to report? Anything fresh?'
'Yes, sir. I've got hold of some new information. To start with---Horbury. There's a reason why he might be scared of the police.'
'Robbery? Eh?'
'No, sir. Extorting money under threats. Modified blackmail. The case couldn't be proved so he got off, but I rather fancy he's got away with a thing or two in that line. Having a guilty conscience, he probably thought we were on to something of that kind when Tressilian mentioned a police officer last night and it made him get the wind up.'
The chief constable said:
'H'm! So much for Horbury. What else?'
The superintendent coughed.
'Er---Mrs George Lee, sir. We've got a line on her before her marriage. Was living with a Commander Jones. Passed as his daughter---but she wasn't his daughter...I think from what we've been told, that old Mr Lee summed her up pretty correctly---he was smart where women were concerned, knew a bad lot when he saw one---and was just amusing himself by taking a shot in the dark. And he got her on the raw!'
Colonel Johnson said thoughtfully:
'That gives her another possible motive---apart from the money angle. She may have thought he knew something definite and was going to give her away to her husband. That telephone story of hers is pretty fishy. She didn't telephone.'
Sugden suggested:
'Why not have them in together, sir, and get at that telephone business straight? See what we get.'
Colonel Johnson said:
'Good idea.'
He rang the bell. Tressilian answered it.
'Ask Mr and Mrs George Lee to come here.'
'Very good, sir.'
As the old man turned away, Poirot said:
'The date on that wall calendar, has it remained like it is since the murder?'
Tressilian turned back.
'Which calendar, sir?'
'The one on the wall over there.'
The three men were sitting once more in Alfred Lee's small sitting-room. The calendar in question was a large one with tear-off leaves, a bold date on each leaf.
Tressilian peered across the room, then shuffled slowly across till he was a foot or two away.
He said:
'Excuse me, sir, it has been torn off. It's the twenty-sixth today.'
'Ah, pardon. Who would have been the person to tear it off?'
'Mr Lee does, sir, every morning. Mr Alfred, he's a very methodical gentleman.'
'I see. Thank you.'
Tressilian went out. Sugden said, puzzled:
'Is there anything fishy about that calendar, Mr Poirot? Have I missed something there?'
With a shrug of his shoulders Poirot said:
'The calendar is of no importance. It was just a little experiment I was making.'
Colonel Johnson said:
'Inquest tomorrow. There'll be an adjournment, of course.'
Sugden said:
'Yes, sir, I've seen the Coroner and it's all arranged for.'
George Lee came into the room, accompanied by his wife.
Colonel Johnson said:
'Good morning. Sit down, will you? There are a few questions I want to ask both of you. Something I'm not quite clear about.'
'I shall be glad to give you any assistance I can,' said George, somewhat pompously.
Magdalene said faintly:
'Of course!'
The chief constable gave a slight nod to Sugden. The latter said:
'About those telephone calls on the night of the crime. You put through a call to Westeringham, I think you said, Mr Lee?'
George said coldly:
'Yes, I did. To my agent in the constituency. I can refer you to him and---'
Superintendent Sugden held up his hand to stem the flow.
'Quite so---quite so, Mr Lee. We're not disputing that point. Your call went through at 8.59 exactly.'
'Well---I---er---couldn't say as to the exact time.'
'Ah,' said Sugden. 'But we can! We always check up on these things very carefully. Very carefully indeed. The call was put through at 8.59 and it was terminated at 9.4. Your father, Mr Lee, was killed about 9.15. I must ask you once more for an account of your movements.'
'I've told you---I was telephoning!'
'No, Mr Lee, you weren't.'
'Nonsense---you must have made a mistake! Well, I may, perhaps, have just finished telephoning---I think I debated making another call---was just considering whether it was---er---worth---the expense---when I heard the noise upstairs.'
'You would hardly debate whether or not to make a telephone call for ten minutes.'
George went purple. He began to splutter.
'What do you mean? What the devil do you mean? Damned impudence! Are you doubting my word? Doubting the word of a man of my position? I---er---why should I have to account for every minute of my time?'
Superintendent Sugden said with a stolidness that Poirot admired:
'It's usual.'
George turned angrily on the chief constable.
'Colonel Johnson. Do you countenance this---this unprecedented attitude?'
The chief constable said crisply: 'In a murder case, Mr Lee, then questions must be asked---and answered.'
'I have answered them! I had finished telephoning and was---er---debating a further call.'
'You were in this room when the alarm was raised upstairs?'
'I was---yes, I was.'
Johnson turned to Magdalene.
'I think, Mrs Lee,' he said, 'that you stated that you were telephoning when the alarm broke out, and that at the time you were alone in this room?'
Magdalene was flustered. She caught her breath, looked sideways at George---at Sugden, then appealingly at Colonel Johnson. She said:
'Oh, really---I don't know---I don't remember what I said...I was so upset...'
Sugden said:
'We've got it all written down, you know.'
She turned her batteries on him---wide appealing eyes---quivering mouth. But she met in return the rigid aloofness of a man of stern respectability who didn't approve of her type.
She said uncertainly:
'I---I---of course I telephoned. I can't be quite sure just when---'
She stopped.
George said:
'What's all this? Where did you telephone from? Not in here.'
Superintendent Sugden said:
'I suggest, Mrs Lee, that you didn't telephone at all. In that case, where were you and what were you doing?'
Magdalene glanced distractedly about her and burst into tears. She sobbed:
'George, don't let them bully me! You know that if anyone frightens me and thunders questions at me, I can't remember anything at all! I---I don't know what I was saying that night---it was all so horrible---and I was so upset---and they're being so beastly to me...'
She jumped up and ran sobbing out of the room.
Springing up, George Lee blustered:
'What d'you mean? I won't have my wife bullied and frightened out of her life! She's very sensitive. It's disgraceful! I shall have a question asked in the House about the disgraceful bullying methods of the police. It's absolutely disgraceful!'
He strode out of the room and banged the door.
Superintendent Sugden threw his head back and laughed.
He said:
'We've got them going properly! Now we'll see!'
Johnson said frowning:
'Extraordinary business! Looks fishy. We must get a further statement out of her.'
Sugden said easily:
'Oh! She'll be back in a minute or two. When she's decided what to say. Eh, Mr Poirot?'
Poirot, who had been sitting in a dream, gave a start.
'Pardon!'
'I said she'll be back.'
'Probably---yes, possibly---oh, yes!'
Sugden said, staring at him:
'What's the matter, Mr Poirot? Seen a ghost?'
Poirot said slowly:
'You know---I am not sure that I have not done just exactly that.'
Colonel Johnson said impatiently:
'Well, Sugden, anything else?'
Sugden said:
'I've been trying to check up on the order in which everyone arrived on the scene of the murder. It's quite clear what must have happened. After the murder when the victim's dying cry had given the alarm, the murderer slipped out, locked the door with pliers, or something of that kind, and a moment or two later became one of the people hurrying to the scene of the crime. Unfortunately it's not easy to check exactly whom everyone has seen because people's memories aren't very accurate on a point like that. Tressilian says he saw Harry and Alfred Lee cross the hall from the dining-room and race upstairs. That lets them out, but we don't suspect them anyway. As far as I can make out, Miss Estravados got there late---one of the last. The general idea seems to be that Farr, Mrs George, and Mrs David were the first. Each of those three says one of the others was just ahead of them. That's what's so difficult, you can't distinguish between a deliberate lie and a genuine haziness of recollection. Everybody ran there---that's agreed, but in what order they ran isn't so easy to get at.'
Poirot said slowly:
'You think that important?'
Sugden said:
'It's the time element. The time, remember, was incredibly short.'
Poirot said:
'I agree with you that the time element is very important in this case.'
Sugden went on:
'What makes it more difficult is that there are two staircases. There's the main one in the hall here about equidistant from the dining-room and the drawing-room doors. Then there's one the other end of the house. Stephen Farr came up by the latter. Miss Estravados came along the upper landing from that end of the house (her room is right the other end). The others say they went up by this one.'
Poirot said:
'It is a confusion, yes.'
The door opened and Magdalene came quickly in. She was breathing fast and had a bright spot of colour in each cheek. She came up to the table and said quietly:
'My husband thinks I'm lying down. I slipped out of my room quietly. Colonel Johnson,' she appealed to him with wide, distressed eyes, 'if I tell you the truth you will keep quiet about it, won't you? I mean you don't have to make everything public?'
Colonel Johnson said:
'You mean, I take it, Mrs Lee, something that has no connection with the crime?'
'Yes, no connection at all. Just something in my---my private life.'
The chief constable said:
'You'd better make a clean breast of it, Mrs Lee, and leave us to judge.'
Magdalene said, her eyes swimming:
'Yes, I will trust you. I know I can. You look so kind. You see, it's like this. There's somebody---' She stopped.
'Yes, Mrs Lee?'
'I wanted to telephone to somebody last night---a man---a friend of mine, and I didn't want George to know about it. I know it was very wrong of me---but well, it was like that. So I went to telephone after dinner when I thought George would be safely in the dining-room. But when I got here I heard him telephoning, so I waited.'
'Where did you wait, madame?' asked Poirot.
'There's a place for coats and things behind the stairs. It's dark there. I slipped back there, where I could see George come out from this room. But he didn't come out, and then all the noise happened and Mr Lee screamed, and I ran upstairs.'
'So your husband did not leave this room until the moment of the murder?'
'No.'
The chief constable said:
'And you yourself from nine o'clock to nine-fifteen were waiting in the recess behind the stairs?'
'Yes, but I couldn't say so, you see! They'd want to know what I was doing there. It's been very, very awkward for me, you do see that, don't you?'
Johnson said dryly:
'It was certainly awkward.'
She smiled at him sweetly.
'I'm so relieved to have told you the truth. And you won't tell my husband, will you? No, I'm sure you won't! I can trust you, all of you.'
She included them all in her final pleading look, then she slipped quickly out of the room.
Colonel Johnson drew a deep breath.
'Well,' he said. 'It might be like that! It's a perfectly plausible story. On the other hand---'
'It might not,' finished Sugden. 'That's just it. We don't know.'
Lydia Lee stood by the far window of the drawing-room looking out. Her figure was half hidden by the heavy window curtains. A sound in the room made her turn with a start to see Hercule Poirot standing by the door.
She said:
'You startled me, M. Poirot.'
'I apologize, madame. I walk softly.'
She said:
'I thought it was Horbury.'
Hercule Poirot nodded.
'It is true, he steps softly, that one---like a cat---or a thief.'
He paused a minute, watching her.
Her face showed nothing, but she made a slight grimace of distate as she said:
'I have never cared for that man. I shall be glad to get rid of him.'
'I think you will be wise to do so, madame.'
She looked at him quickly. She said:
'What do you mean? Do you know anything against him?'
Poirot said:
'He is a man who collects secrets---and uses them to his advantage.'
She said sharply:
'Do you think he knows anything---about the murder?'
Poirot shrugged his shoulders. He said:
'He has quiet feet and long ears. He may have overheard something that he is keeping to himself.'
Lydia said clearly:
'Do you mean that he may try to blackmail one of us?'
'It is within the bounds of possibility. But that is not what I came here to say.'
'What did you come to say?'
Poirot said slowly:
'I have been talking with M. Alfred Lee. He has made me a proposition, and I wished to discuss it with you before accepting or declining it. But I was so struck by the picture you made---the charming pattern of your jumper against the deep red of the curtains, that I paused to admire.'
Lydia said sharply:
'Really, M. Poirot, must we waste time in compliments?'
'I beg your pardon, madame. So few English ladies understand la toilette. The dress you were wearing the first night I saw you, its bold but simple pattern, it had grace---distinction.'
Lydia said impatiently:
'What was it you wanted to see me about?'
Poirot became grave.
'Just this, madame. Your husband, he wishes me to take up the investigation very seriously. He demands that I stay here, in the house, and do my utmost to get to the bottom of the matter.'
Lydia said sharply:
'Well?'
Poirot said slowly:
'I should not wish to accept an invitation that was not endorsed by the lady of the house.'
She said coldly:
'Naturally I endorse my husband's invitation.'
'Yes, madame, but I need more than that. Do you really want me to come here?'
'Why not?'
'Let us be more frank. What I ask you is this: do you want the truth to come out, or not?'
'Naturally.'
Poirot sighed.
'Must you return me these conventional replies?'
Lydia said:
'I am a conventional woman.'
Then she bit her lip, hesitated, and said:
'Perhaps it is better to speak frankly. Of course I understand you! The position is not a pleasant one. My father-in-law has been brutally murdered, and unless a case can be made out against the most likely suspect---Horbury---for robbery and murder---and it seems that it cannot---then it comes to this---one of his own family killed him. To bring that person to justice will mean bringing shame and disgrace on us all...If I am to speak honestly I must say that I do not want this to happen.'
Poirot said:
'You are content for the murderer to escape unpunished?'
'There are probably several undiscovered murderers at large in the world.'
'That, I grant you.'
'Does one more matter, then?'
Poirot said:
'And what about the other members of the family? The innocent?'
She stared.
'What about them?'
'Do you realize that if it turns out as you hope, no one will ever know. The shadow will remain on all alike...'
She said uncertainly:
'I hadn't thought of that.'
Poirot said:
'No one will ever know who the guilty person is...'
He added softly:
'Unless you already know, madame?'
She cried out:
'You have no business to say that! It's not true! Oh! If only it could be a stranger---not a member of the family.'
Poirot said:
'It might be both.'
She stared at him.
'What do you mean?'
'It might be a member of the family---and, at the same time, a stranger...You do not see what I mean? Eh bien, it is an idea that has occurred to the mind of Hercule Poirot.'
He looked at her.
'Well, madame, what am I to say to Mr Lee?'
Lydia raised her hands and let them fall in a sudden helpless gesture.
She said:
'Of course---you must accept.'
Pilar stood in the centre of the music-room. She stood very straight, her eyes darting from side to side like an animal who fears an attack.
She said:
'I want to get away from here!'
Stephen Farr said gently:
'You're not the only one who feels like that. But they won't let us go, my dear.'
'You mean---the police?'
'Yes.'
Pilar said very seriously:
'It is not nice to be mixed up with the police. It is a thing that should not happen to respectable people.'
Stephen said with a faint smile:
'Meaning yourself?'
Pilar said:
'No, I mean Alfred and Lydia and David and George and Hilda and---yes---Magdalene too.'
Stephen lit a cigarette. He puffed at it for a moment or two before saying:
'Why the exception?'
'What is that, please?'
Stephen said:
'Why leave out brother Harry?'
Pilar laughed, her teeth showing white and even.
'Oh, Harry is different! I think he knows very well what it is to be mixed up with the police.'
'Perhaps you are right. He certainly is a little too picturesque to blend well into the domestic picture.'
He went on:
'Do you like your English relations, Pilar?'
Pilar said doubtfully:
'They are kind---they are all very kind. But they do not laugh much, they are not gay.'
'My dear girl, there's just been a murder in the house!'
'Y-es,' said Pilar doubtfully.
'A murder,' said Stephen instructively, 'is not such an everyday occurrence as your nonchalance seems to imply. In England they take their murders seriously whatever they may do in Spain.'
Pilar said:
'You are laughing at me...'
Stephen said:
'You're wrong. I'm not in a laughing mood.'
Pilar looked at him and said:
'Because you, too, wish to get away from here?'
'Yes.'
'And the big, handsome policeman will not let you go?'
'I haven't asked him. But if I did, I've no doubt he'd say no. I've got to watch my step, Pilar, and be very very careful.'
'That is tiresome,' said Pilar, nodding her head.
'It's just a little bit more than tiresome, my dear. Then there's that lunatic foreigner prowling about. I don't suppose he's any good but he makes me feel jumpy.'
Pilar was frowning. She said:
'My grandfather was very, very rich, was he not?'
'I should imagine so.'
'Where does his money go to now? To Alfred and the others?'
'Depends on his will.'
Pilar said thoughtfully: 'He might have left me some money, but I am afraid that perhaps he did not.'
Stephen said kindly:
'You'll be all right. After all, you're one of the family. You belong here. They'll have to look after you.'
Pilar said with a sigh: 'I---belong here. It is very funny, that. And yet it is not funny at all.'
'I can see that you mightn't find it very humorous.'
Pilar sighed again. She said:
'Do you think if we put on the gramophone, we could dance?'
Stephen said dubiously:
'It wouldn't look any too good. This is a house of mourning, you callous Spanish baggage.'
Pilar said, her big eyes opening very wide:
'But I do not feel sad at all. Because I did not really know my grandfather, and though I liked to talk to him, I do not want to cry and be unhappy because he is dead. It is very silly to pretend.'
Stephen said: 'You're adorable!'
Pilar said coaxingly:
'We could put some stockings and some gloves in the gramophone, and then it would not make much noise, and no one would hear.'
'Come along then, temptress.'
She laughed happily and ran out of the room, going along towards the ballroom at the far end of the house.
Then, as she reached the side passage which led to the garden door, she stopped dead. Stephen caught up with her and stopped also.
Hercule Poirot had unhooked a portrait from the wall and was studying it by the light from the terrace. He looked up and saw them.
'Aha!' he said. 'You arrive at an opportune moment.'
Pilar said: 'What are you doing?'
She came and stood beside him.
Poirot said gravely:
'I am studying something very important, the face of Simeon Lee when he was a young man.'
'Oh, is that my grandfather?'
'Yes, mademoiselle.'
She stared at the painted face. She said slowly:
'How different---how very different...He was so old, so shrivelled up. Here he is like Harry, like Harry might have been ten years ago.'
Hercule Poirot nodded.
'Yes, mademoiselle. Harry Lee is very much the son of his father. Now here---' He led her a little way along the gallery. 'Here is madame, your grandmother---a long gentle face, very blonde hair, mild blue eyes.'
Pilar said:
'Like David.'
Stephen said:
'Just a look of Alfred too.'
Poirot said:
'The heredity, it is very interesting. Mr Lee and his wife were diametrically opposite types. On the whole, the children of the marriage took after the mother. See here, mademoiselle.'
He pointed to a picture of a girl of nineteen or so, with hair like spun gold and wide, laughing blue eyes. The colouring was that of Simeon Lee's wife, but there was a spirit, a vivacity that those mild blue eyes and placid features had never known.
'Oh!' said Pilar.
The colour came up in her face.
Her hand went to her neck. She drew out a locket on a long gold chain. She pressed the catch and it flew open. The same laughing face looked up at Poirot.
'My mother,' said Pilar.
Poirot nodded. On the opposite side of the locket was the portrait of a man. He was young and handsome, with black hair and dark blue eyes.
Poirot said: 'Your father?'
Pilar said:
'Yes, my father. He is very beautiful, is he not?'
'Yes, indeed. Few Spaniards have blue eyes, have they, señorita?'
'Sometimes, in the North. Besides, my father's mother was Irish.'
Poirot said thoughtfully:
'So you have Spanish blood, and Irish and English, and a touch of gipsy too. Do you know what I think, mademoiselle? With that inheritance, you should make a bad enemy.'
Stephen said, laughing:
'Remember what you said in the train, Pilar? That your way of dealing with your enemies would be to cut their throats. Oh!'
He stopped---suddenly realizing the import of his words.
Hercule Poirot was quick to lead the conversation away. He said:
'Ah, yes, there was something, señorita, I had to ask you. Your passport. It is needed by my friend the superintendent. There are, you know, police regulations---very stupid, very tiresome, but necessary---for a foreigner in this country. And of course, by law, you are a foreigner.'
Pilar's eyebrows rose.
'My passport? Yes, I will get it. It is in my room.'
Poirot said apologetically as he walked by her side:
'I am most sorry to trouble you. I am indeed.'
They had reached the end of the long gallery. Here was a flight of stairs. Pilar ran up and Poirot followed. Stephen came too. Pilar's bedroom was just at the head of the stairs.
She said as she reached the door: 'I will get it for you.'
She went in. Poirot and Stephen Farr remained waiting outside.
Stephen said remorsefully:
'Damn' silly of me to say a thing like that. I don't think she noticed, though, do you?'
Poirot did not answer. He held his head a little on one side as though listening.
He said:
'The English are extraordinarily fond of fresh air. Miss Estravados must have inherited that characteristic.'
Stephen said staring:
'Why?'
Poirot said softly:
'Because though it is today extremely cold---the black frost you call it (not like yesterday so mild and sunny) Miss Estravados has just flung up her lower window-sash. Amazing to love so much the fresh air.'
Suddenly there was an exclamation in Spanish from inside the room and Pilar reappeared laughingly dismayed.
'Ah!' she cried. 'But I am stupid---and clumsy. My little case it was on the window-sill, and I was sorting through it so quickly and very stupidly I knock my passport out of the window. It is down on the flower-bed below. I will get it.'
'I'll get it,' said Stephen, but Pilar had flown past him and cried back over her shoulder:
'No, it was my stupidity. You go to the drawing-room with M. Poirot and I will bring it to you there.'
Stephen Farr seemed inclined to go after her, but Poirot's hand fell gently on his arm and Poirot's voice said:
'Let us go this way.'
They went along the first-floor corridor towards the other end of the house until they got to the head of the main staircase. Here Poirot said:
'Let us not go down for a minute. If you will come with me to the room of the crime there is something I want to ask you.'
They went along the corridor which led to Simeon Lee's room. On their left they passed an alcove which contained two marble statues, stalwart nymphs clasping their draperies in an agony of Victorian propriety.
Stephen Farr glanced at them and murmured:
'Pretty frightful by daylight. I thought there were three of them when I came along the other night, but thank goodness there are only two!'
'They are not what is admired nowadays,' admitted Poirot. 'But no doubt they cost much money in their time. They look better by night, I think.'
'Yes, one sees only a white glimmering figure.'
Poirot murmured:
'All cats are grey in the dark!'
They found Superintendent Sugden in the room. He was kneeling by the safe and examining it with a magnifying glass. He looked up as they entered.
'This was opened with the key all right,' he said. 'By someone who knew the combination. No sign of anything else.'
Poirot went up to him, drew him aside, and whispered something. The superintendent nodded and left the room.
Poirot turned to Stephen Farr, who was standing staring at the armchair in which Simeon Lee always sat. His brows were drawn together and the veins showed in his forehead. Poirot looked at him for a minute or two in silence, then he said: 'You have the memories---yes?'
Stephen said slowly:
'Two days ago he sat there alive---and now...'
Then, shaking off his absorption, he said: 'Yes, M. Poirot, you brought me here to ask me something?'
'Ah, yes. You were, I think, the first person to arrive on the scene that night?'
'Was I? I don't remember. No, I think one of the ladies was here before me.'
'Which lady?'
'One of the wives---George's wife or David's---I know they were both here pretty soon.'
'You did not hear the scream, I think you said?'
'I don't think I did. I can't quite remember. Somebody did cry out but that may have been someone downstairs.'
Poirot said:
'You did not hear a noise like this?'
He threw his head back and suddenly gave vent to a piercing yell.
It was so unexpected that Stephen started backwards and nearly fell over. He said angrily:
'For the Lord's sake, do you want to scare the whole house? No, I didn't hear anything in the least like that! You'll have the whole place by the ears again! They'll think another murder has happened!'
Poirot looked crestfallen. He murmured:
'True...it was foolish...We must go at once.'
He hurried out of the room. Lydia and Alfred were at the foot of the stairs peering up---George came out of the library to join them, and Pilar came running, a passport held in her hand.
Poirot cried:
'It is nothing---nothing. Do not be alarmed. A little experiment that I make. That was all.'
Alfred looked annoyed and George indignant. Poirot left Stephen to explain and he hurriedly slipped away along the passage to the other end of the house.
At the end of the passage Superintendent Sugden came quietly out of Pilar's door and met Poirot.
'Eh bien?' asked Poirot.
The superintendent shook his head.
'Not a sound.'
His eyes met Poirot's appreciatively and he nodded.
Alfred Lee said: 'Then you accept, M. Poirot?'
His hand, as it went to his mouth, shook slightly. His mild brown eyes were alight with a new and feverish expression. He stammered slightly in his speech. Lydia, standing silently by, looked at him with some anxiety.
Alfred said:
'You don't know---you c-c-can't imagine---what it m-m-means to me...My father's murderer must be f-f-found.'
Poirot said:
'Since you have assured me that you have reflected long and carefully---yes, I accept. But you comprehend, Mr Lee, there can be no drawing back. I am not the dog one sets on to hunt and then recalls because you do not like the game he puts up!'
'Of course...of course...Everything is ready. Your bedroom is prepared. Stay as long as you like---'
Poirot said gravely: 'It will not be long.'
'Eh? What's that?'
'I said it will not be long. There is in this crime such a restricted circle that it cannot possibly take long to arrive at the truth. Already, I think, the end draws near.'
Alfred stared at him, 'Impossible!' he said.
'Not at all. The facts all point more or less clearly in one direction. There is just some irrelevant matter to be cleared out of the way. When this is done the truth will appear.'
Alfred said incredulously:
'You mean you know?'
Poirot smiled. 'Oh, yes,' he said. 'I know.'
Alfred said:
'My father---my father---' He turned away.
Poirot said briskly:
'There are, M. Lee, two requests that I have to make.'
Alfred said in a muffled voice:
'Anything---anything.'
'Then, in the first place, I would like the portrait of M. Lee as a young man placed in the bedroom you are good enough to allot to me.'
Alfred and Lydia stared at him.
The former said: 'My father's portrait---but why?'
Poirot said with a wave of the hand:
'It will---how shall I say---inspire me.'
Lydia said sharply:
'Do you propose, M. Poirot, to solve a crime by clairvoyance?'
'Let us say, madame, that I intend to use not only the eyes of the body, but the eyes of the mind.'
She shrugged her shoulders.
Poirot continued:
'Next, M. Lee, I should like to know of the true circumstances attending the death of your sister's husband, Juan Estravados.'
Lydia said: 'Is that necessary?'
'I want all the facts, madame.'
Alfred said:
'Juan Estravados, as the result of a quarrel about a woman, killed another man in a café.'
'How did he kill him?'
Alfred looked appealingly at Lydia. She said evenly:
'He stabbed him. Juan Estravados was not condemned to death, as there had been provocation. He was sentenced to a term of imprisonment and died in prison.'
'Does his daughter know about her father?'
'I think not.'
Alfred said:
'No, Jennifer never told her.'
'Thank you.'
Lydia said:
'You don't think that Pilar---Oh, it's absurd!'
Poirot said:
'Now, M. Lee, will you give me some facts about your brother, M. Harry Lee?'
'What do you want to know?'
'I understand that he was considered somewhat of a disgrace to the family. Why?'
Lydia said:
'It is so long ago...'
Alfred said, the colour coming up in his face:
'If you want to know, M. Poirot, he stole a large sum of money by forging my father's name to a cheque. Naturally my father didn't prosecute. Harry's always been crooked. He's been in trouble all over the world. Always cabling for money to get out of a scrape. He's been in and out of gaol here, there and everywhere.'
Lydia said:
'You don't really know all this, Alfred.'
Alfred said angrily, his hands shaking:
'Harry's no good---no good whatever! He never has been!'
Poirot said:
'There is, I see, no love lost between you?'
Alfred said:
'He victimized my father---victimized him shamefully!'
Lydia sighed---a quick, impatient sigh. Poirot heard it and gave her a sharp glance.
She said:
'If only those diamonds could be found. I'm sure the solution lies there.'
Poirot said:
'They have been found, madame.'
'What?'
Poirot said gently:
'They were found in your little garden of the Dead Sea...'
Lydia cried:
'In my garden? How---how extraordinary!'
Poirot said softly:
'Is it not, madame?'
Alfred Lee said with a sigh:
'That was better than I feared!'
They had just returned from the inquest.
Mr Charlton, an old-fashioned type of solicitor with a cautious blue eye, had been present and had returned with them. He said:
'Ah---I told you the proceedings would be purely formal---purely formal---there was bound to be an adjournment---to enable the police to gather up additional evidence.'
George Lee said vexedly:
'It is all most unpleasant---really most unpleasant---a terrible position in which to be placed! I myself am quite convinced that this crime was done by a maniac who somehow or other gained admittance to the house. That man Sugden is as obstinate as a mule. Colonel Johnson should enlist the aid of Scotland Yard. These local police are no good. Thick-headed. What about this man Horbury, for instance? I hear his past is definitely unsatisfactory but the police do nothing whatever about it.'
Mr Charlton said:
'Ah---I believe the man Horbury has a satisfactory alibi covering the period of time in question. The police have accepted it.'
'Why should they?' George fumed. 'If I were they, I should accept such an alibi with reserve---with great reserve. Naturally, a criminal always provides himself with an alibi! It is the duty of the police to break down the alibi---that is, if they know their job.'
'Well, well,' said Mr Charlton. 'I don't think it's quite our business to teach the police their jobs, eh? Pretty competent body of men on the whole.'
George shook his head darkly.
'Scotland Yard should be called in. I'm not at all satisfied with Superintendent Sugden---he may be painstaking---but he is certainly far from brilliant.'
Mr Charlton said:
'I don't agree with you, you know. Sugden's a good man. Doesn't throw his weight about, but he gets there.'
Lydia said:
'I'm sure the police are doing their best. Mr Charlton, will you have a glass of sherry?'
Mr Charlton thanked her politely, but declined. Then, clearing his throat, he proceeded to the reading of the will, all members of the family being assembled.
He read it with a certain relish, lingering over its more obscure phraseology, and savouring its legal technicalities.
He came to the end, took off his glasses, wiped them, and looked round on the assembled company inquiringly.
Harry Lee said:
'All this legal stuff's a bit hard to follow. Give us the bare bones of it, will you?'
'Really,' said Mr Charlton. 'It's a perfectly simple will.'
Harry said:
'My God, what's a difficult will like then?'
Mr Charlton rebuked him with a cold glance. He said:
'The main provisions of the will are quite simple. Half Mr Lee's property goes to his son, Mr Alfred Lee, the remainder is divided between his other children.'
Harry laughed unpleasantly. He said:
'As usual, Alfred's struck lucky! Half my father's fortune! Lucky dog, aren't you, Alfred?'
Alfred flushed. Lydia said sharply:
'Alfred was a loyal and devoted son to his father. He's managed the works for years and has had all the responsibility.'
Harry said: 'Oh, yes, Alfred was always the good boy.'
Alfred said sharply:
'You may consider yourself lucky, I think, Harry, that my father left you anything at all!'
Harry laughed, throwing his head back. He said:
'You'd have liked it better if he'd cut me right out, wouldn't you? You've always disliked me.'
Mr Charlton coughed. He was used---only too well used---to the painful scenes that succeeded the reading of a will. He was anxious to get away before the usual family quarrel got too well under way.
He murmured:
'I think---er---that that is all that I need---er---'
Harry said sharply: 'What about Pilar?'
Mr Charlton coughed again, this time apologetically.
'Er---Miss Estravados is not mentioned in the will.'
Harry said: Doesn't she get her mother's share?'
Mr Charlton explained.
'Sen˜ora Estravados, if she had lived, would of course have received an equal share with the rest of you, but as she is dead, the portion that would have been hers goes back into the estate to be shared out between you.'
Pilar said slowly in her rich Southern voice:
'Then---I have---nothing?'
Lydia said quickly:
'My dear, the family will see to that, of course.'
George Lee said:
'You will be able to make your home here with Alfred---eh, Alfred? We---er---you are our niece---it is our duty to look after you.'
Hilda said: 'We shall always be glad to have Pilar with us.'
Harry said:
'She ought to have her proper share. She ought to have Jennifer's whack.'
Mr Charlton murmured:
'Must really---er---be going. Goodbye, Mrs Lee---anything I can do---er---consult me at any time...'
He escaped quickly. His experience enabled him to predict that all the ingredients for a family row were present.
As the door shut behind him Lydia said in her clear voice:
'I agree with Harry. I think Pilar is entitled to a definite share. This will was made many years before Jennifer's death.'
'Nonsense,' said George. 'Very slipshod and illegal way of thinking, Lydia. The law's the law. We must abide by it.'
Magdalene said:
'It's hard luck, of course, and we're all very sorry for Pilar, but George is right. As he says, the law is the law.'
Lydia got up. She took Pilar by the hand.
'My dear,' she said. 'This must be very unpleasant for you. Will you please leave us while we discuss the question?'
She led the girl to the door.
'Don't worry, Pilar, dear,' she said. 'Leave it to me.'
Pilar went slowly out of the room. Lydia shut the door behind her and turned back.
There was a moment's pause while everyone drew breath and in another moment the battle was in full swing.
Harry said:
'You've always been a damned skinflint, George.'
George retorted:
'At any rate, I've not been a sponge and a rotter!'
'You've been just as much of a sponge as I have! You've battened on Father all these years.'
'You seem to forget that I hold a responsible and arduous position which---'
Harry said:
'Responsible and arduous my foot! You're only an inflated gasbag!'
Magdalene screamed: 'How dare you?'
Hilda's calm voice, slightly raised, said:
'Couldn't we just discuss this quietly?'
Lydia threw her a grateful glance.
David said with sudden violence:
'Must we have all this disgraceful fuss over money!'
Magdalene said venomously to him:
'It's all very well to be so high-minded. You're not going to refuse your legacy, are you? You want money just as much as the rest of us do! All this unworldliness is just a pose!'
David said in a strangled voice:
'You think I ought to refuse it? I wonder---'
Hilda said sharply:
'Of course you oughtn't. Must we all behave like children? Alfred, you're the head of the family---'
Alfred seemed to wake out of a dream. He said:
'I beg your pardon. All of you shouting at once. It---it confuses me.'
Lydia said:
'As Hilda has just pointed out, why must we behave like greedy children? Let us discuss this thing quietly and sanely and'---she added this quickly---'one thing at a time. Alfred shall speak first because he is the eldest. What do you think, Alfred, we should do about Pilar?'
He said slowly:
'She must make her home here, certainly. And we should make her an allowance. I do not see she has any legal claim to the money which would have gone to her mother. She's not a Lee, remember. She's a Spanish subject.'
'No legal claim, no,' said Lydia. 'But I think she has a moral claim. As I see it, your father, although his daughter had married a Spaniard against his wishes, recognized her to have an equal claim upon him. George, Harry, David, and Jennifer were to share equally. Jennifer only died last year. I am sure that when he sent for Mr Charlton, he meant to make ample provision for Pilar in a new will. He would have allotted her at least her mother's share. It is possible that he might have done much more than that. She was the only grandchild, remember. I think the least we can do is to endeavour to remedy any injustice that your father himself was preparing to remedy.'
Alfred said warmly:
'Well put, Lydia! I was wrong. I agree with you that Pilar must be given Jennifer's share of my father's fortune.'
Lydia said: 'Your turn, Harry.'
Harry said:
'As you know, I agree. I think Lydia has put the case very well, and I'd like to say I admire her for it.'
Lydia said:
'George?'
George was red in the face. He spluttered:
'Certainly not! Whole thing's preposterous! Give her a home and a decent dress allowance. Quite enough for her!'
'Then you refuse to co-operate?' asked Alfred.
'Yes, I do.'
'And he's quite right,' said Magdalene. 'It's disgraceful to suggest he should do anything of the kind! Considering that George is the only member of the family who has done anything in the world, I think it's a shame his father left him so little!'
Lydia said: 'David?'
David said vaguely:
'Oh, I think you're right. It's a pity there's got to be so much ugliness and disputing about it all.'
Hilda said:
'You're quite right, Lydia. It's only justice!'
Harry looked round. He said:
'Well, that's clear. Of the family, Alfred, myself and David are in favour of the motion. George is against it. The ayes have it.'
George said sharply:
'There is no question of ayes and noes. My share of my father's estate is mine absolutely. I shall not part with a penny of it.'
'No, indeed,' said Magdalene.
Lydia said sharply:
'If you like to stand out, that is your business. The rest of us will make up your share of the total.'
She looked round for assent and the others nodded.
Harry said: 'Alfred's got the lion's share. He ought to stand most of the racket.'
Alfred said: 'I see that your original disinterested suggestion will soon break down.'
Hilda said firmly:
'Don't let's start again! Lydia shall tell Pilar what we've decided. We can settle details later.' She added in the hope of making a diversion, 'I wonder where Mr Farr is, and M. Poirot?'
Alfred said:
'We dropped Poirot in the village on our way to the inquest. He said he had an important purchase to make.'
Harry said: 'Why didn't he go to the inquest? Surely he ought to have done!'
Lydia said:
'Perhaps he knew it was not going to be important. Who's that out there in the garden? Superintendent Sugden, or Mr Farr?'
The efforts of the two women were successful. The family conclave broke up.
Lydia said to Hilda privately:
'Thank you, Hilda. It was nice of you to back me up. You know, you really have been a comfort in all this.'
Hilda said thoughtfully: 'Queer how money upsets people.'
The others had all left the room. The two women were alone.
Lydia said:
'Yes---even Harry---although it was his suggestion! And my poor Alfred---he is so British---he doesn't really like Lee money going to a Spanish subject.'
Hilda said, smiling:
'Do you think we women are more unworldly?'
Lydia said with a shrug of her graceful shoulders:
'Well, you know, it isn't really our money---not our own! That may make a difference.'
Hilda said thoughtfully:
'She is a strange child---Pilar, I mean. I wonder what will become of her?'
Lydia sighed.
'I'm glad that she will be independent. To live here, to be given a home and a dress allowance, would not, I think, be very satisfactory to her. She's too proud and, I think, too---too alien.'
She added musingly:
'I once brought some beautiful blue lapis home from Egypt. Out there, against the sun and the sand, it was a glorious colour---a brilliant warm blue. But when I got it home, the blue of it hardly showed any more. It was just a dull, darkish string of beads.'
Hilda said:
'Yes, I see...'
Lydia said gently:
'I am so glad to come to know you and David at last. I'm glad you both came here.'
Hilda sighed:
'How often I've wished in the last few days that we hadn't!'
'I know. You must have done...But you know, Hilda, the shock hasn't affected David nearly as badly as it might have done. I mean, he is so sensitive that it might have upset him completely. Actually, since the murder, he's seemed ever so much better---'
Hilda looked slightly disturbed. She said:
'So you've noticed that? It's rather dreadful in a way...But oh! Lydia, it's undoubtedly so!'
She was silent a minute recollecting words that her husband had spoken only the night before. He had said to her, eagerly, his fair hair tossed back from his forehead:
'Hilda, you remember in Tosca---when Scarpia is dead and Tosca lights the candles at his head and feet? Do you remember what she says: 'Now I can forgive him...' That is what I feel---about Father. I see now that all these years I couldn't forgive him, and yet I really wanted to...But no---now there's no rancour any more. It's all wiped away. And I feel---oh, I feel as though a great load had been lifted from my back.'
She had said, striving to fight back a sudden fear:
'Because he's dead?'
He had answered quickly, stammering in his eagerness:
'No, no, you don't understand. Not because he is dead, but because my childish stupid hate of him is dead...'
Hilda thought of those words now.
She would have liked to repeat them to the woman at her side, but she felt instinctively that it was wiser not.
She followed Lydia out of the drawing-room into the hall.
Magdalene was there, standing by the hall table with a little parcel in her hand. She jumped when she saw them. She said:
'Oh, this must be M Poirot's important purchase. I saw him put it down here just now. I wonder what it is.'
She looked from one to the other of them, giggling a little, but her eyes were sharp and anxious, belying the affected gaiety of her words.
Lydia's eyebrows rose. She said:
'I must go and wash before lunch.'
Magdalene said, still with that affectation of childishness, but unable to keep the desperate note out of her voice:
'I must just peep!'
She unrolled the piece of paper and gave a sharp exclamation. She stared at the thing in her hand.
Lydia stopped and Hilda too. Both women stared.
Magdalene said in a puzzled voice:
'It's a false moustache. But---but---why?'
Hilda said doubtfully:
'Disguise? But---'
Lydia finished the sentence for her.
'But M. Poirot has a very fine moustache of his own!'
Magdalene was wrapping the parcel up again. She said:
'I don't understand. It's---it's mad. Why does M. Poirot buy a false moustache?'
When Pilar left the drawing-room she walked slowly along the hall. Stephen Farr was coming in through the garden door. He said:
'Well? Is the family conclave over? Has the will been read?'
Pilar said, her breath coming fast:
'I have got nothing---nothing at all! It was a will made many years ago. My grandfather left money to my mother, but because she is dead it does not go to me but goes back to them.'
Stephen said:
'That seems rather hard lines.'
Pilar said:
'If that old man had lived, he would have made another will. He would have left money to me---a lot of money! Perhaps in time he would have left me all the money!'
Stephen said, smiling:
'That wouldn't have been very fair either, would it?'
'Why not? He would have liked me best, that is all.'
Stephen said:
'What a greedy child you are. A real little gold-digger.'
Pilar said soberly:
'The world is very cruel to women. They must do what they can for themselves---while they are young. When they are old and ugly no one will help them.'
Stephen said slowly:
'That's more true than I like to think. But it isn't quite true. Alfred Lee, for instance, was genuinely fond of his father in spite of the old man being thoroughly trying and exacting.'
Pilar's chin went up.
'Alfred,' she said, 'is rather a fool.'
Stephen laughed.
Then he said:
'Well, don't worry, lovely Pilar. The Lees are bound to look after you, you know.'
Pilar said disconsolately:
'It will not be very amusing, that.'
Stephen said slowly:
'No, I'm afraid it won't. I can't see you living here, Pilar. Would you like to come to South Africa?'
Pilar nodded.
Stephen said:
'There's sun there, and space. There's hard work too. Are you good at work, Pilar?'
Pilar said doubtfully:
'I do not know.'
He said:
'You'd rather sit on a balcony and eat sweets all day long? And grow enormously fat and have three double chins?'
Pilar laughed and Stephen said:
'That's better. I've made you laugh.'
Pilar said:
'I thought I should laugh this Christmas! In books I have read that an English Christmas is very gay, that one eats burning raisins and there is a plum pudding all in flames, and something that is called a Yule log.'
Stephen said:
'Ah, but you must have a Christmas uncomplicated by murder. Come in here a minute. Lydia took me in here yesterday. It's her store-room.'
He led her into a small room little bigger than a cupboard.
'Look, Pilar, boxes and boxes of crackers, and preserved fruits and oranges and dates and nuts. And here---'
'Oh!' Pilar clasped her hands. 'They are pretty, these gold and silver balls.'
'Those were to hang on a tree, with presents for the servants. And here are little snowmen all glittering with frost to put on the dinner table. And here are balloons of every colour all ready to blow up!'
'Oh!' Pilar's eyes shone. 'Oh! can we blow one up? Lydia would not mind. I do love balloons.'
Stephen said: 'Baby! Here, which will you have?'
Pilar said: 'I will have a red one.'
They selected their balloons and blew, their cheeks distended. Pilar stopped blowing to laugh, and her balloon went down again.
She said:
'You look so funny---blowing---with your cheeks puffed out.'
Her laugh rang out. Then she fell to, blowing industriously. They tied up their balloons carefully and began to play with them, patting them upwards, sending them to and fro.
Pilar said:
'Out in the hall there would be more room.'
They were sending the balloons to each other, and laughing, when Poirot came along the hall. He regarded them indulgently.
'So you play les jeux d'enfants? It is pretty, that!'
Pilar said breathlessly:
'Mine is the red one. It is bigger than his. Much bigger. If we took it outside it would go right up in the sky.'
'Let's send them up and wish,' said Stephen.
'Oh, yes, that is a good idea.'
Pilar ran to the garden door, Stephen followed. Poirot came behind, still looking indulgent.
'I will wish for a great deal of money,' announced Pilar.
She stood on tiptoe, holding the string of the balloon. It tugged gently as a puff of wind came. Pilar let go and it floated along, taken by the breeze.
Stephen laughed.
'You mustn't tell your wish.'
'No? Why not?'
'Because it doesn't come true. Now, I'm going to wish.'
He released his balloon. But he was not so lucky. It floated sideways, caught on a holly bush and expired with a bang.
Pilar ran to it.
She announced tragically:
'It is gone...'
Then, as she stirred the little limp wisp of rubber with her toe, she said:
'So that was what I picked up in Grandfather's room. He, too, had had a balloon, only his was a pink one.'
Poirot gave a sharp exclamation. Pilar turned inquiringly.
Poirot said:
'It is nothing. I stabbed---no stubbed---the toe.'
He wheeled round and looked at the house.
He said:
'So many windows! A house, mademoiselle, has its eyes---and its ears. It is indeed regrettable that the English are so fond of open windows.'
Lydia came out on the terrace. She said:
'Lunch is just ready. Pilar, my dear, everything has been settled quite satisfactorily. Alfred will explain the exact details to you after lunch. Shall we come in?'
They went into the house. Poirot came last. He was looking grave.
Lunch was over.
As they came out of the dining-room, Alfred said to Pilar:
'Will you come into my room? There is something I want to talk over with you.'
He led her across the hall and into his study, shutting the door after him. The others went on into the drawing-room. Only Hercule Poirot remained in the hall looking thoughtfully at the closed study door.
He was aware suddenly of the old butler hovering uneasily near him.
Poirot said: 'Yes, Tressilian, what is it?'
The old man seemed troubled. He said:
'I wanted to speak to Mr Lee. But I don't like to disturb him now.'
Poirot said: 'Something has occurred?'
Tressilian said slowly:
'It's such a queer thing. It doesn't make sense.'
'Tell me,' said Hercule Poirot.
Tressilian hesitated. Then he said:
'Well, it's this, sir. You may have noticed that each side of the front door there was a cannon ball. Big heavy stone things. Well, sir, one of them's gone.'
Hercule Poirot's eyebrows rose. He said; 'Since when?'
'They were both there this morning, sir. I'll take my oath on that.'
'Let me see.'
Together they went outside the front door. Poirot bent and examined the remaining cannon ball. When he straightened himself, his face was very grave.
Tressilian quavered:
'Who'd want to steal a thing like that, sir? It doesn't make sense.'
Poirot said: 'I do not like it. I do not like it at all...'
Tressilian was watching him anxiously. He said slowly:
'What's come to the house, sir? Ever since the master was murdered it doesn't seem like the same place. I feel the whole time as though I was going about in a dream. I mix things up, and I sometimes feel I can't trust my own eyes.'
Hercule Poirot shook his head. He said:
'You are wrong. Your own eyes are just what you must trust.'
Tressilian said, shaking his head:
'My sight's bad---I can't see like I used to do. I get things mixed up---and people. I'm getting too old for my work.'
Hercule Poirot clapped him on the shoulder and said:
'Courage.'
'Thank you, sir. You mean it kindly, I know. But there it is, I am too old. I'm always going back to the old days and the old faces. Miss Jenny and Master David and Master Alfred. I'm always seeing them as young gentlemen and ladies. Ever since that night when Mr Harry came home---'
Poirot nodded.
'Yes,' he said, 'that is what I thought. You said just now "Ever since the master was murdered"---but it began before that. It is ever since Mr Harry came home, is it not, that things have altered and seemed unreal?'
The butler said:
'You're quite right, sir. It was then. Mr Harry always brought trouble into the house, even in the old days.'
His eyes wandered back to the empty stone base.
'Who can have taken it, sir?' he whispered. 'And why? It's---it's like a madhouse.'
Hercule Poirot said:
'It is not madness I am afraid of. It is sanity! Somebody, Tressilian, is in great danger.'
He turned and re-entered the house.
At that moment Pilar came out from the study. A red spot shone on either cheek. She held her head high and her eyes glittered.
As Poirot came up to her, she suddenly stamped her foot and said: 'I will not take it.'
Poirot raised his eyebrows. He said:
'What is it that you will not take, mademoiselle?'
Pilar said:
'Alfred has just told me that I am to have my mother's share of the money my grandfather left.'
'Well?'
'I could not get it by law, he said. But he and Lydia and the others consider it should be mine. They say it is a matter of justice. And so they will hand it over to me.'
Poirot said again:
'Well?'
Pilar stamped once more with her foot.
'Do you not understand? They are giving it to me---giving it to me.'
'Need that hurt your pride? Since what they say is true---that it should in justice be yours?'
Pilar said:
'You do not understand...'
Poirot said:
'On the contrary---I understand very well.'
'Oh!...' She turned away pettishly.
There was a ring at the bell. Poirot glanced over his shoulder. He saw the silhouette of Superintendent Sugden outside the door. He said hurriedly to Pilar:
'Where are you going?'
She said sulkily:
'To the drawing-room. To the others.'
Poirot said quickly:
'Good. Stay with them there. Do not wander about the house alone, especially after dark. Be on your guard. You are in great danger, mademoiselle. You will never be in greater danger than you are today.'
He turned away from her and went to meet Sugden.
The latter waited till Tressilian had gone back into his pantry.
Then he shoved a cable form under Poirot's nose.
'Now we've got it!' he said. 'Read that. It's from the South African Police.'
The cable said:
'Ebenezer Farr's only son died two years ago.'
Sugden said:
'So now we know! Funny---I was on a different tack altogether...'
Pilar marched into the drawing-room, her head held high.
She went straight up to Lydia, who was sitting in the window with some knitting.
Pilar said:
'Lydia, I have come to tell you that I will not take that money. I am going away---at once...'
Lydia looked astonished. She laid down her knitting. She said:
'My dear child, Alfred must have explained very badly! It is not in the least a matter of charity, if that is what you feel. Really, it is not a question of kindness or generosity on our part. It is a plain matter of right and wrong. In the ordinary course of events your mother would have inherited this money, and you would have come into it from her. It is your right---your blood right. It is a matter, not of charity, but of justice!'
Pilar said fiercely:
'And that is why I cannot do it---not when you speak like that---not when you are like that! I enjoyed coming here. It was fun! It was an adventure, but now you have spoilt it all! I am going away now, at once---you will never be bothered by me again...'
Tears choked her voice. She turned and ran blindly out of the room.
Lydia stared. She said helplessly:
'I'd no idea she would take it like that!'
Hilda said:
'The child seems quite upset.'
George cleared his throat and said portentously:
'Er---as I pointed out this morning---the principle involved is wrong. Pilar has the wit to see that for herself. She refuses to accept charity---'
Lydia said sharply:
'It is not charity. It is her right!'
George said:
'She does not seem to think so!'
Superintendent Sugden and Hercule Poirot came in. The former looked round and asked:
'Where's Mr Farr? I want a word with him.'
Before anyone had time to answer, Hercule Poirot said sharply:
'Where is the señorita Estravados?'
George Lee said with a trace of malicious satisfaction:
'Going to clear out, so she says. Apparently she has had enough of her English relations.'
Poirot wheeled round.
He said to Sugden:
'Come!'
As the two men emerged into the hall, there was the sound of a heavy crash and a far-away shriek.
Poirot cried:
'Quick...Come...'
They raced along the hall and up the far staircase. The door of Pilar's room was open and a man stood in the doorway. He turned his head as they ran up. It was Stephen Farr.
He said:
'She's alive...'
Pilar stood crouched against the wall of her room. She was staring at the floor where a big stone cannon ball was lying.
She said breathlessly:
'It was on top of my door, balanced there. It would have crashed down on my head when I came in, but my skirt caught on a nail and jerked me back just as I was coming in.'
Poirot knelt down and examined the nail. On it was a thread of purple tweed. He looked up and nodded gravely.
'That nail, mademoiselle,' he said, 'saved your life.'
The superintendent said, bewildered:
'Look here, what's the meaning of all this?'
Pilar said:
'Someone tried to kill me!'
She nodded her head several times.
Superintendent Sugden glanced up at the door.
'Booby trap,' he said. 'An old-fashioned booby trap---and its purpose was murder! That's the second murder planned in this house. But this time it didn't come off!'
Stephen Farr said huskily:
'Thank God you're safe.'
Pilar flung out her hands in a wide, appealing gesture.
'Madre de Dios,' she cried. 'Why should anyone wish to kill me? What have I done?'
Hercule Poirot said slowly:
'You should rather ask, mademoiselle, what do I know?'
She stared.
'Know? I do not know anything.'
Hercule Poirot said:
'That is where you are wrong. Tell me, Mademoiselle Pilar, where were you at the time of the murder? You were not in this room.'
'I was. I have told you so!'
Superintendent Sugden said with deceptive mildness:
'Yes, but you weren't speaking the truth when you said that, you know. You told us you heard your grandfather scream---you couldn't have heard that if you were in here---Mr Poirot and I tested that yesterday.'
'Oh!' Pilar caught her breath.
Poirot said:
'You were somewhere very much nearer his room. I will tell you where I think you were, mademoiselle. You were in the recess with the statues quite close to your grandfather's door.'
Pilar said, startled:
'Oh...How did you know?'
Poirot said with a faint smile:
'Mr Farr saw you there.'
Stephen said sharply:
'I did not. That's an absolute lie!'
Poirot said:
'I ask your pardon, Mr Farr, but you did see her. Remember your impression that there were three statues in that recess, not two. Only one person wore a white dress that night, Mademoiselle Estravados. She was the third white figure you saw. That is so, is it not, mademoiselle?'
Pilar said, after a moment's hesitation: 'Yes, it is true.'
Poirot said gently: 'Now tell us, mademoiselle, the whole truth. Why were you there?'
Pilar said:
'I left the drawing-room after dinner and I thought I would go and see my grandfather. I thought he would be pleased. But when I turned into the passage I saw someone else was there at his door. I did not want to be seen because I knew my grandfather had said he did not want to see anyone that night. I slipped into the recess in case the person at the door turned round.'
'Then, all at once, I heard the most horrible sounds, tables---chairs'---she waved her hands---'everything falling and crashing. I did not move. I do not know why. I was frightened. And then there was a terrible scream'---she crossed herself---'and my heart it stopped beating, and I said, "Someone is dead..." '
'And then?'
'And then people began coming running along the passage and I came out at the end and joined them.'
Superintendent Sugden said sharply:
'You said nothing of all this when we first questioned you. Why not?'
Pilar shook her head. She said, with an air of wisdom:
'It is not good to tell too much to the police. I thought, you see, that if I said I was near there you might think that I had killed him. So I said I was in my room.'
Sugden said sharply:
'If you tell deliberate lies all that it ends in is that you're bound to come under suspicion.'
Stephen Farr said: 'Pilar?'
'Yes?'
'Who did you see standing at the door when you turned into the passage? Tell us.'
Sugden said: 'Yes, tell us.'
For a moment the girl hesitated. Her eyes opened, then narrowed. She said slowly:
'I don't know who it was. It was too dimly lit to see. But it was a woman...'
Superintendent Sugden looked round at the circle of faces. He said, with something as near irritation as he had yet shown:
'This is very irregular, Mr Poirot.'
Poirot said:
'It is a little idea of mine. I wish to share with everyone the knowledge that I have acquired. I shall then invite their co-operation, and so we shall get at the truth.'
Sugden murmured under his breath: 'Monkey tricks.'
He leaned back in his chair. Poirot said:
'To begin with, you have, I think, an explanation to ask of Mr Farr.'
Sugden's mouth tightened.
'I should have chosen a less public moment,' he said. 'However, I've no objection.' He handed the cable to Stephen Farr. 'Now, Mr Farr, as you call yourself, perhaps you can explain this?'
Stephen Farr took it. Raising his eyebrows, he read it slowly out loud. Then, with a bow, he handed it back to the superintendent.
'Yes,' he said. 'It's pretty damning, isn't it?'
Sugden said:
'Is that all you've got to say about it? You quite understand there is no obligation on you to make a statement---'
Stephen Farr interrupted. He said:
'You needn't caution me, Superintendent. I can see it trembling on your tongue! Yes, I'll give you an explanation. It's not a very good one, but it's the truth.'
He paused. Then he began:
'I'm not Ebenezer Farr's son. But I knew both father and son quite well. Now try and put yourself in my place. (My name is Stephen Grant, by the way.) I arrived in this country for the first time in my life. I was disappointed. Everything and everybody seemed drab and lifeless. Then I was travelling by train and I saw a girl. I've got to say it straight out: I fell for that girl! She was the loveliest and most unlikely creature in the world! I talked to her for a while in the train and I made up my mind then and there not to lose sight of her. As I was leaving the compartment I caught sight of the label on her suitcase. Her name meant nothing to me, but the address to which she was travelling did. I'd heard of Gorston Hall, and I knew all about its owner. He was Ebenezer Farr's one-time partner and old Eb often talked about him and said what a personality he was.
'Well, the idea came to me to go to Gorston Hall and pretend I was Eb's son. He had died, as this cable says, two years ago, but I remembered old Eb saying that he had not heard from Simeon Lee now for many years, and I judged that Lee would not know of the death of Eb's son. Anyway, I felt it was worth trying.'
Sugden said: 'You didn't try it on at once, though. You stayed in the King's Arms at Addlesfield for two days.'
Stephen said:
'I was thinking it over---whether to try it or not. At last I made up my mind I would. It appealed to me as a bit of an adventure. Well, it worked like a charm! The old man greeted me in the friendliest manner and at once asked me to come and stay in the house. I accepted. There you are, Superintendent, there's my explanation. If you don't fancy it, cast your mind back to your courting days and see if you don't remember some bit of foolishness you indulged in then. As for my real name, as I say, it's Stephen Grant. You can cable to South Africa and check up on me, but I'll tell you this: you'll find I'm a perfectly respectable citizen. I'm not a crook or a jewel thief.'
Poirot said softly: 'I never believed you were.'
Superintendent Sugden stroked his jaw cautiously. He said:
'I'll have to check up on that story. What I'd like to know is this: Why didn't you come clean after the murder instead of telling us a pack of lies?'
Stephen said disarmingly:
'Because I was a fool! I thought I could get away with it! I thought it would look fishy if I admitted to being here under a false name. If I hadn't been a complete idiot I would have realized you were bound to cable to Jo'burg.'
Sugden said:
'Well, Mr Farr---er---Grant---I'm not saying I disbelieve your story. It will be proved or disproved soon enough.'
He looked across inquiringly at Poirot. The latter said:
'I think Miss Estravados has something to say.'
Pilar had gone very white. She said, in a breathless voice:
'It is true. I would never have told you, but for Lydia and the money. To come here and pretend and cheat and act---that was fun, but when Lydia said the money was mine and that it was only justice, that was different; it was not fun any longer.'
Alfred Lee said with a puzzled face:
'I do not understand, my dear, what you are talking about.'
Pilar said:
'You think I am your niece, Pilar Estravados? But that is not so! Pilar was killed when I was travelling with her in a car in Spain. A bomb came and it hit the car and she was killed, but I was not touched. I did not know her very well, but she had told me all about herself and how her grandfather had sent for her to go to England and that he was very rich. And I had no money at all and I did not know where to go or what to do. And I thought suddenly: "Why should not I take Pilar's passport and go to England and become very rich?" ' Her face lit up with its sudden wide smile. 'Oh, it was fun wondering if I could get away with it! Our faces on the photograph were not unlike. But when they wanted my passport here I opened the window and threw it out and ran down to get it, and then I rubbed some earth just over the face a little because at a barrier travelling they do not look very closely, but here they might---'
Alfred Lee said angrily:
'Do you mean to say that you represented yourself to my father as his granddaughter, and played on his affection for you?'
Pilar nodded. She said complacently:
'Yes, I saw at once I could make him like me very much.'
George Lee broke out:
'Preposterous!' he spluttered. 'Criminal! Attempting to get money by false pretences.'
Harry Lee said:
'She didn't get any from you, old boy! Pilar, I'm on your side! I've got a profound admiration for your daring. And, thank goodness, I'm not your uncle any more! That gives me a much freer hand.'
Pilar said to Poirot: 'You knew? When did you know?'
Poirot smiled:
'Mademoiselle, if you have studied the laws of Mendel you would know that two blue-eyed people are not likely to have a brown-eyed child. Your mother was, I was sure, a most chaste and respectable lady. It followed, then, that you were not Pilar Estravados at all. When you did your trick with the passport, I was quite sure of it. It was ingenious, but not, you understand, quite ingenious enough.'
Superintendent Sugden said unpleasantly:
'The whole thing's not quite ingenious enough.'
Pilar stared at him. She said:
'I don't understand...'
Sugden said: 'You've told us a story---but I think there's a good deal more you haven't told.'
Stephen said: 'You leave her alone!'
Superintendent Sugden took no notice. He went on:
'You've told us that you went up to your grandfather's room after dinner. You said it was an impulse on your part. I'm going to suggest something else. It was you who stole those diamonds. You'd handled them. On occasion, perhaps, you'd put them away in the safe and the old man hadn't watched you do it! When he found the stones were missing, he saw at once that only two people could have taken them. One was Horbury, who might have got to know the combination and have crept in and stolen them during the night. The other person was you.
'Well, Mr Lee at once took measures. He rang me up and had me come to see him. Then he sent word to you to come and see him immediately after dinner. You did so and he accused you of the theft. You denied it; he pressed the charge. I don't know what happened next---perhaps he tumbled to the fact that you weren't his granddaughter, but a very clever little professional thief. Anyway, the game was up, exposure loomed over you, and you slashed at him with a knife. There was a struggle and he screamed. You were properly up against it then. You hurried out of the room, turned the key from the outside and then, knowing you could not get away, before the others came, you slipped into the recess by the statues.'
Pilar cried shrilly:
'It is not true! It is not true! I did not steal the diamonds! I did not kill him. I swear it by the Blessed Virgin.'
Sugden said sharply:
'Then who did? You say you saw a figure standing outside Mr Lee's door. According to your story, that person must have been the murderer. No one else passed the recess! But we've only your word for it that there was a figure there at all. In other words, you made that up to exculpate yourself!'
George Lee said sharply:
'Of course she's guilty! It's all clear enough! I always said an outsider killed my father! Preposterous nonsense to pretend one of his family would do a thing like that! It---it wouldn't be natural!'
Poirot stirred in his seat. He said:
'I disagree with you. Taking into consideration the character of Simeon Lee, it would be a very natural thing to happen.'
'Eh?' George's jaw dropped. He stared at Poirot.
Poirot went on:
'And, in my opinion, that very thing did happen. Simeon Lee was killed by his own flesh and blood, for what seemed to the murderer a very good and sufficient reason.'
George cried: 'One of us? I deny---'
Poirot's voice broke in hard as steel.
'There is a case against every person here. We will, Mr George Lee, begin with the case against you. You had no love for your father! You kept on good terms with him for the sake of money. On the day of his death he threatened to cut down your allowance. You knew that on his death you would probably inherit a very substantial sum. There is the motive. After dinner you went, as you say, to telephone. You did telephone---but the call lasted only five minutes. After that you could easily have gone to your father's room, chatted with him, and then attacked him and killed him. You left the room and turned the key from outside, for you hoped the affair would be put down to a burglar. You omitted, in your panic, to make sure that the window was fully open so as to support the burglar theory. That was stupid; but you are, if you will pardon my saying so, rather a stupid man!
'However,' said Poirot, after a brief pause during which George tried to speak and failed, 'many stupid men have been criminals!'
He turned his eyes on Magdalene.
'Madame, too, she also had a motive. She is, I think, in debt, and the tone of certain of your father's remarks may---have caused her uneasiness. She, too, has no alibi. She went to telephone, but she did not telephone, and we have only her word for what she did do...
'Then,' he paused, 'there is Mr David Lee. We have heard, not once but many times, of the revengeful tempers and long memories that went with the Lee blood. Mr David Lee did not forget or forgive the way his father had treated his mother. A final jibe directed at the dead lady may have been the last straw. David Lee is said to have been playing the piano at the time of the murder. By a coincidence he was playing the "Dead March". But suppose somebody else was playing that "Dead March", somebody who knew what he was going to do, and who approved his action?'
Hilda Lee said quietly:
'That is an infamous suggestion.'
Poirot turned to her. 'I will offer you another, madame. It was your hand that did the deed. It was you who crept upstairs to execute judgment on a man you considered beyond human forgiveness. You are of those, madame, who can be terrible in anger...'
Hilda said: 'I did not kill him.'
Superintendent Sugden said brusquely:
'Mr Poirot's quite right. There is a possible case against everyone except Mr Alfred Lee, Mr Harry Lee, and Mrs Alfred Lee.'
Poirot said gently:
'I should not even except those three...'
The superintendent protested: 'Oh, come now, Mr Poirot!'
Lydia Lee said:
'And what is the case against me, M. Poirot?'
She smiled a little as she spoke, her brows raised ironically.
Poirot bowed. He said:
'Your motive, madame, I pass over. It is sufficiently obvious. As to the rest, you were wearing last night a flowered taffeta dress of a very distinctive pattern with a cape. I will remind you of the fact that Tressilian, the butler, is shortsighted. Objects at a distance are dim and vague to him. I will also point out that your drawing-room is big and lighted by heavily shaded lamps. On that night, a minute or two before the cries were heard, Tressilian came into the drawing-room to take away the coffee-cups. He saw you, as he thought, in a familiar attitude by the far window half concealed by the heavy curtains.'
Lydia Lee said: 'He did see me.'
Poirot went on:
'I suggest that it is possible that what Tressilian saw was the cape of your dress, arranged to show by the window curtain, as though you yourself were standing there.'
Lydia said: 'I was standing there...'
Alfred said: 'How dare you suggest---?'
Harry interrupted him.
'Let him go on, Alfred. It's our turn next. How do you suggest that dear Alfred killed his beloved father since we were both together in the dining-room at the time?'
Poirot beamed at him.
'That,' he said, 'is very simple. An alibi gains in force accordingly as it is unwillingly given. You and your brother are on bad terms. It is well known. You jibe at him in public. He has not a good word to say for you! But, supposing that were all part of a very clever plot. Supposing that Alfred Lee is tired of dancing attendance upon an exacting taskmaster. Supposing that you and he have got together some time ago. Your plan is laid. You come home. Alfred appears to resent your presence. He shows jealousy and dislike of you. You show contempt for him. And then comes the night of the murder you have so cleverly planned together. One of you remains in the dining-room, talking and perhaps quarrelling aloud as though two people were there. The other goes upstairs and commits the crime...'
Alfred sprang to his feet.
'You devil!' he said. His voice was inarticulate.
Sugden was staring at Poirot. He said:
'Do you really mean---?'
Poirot said, with a sudden ring of authority in his voice:
'I have had to show you the possibilities! These are the things that might have happened! Which of them actually did happen we can only tell by passing from the outside appearance to the inside reality...'
He paused and then said slowly:
'We must come back, as I said before, to the character of Simeon Lee himself...'
There was a momentary pause. Strangely enough, all indignation and all rancour had died down. Hercule Poirot held his audience under the spell of his personality. They watched him, fascinated, as he began slowly to speak.
'It is all there, you see. The dead man is the focus and centre of the mystery! We must probe deep into the heart and mind of Simeon Lee and see what we find there. For a man does not live and die to himself alone. That which he has, he hands on---to those who come after him...
'What had Simeon Lee to bequeath to his sons and daughter? Pride, to begin with---a pride which, in the old man, was frustrated in his disappointment over his children. Then there was the quality of patience. We have been told that Simeon Lee waited patiently for years in order to revenge himself upon someone who had done him an injury. We see that that aspect of his temperament was inherited by the son who resembled him least in face. David Lee also could remember and continue to harbour resentment through long years. In face, Harry Lee was the only one of his children who closely resembled him. That resemblance is quite striking when we examine the portrait of Simeon Lee as a young man. There is the same high-bridged aquiline nose, the long sharp line of the jaw, the backward poise of the head. I think, too, that Harry inherited many of his father's mannerisms---that habit, for instance, of throwing back his head and laughing, and another habit of drawing his finger along the line of his jaw.
'Bearing all these things in mind, and being convinced that the murder was committed by a person closely connected with the dead man, I studied the family from the psychological standpoint. That is, I tried to decide which of them were psychologically possible criminals. And, in my judgment, only two persons qualified in that respect. They were Alfred Lee and Hilda Lee, David's wife. David himself I rejected as a possible murderer. I do not think a person of his delicate susceptibilities could have faced the actual bloodshed of a cut throat. George Lee and his wife I likewise rejected. Whatever their desires, I did not think they had the temperament to take a risk. They were both essentially cautious. Mrs Alfred Lee I felt sure was quite incapable of an act of violence. She has too much irony in her nature. About Harry Lee I hesitated. He had a certain coarse truculence of aspect, but I was nearly sure that Harry Lee, in spite of his bluff and his bluster, was essentially a weakling. That, I now know, was also his father's opinion. Harry, he said, was worth no more than the rest. That left me with two people I have already mentioned. Alfred Lee was a person capable of a great deal of selfless devotion. He was a man who had controlled and subordinated himself to the will of another for many years. It was always possible under these conditions for something to snap. Moreover, he might quite possibly have harboured a secret grudge against his father which might gradually have grown in force through never being expressed in any way. It is the quietest and meekest people who are often capable of the most sudden and unexpected violence for the reason that when their control does snap, it does so entirely! The other person I considered was capable of the crime was Hilda Lee. She is the kind of individual who is capable, on occasions, of taking the law into her own hands---though never through selfish motives. Such people judge and also execute. Many Old Testament characters are of this type. Jael and Judith, for example.
'And now having got so far I examined the circumstances of the crime itself. And the first thing that arises---that strikes one in the face, as it were---is the extraordinary conditions under which that crime took place! Take your minds back to that room where Simeon Lee lay dead. If you remember, there was both a heavy table and a heavy chair overturned, a lamp, crockery, glasses, etc. But the chair and the table were especially surprising. They were of solid mahogany. It was hard to see how any struggle between that frail old man and his opponent could result in so much solid furniture being overturned and knocked down. The whole thing seemed unreal. And yet surely no one in their senses would stage such an effect if it had not really occurred---unless possibly Simeon Lee had been killed by a powerful man and the idea was to suggest that the assailant was a woman or somebody of weak physique.
'But such an idea was unconvincing in the extreme, since the noise of the furniture would give the alarm and the murderer would thereby have very little time to make his exit. It would surely be to anyone's advantage to cut Simeon Lee's throat as quietly as possible.
'Another extraordinary point was the turning of the key in the lock from the outside. Again, there seemed no reason for such a proceeding. It could not suggest suicide, since nothing in the death itself accorded with suicide. It was not to suggest escape through the windows---for those windows were so arranged that escape that way was impossible! Moreover, once again, it involved time. Time which must be precious to the murderer!
'There was one other incomprehensible thing---a piece of rubber cut from Simeon Lee's spongebag and a small wooden peg shown to me by Superintendent Sugden. These had been picked up from the floor by one of the persons who first entered the room. There again---these things did not make sense! They meant exactly nothing at all! Yet they had been there.
'The crime, you perceive, is becoming increasingly incomprehensible. It has no order, no method---enfin, it is not reasonable.
'And now we come to a further difficulty. Superintendent Sugden was sent for by the dead man; a robbery was reported to him, and he was asked to return an hour and a half later. Why? If it is because Simeon Lee suspected his granddaughter or some other member of the family, why does he not ask Superintendent Sugden to wait downstairs while he has his interview straight away with the suspected party? With the superintendent actually in the house, his lever over the guilty person would have been much stronger.
'So now we arrive at the point where not only the behaviour of the murderer is extraordinary, but the behaviour of Simeon Lee also is extraordinary!
'And I say to myself: "This thing is all wrong!" Why? Because we are looking at it from the wrong angle. We are looking at it from the angle that the murderer wants us to look at it...
'We have three things that do not make sense: the struggle, the turned key, and the snip of rubber. But there must be some way of looking at those three things which would make sense! And I empty my mind blank and forget the circumstances of the crime and take these things on their own merits. I say---a struggle. What does that suggest? Violence---breakage---noise...The key? Why does one turn a key? So that no one shall enter? But the key did not prevent that, since the door was broken down almost immediately. To keep someone in? To keep someone out? A snip of rubber? I say to myself: "A little piece of a spongebag is a little piece of a spongebag, and that is all!"
'So you would say there is nothing there---and yet that is not strictly true, for three impressions remain: noise---seclusion---blankness...
'Do they fit with either of my two possibles? No, they do not. To both Alfred Lee and Hilda Lee a quiet murder would have been infinitely preferable, to have wasted time in locking the door from the outside is absurd, and the little piece of spongebag means yet once more---nothing at all!
'And yet I have very strongly the feeling that there is nothing absurd about this crime---that it is on the contrary, very well planned and admirably executed. That is has, in fact, succeeded! Therefore that everything that has happened was meant...
'And then, going over it again, I got my first glimmer of light...
'Blood---so much blood---blood everywhere...An insistence on blood---fresh, wet, gleaming blood...So much blood---too much blood...
'And a second thought comes with that. This is a crime of blood---it is in the blood. It is Simeon Lee's own blood that rises up against him...'
Hercule Poirot leaned forward.
'The two most valuable clues in this case were uttered quite unconsciously by two different people. The first was when Mrs Alfred Lee quoted a line from Macbeth: "Who would have thought the old man to have had so much blood in him?" The other was a phrase uttered by Tressilian, the butler. He described how he felt dazed and things seemed to be happening that had happened before. It was a very simple occurrence that gave him that strange feeling. He heard a ring at the bell and went to open the door to Harry Lee, and the next day he did the same thing to Stephen Farr.
'Now why did he have that feeling? Look at Harry Lee and Stephen Farr and you will see why. They are astoundingly alike! That was why opening the door to Stephen Farr was just like opening the door to Harry Lee. It might almost have been the same man standing there. And then, only today, Tressilian mentioned that he was always getting muddled between people. No wonder! Stephen Farr has a high-bridged nose, a habit of throwing his head back when he laughs, and a trick of stroking his jaw with his forefinger. Look long and earnestly at the portrait of Simeon Lee as a young man and you see not only Harry Lee, but Stephen Farr...'
Stephen moved. His chair creaked. Poirot said:
'Remember that outburst of Simeon Lee, his tirade against his family. He said, you remember it, that he would swear he had better sons born the wrong side of the blanket. We are back again at the character of Simeon Lee. Simeon Lee, who was successful with women and who broke his wife's heart! Simeon Lee, who boasted to Pilar that he might have a bodyguard of sons almost the same age! So I came to this conclusion: Simeon Lee had not only his legitimate family in the house, but an unacknowledged and unrecognized son of his own blood.'
Stephen got to his feet. Poirot said:
'That was your real reason, wasn't it? Not that pretty romance of the girl you met in the train! You were coming here before you met her. Coming to see what kind of a man your father was...'
Stephen had gone dead white. He said, and his voice was broken and husky:
'Yes, I've always wondered...Mother spoke about him sometimes. It grew into a kind of obsession with me---to see what he was like! I made a bit of money and I came to England. I wasn't going to let him know who I was. I pretended to be old Eb's son. I came here for one reason only---to see the man who was my father...'
Superintendent Sugden said in almost a whisper:
'Lord, I've been blind...I can see it now. Twice I've taken you for Mr Harry Lee and then seen my mistake, and yet I never guessed!'
He turned on Pilar.
'That was it, wasn't it? It was Stephen Farr you saw standing outside that door? You hesitated, I remember, and looked at him before you said it was a woman. It was Farr you saw, and you weren't going to give him away.'
There was a gentle rustle. Hilda Lee's deep voice spoke:
'No,' she said. 'You're wrong. It was I whom Pilar saw...'
Poirot said:
'You, madame? Yes, I thought so...'
Hilda said quietly:
'Self-preservation is a curious thing. I wouldn't believe I could be such a coward. To keep silence just because I was afraid!'
Poirot said:
'You will tell us now?'
She nodded.
'I was with David in the music-room. He was playing. He was in a very queer mood. I was a little frightened and I felt my responsibility very keenly because it was I who had insisted on coming here. David began to play the "Dead March", and suddenly I made up my mind. However odd it might seem, I determined that we would both leave at once---that night. I went quietly out of the music-room and upstairs. I meant to go to old Mr Lee and tell him quite plainly why we were going. I went along the corridor to his room and knocked on the door. There was no answer. I knocked again a little louder. There was still no answer. Then I tried the door handle. The door was locked. And then, as I stood hesitating, I heard a sound inside the room---'
She stopped.
'You won't believe me, but it's true! Someone was in there---assaulting Mr Lee. I heard tables and chairs overturned and the crash of glass and china, and then I heard that one last horrible cry that died away to nothing---and then silence.
'I stood there paralysed! I couldn't move! And then Mr Farr came running along and Magdalene and all the others and Mr Farr and Harry began to batter on the door. It went down and we saw the room, and there was no one in it---except Mr Lee lying dead in all that blood.'
Her quiet voice rose higher. She cried:
'There was no one else there---no one, you understand! And no one had come out of the room...'
Superintendent Sugden drew a deep breath. He said:
'Either I'm going mad or everybody else is! What you've said, Mrs Lee, is just plumb impossible. It's crazy!'
Hilda Lee cried:
'I tell you I heard them fighting in there, and I heard the old man scream when his throat was cut---and no one came out and no one was in the room!'
Hercule Poirot said:
'And all this time you have said nothing.'
Hilda Lee's face was white, but she said steadily:
'No, because if I told you what had happened, there's only one thing you could say or think---that it was I who killed him...'
Poirot shook his head.
'No,' he said. 'You did not kill him. His son killed him.'
Stephen Farr said:
'I swear before God I never touched him!'
'Not you,' said Poirot. 'He had other sons!'
Harry said:
'What the hell---'
George stared. David drew his hand across his eyes. Alfred blinked twice.
Poirot said:
'The very first night I was here---the night of the murder---I saw a ghost. It was the ghost of the dead man. When I first saw Harry Lee I was puzzled. I felt I had seen him before. Then I noted his features carefully and I realized how like his father he was, and I told myself that that was what caused the feeling of familiarity.
'But yesterday a man sitting opposite me threw back his head and laughed---and I knew who it was Harry Lee reminded me of. And I traced again, in another face, the features of the dead man.
'No wonder poor old Tressilian felt confused when he had answered the door not to two, but to three men who resembled each other closely. No wonder he confessed to getting muddled about people when there were three men in the house who, at a little distance, could pass for each other! The same build, the same gestures (one in particular, a trick of stroking the jaw), the same habit of laughing with the head thrown back, the same distinctive high-bridged nose. Yet the similarity was not always easy to see---for the third man had a moustache.'
He leaned forward.
'One forgets sometimes that police officers are men, that they have wives and children, mothers'---he paused---'and fathers...Remember Simeon Lee's local reputation: a man who broke his wife's heart because of his affairs with women. A son born the wrong side of the blanket may inherit many things. He may inherit his father's features and even his gestures. He may inherit his pride and his patience and his revengeful spirit!'
His voice rose.
'All your life, Sugden, you've resented the wrong your father did you. I think you determined long ago to kill him. You come from the next county, not very far away. Doubtless your mother, with the money Simeon Lee so generously gave her, was able to find a husband who would stand father to her child. Easy for you to enter the Middleshire Police Force and wait your opportunity. A police superintendent has a grand opportunity of committing a murder and getting away with it.'
Sugden's face had gone white as paper.
He said:
'You're mad! I was outside the house when he was killed.'
Poirot shook his head.
'No, you killed him before you left the house the first time. No one saw him alive after you left. It was all so easy for you. Simeon Lee expected you, yes, but he never sent for you. It was you who rang him up and spoke vaguely about an attempt at robbery. You said you would call upon him just before eight that night and would pretend to be collecting for a police charity. Simeon Lee had no suspicions. He did not know you were his son. You came and told him a tale of substituted diamonds. He opened the safe to show you that the real diamonds were safe in his possession. You apologized, came back to the hearth with him and, catching him unawares, you cut his throat, holding your hand over his mouth so that he shouldn't cry out. Child's play to a man of your powerful physique.
'Then you set the scene. You took the diamonds. You piled up tables and chairs, lamps and glasses, and twined a very thin rope or cord which you had brought in coiled round your body, in and out between them. You had with you a bottle of some freshly killed animal's blood to which you had added a quantity of sodium citrate. You sprinkled this about freely and added more sodium citrate to the pool of blood which flowed from Simeon Lee's wound. You made up up the fire so that the body should keep its warmth. Then you passed the two ends of the cord out through the narrow slit at the bottom of the window and let them hang down the wall. You left the room and turned the key from the outside. That was vital, since no one must, by any chance, enter that room.
'Then you went out and hid the diamonds in the stone sink garden. If, sooner or later, they were discovered there, they would only focus suspicion more strongly where you wanted it: on the members of Simeon Lee's legitimate family. A little before nine-fifteen you returned and, going up to the wall underneath the window, you pulled on the cord. That dislodged the carefully piled-up structure you had arranged. Furniture and china fell with a crash. You pulled on one end of the cord and re-wound it round your body under your coat and waistcoat.
'You had one further device!'
He turned to the others.
'Do you remember, all of you, how each of you described the dying scream of Mr Lee in a different way? You, Mr Lee, described it as the cry of a man in mortal agony. Your wife and David Lee both used the expression: a soul in hell. Mrs David Lee, on the contrary, said it was the cry of someone who had no soul. She said it was inhuman, like a beast. It was Harry Lee who came nearest to the truth. He said it sounded like killing a pig.
'Do you know those long pink bladders that are sold at fairs with faces painted on them called "Dying Pigs"? As the air rushes out they give forth an inhuman wail. That, Sugden, was your final touch. You arranged one of those in the room. The mouth of it was stopped up with a peg, but that peg was connected to the cord. When you pulled on the cord the peg came out and the pig began to deflate. On top of the falling furniture came the scream of the "Dying Pig".'
He turned once more to the others.
'You see now what it was that Pilar Estravados picked up? The superintendent had hoped to get there in time to retrieve that little wisp of rubber before anyone noticed it. However, he took it from Pilar quickly enough in his most official manner. But remember he never mentioned that incident to anyone. In itself, that was a singularly suspicious fact. I heard of it from Magdalene Lee and tackled him about it. He was prepared for that eventuality. He had snipped a piece from Mr Lee's rubber spongebag and produced that, together with a wooden peg. Superficially it answered to the same description---a fragment of rubber and a piece of wood. It meant, as I realized at the time, absolutely nothing! But, fool that I was, I did not at once say; "This means nothing, so it cannot have been there, and Superintendent Sugden is lying..." No, I foolishly went on trying to find an explanation for it. It was not until Mademoiselle Estravados was playing with a balloon that burst, and she cried out that it must have been a burst balloon she picked up in Simeon Lee's room, that I saw the truth.
'You see now how everything fits in? The improbable struggle, which is necessary to establish a false time of death; the locked door---so that nobody shall find the body too soon; the dying man's scream. The crime is now logical and reasonable.
'But from the moment that Pilar Estravados cried aloud her discovery about the balloon, she was a source of danger to the murderer. And if that remark had been heard by him from the house (which it well might, for her voice was high and clear and the windows were open), she herself was in considerable danger. Already she had given the murderer one very nasty moment. She had said, speaking of old Mr Lee, "He must have been very good-looking when he was young." And had added, speaking directly to Sugden: "Like you." She meant that literally, and Sugden knew it. No wonder Sugden went purple in the face and nearly choked. It was so unexpected and so deadly dangerous. He hoped, after that, to fix the guilt on her, but it proved unexpectedly difficult, since, as the old man's portionless granddaughter, she had obviously no motive for the crime. Later, when he overheard from the house her clear, high voice calling out its remark about the balloon, he decided on desperate measures. He set that booby trap when we were at lunch. Luckily, almost by a miracle, it failed...'
There was dead silence. Then Sugden said quietly:
'When were you sure?'
Poirot said:
'I was not quite sure till I brought home a false moustache and tried it on Simeon Lee's picture. Then---the face that looked at me was yours.'
Sugden said:
'God rot his soul in hell! I'm glad I did it!'
Lydia Lee said:
'Pilar, I think you had better stay with us until we can arrange something definite for you.'
Pilar said meekly:
'You are very good, Lydia. You are nice. You forgive people quite easily without making a fuss about it.'
Lydia said, smiling:
'I still call you Pilar, though I suppose your name is something else.'
'Yes, I am really Conchita Lopez.'
'Conchita is a pretty name too.'
'You are really almost too nice, Lydia. But you don't need to be bothered by me. I am going to marry Stephen, and we are going to South Africa.'
Lydia said, smiling:
'Well, that rounds off things very nicely.'
Pilar said timidly:
'Since you have been so kind, do you think, Lydia, that one day we might come back and stay with you---perhaps for Christmas---and then we could have the crackers and the burning raisins and those shiny things on a tree and the little snowmen?'
'Certainly, you shall come and have a real English Christmas.'
'That will be lovely. You see, Lydia, I feel that this year it was not a nice Christmas at all.'
Lydia caught her breath. She said:
'No, it was not a nice Christmas...'
Harry said:
'Well, goodbye, Alfred. Don't suppose you'll be troubled by seeing much of me. I'm off to Hawaii. Always meant to live there if I had a bit of money.'
Alfred said:
'Goodbye, Harry. I expect you'll enjoy yourself. I hope so.'
Harry said rather awkwardly:
'Sorry I riled you so much, old man. Rotten sense of humour I've got. Can't help trying to pull a fellow's leg.'
Alfred said with an effort:
'Suppose I must learn to take a joke.'
Harry said with relief:
'Well---so-long.'
Alfred said:
'David, Lydia and I have decided to sell up this place. I thought perhaps you'd like some of the things that were our mother's---her chair and that footstool. You were always her favourite.'
David hesitated a minute. Then he said slowly:
'Thanks for the thought, Alfred, but do you know, I don't think I will. I don't want anything out of the house. I feel it's better to break with the past altogether.'
Alfred said:
'Yes, I understand. Maybe you're right.'
George said:
'Well, goodbye, Alfred. Goodbye, Lydia. What a terrible time we have been through. There's the trial coming on, too. I suppose the whole disgraceful story is bound to come out---Sugden being---er---my father's son. One couldn't arrange for it to be put to him, I suppose, that it would be better if he pleaded advanced Communist views and dislike of my father as a capitalist---something of that kind?'
Lydia said:
'My dear George, do you really imagine that a man like Sugden would tell lies to soothe our feelings?'
George said:
'Er---perhaps not. No, I see your point. All the same, the man must be mad. Well, goodbye again.'
Magdalene said:
'Good bye. Next year do let's all go to the Riviera or somewhere for Christmas and be really gay.'
George said:
'Depends on the Exchange.'
Magdalene said:
'Darling, don't be mean.'
Alfred came out on the terrace. Lydia was bending over a stone sink. She straightened up when she saw him.
He said with a sigh:
'Well---they've all gone.'
Lydia said:
'Yes---what a blessing.'
'It is, rather.'
Alfred said:
'You'll be glad to leave here.'
She asked:
'Will you mind very much?'
'No, I shall be glad. There are so many interesting things we can do together. To live on here would be to be constantly reminded of that nightmare. Thank God it's all over!'
Lydia said:
'Thanks to Hercule Poirot.'
'Yes. You know, it was really amazing the way everything fell into place when he explained it.'
'I know. Like when you finish a jig-saw puzzle and all the queer-shaped bits you swear won't fit in anywhere find their places quite naturally.'
Alfred said:
'There's one little thing that never fitted in. What was George doing after he telephoned? Why wouldn't he say?'
'Don't you know? I knew all the time. He was having a look through your papers on your desk.'
'Oh! No, Lydia, no one would do a thing like that!'
'George would. He's frightfully curious about money matters. But of course he couldn't say so. He'd have had to be actually in the dock before he'd have owned up to that.'
Alfred said:
'Are you making another garden?'
'Yes.'
'What is it this time?'
'I think,' said Lydia, 'it's an attempt at the Garden of Eden. A new version---without any serpent---and Adam and Eve are definitely middle-aged.'
Alfred said gently:
'Dear Lydia, how patient you have been all these years. You have been very good to me.'
Lydia said:
'But, you see, Alfred, I love you...'
Colonel Johnson said:
'God bless my soul!' Then he said:
'Upon my word!' And finally, once more: 'God bless my soul!
He leaned back in his chair and stared at Poirot. He said plaintively:
'My best man! What's the police coming to?'
Poirot said:
'Even policemen have private lives! Sugden was a very proud man.'
Colonel Johnson shook his head.
To relieve his feelings he kicked at the logs in the grate. He said jerkily:
'I always say---nothing like a wood fire.'
Hercule Poirot, conscious of the draughts round his neck, thought to himself:
'Pour moi, every time the central heating...'
The Mysterious Affair at Styles ; The Murder on the Links ; Poirot Investigates ; The Murder of Roger Ackroyd ; The Big Four ; The Mystery of the Blue Train ; Black Coffee ; Peril at End House ; Lord Edgware Dies ; Murder on the Orient Express ; Three-Act Tragedy ; Death in the Clouds ; The ABC Murders ; Murder in Mesopotamia ; Cards on the Table ; Murder in the Mews ; Dumb Witness ; Death on the Nile ; Appointment with Death ; Hercule Poirot's Christmas ; Sad Cypress ; One, Two, Buckle My Shoe ; Evil Under the Sun ; Five Little Pigs ; The Hollow ; The Labours of Hercules ; Taken at the Flood ; Mrs McGinty's Dead ; After the Funeral ; Hickory Dickory Dock ; Dead Man's Folly ; Cat Among the Pigeons ; The Adventure of the Christmas Pudding ; The Clocks ; Third Girl ; Hallowe'en Party ; Elephants Can Remember ; Poirot's Early Cases ; Curtain: Poirot's Last Case
1. The Mysterious Affair at Styles (1920)
Captain Arthur Hastings, invalided in the Great War, is recuperating as a guest of John Cavendish at Styles Court, the 'country-place' of John's autocratic old aunt, Emily Inglethorpe---she of a sizeable fortune, and so recently remarried to a man twenty years her junior. When Emily's sudden heart attack is found to be attributable to strychnine, Hastings recruits an old friend, now retired, to aid in the local investigation. With impeccable timing, Hercule Poirot, the renowned Belgian detective, makes his dramatic entrance into the pages of crime literature.
Of note: Written in 1916, The Mysterious Affair at Styles was Agatha Christie's first published work. Six houses rejected the novel before it was finally published---after puzzling over it for eighteen months before deciding to go ahead---by The Bodley Head.

Times Literary Supplement: 'Almost too ingenious...very clearly and brightly told.'

2. The Murder on the Links (1923)
"For God's sake, come!" But by the time Hercule Poirot can respond to Monsieur Renauld's plea, the millionaire is already dead---stabbed in the back, and lying in a freshly dug grave on the golf course adjoining his estate. There is no lack of suspects: his wife, whose dagger did the deed; his embittered son; Renauld's mistress---and each feels deserving of the dead man's fortune. The police think they've found the culprit. Poirot has his doubts. And the discovery of a second, identically murdered corpse complicates matters considerably. (However, on a bright note, Captain Arthur Hastings does meet his future wife.)

The New York Times: 'A remarkably good detective story...warmly recommended.'
Literary Review: 'Really clever.'
Sketch: 'Agatha Christie never lets you down.'

3. Poirot Investigates (1924)
A movie star, a diamond; a murderous 'suicide'; a pharaoh's curse upon his tomb; a prime minister abducted...What links these fascinating cases? The brilliant deductive powers of Hercule Poirot in...'The Adventure of the Western Star'; 'The Tragedy at Marsdon Manor'; 'The Adventure of the Cheap Flat'; 'The Mystery of the Hunter's Lodge'; 'The Million Dollar Bond Robbery'; 'The Adventure of the Egyptian Tomb'; 'The Jewel Robbery at the Grand Metropolitan'; 'The Kidnapped Prime Minister'; 'The Disappearance of Mr. Davenheim'; 'The Adventure of the Italian Nobleman'; 'The Case of the Missing Will.'
Of note: The stories collected here were first published in Sketch, beginning on March 7, 1923. Sketch also featured the first illustration of the foppish, egg-headed, elaborately moustachioed Belgian detective.

Literary Review: 'A capital collection...ingeniously constructed and told with an engaging lightness of style.'
Irish Times: 'In straight detective fiction there is still no one to touch [Christie].'

4. The Murder of Roger Ackroyd (1926)
In the quiet village of King's Abbot a widow's suicide has stirred suspicion---and dreadful gossip. There are rumours that she murdered her first husband, that she was being blackmailed, and that her secret lover was Roger Ackroyd. Then, on the verge of discovering the blackmailer's identity, Ackroyd himself is murdered. Hercule Poirot, who has settled in King's Abbot for some peace and quiet and a little gardening, finds himself at the centre of the case---and up against a diabolically clever and devious killer.
Of note: The Murder of Roger Ackroyd broke all the rules of detective fiction and made Agatha Christie a household name. Widely regarded as her masterpiece (though perhaps it may be called her 'Poirot masterpiece' since other titles in her canon---notably And Then There Were None---are similarly acclaimed), The Murder of Roger Ackroyd was the source of some controversy when it was published. The Times Literary Supplement's praise of the first Poirot, The Mysterious Affair at Styles, 'almost too ingenious,' was applied by scores of readers to Ackroyd, who were nonetheless enraptured by the novel, and have remained so over the decades.
Fair warning: There are two things you must do if you know nothing of the book: discuss it with no one, and read it with all speed.

H.R.F. Keating: 'One of the landmarks of detective literature' (in his Crime & Mystery: The 100 Best Books).
Julian Symons: 'The most brilliant of deceptions' (in his Bloody Murder: From the Detective Story to the Crime Novel).
Irish Independent: 'A classic---the book has worthily earned its fame.'

5. The Big Four (1927)
Hercule Poirot is preparing for a voyage to South America. Looming in the doorway of his bedroom is an uninvited guest, coated from head to foot in dust and mud. The man's gaunt face registers Poirot for a moment, and then he collapses. The stranger recovers long enough to identify Poirot by name and madly and repeatedly scribble the figure '4' on a piece of paper. Poirot cancels his trip. An investigation is in order. Fortunately, Poirot has the faithful Captain Hastings at his side as he plunges into a conspiracy of international scope---one that would consolidate power in the deadly cabal known as 'The Big Four.'
6. The Mystery of the Blue Train (1928)
Le Train Bleu is an elegant, leisurely means of travel, and one certainly free of intrigue. Hercule Poirot is aboard, bound for the Riviera. And so is Ruth Kettering, the American heiress. Bailing out of a doomed marriage, she is en route to reconcile with her former lover. But her private affairs are made quite public when she is found murdered in her luxury compartment---bludgeoned almost beyond recognition. Fans of the later novel Murder on the Orient Express will not want to miss this journey by rail---and Poirot's eerie reenactment of the crime...
7. Black Coffee (1930; 1998)
Sir Claud Amory's formula for a powerful new explosive has been stolen, presumably by a member of his large household. Sir Claud assembles his suspects in the library and locks the door, instructing them that the when the lights go out, the formula must be replaced on the table---and no questions will be asked. But when the lights come on, Sir Claud is dead. Now Hercule Poirot, assisted by Captain Hastings and Inspector Japp, must unravel a tangle of family feuds, old flames, and suspicious foreigners to find the killer and prevent a global catastrophe.
Of note: Black Coffee was Agatha Christie's first playscript, written in 1929. It premiered in 1930 at the Embassy Theatre in Swiss Cottage, London, before transferring the following year to St Martin's in the West End---a theatre made famous by virtue of its becoming the permanent home of the longest-running play in history, Agatha Christie's The Mousetrap. Agatha Christie's biographer, Charles Osborne, who, as a young actor in 1956 had played Dr Carelli in a Tunbridge Wells production of Black Coffee, adapted the play as this novel in 1998.

Antonia Fraser, Sunday Telegraph: 'A lively and light-hearted read which will give pleasure to all those who have long wished that there was just one more Christie to devour.'
Mathew Prichard, from his Foreword to Black Coffee: 'This Hercule Poirot murder mystery...reads like authentic, vintage Christie. I feel sure Agatha would be proud to have written it.'

8. Peril at End House (1932)
Nick is an unusual name for a pretty young woman. And Nick Buckley has been leading an unusual life of late. First, on a treacherous Cornish hillside, the brakes on her car fail. Then, on a coastal path, a falling boulder misses her by inches. Safe in bed, she is almost crushed by a painting. Upon discovering a bullet hole in Nick's sun hat, Hercule Poirot (who had come to Cornwall for a simple holiday with his friend Captain Hastings) decides that the girl needs his protection. At the same time, he begins to unravel the mystery of a murder that hasn't been committed. Yet.

Times Literary Supplement: 'Ingenious.'

9. Lord Edgware Dies (1933)
Poirot was present when the beautiful actress Jane Wilkinson bragged of her plan to 'get rid of' her estranged husband. Now the monstrous man is dead. But how could Jane have stabbed Lord Edgware in his library at exactly the time she was dining with friends? And what could have been her motive, since Edgware had finally granted her a divorce? The great Belgian detective, aided by Captain Hastings, can't help feeling that some kind of heinous stagecraft is in play. And does more murder wait in the wings?

The New York Times: 'A most ingenious crime puzzle.'
Times Literary Supplement: 'The whole case is a triumph of Poirot's special qualities.'
Noted crime fiction critic Julian Symons selected Lord Edgware Dies as one of Agatha Christie's best.

10. Murder on the Orient Express (1934)
Just after midnight, a snowstorm stops the Orient Express dead in its tracks in the middle of Yugoslavia. The luxurious train is surprisingly full for this time of year. But by morning there is one passenger less. A 'respectable American gentleman' lies dead in his compartment, stabbed a dozen times, his door locked from the inside...Hercule Poirot is also aboard, having arrived in the nick of time to claim a second-class compartment---and the most astounding case of his illustrious career.
Regarding chronology: Agatha Christie seems not much concerned in the course of her books with their relationship to each other. It is why the Marples and the Poirots may be ready in any order, really, with pleasure. However, the dedicated Poirotist may wish to note that the great detective is returning from 'A little affair in Syria' at the start of Murder on the Orient Express. It is a piece of business after this 'little affair'---the investigation into the death of an archaeologist's wife---that is the subject of Murder in Mesopotamia (1936). If one wishes to delay a tad longer the pleasures of Orient Express, Murder in Mesopotamia offers no better opportunity.
Fair warning: Along these lines, it is advisable that one not read Cards on the Table (1936) prior to Orient Express, since Poirot himself casually gives away the ending to the latter novel.
Of note: Murder on the Orient Express is one of Agatha Christie's most famous novels, owing no doubt to a combination of its romantic setting and the ingeniousness of its plot; its non-exploitative reference to the sensational kidnapping and murder of the infant son of Charles and Anne Morrow Lindbergh only two years prior; and a popular 1974 film adaptation, starring Albert Finney as Poirot---one of the few cinematic versions of a Christie work that met with the approval, however mild, of the author herself.

Dorothy L. Sayers, Sunday Times: 'A murder mystery conceived and carried out on the finest classical lines.'
Saturday Review of Literature: 'Hard to surpass.'
Times Literary Supplement: 'Need it be said---the little grey cells solve once more the seemingly insoluble. Mrs Christie makes an improbable tale very real, and keeps her readers enthralled and guessing to the end.'

11. Three-Act Tragedy (1935)
The novel opens as a theatre programme, with this telling credit: 'Illumination by HERCULE POIROT.' Light must be shed, indeed, on the fateful dinner party staged by the famous actor Sir Charles Cartwright for thirteen guests. It will be a particularly unlucky evening for the mild-mannered Reverend Stephen Babbington, whose martini glass, sent for chemical analysis after he chokes on its contents and dies, reveals no trace of poison. Just as there is no apparent motive for his murder. The first scene in a succession of carefully staged killings, but who is the director?

The New York Times: 'Makes for uncommonly good reading.'

12. Death in the Clouds (1935)
From seat No. 9, Hercule Poirot is almost ideally placed to observe his fellow air travelers on this short flight from Paris to London. Over to his right sits a pretty young woman, clearly infatuated with the man opposite. Ahead, in seat No. 13, is the Countess of Horbury, horribly addicted to cocaine and not doing too good a job of concealing it. Across the gangway in seat No. 8, a writer of detective fiction is being troubled by an aggressive wasp. Yes, Poirot is almost ideally placed to take it all in---except that the passenger in the seat directly behind him has slumped over in the course of the flight...dead. Murdered. By someone in Poirot's immediate proximity. And Poirot himself must number among the suspects.

Times Literary Supplement: 'It will be a very acute reader who does not receive a complete surprise at the end.'

13. The ABC Murders (1936)
Captain Arthur Hastings returns to narrate this account of a personal challenge made to 'Mr Clever Poirot' by a killer who identifies himself as 'ABC' and who leaves the ABC Rail Guide next to his victims---apparently intending to work through the English countryside (he has struck in Andover, Bexhill-on-Sea, and Churston) and exercise Poirot along the way. Serialized in London's Daily Express, The ABC Murders became a cultural phenomenon as readers were invited to try to keep up with the famous Belgian detective. It is a challenge that remains fresh and thrilling to this day---and makes The ABC Murders one of the absolute must-reads of the Christie canon.

Julian Symons: 'A masterwork of carefully concealed artifice...most stunningly original.'
Sunday Times: 'There is no more cunning player of the murder game than Agatha Christie.'

14. Murder in Mesopotamia (1936)
Nurse Amy Leatheran had never felt the lure of the 'mysterious East,' but she nonetheless accepts an assignment at Hassanieh, an ancient site deep in the Iraqi desert, to care for the wife of a celebrated archaeologist. Mrs Leidner is suffering bizarre visions and nervous terror. 'I'm afraid of being killed!' she admits to her nurse. Her terror, unfortunately, is anything but unfounded, and Nurse Leatheran is soon enough without a patient. The world's greatest detective happens to be in the vicinity, however: having concluded an assignment in Syria, and curious about the dig at Hassanieh, Hercule Poirot arrives in time to lead a murder investigation that will tax even his remarkable powers---and in a part of the world that has seen more than its share of misadventure and foul play.

The New York Times: 'Smooth, highly original, and completely absorbing.'

15. Cards on the Table (1936)
'The deduction,' Agatha Christie writes in her Foreword to this volume, 'must...be entirely psychological...because when all is said and done it is the mind of the murderer that is of supreme interest.' There is probably no neater encapsulation of what makes Agatha Christie's works so fresh, so fascinating, so many years after they were written. And this statement appropriately opens the novel that is regarded as Agatha Christie's most singularly challenging mystery---it is, in fact, Hercule Poirot's own favourite case.
Poirot is one of eight dinner guests of the flamboyant Mr Shaitana. The other invitees are Superintendent Battle of Scotland Yard (introduced in The Secret of Chimneys); Secret Service agent Colonel Race (who first appeared in The Man in the Brown Suit); Mrs Ariadne Oliver, a famous author of detective stories (introduced in Parker Pyne Investigates and who will figure in five more Poirots)---and four suspected murderers. After dinner, there will be a few rounds of bridge: the four investigators playing at one table; the four murder suspects at another. Mr Shaitana will sit by the fire and observe. This he does---until he is stabbed to death. The ultimate 'closed-room murder mystery' awaits the intrepid reader. Who is the murderer? And who will solve the crime?
Fair warning: Poirot casually reveals the solution to Murder on the Orient Express in Cards on the Table.

Daily Mail: 'The finest murder story of her career...Mrs Christie has never been more ingenious.'

16. Murder in the Mews (1937)
In the title work in this collection of novellas, Poirot and Inspector Japp collaborate on the investigation of a suspicious suicide. The supernatural is said to play in the disappearance of top secret military plans in The Incredible Theft---an incredible claim, indeed, as Poirot will prove. The bullet that kills Gervase Chevenix-Gore shatters a mirror in Dead Man's Mirror---just the clue Poirot needs to solve the crime. And, while basking on white Mediterranean sands, Poirot stares trouble in the face---the beautiful face of Valentine Chantry, now celebrating her fifth marriage---in Triangle at Rhodes.

Daily Mail: 'All four tales are admirable entertainment...Mrs Christie's solutions are unexpected and satisfying.'

17. Dumb Witness (1937)
Agatha Christie wrote this mystery for dog lovers. She was certainly one herself, dedicating the novel to her own pet. Captain Arthur Hastings, in his penultimate Poirot appearance (like Poirot, Curtain will be his last), again takes up narrative duties---along with, remarkably, the eponymous Bob, a wire-haired terrier who, upon careful inspection, declares Poirot 'not really a doggy person.' But Poirot is present to inquire into the natural-seeming death of Bob's mistress, Miss Emily Arundell. Natural-seeming, except that Miss Emily had written Poirot of her suspicions that a member of her family was trying to kill her: a letter Poirot received too late---in fact, two months too late---to help. Poirot and Bob will sniff out the murderer nonetheless (and Bob will win a happy new home, with Captain Hastings who is, most decidedly, a 'doggy person').
Fair warning: Dumb Witness is best read after The Mysterious Affair at Styles; The Murder of Roger Ackroyd; The Mystery of the Blue Train; and Death in the Clouds---since the identity of the criminal in each is revealed in this novel.

Glasgow Herald: 'One of Poirot's most brilliant achievements.'

18. Death on the Nile (1937)
Among the best-loved of Agatha Christie's novels, Death on the Nile finds Hercule Poirot again trying to enjoy a vacation---this time aboard the S.S. Karnak, steaming between the First and Second Cataracts of the Nile, with stops at sites of archaeological significance. But Poirot (who, after all, had attempted to retire years before) seems to be perennially unlucky in his choice of holidays. Newlywed Linnet Ridgeway is, in the course of the journey, shot dead in the head, and Poirot has before him a boatload of suspects---and a useful sidekick in Colonel Race of the British Secret Service.
Of note: The producers of Murder on the Orient Express released a film version, also well received (though not by Mrs Christie, who had passed away two years prior), of Death on the Nile (1978), this time casting Peter Ustinov as Poirot.

Daily Mail (of the novel): 'Flawless.'

19. Appointment with Death (1938)
'"I'm so sorry," she said..."Your mother is dead, Mr Boynton." And curiously, as though from a great distance, she watched the faces of five people to whom that announcement meant freedom...'
We have returned to the Middle East with Hercule Poirot, on our most colourful tour yet: to the Dome of the Rock, the Judean desert, the Dead Sea, and to Petra, 'the rose-red city,' that ancient place of heart-stopping beauty---but also of heart-stopping horror, for here sits the corpse of old Mrs Boynton, monstrous matriarch, loathed by one and all. A tiny puncture mark on her wrist is the only sign of the fatal injection that killed her. With only twenty-four hours available to solve the mystery, Hercule Poirot recalls a chance remark he'd overheard back in Jerusalem: 'You see, don't you, that she's got to be killed?'

The Observer: 'Twice as brilliant as Death on the Nile, which was entirely brilliant.'

20. Hercule Poirot's Christmas (1938)
This novel was the author's gift to her brother-in-law, who had complained that her stories were, for him, 'too academic.' What he desired was a 'good violent murder with lots of blood.' From the epigraph---a quotation from Macbeth---to its startling end, Agatha delivered a gift made to order.
It is Christmas Eve. The Lee family reunion, never a lively affair, is interrupted by a deafening crash and a high-pitched scream. The tyrannical head of the Lee family, Simeon, lies dead in a pool of blood, his throat slashed. Hercule Poirot is spending the holidays with his friend Colonel Johnson, the chief constable of the local village. At the Lee house he finds an atmosphere not of mourning but of mutual suspicion. Christmas with family---survive it this year with Hercule Poirot.
Fair warning: In an exchange between Poirot and Colonel Johnson, the solution of Three-Act Tragedy is revealed.
21. Sad Cypress (1940)
Beautiful, young Elinor Carlisle stands serenely in the dock, accused of the murder of Mary Gerrard, her rival in love. The evidence is damning: only Elinor had the motive, the opportunity, and the means to administer the fatal poison. Inside the hostile courtroom, one man is all that stands between Elinor and the gallows---Hercule Poirot.

Daily Mail: 'Poirot solves another exciting case.'
Charles Osborne, Agatha Christie' biographer: 'One of the most real, least schematic of crime novels. It is also unusual in that it employs the device of the possible miscarriage of justice...And it works superbly as a murder mystery.'

22. One, Two, Buckle My Shoe (1940)
'Nineteen, twenty, my plate's empty.' But the reader's plate is full indeed, as Hercule Poirot must follow a familiar nursery rhyme through a course of murder. The adventure is kicked off by the apparent suicide of a Harley Street dentist---who would also appear to have murdered one of his patients. Hercule Poirot has himself been this dentist's patient on this very day, and suspects foul play. A shoe buckle holds the key to the mystery. But---five, six---will Poirot pick up sticks, and---seven, eight---lay them straight...before a murderer can strike again?

The New York Times: 'A swift course of unflagging suspense leads to complete surprise.'

23. Evil Under the Sun (1941)
'There was that about her which made every other woman on the beach seem faded and insignificant. And with equal inevitability, the eye of every male present was drawn and riveted on her.'
Including Hercule Poirot's. She is Arlena Stuart, the famous actress, enjoying---like the famous detective---a summer holiday on Smugglers' Island, and she will become a common enough sight, sunbathing on the hot sands. Then one azure morning her beautiful bronzed body is discovered in an isolated cove, in the shade. She is dead, strangled. And Poirot, as luckless as ever when he attempts some down-time, will learn in the course of his investigation that nearly all the guests of this exclusive resort have some connection to Arlena. But who had the capacity and the motive to kill her?
Of note: The producers of Murder on the Orient Express and Death on the Nile released a film version of Evil Under the Sun in 1982; again, as in Nile, they cast Peter Ustinov as Poirot.

Daily Telegraph: 'Christie has never written anything better than Evil Under the Sun, which is detective story writing at its best.'
Times Literary Supplement: 'Christie springs her secret like a land mine.'
Sunday Times: 'Vivacious and entertaining.'

24. Five Little Pigs (1943)
A staggering bestseller upon its publication---running through 20,000 copies of its first edition---Five Little Pigs (published in the U.S. as Murder in Retrospect) concerns a murder committed sixteen years earlier. Carla Crale prevails upon Hercule Poirot to investigate the crime that sent her mother, Caroline, to prison for life (where she died). Caroline had been found guilty of poisoning her estranged husband, Carla's father, Amyas Crale, the famous artist. Poirot's investigation centers upon five suspects, still living, whom he convinces to speak to him and to record their own memories of the long-ago incident.
Brilliantly intersplicing the past and the present, memory and reality, the search for truth and ongoing attempts to thwart it, Five Little Pigs has no antecedent. Almost a decade before Akira Kurosawa's famous film introduced the term "Rashomon effect" into the vernacular, Agatha Christie invited her readers to view a crime from multiple perspectives and to consider the vagaries of such an exercise. Fortunately, however, the great Belgian detective does not deal in vagaries---Hercule Poirot is in the business of precision, and he will reveal the identity of the true killer.

Observer: 'Mrs Christie as usual puts a ring through the reader's nose and leads him to one of her smashing last-minute showdowns.'
Times Literary Supplement: 'The answer to the riddle is brilliant.'

25. The Hollow (1946)
A murder tableau staged for Poirot's 'amusement' goes horribly wrong at The Hollow, the estate of Lady Lucy Angkatell, who has invited the great detective as her guest of honour. Dr John Christow was to have been 'shot' by his wife, Gerda, to 'expire' in a pool of blood-red paint. But when the shot is fired, it is deadly, and Dr. Christow's last gasp is of a name other than his wife's: 'Henrietta.' What was to have been a pleasant country weekend becomes instead one of Poirot's most baffling cases, with the revelation of a complex web of romantic attachments among the denizens of The Hollow.
Of note: The phenomenon of The Mousetrap tends to distract from Agatha Christie's other stage successes. An adaptation of The Hollow was one such triumph, premiering in Cambridge in 1951 and subsequently playing for over a year in the West End. Poirot, however, is not a character in the stage version---the diminutive Belgian with the oversized personality was replaced by a perfectly neutral Scotland Yard inspector. In her Autobiography, Mrs Christie notes that she wishes she had made a similar swap in the novel---so rich are the characters in The Hollow---but Poirot fans then (The Hollow was a tremendous bestseller) and today would have it no other way.

San Francisco Chronicle (of the novel): 'A grade-A plot---the best Christie in years.'

26. The Labours of Hercules (1967)
Dr Burton, Fellow of All Souls, sipping Poirot's Chateau Mouton Rothschild, offers up a rather unkind remark about his host that sets in motion Hercule Poirot's obsessive, self-imposed contest against his classical namesake: Poirot will accept twelve labours---twelve fiendishly complex cases---and then, at long last, genuinely unshoulder the burdens of the hero: he will retire, and leave the ridding of society's monsters, the sweeping of its criminal stables, to others. The cases that Poirot engages are every bit as taxing of his mighty brain as were the famous labours imposed by Eurystheus, King of Tiryns, on the Greek demi-god's brawn, and they make for one of the most fascinating books in the Christie canon. (Poirot solves them all but, of course, retirement remains as elusive as ever.)

Sunday Express: 'Twelve little masterpieces of detection. Poirot and Agatha Christie at their inimitable best.'
Margery Allingham: 'I have often thought that Mrs Christie was not so much the best as the only living writer of the true classic detective story.'
San Francisco Chronicle: 'A finely shaped book, richly devious and quite brilliant.'

27. Taken at the Flood (1948)
A few weeks after marrying an attractive young widow, Rosaleen Underhay, Gordon Cloade dies in the Blitz---leaving Rosaleen in sole possession of the Cloade family fortune. 'Ill will' is in the air, generally, with the close of the war, and it positively contaminates the Cloade household. Now that contamination threatens Poirot---in the form of a visit from the dead man's sister-in-law. 'Guided' to Poirot 'by those beyond the veil,' she insists that Rosaleen is not a widow at all. Though he is no subscriber to the supernatural, Poirot has indeed heard of the somewhat notorious Rosaleen, and he is drawn, seemingly inevitably, to the case when he reads of the death of one Enoch Arden---who had appeared mysteriously in the village of Warmsley Vale, not far from the Cloade family seat. Poirot must investigate---but does he go to Warmsley Vale to bring Rosaleen to justice, or to spare her being dispatched prematurely to 'the other side'?
Of note: Taken at the Flood marks the debut of Superintendent Spence, a Poirot sidekick who will feature in three more Poirot novels.

Elizabeth Bowen, The Tatler: 'One of the best...Her gift for blending the cosy with the macabre has seldom been more in evidence than it is here.'
Manchester Evening News: 'Told briskly, vivaciously, and with ever-fertile imagination.'
New York Herald Tribune: 'Don't miss it.'

28. Mrs McGinty's Dead (1952)
'Mrs McGinty's dead!' 'How did she die?' 'Down on one knee, just like I!' So goes the old children's rhyme. A crushing blow to the back of the head kills a real-life Mrs McGinty in her cottage in the village of Broadhinny---Superintendent Spence's jurisdiction. Then the killer tore up the floorboards in search of...what? Justice presumes a pittance of cash; and justice has condemned James Bentley, her loathsome lodger, to hang for the crime. But Superintendent Spence is not satisfied with the verdict, and appeals to Poirot to investigate---and save the life of the wretch Bentley.
Of note: Crime novelist Ariadne Oliver, of Cards on the Table, returns to help Poirot and Spence solve the crime.

Sunday Times: 'So simple, so economical, so completely baffling. Each clue scrupulously given, with superb sleight of hand.'
San Francisco Chronicle: 'The plot is perfect and the characters are wonderful.'
The New York Times: 'The best Poirot since...Cards on the Table.'

29. After the Funeral (1953)
Mrs Cora Lansquenet admits to 'always saying the wrong thing'---but this last remark has gotten her a hatchet in the head. 'He was murdered, wasn't he?' she had said after the funeral of her brother, Richard Abernethie, in the presence of the family solicitor, Mr Entwhistle, and the assembled Abernethies, who are anxious to know how Richard's sizable fortune will be distributed. Entwhistle, desperate not to lose any more clients to murder, turns to Hercule Poirot for help. A killer complicates an already very complicated family---classic Christie; pure Poirot.

Liverpool Post: 'Keeps us guessing---and guessing wrongly---to the very last page.'

30. Hickory Dickory Dock (1955)
An outbreak of kleptomania at a student hostel is not normally the sort of crime that arouses Hercule Poirot's interest. But when it affects the work of his secretary, Miss Lemon, whose sister works at the hostel, he agrees to look into the matter. The matter becomes a bona fide mystery when Poirot peruses the bizarre list of stolen and vandalized items---including a stethoscope, some old flannel trousers, a box of chocolates, a slashed rucksack, and a diamond ring found in a bowl of a soup. 'A unique and beautiful problem,' the great detective declares. Unfortunately, this 'beautiful problem' is not just one of thievery and mischief---for there is a killer on the loose.

Times Literary Supplement: 'An event...There is plenty of entertainment.'
The New York Times: 'The Christie fan of longest standing, who thinks he knows every one of her tricks, will still be surprised by...the twists here.'

31. Dead Man's Folly (1956)
Sir George and Lady Stubbs desire to host a village fete with a difference---a mock murder mystery. In good faith, Ariadne Oliver, the much-lauded crime novelist, agrees to organise the proceedings. As the event draws near, however, Ariadne senses that something sinister is about to happen---and calls upon her old friend Hercule Poirot to come down to Dartmoor for the festivities. Ariadne's instincts, alas, are right on the money, and soon enough Poirot has a real murder to investigate.

The New York Times: 'The infallibly original Agatha Christie has come up, once again, with a new and highly ingenious puzzle-construction.'
Times Literary Supplement: 'The solution is of the colossal ingenuity we have been conditioned to expect.'

32. Cat Among the Pigeons (1959)
A revolution in the Middle East has a direct and deadly impact upon the summer term at Meadowbank, a picture-perfect girls' school in the English countryside. Prince Ali Yusuf, Hereditary Sheikh of Ramat, whose great liberalizing experiment---'hospitals, schools, a Health Service'---is coming to chaos, knows that he must prepare for the day of his exile. He asks his pilot and school friend, Bob Rawlinson, to care for a packet of jewels. Rawlinson does so, hiding them among the possessions of his niece, Jennifer Sutcliffe, who is bound for Meadowbank. Rawlinson is killed before he can reveal the hiding place---or even the fact that he has employed his niece as a smuggler. But someone knows, or suspects, that Jennifer has the jewels. As murder strikes Meadowbank, only Hercule Poirot can restore the peace.
Of note: In this novel we meet Colonel Pikeaway, later to appear in the non-Poirots Passenger to Frankfurt and Postern of Fate, and we meet the financier Mr Robinson, who will also appear in Postern of Fate and who will show up at Miss Marple's Bertram's Hotel.

Daily Express, of Cat Among the Pigeons: 'Immensely enjoyable.'
The New York Times: 'To read Agatha Christie at her best is to experience the rarefied pleasure of watching a faultless technician at work, and she is in top form in Cat Among the Pigeons.'

33. The Adventure of the Christmas Pudding (1960)
'This book of Christmas fare may be described as "The Chef's Selection." I am the Chef!' Agatha Christie writes in her Foreword, in which she also recalls the delightful Christmases of her youth at Abney Hall in the north of England. But while the author's Christmases were uninterrupted by murder, her famous detective's are not (see also Hercule Poirot's Christmas). In the title novella, Poirot---who has been coerced into attending 'an old-fashioned Christmas in the English countryside'---gets all the trimmings, certainly, but he also gets a woman's corpse in the snow, a Kurdish knife spreading a crimson stain across her white fur wrap.
Collected within: The Adventure of the Christmas Pudding (novella); 'The Mystery of the Spanish Chest'; The Under Dog (novella); 'Four-and-Twenty Blackbirds'; 'The Dream'; and a Miss Marple mystery, 'Greenshaw's Folly.'

Times Literary Supplement: 'There is the irresistible simplicity and buoyancy of a Christmas treat about it all.'

34. The Clocks (1963)
Sheila Webb, typist-for-hire, has arrived at 19 Wilbraham Crescent in the seaside town of Crowdean to accept a new job. What she finds is a well-dressed corpse surrounded by five clocks. Mrs Pebmarsh, the blind owner of No. 19, denies all knowledge of ringing Sheila's secretarial agency and asking for her by name---yet someone did. Nor does she own that many clocks. And neither woman seems to know the victim. Colin Lamb, a young intelligence specialist working a case of his own at the nearby naval yard, happens to be on the scene at the time of Sheila Webb's ghastly discovery. Lamb knows of only one man who can properly investigate a crime as bizarre and baffling as what happened inside No. 19---his friend and mentor, Hercule Poirot.

The New York Times: 'Here is the grand-manner detective story in all its glory.'
The Bookman: 'Superlative Christie...extremely ingenious.'
Saturday Review: 'A sure-fire attention-gripper---naturally.'

35. Third Girl (1966)
Hercule Poirot is interrupted at breakfast by a young woman who wishes to consult with the great detective about a murder she 'might have' committed---but upon being introduced to Poirot, the girl flees. And disappears. She has shared a flat with two seemingly ordinary young women. As Hercule Poirot---with the aid of the crime novelist Mrs Ariadne Oliver---learns more about this mysterious 'third girl,' he hears rumours of revolvers, flick-knives, and bloodstains. Even if a murder might not have been committed, something is seriously wrong, and it will take all of Poirot's wits and tenacity to establish whether the 'third girl' is guilty, innocent, or insane.

Sunday Telegraph: 'First-class Christie.'
Financial Times: 'Mesmerising ingenuity.'

36. Hallowe'en Party (1969)
Mystery writer Ariadne Oliver has been invited to a Hallowe'en party at Woodleigh Common. One of the other guests is an adolescent girl known for telling tall tales of murder and intrigue---and for being generally unpleasant. But when the girl, Joyce, is found drowned in an apple-bob-bing tub, Mrs Oliver wonders after the fictional nature of the girl's claim that she had once witnessed a murder. Which of the party guests wanted to keep her quiet is a question for Ariadne's friend Hercule Poirot. But unmasking a killer this Hallowe'en is not going to be easy---for there isn't a soul in Woodleigh who believes the late little storyteller was actually murdered.

Daily Mirror: 'A thundering success...a triumph for Hercule Poirot.'

37. Elephants Can Remember (1972)
'The Ravenscrofts didn't seem that kind of person. They seemed well balanced and placid.'
And yet, twelve years earlier, the husband had shot the wife, and then himself---or perhaps it was the other way around, since sets of both of their fingerprints were on the gun, and the gun had fallen between them. The case haunts Ariadne Oliver, who had been a friend of the couple. The famous mystery novelist desires this real-life mystery solved, and calls upon Hercule Poirot to help her do so. Old sins have long shadows, the proverb goes. Poirot is now a very old man, but his mind is as nimble and as sharp as ever and can still penetrate deep into the shadows. But as Poirot and Mrs Oliver and Superintendent Spence reopen the long-closed case, a startling discovery awaits them. And if memory serves Poirot (and it does!), crime---like history---has a tendency to repeat itself.

The Times: 'Splendid.'

38. Poirot's Early Cases (1974)
With his career still in its formative years, we learn many things about how Poirot came to exercise those famous 'grey cells' so well. Fourteen of the eighteen stories collected herein are narrated by Captain Arthur Hastings---including what would appear to be the earliest Poirot short story, 'The Affair at the Victory Ball,' which follows soon on the events of The Mysterious Affair at Styles. Two of the stories are narrated by Poirot himself, to Hastings. One, 'The Chocolate Box,' concerns Poirot's early days on the Belgian police force, and the case that was his greatest failure: 'My grey cells, they functioned not at all,' Poirot admits. But otherwise, in this most fascinating collection, they function brilliantly, Poirot's grey cells, challenging the reader to keep pace at every twist and turn.
Collected within: 'The Affair at the Victory Ball'; 'The Adventure of the Clapham Cook'; 'The Cornish Mystery'; 'The Adventure of Johnnie Waverly'; 'The Double Clue'; 'The King of Clubs'; 'The Lemesurier Inheritance'; 'The Lost Mine'; 'The Plymouth Express'; 'The Chocolate Box'; 'The Submarine Plans'; 'The Third-Floor Flat'; 'Double Sin'; 'The Market Basing Mystery'; 'Wasps' Nest'; 'The Veiled Lady'; 'Problem at Sea'; 'How Does Your Garden Grow?'

Sunday Express: 'Superb, vintage Christie.'

39. Curtain: Poirot's Last Case (1975)
Captain Arthur Hastings narrates. Poirot investigates. 'This, Hastings, will be my last case,' declares the detective who had entered the scene as a retiree in The Mysterious Affair at Styles, the captain's, and our, first encounter with the now-legendary Belgian detective. Poirot promises that, 'It will be, too, my most interesting case---and my most interesting criminal. For in X we have a technique superb, magnificent...X has operated with so much ability that he has defeated me, Hercule Poirot!' The setting is, appropriately, Styles Court, which has since been converted into a private hotel. And under this same roof is X, a murderer five-times over; a murderer by no means finished murdering. In Curtain, Poirot will, at last, retire---death comes as the end. And he will bequeath to his dear friend Hastings an astounding revelation. 'The ending of Curtain is one of the most surprising that Agatha Christie ever devised,' writes her biographer, Charles Osborne.
Of note: On 6 August 1975, upon the publication of Curtain, The New York Times ran a front-page obituary of Hercule Poirot, complete with photograph. The passing of no other fictional character had been so acknowledged in America's 'paper of record.' Agatha Christie had always intended Curtain to be 'Poirot's Last Case': Having written the novel during the Blitz, she stored it (heavily insured) in a bank vault till the time that she, herself, would retire. Agatha Christie died on 12 January 1976.

Time: 'First-rate Christie: fast, complicated, wryly funny.'

Charles Osborne onHercule Poirot's Christmas
Murder for Christmas is the title under which Hercule Poirot's Christmas first appeared in the United States, some months after its British Publication. When it was reissued in paperback in the U.S. in the forties, the title was changed to A Holiday for Murder. All the titles seem to promise one of the cosier Christie murders, with perhaps a dash of arsenic in the Christmas pudding, but the epigraph from Macbeth which prefaces the volume---'Yet who would have thought the old man to have had so much blood in him?'---suggests something more violent, as does the author's dedicatory note to her brother-in-law, James Watts...
The reader of Hercule Poirot's Christmas would do well to think carefully about the Macbeth quotation. (Shakespeare is the writer most quoted in the works of Agatha Christie, and there are more allusions to Macbeth than to any other shakespeare play. The English poets of the nineteenth century are also frequently quoted, and so is Lewis Carroll, author of Alice in Wonderland and Through the Looking Glass. But it is traditional English nursery rhyme that Agatha Christie most frequently turns to...) Two themes are combined in Hercule Poirot's Christmas: the traditional murder in the English country house party, in this case a house in the Midlands with the family of a wealthy, unpleasant old man assembled at Christmas from far-flung out-posts; and the locked-room mystery, more of a feature of John Dickson Carr than of Agatha Christie, who preferred to humanize her puzzles. Though the action takes place over Christmas, there is as little Christmas atmosphere in the novel as there is Christmas feeling in the hearts of its characters: the old patriarch is brutally murdered on Christmas Eve. The family suspects are, for the most part, stereotypes of the exotic foreigner, the strong, silent colonial prodigal son, the sympathetic, understanding wife, and so on. One of them is explored in more detail, his weakness of character, his artistic interests, his dependence on a strong-willed wife delicately and sensitively presented, but not to such an extent that the conventional form of the mystery novel is endangered. Agatha Christie maintains the perfect balance. She is also invariably two steps ahead of the reader, especially that reader who imagines he is one step ahead of her.
The clue to the locked-room mystery is an oddly unsatisfactory one. When it proves to be part of something larger, you are tempted to ask, 'Where's the rest of it?' If you do, you will receive no answer. The clue to the murder, on the other hand, lies buried in the family and in family resemblances. The diabolically cunning author makes great play with this, and appears to be making things rather easy for the reader. References to a sense of déjà vu abound. At one point, Tressilian, the butler, says, 'It seems sometimes, sir, as though the past isn't the past! I believe there's been a play on in London about something like that.' He is right: it is not mentioned by name, but the play Tressilian is thinking of is J. B. Priestley's I Have Been Here Before, produced in London in 1937.
Hercule Poirot's Christmas is one of the least realistic but most ingenious Christies, and Poirot performs brilliantly. He is on the scene because he has been staying with the Chief Constable of Middleshire, Colonel Johnson. Middleshire is a fictitious county: when Poirot last encountered Colonel Johnson, in Three-Act Tragedy, Johnson was Chief Constable of Yorkshire, which is generally thought not to be fictitious. Incidentally, the reader is warned that, in Johnson's conversation with Poirot in section 5 of Part III, the identity of the murderer in Three-Act Tragedy is taken for granted and, by implication, revealed.
An example of the way in which the author fooled her readers as a conjuror does his audience occurs when Poirot indicates a large calendar hanging on a wall, 'with tear-off leaves, a bold date on each leaf', and asks why the date has been left as it is. The elderly butler, Tressilian, 'peered across the room, then shuffled slowly across till he was a foot or two away'. Tressilian informs Poirot that the leaf has been torn off, and that the date is correct. 'It's the twenty-sixth today.' Poirot then asks whose responsibility it is to keep the calendar up to date, and is told. We are encouraged to assume that Poirot has some complex theory connected with the calendar. In fact, as will become apparent only much later, in the dénouement, he has simply been testing Tressilian's eyesight, and has satisfied himself that the old butler is extremely shortsighted.
Hercule Poirot's Christmas received generally favourable reviews, the poet and critic Edwin Muir in The Listener asserting that 'even the corpse is meritorious'...
Hercule Poirot's Christmas, with David Suchet as Poirot, was first shown on London Weekend TV on 1 January 1995.
About Charles Osborne
This essay was adapted from Charles Osborne's The Life and Crimes of Agatha Christie: A Biographical Companion to the Works of Agatha Christie (1982, rev. 1999). Mr. Osborne was born in Brisbane in 1927. He is known internationally as an authority on opera, and has written a number of books on musical and literary subjects, among them The Complete Operas of Verdi (1969); Wagner and His World (1977); and W.H. Auden: The Life of a Poet (1980). An addict of crime fiction and the world's leading authority on Agatha Christie, Charles Osborne adapted the Christie plays Black Coffee (Poirot); Spider's Web; and The Unexpected Guest into novels. He lives in London.
A Christie for Christmas byCarolyn Hart
When I was growing up, there was always a new and eagerly awaited "Christie for Christmas." Those wonderful books---clever, insightful, unpretentious, and fun---were as much a part of the rhythm of life for this mystery reader as the changing seasons, quadrennial presidential elections, and the evening news with Huntley and Brinkley.
The day came when the last Christie was published. I was left with the joy of re-reading her books and considering, as I became a mystery writer, the immensity of my debt to her.
I learned these precepts from her books:

A mystery should be a mystery, carefully constructed to provide the discerning reader with fair clues pointing to the solution.
Characters should be as real as flighty Cousin Jane; the over-tidy housewife next door; the jealous husband; or the conniving co-worker---people every reader has encountered.
Misdirection is the mystery writer's best friend.
Simplicity in writing is a virtue.
Murder is never funny. People are funny.
Innocence matters.

I do my best to follow the trail blazed by Christie. I am honored that some critics have described me as "America's Agatha Christie." I love reading and writing a "Christie-kind-of-mystery," and I continue to re-read her books, always with delight.
I have a hope that someday I will read her again. My husband, Phil, is confident there will be coconut cream pie in Heaven.
I have a different wish.
I'm counting on a new Christie for Christmas.
Carolyn Hart is the author of the Death on Demand novels (including The Christie Caper), which have won multiple Agatha, Anthony, and Macavity Awards. She is also the creator of the highly praised Henrie O series (Death on the River Walk). One of the founders of Sisters in Crime (www.sistersincrime.org), Ms. Hart lives in Oklahoma City.
Agatha Christie is known throughout the world as the Queen of Crime. Her books have sold over a billion copies in English and another billion in 100 foreign languages. She is the most widely published author of all time and in any language, outsold only by the Bible and Shakespeare. Mrs Christie is the author of eighty crime novels and short story collections, nineteen plays, and six novels written under the name of Mary Westmacott.
Agatha Christie's first novel, The Mysterious Affair at Styles, was written towards the end of World War I (during which she served in the Voluntary Aid Detachments). In it she created Hercule Poirot, the little Belgian investigator who was destined to become the most popular detective in crime fiction since Sherlock Holmes. After having been rejected by a number of houses, The Mysterious Affair at Styles was eventually published by The Bodley Head in 1920.
In 1926, now averaging a book a year, Agatha Christie wrote her masterpiece. The Murder of Roger Ackroyd was the first of her books to be published by William Collins and marked the beginning of an author-publisher relationship that lasted for fifty years and produced over seventy books. The Murder of Roger Ackroyd was also the first of Agatha Christie's works to be dramatised---as Alibi---and to have a successful run in London's West End. The Mousetrap, her most famous play, opened in 1952 and runs to this day at St Martin's Theatre in the West End; it is the longest-running play in history.
Agatha Christie was made a Dame in 1971. She died in 1976, since when a number of her books have been published: the bestselling novel Sleeping Murder appeared in 1976, followed by An Autobiography and the short story collections Miss Marple's Final Cases; Problem at Pollensa Bay; and While the Light Lasts. In 1998, Black Coffee was the first of her plays to be novelised by Charles Osborne, Mrs Christie's biographer.
The Agatha Christie Collection
Christie Crime Classics
The Man in the Brown Suit
The Secret of Chimneys
The Seven Dials Mystery
The Mysterious Mr Quin
The Sittaford Mystery
The Hound of Death
The Listerdale Mystery
Why Didn't They Ask Evans?
Parker Pyne Investigates
Murder Is Easy
And Then There Were None
Towards Zero
Death Comes as the End
Sparkling Cyanide
Crooked House
They Came to Baghdad
Destination Unknown
Spider's Web \*
The Unexpected Guest \*
Ordeal by Innocence
The Pale Horse
Endless Night
Passenger To Frankfurt
Problem at Pollensa Bay
While the Light Lasts
Hercule Poirot Investigates
The Mysterious Affair at Styles
The Murder on the Links
Poirot Investigates
The Murder of Roger Ackroyd
The Big Four
The Mystery of the Blue Train
Black Coffee \*
Peril at End House
Lord Edgware Dies
Murder on the Orient Express
Three-Act Tragedy
Death in the Clouds
The ABC Murders
Murder in Mesopotamia
Cards on the Table
Murder in the Mews
Dumb Witness
Death on the Nile
Appointment with Death
Hercule Poirot's Christmas
Sad Cypress
One, Two, Buckle My Shoe
Evil Under the Sun
Five Little Pigs
The Hollow
The Labours of Hercules
Taken at the Flood
Mrs McGinty's Dead
After the Funeral
Hickory Dickory Dock
Dead Man's Folly
Cat Among the Pigeons
The Adventure of the Christmas Pudding
The Clocks
Third Girl
Hallowe'en Party
Elephants Can Remember
Poirot's Early Cases
Curtain: Poirot's Last Case
Miss Marple Mysteries
The Murder at the Vicarage
The Thirteen Problems
The Body in the Library
The Moving Finger
A Murder Is Announced
They Do It with Mirrors
A Pocket Full of Rye
4.50 from Paddington
The Mirror Crack'd from Side to Side
A Caribbean Mystery
At Bertram's Hotel
Nemesis
Sleeping Murder
Miss Marple's Final Cases
Tommy & Tuppence
The Secret Adversary
Partners in Crime
Nor M?
By the Pricking of My Thumbs
Postern of Fate
Published as Mary Westmacott
Giant's Bread
Unfinished Portrait
Absent in the Spring
The Rose and the Yew Tree
A Daughter's a Daughter
The Burden
Memoirs
An Autobiography
Come, Tell Me How You Live
Play Collections
The Mousetrap and Selected Plays
Witness for the Prosecution and Selected Plays
\* novelised by Charles Osborne
For more information about Agatha Christie, please visit the official website.
HERCULE POIROT'S CHRISTMAS by Agatha Christie
Copyright © 1939 Agatha Christie Limited (a Chorion company)
"Essay by Charles Osborne" excerpted from The Life and Crimes of Agatha Christie. Copyright © 1982, 1999 by Charles Osborne. Reprinted with permission.
"A Christie for Christmas." Copyright © 2003 by Carolyn Hart.
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Microsoft Reader edition published December 2003 ISBN 0-06-073322-5
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