
Table of Contents
From the Pages of The Time Machine
From the Pages of The Invisible Man
The World of H. G. Wells, The Time Machine, and The Invisible Man
The Time Machine - AN INVENTION
The Invisible Man - A GROTESQUE ROMANCE
II - Mr. Teddy Henfrey's First Impressions
III - The Thousand and One Bottles
IV - Mr. Cuss Interviews the Stranger
V - The Burglary at the Vicarage
VI - The Furniture That Went Mad
VII - The Unveiling of the Stranger
X - Mr. Marvel's Visit to Iping
XII - The Invisible Man Loses His Temper
XIII - Mr. Marvel Discusses His Resignation
XVIII - The Invisible Man Sleeps
XIX - Certain First Principles
XX - At the House in Great Portland Street
XXV - The Hunting of the Invisible Man
XXVII - The Siege of Kemp's House
Inspired by The Time Machine and The Invisible Man
From the Pages of The Time Machine
"Why should he not hope that ultimately he may be able to stop or accelerate his drift along the Time-Dimension, or even turn about and travel the other way?" (page 6)
There was a breath of wind, and the lamp flame jumped. One of the candles on the mantel was blown out, and the little machine suddenly swung round, became indistinct, was seen as a ghost for a second perhaps, as an eddy of faintly glittering brass and ivory; and it was gone---vanished! (page 9)
"As I put on pace, night followed day like the flapping of a black wing."
(page 17)
"I saw great and splendid architecture rising about me, more massive than any buildings of our own time, and yet, as it seemed, built of glimmer and mist." (page 18)
"Ages ago, thousands of generations ago, man had thrust his brother man out of the ease and the sunshine. And now that brother was coming back---changed!" (page 52)
"I grieved to think how brief the dream of the human intellect had been. It had committed suicide." (page 70)
"Nature never appeals to intelligence until habit and instinct are useless." (page 71)
The future is still black and blank---is a vast ignorance, lit at a few casual places by the memory of his story. (page 81---82)
From the Pages of The Invisible Man
The stranger was undoubtedly an unusually strange sort of stranger.
(page 101)
His goggling spectacles and ghastly bandaged face under the penthouse of his hat came with a disagreeable suddenness out of the darkness.
(page 107)
"I am just an ordinary man---a man you have known---made invisible."
(page 161)
It was strange to see him smoking; his mouth, and throat, pharynx and nares, became visible as a sort of whirling smoke cast. (page 163)
"Just think of all the things that are transparent and seem not to be so."
(page 172)
"So little suffices to make us visible one to the other." (page 172)
"I beheld, unclouded by doubt, a magnificent vision of all that invisibility might mean to a man,---the mystery, the power, the freedom. Drawbacks I saw none." (page 173)
"Alone---it is wonderful how little a man can do alone! To rob a little, to hurt a little, and there is the end." (page 202)
BARNES & NOBLE CLASSICS
NEW YORK
Published by Barnes & Noble Books 122 Fifth AvenueNew York, NY 10011
www.barnesandnoble.com/classics
The Time Machine was first published in 1895. The Invisible Man was first published in 1897.
Originally published in mass market format in 2003 by Barnes & Noble Classics with new Introduction, Notes, Biography, Chronology, Inspired By,Comments & Questions, and For Further Reading.This trade paperback edition published in 2008.
Introduction, Notes, and For Further Reading
Copyright © 2003 by Alfred Mac Adam.
Note on H. G. Wells; The World of H. G. Wells, The Time Machine, and The Invisible Man; Inspired by The Time Machine and The Invisible Man;and Comments & QuestionsCopyright © 2003 by Barnes & Noble, Inc.
All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, includingphotocopy, recording, or any information storage and retrieval system,without the prior written permission of the publisher.
Barnes & Noble Classics and the Barnes & Noble Classics colophon are trademarks of Barnes & Noble, Inc.
The Time Machine and The Invisible Man
ISBN-13: 978-1-59308-388-5 ISBN-10: 1-59308-388-2
eISBN : 978-1-41143332-8
LC Control Number 2007941535
Produced and published in conjunction with: Fine Creative Media, Inc.322 Eighth AvenueNew York, NY 10001
Michael J. Fine, President and Publisher
Printed in the United States of America
QM
3 5 7 9 10 8 6 4 2
H. G. Wells
Social philosopher, utopian, novelist, and "father" of science fiction and science fantasy, Herbert George Wells was born on September 21,1866, in Bromley, Kent. His father was a poor businessman, and young Bertie's mother had to work as a lady's maid. Living "below stairs" with his mother at an estate called Uppark, Bertie would sneak into the grand library to read Plato, Swift, and Voltaire, authors who deeply influenced his later works. He showed literary and artistic talent in his early stories and paintings, but the family had limited means, and when he was fourteen years old, Bertie was sent as an apprentice to a dealer in cloth and dry goods, work he disliked.
He held jobs in other trades before winning a scholarship to study biology at the Normal School of Science in London. The eminent biologist T. H. Huxley, a friend and proponent of Darwin, was his teacher; about him Wells later said, "I believed then he was the greatest man I was ever likely to meet." Under Huxley's influence, Wells learned the science that would inspire many of his creative works and cultivated the skepticism about the likelihood of human progress that would infuse his writing.
Teaching, textbook writing, and journalism occupied Wells until 1895, when he made his literary debut with the now-legendary novel The Time Machine, which was followed before the end of the century by The Island of Dr. Moreau, The Invisible Man, and The War of the Worlds, books that established him as a major writer. Fiercely critical of Victorian mores, he published voluminously, in fiction and nonfiction, on the subjects of politics and social philosophy. Biological evolution does not ensure moral progress, as Wells would repeat throughout his life, during which he witnessed two world wars and the debasement of science for military and political ends.
In addition to social commentary presented in the guise of science fiction, Wells authored comic novels like Love and Mr. Lewisham, Kipps, and The History of Mister Polly that are Dickensian in their scope and feeling, and a feminist novel, Ann Veronica. He wrote specific social commentary in The New Machiavelli, an attack on the socialist Fabian Society, which he had joined and then rejected, and literary parody (of Henry James) in Boon. He wrote textbooks of biology, and his massive The Outline of History was a major international bestseller.
By the time Wells reached middle age, he was admired around the world, and he used his fame to promote his utopian vision, warning that the future promised "Knowledge or extinction." He met with such preeminent political figures as Lenin, Roosevelt, and Stalin, and continued to publish, travel, and educate during his final years. Herbert George Wells died in London on August 13, 1946.
The World of H. G. Wells, The Time Machine, and The Invisible Man
1866
Herbert George Wells, known as a child as Bertie, is born on September 21 in Bromley, Kent. His pious parents, who had once been domestic servants, are often on the brink of financial ruin. Bertie's father, now owner of a china shop, is an excellent cricket player but a bad businessman.
1871
Lewis Carroll's Through the Looking-Glass and What Alice Found There is published. The first books of George Eliot's Middlemarch are published. A British Act of Parliament legal izes labor unions. The Royal Albert Hall of Arts and Sciences opens in London.
1879
Wells's mother takes work as a housekeeper at a nearby estate called Uppark, where she had served as a lady's maid before her marriage. Bertie lives with her at Uppark, where he reads copi ously from the library.
1880
Bertie's mother has him become an apprentice to a draper (a dealer in cloth and dry goods). He finds the work unsatisfying yet stays with this position and another for a pharmacist for the next two years.
1882
Charles Darwin dies.
1883
Bertie dislikes retail work and takes a position as an assistant teacher at Midhurst Grammar School. Robert Louis Steven son's Treasure Island is published.
1884
Wells wins a scholarship and enters the Normal School of Sci ence in the South Kensington section of London. His mentor, the eminent biologist and proponent of Darwinism T. H. Hux ley, deeply influences him, introducing him to evolutionary sci ence and skepticism about human progress.
1887
The first Sherlock Holmes story, A Study in Scarlet, by Sir Arthur Conan Doyle, is published.
1888
Wells publishes sketches called The Chronic Argonauts that later
will become The Time Machine. He graduates from London University.
1891
He marries his cousin, Isabel Mary Wells. Oscar Wilde's The Picture of Dorian Gray and Thomas Hardy's Tess of the d'Urbervilles are published.
1893
Wells's marriage is unhappy. He falls in love with a beautiful young student named Amy Catherine ("Jane") Robbins. His first published book, Textbook of Biology, appears. He becomes a full-time writer, known for independence of mind and works that challenge conventional thinking.
1895
After Isabel and H.G. divorce, he marries Jane Robbins. His tireless supporter, she types all of his manuscripts and corre spondence. Wells publishes The Time Machine, which parodies the English class system and provides a distressing view of the future of human society. The Stolen Bacillus, a collection of short stories, and The Wonderful Visit, a science-fiction novel, also appear. In his lifetime, Wells will publish more than eighty books.
1896
Wells publishes The Island of Dr. Moreau, in which a mad sci entist turns animals into semihuman creatures, and The Wheels of Chance, about the bicycling craze.
1897
The Faust-like tale The Invisible Man appears. Bram Stoker's Dracula is published.
1898
Wells publishes The War of the Worlds, about an invasion of Martians.
1900
In the first years of the century, Wells and Jane host numerous luminaries in their home and actively engage in various politi cal and intellectual debates. Wells publishes a comic novel of lower-middle-class life, Love and Mr. Lewisham, about a strug gling teacher.
1901
A son, George Philip Wells, is born to Jane and H.G. The First Men in the Moon, which predicts human travels into outer space, and Anticipations, in which Wells advances his ideas about social progress, are published. Queen Victoria dies.
1903
A second son, Francis Richard, is born. Mankind in the Making, another book promoting social progress, is published. Wells joins the socialist Fabian Society, but soon draws fire from
George Bernard Shaw and others for his deviations from the Fabian line. Throughout his life, Wells takes every opportunity to share and implement his dream of a utopian society.
1905
Wells publishes the somewhat autobiographical comic novel Kipps: The Story of a Simple Soul, in which a man receives an unexpected inheritance. A Modern Utopia, again centered around Well's ideas about social progress, also appears. George Bernard Shaw's play Major Barbara is published.
1908
Wells resigns from the Fabian Society. He publishes The War in the Air, which foretells aerial combat.
1909
He publishes Tono-Bungay, a panoramic and critical picture of English society, and Ann Veronica: A Modern Love Story, a fem inist novel.
1910
Wells publishes an ode to the past in the comic novel The History of Mr. Polly, in which a shopkeeper changes his life. E. M. Forster's Howards End appears.
1911
In The New Machiavelli, Wells excoriates the Fabian Society and provides portraits of its notable members. His collection The Country of the Blind and Other Stories appears.
1914
World War I begins. Wells and the writer Rebecca West, with whom he has a long affair, have a son, Anthony. Wells travels to Russia for the first time. He publishes The World Set Free, which predicts the use of the atomic bomb in warfare.
1915
1916
Wells travels to the war fronts of Italy, Germany, and France. He publishes Mr. Britling Sees It Through, a realistic portrayal of the English during the war. James Joyce's Portrait of the Artist as a Young Man is published.
1918
Wells creates anti-German information for the Ministry of Pro paganda.
1919
He coauthors, with Viscount Edward Grey, The Idea of a League of Nations.
1920
In an effort to rally supporters to his progressive political agenda, Wells travels again to Russia to meet with Lenin. Russia
1922
1927
Jane Wells dies. Virginia Woolf's To the Lighthouse is published.
1928
Evelyn Waugh's Decline and Fall appears.
1929
Wells publishes The Common Sense of World Peace.
1929 1930
In collaboration with his son, G. P Wells, and biologist Julian Huxley (grandson of T.H. Huxley), he publishes a work on biology called The Science of Life.
1930
W. H. Auden's Poems is published.
1933
Wells publishes the novel The Shape of Things to Come, the story of a world war that lasts three decades in which cities are destroyed by aerial bombs.
1934
Wells travels to Moscow to speak with Stalin and returns despondent over the encounter. The writer's good-natured Experiment in Autobiography, a portrait of himself and his con temporaries, appears. He visits the United States and confers with Roosevelt.
1935
Based on the novel The Shape of Things to Come, Wells writes the screenplay for Things to Come, a film produced by Alexan der Korda and directed by William Cameron Menzies.
1936
1938
Orson Welles's radio broadcast of The War of the Worlds sends millions of Americans into panic.
1939
World War II begins.
1945
World War II ends. Wells publishes Mind at the End of Its Tether, a vision of mankind rejected and destroyed by nature. George Orwell's Animal Farm appears.
1946
Herbert George Wells dies in London on August 13.
The Time Machine (1895) and The Invisible Man (1897) are now more than a century old. Yet they endure as literary texts, radio plays, and movies, because they appeal directly to two of our deepest desires: immortality and omnipotence. The time machine would allow us to escape death and gain knowledge of the fate of the earth, while invisibility would enable us to go and come as we please, under the noses of friends and enemies. At the same time, both fictions show us the dangers of fulfilled wishes: The Time Traveller discovers the future of humanity is not bright but hideously dark, while the Invisible Man drowns in the madness brought about by his own experimentation.
Of course, what Herbert George Wells (1866-1946) wanted to express in these fantasies and what generations of readers have made of them are two radically different things. Erroneously labeled "science fiction," and tricked out in their film versions with all kinds of fanciful devices with flashing lights and ominous buzzers Wells never mentions, they are really tales that enact the author's theories and speculations about human society, human nature, and natural history in allegorical fashion. That is, the "science" in Wells's fictions is nothing more than stage machinery. But, ironically, it is the machinery that has come to dominate our collective imagination.
There is nothing unique in this. Think of Gulliver's Travels (whose long-forgotten original title is Travels into Several Remote Nations of the World), a book that Wells read as a boy and reread throughout his life. In 1726 Jonathan Swift (1667-1745) satirized English political parties, religious quarrels, theories of world government, and science, but his work was so grounded in eighteenth-century British culture that today's readers need extensive preparation to fathom it. The story of Lemuel Gulliver's visits to lands populated by giants or intelligent horses has, however, become a staple of children's literature. The same applies to Robinson Crusoe (1719), by Daniel Defoe (1660-1731). Only scholars see the relationship between Crusoe's shipwreck and Defoe's ideas on the fate of the middle classes during the Restoration, when Charles II returned to England in 1660. Defoe's message and all his political intentions have been lost, but his story endures as a wonderful demonstration of self-reliance. In the literature of the United States, we have the example of Herman Melville (1819-1891) and his Moby Dick (1851): Most readers learn about the ambiguous struggle between good and evil embedded in the work long after they've read a novel about nineteenth-century whaling and the strange characters engaged in that dangerous work.
Much the same has taken place with Wells's Time Machine and The Invisible Man. Wells cloaked his ideas about the future of society and the role of science in the world so well that readers simply do not see those issues and instead read his short novels as examples of a kind of fiction based on the simplest of propositions: "What if it were possible to travel through time by means of a machine?" or "What if it were possible to make oneself invisible?" In a world---one we share with Wells despite the fact that more than a hundred years separates the moment he published these two works from our own age---when scientists seem to make discoveries every day, it requires no great leap of imagination, no "willing suspension of disbelief," to accept the basic premise of each text.
This is what differentiates Wells from Jules Verne (1828-1905), author of Voyage to the Center of the Earth (1864) and Around the World in Eighty Days (1873). Wells, in a 1934 preface to a collection of his early fictions comments on why they are not comparable to Verne's writings:
These tales have been compared with the work of Jules Verne and there was a disposition on the part of literary journalists at one time to call me the English Jules Verne. As a matter of fact there is no literary resemblance whatever between the anticipatory inventions of the great Frenchman and these fantasies. His work dealt almost always with actual possibilities of invention and discovery, and he made some remarkable forecasts.... But these stories of mine ... do not pretend to deal with possible things; they are exercises of the imagination in a quite different field. They belong to a class of writing which includes the Golden Ass of Apuleius, the True Histories of Lucian, Peter Schlemil, and the story of Frankenstein.... They are all fantasies; they do not aim to project a serious possibility; they aim indeed only at the same amount of conviction as one gets in a good gripping dream (see, in "For Further Reading," The Complete Science Fiction Treasury of H.G. Wells, p.i).
Wells links himself to a tradition, but at the same time he misleads the reader. It is true, as he says in the same preface, that "The invention is nothing in itself," by which he means that the applied science of Verne is of no interest in his kind of tale. It is also the reason why rediscoveries of Verne, especially films, are always set in the past: His projections became fact very quickly. By the same token, this explains why Wells's inventions and their ramifications will always be modern.
This choice of fantasy over plausible scientific projection is also what separates Wells's kind of fantasy from writing that depends on magic or the supernatural to shock the reader: There are no werewolves or vampires in these novels, and Wells does not break the laws of nature, except in the instance of the basic proposition animating each fiction---time travel or invisibility. This swerves Wells away from authors of the "Gothic" tradition, like Ann Radcliffe, Matthew Lewis, or Charles Maturin, whose primary intention is to arouse the reader's fear. That same intention appears in Bram Stoker's Dracula (1897), published in the same year as The Invisible Man, though, ironically, vampires have come over the years to have their own symbolic values, from being metaphors about sexuality to being symbols of the way capitalists drink the lifeblood of the proletariat.
If we wonder about Wells's immediate antecedents, we would probably have to begin, following his lead, with Mary Shelley (1797-1851). Frankenstein, or the Modern Prometheus (1818), despite the myriad films based on it, really presents the problems of creation---artistic or scientific---disconnected from traditional notions of morality or religion: creation for the sake of creation or creation for the sake of ego, an idea quite relevant both to the Time Traveller, whose mysterious machine resembles nothing more than a Victorian motorcycle (if such a thing is imaginable) with no visible mechanism, and to the Invisible Man, who labors to make himself invisible only to satisfy his own selfish needs.
The affinities between Mary Shelley's protagonist, Frankenstein, whose means for infusing life in a pieced-together body Shelley leaves as vague as the time machine in terms of technique, and Griffin, Wells's invisible protagonist, are clear: Each isolates himself from society to pursue a scientific goal that can only be understood as a triumph of will. Frankenstein has no real altruistic purpose in creating his monster; he only wants to copy God---like the titan Prometheus in Mary Shelley's subtitle, who fashions man out of clay---by creating a creature who will adore him as its creator. Griffin at first simply wants to see if he can do in fact what he thinks he can do in theory. Only after he becomes invisible does he become a terrorist who threatens the established order of society.
It is that part of Griffin's story that most concerns Wells, himself unhappy with the status quo and desirous of bringing about changes in society. What Wells hoped would one day come into existence was a socialist state organized along the lines of a factory, but a factory in which labor and management were a single body. He radically opposed the Marxist idea that current society was based on the opposition between an owning class of capitalists and a working class of proletarians. In fact, The Time Machine is a voyage to a future in which the Marxist concept has become fact and society has evolved into two classes of beings: subterraneans who feed and clothe surface dwellers who spend their lives singing, playing, and making love. The horror of this relationship is that the laborers, the apelike Morlocks, use the pretty but brainless Eloi as food.
Wells was certain that Marxist class struggle would produce a working class that was perfectly organized but concerned only with promoting its own interests. Once a kind of harmonious balance was struck between capitalists and proletarians---once the workers got all they wanted and could somehow manage to tolerate the existence of an idle class of owners---both classes would slowly degenerate into subhumans because their intelligence would no longer be challenged.
Wells clearly had Edward Bellamy's utopian novel Looking Backward (1888) in mind as he wrote and rewrote The Time Machine, which began in 1888 as a series of sketches called The Chronic Argonauts. In his romance, Bellamy (1850-1898) has his hero fall asleep in 1887 and wake up in the year 2000. State ownership has replaced capitalism, and all citizens work for the state. The transformation of society also brings about the transformation of the people, with the result that morality and culture reach new heights. H. G. Wells was simply not convinced that a communism offering a work-free utopia was the best thing for humanity. In fact, his own puritanical work ethic taught him that such a scheme would result in a society of drones living in a mediocre world kept barely functioning by a well-organized but self-interested working class---Marx's proletariat. Without a spur to force humanity into making new discoveries and expanding its physical or mental frontiers, Wells felt, we would be content with whatever satisfied our basic needs, but nothing more.
The Time Machine, then, stands as a pessimistic response to the optimism animating nineteenth-century thought and locates Wells squarely in his historical context. Three thinkers---Hegel, Marx, and Darwin---define the optimistic mind-set of the nineteenth century, itself a logical response to the great strides being made by technology and to the lessons if not the realities of the two great revolutions of the late-eighteenth century, that of the United States in 1776 and the French Revolution of 1789.
Georg Wilhelm Friedrich Hegel (1770---1831) established the predominant concept of how history was thought to be shaped in the nineteenth century. His idea that there is a discernible pattern in history, one in which more and more people enjoy freedom, reflects the European movement away from autocratic, monarchic government to constitutional monarchies in which ordinary citizens are given at least a limited voice in their own governance. Hegel looks back to a past when there is only one free person in society, the autocrat who holds all power, and forward to a time when freedom is shared by many.
How this takes place, Hegel says, is through conflict, the other idea he establishes as a fact of historical thought in the nineteenth century. Hegel's notion of conflict does not reflect a chaos in which myriad forces strike out at one another but a clash of opposed ideas that crystallize at a certain moment in history, ideas embodied in individuals, parties, and nations. Out of conflict arises a new order, one that combines or synthesizes principles found in both of the opposing forces.
Karl Marx (1818---1883) translated Hegel's principles into a concrete projection about the future. Observing that technology has acquired a history of its own, that its development is independent of ideology or past history, Marx announced a new era. The nineteenth century, Marx says, is the age of industrialization, in which entrepreneurs and capitalists use industrial technology to organize production for profit. The result of that organization, which, according to Marx, had taken place with astonishing speed, is the creation of a two-class society: those who own the means of production (the capitalist owners of industry) and those who work in their factories (the proletariat). These classes are fundamentally opposed to each other, and their clash will inevitably result in the annihilation of the capitalist class and the triumph of the proletariat, who will seize the means of production and use it for their own benefit. This victory will see the birth of a new world order in which industry and most property will be owned by a state whose only reason for existing will be the well-being of its citizens, a state that will eventually wither away.
Charles Darwin (1809---1882) revolutionized nineteenth-century science with his theory of evolution. Darwin's idea, that organisms, man included, change over time from one state or condition to another, challenged the theological view that human beings were created by God in His image. Darwin's principle---that, for example, modern horses began in small animals like eohippus and, over millennia, evolved into equus---declares that evolution is the success of those animals that best meet the challenges of their environment through transmission to successive generations of genetic variations favoring survival---a concept he termed "natural selection." This theory becomes a lens through which scientists tried to understand the history of the natural world.
It also produced the false corollary "survival of the fittest," used by those, following Herbert Spencer (1820-1903), who sought to apply Darwin's ideas to human society---so-called "social darwinists"---to show that there are superior and inferior human types. This perversion of Darwinian thought influenced the views of H. G. Wells on society and shows that he was as much a product of his age as he was a shaper of it. That is, Wells, fascinated by technology and science (his intellectual training was almost totally scientific), gathered into himself the progressive, evolutionary theories that dominated the nineteenth century but transfused them with yet another nineteenth-century idea: entropy.
Loosely stated, entropy describes a tendency in dynamic systems to lose energy and degrade. We might think of a car battery as an example: When new, the battery is able to start the automobile and keep its lights burning. Over time, the chemical reaction that produces the electricity in the battery weakens until finally the battery is dead. Speculative thinkers---notably, in the case of Wells, his teacher, Thomas Henry Huxley (1825-1895)---applied this idea to nature and humanity. Where Darwin's ideas of human evolution seemed to open a path leading humanity to an almost angelic state, this theory suggests we are susceptible to decay and decline, an idea Wells puts into practice in his first novel, The Time Machine, in which the Time Traveller discovers humanity some eight hundred thousand years in the future to have degenerated into little more than animals.
So in the last third of the nineteenth century, when Wells was beginning his career, thinking people had begun to question the biological, social, and industrial optimism of the century's first seventy-five years. At the same time, those final decades could not shake themselves free of a dynamic concept of human and natural history---that is, that change may be for the better or it may be for the worse, but the entire universe is subject to change of some kind, in contradistinction to the Judaic or Christian idea of a stable universe created by God (which He will one day destroy).
Humans, Wells thinks, have it within them to take charge of their history but refuse to do so because of ignorance, fear, or self-interest. Why have a monarchy in Great Britain, when no king or queen could hope to govern a modern nation? There is no rational answer to this question since the idea that someone is "naturally" born to lead a people flies in the face of common sense.
Wells would find himself at odds with traditional society over the course of his entire life. He would be a tireless promoter of educational reform: Why study Latin or Greek, he would argue, when British society, especially at the start of the twentieth century, was so desperately in need of people with scientific training? He would eventually envisage a non-Marxist socialism as the best kind of society. He conceived the ideal social system as a single, globalized nation in which all peoples participate, in which all individuals work within industries governed by boards of directors that regulate production and protect the well-being of workers.
Wells wanted to abolish the notion of class conflict by eliminating class distinctions, an idea that certainly put him at odds with British conservatives and with Marxists as well. What current society needed, Wells felt, was a jolt that would startle people into realizing just how haphazard and disorganized their societies were and stimulate them to create a rational and universal society. Such is the thinking behind his 1898 novel The War of the Worlds, in which the invading Martians destroy society and thereby open the way for a new world organization. In real history, Wells hoped that the wholesale destruction of World War I would produce a system of world government so that nation-states would no longer have any reason to be at one another's throats. It was, he thought, our primitive taste for violence that prevented a better world. In this, as World War II would confirm, he was only too right.
But the H. G. Wells of 1895 was still a young man of twenty-nine struggling to find a way out of poverty and insecurity. He'd recently married for the second time, his first marriage in 1891 to his cousin Isabel Wells having lasted barely two years. Though he and Catherine Robbins (nicknamed Jane) as yet had no children (they would eventually have two sons), Wells was obliged to work nonstop to generate enough income to keep two people alive. As he would say in a 1919 letter to his friend E. S. P Haynes:
Earning a living by writing is a frightful gamble. It depends neither on knowledge nor literary quality but upon secondary considerations of timeliness, mental fashion & so forth almost beyond control. I have been lucky but it took me eight years, while I was teaching & doing anxious journalism, to get established upon a comfortably paying footing (quoted in Norman MacKenzie and Jeanne MacKenzie, H. G. Wells: a Biography, p. 103).
"Anxious journalism" meant writing an article on any subject whatever---from cricket, to swearing, to head colds---and hoping someone would publish it.
It was W.E. Henley, an editor Wells had met in 1893, who gave Wells his big chance. Henley was just about to inaugurate a new magazine, The New Review, and offered to publish The Time Machine, whose earlier, cruder version he'd already seen, as a serial. It was Henley who told Wells to stop talking about time travel and instead take his readers on a voyage through time. He also convinced the book publisher William Heinemann to publish the serial as a volume, securing a contract for Wells that gave him a much-needed £50 advance, a first edition of 10,000 copies, and a 15 percent royalty rate. The serial was a wild success, and the novel a bestseller. H. G. Wells overnight found himself transformed from a hack writer one step ahead of starvation and bill collectors into a prominent author.
But success did not tempt Wells into inactivity. In 1896 his most Swift-inspired novel, The Island of Dr. Moreau, appeared, and in 1897 he published his third science fantasy, The Invisible Man. But these major works are merely the tip of the iceberg: Wells also published a comic novel about the bicycling craze in which he enthusiastically participated, The Wheels of Chance (1896), along with two collections of short stories and a slew of miscellaneous articles.
How could this unhealthy man (he suffered from tuberculosis and became seriously ill in 1887 and once again in 1893), totally untrained in "creative writing," plying the journalist's trade just to make ends meet, have both the imagination and the will to write---with no typewriter---so many words, compose so many tales? (True enough, he did have help: His second wife made clean copies of his manuscripts.) But the fact is Wells probably wrote much as he had spoken when he addressed his classes as a young teacher. Just as his lectures would have to be pitched to the level of his students, with a vocabulary they could readily fathom and a sentence structure that would elucidate rather than obfuscate the points he wanted to communicate, his fictions are exercises in clarity, and no less didactic than his lectures. In his satiric essay on Henry James (in his 1915 novel Boon), Wells castigated James for his notoriously convoluted style, comparing it to a hippopotamus trying to pick up a pea, and in a letter to James Joyce, whose work he admired but found overly complex, he stated simply, "I want language and statement as simple and clear as possible" (quoted in Michael Foot, The History of Mr. Wells, p. 215). Wells could never espouse the "art-for-art's -sake" ideal: For him, art---all writing, in fact---had a single purpose, to communicate ideas and provoke change.
Wells was a self-made man: His literary talent earned him immortality. His social thought, expressed in countless fictions and essays, made him a kind of prophet. His views on history, as expressed in his Outline of History (1920), an international bestseller, fostered the very idea of universal history. But while his presence in the twenty-first century imagination remains huge thanks to works like The Time Machine and The Invisible Man, his presence in the social and political discourse of the new century is practically nonexistent.
The reason, simply put, is that Wells's strength was also his weakness. The great nineteenth-century thinkers whose ideas are still current are those who created a school, a movement, a political party, something that transcended them as individuals. Karl Marx is more than a political philosopher toiling away in the academic wilderness. Sigmund Freud is more than a Viennese physician with newfangled ideas about the workings of the human mind. Both of these individuals gave rise to institutions larger than themselves. This Wells could never do, probably because like his own protagonists he was and would always remain a Romantic, an isolated voice demanding that others follow his ideas but unwilling to roll up his sleeves and dirty his hands in the practical application of his own concepts.
And the triumph and tragedy enacted in the two fictions under discussion here, The Time Machine and The Invisible Man, are parallel.
The narrative structure of The Time Machine reflects and enacts Wells's lifelong dilemma. We have on the one hand the man of science who acts alone, the nameless Time Traveller, and on the other the man who writes for others, the sentimental Hillyer. Why Wells decided to leave his Time Traveller anonymous may reflect the various versions the story passed through, first in 1888, then in 1889, and again in 1892. There the Time Traveller has the allegoric name Dr. Moses Nebogipfel: Moses the Hebrew prophet who leads the Israelites out of Egyptian slavery; Nebo, the mountain from which Moses sees the Promised Land, and "gipfel," derived from the German for mountaintop. He is, in other words, one of Wells's many representations of the man of science as prophet, or as Nebogipfel himself puts it:
I discovered that I was ... a man born out of my time---a man thinking the thoughts of a wiser age, doing things and believing things that men now cannot understand, and that in the years ordained to me there was nothing but silence and suffering for my soul---unbroken solitude, man's bitterest pain. I knew I was an Anachronic Man; my age was still to come (H. G. Wells, The Time Machine: An Invention, edited by Leon Stover, p.192).
This sentimental, melodramatic portrait is certainly that of its author Herbert George Wells, here in his guise as visionary.
But the rewriting and reworking, together with W. E. Henley's editorial intervention, convinced Wells to shift emphasis away from the Time Traveller per se and to focus instead on what the Time Traveller experiences. And what he experiences combines Wells's hyperbolic vision of Marxist history with the ideas he gleaned from T. H. Huxley and others on the entropy that would eventually extinguish the sun and bring about the end of the world. Thus Wells is pessimistic on two fronts: The "workers paradise" generates a two-class society, idle drones fed and clothed by worker-beasts who feed on them, and the end of the world looms large as the sun dims and the earth freezes to death.
In a 1931 preface to a deluxe edition of The Time Machine, the sixty-five-year-old Wells casts a scornful eye over the novel he published when he was thirty-six:
The story of the Time Machine as distinguished from the idea, "dates" not only in its treatment but in its conception. It seems a very undergraduate performance to its now mature writer, as he looks it over once more. But it goes as far as his philosophy about human evolution went in those days. The idea of a social differentiation of mankind into Eloi and Morlocks, strikes him now as more than a little crude. In his adolescence Swift had exercised a tremendous fascination upon him and the naive pessimism of this picture of the human future is, like the kindred Island of Doctor Moreau, a clumsy tribute to a master to whom he owes an enormous debt. Moreover, the geologists and astronomers of that time told us dreadful lies about the "inevitable" freezing up of the world---and of life and mankind with it. There was no escape it seemed. The whole game of life would be over in a million years or less (H. G. Wells, The Time Machine, 1931, pp. ix-x).
Once again, Wells fudges the details. He can dismiss the entropy theory as "dreadful lies," but he does not explain that his view of the cute, stupid Eloi and the apelike, cannibalistic Morlocks is his extrapolation of what would happen under Marxism. At the same time, his tribute to Swift is genuine, yet another link between Wells and the great tradition of moralizing satirists.
Wells's casual irony when mocking the fact that science in 1895 promised that the world would be over "in a million years or less" clashes with the Time Traveller's precise date of his arrival in the future, "the year Eight Hundred and Two Thousand Seven Hundred and One A.D." (p. 26). When the Time Traveller escapes from the Morlocks at the end of chapter X, he moves forward in time, and in chapter XI, reaches the end of his journey, when "more than thirty million years hence, the huge red-hot dome of the sun had come to obscure nearly a tenth part of the darkling heavens" (p.76). So Wells himself found the "million years or less" assessment too short and brought the number up to thirty million. Even here, life persists, if only in the form of some green slime and a disgusting creature somewhere between an octopus and a spider scuttling along the shore of a freezing sea. The Eloi and Morlocks are by then extinct, and the pitiable life-forms that have adapted to the world's last days are mercifully unconscious of their imminent doom.
For Wells, the tragedy of human and natural entropic evolution is the loss of human consciousness. It is this fall from awareness that Wells uses to characterize the Eloi and the Morlocks. Wells may have derived his visual idea of this ghastly utopia from Hieronymous Bosch's painting Garden of Earthly Delights (c.1500). In that triptych, the left panel shows Adam and Eve in the Garden of Eden, while on the right we see Hell. The strange center panel depicts masses of virtually hairless beings, at least one of which is eating a huge piece of fruit (not unlike the Eloi's "hypertrophied raspberry" on p.24) and playing (often obscenely) with flowers. Like the Eloi and Morlocks, Bosch's humanity is locked in a mindless repetition of pleasure---the Eloi dance in the sun, and the Morlocks feast on them in the darkness. Neither group is aware of a before or an after, which is why neither group is even slightly interested in finding out who the Time Traveller is, where he came from, or why he is there. He is an anomaly, but these subhumans have no curiosity about him or anything beyond what satisfies their immediate needs.
Wells sees an ironic parallel between nature and human history in The Time Machine: With its needs satisfied, humanity, like the decadents of the fin de siècle will become ever more effeminate, less and less interested in anything whatsoever, until finally its intellect atrophies. So there will have to be a constant goad prodding humanity onward. Wells can only imagine this in terms of cataclysm---war or invasion from another planet---and in his search for a new subject turns his attention back to himself. That is, his Time Traveller is a man obsessed who transforms his obsession---time as the fourth dimension of space---into a fact by inventing a fantastic machine that is capable of moving through time. Wells, following in Mary Shelley's footsteps, makes not the slightest attempt to explain what energy drives the time machine or even how it is able to traverse time at such amazing speeds.
Wells's new subject, yet another self-portrait in a distorting mirror, appears in the second fiction in this volume. The Invisible Man uses yet another obsessed man of science, but this time Wells toys with the idea of plausibility. That is, Griffin, the invisible man, explains how he is able to capitalize on his own albinism to reduce the amount of light his body reflects to the point where human eyes cannot see him. It would almost seem as though Wells were succumbing to Jules Verne's notion of plausibility, but we quickly realize this is not the case. Griffin's albinism (pp.172---173) is merely the outward sign of his difference from others, a difference we might suppose to be quantitative---some people are lighter-skinned than others---but which turns out to be qualitative. What separates Griffin from the rest of humanity is exactly the element that separates Wells's early version of the Time Traveller from the rest of humanity: genius.
But genius is intoxicating. It sends the ego into raptures of self-delight and isolates the individual further and further from anything like a human community. This is the tale Wells spins out in The Invisible Man: the gradual metamorphosis of genius into madness. Again, this is not a unique story. The Romantics, especially William Wordsworth (1770---1850) in his poem "Lines Left Upon a Seat in a, Yew Tree" (1795), explore this very theme, while Wells's model, Mary Shelley, provides him with the nucleus of his novel---the solitary scientist, the potentially dangerous invention pursued for egotistical purposes.
So The Invisible Man is a cautionary tale the author writes for his generation and for himself. When we forget that we too are merely human, when we take ourselves to be something like gods because we can do things ordinary people cannot do, we run the risk of regarding our neighbors with contempt. Wells transfers the role of outsider, which Romanticism had created for the artist, to the scientist in order to show that the truly innovative force in modern society would derive not from humanists but from those trained in science. The retrograde force in society, as Wells preached throughout his life---the mockery of Greek studies in chapter I (p. 7) of The Time Machine is a gentle harbinger of this notion---is the diligent but useless study of dead languages that have no bearing on modern culture. The gap between scientists and humanists persists in our own age, as evidenced by C.P. Snow's 1959 pamphlet "The Two Cultures," which shows scientists to be second-class citizens in a society dominated by humanists.
Wells's ideas about society and the relationship between the scientist and the community remain constant throughout his career, but his literary style does not. The style of The Time Machine is essayistic: Wells leaves his characters and setting so abstract that there is little chance his readers will feel any genuine affinities or antipathies for them. Even his vocabulary is limited, with the word "incontinent" (in its various forms) repeated so often we begin to wonder if it might be some sort of obsession.
The Invisible Man appeared in 1897, only two years after The Time Machine, but the thirty-three-year-old author had become a vastly different man. In the two years between these two novels, Wells produced a prodigious quantity of work: The Wonderful Visit, Select Conversations with an Uncle, and The Stolen Bacillus in 1895, then The Island of Doctor Moreau and The Wheels of Chance in 1896---three novels and two collections of shorter works. The important change here is Wells's decision to write other kinds of works and not limit himself to fantasy. The Wheels of Chance capitalizes on the bicycling craze and allows the author to recreate oral speech patterns, especially his own Cockney accent. This would cause reviewers to link him to Charles Dickens (1812-1870), who turned lower-class Londoners into picturesque types.
We see the effect of so much writing experience the moment we open The Invisible Man. Mrs. Hall, the landlady of the Coach and Horses Inn in Iping, where Griffin, the Invisible Man, sets up his makeshift laboratory, comes alive as a human presence when she muses on her nephew's accident:
There was my sister's son, Tom, jest cut his arm with a scythe, tumbled on it in the 'ayfield, and bless me! he was three months tied up, sir. You'd hardly believe it. It's regular given me a dread of a scythe, sir (p.95).
Mrs. Hall's comic fretting is only marginally related to the story of the Invisible Man, but her language in its sheer ordinariness renders the fiction much more terrifying. That is, we have the linguistic reality of late-nineteenth-century London invaded by the bizarre: The real world is now Wells's setting, and he invades it with all the violence of the Martians in The War of the Worlds, which he would publish in 1898. This is one of Wells's most important innovations: The reader need not be transported to the future or to Dr. Moreau's island laboratory, where evolution is accelerated by science. Now the fantastic strides through the front door of the reader's house in the form of the Invisible Man.
This technique of making the real world strange also reappears in Wells's narrator. Unlike Hillyer, the witness-narrator in The Time Machine, the narrator here shifts ambiguously from being an omniscient third-person narrator in true novelistic style to being a reporter. For example, chapter XI (p.136) begins in an explanatory mode: "Now in order clearly to understand what had happened in the inn, it is necessary to go back to the moment when Mr. Marvel first came into view of Mr. Huxter's window." The narrator here is in full command of the facts and uses his knowledge to inform the reader. At other times, the narrator leaves much to our imagination:
The Invisible Man seems to have rushed out of Kemp's house in a state of blind fury. A little child playing near Kemp's gateway was violently caught up and thrown aside, so that its ankle was broken, and thereafter for some hours the Invisible Man passed out of human perceptions. No one knows where he went nor what he did. But one can imagine him.... (opening of chapter XXVI, p. 207).
This change of focus reflects the reader's changing perception of the Invisible Man. We are simultaneously sympathetic to his situation and horrified at the way he can sacrifice a cat (p. 176) to science with no thought of its suffering or steal money entrusted to his father, thus forcing the old man to commit suicide (p. 173). The rambling autobiographical sketch he gives to Kemp (chapters XVII---XXIV) shows him to be more brilliant than the unimaginative Kemp but also unscrupulous, egotistical, and, finally, tyrannical. Mad, either from ingesting chemicals or from the sense of power invisibility confers, Griffin has, as Kemp says, "cut himself off from his kind" (p. 209). He becomes a superman but one who seeks to bend society to his will.
The ending of The Invisible Man is charged with pathos. Surrounded, he is kicked to death (pp. 222-223) by workmen who are afraid and as indifferent to the marvelous fact of Griffin's invisibility as the Eloi are to the presence of the Time Traveller. He even begs for mercy, something he himself is incapable of bestowing. But here Wells, just as he did in The Time Machine, when the Time Traveller disappears perhaps to return at another time, leaves a thread behind: The Invisible Man's diaries, useless in the ignorant hands of the drunken Mr. Marvel, may fall into the hands of another scientist, one who may use invisibility as a means to change the world.
Alfred Mac Adam, a professor at Barnard College---Columbia University, teaches Latin American and comparative literature. He is a translator of Latin American fiction and writes extensively on art. Between 1984 and 2002, Mac Adam was the editor of Review: Latin American Literature and Arts, a publication of the Americas Society.
I
THE TIME TRAVELLER (for so it will be convenient to speak of him) was expounding a reconditea matter to us. His grey eyes shone and twinkled, and his usually pale face was flushed and animated. The fire burned brightly, and the soft radiance of the incandescent lights in the lilies of silverb caught the bubbles that flashed and passed in our glasses. Our chairs, being his patents,1 embraced and caressed us rather than submitted to be sat upon, and there was that luxurious after-dinner atmosphere when thought runs gracefully free of the trammels of precision. And he put it to us in this way---marking the points with a lean forennger---as we sat and lazily admired his earnestness over this new paradox (as we thought it:) and his fecundity. c
"You must follow me carefully. I shall have to controvert one or two ideas that are almost universally accepted. The geometry, for instance, they taught you at school is founded on a misconception."
"Is not that rather a large thing to expect us to begin upon?" said Filby, an argumentative person with red hair.
"I do not mean to ask you to accept anything without reasonable ground for it. You will soon admit as much as I need from you. You know of course that a mathematical line, a line of thickness nil, has no real existence. They taught you that? Neither has a mathematical plane. These things are mere abstractions."
"That is all right," said the Psychologist.2
"Nor, having only length, breadth, and thickness, can a cube have a real existence."
"There I object," said Filby. "Of course a solid body may exist. All real things---"
"So most people think. But wait a moment. Can an instantaneous cube exist?"
"Don't follow you," said Filby.
"Can a cube that does not last for any time at all, have a real existence?" 3
Filby became pensive. "Clearly," the Time Traveller proceeded, "any real body must have extension in four directions: it must have Length, Breadth, Thickness, and---Duration. But through a natural infirmity of the flesh, which I will explain to you in a moment, we incline to overlook this fact. There are really four dimensions, three which we call the three planes of Space, and a fourth, Time. There is, however, a tendency to draw an unreal distinction between the former three dimensions and the latter, because it happens that our consciousness moves intermittently in one direction along the latter from the beginning to the end of our lives."
"That," said a very young man, making spasmodic efforts to relight his cigar over the lamp; "that ... very clear indeed."
"Now, it is very remarkable that this is so extensively overlooked," continued the Time Traveller, with a slight accessiond of cheerfulness. "Really this is what is meant by the Fourth Dimension, though some people who talk about the Fourth Dimension do not know they mean it. It is only another way of looking at Time. There is no difference between Time and any of the three dimensions of Space except that our consciousness moves along it. But some foolish people have got hold of the wrong side of that idea. You have all heard what they have to say about this Fourth Dimension?"
"I have not," said the Provincial Mayor.
"It is simply this. That Space, as our mathematicians have it, is spoken of as having three dimensions, which one may call Length, Breadth, and Thickness, and is always definable by reference to three planes, each at right angles to the others. But some philosophical people have been asking why three dimensions particularly---why not another direction at right angles to the other three?---and have even tried to construct a Four-Dimension geometry. Professor Simon Newcomb was expounding this to the New York Mathematical Society only a month or so ago. You know how on a flat surface, which has only two dimensions, we can represent a figure of a three-dimensional solid, and similarly they think that by models of three dimensions they could represent one of four---if they could master the perspective of the thing. See?"
"I think so," murmured the Provincial Mayor; and, knitting his brows, he lapsed into an introspective state, his lips moving as one who repeats mystic words. "Yes, I think I see it now," he said after some time, brightening in a quite transitory manner.
"Well, I do not mind telling you I have been at work upon this geometry of Four Dimensions for some time. Some of my results are curious. For instance, here is a portrait of a man at eight years old, another at fifteen, another at seventeen, another at twenty-three, and so on. All these are evidently sections, as it were, Three-Dimensional representations of his Four-Dimensioned being, which is a fixed and unalterable thing.4
"Scientific people," proceeded the Time Traveller, after the pause required for the proper assimilation of this, "know very well that Time is only a kind of Space. Here is a popular scientific diagram, a weather record. This line I trace with my finger shows the movement of the barometer. Yesterday it was so high, yesterday night it fell, then this morning it rose again, and so gently upward to here. Surely the mercury did not trace this line in any of the dimensions of Space generally recognized? But certainly it traced such a line, and that line, therefore, we must conclude was along the Time-Dimension."
"But," said the Medical Man, staring hard at a coal in the fire, "if Time is really only a fourth dimension of Space, why is it, and why has it always been, regarded as something different? And why cannot we move in Time as we move about in the other dimensions of Space?"
The Time Traveller smiled. "Are you sure we can move freely in Space? Right and left we can go, backward and forward freely enough, and men always have done so. I admit we move freely in two dimensions. But how about up and down? Gravitation limits us there."
"Not exactly," said the Medical Man. "There are balloons."
"But before the balloons, save for spasmodic jumping and the inequalities of the surface, man had no freedom of vertical movement."
"Still they could move a little up and down," said the Medical Man.
"Easier, far easier down than up."
"And you cannot move at all in Time, you cannot get away from the present moment."
"My dear sir, that is just where you are wrong. That is just where the whole world has gone wrong. We are always getting away from the present movement. Our mental existences, which are immaterial and have no dimensions, are passing along the Time-Dimension with a uniform velocity from the cradle to the grave.5 Just as we should travel down if we began our existence fifty miles above the earth's surface."
"But the great difficulty is this," interrupted the Psychologist. "You can move about in all directions of Space, but you cannot move about in Time."
"That is the germ of my great discovery. But you are wrong to say that we cannot move about in Time. For instance, if I am recalling an incident very vividly I go back to the instant of its occurrence: I become absent-minded, as you say. I jump back for a moment. Of course we have no means of staying back for any length of Time, any more than a savage or an animal has of staying six feet above the ground. But a civilized man is better off than the savage in this respect. He can go up against gravitation in a balloon, and why should he not hope that ultimately he may be able to stop or accelerate his drift along the Time-Dimension, or even turn about and travel the other way?"
"Oh, this," began Filby, "is all---"
"Why not?" said the Time Traveller.
"It's against reason," said Filby.
"What reason?" said the Time Traveller.
"You can show black is white by argument," said Filby, "but you will never convince me."
"Possibly not," said the Time Traveller. "But now you begin to see the object of my investigations into the geometry of Four Dimensions. Long ago I had a vague inkling of a machine---"
"To travel through Time!" exclaimed the Very Young Man.
"That shall travel indifferently in any direction of Space and Time as the driver determines."
Filby contented himself with laughter.
"But I have experimental verification," said the Time Traveller.
"It would be remarkably convenient for the historian," the Psychologist suggested. "One might travel back and verify the accepted account of the Battle of Hastings, for instance!"
"Don't you think you would attract attention?" said the Medical Man. "Our ancestors had no great tolerance for anachronisms."e
"One might get one's Greek from the very lips of Homer and Plato," the Very Young Man thought.
"In which case they would certainly plough you for the Little-go. The German Scholars have improved Greek so much."6
"Then there is the future," said the Very Young Man. "Just think! One might invest all one's money, leave it to accumulate at interest, and hurry on ahead!"
"To discover a society," said I,7 "erected on a strictly communistic basis."
"Of all the wild extravagant theories!" began the Psychologist.
"Yes, so it seemed to me, and so I never talked of it until---"
"Experimental verification!" cried I. "You are going to verify that?"
"The experiment!" cried Filby, who was getting brain-weary.
"Let's see your experiment anyhow," said the Psychologist, "though it's all humbug, you know."
The Time Traveller smiled round at us. Then, still smiling faintly, and with his hands deep in his trousers pockets, he walked slowly out of the room, and we heard his slippers shuffling down the long passage to his laboratory.
The Psychologist looked at us. "I wonder what he's got?"
"Some sleight-of-hand trickf or other," said the Medical Man, and Filby tried to tell us about a conjurer he had seen at Burslem; but before he had finished his preface the Time Traveller came back, and Filby's anecdote collapsed.
The thing the Time Traveller held in his hand was a glittering metallic framework, scarcely larger than a small clock, and very delicately made. There was ivory in it, and some transparent crystalline substance. And now I must be explicit, for this that follows---unless his explanation is to be accepted---is an absolutely unaccountable thing. He took one of the small octagonal tables that were scattered about the room, and set it in front of the fire, with two legs on the hearthrug. On this table he placed the mechanism. Then he drew up a chair, and sat down. The only other object on the table was a small shaded lamp, the bright light of which fell upon the model. There were also perhaps a dozen candles about, two in brass candlesticks upon the mantel and several in sconces, so that the room was brilliantly illuminated. I sat in a low armchair nearest the fire, and I drew this forward so as to be almost between the Time Traveller and the fireplace. Filby sat behind him, looking over his shoulder. The Medical Man and the Provincial Mayor watched him in profile from the right, the Psychologist from the left. The Very Young Man stood behind the Psychologist. We were all on the alert. It appears incredible to me that any kind of trick, however subtly conceived and however adroitly done, could have been played upon us under these conditions.
The Time Traveller looked at us, and then at the mechanism. "Well?" said the Psychologist.
"This little affair," said the Time Traveller, resting his elbows upon the table and pressing his hands together above the apparatus, "is only a model. It is my plan for a machine to travel through time. You will notice that it looks singularly askew, and that there is an odd twinkling appearance about this bar, as though it was in some way unreal." He pointed to the part with his finger. "Also, here is one little white lever, and here is another."
The Medical Man got up out of his chair and peered into the thing. "It's beautifully made," he said.
"It took two years to make," retorted the Time Traveller. Then, when we had all imitated the action of the Medical Man, he said: "Now I want you clearly to understand that this lever, being pressed over, sends the machine gliding into the future, and this other reverses the motion. This saddle represents the seat of a time traveller. Presently I am going to press the lever, and off the machine will go. It will vanish, pass into future Time, and disappear. Have a good look at the thing. Look at the table too, and satisfy yourselves there is no trickery. I don't want to waste this model, and then be told I'm a quack."
There was a minute's pause perhaps. The Psychologist seemed about to speak to me, but changed his mind. Then the Time Traveller put forth his finger toward the lever. "No," he said suddenly. "Lend me your hand." And turning to the Psychologist, he took that individual's hand in his own and told him to put out his forefinger. So that it was the Psychologist himself who sent forth the model Time Machine on its interminableg voyage. We all saw the lever turn. I am absolutely certain there was no trickery. There was a breath of wind, and the lamp flame jumped. One of the candles on the mantel was blown out, and the little machine suddenly swung round, became indistinct, was seen as a ghost for a second perhaps, as an eddy of faintly glittering brass and ivory; and it was gone---vanished! Save for the lamp the table was bare.
Everyone was silent for a minute. Then Filby said he was damned.
The Psychologist recovered from his stupor, and suddenly looked under the table. At that the Time Traveller laughed cheerfully. "Well?" he said, with a reminiscence of the Psychologist. Then, getting up, he went to the tobacco jar on the mantel, and with his back to us began to fill his pipe.
We stared at each other. "Look here," said the Medical Man, "are you in earnest about this? Do you seriously believe that that machine has travelled into time?"
"Certainly," said the Time Traveller, stooping to light a spill at the fire. Then he turned, lighting his pipe, to look at the Psychologist's face. (The Psychologist, to show that he was not unhinged,h helped himself to a cigar and tried to light it uncut.) "What is more, I have a big machine nearly finished in there"---he indicated the laboratory---"and when that is put together I mean to have a journey on my own account."
"You mean to say that that machine has travelled into the future?" said Filby.
"Into the future or the past---I don't, for certain, know which."8
After an interval the Psychologist had an inspiration. "It must have gone into the past if it has gone anywhere," he said.
"Why?" said the Time Traveller.
"Because I presume that it has not moved in space, and if it travelled into the future it would still be here all this time, since it must have travelled through this time."
"But," I said, "if it travelled into the past it would have been visible when we came first into this room; and last Thursday when we were here; and the Thursday before that; and so forth!"
"Serious objections," remarked the Provincial Mayor, with an air of impartiality, turning towards the Time Traveller.
"Not a bit," said the Time Traveller, and, to the Psychologist: "You think. You can explain that. It's presentation below the threshold, you know, diluted presentation."
"Of course," said the Psychologist, and reassured us. "That's a simple point of psychology. I should have thought of it. It's plain enough, and helps the paradox delightfully. We cannot see it, nor can we appreciate this machine, any more than we can the spoke of a wheel spinning, or a bullet flying through the air. If it is travelling through time fifty times or a hundred times faster than we are, if it gets through a minute while we get through a second, the impression it creates will of course be only one-fiftieth or one-hundredth of what it would make if it were not travelling in time. That's plain enough." He passed his hand through the space in which the machine had been. "You see?" he said, laughing.
We sat and stared at the vacant table for a minute or so. Then the Time Traveller asked us what we thought of it all.
"It sounds plausible enough to-night," said the Medical Man; "but wait until to-morrow. Wait for the common sense of the morning."
"Would you like to see the Time Machine itself?" asked the Time Traveller. And therewith, taking the lamp in his hand, he led the way down the long, draughtyi corridor to his laboratory. I remember vividly the flickering light, his queer, broad head in silhouette, the dance of the shadows, how we all followed him, puzzled but incredulous, and how there in the laboratory we beheld a larger edition of the little mechanism which we had seen vanish from before our eyes. Parts were of nickel, parts of ivory, parts had certainly been filed or sawn out of rock crystal. The thing was generally complete, but the twisted crystalline bars lay unfinished upon the bench beside some sheets of drawings, and I took one up for a better look at it. Quartz it seemed to be.
"Look here," said the Medical Man, "are you perfectly serious? Or is this a trick---like that ghost you showed us last Christmas?"
"Upon that machine," said the Time Traveller, holding the lamp aloft, "I intend to explore time. Is that plain? I was never more serious in my life."
None of us quite knew how to take it.
I caught Filby's eye over the shoulder of the Medical Man, and he winked at me solemnly.
II
I THINK THAT AT that time none of us quite believed in the Time Machine. The fact is, the Time Traveller was one of those men who are too clever to be believed: you never felt that you saw all round him; you always suspected some subtle reserve, some ingenuity in ambush, behind his lucid frankness. Had Filby shown the model and explained the matter in the Time Traveller's words, we should have shown him far less scepticism. For we should have perceived his motives; a pork butcher could understand Filby. But the Time Traveller had more than a touch of whimj among his elements, and we distrusted him. Things that would have made the fame of a less clever man seemed tricks in his hands. It is a mistake to do things too easily. The serious people who took him seriously never felt quite sure of his deportment; they were somehow aware that trusting their reputations for judgment with him was like furnishing a nursery with egg-shell china.k So I don't think any of us said very much about time travelling in the interval between that Thursday and the next, though its odd potentialities ran, no doubt, in most of our minds: its plausibility, that is, its practical incredibleness, the curious possibilities of anachronism and of utter confusion it suggested. For my own part, I was particularly preoccupied with the trick of the model. That I remember discussing with the Medical Man, whom I met on Friday at the Linnaean. He said he had seen a similar thing at Tiibingen,l and laid considerable stress on the blowing out of the candle. But how the trick was done he could not explain.
The next Thursday I went again to Richmond---1 suppose I was one of the Time Traveller's most constant guests---and, arriving late, found four or five men already assembled in his drawing-room. The Medical Man was standing before the fire with a sheet of paper in one hand and his watch in the other. I looked round for the Time Traveller, and---"It's half-past seven now," said the Medical Man. "I suppose we'd better have dinner?"
"Where's---?" said I, naming our host.
"You've just come? It's rather odd. He's unavoidably detained. He asks me in this note to lead off with dinner at seven if he's not back. Says he'll explain when he comes."
"It seems a pity to let the dinner spoil," said the Editor of a well-known daily paper; and thereupon the Doctor rang the bell.
The Psychologist was the only person besides the Doctor and myself who had attended the previous dinner. The other men were Blank, the Editor aforementioned, a certain journalist, and another---a quiet, shy man with a beard---whom I didn't know, and who, as far as my observation went, never opened his mouth all the evening. There was some speculation at the dinner-table about the Time Traveller's absence, and I suggested time travelling, in a half-jocular spirit. The Editor wanted that explained to him, and the Psychologist volunteered a wooden account of the "ingenious paradox and trick" we had witnessed that day week. He was in the midst of his exposition when the door from the corridor opened slowly and without noise. I was facing the door, and saw it first. "Hallo!" I said. "At last!" And the door opened wider, and the Time Traveller stood before us. I gave a cry of surprise. "Good heavens! man, what's the matter?" cried the Medical Man, who saw him next. And the whole tableful turned towards the door.
He was in an amazing plight. His coat was dusty and dirty, and smeared with green down the sleeves; his hair disordered, and as it seemed to me greyer---either with dust and dirt or because its colour had actually faded. His face was ghastly pale; his chin had a brown cut on it---a cut half healed; his expression was haggard and drawn, as by intense suffering. For a moment he hesitated in the doorway, as if he had been dazzled by the light. Then he came into the room. He walked with just such a limp as I have seen in footsore tramps. We stared at him in silence, expecting him to speak.
He said not a word, but came painfully to the table, and made a motion toward the wine. The Editor filled a glass of champagne, and pushed it towards him. He drained it, and it seemed to do him good: for he looked round the table, and the ghost of his old smile flickered across his face. "What on earth have you been up to, man?" said the Doctor. The Time Traveller did not seem to hear. "Don't let me disturb you," he said, with a certain faltering articulation. "I'm all right." He stopped, held out his glass for more, and took it off at a draught.m "That's good," he said. His eyes grew brighter, and a faint colour came into his cheeks. His glance flickered over our faces with a certain dull approval, and then went round the warm and comfortable room. Then he spoke again, still as it were feeling his way among his words. "I'm going to wash and dressn and then I'll come down and explain things.... Save me some of that mutton. I'm starving for a bit of meat."
He looked across at the Editor, who was a rare visitor, and hoped he was all right. The Editor began a question. "Tell you presently," said the Time Traveller. "I'm---funny. Be all right in a minute."
He put down his glass, and walked towards the staircase door. Again I remarked his lameness and the soft padding sound of his footfall, and standing up in my place, I saw his feet as he went out. He had nothing on them but a pair of tattered, bloodstained socks. When the door closed upon him I had half a mind to follow, till I remembered how he detested any fuss about himself. For a minute, perhaps, my mind was wool-gathering. Then, "Remarkable Behaviour of an Eminent Scientist," I heard the Editor say, thinking (after his wont) in headlines. And this brought my attention back to the bright dinner-table.
"What's the game?" said the Journalist. "Has he been doing the Amateur Cadger?o I don't follow." I met the eye of the Psychologist, and read my own interpretation in his face. I thought of the Time Traveller limping painfully upstairs. I don't think any one else had noticed his lameness.
The first to recover completely from this surprise was the Medical Man, who rang the bell---the Time Traveller hated to have servants waiting at dinner---for a hot plate. At that the Editor turned to his knife and fork with a grunt, and the Silent Man followed suit. The dinner was resumed. Conversation was exclamatory for a little while, with gaps of wonderment; and then the Editor got fervent in his curiosity. "Does our friend eke out his modest income with a crossing? or has he his Nebuchadnezzar phases?"p he inquired. "I feel assured it's this business of the Time Machine," I said, and took up the Psychologist's account of our previous meeting. The new guests were frankly incredulous. The Editor raised objections. "What was this time travelling? A man couldn't cover himself with dust by rolling in a paradox, could he?" And then, as the idea came home to him, he resorted to a caricature.q Hadn't they any clothes-brushes in the Future? The Journalist, too, would not believe at any price, and joined the Editor in the easy work of heaping ridicule on the whole thing. They were both the new kind of journalist---very joyous, irreverent young men. "Our Special Correspondent in the Day after To-morrow reports," the Journalist was saying---or rather shouting---when the Time Traveller came back. He was dressed in ordinary evening clothes, and nothing save his haggard look remained of the change that had startled me.
"I say," said the Editor hilariously, "these chaps here say you have been travelling into the middle of next week! Tell us all about little Rosebery,r will you? What will you take for the lot?"
The Time Traveller came to the place reserved for him without a word. He smiled quietly, in his old way. "Where's my mutton?" he said. "What a treat it is to stick a fork into meat again!"
"Story!" cried the Editor.
"Story be damned!" said the Time Traveller. "I want something to eat. I won't say a word, until I get some peptones into my arteries. Thanks. And the salt."
"One word," said I. "Have you been time travelling?"
"Yes," said the Time Traveller, with his mouth full, nodding his head.
"I'd give a shilling a line for a verbatim note,"t said the Editor. The Time Traveller pushed his glass towards the Silent Man and rang it with his fingernail; at which the Silent Man, who had been staring at his face, started convulsively, and poured him wine. The rest of the dinner was uncomfortable. For my own part, sudden questions kept on rising to my lips, and I dare say it was the same with the others. The Journalist tried to relieve the tension by telling anecdotes of Hettie Potter.1 The Time Traveller devoted his attention to his dinner, and displayed the appetite of a tramp. The Medical Man smoked a cigarette, and watched the Time Traveller through his eyelashes. The Silent Man seemed even more clumsy than usual, and drank champagne with regularity and determination out of sheer nervousness. At last the Time Traveller pushed his plate away, and looked round us. "I suppose I must apologize," he said. "I was simply starving. I've had a most amazing time." He reached out his hand for a cigar, and cut the end. "But come into the smoking-room. It's too long a story to tell over greasy plates." And ringing the bellu in passing, he led the way into the adjoining room.
"You have told Blank, and Dash, and Chose about the machine?" he said to me, leaning back in his easy-chair and naming the three new guests.
"But the thing's a mere paradox," said the Editor.
"I can't argue to-night. I don't mind telling you the story, but I can't argue. I will," he went on, "tell you the story of what has happened to me, if you like, but you must refrain from interruptions. I want to tell it. Badly. Most of it will sound like lying. So be it! It's true---every word of it, all the same. I was in my laboratory at four o'clock, and since then ... I've lived eight days ... such days as no human being ever lived before! I'm nearly worn out, but I shan't sleep till I've told this thing over to you. Then I shall go to bed. But no interruptions! Is it agreed?"
"Agreed," said the Editor, and the rest of us echoed "Agreed." And with that the Time Traveller began his story as I have set it forth. He sat back in his chair at first, and spoke like a weary man. Afterwards he got more animated. In writing it down I feel with only too much keenness the inadequacy of pen and ink---and, above all, my own inadequacy---to express its quality.2 You read, I will suppose, attentively enough; but you cannot see the speaker's white, sincere face in the bright circle of the little lamp, nor hear the intonation of his voice. You cannot know how his expression followed the turns of his story! Most of us hearers were in shadow, for the candles in the smoking-room had not been lighted, and only the face of the Journalist and the legs of the Silent Man from the knees downward were illuminated. At first we glanced now and again at each other. After a time we ceased to do that, and looked only at the Time Traveller's face.
III
"I TOLD SOME OF you last Thursday of the principles of the Time Machine, and showed you the actual thing itself, incomplete in the workshop. There it is now, a little travel-worn, truly; and one of the ivory bars is cracked, and a brass rail bent; but the rest of it's sound enough. I expected to finish it on Friday, but on Friday, when the putting together was nearly done, I found that one of the nickel bars was exactly one inch too short, and this I had to get remade; so that the thing was not complete until this morning. It was at ten o'clock to-day that the first of all Time Machines began its career. I gave it a last tap, tried all the screws again, put one more drop of oil on the quartz rod, and sat myself in the saddle.v I suppose a suicide who holds a pistol to his skull feels much the same wonder at what will come next as I felt then. I took the starting lever in one hand and the stopping one in the other, pressed the first, and almost immediately the second. I seemed to reel; I felt a nightmare sensation of falling; and looking round, I saw the laboratory exactly as before. Had anything happened? For a moment I suspected that my intellect had tricked me. Then I noted the clock. A moment before, as it seemed, it had stood at a minute or so past ten; now it was nearly half-past three!
"I drew a breath, set my teeth, gripped the starting lever with both hands, and went off with a thud. The laboratory got hazy and went dark. Mrs. Watchett came in and walked, apparently without seeing me, towards the garden door. I suppose it took her a minute or so to traverse the place, but to me she seemed to shoot across the room like a rocket. I pressed the lever over to its extreme position. The night came like the turning out of a lamp, and in another moment came to-morrow. The laboratory grew faint and hazy, then fainter and ever fainter. To-morrow night came black, then day again, night again, day again, faster and faster still. An eddying murmur filled my ears, and a strange, dumb confusedness descended on my mind.
"I am afraid I cannot convey the peculiar sensations of time travelling. They are excessively unpleasant. There is a feeling exactly like that one has upon a switchbackw---of a helpless headlong motion! I felt the same horrible anticipation, too, of an imminent smash. As I put on pace, night followed day like the flapping of a black wing. The dim suggestion of the laboratory seemed presently to fall away from me, and I saw the sun hopping swiftly across the sky, leaping it every minute, and every minute marking a day. I supposed the laboratory had been destroyed and I had come into the open air. I had a dim impression of scaffolding, but I was already going too fast to be conscious of any moving things. The slowest snail that ever crawled dashed by too fast for me. The twinkling succession of darkness and light was excessively painful to the eye. Then, in the intermittent darknesses, I saw the moon spinning swiftly through, her quarters from new to full, and had a faint glimpse of the circling stars. Presently, as I went on, still gaining velocity, the palpitation of night and day merged into one continuous greyness; the sky took on a wonderful deepness of blue, a splendid luminous color like that of early twilight; the jerking sun became a streak of fire, a brilliant arch, in space; the moon a fainter fluctuating band; and I could see nothing of the stars, save now and then a brighter circle flickering in the blue.
"The landscape was misty and vague. I was still on the hillside upon which this house now stands, and the shoulder rose above me grey and dim. I saw trees growing and changing like puffs of vapour, now brown, now green; they grew, spread, shivered, and passed away. I saw huge buildings rise up faint and fair, and pass like dreams. The whole surface of the earth seemed changed---melting and flowing under my eyes. The little hands upon the dials that registered my speed raced round faster and faster. Presently I noted that the sun belt swayed up and down, from solstice to solstice,x in a minute or less, and that consequently my pace was over a year a minute; and minute by minute the white snow flashed across the world, and vanished, and was followed by the bright, brief green of spring.
"The unpleasant sensations of the start were less poignant now. They merged at last into a kind of hysterical exhilaration. I remarked indeed a clumsy swaying of the machine, for which I was unable to account. But my mind was too confused to attend to it, so with a kind of madness growing upon me, I flung myself into futurity. At first I scarce thought of stopping, scarce thought of anything but these new sensations. But presently a fresh series of impressions grew up in my mind---a certain curiosity and therewith a certain dread---until at last they took complete possession of me. What strange developments of humanity, what wonderful advances upon our rudimentary civilization,1 I thought, might not appear when I came to look nearly into the dim elusive world that raced and fluctuated before my eyes! I saw great and splendid architecture rising about me, more massive than any buildings of our own time, and yet, as it seemed, built of glimmery and mist. I saw a richer green flow up the hillside, and remain there without any wintry intermission. Even through the veil of my confusion the earth seemed very fair. And so my mind came round to the business of stopping.
"The peculiar risk lay in the possibility of my finding some substance in the space which I, or the machine, occupied. So long as I travelled at a high velocity through time, this scarcely mattered; I was, so to speak, attenuated---was slipping like a vapour through the interstices of intervening substances! But to come to a stop involved the jamming of myself, molecule by molecule, into whatever lay in my way;2 meant bringing my atoms into such intimate contact with those of the obstacle that a profound chemical reaction---possibly a far-reaching explosion---would result, and blow myself and my apparatus out of all possible dimensions---into the Unknown. This possibility had occurred to me again and again while I was making the machine; but then I had cheerfully accepted it as an unavoidable risk---one of the risks a man has got to take! Now the risk was inevitable, I no longer saw it in the same cheerful light. The fact is that, insensibly, the absolute strangeness of everything, the sickly jarring and swaying of the machine, above all, the feeling of prolonged falling, had absolutely upset my nerve. I told myself that I could never stop, and with a gust of petulance I resolved to stop forthwith. Like an impatient fool, I lugged over the lever, and incontinentlyz the thing went reeling over, and I was flung headlong through the air.
"There was the sound of a clap of thunder in my ears. I may have been stunned for a moment. A pitiless hail was hissing round me, and I was sitting on soft turf in front of the overset machine. Everything still seemed grey, but presently I remarked that the confusion in my ears was gone. I looked round me. I was on what seemed to be a little lawn in a garden, surrounded by rhododendron bushes, and I noticed that their mauve and purple blossoms were dropping in a shower under the beating of the hailstones. The rebounding, dancing hail hung in a cloud over the machine, and drove along the ground like smoke. In a moment I was wet to the skin. "Fine hospitality," said I, "to a man who has travelled innumerable years to see you."
"Presently I thought what a fool I was to get wet. I stood up and looked round me. A colossal figure, carved apparently in some white stone, loomed indistinctly beyond the rhododendrons through the hazy downpour. But all else of the world was invisible.
"My sensations would be hard to describe. As the columns of hail grew thinner, I saw the white figure more distinctly. It was very large, for a silver birch-tree touched its shoulder. It was of white marble, in shape something like a winged sphinx,3 but the wings, instead of being carried vertically at the sides, were spread so that it seemed to hover. The pedestal, it appeared to me, was of bronze, and was thick with verdigris.aa It chanced that the face was towards me; the sightless eyes seemed to watch me; there was the faint shadow of a smile on the lips. It was greatly weather-worn, and that imparted an unpleasant suggestion of disease. I stood looking at it for a little space---half a minute, perhaps, or half an hour. It seemed to advance and to recede as the hail drove before it denser or thinner. At last I tore my eyes from it for a moment, and saw that the hail curtain had worn threadbare, and that the sky was lightening with the promise of the sun.
"I looked up again at the crouching white shape, and the full temerity ab of my voyage came suddenly upon me. What might appear when that hazy curtain was altogether withdrawn? What might not have happened to men? What if cruelty had grown into a common passion? What if in this interval the race had lost its manliness, and had developed into something inhuman, unsympathetic, and overwhelmingly powerful? I might seem some old-world savage animal, only the more dreadful and disgusting for our common likeness---a foul creature to be incontinently slain.
"Already I saw other vast shapes---huge buildings with intricate parapets and tall columns, with a wooded hillside dimly creeping in upon me through the lessening storm. I was seized with a panic fear. I turned frantically to the Time Machine, and strove hard to readjust it. As I did so the shafts of the sun smote through the thunderstorm. The grey downpour was swept aside and vanished like the trailing garments of a ghost. Above me, in the intense blue of the summer sky, some faint brown shreds of cloud whirled into nothingness. The great buildings about me stood out clear and distinct, shining with the wet of the thunderstorm, and picked out in white by the unmelted hailstones piled along their courses.ac I felt naked in a strange world. I felt as perhaps a bird may feel in the clear air, knowing the hawk wings above and will swoop. My fear grew to frenzy. I took a breathing space, set my teeth, and again grappled fiercely, wrist and knee, with the machine. It gave under my desperate onset and turned over. It struck my chin violently. One hand on the saddle, the other on the lever, I stood panting heavily in attitude to mount again.
"But with this recovery of a prompt retreat my courage recovered. I looked more curiously and less fearfully at this world of the remote future. In a circular opening, high up in the wall of the nearer house, I saw a group of figures clad in rich soft robes. They had seen me, and their faces were directed towards me.
"Then I heard voices approaching me. Coming through the bushes by the White Sphinx were the heads and shoulders of men running. One of these emerged in a pathway leading straight to the little lawn upon which I stood with my machine. He was a slight creature---perhaps four feet high---clad in a purple tunic, girdled at the waist with a leather belt. Sandals or buskinsad---I could not clearly distinguish which---were on his feet; his legs were bare to the knees, and his head was bare. Noticing that, I noticed for the first time how warm the air was.
"He struck me as being a very beautiful and graceful creature, but indescribably frail.4 His flushed face reminded me of the more beautiful kind of consumptiveae---that hectic beauty of which we used to hear so much. At the sight of him I suddenly regained confidence. I took my hands from the machine.
IV
"IN ANOTHER MOMENT WE were standing face to face, I and this fragile thing out of futurity. He came straight up to me and laughed into my eyes. The absence from his bearing of any sign of fear struck me at once. Then he turned to the two others who were following him and spoke to them in a strange and very sweet and liquid tongue.
"There were others coming, and presently a little group of perhaps eight or ten of these exquisite creatures were about me. One of them addressed me. It came into my head, oddly enough, that my voice was too harsh and deep for them. So I shook my head, and pointing to my ears, shook it again. He came a step forward, hesitated, and then touched my hand. Then I felt other soft little tentaclesaf upon my back and shoulders. They wanted to make sure I was real. There was nothing in this at all alarming. Indeed, there was something in these pretty little people that inspired confidence---a graceful gentleness, a certain child-like ease. And besides, they looked so frail that I could fancy myself flinging the whole dozen of them about like nine-pins.ag But I made a sudden motion to warn them when I saw their little pink hands feeling at the Time Machine. Happily then, when it was not too late, I thought of a danger I had hitherto forgotten, and reaching over the bars of the machine I unscrewed the little levers that would set it in motion, and put these in my pocket. Then I turned again to see what I could do in the way of communication.
"And then, looking more nearly into their features, I saw some further peculiarities in their Dresden-china type of prettiness.1 Their hair, which was uniformly curly, came to a sharp end at the neck and cheek; there was not the faintest suggestion of it on the face, and their ears were singularly minute. The mouths were small, with bright red, rather thin lips, and the little chins ran to a point. The eyes were large and mild; and---this may seem egotism on my part---I fancied even that there was a certain lack of the interest I might have expected in them.
"As they made no effort to communicate with me, but simply stood round me smiling and speaking in soft cooing notes to each other, I began the conversation. I pointed to the Time Machine and to myself. Then hesitating for a moment how to express time, I pointed to the sun. At once a quaintly pretty little figure in chequered purple and white followed my gesture, and then astonished me by imitating the sound of thunder.
"For a moment I was staggered, though the import of his gesture was plain enough. The question had come into my mind abruptly: were these creatures fools? You may hardly understand how it took me. You see I had always anticipated that the people of the year Eight Hundred and Two Thousand odd would be incredibly in front of us in knowledge, art, everything. Then one of them suddenly asked me a question that showed him to be on the intellectual level of one of our five-year-old children---asked me, in fact, if I had come from the sun in a thunderstorm! It let loose the judgment I had suspended upon their clothes, their frail light limbs, and fragile features. A flow of disappointment rushed across my mind. For a moment I felt that I had built the Time Machine in vain.
"I nodded, pointed to the sun, and gave them such a vivid rendering of a thunderclap as startled them. They all withdrew a pace or so and bowed. Then came one laughing towards me, carrying a chain of beautiful flowers altogether new to me, and put it about my neck. The idea was received with melodious applause; and presently they were all running to and fro for flowers, and laughingly flinging them upon me until I was almost smothered with blossom. You who have never seen the like can scarcely imagine what delicate and wonderful flowers countless years of culture had created. Then someone suggested that their plaything should be exhibited in the nearest building, and so I was led past the sphinx of white marble, which had seemed to watch me all the while with a smile at my astonishment, towards a vast grey edifice of frettedah stone. As I went with them the memory of my confident anticipations of a profoundly grave and intellectual posterity came, with irresistible merriment, to my mind.
"The building had a huge entry, and was altogether of colossal dimensions. I was naturally most occupied with the growing crowd of little people, and with the big open portals that yawned before me shadowy and mysterious. My general impression of the world I saw over their heads was a tangled waste of beautiful bushes and flowers, a long-neglected and yet weedless garden. I saw a number of tall spikes of strange white flowers, measuring a foot perhaps across the spread of the waxen petals. They grew scattered, as if wild, among the variegated shrubs, but, as I saw, I did not examine them closely at this time. The Time Machine was left deserted on the turf among the rhododendrons.
"The arch of the doorway was richly carved, but naturally I did not observe the carving very narrowly, though I fancied I saw suggestions of old Phoenicianai decorations as I passed through, and it struck me that they were very badly broken and weather-worn. Several more brightly clad people met me in the doorway, and so we entered, I, dressed in dingy nineteenth-century garments, looking grotesque enough, gar landed with flowers, and surrounded by an eddying mass of bright, soft-colored robes and shining white limbs, in a melodious whirl of laughter and laughing speech.
The big doorway opened into a proportionately great hall hung with brown. The roof was in shadow, and the windows, partially glazed with coloured glass and partially unglazed, admitted a tempered light. The floor was made up of huge blocks of some very hard white metal, not plates nor slabs---blocks, and it was so much worn, as I judged by the going to and fro of past generations, as to be deeply channelled along the more frequented ways. Transverse to the length were innumerable tables made of slabs of polished stone, raised perhaps a foot from the floor, and upon these were heaps of fruits. Some I recognized as a kind of hypertrophiedaj raspberry and orange, but for the most part they were strange.
Between the tables were scattered a great number of cushions. Upon these my conductors seated themselves, signing for me to do likewise. With a pretty absence of ceremony they began to eat the fruit with their hands, flinging peel and stalks, and so forth, into the round openings in the sides of the tables. I was not loath to follow their example, for I felt thirsty and hungry. As I did so I surveyed the hall at my leisure.
"And perhaps the thing that struck me most was its dilapidated look. The stained-glass windows, which displayed only a geometrical pattern, were broken in many places, and the curtains that hung across the lower end were thick with dust. And it caught my eye that the corner of the marble table near me was fractured. Nevertheless, the general effect was extremely rich and picturesque. There were, perhaps, a couple of hundred people dining in the hall, and most of them, seated as near to me as they could come, were watching me with interest, their little eyes shining over the fruit they were eating. All were clad in the same soft, and yet strong, silky material.
"Fruit, by the by, was all their diet. These people of the remote future were strict vegetarians,2 and while I was with them, in spite of some carnal cravings, I had to be frugivorousak also. Indeed, I found afterwards that horses, cattle, sheep, dogs, had followed the Ichthyosaurusal into extinction. But the fruits were very delightful; one, in particular, that seemed to be in season all the time I was there---a floury thing in a three-sided husk---was especially good, and I made it my staple. At first I was puzzled by all these strange fruits, and by the strange flowers I saw, but later I began to perceive their import.
"However, I am telling you of my fruit dinner in the distant future now. So soon as my appetite was a little checked, I determined to make a resolute attempt to learn the speech of these new men of mine. Clearly that was the next thing to do. The fruits seemed a convenient thing to begin upon, and holding one of these up I began a series of interrogative sounds and gestures. I had some considerable difficulty in conveying my meaning. At first my efforts met with a stare of surprise or inextinguishable laughter, but presently a fair-haired little creature seemed to grasp my intention and repeated a name. They had to chatter and explain the business at great length to each other, and my first attempts to make the exquisite little sounds of their language caused an immense amount of amusement. However, I felt like a schoolmaster amidst children, and persisted, and presently I had a score of noun substantivesam at least at my command; and then I got to demonstrative pronouns, and even the verb "to eat." But it was slow work, and the little people soon tired and wanted to get away from my interrogations, so I determined, rather of necessity, to let them give their lessons in little doses when they felt inclined. And very little doses I found they were before long, for I never met people more indolent or more easily fatigued.
"A queer thing I soon discovered about my little hosts, and that was their lack of interest. They would come to me with eager cries of astonishment, like children, but like children they would soon stop examining me and wander away after some other toy. The dinner and my conversational beginnings ended, I noted for the first time that almost all those who had surrounded me at first were gone. It is odd, too, how speedily I came to disregard these little people. I went out through the portal into the sunlit world again so soon as my hunger was satisfied. I was continually meeting more of these men of the future, who would follow me a little distance, chatter and laugh about me, and, having smiled and gesticulated in a friendly way, leave me again to my own devices.
"The calm of evening was upon the world as I emerged from the great hall, and the scene was lit by the warm glow of the setting sun. At first things were very confusing. Everything was so entirely different from the world I had known---even the flowers. The big building I had left was situated on the slope of a broad river valley, but the Thames had shifted perhaps a mile from its present position. I resolved to mount to the summit of a crest, perhaps a mile and a half away, from which I could get a wider view of this our planet in the year Eight Hundred and Two Thousand Seven Hundred and One A.D. For that, I should explain, was the datean the little dials of my machine recorded.
"As I walked I was watchful for every impression that could possibly help to explain the condition of ruinous splendour in which I found the world---for ruinous it was. A little way up the hill for instance, was a great heap of granite, bound together by masses of aluminium, a vast labyrinth of precipitous walls and crumbled heaps, amidst which were thick heaps of very beautiful pagoda-like plants---nettles possibly---but wonderfully tinted with brown about the leaves, and incapable of stinging. It was evidently the derelict remains of some vast structure, to what end built I could not determine. It was here that I was destined; at a later date, to have a very strange experience---the first intimation of a still stranger discovery---but of that I will speak in its proper place.
"Looking round with a sudden thought, from a terrace on which I rested for a while, I realized that there were no small houses to be seen.3 Apparently the single house, and possibly even the household, had vanished. Here and there among the greenery were palace-like buildings, but the house and the cottage, which form such characteristic features of our own English landscape, had disappeared.
" 'Communism,' said I to myself.
"And on the heels of that came another thought. I looked at the half-dozen little figures that were following me. Then, in a flash, I perceived that all had the same form of costume, the same soft hairless visage,ao and the same girlish rotundity of limb. It may seem strange, perhaps, that I had not noticed this before. But everything was so strange. Now, I saw the fact plainly enough. In costume, and in all the differences of texture and bearing that now mark off the sexes from each other, these people of the future were alike. And the children seemed to my eyes to be but the miniatures of their parents. I judged, then, that the children of that time were extremely precocious, physically at least, and I found afterwards abundant verification of my opinion.
"Seeing the ease and security in which these people were living, I felt that this close resemblance of the sexes was after all what one would expect; for the strength of a man and the softness of a woman, the institution of the family, and the differentiation of occupations are mere militant necessities of an age of physical force; where population is balanced and abundant, much child-bearing becomes an evil rather than a blessing to the State; where violence comes but rarely and offspring are secure, there is less necessity---indeed there is no necessity---for an efficient family, and the specialization of the sexes with reference to their children's needs disappears. We see some beginnings of this even in our own time, and in this future age it was complete. This, I must remind you, was my speculation at the time. Later, I was to appreciate how far it fell short of the reality.
"While I was musing upon these things, my attention was attracted by a pretty little structure, like a well under a cupola. I thought in a transitory way of the oddness of wells still existing, and then resumed the thread of my speculations. There were no large buildings towards the top of the hill, and as my walking powers were evidently miraculous, I was presently left alone for the first time. With a strange sense of freedom and adventure I pushed on up to the crest.
"There I found a seat of some yellow metal that I did not recognize, corroded in places with a kind of pinkish rust and half smothered in soft moss, the arm-rests cast and filed into the resemblance of griffins'ap heads. I sat down on it, and I surveyed the broad view of our old world under the sunset of that long day. It was as sweet and fair a view as I have ever seen. The sun had already gone below the horizon and the west was flaming gold, touched with some horizontal bars of purple and crimson. Below was the valley of the Thames, in which the river lay like a band of burnished steel. I have already spoken of the great palaces dotted about among the variegated greenery, some in ruins and some still occupied. Here and there rose a white or silvery figure in the waste garden of the earth, here and there came the sharp vertical line of some cupola or obelisk. There were no hedges, no signs of proprietary rights, no evidences of agriculture; the whole earth had become a garden.4
"So watching, I began to put my interpretation upon the things I had seen, and as it shaped itself to me that evening, my interpretation was something in this way. (Afterwards I found I had got only a half-truth---or only a glimpse of one facet of the truth.)
"It seemed to me that I had happened upon humanity upon the wane. The ruddy sunset set me thinking of the sunset of mankind. For the first time I began to realize an odd consequence of the social effort in which we are at present engaged. And yet, come to think, it is a logical consequence enough. Strength is the outcome of need; security sets a premium on feebleness. The work of amelioratingaq the conditions of life---the true civilizing process that makes life more and more secure---had gone steadily on to a climax. One triumph of a united humanity over Nature had followed another. Things that are now mere dreams had become projects deliberately put in hand and carried forward. And the harvest was what I saw!
"After all, the sanitation and the agriculture of to-day are still in the rudimentary stage. The science of our time has attacked but a little department of the field of human disease, but, even so, it spreads its operations very steadily and persistently. Our agriculture and horticulture destroy a weed just here and there and cultivate perhaps a score or so of wholesome plants, leaving the greater number to fight out a balance as they can. We improve our favourite plants and animals---and how few they are---gradually by selective breeding; now a new and better peach, now a seedless grape, now a sweeter and larger flower, now a more convenient breed of cattle. We improve them gradually, because our ideals are vague and tentative, and our knowledge is very limited; because Nature, too, is shy and slow in our clumsy hands. Some day all this will be better organized, and still better. That is the drift of the current in spite of the eddies. The whole world will be intelligent, educated, and co-operating;5 things will move faster and faster towards the subjugation of Nature. In the end, wisely and carefully we shall readjust the balance of animal and vegetable life to suit our human needs.
"This adjustment, I say, must have been done, and done well; done indeed for all Time, in the space of Time across which my machine had leaped. The air was free from gnats, the earth from weeds or fungi; everywhere were fruits and sweet and delightful flowers; brilliant butterflies flew hither and thither. The ideal of preventive medicine was attained. Diseases had been stamped out. I saw no evidence of any contagious diseases during all my stay. And I shall have to tell you later that even the processes of putrefaction and decay had been profoundly affected by these changes.
"Social triumphs, too, had been effected. I saw mankind housed in splendid shelters, gloriously clothed, and as yet I had found them engaged in no toil. There were no signs of struggle, neither social nor economical struggle. The shop, the advertisement, traffic, all that commerce which constitutes the body of our world, was gone. It was natural on that golden evening that I should jump at the idea of a social paradise. The difficulty of increasing population had been met, I guessed, and population had ceased to increase.
"But with this change in condition comes inevitably adaptations to the change. What, unless biological science is a mass of errors, is the cause of human intelligence and vigour? Hardship and freedom: conditions under which the active, strong, and subtle survive and the weaker go to the wall; conditions that put a premium upon the loyal alliance of capable men, upon self-restraint, patience, and decision. And the institution of the family, and the emotions that arise therein, the fierce jealousy, the tenderness for offspring, parental self-devotion, all found their justification and support in the imminent dangers of the young. Now, where are these imminent dangers? There is a sentiment arising, and it will grow, against connubial jealousy, against fierce maternity, against passion of all sorts; unnecessary things now, and things that make us uncomfortable, savage survivals, discords in a refined and pleasant life.
"I thought of the physical slightness of the people, their lack of intelligence, and those big abundant ruins, and it strengthened my belief in a perfect conquest of Nature. For after the battle comes Quiet. Humanity had been strong, energetic, and intelligent; and had used all its abundant vitality to alter the conditions under which it lived. And now came the reaction of the altered conditions.
"Under the new conditions of perfect comfort and security, that restless energy, that with us is strength, would become weakness. Even in our own time certain tendencies and desires, once necessary to survival, are a constant source of failure. Physical courage and the love of battle, for instance, are no great help---may even be hindrances---to a civilized man. And in a state of physical balance and security, power, intellectual as well as physical, would be out of place. For countless years I judged there had been no danger of war or solitary violence, no danger from wild beasts, no wasting disease to require strength of constitution, no need of toil. For such a life, what we should call the weak are as well equipped as the strong, are indeed no longer weak. Better equipped indeed they are, for the strong would be frettedar by an energy for which there was no outlet. No doubt the exquisite beauty of the buildings I saw was the outcome of the last surgings of the now purposeless energy of mankind before it settled down into perfect harmony with the conditions under which it lived---the flourish of that triumph which began the last great peace. This has ever been the fate of energy in security;6 it takes to art and to eroticism, and then come languor and decay.
"Even this artistic impetus would at last die away---had almost died in the Time I saw. To adorn themselves with flowers, to dance, to sing in the sunlight: so much was left of the artistic spirit, and no more. Even that would fade in the end into a contented inactivity. We are kept keen on the grindstone of pain and necessity, and, it seemed to me, that here was that hateful grindstone broken at last!
"As I stood there in the gathering dark I thought that in this simple explanation I had mastered the problem of the world---mastered the whole secret of these delicious people. Possibly the checks they had devised for the increase of population had succeeded too well, and their numbers had rather diminished than kept stationary. That would account for the abandoned ruins. Very simple was my explanation, and plausible enough---as most wrong theories are!
V
"As I STOOD THERE musing over this too perfect triumph of man, the full moon, yellow and gibbous,as came up out of an overflow of silver light in the north-east. The bright little figures ceased to move about below, a noiseless owl flitted by, and I shivered with the chill of the night. I determined to descend and find where I could sleep.
"I looked for the building I knew. Then my eye travelled along to the figure of the White Sphinx upon the pedestal of bronze, growing distinct as the light of the rising moon grew brighter. I could see the silver birch against it. There was the tangle of rhododendron bushes, black in the pale light, and there was the little lawn. I looked at the lawn again. A queer doubt chilled my complacency. "No," said I stoutly to myself, "that was not the lawn."
"But it was the lawn. For the white leprous face of the sphinx was towards it. Can you imagine what I felt as this conviction came home to me? But you cannot. The Time Machine was gone!
"At once, like a lash across the face, came the possibility of losing my own age, of being left helpless in this strange new world. The bare thought of it was an actual physical sensation. I could feel it grip me at the throat and stop my breathing. In another moment I was in a passion of fear and running with great leaping strides down the slope. Once I fell headlong and cut my face; I lost no time in stanching the blood, but jumped up and ran on, with a warm trickle down my cheek and chin. All the time I ran I was saying to myself: 'They have moved it a little, pushed it under the bushes out of the way.' Nevertheless, I ran with all my might. All the time, with the certainty that sometimes comes with excessive dread, I knew that such assurance was folly, knew instinctively that the machine was removed out of my reach. My breath came with pain. I suppose I covered the whole distance from the hill crest to the little lawn, two miles perhaps, in ten minutes. And I am not a young man. I cursed aloud, as I ran, at my confident folly in leaving the machine, wasting good breath thereby. I cried aloud, and none answered. Not a creature seemed to be stirring in that moonlit world.
"When I reached the lawn my worst fears were realized. Not a trace of the thing was to be seen. I felt faint and cold when I faced the empty space among the black tangle of bushes. I ran round it furiously, as if the thing might be hidden in a corner, and then stopped abruptly, with my hands clutching my hair. Above me towered the sphinx, upon the bronze pedestal, white, shining, leprous, in the light of the rising moon. It seemed to smile in mockery of my dismay.
"I might have consoled myself by imagining the little people had put the mechanism in some shelter for me, had I not felt assured of their physical and intellectual inadequacy. That is what dismayed me: the sense of some hitherto unsuspected power, through whose intervention my invention had vanished. Yet, for one thing I felt assured: unless some other age had produced its exact duplicate, the machine could not have moved in time. The attachment of the levers---I will show you the method later---prevented any one from tampering with it in that way when they were removed. It had moved, and was hid, only in space. But then, where could it be?
"I think I must have had a kind of frenzy. I remember running violently in and out among the moonlit bushes all round the sphinx, and startling some white animalat that, in the dim light, I took for a small deer. I remember, too, late that night, beating the bushes with my clenched fist until my knuckles were gashed and bleeding from the broken twigs. Then, sobbing and raving in my anguish of mind, I went down to the great building of stone. The big hall was dark, silent, and deserted. I slipped on the uneven floor, and fell over one of the malachite tables, almost breaking my shin. I lit a match and went on past the dusty curtains, of which I have told you.
"There I found a second great hall covered with cushions, upon which, perhaps, a score or so of the little people were sleeping. I have no doubt they found my second appearance strange enough, coming suddenly out of the quiet darkness with inarticulate noises and the splutter and flare of a match. For they had forgotten about matches. "Where is my Time Machine?" I began, bawling like an angry child, laying hands upon them and shaking them up together. It must have been very queer to them. Some laughed, most of them looked sorely frightened. When I saw them standing round me, it came into my head that I was doing as foolish a thing as it was possible for me to do under the circumstances, in trying to revive the sensation of fear. For, reasoning from their daylight behaviour, I thought that fear must be forgotten.
"Abruptly, I dashed down the match, and, knocking one of the people over in my course, went blundering across the big dining-hall again, out under the moonlight. I heard cries of terror and their little feet running and stumbling this way and that. I do not remember all I did as the moon crept up the sky. I suppose it was the unexpected nature of my loss that maddened me. I felt hopelessly cut off from my own kind---a strange animal in an unknown world. I must have raved to and fro, screaming and crying upon God and Fate. I have a memory of horrible fatigue, as the long night of despair wore away; of looking in this impossible place and that; of groping among moonlit ruins and touching strange creatures in the black shadows; at last, of lying on the ground near the sphinx and weeping with absolute wretchedness. I had nothing left but misery. Then I slept, and when I woke again it was full day, and a couple of sparrows were hopping round me on the turf within reach of my arm.
"I sat up in the freshness of the morning, trying to remember how I had got there, and why I had such a profound sense of desertion and despair. Then things came clear in my mind. With the plain, reasonable daylight, I could look my circumstances fairly in the face. I saw the wild folly of frenzy overnight, and I could reason with myself. 'Suppose the worst?' I said. 'Suppose the machine altogether lost---perhaps destroyed? It behooves me to be calm and patient, to learn the way of the people, to get a clear idea of the method of my loss, and the means of getting materials and tools; so that in the end, perhaps, I may make another.' That would be my only hope, perhaps, but better than despair. And, after all, it was a beautiful and curious world.
"But probably, the machine had only been taken away. Still, I must be calm and patient, find its hiding-place, and recover it by force or cunning. And with that I scrambled to my feet and looked about me, wondering where I could bathe. I felt weary, stiff, and travel-soiled. The freshness of the morning made me desire an equal freshness. I had exhausted my emotion. Indeed, as I went about my business, I found myself wondering at my intense excitement overnight. I made a careful examination of the ground about the little lawn. I wasted some time in futile questionings, conveyed, as well as I was able, to such of the little peoples as came by. They all failed to understand my gestures; some were simply stolid,au some thought it was a jest and laughed at me. I had the hardest task in the world to keep my hands off their pretty laughing faces. It was a foolish impulse, but the devil begotten of fear and blind anger was ill curbed and still eager to take advantage of my perplexity. The turf gave better counsel. I found a groove ripped in it, about midway between the pedestal of the sphinx and the marks of my feet where, on arrival, I had struggled with the overturned machine. There were other signs of removal about, with queer narrow footprints like those I could imagine made by a sloth. This directed my closer attention to the pedestal. It was, as I think I have said, of bronze. It was not a mere block, but highly decorated with deep framed panels on either side. I went and rapped at these. The pedestal was hollow. Examining the panels with care I found them discontinuous with the frames. There were no handles or keyholes, but possibly the panels, if they were doors, as I supposed, opened from within. It took no very great mental effort to infer that my Time Machine was inside that pedestal. But how it got there was a different problem.
"I saw the heads of two orange-clad people coming through the bushes and under some blossom-covered apple-trees towards me. I turned smiling to them and beckoned them to me. They came, and then, pointing to the bronze pedestal, I tried to intimate my wish to open it. But at my first gesture towards this they behaved very oddly. I don't know how to convey their expression to you. Suppose you were to use a grossly improper gesture to a delicate-minded woman---it is how she would look. They went off as if they had received the last possible insult. I tried a sweet-looking little chap in white next, with exactly the same result. Somehow, his manner made me feel ashamed of myself. But, as you know, I wanted the Time Machine, and I tried him once more. As he turned off, like the others, my temper got the better of me. In three strides I was after him, had him by the loose part of his robe round the neck, and began dragging him towards the sphinx. Then I saw the horror and repugnance of his face, and all of a sudden I let him go.
"But I was not beaten yet. I banged with my fist at the bronze panels, I thought I heard something stir inside---to be explicit, I thought I heard a sound like a chuckle---but I must have been mistaken. Then I got a big pebble from the river, and came and hammered till I had flattened a coil in the decorations, and the verdigris came off in powdery flakes. The delicate little people must have heard me hammering in gusty outbreaks a mile away on either hand, but nothing came of it. I saw a crowd of them upon the slopes, looking furtively at me. At last, hot and tired, I sat down to watch the place. But I was too restless to watch long; I am too Occidentalav for a long vigil. I could work at a problem for years, but to wait inactive for twenty-four hours---that is another matter.
"I got up after a time, and began walking aimlessly through the bushes towards the hill again. 'Patience,' said I to myself. 'If you want your machine again you must leave that sphinx alone. If they mean to take your machine away, it's little good your wrecking their bronze panels, and if they don't, you will get it back as soon as you can ask for it. To sit among all those unknown things before a puzzle like that is hopeless. That way lies monomania.aw Face this world. Learn its ways, watch it, be careful of too hasty guesses at its meaning. In the end you will find clues to it all.' Then suddenly the humour of the situation came into my mind: the thought of the years I had spent in study and toil to get into the future age, and now my passion of anxiety to get out of it. I had made myself the most complicated and the most hopeless trap that ever a man devised. Although it was at my own expense, I could not help myself. I laughed aloud.
"Going through the big palace, it seemed to me that the little people avoided me. It may have been my fancy, or it may have had something to do with my hammering at the gates of bronze. Yet I felt tolerably sure of the avoidance. I was careful, however, to show no concern and to abstain from any pursuit of them, and in the course of a day or two things got back to the old footing. I made what progress I could in the language, and in addition I pushed my explorations here and there. Either I missed some subtle point, or their language was excessively simple---almost exclusively composed of concrete substantives and verbs. There seemed to be few, if any, abstract terms,1 or little use of figurative language. Their sentences were usually simple and of two words, and I failed to convey or understand any but the simplest propositions. I determined to put the thought of my Time Machine and the mystery of the bronze doors under the sphinx as much as possible in a corner of memory, until my growing knowledge would lead me back to them in a natural way. Yet a certain feeling, you may understand, tethered me in a circle of a few miles round the point of my arrival.
"So far as I could see, all the world displayed the same exuberant richness as the Thames valley. From every hill I climbed I saw the same abundance of splendid buildings, endlessly varied in material and style, the same clustering thickets of evergreens, the same blossom-laden trees and tree-ferns. Here and there water shone like silver, and beyond, the land rose into blue undulating hills, and so faded into the serenity of the sky. A peculiar feature, which presently attracted my attention, was the presence of certain circular wells, several, as it seemed to me, of a very great depth. One lay by the path up the hill, which I had followed during my first walk. Like the others, it was rimmed with bronze, curiously wrought, and protected by a little cupola from the rain. Sitting by the side of these wells, and peering down into the shafted darkness, I could see no gleam of water, nor could I start any reflection with a lighted match. But in all of them I heard a certain sound: a thud---thud---thud, like the beating of some big engine; and I discovered, from the flaring of my matches, that a steady current of air set down the shafts. Further, I threw a scrap of paper into the throat of one, and, instead of fluttering slowly down, it was at once sucked swiftly out of sight.
"After a time, too, I came to connect these wells with tall towers standing here and there upon the slopes; for above them there was often just such a flicker in the air as one sees on a hot day above a sun-scorched beach. Putting things together, I reached a strong suggestion of an extensive system of subterranean ventilation, whose true import it was difficult to imagine. I was at first inclined to associate it with the sanitary apparatus2 of these people. It was an obvious conclusion, but it was absolutely wrong.
"And here I must admit that I learned very little of drains and bells and modes of conveyance,ax and the like conveniences, during my time in this real future. In some of these visions of Utopias3 and coming times which I have read, there is a vast amount of detail about building, and social arrangements, and so forth. But while such details are easy enough to obtain when the whole world is contained in one's imagination, they are altogether inaccessible to a real traveller amid such realities as I found here. Conceive the tale of London which a negro, fresh from Central Africa, would take back to his tribe! What would he know of railway companies, of social movements, of telephone and telegraph wires, of the Parcels Delivery Company, and postal ordersay and the like? Yet we, at least, should be willing enough to explain these things to him! And even of what he knew, how much could he make his untravelled friend either apprehend or believe? Then, think how narrow the gap between a negro and a white man4 of our own times, and how wide the interval between myself and these of the Golden Age! I was sensible of much which was unseen, and which contributed to my comfort; but save for a general impression of automatic organization, I fear I can convey very little of the difference to your mind.
"In the matter of sepulture, for instance, I could see no signs of crematoria nor anything suggestive of tombs. But it occurred to me that, possibly, there might be cemeteries (or crematoria) somewhere beyond the range of my explorings. This, again, was a question I deliberately put to myself, and my curiosity was at first entirely defeated upon the point. The thing puzzled me, and I was led to make a further remark, which puzzled me still more; that aged and infirm among this people there were none.
"I must confess that my satisfaction with my first theories of an automatic civilization and a decadent humanity did not long endure. Yet I could think of no other. Let me put my difficulties. The several big palaces I had explored were mere living places, great dining-halls and sleeping apartments. I could find no machinery, no appliances of any kind. Yet these people were clothed in pleasant fabrics that must at times need renewal, and their sandals, though undecorated, were fairly complex specimens of metalwork. Somehow such things must be made. And the little people displayed no vestige of a creative tendency. There were no shops, no workshops, no sign of importations among them. They spent all their time in playing gently, in bathing in the river, in making love in a half-playful fashion, in eating fruit and sleeping. I could not see how things were kept going.
"Then, again, about the Time Machine: something, I knew not what, had taken it into the hollow pedestal of the White Sphinx. Why? For the life of me I could not imagine. Those waterless wells, too, those flickering pillars. I felt I lacked a clue. I felt---how shall I put it? Suppose you found an inscription, with sentences here and there in excellent plain English, and interpolated therewith, others made up of words, of letters even, absolutely unknown to you? Well, on the third day of my visit, that was how the world of Eight Hundred and Two Thousand Seven Hundred and One presented itself to me!
"That day, too, I made a friend---of a sort. It happened that, as I was watching some of the little people bathing in a shallow, one of them was seized with cramp and began drifting downstream. The main current ran rather swiftly, but not too strongly for even a moderate swimmer. It will give you an idea, therefore, of the strange deficiency in these creatures, when I tell you that none made the slightest attempt to rescue the weakly crying little thing which was drowning before their eyes. When I realized this, I hurriedly slipped off my clothes, and, wading in at a point lower down, I caught the poor mite5 and drew her safe to land. A little rubbing of the limbs soon brought her round, and I had the satisfaction of seeing she was all right before I left her. I had got to such a low estimate of her kind that I did not expect any gratitude from her. In that, however, I was wrong.
"This happened in the morning. In the afternoon I met my little woman, as I believe it was, as I was returning towards my centre from an exploration, and she received me with cries of delight and presented me with a big garland of flowers---evidently made for me and me alone. The thing took my imagination. Very possibly I had been feeling desolate. At any rate I did my best to display my appreciation of the gift. We were soon seated together in a little stone arbour,az engaged in conversation, chiefly of smiles. The creature's friendliness affected me exactly as a child's might have done. We passed each other flowers, and she kissed my hands. I did the same to hers. Then I tried talk, and found that her name was Weena, which, though I don't know what it meant, somehow seemed appropriate enough. That was the beginning of a queer friendship which lasted a week, and ended---as I will tell you!
"She was exactly like a child. She wanted to be with me always. She tried to follow me every where, and on my next journey out and about it went to my heart to tire her down, and leave her at last, exhausted and calling after me rather plaintively. But the problems of the world had to be mastered. I had not, I said to myself, come into the future to carry on a miniature flirtation. Yet her distress when I left her was very great, her expostulations at the parting were sometimes frantic, and I think, altogether, I had as much trouble as comfort from her devotion. Nevertheless she was, somehow, a very great comfort. I thought it was mere childish affection that made her cling to me. Until it was too late, I did not clearly know what I had inflicted upon her when I left her. Nor until it was too late did I clearly understand what she was to me. For, by merely seeming fond of me, and showing in her weak, futile way that she cared for me, the little doll of a creature presently gave my return to the neighbourhood of the White Sphinx almost the feeling of coming home; and I would watch for her tiny figure of white and gold so soon as I came over the hill.
"It was from her, too, that I learned that fear had not yet left the world. She was fearless enough in the daylight, and she had the oddest confidence in me; for once, in a foolish moment, I made threatening grimaces at her, and she simply laughed at them. But she dreaded the dark, dreaded shadows, dreaded black things. Darkness to her was the one thing dreadful. It was a singularly passionate emotion, and it set me thinking and observing. I discovered then, among other things, that these little people gathered into the great houses after dark, and slept in droves. To enter upon them without a light was to put them into a tumult of apprehension. I never found one out of doors, or one sleeping alone within doors, after dark. Yet I was still such a blockhead that I missed the lesson of that fear, and in spite of Weena's distress I insisted upon sleeping away from these slumbering multitudes.
"It troubled her greatly, but in the end her odd affection for me triumphed, and for five of the nights of our acquaintance, including the last night of all, she slept with her head pillowed on my arm. But my story slips away from me as I speak of her. It must have been the night before her rescue that I was awakened about dawn. I had been restless, dreaming most disagreeably that I was drowned, and that sea-anemones were feeling over my face with their soft palps.ba I woke with a start, and with an odd fancy that some greyish animal had just rushed out of the chamber. I tried to get to sleep again, but I felt restless and uncomfortable. It was that dim grey hour when things are just creeping out of darkness, when everything is colourless and clear cut, and yet unreal. I got up, and went down into the great hall, and so out upon the flagstones in front of the palace. I thought I would make a virtue of necessity, and see the sunrise.
"The moon was setting, and the dying moonlight and the first pallor of dawn were mingled in a ghastly half-light. The bushes were inky black, the ground a sombre grey, the sky colourless and cheerless. And up the hill I thought I could see ghosts. There several times, as I scanned the slope, I saw white figures. Twice I fancied I saw a solitary white, ape like creature running rather quickly up the hill, and once near the ruins I saw a leashbb of them carrying some dark body. They moved hastily. I did not see what became of them. It seemed that they vanished among the bushes. The dawn was still indistinct, you must understand. I was feeling that chill, uncertain, early-morning feeling you may have known. I doubted my eyes.
"As the eastern sky grew brighter, and the light of the day came on and its vivid colouring returned upon the world once more, I scanned the view keenly. But I saw no vestige of my white figures. They were mere creatures of the half-light. "They must have been ghosts," I said; "I wonder whence they dated." For a queer notion of Grant Allen's6 came into my head, and amused me. If each generation die and leave ghosts, he argued, the world at last will get overcrowded with them. On that theory they would have grown innumerable some Eight Hundred Thousand Years hence, and it was no great wonder to see four at once. But the jest was unsatisfying, and I was thinking of these figures all the morning, until Weena's rescue drove them out of my head. I associated them in some indefinite way with the white animal I had startled in my first passionate search for the Time Machine. But Weena was a pleasant substitute. Yet all the same, they were soon destined to take far deadlier possession of my mind.
"I think I have said how much hotter than our own was the weather of this Golden Age. I cannot account for it. It may be that the sun was hotter, or the earth nearer the sun. It is usual to assume that the sun will go on cooling steadily in the future. But people, unfamiliar with such speculations as those of the younger Darwin,7 forget that the planets must ultimately fall back one by one into the parent body. As these catastrophes occur, the sun will blaze with renewed energy; and it may be that some inner planet had suffered this fate. Whatever the reason, the fact remains that the sun was very much hotter than we know it.
"Well, one very hot morning---my fourth, I think---as I was seeking shelter from the heat and glare in a colossal ruin near the great house where I slept and fed, there happened this strange thing: Clambering among these heaps of masonry, I found a narrow gallery, whose end and side windows were blocked by fallen masses of stone. By contrast with the brilliancy outside, it seemed at first impenetrably dark to me. I entered it groping, for the change from light to blackness made spots of colour swim before me. Suddenly I halted spellbound. A pair of eyes, luminous by reflection against the daylight without, was watching me out of the darkness.
"The old instinctive dread of wild beasts came upon me. I clenched my hands and steadfastly looked into the glaring eyeballs. I was afraid to turn. Then the thought of the absolute security in which humanity appeared to be living came to my mind. And then I remembered that strange terror of the dark. Overcoming my fear to some extent, I advanced a step and spoke. I will admit that my voice was harsh and ill-controlled. I put out my hand and touched something soft. At once the eyes darted sideways, and something white ran past me. I turned with my heart in my mouth, and saw a queer little apelike figure,8 its head held down in a peculiar manner, running across the sunlit space behind me. It blundered against a block of granite, staggered aside, and in a moment was hidden in a black shadow beneath another pile of ruined masonry.
"My impression of it is, of course, imperfect; but I know it was a dull white, and had strange large greyish-red eyes; also that there was flaxen hair on its head and down its back. But, as I say, it went too fast for me to see distinctly. I cannot even say whether it ran on all-fours, or only with its forearms held very low. After an instant's pause I followed it into the second heap of ruins. I could not find it at first; but, after a time in the profound obscurity, I came upon one of those round well-like openings of which I have told you, half closed by a fallen pillar. A sudden thought came to me. Could this Thing have vanished down the shaft? I lit a match, and, looking down, I saw a small, white, moving creature, with large bright eyes which regarded me steadfastly as it retreated. It made me shudder. It was so like a human spider! It was clambering down the wall, and now I saw for the first time a number of metal foot and hand rests forming a kind of ladder down the shaft. Then the light burned my fingers and fell out of my hand, going out as it dropped, and when I had lit another the little monster had disappeared.
"I do not know how long I sat peering down that well. It was not for some time that I could succeed in persuading myself that the thing I had seen was human. But, gradually, the truth dawned on me: that Man had not remained one species, but had differentiated into two distinct animals: that my graceful children of the Upperworld were not the sole descendants of our generation, but that this bleached, obscene, nocturnal Thing, which had flashed before me, was also heir to all the ages.
"I thought of the flickering pillarsbc and of my theory of an underground ventilation. I began to suspect their true import. And what, I wondered, was this Lemurbd doing in my scheme of a perfectly balanced organization? How was it related to the indolent serenity of the beautiful Upper-worlders? And what was hidden down there, at the foot of that shaft? I sat upon the edge of the well telling myself that, at any rate, there was nothing to fear, and that there I must descend for the solution of my difficulties. And withalbe I was absolutely afraid to go! As I hesitated, two of the beautiful Upperworld people came running in their amorous sport across the daylight in the shadow. The male pursued the female, flinging flowers at her as he ran.
"They seemed distressed to find me, my arm against the overturned pillar, peering down the well. Apparently it was considered bad form to remark these apertures; for when I pointed to this one, and tried to frame a question about it in their tongue, they were still more visibly distressed and turned away. But they were interested by my matches, and I struck some to amuse them. I tried them again about the well, and again I failed. So presently I left them, meaning to go back to Weena, and see what I could get from her. But my mind was already in revolution; my guesses and impressions were slipping and sliding to a new adjustment. I had now a clue to the import of these wells, to the ventilating towers, to the mystery of the ghosts; to say nothing of a hint at the meaning of the bronze gates and the fate of the Time Machine! And very vaguely there came a suggestion towards the solution of the economic problem9 that had puzzled me.
"Here was the new view. Plainly, this second species of Man was subterranean. There were three circumstances in particular which made me think that its rare emergence above ground was the outcome of a long-continued underground look common in most animals that live largely in the dark---the white fish of the Kentucky cavesbf ,for instance. Then, those large eyes, with that capacity for reflecting light, are common features of nocturnal things---witness the owl and the cat. And last of all, that evident confusion in the sunshine, that hasty yet fumbling awkward flight towards dark shadow, and that peculiar carriage of the head while in the light---all reinforced the theory of an extreme sensitiveness of the retina.
"Beneath my feet, then, the earth must be tunnelled enormously, and these tunnellings were the habitat of the new race. The presence of ventilating shafts and wells along the hill slopes---everywhere, in fact, except along the river valley---showed how universal were its ramifications. What so natural, then, as to assume that it was in this artificial Underworld that such work as was necessary to the comfort of the daylight race was done? The notion was so plausible that I at once accepted it, and went on to assume the how of this splitting of the human species. I dare say you will anticipate the shape of my theory; though, for myself, I very soon felt that it fell far short of the truth.
"At first, proceeding from the problems of our own age, it seemed clear as daylight to me that the gradual widening of the present merely temporary and social difference between the Capitalist and the Labourer,bg was the key to the whole position. No doubt it will seem grotesque enough to you---and wildly incredible!---and yet even now there are existing circumstances to point that way. There is a tendency to utilize underground space for the less ornamental purposes of civilization; there is the Metropolitan Railwaybh in London, for instance, there are new electric railways, there are subways, there are underground workrooms and restaurants, and they increase and multiply. Evidently, I thought, this tendency had increased till Industry had gradually lost its birthright in the sky. I mean that it had gone deeper and deeper into larger and ever larger underground factories, spending a still-increasing amount of its time therein, till, in the end---! Even now, does not an East-end workerbi live in such artificial conditions as practically to be cut off from the natural surface of the earth?
"Again, the exclusive tendency of richer people---due, no doubt, to the increasing refinement of their education, and the widening gulf between them and the rude violence of the poor---is already leading to the closing, in their interest, of considerable portions of the surface of the land. About London, for instance, perhaps half the prettier country is shut in against intrusion. And this same widening gulf---which is due to the length and expense of the higher educational process and the increased facilities for and temptations towards refined habits on the part of the rich---will make that exchange between class and class, that promotion by intermarriage which at present retards the splitting of our species along lines of social stratification, less and less frequent. So, in the end, above ground you must have the Haves, pursuing pleasure and comfort and beauty, and below ground the Have-nots, the Workers getting continually adapted to the conditions of their labour. Once they were there, they would no doubt have to pay rent, and not a little of it, for the ventilation of their caverns; and if they refused, they would starve or be suffocated for arrears.bj Such of them as were so constituted as to be miserable and rebellious would die; and, in the end, the balance being permanent, the survivors would become as well adapted to the conditions of underground life, and as happy in their way, as the Upper world people were to theirs. As it seemed to me, the refined beauty and the etiolated pallorbk followed naturally enough.
"The great triumph of Humanity I had dreamed of took a different shape in my mind. It had been no such triumph of moral education and general co-operation as I had imagined. Instead, I saw a real aristocracy, armed with a perfected science and working to a logical conclusion the industrial system of to-day. Its triumph had not been simply a triumph over Nature, but a triumph over Nature and the fellow-man. This, I must warn you, was my theory at the time. I had no convenient cicerone in the pattern of the Utopian books. My explanation may be absolutely wrong. I still think it is the most plausible one. But even on this supposition the balanced civilization that was at last attained must have long since passed its zenith, and was now far fallen into decay. The too-perfect security of the Upper-worlders had led them to a slow movement of degeneration, to a general dwindling in size, strength, and intelligence. That I could see clearly enough already. What had happened to the Undergrounders I did not yet suspect; but from what I had seen of the Morlocks10---that, by the by, was the name by which these creatures were called---I could imagine that the modification of the human type was even far more profound than among the "Eloi," the beautiful race that I already knew.
"Then came troublesome doubts. Why had the Morlocks taken my Time Machine? For I felt sure it was they who had taken it. Why, too, if the Eloi were masters, could they not restore the machine to me? And why were they so terribly afraid of the dark? I proceeded, as I have said, to question Weena about this Underworld, but here again I was disappointed. At first she would not understand my questions, and presently she refused to answer them. She shivered as though the topic was unendurable. And when I pressed her, perhaps a little harshly, she burst into tears. They were the only tears, except my own, I ever saw in that Golden Age. When I saw them I ceased abruptly to trouble about the Morlocks, and was only concerned in banishing these signs of the human inheritance from Weena's eyes. And very soon she was smiling and clapping her hands, while I solemnly burned a match.
VI
"IT MAY SEEM ODD to you, but it was two days before I could follow up the new-found clue in what was manifestly the proper way. I felt a peculiar shrinking from those pallid bodies. They were just the half-bleached colour of the worms and things one sees preserved in spirit in a zoological museum. And they were filthily cold to the touch. Probably my shrinking was largely due to the sympathetic influencebl of the Eloi, whose disgust of the Morlocks I now began to appreciate.
"The next night I did not sleep well. Probably my health was a little disordered. I was oppressed with perplexity and doubt. Once or twice I had a feeling of intense fear for which I could perceive no definite reason. I remember creeping noiselessly into the great hall where the little people were sleeping in the moonlight---that night Weena was among them---and feeling reassured by their presence. It occurred to me even then, that in the course of a few days the moon must pass through its last quarter, and the nights grow dark, when the appearances of these unpleasant creatures from below, these whitened Lemurs, this new vermin that had replaced the old, might be more abundant. And on both these days I had the restless feeling of one who shirks an inevitable duty. I felt assured that the Time Machine was only to be recovered by boldly penetrating these underground mysteries. Yet I could not face the mystery. If only I had had a companion1 it would have been different. But I was so horribly alone, and even to clamber down into the darkness of the well appalled me. I don't know if you will understand my feeling, but I never felt quite safe at my back.
"It was this restlessness, this insecurity, perhaps, that drove me further and further afield in my exploring expeditions. Going to the south-westward towards the rising country that is now called Combe Wood, I observed far off, in the direction of nineteenth-century Banstead, a vast green structure, different in character from any I had hitherto seen. It was larger than the largest of the palaces or ruins I knew, and the façade had an Oriental look: the face of it having the lustre, as well as the pale-green tint, a kind of bluish-green, of a certain type of Chinese porcelain. This difference in aspect suggested a difference in use, and I was minded to push on and explore. But the day was growing late, and I had come upon the sight of the place after a long and tiring circuit;bm so I resolved to hold over the adventure for the following day, and I returned to the welcome and the caresses of little Weena. But next morning I perceived clearly enough that my curiosity regarding the Palace of Green Porcelain was a piece of self-deception, to enable me to shirk, by another day, an experience I dreaded. I resolved I would make the descent without further waste of time, and started out in the early morning towards a well near the ruins of granite and aluminium.
"Little Weena ran with me. She danced beside me to the well, but when she saw me lean over the mouth and look downward, she seemed strangely disconcerted. 'Good-bye, little Weena,' I said, kissing her; and then, putting her down, I began to feel over the parapetbn for the climbing hooks. Rather hastily, I may as well confess, for I feared my courage might leak away! At first she watched me in amazement. Then she gave a most piteous cry, and, running to me, she began to pull at me with her little hands. I think her opposition nerved me rather to proceed. I shook her off, perhaps a little roughly, and in another moment I was in the throat of the well. I saw her agonized face over the parapet, and smiled to reassure her. Then I had to look down at the unstable hooks to which I clung.
"I had to clamber down a shaft of perhaps two hundred yards. The descent was effected by means of metallic bars projecting from the sides of the well, and these being adapted to the needs of a creature much smaller and lighter than myself, I was speedily cramped and fatigued by the descent. And not simply fatigued! One of the bars bent suddenly under my weight, and almost swung me off into the blackness beneath. For a moment I hung by one hand, and after that experience I did not dare to rest again. Though my arms and back were presently acutely painful, I went on clambering down the sheer descend with as quick a motion as possible. Glancing upward, I saw the apperture, a small blue disk, in which a star was visible, while little Weena's head showed as a round black projection. The thudding sound of a machine below grew louder and more oppressive. Everything save that little disk above was profoundly dark, and when I looked up again Weena had disappeared.
"I was in an agony of discomfort. I had some thought of trying to go up the shaft again, and leave the Underworld alone. But even while I turned this over in my mind I continued to descend. At last, with intense relief, I saw dimly coming up, a foot to the right of me, a slender loophole in the wall. Swinging myself in, I found it was the aperture of a narrow horizontal tunnel in which I could lie down and rest. It was not too soon. My arms ached, my back was cramped, and I was trembling with the prolonged terror of a fall. Besides this, the unbroken darkness had had a distressing effect upon my eyes. The air was full of the throb and hum of machinery pumping air down the shaft.
"I do not know how long I lay. I was roused by a soft hand touching my face. Starting up in the darkness I snatched at my matches and, hastily striking one, I saw three stooping white creatures similar to the one I had seen above ground in the ruin, hastily retreating before the light. Living, as they did, in what appeared to me impenetrable darkness, their eyes were abnormally large and sensitive, just as are the pupils of the abysmal fishes,bo and they reflected the light in the same way. I have no doubt they could see me in that rayless obscurity, and they did not seem to have any fear of me apart from the light. But, so soon as I struck a match in order to see them, they fled incontinently, vanishing into dark gutters and tunnels, from which their eyes glared at me in the strangest fashion.
"I tried to call to them, but the language they had2 was apparently different from that of the Over-world people; so that I was needs left to my own unaided efforts, and the thought of flight before exploration was even then in my mind. But I said to myself. 'You are in for it now,' and, feeling my way along the tunnel, I found the noise of machinery grow louder. Presently the walls fell away from me, and I came to a large open space, and striking another match, saw that I had entered a vast arched cavern, which stretched into utter darkness beyond the range of my light. The view I had of it was as much as one could see in the burning of a match.
"Necessarily my memory is vague. Great shapes like big machines rose out of the dimness, and cast grotesque black shadows, in which dim spectral Morlocks sheltered from the glare. The place, by the by, was very stuffy and oppressive, and the faint halitusbp of freshly shed blood was in the air. Some way down the central vista was a little table of white metal, laid with what seemed a meal. The Morlocks at any rate were carnivorous! Even at the time, I remember wondering what large animal could have survived to furnish the red joint I saw. It was all very indistinct: the heavy smell, the big unmeaning shapes, the obscene figures lurking in the shadows, and only waiting for the darkness to come at me again! Then the match burned down, and stung my fingers, and fell, a wriggling red spot in the blackness.
"I have thought since how particularly ill-equipped I was for such an experience. When I had started with the Time Machine, I had started with the absurd assumption that the men of the Future would certainly be infinitely ahead of our selves in all their appliances. I had come without arms, without medicine, without anything to smoke---at times I missed tobacco frightfully---even without enough matches. If only I had thought of a Kodak! I could have flashed that glimpse of the Under world in a second, and examined it at leisure. But, as it was, I stood there with only the weapons and the powers that Nature had endowed me with---hands, feet, and teeth; these, and four safety-matchesbq that still remained to me.
"I was afraid to push my way in among all this machinery in the dark, and it was only with my last glimpse of light I discovered that my store of matches had run low. It had never occurred to me until that moment that there was any need to economize them, and I had wasted almost half the box in astonishing the Upper-worlders, to whom fire was a novelty. Now, as I say, I had four left, and while I stood in the dark, a hand touched mine, lank fingers came feeling over my face, and I was sensible of a peculiar unpleasant odour. I fancied I heard the breathing of a crowd of those dreadful little beings about me. I felt the box of matches in my hand being gently disengaged, and other hands behind me plucking at my clothing. The sense of these unseen creatures examining me was indescribably unpleasant. The sudden realization of my ignorance of their ways of thinking and doing came home to me very vividly in the darkness. I shouted at them as loudly as I could. They started away, and then I could feel them approaching me again. They clutched at me more boldly, whispering odd sounds to each other. I shivered violently, and shouted again---rather discordantly. This time they were not so seriously alarmed, and they made a queer laughing noise as they came back at me. I will confess I was horribly frightened. I determined to stroke another match and escape under the protection of its glare. I did so, and eking out the flicker with a scrap of paper from my pocket, I made good my retreat to the narrow tunnel. But I had scarce entered this when my light was blown out, and in the blackness I could hear the Morlocks rustling like wind among leaves, and pattering like the rain, as they hurried after me.
"In a moment I was clutched by several hands, and there was no mistaking that they were trying to haul me back. I struck another light, and waved it in their dazzled faces. You can scarce imagine how nause atingly inhuman they looked---those pale, chinless faces and great, lidless, pinkish-grey eyes!---as they stared in their blindness and bewilderment. But I did not stay to look, I promise you: I retreated again, and when my second match had ended, I struck my third. It had almost burned through when I reached the opening into the shaft. I lay down on the edge, for the throb of the great pump below made me giddy. Then I felt sideways for the projecting hooks, and, as I did so, my feet were grasped from behind, and I was violently tugged backward. I lit my last match ... and it incontinently went out. But I had my hand on the climbing bars now, and, kicking violently, I disengaged myself from the clutches of the Morlocks and was speedily clambering up the shaft, while they stayed peering and blinking up at me: all but one little wretch who followed me for some way, and wellnigh secured my boot as a trophy.
"That climb seemed interminable to me. With the last twenty or thirty feet of it a deadly nausea came upon me. I had the greatest difficulty in keeping my hold. The last few yards was a frightful struggle against this faintness. Several times my head swam, and I felt all the sensations of falling. At last, however, I got over the well-mouth somehow, and staggered out of the ruin into the blinding sunlight. I fell upon my face. Even the soil smelt sweet and clean. Then I remember Weena kissing my hands and ears, and the voices of others among the Eloi. Then, for a time, I was insensible.br
VII
"Now, INDEED, I SEEMED in a worse case than before. Hitherto, except during my night's anguish at the loss of the Time Machine, I had felt a sustaining hope of ultimate escape, but that hope was staggered by these new discoveries. Hitherto I had merely thought myself impeded by the childish simplicity of the little people, and by some unknown forces which I had only to understand to overcome; but there was an altogether new element in the sickening quality of the Morlocks---a something inhuman and malign. Instinctively I loathed them. Before, I had felt as a man might feel who had fallen into a pit: my concern was with the pit and how to get out of it. Now I felt like a beast in a trap, whose enemy would come upon him soon.
"The enemy I dreaded may surprise you. It was the darkness of the new moon. Weena had put this into my head by some at first incomprehensible remarks about the Dark Nights. It was not now such a very difficult problem to guess what the coming Dark Nights might mean. The moon was on the wane: each night there was a longer interval of darkness. And I now understood to some slight degree at least the reason of the fear of the little Upperworld people for the dark. I wondered vaguely what foul villainy it might be that the Morlocks did under the new moon. I felt pretty sure now that my second hypothesis was all wrong. The Upperworld people might once have been the favoured aristocracy, and the Morlocks their mechanical servants:bs but that had long since passed away. The two species that had resulted from the evolution of man were sliding down towards, or had already arrived at, an altogether new relationship. The Eloi, like the Carlovingian kings,bt had decayed to a mere beautiful futility. They still possessed the earth on sufferance:bu since the Morlocks, subterranean for innumerable generations, had come at last to find the daylit surface intolerable. And the Morlocks made their garments, I inferred, and maintained them in their habitual needs, perhaps through the survival of an old habit of service. They did it as a standing horse paws with his foot, or as a man enjoys killing animals in sport: because ancient and departed necessities had impressed it on the organism. But, clearly the old order was already in part reversed. The Nemesis of the delicate ones was creeping on apace. Ages ago, thousands of generations ago, man had thrust his brother man out of the ease and the sunshine. And now that brother was coming back---changed! Already the Eloi had begun to learn one old lesson anew. They were becoming reacquainted with Fear. And suddenly there came into my head the memory of the meat I had seen in the Under world. It seemed odd how it floated into my mind: not stirred up as it were by the current of my meditations, but coming in almost like a question from outside. I tried to recall the form of it. I had a vague sense of something familiar, but I could not tell what it was at the time.
"Still, however helpless the little people in the presence of their mysterious Fear, I was differently constituted. I came out of this age of ours, this ripe prime of the human race, where Fear does not paralyse and mystery has lost its terrors. I at least would defend myself. Without further delay I determined to make myself arms and a fastness where I might sleep. With that refuge as a base, I could face this strange world with some of that confidence I had lost in realizing to what creatures night by night I lay exposed. I felt I could never sleep again until my bed was secure from them. I shuddered with horror to think how they must already have examined me.
"I wandered during the afternoon along the valley of the Thames, but found nothing that commended itself to my mind as inaccessible. All the buildings and trees seemed easily practicablebv to such dexterous climbers as the Morlocks, to judge by their wells, must be. Then the tall pinnaclebw of the Palace of Green Porcelain and the polished gleam of its walls came back to my memory; and in the evening, taking Weena like a child upon my shoulder, I went up the hills towards the south-west. The distance, I had reckoned, was seven or eight miles, but it must have been nearer eighteen. I had first seen the place on a moist afternoon when distances are deceptively diminished. In addition, the heel of one of my shoes was loose, and a nail was working through the sole---they were comfortable old shoes I wore about indoors---so that I was lame. And it was already long past sunset when I came in sight of the palace, silhouetted black against the pale yellow of the sky.
"Weena had been hugely delighted when I began to carry her, but after a time she desired me to let her down, and ran along by the side of me, occasionally darting off on either hand to pick flowers to stick in my pockets. My pockets had always puzzled Weena, but at the last she had concluded that they were an eccentric kind of vase for floral decoration . At least she utilized them for that purpose. And that reminds me! In changing my jacket I found ..."
The Time Traveller paused, put his hand into his pocket, and silently placed two withered flowers, not unlike very large white mallows, upon the little table.1 Then he resumed his narrative.
"As the hush of evening crept over the world and we proceeded over the hill crest towards Wimbledon, Weena grew tired and wanted to return to the house of grey stone. But I pointed out the distant pinnacles of the Palace of Green Porcelain to her, and contrived to make her understand that we were seeking a refuge there from her Fear. You know that great pause that comes upon things before the dusk? Even the breeze stops in the trees. To me there is always an air of expectation about that evening stillness. The sky was clear, remote, and empty save for a few horizontal bars far down in the sunset. Well, that night the expectation took the colour of my fears. In that darklingbx calm my senses seemed preternaturally sharpened. I fancied I could even feel the hollowness of the ground beneath my feet: could, indeed, almost see through it the Morlocks on their anthill going hither and thither and waiting for the dark. In my excitement I fancied that they would receive my invasion of their burrows as a declaration of war. And why had they taken my Time Machine?
"So we went on in the quiet, and the twilight deepened into night. The clear blue of the distance faded, and one star after another came out. The ground grew dim and the trees black. Weena's fears and her fatigue grew upon her. I took her in my arms and talked to her and caressed her. Then, as the darkness grew deeper, she put her arms round my neck, and, closing her eyes, tightly pressed her face against my shoulder. So we went down a long slope into a valley, and there in the dimness I almost walked into a little river. This I waded, and went up on the opposite side of the valley, past a number of sleeping houses, and by a statue---a Faun, or some such figure, minus the head.2 Here too were acacias.by So far I had seen nothing of the Morlocks, but it was yet early in the night, and the darker hours before the old moon rose were still to come.
"From the brow of the next hill I saw a thick wood spreading wide and black before me. I hesitated at this. I could see no end to it, either to the right or the left. Feeling tired---my feet, in particular, were very sore---I carefully lowered Weena from my shoulder as I halted, and sat down upon the turf. I could no longer see the Palace of Green Porcelain, and I was in doubt of my direction. I looked into the thickness of the wood and thought of what it might hide. Under that dense tangle of branches one would be out of sight of the stars. Even were there no other lurking danger---a danger I did not care to let my imagination loose upon---there would still be all the roots to stumble over and the tree-bolesbz to strike against.
"I was very tired, too, after the excitements of the day; so I decided that I would not face it, but would pass the night upon the open hill.
"Weena, I was glad to find, was fast asleep. I carefully wrapped her in my jacket, and sat down beside her to wait for the moonrise. The hill side was quiet and deserted, but from the black of the wood there came now and then a stir of living things. Above me shone the stars, for the night was very clear. I felt a certain sense of friendly comfort in their twinkling. All the old constellations had gone from the sky, however: that slow movement which is imperceptible in a hundred human lifetimes, had long since rearranged them in unfamiliar groupings. But the Milky Way, it seemed to me, was still the same tattered streamer of star-dust as of yore. Southward (as I judged it) was a very bright red star that was new to me; it was even more splendid than our own green Sirius.ca And amid all these scintillating points of light one bright planet shone kindly and steadily like the face of an old friend.
"Looking at these stars suddenly dwarfed my own troubles and all the gravities of terrestrial life. I thought of their unfathomable distance, and the slow inevitable drift of their movements out of the unknown past into the unknown future. I thought of the great processionalcb cycle that the pole of the earth describes. Only forty times had that silent revolution occurred during all the years that I had traversed. And during these few revolutions all the activity, all the traditions, the complex organizations, the nations, languages, literatures, aspirations, even the mere memory of Man as I knew him, had been swept out of existence. Instead were these frail creatures who had forgotten their high ancestry, and the white Things of which I went in terror. Then I thought of the Great Fear that was between the two species, and for the first time, with a sudden shiver, came the clear knowledge of what the meat I had seen might be. Yet it was too horrible! I looked at little Weena sleeping beside me, her face white and starlike under the stars, and forthwith dismissed the thought.
"Through that long night I held my mind off the Morlocks as well as I could, and whiled away the time by trying to fancy I could find signs of the old constellations in the new confusion. The sky kept very clear, except for a hazy cloud or so. No doubt I dozed at times. Then, as my vigil wore on, came a faintness in the eastward sky, like the reflection of some colourless fire, and the old moon rose, thin and peaked and white. And close behind, and overtaking it, and overflowing it, the dawn came, pale at first, and then growing pink and warm. No Morlocks had approached us. Indeed, I had seen none upon the hill that night. And in the confidence of renewed day it almost seemed to me that my fear had been unreasonable. I stood up and found my foot with the loose heel swollen at the ankle and painful under the heel so I sat down again, took off my shoes, and flung them away.
"I awakened Weena, and we went down into the wood, now green and pleasant instead of black and forbidding. We found some fruit wherewith to break our fast. We soon met others of the dainty ones, laughing and dancing in the sunlight as though there was no such thing in nature as the night. And then I thought once more of the meat that I had seen. I felt assured now of what it was, and from the bottom of my heart I pitied this last feeble rill from the great flood of humanity. 3 Clearly, at some time in the Long-Ago of human decay the Morlocks' food had run short. Possibly they had lived on rats and such-like vermin. Even now man is far less discriminating and exclusive in his food than he was---far less than any monkey. His prejudice against human flesh is no deep-seated instinct. And so these inhuman sons of men------! I tried to look at the thing in a scientific spirit. After all, they were less human and more remote than our cannibal ancestors of three or four thousand years ago. And the intelligence that would have made this state of things a torment had gone. Why should I trouble myself? These Eloi were mere fatted cattle, which the ant-like Morlocks preserved and preyed upon---probably saw to the breeding of. And there was Weena dancing at my side!
"Then I tried to preserve myself from the horror that was coming upon me, by regarding it as a rigorous punishment of human selfishness. Man had been content to live in ease and delight upon the labours of his fellow-man, had taken Necessity as his watchword and excuse, and in the fullness of time Necessity had come home to him. I even tried a Carlyle-like scorn of this wretched aristocracy in decay.4 But this attitude of mind was impossible. However great their intellectual degradation, the Eloi had kept too much of the human form not to claim my sympathy, and to make me perforce a sharer in their degradation and their Fear.
"I had at that time very vague ideas as to the course I should pursue. My first was to secure some safe place of refuge, and to make myself such arms of metal or stone as I could contrive. That necessity was immediate. In the next place, I hoped to procure some means of fire, so that I should have the weapon of a torch at hand, for nothing, I knew, would be more efficient against these Morlocks. Then I wanted to arrange some contrivance to break open the doors of bronze under the White Sphinx. I had in mind a battering-ram. I had a persuasion that if I could enter those doors and carry a blaze of light before me I should discover the Time Machine and escape. I could not imagine the Morlocks were strong enough to move it far away. Weena I had resolved to bring with me to our own time. And turning such schemes over in my mind I pursued our way towards the building which my fancy had chosen as our dwelling.
VIII
"I FOUND THE PALACE of Green Porcelain, when we approached it about noon, deserted and falling into ruin. Only ragged vestiges of glass remained in its windows, and great sheets of the green facing had fallen away from the corroded metallic framework. It lay very high upon a turfy down,cc and looking north-eastward before I entered it, I was surprised to see a large estuary, or even creek, where I judged Wandsworth and Battersea1 must once have been. I thought then---though I never followed up the thought---of what might have happened, or might be happening, to the living things in the sea.
"The material of the Palace proved on examination to be indeed porcelain, and along the face of it I saw an inscription in some unknown character. I thought, rather foolishly, that Weena might help me to interpret this, but I only learned that the barecd idea of writing had never entered her head. She always seemed to me, I fancy, more human than she was,2 perhaps because her affection was so human.
"Within the big valvesce of the door---which were open and broken---we found, instead of the customary hall, a long gallery lit by many side windows. At the first glance I was reminded of a museum. The tiled floor was thick with dust, and a remarkable array of miscellaneous objects was shrouded in the same grey covering. Then I perceived, standing strange and gaunt in the centre of the hall, what was clearly the lower part of a huge skeleton. I recognized by the obliquecf feet that it was some extinct creature after the fashion of the Megatherium. The skull and the upper bones lay beside it in the thick dust, and in one place, where rain-water had dropped through a leak in the roof, the thing itself had been worn away. Further in the gallery was the huge skeleton barrel of a Brontosaurus.3 My museum hypothesis was confirmed. Going towards the side I found what appeared to be sloping shelves, and clearing away the thick dust, I found the old familiar glass cases of our own time. But they must have been airtight to judge from the fair preservation of some of their contents.
"Clearly we stood among the ruins of some latter-day South Kensingtoncg Here, apparently, was the Palaeontological Section, and a very splendid array of fossils it must have been, though the inevitable process of decay that had been staved off for a time, and had, through the extinction of bacteria and fungi, lost ninety-nine hundredths of its force, was nevertheless, with extreme sureness if with extreme slowness at work again upon all its treasures. Here and there I found traces of the little people in the shape of rare fossils broken to pieces or threaded in strings upon reeds. And the cases had in some instances been bodily removed---by the Morlocks as I judged. The place was very silent. The thick dust deadened our footsteps. Weena, who had been rolling a sea-urchin down the sloping glass of a case, presently came, as I stared about me, and very quietly took my hand and stood beside me.
"And at first I was so much surprised by this ancient monument of an intellectual age,ch that I gave no thought to the possibilities it presented. Even my preoccupation about the Time Machine receded a little from my mind.
"To judge from the size of the place, this Palace of Green Porcelain had a great deal more in it than a Gallery of Palaeontology; possibly historical galleries; it might be, even a library! To me, at least in my present circumstances, these would be vastly more interesting than this spectacle of old-time geology in decay. Exploring, I found another short gallery running transversely to the first. This appeared to be devoted to minerals, and the sight of a block of sulphur set my mind running on gunpowder. But I could find no saltpeter; indeed, no nitratesci of any kind. Doubtless they had deliquescedcj ages ago. Yet the sulphur hung in my mind, and set up a train of thinking. As for the rest of the contents of that gallery, though on the whole they were the best preserved of all I saw, I had little interest. I am no specialist in mineralogy, and I went on down a very ruinous aisle running parallel to the first hall I had entered. Apparently this section had been devoted to natural history, but everything had long since passed out of recognition. A few shrivelled and blackened vestiges of what had once been stuffed animals, desiccated mummies in jars that had once held spirit, a brown dust of departed plants: that was all! I was sorry for that, because I should have been glad to trace the patent readjustmentsck by which the conquest of animated nature had been attained. Then we came to a gallery of simply colossal proportions, but singularly ill-lit, the floor of it running downward at a slight angle from the end at which I entered. At intervals white globes hung from the ceiling---many of them cracked and smashed---which suggested that originally the place had been artificially lit. Here I was more in my element, for rising on either side of me were the huge bulks of big machines, all greatly corroded and many broken down, but some still fairly complete. You know I have a certain weakness for mechanism, and I was inclined to linger among these; the more so as for the most part they had the interest of puzzles, and I could make only the vaguest guesses at what they were for. I fancied that if I could solve their puzzles I should find myself in possession of powers that might be of use against the Morlocks.
"Suddenly Weena came very close to my side. So suddenly that she startled me. Had it not been for her I do not think I should have noticed that the floor of the gallery sloped at all.cl The end I had come in at was quite above ground, and was lit by rare slit-like windows. As you went down the length, the ground came up against these windows, until at last there was a pit like the 'area'cm of a London house before each, and only a narrow line of daylight at the top. I went slowly along, puzzling about the machines, and had been too intent upon them to notice the gradual diminution of the light, until Weena's increasing apprehensions drew my attention. Then I saw that the gallery ran down at last into a thick darkness. I hesitated, and then, as I looked round me, I saw that the dust was less abundant and its surface less even. Further away towards the dimness, it appeared to be broken by a number of small narrow footprints. My sense of the immediate presence of the Morlocks revived at that. I felt that I was wasting my time in this academic examination of machinery. I called to mind that it was already far advanced in the afternoon, and that I had still no weapon, no refuge, and no means of making a fire. And then down in the remote blackness of the gallery I heard a peculiar pattering, and the same odd noises I had heard down the well.
"I took Weena's hand. Then, struck with a sudden idea, I left her and turned to a machine from which projected a lever not unlike those in a signal-box.cn Clambering upon the stand, and grasping this lever in my hands, I put all my weight upon it sideways. Suddenly Weena, deserted in the central aisle, began to whimper. I had judged the strength of the lever pretty correctly, for it snapped after a minute's strain, and I rejoined her with a mace in my hand more than sufficient, I judged, for any Morlock skull I might encounter. And I longed very much to kill a Morlock or so. Very inhuman, you may think, to want to go killing one's own descendants! But it was impossible, somehow, to feel any humanity in the things. Only my disinclination to leave Weena, and a persuasion that if I began to slake my thirst for murder my Time Machine might suffer, restrained me from going straight down the gallery and killing the brutes I heard.
"Well, mace in one hand and Weena in the other, I went out of that gallery and into another and still larger one, which at the first glance reminded me of a military chapel hung with tattered flags. The brown and charred rags that hung from the sides of it, I presently recognized as the decaying vestiges of books. They had long since dropped to pieces, and every semblance of print had left them. But here and there were warped boardsco and cracked metallic clasps that told the tale well enough. Had I been a literary man I might, perhaps, have moralized upon the futility of all ambition. But as it was, the thing that struck me with keenest force was the enormous waste of labour to which this sombre wilderness of rotting paper testified. At the time I will confess that I thought chiefly of the Philosophical Transactionscp and my own seventeen papers upon physical optics.
"Then, going up a board staircase, we came to what may once have been a gallery of technical chemistry. And here I had not a little hope of useful discoveries. Except at one end where the roof had collapsed, this gallery was well preserved. I went eagerly to every unbroken case. And at last, in one of the really airtight cases, I found a box of matches. Very eagerly I tried them. They were perfectly good. They were not even damp. I turned to Weena. 'Dance,' I cried to her in her own tongue. For now I had a weapon indeed against the horrible creatures we feared. And so, in that derelict museum, upon the thick soft carpeting of dust, to Weena's huge delight, I solemnly performed a kind of composite dance, whistling The Land of the Lealcq as cheerfully as I could. In part it was a modest cancan, in part a step-dance, in part a skirt-dance (so far as my tail-coat permitted), and in part original. For I am naturally inventive, as you know.
"Now, I still think that for this box of matches to have escaped the wear of time for immemorial years was a most strange, as for me it was a most fortunate thing. Yet, oddly enough, I found a far unlikelier substance, and that was camphor. I found it in a sealed jar, that by chance, I suppose, had been really hermetically sealed. I fancied at first that it was paraffin wax,cr and smashed the glass accordingly. But the odour of camphor was unmistakable. In the universal decay this volatile substance had chanced to survive, perhaps through many thousands of centuries. It reminded me of a sepia painting I had once seen done from the ink of a fossil Belemnitecs that must have perished and become fossilized millions of years ago. I was about to throw it away, but I remembered that it was inflammable and burned with a good bright flame---was, in fact, an excellent candle---and I put it in my pocket. I found no explosives, however, nor any means of breaking down the bronze doors. As yet my iron crowbar was the most helpful thing I had chanced upon. Nevertheless I left that gallery greatly elated.
"I cannot tell you all the story of that long afternoon. It would require a great effort of memory to recall my explorations in at all the proper order. I remember a long gallery of rusting stands of arms, and how I hesitated between my crowbar and a hatchet or a sword. I could not carry both, however, and my bar of iron promised best against the bronze gates. There were numbers of guns, pistols, and rifles. The most were masses of rust, but many were of some new metal, and still fairly sound. But any cartridges or powder there may once have been had rotted into dust. One corner I saw was charred and shattered; perhaps, I thought, by an explosion among the specimens. In another place was a vast array of idols---Polynesian, Mexican, Grecian, Phoenician, every country on earth I should think. And here, yielding to an irresistible impulse, I wrote my name upon the nose of a steatite monster from South America that particularly took my fancy.ct
"As the evening drew on, my interest waned. I went through gallery after gallery, dusty, silent, often ruinous, the exhibits sometimes mere heaps of rust and lignite,cu sometimes fresher. In one place I suddenly found myself near the model of a tin-mine, and then by the merest accident I discovered, in an airtight case, two dynamite cartridges! I shouted 'Eureka!' and smashed the case with joy. Then came a doubt. I hesitated. Then, selecting a little side gallery, I made my essay. I never felt such a disappointment as I did in waiting five, ten, fifteen minutes for an explosion that never came. Of course the things were dummies, as I might have guessed from their presence. I really believe that, had they not been so, I should have rushed off incontinently and blown Sphinx, bronze doors, and (as it proved) my chances of finding the Time Machine, all together into nonexistence.
"It was after that, I think, that we came to a little open court within the palace. It was turfed, and had three fruit-trees. So we rested and refreshed ourselves. Towards sunset I began to consider our position. Night was creeping upon us, and my inaccessible hiding-place had still to be found. But that troubled me very little now. I had in my possession a thing that was, perhaps, the best of all defences against the Morlocks---I had matches! I had the camphor in my pocket, too, if a blaze were needed. It seemed to me that the best thing we could do would be to pass the night in the open, protected by a fire. In the morning there was the getting of the Time Machine. Towards that, as yet, I had only my iron mace.cv But now, with my growing knowledge, I felt very differently towards those bronze doors. Up to this, I had refrained from forcing them, largely because of the mystery on the other side. They had never impressed me as being very strong, and I hoped to find my bar of iron not altogether inadequate for the work.
IX
"WE EMERGED FROM THE palace while the sun was still in part above the horizon. I was determined to reach the White Sphinx early the next morning, and ere the dusk I purposed pushing through the woods that had stopped me on the previous journey. My plan was to go as far as possible that night, and then, building a fire, to sleep in the protection of its glare. Accordingly, as we went along I gathered any sticks or dried grass I saw, and presently had my arms full of such litter. Thus loaded, our progress was slower than I had anticipated, and besides Weena was tired. And I began to suffer from sleepiness too; so that it was full night before we reached the wood. Upon the shrubby hill of its edge Weena would have stopped, fearing the darkness before us; but a singular sense of impending calamity, that should indeed have served me as a warning, drove me onward. I had been without sleep for a night and two days, and I was feverish and irritable. I felt sleep coming upon me, and the Morlocks with it.
"While we hesitated, among the black bushes behind us, and dim against their blackness, I saw three crouching figures. There was scrub and long grass all about us, and I did not feel safe from their insidious approach. The forest, I calculated, was rather less than a mile across. If we could get through it to the bare hillside, there, as it seemed to me, was an altogether safer resting-place; I thought that with my matches and my camphor I could contrive to keep my path illuminated through the woods. Yet it was evident that if I was to flourishcw matches with my hands I should have to abandon my firewood; so, rather reluctantly, I put it down. And then it came into my head that I would amaze our friends behind by lighting it. I was to discover the atrocious folly of this proceeding, but it came to my mind as an ingenious move for covering our retreat.
"I don't know if you have ever thought what a rare thing flame must be in the absence of man and in a temperate climate. The sun's heat is rarely strong enough to burn, even when it is focused by dewdrops, as is sometimes the case in more tropical districts. Lightning may blast and blacken, but it rarely gives rise to widespread fire. Decaying vegetation may occasionally smoulder with the heat of its fermentation, but this rarely results in flame. In this decadence, too, the art of fire-making had been forgotten on the earth. The red tongues that went licking up my heap of wood were an altogether new and strange thing to Weena.
"She wanted to run to it and play with it. I believe she would have cast herself into it had I not restrained her. But I caught her up, and, in spite of her struggles, plunged boldly before me into the wood. For a little way the glare of my fire lit the path. Looking back presently, I could see, through the crowded stems, that from my heap of sticks the blaze had spread to some bushes adjacent, and a curved line of fire was creeping up the grass of the hill. I laughed at that, and turned again to the dark trees before me. It was very black, and Weena clung to me convulsively, but there was still, as my eyes grew accustomed to the darkness, sufficient light for me to avoid the stems. Overhead it was simply black, except where a gap of remote blue sky shone down upon us here and there. I struck none of my matches because I had no hand free. Upon my left arm I carried my little one, in my right hand I had my iron bar.
"For some way I heard nothing but the crackling twigs under my feet, the faint rustle of the breeze above, and my own breathing and the throb of the blood-vessels in my ears. Then I seemed to know ofcx a pattering about me. I pushed on grimly. The pattering grew more distinct, and then I caught the same queer sound and voices I had heard in the Underworld. There were evidently several of the Morlocks, and they were closing in upon me. Indeed, in another minute I felt a tug at my coat, then something at my arm. And Weena shivered violently, and became quite still.
"It was time for a match. But to get one I must put her down. I did so, and, as I fumbled with my pocket, a struggle began in the darkness about my knees, perfectly silent on her part and with the same peculiar cooing sounds from the Morlocks. Soft little hands, too, were creeping over my coat and back, touching even my neck. Then the match scratched and fizzed. I held it flaring, and saw the white backs of the Morlocks in flight amid the trees. I hastily took a lump of camphor from my pocket, and prepared to light it as soon as the match should wane. Then I looked at Weena. She was lying clutching my feet and quite motionless, with her face to the ground. With a sudden fright I stooped to her. She seemed scarcely to breathe. I lit the block of camphor and flung it to the ground, and as it split and flared up and drove back the Morlocks and the shadows, I knelt down and lifted her. The wood behind seemed full of the stir and murmur of a great company!
"She seemed to have fainted. I put her carefully upon my shoulder and rose to push on, and then there came a horrible realization. In manoeuvring with my matches and Weena, I had turned myself about several times, and now I had not the faintest idea in what direction lay my path. For all I knew, I might be facing back towards the Palace of Green Porcelain. I found myself in a cold sweat. I had to think rapidly what to do. I determined to build a fire and encamp where we were. I put Weena, still motionless, down upon a turfy bole, and very hastily, as my first lump of camphor waned, I began collecting sticks and leaves. Here and there out of the darkness round me the Morlocks' eyes shone like carbuncles.cy
"The camphor flickered and went out. I lit a match, and as I did so, two white forms that had been approaching Weena dashed hastily away. One was so blinded by the light that he came straight for me, and I felt his bones grind under the blow of my fist. He gave a whoop of dismay, staggered a little way, and fell down. I lit another piece of camphor, and went on gathering my bonfire. Presently I noticed how dry was some of the foliage above me, for since my arrival on the Time Machine, a matter of a week, no rain had fallen. So, instead of casting about among the trees for fallen twigs, I began leaping up and dragging down branches. Very soon I had a choking smoky fire of green wood and dry sticks, and could economize my camphor. Then I turned to where Weena lay beside my iron mace. I tried what I could to revive her, but she lay like one dead. I could not even satisfy myself whether or not she breathed.
"Now, the smoke of the fire beat over towards me, and it must have made me heavycz of a sudden. Moreover, the vapour of camphor was in the air. My fire would not need replenishing for an hour or so. I felt very weary after my exertion, and sat down. The wood, too, was full of a slumbrous murmur that I did not understand. I seemed just to nod and open my eyes. But all was dark, and the Morlocks had their hands upon me. Flinging off their clinging fingers I hastily felt in my pocket for the match-box, and---it had gone! Then they gripped and closed with me again. In a moment I knew what had happened. I had slept, and my fire had gone out, and the bitterness of death came over my soul. The forest seemed full of the smell of burning wood. I was caught by the neck, by the hair, by the arms, and pulled down. It was indescribably horrible in the darkness to feel all these soft creatures heaped upon me. I felt as if I was in a monstrous spider's web. I was overpowered, and went down. I felt little teeth nipping at my neck. I rolled over, and as I did so my hand came against my iron lever. It gave me strength. I struggled up, shaking the human rats from me, and, holding the bar short, I thrust where I judged their faces might be. I could feel the succulent giving of flesh and bone under my blows, and for a moment I was free.
"The strange exultation that so often seems to accompany hard fighting came upon me. I knew that both I and Weena were lost, but I determined to make the Morlocks pay for their meat. I stood with my back to a tree, swinging the iron bar before me. The whole wood was full of the stir and cries of them. A minute passed. Their voices seemed to rise to a higher pitch of excitement, and their movements grew faster. Yet none came within reach. I stood glaring at the blackness. Then suddenly came hope. What if the Morlocks were afraid? And close on the heels of that came a strange thing. The darkness seemed to grow luminous. Very dimly I began to see the Morlocks about me---three battered at my feet---and then I recognized, with incredulous surprise, that the others were running, in an incessant stream, as it seemed, from behind me, and away through the wood in front. And their backs seemed no longer white, but reddish. As I stood agape, I saw a little red spark go drifting across a gap of starlight between the branches, and vanish. And at that I understood the smell of burning wood, the slumbrous murmur that was growing now into a gusty roar, the red glow, and the Morlocks' flight.
"Stepping out from behind my tree and looking back, I saw, through the black pillars of the nearer trees, the flames of the burning forest. It was my first fire coming after me. With that I looked for Weena, but she was gone. The hissing and crackling behind me, the explosive thud as each fresh tree burst into flame, left little time for reflection. My iron bar still gripped, I followed in the Morlocks' path. It was a close race. Once the flames crept forward so swiftly on my right as I ran that I was outflanked and had to strike off to the left. But at last I emerged upon a small open space, and as I did so, a Morlock came blundering towards me, and past me, and went on straight into the fire!
"And now I was to see the most weird and horrible thing, I think, of all that I beheld in that future age. This whole space was as bright as day with the reflection of the fire. In the centre was a hillock or tumulus,da surmounted by a sorched hawthorn. Beyond this was another arm of the burning forest, with yellow tongues already writhing from it, completely encircling the space with a fence of fire. Upon the hillside were some thirty or forty Morlocks, dazzled by the light and heat, and blundering hither and thither against each other in their bewilderment. At first I did not realize their blindness, and struck furiously at them with my bar, in a frenzy of fear, as they approached me, killing one and crippling several more. But when I had watched the gestures of one of them groping under the hawthorn against the red sky, and heard their moans, I was assured of their absolute helplessness and misery in the glare, and I struck no more of them.
"Yet every now and then one would come straight towards me, setting loose a quivering horror that made me quick to elude him. At one time the flames died down somewhat, and I feared the foul creatures would presently be able to see me. I was thinking of beginning the fight by killing some of them before this should happen; but the fire burst out again brightly, and I stayed my hand. I walked about the hill among them and avoided them, looking for some trace of Weena. But Weena was gone.
"At last I sat down on the summit of the hillock, and watched this strange incredible company of blind things groping to and fro, and making uncanny noises to each other, as the glare of the fire beat on them. The coiling uprush of smoke streamed across the sky, and through the rare tatters of that red canopy, remote as though they belonged to another universe, shone the little stars. Two or three Morlocks came blundering into me, and I drove them off with blows of my fists, trembling as I did so.
"For the most part of that night I was persuaded it was a nightmare. I bit myself and screamed in a passionate desire to awake. I beat the ground with my hands, and got up and sat down again, and wandered here and there, and again sat down. Then I would fall to rubbing my eyes and calling upon God to let me awake. Thrice I saw Morlocks put their heads down in a kind of agony and rush into the flames. But, at last, above the subsiding red of the fire, above the streaming masses of black smoke and the whitening and blackening tree stumps, and the diminishing numbers of these dim creatures, came the white light of the day.
"I searched again for traces of Weena, but there were none. It was plain that they had left her poor little body in the forest. I cannot describe how it relieved me to think that it had escaped the awful fate to which it seemed destined. As I thought of that, I was almost moved to begin a massacre of the helpless abominations about me, but I contained myself. The hilllock, as I have said, was a kind of island in the forest. From its summit I could now make out through a haze of smoke the Palace of Green Porcelain, and from that I could get my bearings for the White Sphinx. And so, leaving the remnant of these damned souls still going hither and thither and moaning, as the day grew clearer, I tied some grass about my feet and limped on across smoking ashes and among black stems, that still pulsated internally with fire, towards the hiding-place of the Time Machine. I walked slowly, for I was almost exhausted, as well as lame, and I felt the intensest wretchedness for the horrible death of little Weena.1 It seemed an overwhelming calamity. Now, in this old familiar room, it is more like the sorrow of a dream than an actual loss. But that morning it left me absolutely lonely again---terribly alone. I began to think of this house of mine, of this fireside, of some of you, and with such thoughts came a longing that was pain.
"But, as I walked over the smoking ashes under the bright morning sky, I made a discovery. In my trouser pocket were still some loose matches. The box must have leaked before it was lost.
X
"ABOUT EIGHT OR NINE in the morning I came to the same seat of yellow metal from which I had viewed the world upon the evening of my arrival. I thought of my hasty conclusions upon the evening and could not refrain from laughing bitterly at my confidence. Here was the same beautiful scene, the same abundant foliage, the same splendid palaces and magnificent ruins, the same silver river running between its fertile banks. The gay robes of the beautiful people moved hither and thither among the trees. Some were bathing in exactly the place where I had saved Weena, and that suddenly gave me a keen stab of pain. And like blots upon the landscape rose the cupolasdb above the ways to the Underworld. I understood now what all the beauty of the Over-world people covered. Very pleasant was their day, as pleasant as the day of the cattle in the field. Like the cattle, they knew of no enemies and provided against no needs. And their end was the same.1
"I grieved to think how brief the dream of the human intellect had been. It had committed suicide. It had set itself steadfastly towards comfort and ease, a balanced society with security and permanency as its watchword, it had attained its hopes---to come to this at last. Once, life and property must have reached almost absolute safety. The rich had been assured of his wealth and comfort, the toiler assured of his life and work. No doubt in that perfect world there had been no unemployed problem, no social question left unsolved. And a great quiet had followed.
"It is a law of nature we overlook, that intellectual versatility is the compensation for change, danger, and trouble. An animal perfectly in harmony with its environment is a perfect mechanism. Nature never appeals to intelligence until habit and instinct are useless. There is no intelligence where there is no change and no need of change. Only those animals partake of intelligence that have to meet a huge variety of needs and dangers.
"So, as I see it, the Upperworld man had drifted towards his feeble prettiness, and the Underworld to mere mechanical industry. But that perfect state had lacked one thing even for mechanical perfection---absolute permanency. Apparently as time went on, the feeding of the Underworld, however it was effected, had become disjointed. Mother Necessity, who had been staved off for a few thousand years, came back again, and she began below. The Underworld being in contact with machinery, which, however perfect, still needs some little thought outside habit, had probably retained perforce rather more initiative, if less of every other human character, than the Upper. And when other meat failed them, they turned to what old habit had hitherto forbidden. So I say I saw it in my last view of the world of Eight Hundred and Two Thousand Seven Hundred and One. It may be as wrong an explanation as mortal wit could invent. It is how the thing shaped itself to me, and as that I give it to you.
"After the fatigues, excitements, and terrors of the past days, and in spite of my grief, this seat and the tranquil view and the warm sunlight were very pleasant. I was very tired and sleepy, and soon my theorizing passed into dozing. Catching myself at that, I took my own hint, and spreading myself out upon the turf I had a long and refreshing sleep.
"I awoke a little before sunsetting. I now felt safe against being caught napping by the Morlocks, and, stretching myself, I came on down the hill towards the White Sphinx. I had my crowbar in one hand, and the other hand played with the matches in my pocket.
"And now came a most unexpected thing. As I approached the pedestal of the sphinx I found the bronze valves were open. They had slid down into grooves.
"At that I stopped short before them, hesitating to enter.
"Within was a small apartment, and on a raised place in the corner of this was the Time Machine. I had the small levers in my pocket. So here, after all my elaborate preparations for the siege of the White Sphinx, was a meek surrender. I threw my iron bar away, almost sorry not to use it.
"A sudden thought came into my head as I stooped towards the portal. For once, at least, I grasped the mental operations of the Morlocks. Suppressing a strong inclination to laugh, I stepped through the bronze frame and up to the Time Machine. I was surprised to find it had been carefully oiled and cleaned. I have suspected since that the Morlocks had even partially taken it to pieces while trying in their dim way to grasp its purpose.
"Now as I stood and examined it, finding a pleasure in the mere touch of the contrivance, the thing I had expected happened. The bronze panels suddenly slid up and struck the frame with a clang. I was in the dark---trapped. So the Morlocks thought. At that I chuckled gleefully.
"I could already hear their murmuring laughter as they came towards me. Very calmly I tried to strike the match. I had only to fix on the levers and depart then like a ghost. But I had overlooked one little thing. The matches were of that abominable kind that light only on the box.
"You may imagine how all my calm vanished. The little brutes were close upon me. One touched me. I made a sweeping blow in the dark at them with the levers, and began to scramble into the saddle of the machine. Then came one hand upon me and then another. Then I had simply to fight against their persistent fingers for my levers, and at the same time feel for the studs over which these fitted. One, indeed, they almost got away from me. As it slipped from my hand, I had to butt in the dark with my head---I could hear the Morlock's skull ring---to recover it. It was a nearer thing than the fight in the forest, I think, this last scramble.
"But at last the lever was fixed and pulled over. The clinging hands slipped from me. The darkness presently fell from my eyes. I found myself in the same grey light and tumult I have already described."
XI
"I HAVE ALREADY TOLD you of the sickness and confusion that comes with time travelling. And this time I was not seated properly in the saddle, but sideways and in an unstable fashion. For an indefinite time I clung to the machine as it swayed and vibrated, quite unheeding how I went, and when I brought myself to look at the dials again I was amazed to find where I had arrived. One dial records days, and another thousands of days, another millions of days, and another thousands of millions. Now, instead of reversing the levers, I had pulled them over so as to go forward with them, and when I came to look at these indicators I found that the thousands hand was sweeping round as fast as the seconds hand of a watch---into futurity.
"As I drove on, a peculiar change crept over the appearance of things. The palpitating greyness grew darker; then---though I was still traveling with prodigious velocity---the blinking succession of day and night, which was usually indicative of a slower pace, returned, and grew more and more marked. This puzzled me very much at first. The alternations of night and day grew slower and slower, and so did the passage of the sun across the sky, until they seemed to stretch through centuries. At last a steady twilight brooded over the earth, a twilight only broken now and then when a comet glared across the darkling sky. The band of light that had indicated the sun had long since disappeared; for the sun had ceased to set---it simply rose and fell in the west, and grew ever broader and more red. All trace of the moon had vanished. The circling of the stars, growing slower and slower, had given place to creeping points of light. At last, some time before I stopped, the sun, red and very large, halted motionless upon the horizon, a vast dome glowing with a dull heat, and now and then suffering a momentary extinction. At one time it had for a little while glowed more brilliantly again, but it speedily reverted to its sullen red heat. I perceived by this slowing down of its rising and setting that the work of the tidal drag was done.1 The earth had come to rest with one face to the sun, even as in our own time the moon faces the earth. Very cautiously, for I remembered my former headlong fall, I began to reverse my motion. Slower and slower went the circling hands until the thousands one seemed motionless and the daily one was no longer a mere mist upon its scale. Still slower, until the dim outlines of a desolate beach grew visible.
"I stopped very gently and sat upon the Time Machine, looking round. The sky was no longer blue. North-eastward it was inky black, and out of the blackness shone brightly and steadily the pale white stars. Overhead it was a deep Indian red and starless, and south-eastward it grew brighter to a glowing scarlet where, cut by the horizon, lay the huge hull of the sun, red and motionless. The rocks about me were of a harsh reddish colour, and all the trace of life that I could see at first was the intensely green vegetation that covered every projecting point on their south-eastern face. It was the same rich green that one sees on forest moss or on the lichen in caves: plants which like these grow in a perpetual twilight.
"The machine was standing on a sloping beach. The sea stretched away to the south-west, to rise into a sharp bright horizon against the wan sky. There were no breakers and no waves, for not a breath of wind was stirring. Only a slight oily swell rose and fell like a gentle breathing, and showed that the eternal sea was still moving and living. And along the margin where the water sometimes broke was a thick incrustation of salt---pink under the luriddc sky. There was a sense of oppression in my head, and I noticed that I was breathing very fast. The sensation reminded me of my only experience of mountaineering, and from that I judged the air to be more rarefied than it is now.
"Far away up the desolate slope I heard a harsh scream, and saw a thing like a huge white butterfly go slanting and fluttering up into the sky and, circling, disappear over some low hillocks beyond. The sound of its voice was so dismal that I shivered and seated myself more firmly upon the machine. Looking round me again, I saw that, quite near, what I had taken to be a reddish mass of rock was moving slowly towards me. Then I saw the thing was really a monstrous crab-like creature. Can you imagine a crab as large as yonder table, with its many legs moving slowly and uncertainly, its big claws swaying, its long antennae, like carters'whips, waving and feeling, and its stalked eyes gleaming at you on either side of its metallic front? Its back was corrugated and ornamented with ungainly bosses,dd and a greenish incrustation blotched it here and there. I could see the many palpsde of its complicated mouth flickering and feeling as it moved.
"As I stared at this sinister apparition crawling towards me, I felt a tickling on my cheek as though a fly had lighted there. I tried to brush it away with my hand, but in a moment it returned, and almost immediately came another by my ear. I struck at this, and caught something threadlike. It was drawn swiftly out of my hand. With a frightful qualm, I turned, and I saw that I had grasped the antenna of another monster crab that stood just behind me. Its evil eyes were wriggling on their stalks, its mouth was all alive with appetite, and its vast ungainly claws, smeared with an algal slime, were descending upon me. In a moment my hand was on the lever, and I had placed a month between myself and these monsters. But I was still on the same beach, and I saw them distinctly now as soon as I stopped. Dozens of them seemed to be crawling here and there, in the sombre light, among the foliated sheets of intense green.
"I cannot convey the sense of abominable desolation that hung over the world. The red eastern sky, the northward blackness, the salt Dead Sea, the stony beach crawling with these foul, slow-stirring monsters, the uniform poisonous-looking green of the lichenous plants, the thin air that hurts one's lungs: all contributed to an appalling effect. I moved on a hundred years, and there was the same red sun---a little larger, a little duller---the same dying sea, the same chill air, and the same crowd of earthy crustacea creeping in and out among the green weed and the red rocks. And in the westward sky, I saw a curved pale line like a vast new moon.
"So I travelled, stopping ever and again, in great strides of a thousand years or more, drawn on by the mystery of the earth's fate, watching with a strange fascination the sun grow larger and duller in the westward sky, and the life of the old earth ebb away. At last, more than thirty million years hence, the huge red-hot dome of the sun had come to obscure nearly a tenth part of the darkling heavens. Then I stopped once more, for the crawling multitude of crabs had disappeared, and the red beach, save for its livid green liverworts and lichens, seemed lifeless. And now it was flecked with white. A bitter cold assailed me. Rare white flakes ever and again came eddying down. To the north-eastward, the glare of snow lay under the starlight of the sable sky and I could see an undulating crest of hillocks pinkish white. There were fringes of ice along the sea margin, with drifting masses further out; but the main expanse of that salt ocean, all bloody under the eternal sunset, was still unfrozen.
"I looked about me to see if any traces of animal life remained. A certain indefinable apprehension still kept me in the saddle of the machine. But I saw nothing moving, in earth or sky or sea. The green slime on the rocks alone testified that life was not extinct. A shallow sandbank had appeared in the sea and the water had receded from the beach. I fancied I saw some black object flopping about upon this bank, but it became motionless as I looked at it, and I judged that my eye had been deceived, and that the black object was merely a rock. The stars in the sky were intensely bright and seemed to me to twinkle very little.
"Suddenly I noticed that the circular westward outline of the sun had changed; that a concavity, a bay, had appeared in the curve. I saw this grow larger. For a minute perhaps I stared aghast at this blackness that was creeping over the day, and then I realized that an eclipse was beginning. Either the moon or the planet Mercury was passing across the sun's disk. Naturally, at first I took it to be the moon, but there is much to incline me to believe that what I really saw was the transit of an inner planet passing very near to the earth.
"The darkness grew apace; a cold wind began to blow in freshening gusts from the east, and the showering white flakes in the air increased in number. From the edge of the sea came a ripple and whisper. Beyond these lifeless sounds the world was silent. Silent? It would be hard to convey the stillness of it. All the sounds of man, the bleating of sheep, the cries of birds, the hum of insects, the stir that makes the background of our lives---all that was over. As the darkness thickened, the eddying flakes grew more abundant, dancing before my eyes; and the cold of the air more intense. At last, one by one, swiftly, one after the other, the white peaks of the distant hills vanished into blackness. The breeze rose to a moaning wind. I saw the black central shadow of the eclipse sweeping towards me. In another moment the pale stars alone were visible. All else was raylessdf obscurity. The sky was absolutely black.
"A horror of this great darkness came on me. The cold, that smote to my marrow, and the pain I felt in breathing, overcame me. I shivered, and a deadly nausea seized me. Then like a red-hot bow in the sky appeared the edge of the sun. I got off the machine to recover myself. I felt giddy and incapable of facing the return journey. As I stood sick and confused I saw again the moving thing upon the shoaldg---there was no mistake now that it was a moving thing---against the red water of the sea. It was a round thing, the size of a footballdh perhaps, or, it may be, bigger, and tentacles trailed down from it; it seemed black against the weltering blood-red water, and it was hopping fitfully about. Then I felt I was fainting. But a terrible dread of lying helpless in that remote and awful twilight sustained me while I clambered upon the saddle.
XII
"So I CAME BACK. For a long time I must have been insensible upon the machine. The blinking succession of the days and nights was resumed, the sun got golden again, the sky blue. I breathed with greater freedom. The fluctuating contours of the land ebbed and flowed. The hands spun backward upon the dials. At last I saw again the dim shadows of houses, the evidences of decadent humanity. These, too, changed and passed, and others came. Presently, when the million dial was at zero. I slackened speed. I began to recognize our own petty and familiar architecture, the thousands hand ran back to the starting-point, the night and day flapped slower and slower. Then the old walls of the laboratory came round me. Very gently, now, I slowed the mechanism down.
"I saw one little thing that seemed odd to me. I think I have told you that when I set out, before my velocity became very high, Mrs. Watchett had walked across the room, travelling, as it seemed to me, like a rocket. As I returned, I passed again across that minute when she traversed the laboratory. But now her every motion appeared to be the exact inversion of her previous ones. The door at the lower end opened, and she glided quietly up the laboratory, back foremost, and disappeared behind the door by which she had previously entered. Just before that I seemed to see Hillyerdi for a moment; but he passed like a flash.
"Then I stopped the machine, and saw about me again the old familiar laboratory, my tools, my appliances just as I had left them. I got off the thing very shakily, and sat down upon my bench. For several minutes I trembled violently. Then I became calmer. Around me was my old workshop again, exactly as it had been. I might have slept there, and the whole thing have been a dream.
"And yet, not exactly! The thing had started from the south-east corner of the laboratory. It had come to rest again in the north-west, against the wall where you saw it. That gives you the exact distance from my little lawn to the pedestal of the White Sphinx, into which the Morlocks had carried my machine.
"For a time my brain went stagnant. Presently I got up and came through the passage here, limping, because my heel was still painful, and feeling sorely begrimed. I saw the Pall Mall Gazettedj on the table by the door. I found the date was indeed to-day, and looking at the timepiece, saw the hour was almost eight o'clock. I heard your voices and the clatter of plates. I hesitated---I felt so sick and weak. Then I sniffed good wholesome meat, and opened the door on you. You know the rest. I washed, and dined, and now I am telling you the story.
"I know," he said, after a pause, "that all this will be absolutely incredible to you. To me the one incredible thing is that I am here to-night in this old familiar room looking into your friendly faces and telling you these strange adventures."
He looked at the Medical Man. "No. I cannot expect you to believe it. Take it as a lie---or a prophecy. Say I dreamed it in the workshop. Consider I have been speculating upon the destinies of our race until I have hatched this fiction. Treat my assertion of its truth as a mere stroke of art to enhance its interest. And taking it as a story, what do you think of it?"
He took up his pipe, and began, in his old accustomed manner, to tap with it nervously upon the bars of the grate. There was a momentary stillness. Then chairs began to creak and shoes to scrape upon the carpet. I took my eyes off the Time Traveller's face, and looked round at his audience. They were in the dark, and little spots of colour swam before them. The Medical Man seemed absorbed in the contemplation of our host. The Editor was looking hard at the end of his cigar---the sixth. The Journalist fumbled for his watch. The others, as far as I remember, were motionless.
The Editor stood up with a sigh. "What a pity it is you're not a writer of stories!" he said, putting his hand on the Time Traveller's shoulder.
"You don't believe it?"
"Well---"
"I thought not."
The Time Traveller turned to us. "Where are the matches?" he said. He lit one and spoke over his pipe, puffing. "To tell you the truth ... I hardly believe it myself.... And yet..."
His eyes fell with a mute inquiry upon the withered white flowers upon the little table. Then he turned over the hand holding his pipe, and I saw he was looking at some half-healed scars on his knuckles.
The Medical Man rose, came to the lamp, and examined the flowers. "The gynaeceum'sdk odd," he said. The Psychologist leant forward to see, holding out his hand for a specimen.
"I'm hanged if it isn't a quarter to one," said the Journalist. "How shall we get home?"
"Plenty of cabs at the station," said the Psychologist.
"It's a curious thing," said the Medical Man; "but I certainly don't know the natural order of these flowers. May I have them?"
The Time Traveller hesitated. Then suddenly: "Certainly not."
"Where did you really get them?" said the Medical Man.
The Time Traveller put his hand to his head. He spoke like one who was trying to keep hold of an idea that eluded him. "They were put into my pocket by Weena, when I travelled into Time." He stared round the room. "I'm damned if it isn't all going. This room and you and the atmosphere of every day is too much for my memory. Did I ever make a Time Machine, or a model of a Time Machine? Or is it all only a dream? They say life is a dream, a precious poor dream at times---but I can't stand another that won't fit. It's madness. And where did the dream come from? ... I must look at that machine. If there is one!"
He caught up the lamp swiftly, and carried it, flaring red, through the door into the corridor. We followed him. There in the flickering light of the lamp was the machine sure enough, squat, ugly, and askew; a thing of brass, ebony, ivory, and translucent glimmering quartz. Solid to the touch---for I put out my hand and felt the rail of it---and with brown spots and smears upon the ivory, and bits of grass and moss upon the lower parts, and one rail bent awry.
The Time Traveller put the lamp down on the bench, and ran his hand along the damaged rail. "It's all right now," he said. "The story I told you was true. I'm sorry to have brought you out here in the cold." He took up the lamp, and, in an absolute silence, we returned to the smoking-room.
He came into the hall with us and helped the Editor on with his coat. The Medical Man looked into his face and, with a certain hesitation, told him he was suffering from overwork, at which he laughed hugely. I remember him standing in the open doorway, bawling good night.
I shared a cab with the Editor. He thought the tale a "gaudy lie." For my own part I was unable to come to a conclusion. The story was so fantastic and incredible, the telling so credible and sober. I lay awake most of the night thinking about it. I determined to go next day and see the Time Traveller again. I was told he was in the laboratory, and being on easy terms in the house, I went up to him. The laboratory, however, was empty. I stared for a minute at the Time Machine and put out my hand and touched the lever. At that the squat substantial-looking mass swayed like a bough shaken by the wind. Its instability startled me extremely, and I had a queer reminiscence of the childish days when I used to be forbidden to meddle. I came back through the corridor. The Time Traveller met me in the smoking-room. He was coming from the house. He had a small camera under one arm and a knapsack under the other. He laughed when he saw me, and gave me an elbow to shake. "I'm frightfully busy," said he, "with that thing in there."
"But is it not some hoax?" I said. "Do you really travel through time?"
"Really and truly I do." And he looked frankly into my eyes. He hesitated. His eyes wandered about the room. "I only want half an hour," he said. "I know why you came, and it's awfully good of you. There's some magazines here. If you'll stop to lunch I'll prove you this time travelling up to the hilt, specimen and all. If you'll forgive my leaving you now?"
I consented, hardly comprehending then the full import of his words, and he nodded and went on down the corridor. I heard the door of the laboratory slam, seated myself in a chair, and took up a daily paper. What was he going to do before lunch-time? Then suddenly I was reminded by an advertisement that I had promised to meet Richardson, the publisher, at two. I looked at my watch, and saw that I could barely save that engagement.dl I got up and went down the passage to tell the Time Traveller.
As I took hold of the handle of the door I heard an exclamation, oddly truncanted at the end, and a click and a thud. A gust of air whirled round me as I opened the door, and from within came the sound of broken glass falling on the floor. The Time Traveller was not there. I seemed to see a ghostly, indistinct figure sitting in a whirling mass of black and brass for a moment1---a figure so transparent that the bench behind with its sheets of drawings was absolutely distinct; but this phantasm vanished as I rubbed my eyes. The Time Machine had gone. Save for a subsiding stir of dust, the further end of the laboratory was empty. A pane of the skylight had, apparently, just been blown in.
I felt an unreasonable amazement. I knew that something strange had happened, and for the moment could not distinguish what the strange thing might be. As I stood staring, the door into the garden opened, and the man-servant appeared.
We looked at each other. Then ideas began to come. "Has Mr.---gone out that way?" said I.
"No, sir. No one has come out this way. I was expecting to find him here."
At that I understood. At the risk of disappointing Richardson I stayed on, waiting for the Time Traveller; waiting for the second, perhaps still stranger story, and the specimens and photographs he would bring with him. But I am beginning now to fear that I must wait a lifetime. The Time Traveller vanished three years ago. And, as everybody knows now, he has never returned.
ONE CANNOT CHOOSE BUT wonder. Will he ever return? It may be that he swept back into the past,1 and fell among the blood-drinking, hairy savages of the Age of Unpolished Stone; into the abysses of the Cretaceous Sea; or among the grotesque saurians, the huge reptilian brutes of the Jurassic times. He may even now---if I may use the phrase---be wandering on some plesiosaurus-haunted Oolitic coral reef, or beside the lonely saline lakes of the Triassic Age. Or did he go forward, into one of the nearer ages, in which men are still men, but with the riddles of our own time answered and its wearisome problems solved? Into the manhood of the race: for I, for my own part, cannot think that these latter days of weak experiment, fragmentary theory, and mutual discord are indeed man's culminating time! I say, for my own part. He, I know---for the question had been discussed among us long before the Time Machine was made---thought but cheerlessly of the Advancement of Mankind, and saw in the growing pile of civilization only a foolish heaping that must inevitably fall back upon and destroy its makers in the end. If that is so, it remains for us to live as though it were not so. But to me the future is still black and blank---is a vast ignorance, lit at a few casualdm places by the memory of his story. And I have by me, for my comfort, two strange white flowers---shrivelled now, and brown and flat and brittle---to witness that even when mind and strength had gone, gratitude and a mutual tenderness2 still lived on in the heart of man.
The Invisible Man
A GROTESQUE ROMANCE1
I
The Strange Man's Arrival
THE STRANGER1 CAME EARLY in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the downdn walking as it seemed from Bramblehurst2 railway station, and carrying a little black portmanteau in his thickly gloved hand. He was wrapped up from head to foot, and the brim of his soft felt hat hid every inch of his face but the shiny tip of his nose; the snow had piled itself against his shoulders and chest, and added a white crest to the burden he carried. He staggered into the Coach and Horses,3 more dead than alive as it seemed, and flung his portmanteau down. "A fire," he cried, "in the name of human charity! A room and a fire!" He stamped and shook the snow from off himself in the bar, and followed Mrs. Hall into her guest parlourdo to strike his bargain. And with that much introduction, that and a ready acquiescence to terms and a couple of sovereignsdp flung upon the table, he took up his quarters in the inn.
Mrs. Hall lit the fire and left him there while she went to prepare him a meal with her own hands. A guest to stop at Iping in the winter-time was an unheard-of piece of luck, let alone a guest who was no "haggler," and she was resolved to show herself worthy of her good fortune. As soon as the bacon was well under way, and Millie, her lymphatic dq aid, had been brisked up a bit by a few deftly chosen expressions of contempt, she carried the cloth, plates, and glasses into the parlour and began to lay them with the utmost éclat.dr Although the fire was burning up briskly, she was surprised to see that her visitor still wore his hat and coat, standing with his back to her and staring out of the window at the falling snow in the yard. His gloved hands were clasped behind him, and he seemed to be lost in thought. She noticed that the melted snow that still sprinkled his shoulders dropped upon her carpet. "Can I take your hat and coat, sir," she said, "and give them a good dry in the kitchen?"
"No," he said without turning.
She was not sure she had heard him, and was about to repeat her question.
He turned his head and looked at her over his shoulder. "I prefer to keep them on," he said with emphasis, and she noticed that he wore big blue spectacles with side-lights,ds and had a bushy side-whisker over his coatcollar that completely hid his cheeks and face.
"Very well, sir," she said. "As you like. In a bit the room will be warmer."
He made no answer, and had turned his face away from her again, and Mrs. Hall, feeling that her conversational advances were ill-timed, laid the rest of the table things in a quick staccato and whisked out of the room. When she returned he was still standing there, like a man of stone, his back hunched, his collar turned up, his dripping hat-brim turned down, hiding his face and ears completely. She put down the eggs and bacon with considerable emphasis, and called rather than said to him, "Your lunch is served, sir."
"Thank you," he said at the same time, and did not stir until she was closing the door. Then he swung round and approached the table with a certain eager quickness.
As she went behind the bar to the kitchen she heard a sound repeated at regular intervals. Chirk, chirk, chirk, it went, the sound of a spoon being rapidly whisked round a basin. "That girl!" she said. "There! I clean forgot it. It's her being so long!" And while she herself finished mixing the mustard, she gave Millie a few verbal stabs for her excessive slowness. She had cooked the ham and eggs, laid the table, and done everything, while Millie (help indeed!) had only succeeded in delaying the mustard. And him a new guest and wanting to stay! Then she filled the mustard pot, and, putting it with a certain stateliness upon a gold and black tea-tray, carried it into the parlour.
She rapped and entered promptly. As she did so her visitor moved quickly, so that she got but a glimpse of a white object disappearing behind the table. It would seem he was picking something from the floor. She rapped down the mustard pot on the table, and then she noticed the overcoat and hat had been taken off and put over a chair in front of the fire, and a pair of wet boots threatened rust to her steel fender.dt She went to these things resolutely. "I suppose I may have them to dry now," she said in a voice that brooked no denial.
"Leave the hat," said her visitor, in a muffled voice, and turning she saw he had raised his head and was sitting and looking at her.
For a moment she stood gaping at him, too surprised to speak.
He held a white cloth---it was a serviettedu he had brought with him---over the lower part of his face, so that his mouth and jaws were completely hidden, and that was the reason for his muffled voice. But it was not that which startled Mrs. Hall. It was the fact that all his forehead above his blue glasses was covered by a white bandage, and that another covered his ears, leaving not a scrap of his face exposed excepting only his pink, peaked nose. It was bright, pink, and shiny just as it had been at first. He wore a dark-brown velvet jacket with a high, black, linen-lined collar turned up about his neck. The thick black hair, escaping as it could below and between the cross bandages, projected in curious tails and horns, giving him the strangest appearance conceivable. This muffled and bandaged head was so unlike what she had anticipated, that for a moment she was rigid.
He did not remove the serviette, but remained holding it, as she saw now, with a brown gloved hand, and regarding her with his inscrutable blue glasses. "Leave the hat," he said, speaking very distinctly through the white cloth.
Her nerves began to recover from the shock they had received. She placed the hat on the chair again by the fire. "I didn't know, sir," she began, "that---" and she stopped embarrassed.
"Thank you," he said drily, glancing from her to the door and then at her again.
"I'll have them nicely dried, sir, at once," she said, and carried his clothes out of the room. She glanced at his white-swathed head and blue goggles again as she was going out the door; but his napkin was still in front of his face. She shivered a little as she closed the door behind her, and her face was eloquent of her surprise and perplexity. "I never," she whispered. "There!" She went quite softly to the kitchen, and was too preoccupied to ask Millie what she was messing about with now, when she got there.
The visitor sat and listened to her retreating feet. He glanced inquiringly at the window before he removed his serviette, and resumed his meal. He took a mouthful, glanced suspiciously at the window, took another mouthful, then rose and, taking the serviette in his hand, walked across the room and pulled the blinddv down to the top of the white muslin that obscured the lower panes. This left the room in a twilight. This done, he returned with an easier air to the table and his meal.
"The poor soul's had an accident or an operation or something," said Mrs. Hall. "What a turn them bandages did give me, to be sure!"
She put on some more coal, unfolded the clothes-horse,dw and extended the traveller's coat upon this. "And them goggles! Why, he looked more like a divin'-helmet than a human man!" She hung his muffler on a corner of the horse. "And holding that handkercher over his mouth all the time. Talkin' through it! ... Perhaps his mouth was hurt too---maybe."
She turned round, as one who suddenly remembers. "Bless my soul alive!" she said, going off at a tangent; "ain't you done them tatersdx yet, Millie?"
When Mrs. Hall went to clear away the stranger's lunch, her idea that his mouth must also have been cut or disfigured in the accident she supposed him to have suffered, was confirmed, for he was smoking a pipe, and all the time that she was in the room he never loosened the silk muffler he had wrapped round the lower part of his face to put the mouthpiece to his lips. Yet it was not forgetfulness, for she saw he glanced at it as it smouldered out. He sat in the corner with his back to the window-blind and spoke now, having eaten and drunk and been comfortably warmed through, with less aggressive brevity than before. The reflection of the fire lent a kind of red animation to his big spectacles they had lacked hitherto.
"I have some luggage," he said, "at Bramblehurst station," and he asked her how he could have it sent. He bowed his bandaged head quite politely in acknowledgment of her explanation. "To-morrow!" he said. "There is no speedier delivery?" and seemed quite disappointed when she answered, "No." Was she quite sure? No man with a trapdy who would go over?
Mrs. Hall, nothing loath, answered his questions and developed a conversation. "It's a steep road by the down, sir," she said in answer to the question about a trap; and then, snatching at an opening, said. "It was there a carriage was up-settled, a year ago and more. A gentleman killed, besides his coachman. Accidents, sir, happens in a moment, don't they?"
But the visitor was not to be drawn so easily. "They do," he said through his muffler, eyeing her quietly through his impenetrable glasses.
"But they take long enough to get well, sir, don't they? ... There was my sister's son, Tom, jest cut his arm with a scythe, tumbled on it in the 'ayfield, and bless me! he was three months tied up, sir. You'd hardly believe it. It's regular given me a dread of a scythe, sir."
"I can quite understand that," said the visitor.
"He was afraid, one time, that he'd have to have an op'ration---he was that bad, sir."
The visitor laughed abruptly, a bark of a laugh that he seemed to bite and kill in his mouth. "Was he?" he said.
"He was, sir. And no laughing matter to them as had the doing for him,dz as I had---my sister being took up with her little ones so much. There was bandages to do, sir, and bandages to undo. So that if I may make so bold as to say it, sir---"
"Will you get me some matches?" said the visitor, quite abruptly. "My pipe is out."
Mrs. Hall was pulled up suddenly. It was certainly rude of him, after telling him all she had done. She gasped at him for a moment, and remembered the two sovereigns. She went for the matches.
"Thanks," he said concisely, as she put them down, and turned his shoulder upon her and stared out of the window again. It was altogether too discouraging. Evidently he was sensitive on the topic of operations and bandages. She did not "make so bold as to say," however, after all. But his snubbing way had irritated her, and Millie had a hot time of it that afternoon.
The visitor remained in the parlour until four o'clock, without giving the ghost of an excuse for an intrusion. For the most part he was quite still during that time; it would seem he sat in the growing darkness smoking in the firelight, perhaps dozing.
Once or twice a curious listener might have heard him at the coals, and for the space of five minutes he was audible pacing the room. He seemed to be talking to himself. Then the armchair creaked as he sat down again.
II
Mr. Teddy Henfrey's First Impressions
AT FOUR O'CLOCK, WHEN it was fairly dark and Mrs. Hall was screwing up her courage to go in and ask her visitor if he would take some tea,ea Teddy Henfrey, the clock-jobber,eb came into the bar. "My sakes! Mrs. Hall," said he, "but this is terrible weather for thin boots!" The snow outside was falling faster.
Mrs. Hall agreed with him, and then noticed he had his bag, and hit upon a brilliant idea. "Now you're here, Mr. Teddy," said she, "I'd be glad if you'd give th' old clock in the parlour a bit of a look. 'T is going, and it strikes well and hearty; but the hour-hand won't do nuthin'but point at six."
And leading the way, she went across to the parlour door and rapped and entered.
Her visitor, she saw as she opened the door, was seated in the arm chair before the fire, dozing it would seem, with his bandaged head drooping on one side. The only light in the room was the red glow from the fire---which lit his eyes like adverse railway signals,ec but left his downcast face in darkness---and the scanty vestiges of the day that came in through the open door. Everything was ruddy, shadowy, and indistinct to her, the more so since she had just been lighting the bar lamp, and her eyes were drazzled. But for a second it seemed to her that the man she looked at had an enormous mouth wide open,---a vast and incredible mouth that swallowed the whole of the lower portion of his face. It was the sensation of a moment: the white-bound head, the monstrous goggle eyes, and this huge yawn below it. Then he stirred, started up in his chair, put up his hand. She opened the door wide, so that the room was lighter, and she saw him more clearly, with the muffler held to his face just as she had seen him hold the serviette before. The shadows, she fancied, had tricked her.
"Would you mind, sir, this man a-coming to look at the clock, sir?" she said, recovering from her momentary shock.
"Look at the clock?" he said, staring round in a drowsy manner, and speaking over his hand, and then, getting more fully awake, "certainly."
Mrs. Hall went away to get a lamp, and he rose and stretched himself. Then came the light, and Mr. Teddy Henfrey, entering, was confronted by this bandaged person. He was, he says, "taken aback."
"Good-afternoon," said the stranger, regarding him, as Mr. Henfrey says, with a vivid sense of the dark spectacles, "like a lobster."
"I hope," said Mr. Henfrey, "that it's no intrusion."
"None whatever," said the stranger. "Though, I understand," he said, turning to Mrs. Hall, "that this room is really to be mine for my own private use."
"I thought, sir," said Mrs. Hall, "you'd prefer the clock---" She was going to say "mended."
"Certainly," said the stranger, "certainly---but, as a rule, I like to be alone and undisturbed.
"But I'm really glad to have the clock seen to," he said, seeing a certain hesitation in Mr. Henfrey's manner. "Very glad." Mr. Henfrey had intended to apologise and withdraw, but this anticipation reassured him. The stranger stood round with his back to the fireplace and put his hands behind his back. "And presently," he said, "when the clock-mending is over, I think I should like to have some tea. But not till the clock-mending is over."
Mrs. Hall was about to leave the room,---she made no conversational advances this time, because she did not want to be snubbed in front of Mr. Henfrey,---when her visitor asked her if she had made any arrangements about his boxes at Bramblehurst. She told him she had mentioned the matter to the postman, and that the carrier could bring them over on the morrow. "You are certain that is the earliest?" he said.
She was certain, with a marked coldness.
"I should explain," he added, "what I was really too cold and fatigued to do before, that I am an experimental investigator."ed
"Indeed, sir," said Mrs. Hall, much impressed.
"And my baggage contains apparatus and appliances."
"Very useful things, indeed, they are, sir," said Mrs. Hall.
"And I'm naturally anxious to get on with my inquiries."ee
"Of course, sir."
"My reason for coming to Iping," he proceeded, with a certain deliberation of manner, "was---a desire for solitude. I do not wish to be disturbed in my work. In addition to my work, an accident---"
"I thought as much," said Mrs. Hall to herself.
"---necessitates a certain retirement. My eyes---are sometimes so weak and painful that I have to shut myself up in the dark for hours together. Lock myself up. Sometimes---now and then. Not at present, certainly. At such times the slightest disturbance, the entry of a stranger into the room, is a source of excruciating annoyance to me---it is well these things should be understood."
"Certainly, sir," said Mrs. Hall. "And if I might make so bold as to ask---"
"That, I think, is all," said the stranger, with that quietly irresistible air of finality he could assume at will. Mrs. Hall reserved her question and sympathy for a better occasion.
After Mrs. Hall had left the room, he remained standing in front of the fire, glaring, so Mr. Henfrey puts it, at the clock-mending. Mr. Henfrey not only took off the hands of the clock, and the face, but extracted the works; and he tried to work in as slow and quiet and unassuming a manner as possible. He worked with the lamp close to him, and the green shade threw a brilliant light upon his hands, and upon the frame and wheels, and left the rest of the room shadowy. When he looked up, coloured patches swam in his eyes. Being constitutionally of a curious nature, he had removed the works---a quite unnecessary proceeding---with the idea of delaying his departure and perhaps falling into conversation with the stranger. But the stranger stood there, perfectly silent and still. So still, it got on Henfrey's nerves. He felt alone in the room and looked up, and there, grey and dim, were the bandaged head and huge blue lenses staring fixedly, with a mist of green spots drifting in front of them. It was so uncanny-looking to Henfrey that for a minute they remained staring blankly at one another. Then Henfrey looked down again. Very uncomfortable position! One would like to say something. Should he remark that the weather was very cold for the time of year?
He looked up as if to take aim with that introductory shot. "The weather"---he began.
"Why don't you finish and go?" said the rigid figure, evidently in a state of painfully suppressed rage. "All you've got to do is to fix the hour-hand on its axle. You're simply hum-buggingef---"
"Certainly, sir---one minute more, sir. I overlooked---" And Mr. Henfrey finished and went.
But he went off feeling excessively annoyed. "Damn it!" said Mr. Henfrey to himself, trudging down the village through the thawing snow; "a man must do a clock at times, sure lie."eg
And again: "Can't a man look at you?---Ugly!"
And yet again: "Seemingly not. If the police was wanting you you couldn't be more wropped and bandaged."
At Gleeson's corner he saw Hall, who had recently married the stranger's hostess at the Coach and Horses, and who now drove the Iping conveyance, when occasional people required it, to Sidderbridge Junction, coming towards him on his return from that place. Hall had evidently been "stopping a bit"eh at Sidderbridge, to judge by his driving. "'Ow do, Teddy?" he said, passing.
"You got a rum unei up home!" said Teddy.
Hall very sociably pulled up. "What's that?" he asked.
"Rum-looking customer stopping at the Coach and Horses," said Teddy. "My sakes!"
And he proceeded to give Hall a vivid description of his grotesque guest. "Looks a bit like a disguise, don't it? I'd like to see a man's face if I had him stopping in my place," said Henfrey. "But women are that trustful, ---where strangers are concerned. He's took your rooms and he ain't even given a name, Hall."
"You don't say so!" said Hall, who was a man of sluggish apprehension.
"Yes," said Teddy. "By the week. Whatever he is, you can't get rid of him under the week. And he's got a lot of luggage coming to-morrow, so he says. Let's hope it won't be stones in boxes, Hall."
He told Hall how his aunt at Hastings had been swindled by a stranger with empty portmanteaux. Altogether he left Hall vaguely suspicious. "Get up, old girl," said Hall. "I s'pose I must see 'bout this."
Teddy trudged on his way with his mind considerably relieved.
Instead of "seeing 'bout it," however, Hall on his return was severely ratedej by his wife on the length of time he had spent in Sidderbridge, and his mild inquiries were answered snappishly and in a manner not to the point. But the seed of suspicion Teddy had sown germinated in the mind of Mr. Hall in spite of these discouragements. "You wim'ek don't know everything," said Mr. Hall, resolved to ascertain more about the personality of his guest at the earliest possible opportunity. And after the stranger had gone to bed, which he did about half-past nine, Mr. Hall went very aggressively into the parlour and looked very hard at his wife's furniture, just to show that the stranger wasn't master there, and scrutinised closely and a little contemptuously a sheet of mathematical computation the stranger had left. When retiring for the night he instructed Mrs. Hall to look very closely at the stranger's luggage when it came next day.
"You mind your own business, Hall," said Mrs. Hall, "and I'll mind mine. "
She was all the more inclined to snap at Hall because the stranger was undoubtedly an unusually strange sort of stranger,1 and she was by no means assured about him in her own mind. In the middle of the night she woke up dreaming of huge white heads like turnips, that came trailing after her, at the end of interminable necks, and with vast black eyes. But being a sensible woman, she subdued her terrors and turned over and went to sleep again.
III
The Thousand and One Bottles1
SO IT WAS THAT on the twenty-ninth day of February,2 at the beginning of the thaw, this singular person fell out of infinity into Iping Village. Next day his luggage arrived through the slush. And very remarkable luggage it was. There were a couple of trunks indeed, such as a rational man might need, but in addition there were a box of books,---big, fat books, of which some were just in an incomprehensible handwriting,---and a dozen or more crates, boxes, and cases, containing objects packed in straw, as it seemed to Hall, tugging with a casual curiosity at the straw---glass bottles. The stranger, muffled in hat, coat, gloves, and wrapper, came out impatiently to meet Fearenside's3 cart, while Hall was having a word or so of gossip preparatory to helping bring them in. Out he came, not noticing Fearenside's dog, who was sniffing in a dilettante el spirit at Hall's legs. "Come along with those boxes," he said. "I've been waiting long enough."
And he came down the steps towards the tail of the cart as if to lay hands on the smaller crate.
No sooner had Fearenside's dog caught sight of him, however, than it began to bristle and growl savagely, and when he rushed down the steps it gave an undecided hop, and then sprang straight at his hand. "Whup!" cried Hall, jumping back, for he was no hero with dogs, and Fearenside howled, "Lie down!" and snatched his whip.
They saw the dog's teeth had slipped the hand, heard a kick, saw the dog execute a flanking jump and get home on the stranger's leg, and heard the rip of his trousering. Then the finer end of Fearenside's whip reached his property, and the dog, yelping with dismay, retreated under the wheels of the waggon. It was all the business of a swift half-minute. No one spoke, every one shouted. The stranger glanced swiftly at his torn glove and at his leg, made as if he would stoop to the latter, then turned and rushed swiftly up the steps into the inn. They heard him go headlong across the passage and up the uncarpeted stairs to his bedroom.
"You brute, you!" said Fearenside, climbing off the wagon with his whip in his hand, while the dog watched him through the wheel. "Come here!" said Fearenside---"you'd better."
Hall had stood gaping. "He wuz bit," said Hall. "I'd better go and see to en," and he trotted after the stranger. He met Mrs. Hall in the passage. "Carrier's darg," he said, "bit en."
He went straight upstairs, and the stranger's door being ajar, he pushed it open and was entering without any ceremony, being of a naturally sympathetic turn of mind.
The blind was down and the room dim. He caught a glimpse of a most singular thing, what seemed a handless arm waving towards him, and a face of three huge indeterminate spots on white, very like the face of a pale pansy. Then he was struck violently in the chest, hurled back, and the door slammed in his face and locked. It was so rapid that it gave him no time to observe. A waving of indecipherable shapes, a blow, and a concussion. There he stood on the dark little landing, wondering what it might be that he had seen.
A couple of minutes after, he rejoined the little group that had formed outside the Coach and Horses. There was Fearenside telling about it all over again for the second time; there was Mrs. Hall saying his dog didn't have no business to bite her guests; there was Huxter, the general dealer from over the road, interrogative; and Sandy Wadgers from the forge, judicial; besides women and children,---all of them saying fatuities:em "Wouldn't let en bite me, I knows;" " 'Tasn't right have such dargs;" "Whad'e bite'n for then?"en and so forth.
Mr. Hall, staring at them from the steps and listening, found it incredible that he had seen anything so very remarkable happen upstairs. Besides, his vocabulary was altogether too limited to express his impressions.
"He don't want no help, he says," he said in answer to his wife's inquiry. "We'd better be a-takin' of his luggage in."
"He ought to have it cauterisedeo at once," said Mr. Huxter; "especially if it's at all inflamed."
"I'd shoot en, that's what I'd do," said a lady in the group.
Suddenly the dog began growling again.
"Come along," cried an angry voice in the doorway, and there stood the muffled stranger with his collar turned up, and his hat-brim bent down. "The sooner you get those things in the better I'll be pleased." It is stated by an anonymous bystander that his trousers and gloves had been changed.
"Was you hurt, sir?" said Fearenside. "I'm rare sorry the darg---"
"Not a bit," said the stranger. "Never broke the skin. Hurry up with those things."
He then swore to himself, so Mr. Hall asserts.
Directly the first crate was, in accordance with his directions, carried into the parlour, the stranger flung himself upon it with extra-ordinary eagerness, and began to unpack it, scattering the straw with an utter disregard of Mrs. Hall's carpet. And from it he began to produce bottles,---little fat bottles containing powders, small and slender bottles containing coloured and white fluids, fluted blue bottles labelled Poison, bottles with round bodies and slender necks, large green-glass bottles, large white-glass bottles, bottles with glass stoppers and frosted labels, bottles with fine corks, bottles with bungs,ep bottles with wooden caps, wine bottles, salad-oil bottles,---putting them in rows on the chiffonnier, eq on the mantel, on the table under the window, round the floor, on the bookshelf,---everywhere. The chemist'ser shop in Bramblehurst could not boast half so many. Quite a sight it was. Crate after crate yielded bottles, until all six were empty and the table high with straw; the only things that came out of these crates besides the bottles were a number of test-tubes and a carefully packed balance.
And directly the crates were unpacked, the stranger went to the window and set to work, not troubling in the least about the litter of straw, the fire which had gone out, the box of books outside, nor for the trunks and other luggage that had gone upstairs.
When Mrs. Hall took his dinner in to him, he was already so absorbed in his work, pouring little drops out of the bottles into test-tubes, that he did not hear her until she had swept away the bulk of the straw and put the tray on the table, with some little emphasis perhaps, seeing the state that the floor was in. Then he half turned his head and immediately turned it away again. But she saw he had removed his glasses; they were beside him on the table, and it seemed to her that his eye sockets were extraordinarily hollow. He put on his spectacles again, and then turned and faced her. She was about to complain of the straw on the floor when he anticipated her.
"I wish you wouldn't come in without knocking," he said in the tone of abnormal exasperation that seemed so characteristic of him.
"I knocked, but seemingly---"
"Perhaps you did. But in my investigations---my really very urgent and necessary investigations---the slightest disturbance, the jar of a door---I must ask you---"
"Certainly, sir. You can turn the lock if you're like that, you know,---any time."
"A very good idea," said the stranger.
"This stror, sir, if I might make so bold as to remark---"
"Don't. If the straw makes trouble put it down in the bill." And he mumbled at her---words suspiciously like curses.
He was so odd, standing there, so aggressive and explosive, bottle in one hand and test-tube in the other, that Mrs. Hall was quite alarmed. But she was a resolute woman. "In which case, I should like to know, sir, what you consider---"
"A shilling.es Put down a shilling. Surely a shilling's enough?"
"So be it," said Mrs. Hall, taking up the tablecloth and beginning to spread it over the table. "If you're satisfied, of course---"
He turned and sat down, with his coatcollar towards her.
All the afternoon he worked with the door locked and, as Mrs. Hall testifies, for the most part in silence. But once there was a concussion and a sound of bottles ringing together as though the table had been hit, and the smash of a bottle flung violently down, and then a rapid pacing athwart the room. Fearing "something was the matter," she went to the door and listened, not caring to knock.
"I can't go on," he was raving. "I can't go on. Three hundred thousand, four hundred thousand! The huge multitude! Cheated! All my life it may take me! Patience! Patience indeed! Fool and liar!"
There was a noise of hobnailset on the bricks in the bar, and Mrs. Hall had very reluctantly to leave the rest of his soliloquy. When she returned the room was silent again, save for the faint crepitationeu of his chair and the occasional clink of a bottle. It was all over. The stranger had resumed work.
When she took in his tea she saw broken glass in the corner of the room under the concave mirror, and a golden stain that had been carelessly wiped. She called attention to it.
"Put it down in the bill," snapped her visitor. "For God's sake don't worry me. If there's damage done, put it down in the bill;" and he went on ticking a list in the exercise book before him.
"I'll tell you something," said Fearenside, mysteriously. It was late in the afternoon, and they were in the little beer-shop of Iping Hanger.
"Well?" said Teddy Henfrey.
"This chap you're speaking of, what my dog bit. Well---he's black. Leastways, his legs are. I seed through the tear of his trousers and the tear of his glove. You'd have expected a sort of pinkyev to show, wouldn't you? Well-there wasn't none. Just blackness. I tell you, he's as black as my hat."
"My sakes!" said Henfrey. "It's a rummy case altogether. Why, his nose is as pink as paint!"
"That's true," said Fearenside. "I knows that. And I tell ee what I'm thinking. That marn's a piebald,ew Teddy. Black here and white there---in patches. And he's ashamed of it. He's a kind of half-breed, and the colour's come off patchy instead of mixing. I've heard of such things before. And it's the common way with horses, as any one can see."
IV
Mr. Cuss Interviews the Stranger
I HAVE TOLD THE circumstances of the stranger's arrival1 in Iping with a certain fulness of detail, in order that the curious impression he created may be understood by the reader. But excepting two odd incidents, the circumstances of his stay until the extra-ordinary day of the Club Festival may be passed over very cursorily. There were a number of skirmishes with Mrs. Hall on matters of domestic discipline, but in every case until late in April, when the first signs of penury began, he overrode her by the easy expedientex of an extra payment. Hall did not like him, and whenever he dared he talked of the advisability of getting rid of him; but he showed his dislike chiefly by concealing it ostentatiously, and avoiding his visitor as much as possible. "Wait till the summer," said Mrs. Hall, sagely, "when the artisksey are beginning to come. Then we'll see. He may be a bit over-bearing, but bills settled punctual is bills settled punctual, whatever you like to say."
The stranger did not go to church, and indeed made no difference between Sunday and the irreligiousez days, even in costume. He worked, as Mrs. Hall thought, very fitfully. Some days he would come down early and be continuously busy. On others he would rise late, pace his room, fretting audibly for hours together, smoke, sleep in the armchair by the fire. Communication with the world beyond the village he had none. His temper continued very uncertain; for the most part his manner was that of a man suffering under almost unendurable provocation, and once or twice things were snapped, torn, crushed, or broken in spasmodic gusts of violence. He seemed under a chronic irritation of the greatest intensity. His habit of talking to himself in a low voice grew steadily upon him, but though Mrs. Hall listened conscientiously she could make neither head nor tail of what she heard.
He rarely went abroad by daylight, but at twilight he would go out muffled up invisibly,2 whether the weather were cold or not, and he chose the loneliest paths and those most over-shadowed by trees and banks. His goggling spectacles and ghastly bandaged face under the penthouse of his hat came with a disagreeable suddenness out of the darkness upon one or two home-going labourers, and Teddy Henfrey, tumbling out of the Scarlet Coat3 one night, at half-past nine, was scared shamefully by the stranger's skull-like head (he was walking hat in hand) lit by the sudden light of the opened inn door. Such children as saw him at nightfall dreamt of bogies,fa and it seemed doubtful whether he disliked boys more than they disliked him, or the reverse,---but there was certainly a vivid dislike enough on either side.
It was inevitable that a person of so remarkable an appearance and bearing should form a frequent topic in such a village as Iping. Opinion was greatly divided about his occupation. Mrs. Hall was sensitive on the point. When questioned, she explained very carefully that he was an "experimental investigator," going gingerly over the syllables as one who dreads pitfalls. When asked what an experimental investigator was, she would say with a touch of superiority that most educated people knew such things as that, and would thus explain that he "discovered things." Her visitor had had an accident, she said, which temporarily discoloured his face and hands, and being of a sensitive disposition, he was averse to any public notice of the fact.
Out of her hearing there was a view largely entertained that he was a criminal trying to escape from justice by wrapping himself up so as to conceal himself altogether from the eye of the police. This idea sprang from the brain of Mr. Teddy Henfrey. No crime of any magnitude dating from the middle or end of February was known to have occurred. Elaborated in the imagination of Mr. Gould, the probationary assistant in the National School,4 this theory took the form that the stranger was an Anarchist in disguise,5 preparing explosives, and he resolved to undertake such detective operations as his time permitted. These consisted for the most part in looking very hard at the stranger whenever they met, or in asking people who had never seen the stranger, leading questions about him. But he detected nothing.
Another school of opinion followed Mr. Fearenside, and either accepted the piebald view or some modification of it; as, for instance, Silas Durgan, who was heard to assert that "if he choses to show enself at fairs he'd make his fortune in no time," and being a bit of a theologian, compared the stranger to the man with the one talent.6 Yet another view explained the entire matter by regarding the stranger as a harmless lunatic. That had the advantage of accounting for everything straight away.
Between these main groups there were waverers and compromisers. Sussex folk have few superstitions, and it was only after the events of early April that the thought of the supernatural was first whispered in the village. Even then it was only credited among the women folks.
But whatever they thought of him, people in Iping, on the whole, agreed in disliking him. His irritability, though it might have been comprehensible to an urban brainworker,fb was an amazing thing to these quiet Sussex villagers. The frantic gesticulations they surprised now and then, the headlong pace after nightfall that swept him upon them round quiet corners, the inhuman bludgeoning of all the tentative advances of curiosity, the taste for twilight that led to the closing of doors, the pulling down of blinds, the extinction of candles and lamps,---who could agree with such goings on? They drew aside as he passed down the village, and when he had gone by, young humourists would up with coatcollars and down with hat-brims, and go pacing nervously after him in imitation of his occult bearing.fc There was a song popular at that time called the "Bogey Man"; Miss Statchell sang it at the school-room concert (in aid of the church lamps), and thereafter whenever one or two of the villagers were gathered together and the stranger appeared, a bar or so of this tune, more or less sharp or flat, was whistled in the midst of them. Also belatedfd little children would call "Bogey Man!" after him, and make off tremulouslyfe elated.
Cuss, the general practitioner, was devoured by curiosity. The bandages excited his professional interest, the report of the thousand and one bottles aroused his jealous regard. All through April and May he coveted an opportunity of talking to the stranger, and at last, towards Whitsuntide,7 he could stand it no longer, but hit upon the subscription-list for a village nurse as an excuse. He was surprised to find that Mr. Hall did not know his guest's name. "He give a name," said Mrs. Hall,---an assertion which was quite unfounded,---"but I didn't rightly hear it." She thought it seemed so silly not to know the man's name.
Cuss rapped at the parlour door and entered. There was a fairly audible imprecation from within. "Pardon my intrusion," said Cuss, and then the door closed and cut Mrs. Hall off from the rest of the conversation.
She could hear the murmur of voices for the next ten minutes, then a cry of surprise, a stirring of feet, a chair flung aside, a bark of laughter, quick steps to the door, and Cuss appeared, his face white, his eyes staring over his shoulder. He left the door open behind him, and without looking at her strode across the hall and went down the steps, and she heard his feet hurrying along the road. He carried his hat in his hand. She stood behind the door, looking at the open door of the parlour. Then she heard the stranger laughing quietly, and then his footsteps came across the room. She could not see his face where she stood. The parlour door slammed, and the place was silent again.
Cuss went straight up the village to Bunting the vicar. "Am I mad?" Cuss began abruptly, as he entered the shabby little study. "Do I look like an insane person?"
"What's happened?" said the vicar, putting the ammoniteff on the loose sheets of his forthcoming sermon.
"That chap at the inn---"
"Well?"
"Give me something to drink," said Cuss, and he sat down.
When his nerves had been steadied by a glass of cheap sherry,---the only drink the good vicar had available,---he told him of the interview he had just had. "Went in," he gasped, "and began to demand a subscription fg for that Nurse Fund. He'd stuck his hands in his pockets as I came in, and he sat down lumpily in his chair. Sniffed. I told him I'd heard he took an interest in scientific things. He said yes. Sniffed again. Kept on sniffing all the time; evidently recently caught an infernal cold. No wonder, wrapped up like that! I developed the nurse idea, and all the while kept my eyes open. Bottles---chemicals---everywhere. Balance, test-tubes in stands, and a smell of---evening primrose. Would he subscribe? Said he'd consider it. Asked him, point-blank, was he researching. Said he was. A long research? Got quite cross. 'A damnable long research,' said he, blowing the cork out, so to speak. 'Oh,' said I. And out came the grievance. The man was just on the boil, and my question boiled him over. He had been given a prescription,fh most valuable prescription---what for he wouldn't say. Was it medical? 'Damn you! What are you fishing after?' I apologized. Dignified sniff and cough. He resumed. He'd read it. Five ingredients. Put it down; turned his head. Draught of air from window lifted the paper. Swish, rustle. He was working in a room with an open fireplace, he said. Saw a flicker, and there was the prescription burning and lifting chimney-ward. Rushed towards it just as it whisked up chimney. So! Just at that point, to illustrate his story, out came his arm."
"Well?"
"No hand---just an empty sleeve. Lord! I thought, that's a deformity! Got a cork arm,fi I suppose, and has taken it off. Then, I thought, there's something odd in that. What the devil keeps that sleeve up and open, if there's nothing in it? There was nothing in it, I tell you. Nothing down it, right down to the joint. I could see right down it to the elbow, and there was a glimmer of light shining through a tear of the cloth. 'Good God!' I said. Then he stopped. Stared at me with those blue goggles of his, and then at his sleeve."
"Well?"
"That's all. He never said a word; just glared, and put his sleeve back in his pocket quickly. 'I was saying,' said he, 'that there was the prescription burning, wasn't I?' Interrogative cough. 'How the devil,' said I, 'can you move an empty sleeve like that?' 'Empty sleeve?' 'Yes,' said I, 'an empty sleeve.'
" 'It's an empty sleeve, is it? You saw it was an empty sleeve?' He stood up right away. I stood up too. He came towards me in three very slow steps, and stood quite close. Sniffed venomously. I didn't flinch, though I'm hanged if that bandaged knob of his, and those blinkersfj aren't enough to unnerve any one, coming quietly up to you.
" 'You said it was an empty sleeve?' he said. 'Certainly,' I said. Then very quietly he pulled his sleeve out of his pocket again, and raised his arm towards me as though he would show it to me again. He did it very, very slowly. I looked at it. Seemed an age. 'Well?' said I, clearing my throat, 'there's nothing in it.' Had to say something. I was beginning to feel frightened. I could see right down it. He extended it straight towards me, slowly, slowly,---just like that,---until the cuff was six inches from my face. Queer thing to see an empty sleeve come at you like that! And then---"
"Well?"
"Something---exactly like a finger and thumb it felt---nipped my nose."
Bunting began to laugh.
"There wasn't anything there!" said Cuss, his voice running up into a shriek at the "there." "It's all very well for you to laugh, but I tell you I was so startled, I hit his cuff hard, and turned round, and cut out of the room---I left him---"
Cuss stopped. There was no mistaking the sincerity of his panic. He turned round in a helpless way and took a second glass of the excellent vicar's very inferior sherry. "When I hit his cuff," said Cuss, "I tell you, it felt exactly like hitting an arm. And there wasn't an arm! There wasn't the ghost of an arm!"
Mr. Bunting thought it over. He looked suspiciously at Cuss. "It's a most remarkable story," he said. He looked very wise and grave indeed. "It's really," said Mr. Bunting with judicial emphasis, "a most remarkable story."
V
The Burglary at the Vicarage
THE FACTS OF THE burglary at the vicarage came to us chiefly through the medium of the vicar and his wife.1 It occurred in the small hours of Whit-Monday,fk---the day devoted in Iping to the Club festivities.2 Mrs. Bunting, it seems, woke up suddenly in the stillness that comes before the dawn, with the strong impression that the door of their bedroom had opened and closed. She did not arouse her husband at first, but sat up in bed listening. She then distinctly heard the pad, pad, pad of bare feet coming out of the adjoining dressing-room and walking along the passage towards the staircase. As soon as she felt assured of this, she aroused the Rev. Mr. Bunting as quietly as possible. He did not strike a light, but putting on his spectacles, her dressing-gown, and his bath slippers, he went out on the landing to listen. He heard quite distinctly a fumbling going on at his study desk downstairs, and then a violent sneeze.
At that he returned to his bedroom, armed himself with the most obvious weapon, the poker, and descended the staircase as noiselessly as possible. Mrs. Bunting came out on the landing.
The hour was about four, and the ultimate darkness of the night was past. There was a faint shimmer of light in the hall, but the study doorway yawned impenetrably black. Everything was still except the faint creaking of the stairs under Mr. Bunting's tread, and the slight movements in the study. Then something snapped, the drawer was opened, and there was a rustle of papers. Then came an imprecation, and a match was struck and the study was flooded with yellow light. Mr. Bunting was now in the hall, and through the crack of the door he could see the desk and the open drawer and a candle burning on the desk. But the robber he could not see. He stood there in the hall undecided what to do, and Mrs. Bunting, her face white and intent, crept slowly downstairs after him. One thing kept up Mr. Bunting's courage: the persuasion that this burglar was a resident in the village.
They heard the chink of money, and realised that the robber had found the housekeeping reserve of gold,---two pounds ten in half-sovereigns fl altogether. At that sound Mr. Bunting was nerved to abrupt action. Gripping the poker firmly, he rushed into the room, closely followed by Mrs. Bunting, "Surrender!" cried Mr. Bunting, fiercely, and then stopped amazed. Apparently the room was perfectly empty.
Yet their conviction that they had, that very moment, heard somebody moving in the room had amounted to a certainty. For half a minute, perhaps, they stood gaping, then Mrs. Bunting went across the room and looked behind the screen, while Mr. Bunting, by a kindred impulse, peered under the desk. Then Mrs. Bunting turned back the window-curtains, and Mr. Bunting looked up the chimney and probed it with the poker. Then Mrs. Bunting scrutinised the wastepaper basket and Mr. Bunting opened the lid of the coal-scuttle.fm Then they came to a stop and stood with eyes interrogating each other.
"I could have sworn---" said Mr. Bunting.
"The candle!" said Mr. Bunting. "Who lit the candle?"
"The drawer!" said Mrs. Bunting. "And the money's gone!"
She went hastily to the doorway.
"Of all the extra-ordinary occurrences---"
There was a violent sneeze in the passage. They rushed out, and as they did so the kitchen door slammed. "Bring the candle," said Mr. Bunting, and led the way. They both heard a sound of bolts being hastily shot back.
As he opened the kitchen door he saw through the sculleryfn that the back door was just opening, and the faint light of early dawn displayed the dark masses of the garden beyond. He is certain that nothing went out of the door. It opened, stood open for a moment, and then closed with a slam. As it did so, the candle Mrs. Bunting was carrying from the study flickered and flared. It was a minute or more before they entered the kitchen.
The place was empty. They refastened the back door, examined the kitchen, pantry, and scullery thoroughly, and at last went down into the cellar. There was not a soul to be found in the house, search as they would.
Daylight found the vicar and his wife, a quaintly-costumedfo little couple, still marvelling about on their own ground floor by the unnecessary light of a gutteringfp candle.
VI
The Furniture That Went Mad
Now IT HAPPENED THAT in the early hours of Whit-Monday, before Millie was hunted outfq for the day, Mr. Hall and Mrs. Hall both rose and went noiselessly down into the cellar. Their business there was of a private nature, and had something to do with the specific gravity1 of their beer. They had hardly entered the cellar when Mrs. Hall found she had forgotten to bring down a bottle of sarsaparilla from their joint-room. As she was the expert and principal operator in this affair, Hall very properly went upstairs for it.
On the landing he was surprised to see that the stranger's door was ajar. He went on into his own room and found the bottle as he had been directed.
But returning with the bottle, he noticed that the bolts of the front door had been shot back, that the door was in fact simply on the latch. And with a flash of inspiration he connected this with the stranger's room upstairs and the suggestions of Mr. Teddy Henfrey. He distinctly remembered holding the candle while Mrs. Hall shot these bolts overnight. At the sight he stopped, gaping, then with the bottle still in his hand went upstairs again. He rapped at the stranger's door. There was no answer. He rapped again; then pushed the door wide open and entered.
It was as he expected. The bed, the room also, was empty. And what was stranger, even to his heavy intelligence, on the bedroom chair and along the rail of the bed were scattered the garments, the only garments so far as he knew, and the bandages of their guest. His big slouch hat even was cocked jauntily over the bed-post.
As Hall stood there he heard his wife's voice coming out of the depth of the cellar, with that rapid telescoping of the syllables and interrogative cocking up of the final words to a high note, by which the West Sussex villager is wont to indicate a brisk impatience. "Gearge! You gart what a wand?"fr
At that he turned and hurried down to her. "Janny," he said, over the rail of the cellar steps, "'tas the truth what Henfrey sez. 'E's not in uz room, 'e ent.fs And the front door's unbolted."
At first Mrs. Hall did not understand, and as soon as she did she resolved to see the empty room for herself. Hall, still holding the bottle, went first. "If 'e ent there," he said, "his does are. And what's 'e doin' without his does, then? 'Tas a most curious basness."ft
As they came up the cellar steps, they both, it was afterwards ascertained, 2 fancied they heard the front door open and shut, but seeing it closed and nothing there, neither said a word to the other about it at the time. Mrs. Hall passed her husband in the passage and ran on first upstairs. Some one sneezed on the staircase. Hall, following six steps behind, thought that he heard her sneeze. She, going on first, was under the impression that Hall was sneezing. She flung open the door and stood regarding the room. "Of all the curious!" she said.
She heard a sniff close behind her head as it seemed, and, turning, was surprised to see Hall a dozen feet off on the topmost stair. But in another moment he was beside her. She bent forward and put her hand on the pillow and then under the clothes.
"Cold," she said. "He's been up this hour or more."
As she did so, a most extra-ordinary thing happened,---the bed-clothes gathered themselves together, leapt up suddenly into a sort of peak, and then jumped headlong over the bottom rail. It was exactly as if a hand had clutched them in the centre and flung them aside. Immediately after, the stranger's hat hopped off the bed-post, described a whirling flight in the air through the better part of a circle, and then dashed straight at Mrs. Hall's face. Then as swiftly came the sponge from the washstand; and then the chair, flinging the stranger's coat and trousers carelessly aside, and laughing drily in a voice singularly like the stranger's, turned itself up with its four legs at Mrs. Hall, seemed to take aim at her for a moment, and charged at her. She screamed and turned, and then the chair legs came gently but firmly against her back and impelled her and Hall out of the room. The door slammed violently and was locked. The chair and bed seemed to be executing a dance of triumph for a moment, and then abruptly everything was still.
Mrs. Hall was left almost in a fainting condition in Mr. Hall's arms on the landing. It was with the greatest difficulty that Mr. Hall and Millie, who had been roused by her scream of alarm, succeeded in getting her downstairs, and applying the restorativesfu customary in these cases.
"'Tas sperits,"3 said Mrs. Hall. "I know 'tas sperits. I've read in papers of en. Tables and chairs leaping and dancing!---"
"Take a drop more, Janny," said Hall. "'Twill steady ye."
"Lock him out," said Mrs. Hall. "Don't let him come in again. I half guessed---I might ha' known. With them goggling eyes and bandaged head, and never going to church of a Sunday. And all they bottles---more'n it's right for any one to have. He's put the sperits into the furniture. ---My good old furniture! 'Twas in that very chair my poor dear mother used to sit when I was a little girl. To think it should rise up against me now!"
"Just a drop more, Janny," said Hall. "Your nerves is all upset."
They sent Millie across the street through the golden five o'clock sunshine to rouse up Mr. Sandy Wadgers, the blacksmith. Mr. Hall's compliments and the furniture upstairs was behaving most extra-ordinary. Would Mr. Wadgers come round? He was a knowing man, was Mr. Wadgers, and very resourceful. He took quite a grave view of the case. "Arm darmed ef thet ent witchcraft,"fv was the view of Mr. Sandy Wadgers. "You warnt horseshoesfw for such gentry as he."
He came round greatly concerned. They wanted him to lead the way upstairs to the room, but he didn't seem to be in any hurry. He preferred to talk in the passage. Over the way Huxter's apprentice came out and began taking down the shutters of the tobacco window. He was called over to join the discussion. Mr. Huxter naturally followed over in the course of a few minutes. The Anglo-Saxon genius for parliamentary government4 asserted itself; there was a great deal of talk and no decisive action. "Let's have the facts first," insisted Mr. Sandy Wadgers. "Let's be sure we'd be acting perfectly right in bustin' that there door open. A door onbustfx is always open to bustin', but ye can't onbust a door once you've busted en."
And suddenly and most wonderfully the door of the room upstairs opened of its own accord, and as they looked up in amazement, they saw descending the stairs the muffled figure of the stranger staring more blackly and blankly than ever with those unreasonably large blue glass eyes of his. He came down stiffly and slowly, staring all the time; he walked across the passage staring, then stopped.
"Look there!" he said, and their eyes followed the direction of his gloved finger and saw a bottle of sarsaparilla hard by the cellar door. Then he entered the parlour, and suddenly, swiftly, viciously, slammed the door in their faces.
Not a word was spoken until the last echoes of the slam had died away. They stared at one another. "Well, if that don't lickfy everything!" said Mr. Wadgers, and left the alternative unsaid.
"I'd go in and ask'n 'bout it," said Wadgers, to Mr. Hall. "I'd d'mand an explanation."
It took some time to bring the landlady's husband up to that pitch. At last he rapped, opened the door, and got as far as, "Excuse me---"
"Go to the devil!" said the stranger in a tremendous voice, and "Shut the door after you." So that brief interview terminated.
VII
The Unveiling of the Stranger
THE STRANGER WENT INTO the little parlour of the Coach and Horses about half-past five in the morning, and there he remained until near midday, the blinds down, the door shut, and none, after Hall's repulse, venturing near him.
All that time he must have fasted. Thrice he rang his bell, the third time furiously and continuously, but no one answered him. "Him and his 'go to the devil' indeed!" said Mrs. Hall. Presently came an imperfect fz rumour of the burglary at the vicarage, and two and two were put together. Hall, assisted by Wadgers, went off to find Mr. Shuckleforth, the magistrate, and take his advice. No one ventured upstairs. How the stranger occupied himself is unknown. Now and then he would strike violently up and down, and twice came an outburst of curses, a tearing of paper, and a violent smashing of bottles.
The little group of scared but curious people increased. Mrs. Huxter came over; some gay young fellows resplendent in black ready-made jackets and piquéga paper ties, for it was Whit-Monday, joined the group with confused interrogations. Young Archie Harker distinguished himself by going up the yard and trying to peep under the window-blinds. He could see nothing, but gave reason for supposing that he did, and others of the Iping youth presently joined him.
It was the finest of all possible Whit-Mondays, and down the village street stood a row of nearly a dozen booths, a shooting gallery, and on the grass by the forge were three yellow and chocolate waggons and some picturesque strangers of both sexes putting up a cocoanut shy.gb The gentlemen wore blue jerseys, the ladies white aprons and quite fashionable hats with heavy plumes. Woodyer, of the Purple Fawn, and Mr. Jaggers, the cobbler, who also sold second-hand ordinary bicycles,1 were stretching a string of union-jacks and royal ensigns (which had originally celebrated the Jubilee)2 across the road....
And inside, in the artificial darkness of the parlour, into which only one thin jet of sunlight penetrated, the stranger, hungry we must suppose, and fearful, hidden in his uncomfortable hot wrappings, pored through his dark glasses upon his paper or chinkedgc his dirty little bottles, and occasionally swore savagely at the boys, audible if invisible, outside the windows. In the corner by the fireplace lay the fragments of half a dozen smashed bottles, and a pungent twanggd of chlorine tainted the air. So much we know from what was heard at the time and from what was subsequently seen in the room.
About noon he suddenly opened his parlour door and stood glaring fixedly at the three or four people in the bar. "Mrs. Hall," he said. Somebody went sheepishly and called for Mrs. Hall.
Mrs. Hall appeared after an interval, a little short of breath, but all the fiercer for that. Hall was still out. She had deliberated over this scene, and she came holding a little tray with an unsettled bill upon it. "Is it your bill you're wanting, sir?" she said.
"Why wasn't my breakfast laid? Why haven't you prepared my meals and answered my bell? Do you think I live without eating?"
"Why isn't my bill paid?" said Mrs. Hall. "That's what I want to know."
"I told you three days ago I was awaiting a remittance---"
"I told you two days ago I wasn't going to await no remittances. You can't grumble if your breakfast waits a bit, if my bill's been waiting these five days, can you?"
The stranger swore briefly but vividly.
"Nar, nar!"ge from the bar.
"And I'd thank you kindly, sir, if you'd keep your swearing to yourself, sir," said Mrs. Hall.
The stranger stood looking more like an angry diving-helmet than ever. It was universally felt in the bar that Mrs. Hall had the better of him. His next words showed as much.
"Look here, my good womangf---" he began.
"Don't good woman me," said Mrs. Hall.
"I've told you my remittance hasn't come---"
"Remittance indeed!" said Mrs. Hall.
"Still, I daresay in my pocket---"
"You told me two days ago that you hadn't anything but a sovereign's worth of silver upon you---"
"Well, I've found some more---"
"Ul-lo!"gg from the bar.
"I wonder where you found it?" said Mrs. Hall.
That seemed to annoy the stranger very much. He stamped his foot. "What do you mean?" he said.
"That I wonder where you found it," said Mrs. Hall. "And before I take my bills or get any breakfasts, or do any such things whatsoever, you got to tell me one or two things I don't understand, and what nobody don't understand, and what everybody is very anxious to understand. I want know what you been doing t' my chair upstairs, and I want know how 't is your room was empty, and how you got in again. Them as stops in this house comes in by the doors,---that's the rule of the house, and that you didn't do, and what I want know is how you did come in. And I want know---"
Suddenly the stranger raised his gloved hand clenched, stamped his foot, and said, "Stop!" with such extra-ordinary violence that he silenced her instantly.
"You don't understand," he said, "who I am or what I am. I'll show you. By Heaven! I'll show you." Then he put his open palm over his face and withdrew it. The centre of his face became a black cavity. "Here," he said. He stepped forward and handed Mrs. Hall something which she, staring at his metamorphosedgh face, accepted automatically. Then, when she saw what it was, she screamed loudly, dropped it, and staggered back. The nose---it was the stranger's nose! pink and shining---rolled on the floor.
Then he removed his spectacles, and every one in the bar gasped. He took off his hat, and with a violent gesture tore at his whiskers and bandages. For a moment they resisted him. A flash of horrible anticipation passed through the bar. "Oh, my Gard!"gi said some one. Then off they came.
It was worse than anything. Mrs. Hall, standing open-mouthed and horror-struck, shrieked at what she saw, and made for the door of the house. Every one began to move. They were prepared for scars, disfigurements, tangible horrors, but nothing! The bandages and false hair flew across the passage into the bar, making a hobbledehoygj jump to avoid them. Every one tumbled on every one else down the steps. For the man who stood there shouting some incoherent explanation, was a solid gesticulating figure up to the coatcollar of him, and then---nothingness, no visible thing at all!
People down the village heard shouts and shrieks, and looking up the street saw the Coach and Horses violently firing out its humanity. They saw Mrs. Hall fall down and Mr. Teddy Henfrey jump to avoid tumbling over her, and then they heard the frightful screams of Millie, who, emerging suddenly from the kitchen at the noise of the tumult, had come upon the headless stranger from behind. These ceased suddenly.
Forthwith every one all down the street, the sweetstuff seller, cocoanut shy proprietor and his assistant, the swing man, little boys and girls, rustic dandies, smart wenches, smocked eldersgk and aproned gipsies, began running towards the inn, and in a miraculously short space of time a crowd of perhaps forty people, and rapidly increasing, swayed and hooted and inquired and exclaimed and suggested, in front of Mrs. Hall's establishment. Every one seemed eager to talk at once, and the result was babel. A small group supported Mrs. Hall, who was picked up in a state of collapse. There was a conference, and the incredible evidence of a vociferous eyewitness. "O Bogey!" "What's he been doin', then?" "Ain't hurt the girl, 'as 'e?" "Run at en with a knife, I believe." "No 'ed, I tell ye. I don't mean no manner of speaking, I mean marn 'ithout a 'ed!"gl "Narnsense! 'tas some conjuring trick." "Fetched off'is wrappin's,'e did---"
In its struggles to see in through the open door, the crowd formed itself into a straggling wedge, with the more adventurous apex nearest the inn. "He stood for a moment, I heerd the gal scream, and he turned. I saw her skirts whisk, and he went after her. Didn't take ten seconds. Back he comes with a knife in uz hand and a loaf; stood just as if he was staring. Not a moment ago. Went in that there door. I tell 'e, 'e ain't gart no 'ed 't all. You just missed en---"
There was a disturbance behind, and the speaker stopped to step aside for a little procession that was marching very resolutely towards the house,---first Mr. Hall, very red and determined, then Mr. Bobby Jaffers, the village constable, and then the wary Mr. Wadgers. They had come now armed with a warrant.
People shouted conflicting information of the recent circumstances. "'Ed or no 'ed," said Jaffers, "I got to 'restgm en, and 'rest en I will."
Mr. Hall marched up the steps, marched straight to the door of the parlour and flung it open. "Constable," he said, "do your duty."
Jaffers marched in, Hall next, Wadgers last. They saw in the dim light the headless figure facing them, with a gnawed crust of bread in one gloved hand and a chunk of cheese in the other.
"That's him!" said Hall.
"What the devil's this?" came in a tone of angry expostulationgn from above the collar of the figure.
"You're a damned rum customer, mister," said Mr. Jaffers. "But 'ed or no 'ed, the warrant says 'body,' and duty's duty---"
"Keep off!" said the figure, starting back.
Abruptly he whipped down the bread and cheese, and Mr. Hall just grasped the knife on the table in time to save it. Off came the stranger's left glove and was slapped in Jaffers' face. In another moment Jaffers, cutting short some statement concerning a warrant, had gripped him by the handless wrist and caught his invisible throat. He got a sounding kick on the shin that made him shout, but he kept his grip. Hall sent the knife sliding along the table to Wadgers, who acted as goal-keepergo for the offensive, so to speak, and then stepped forward as Jaffers and the stranger swayed and staggered towards him, clutching and hitting in. A chair stood in the way, and went aside with a crash as they came down together.
"Get the feet," said Jaffers between his teeth.
Mr. Hall, endeavouring to act on instructions, received a sounding kick in the ribs that disposed of him for a moment, and Mr. Wadgers, seeing the decapitated stranger had rolled over and got the upper side of Jaffers, retreated towards the door, knife in hand, and so collided with Mr. Huxter and the Siddermorton carter coming to the rescue of law and order. At the same moment down came three or four bottles from the chiffonnier and shot a web of pungency into the air of the room.
"I'll surrender," cried the stranger, though he had Jaffers down, and in another moment he stood up panting, a strange figure, headless and handless,---for he had pulled off his right glove now as well as his left. "It's no good," he said, as if sobbing for breath.
It was the strangest thing in the world to hear that voice coming as if out of empty space, but the Sussex peasants are perhaps the most matter-of-fact people under the sun. Jaffers got up also and produced a pair of handcuffs. Then he started.
"I say!" said Jaffers, brought up short by a dim realisation of the incongruity of the whole business. "Darm it! Can't use 'em as I can see."
The stranger ran his arm down his waistcoat, and as if by a miracle the buttons to which his empty sleeve pointed became undone. Then he said something about his shin, and stooped down. He seemed to be fumbling with his shoes and socks.
"Why!" said Huxter, suddenly, "that's not a man at all. It's just empty clothes. Look! You can see down his collar and the linings of his clothes. I could put my arm---"
He extended his hand; it seemed to meet something in mid-air, and he drew it back with a sharp exclamation. "I wish you'd keep your fingers out of my eye," said the aerial voice, in a tone of savage expostulation. "The fact is, I'm all here: head, hands, legs, and all the rest of it, but it happens I'm invisible. It's a confounded nuisance, but I am. That's no reason why I should be poked to pieces by every stupid bumpkin in Iping, is it?"
The suit of clothes, now all unbuttoned and hanging loosely upon its unseen supports, stood up, arms akimbo.gp
Several other of the men folks had now entered the room, so that it was closely crowded. "Invisible, eigh?" said Huxter, ignoring the stranger's abuse. "Who ever heard the likes of that?"
"It's strange, perhaps, but it's not a crime. Why am I assaulted by a policeman in this fashion?"
"Ah! that's a different matter," said Jaffers. "No doubt you are a bit difficult to see in this light, but I got a warrant and it's all correct. What I'm after ain't no invisibility,---it's burglary. There's a house been broken into and money took."
"Well?"
"And circumstances certainly point---"
"Stuff and nonsense!" said the Invisible Man.
"I hope so, sir; but I've got my instructions."
"Well," said the stranger, "I'll come. I'll come. But no handcuffs."
"It's the regular thing," said Jaffers.
"No handcuffs," stipulated the stranger.
"Pardon me," said Jaffers.
Abruptly the figure sat down, and before any one could realise what was being done, the slippers, socks, and trousers had been kicked off under the table. Then he sprang up again and flung off his coat.
"Here, stop that," said Jaffers, suddenly realising what was happening. He gripped the waistcoat; it struggled, and the shirt slipped out of it and left it limp and empty in his hand. "Hold him!" said Jaffers, loudly. "Once he gets they things off---!"
"Hold him!" cried every one, and there was a rush at the fluttering white shirt which was now all that was visible of the stranger.
The shirt-sleeve planted a shrewd blow in Hall's face that stopped his open-armed advance, and sent him backward into old Toothsome the sexton,gq and in another moment the garment was lifted up and became convulsed and vacantly flapping about the arms, even as a shirt that is being thrust over a man's head. Jaffers clutched at it, and only helped to pull it off; he was struck in the mouth out of the air, and incontinentlygr drew his truncheongs and smote Teddy Henfrey savagely upon the crown of his head.
"Look out!" said everybody, fencing at random and hitting at nothing. "Hold him! Shut the door! Don't let him loose! I got something! Here he is!" A perfect babel of noises they made. Everybody, it seemed, was being hit all at once, and Sandy Wadgers, knowing as ever and his wits sharpened by a frightful blow in the nose, reopened the door and led the rout.gt The others, following incontinently, were jammed for a moment in the corner by the doorway. The hitting continued. Phipps, the Unitarian, had a front tooth broken, and Henfrey was injured in the cartilage of his ear. Jaffers was struck under the jaw, and, turning, caught at something that intervened between him and Huxter in the mêlée, and prevented their coming together. He felt a muscular chest, and in another moment the whole mass of struggling, excited men shot out into the crowded hall.
"I got him!" shouted Jaffers, choking and reeling through them all, and wrestling with purple face and swelling veins against his unseen enemy.
Men staggered right and left as the extra-ordinary conflict swayed swiftly towards the house door, and went spinning down the half-dozen steps of the inn. Jaffers cried in a strangled voice,---holding tight, nevertheless, and making play with his knee,---spun round, and fell heavily undermost with his head on the gravel. Only then did his fingers relax.
There were excited cries of "Hold him!" "Invisible!" and so forth, and a young fellow, a stranger in the place whose name did not come to light, rushed in at once, caught something, missed his hold, and fell over the constable's prostrate body. Halfway across the road a woman screamed as something pushed by her; a dog, kicked apparently, yelped and ran howling into Huxter's yard, and with that the transit of the Invisible Man was accomplished. For a space people stood amazed and gesticulating, and then came panic, and scattered them abroad through the village as a gust scatters dead leaves.
But Jaffers lay quite still, face upward and knees bent.
VIII
In Transit
THE EIGHTH CHAPTER IS exceedingly brief,1 and relates that Gibbins, the amateur naturalist of the district, while lying out on the spacious open downs without a soul within a couple of miles of him, as he thought, and almost dozing, heard close to him the sound as of a man coughing, sneezing, and then swearing savagely to himself; and looking, beheld nothing. Yet the voice was indisputable. It continued to swear with that breadth and variety that distinguishes the swearing of a cultivated man. It grew to a climax, diminished again, and died away in the distance, going as it seemed to him in the direction of Adderdean. It lifted to a spasmodicgu sneeze and ended. Gibbins had heard nothing of the morning's occurrences, but the phenomenon was so striking and disturbing that his philosophical tranquillity vanished; he got up hastily, and hurried down the steepness of the hill towards the village, as fast as he could go.
IX
Mr. Thomas Marvel
You MUST PICTURE MR. Thomas Marvel as a person of copious, flexible visage, a nose of cylindrical protrusion, a liquorish, ample, fluctuating mouth, and a beard of bristling eccentricity.gv His figure inclined to embonpoint;gw his short limbs accentuated this inclination. He wore a furry silk hat, and the frequent substitution of twine and shoe-laces for buttons, apparent at critical points of his costume, marked a man essentially bachelor.
Mr. Thomas Marvel was sitting with his feet in a ditch by the roadside over the down toward Adderdean, about a mile and a half out of Iping. His feet, save for socks of irregular open-work,gx were bare, his big toes were broad, and pricked like the ears of a watchful dog. In a leisurely manner---he did everything in a leisurely manner---he was contemplating trying on a pair of boots. They were the soundest boots he had come across for a long time, but too large for him; whereas the ones he had were, in dry weather, a very comfortable fit, but too thin-soled for damp. Mr. Thomas Marvel hated roomy shoes, but then he hated damp. He had never properly thought out which he hated most, and it was a pleasant day, and there was nothing better to do. So he put the four shoes in a graceful group on the turf and looked at them. And seeing them there among the grass and springing agrimony,gy it suddenly occurred to him that both pairs were exceedingly ugly to see. He was not at all startled by a voice behind him.
"They're boots, anyhow," said the voice.
"They are---charity boots," said Mr. Thomas Marvel, with his head on one side regarding them distastefully; "and which is the ugliest pair in the whole blessed universe, I'm darned if I know!"
"H'm," said the voice.
"I've worn worse,---in fact, I've worn none. But none so owdacious ugly,---if you'll allow the expression. I've been cadginggz boots---in particular---for days. Because I was sick of them. They're sound enough, of course. But a gentleman on tramp sees such a thundering lot of his boots. And if you'll believe me, I've raised nothing in the whole blessed county, try as I would but THEM. Look at 'em! And a good county for boots, too, in a general way. But it's just my promiscuous luck. I've got my boots in this county ten years or more. And then they treat you like this."
"It's a beast of a county," said the voice. "And pigs for people."
"Ain't it?" said Mr. Thomas Marvel. "Lord! But them boots! It beats it."
He turned his head over his shoulder to the right, to look at the boots of his interlocutorha with a view to comparisons, and lo! where the boots of his interlocutor should have been were neither legs nor boots. He turned his head over his shoulder to the left, and there also were neither legs nor boots. He was irradiated by the dawn of a great amazement. "Where are yer?" said Mr. Thomas Marvel over his shoulder and coming on all fours. He saw a stretch of empty downs with the wind swaying the remote green-pointed furze bushes.
"Am I drunk?" said Mr. Marvel. "Have I had visions? Was I talking to myself? What the---"
"Don't be alarmed," said a voice.
"None of your ventriloquising me," said Mr. Thomas Marvel, rising sharply to his feet. "Where are yer? Alarmed, indeed!"
"Don't be alarmed," repeated the voice.
"You'll be alarmed in a minute, you silly fool," said Mr. Thomas Marvel "Where are yer? Lemme get my markhb on yer---
"Are you buried?" said Mr. Thomas Marvel, after an interval.
There was no answer. Mr. Thomas Marvel stood bootless and amazed, his jacket nearly thrown off.
"Peewit," said a peewit,hc very remote.
"Peewit, indeed!" said Mr. Thomas Marvel. "This ain't no time for foolery." The down was desolate, east and west, north and south; the road, with its shallow ditches and white bordering stakes, ran smooth and empty north and south, and, save for that peewit, the blue sky was empty too. "So help me," said Mr. Thomas Marvel, shuffling his coat on to his shoulders again. "It's the drink! I might ha' known."
"It's not the drink," said the voice. "You keep your nerves steady."
"Ow!" said Mr. Marvel, and his face grew white amidst its patches. "It's the drink," his lips repeated noiselessly. He remained staring about him, rotating slowly backwards. "I could have swore I heard a voice," he whispered.
"Of course you did."
"It's there again," said Mr. Marvel, closing his eyes and clapping his hand on his brow with a tragic gesture. He was suddenly taken by the collar and shaken violently, and left more dazed than ever. "Don't be a fool," said the voice.
"I'm---off---my---blooming---chump,"hd said Mr. Marvel. "Its no good. It's fretting about them blarsted boots. I'm off my blessed blooming chump. Or its spirits."
"Neither one thing nor the other," said the voice. "Listen!"
"Chump," said Mr. Marvel.
"One minute," said the voice, penetratingly,---tremulous with self-control.
"Well?" said Mr. Thomas Marvel, with a strange feeling of having been dug in the chest by a finger.
"You think I'm just imagination? Just imagination?"
"What else can you be?" said Mr. Thomas Marvel, rubbing the back of his neck.
"Very well," said the voice, in a tone of relief. "Then I'm going to throw flintshe at you till you think differently."
"But where are yer?"
The voice made no answer. Whizz came a flint, apparently out of the air, and missed Mr. Marvel's shoulder by a hair's breadth. Mr. Marvel, turning, saw a flint jerk up into the air, trace a complicated path, hang for a moment, and then fling at his feet with almost invisible rapidity. He was too amazed to dodge. Whizz it came, and ricochetted from a bare toe into the ditch. Mr. Thomas Marvel jumped a foot and howled aloud. Then he started to run, tripped over an unseen obstacle, and came head over heels into a sitting position.
"Now," said the voice, as a third stone curved upward and hung in the air above the tramp. "Am I imagination?"
Mr. Marvel by way of reply struggled to his feet, and was immediately rolled over again. He lay quiet for a moment. "If you struggle any more," said the voice, "I shall throw the flint at your head."
"It's a fair do,"hf said Mr. Thomas Marvel, sitting up, taking his wounded toe in hand and fixing his eye on the third missile. "I don't understand it. Stones flinging themselves. Stones talking. Put yourself down. Rot away.hg I'm done."
The third flint fell.
"It's very simple," said the voice. "I'm an invisible man."
"Tell us something I don't know," said Mr. Marvel, gasping with pain. "Where you've hid---how you do it---I don't know. I'm beat."
"That's all," said the voice. "I'm invisible. That's what I want you to understand."
"Any one could see that. There is no need for you to be so confounded impatient, mister. Now then. Give us a notion. How are you hid?"
"I'm invisible. That's the great point. And what I want you to understand is this---"
"But whereabouts?" interrupted Mr. Marvel.
"Here! Six yards in front of you."
"Oh, come! I ain't blind. You'll be telling me next you're just thin air. I'm not one of your ignorant tramps---"
"Yes, I am---thin air. You're looking through me."
"What! Ain't there any stuff to you? Vox ethh---what is it?---jabber.hi Is it that?"
"I am just a human being---solid, needing food and drink, needing covering too---But I'm invisible. You see? Invisible. Simple idea. Invisible."
"What, real like?"
"Yes, real."
"Let's have a hand of you," said Marvel, "if you are real. It won't be so darn out-of-the-way like, then---Lord!" he said, "how you made me jump!---gripping me like that!"
He felt the hand that had closed round his wrist with his disengaged fingers, and his fingers went timorously up the arm, patted a muscular chest, and explored a bearded face. Marvel's face was astonishment.
"I'm dashed!" he said. "If this don't beat cock-fighting! Most remarkable!---And there I can see a rabbit clean through you, 'arf a mile away! Not a bit of you visible---except---"
He scrutinised the apparently empty space keenly. "You 'aven't been eatin' bread and cheese?"1 he asked, holding the invisible arm.
"You're quite right, and it's not quite assimilated into the system."
"Ah!" said Mr. Marvel. "Sort of ghostly, though."
"Of course, all this isn't half so wonderful as you think."
"It's quite wonderful enough for my modest wants," said Mr. Thomas Marvel. "Howjer manage it! How the dooce is it done?"
"It's too long a story. And besides---"
"I tell you, the whole business fair beats me," said Mr. Marvel.
"What I want to say at present is this: I need help. I have come to that---I came upon you suddenly. I was wandering, mad with rage, naked, impotent.hj I could have murdered. And I saw you---"
"Lord!" said Mr. Marvel.
"I came up behind you---hesitated---went on---"
Mr. Marvel's expression was eloquent.
"---then stopped. 'Here,' I said, 'is an out-cast like myself. This is the man for me.' So I turned back and came to you---you. And---"
"Lord!" said Mr. Marvel. "But I'm all in a dizzy.hk May I ask---How is it? And what you may be requiring in the way of help?---Invisible!"
"I want you to help me get clothes---and shelter---and then, with other things. I've left them long enough. If you won't---well! But you will---must."2
"Look here," said Mr. Marvel. "I'm too flabbergasted. Don't knock me about any more. And leave me go. I must get steady a bit. And you've pretty near broken my toe. It's all so unreasonable. Empty downs, empty sky. Nothing visible for miles except the bosom of Nature. And then comes a voice. A voice out of heaven! And stones! And a fist!---Lord!"
"Pull yourself together," said the voice, "for you have to do the job I've chosen for you."
Mr. Marvel blew out his cheeks, and his eyes were round.
"I've chosen you," said the voice. "You are the only man except some of those fools down there, who knows there is such a thing as an invisible man. You have to be my helper. Help me---and I will do great things for you. An invisible man is a man of power." He stopped for a moment to sneeze violently.
"But if you betray me," he said, "if you fail to do as I direct you---"
He paused and tapped Mr. Marvel's shoulder smartly. Mr. Marvel gave a yelp of terror at the touch. "I don't want to betray you," said Mr. Marvel, edging away from the direction of the fingers. "Don't you go a-thinking that, whatever you do. All I want to do is to help you---just tell me what I got to do. (Lord!) Whatever you want done, that I'm most willing to do."
X
Mr. Marvel's Visit to Iping
AFTER THE FIRST GUSTY panic had spent itself Iping became argumentative. Scepticism suddenly reared its head,---rather nervous scepticism, not at all assured of its back, but scepticism nevertheless. It is so much easier not to believe in an invisible man; and those who had actually seen him dissolve into air, or felt the strength of his arm, could be counted on the fingers of two hands. And of these witnesses Mr. Wadgers was presently missing, having retired impregnably behind the bolts and bars of his own house, and Jaffers lying stunned in the parlour of the Coach and Horses. Great and strange ideas transcending experience often have less effect upon men and women than smaller, more tangible considerations. Iping was gay with bunting, and everybody was in galahl dress. Whit-Monday had been looked forward to for a month or more. By the afternoon even those who believed in the Unseen were beginning to resume their little amusements in a tentative fashion, on the supposition that he had quite gone away, and with the sceptics he was already a jest. But people, sceptics and believers alike, were remarkably sociable all day.
Haysman's meadow was gay with a tent, in which Mrs. Bunting and other ladies were preparing tea, while, without, the Sunday-school children ran races and played games under the noisy guidance of the curate and the Misses Cuss and Sackbut. No doubt there was a slight uneasiness in the air, but people for the most part had the sense to conceal whatever imaginative qualms they experienced. On the village green an inclined string, down which, clinging the while to a pulley-swung handle, one could be hurled violently against a sack at the other end, came in for considerable favour among the adolescent, as also did the swings and the cocoanut shies. There was also promenading, and the steam organ attached to the swings filled the air with a pungent flavour of oil and with equally pungent music. Members of the Club, who had attended church in the morning, were splendid in badgeshm of pink and green, and some of the gayer-minded had also adorned their bowler hats with brilliant-coloured favourshn of ribbon. Old Fletcher, whose conceptions of holiday-making were severe, was visible through the jasmine about his window or through the open door (whichever way you chose to look), poised delicately on a plank supported on two chairs, and whitewashing the ceiling of his front room.
About four o'clock a stranger entered the village from the direction of the downs. He was a short, stout person in an extraordinarily shabby top hat, and he appeared to be very much out of breath. His cheeks were alternately limp and tightly puffed. His mottled face was apprehensive, and he moved with a sort of reluctant alacrity. He turned the corner by the church, and directed his way to the Coach and Horses. Among others old Fletcher remembers seeing him, and indeed the old gentleman was so struck by his peculiar agitation that he inadvertently allowed a quantity of whitewash to run down the brush into the sleeve of his coat while regarding him.
This stranger, to the perceptions of the proprietor of the cocoanut shy, appeared to be talking to himself, and Mr. Huxter remarked the same thing. He stopped at the foot of the Coach and Horses steps, and, according to Mr. Huxter, appeared to undergo a severe internal struggle before he could induce himself to enter the house. Finally he marched up the steps, and was seen by Mr. Huxter to turn to the left and open the door of the parlour. Mr. Huxter heard voices from within the room and from the bar apprising the man of his error. "That room's private!" said Hall, and the stranger shut the door clumsily and went into the bar.
In the course of a few minutes he reappeared, wiping his lips with the back of his hand with an air of quiet satisfaction that somehow impressed Mr. Huxter as assumed.ho He stood looking about him for some moments, and then Mr. Huxter saw him walk in an oddly furtive manner towards the gates of the yard, upon which the parlour window opened. The stranger, after some hesitation, leant against one of the gate-posts, produced a short clay pipe, and prepared to fill it. His fingers trembled while doing so. He lit it clumsily, and folding his arms began to smoke in a languid attitude, an attitude which his occasional quick glance up the yard altogether belied.
All this Mr. Huxter saw over the canisters of the tobacco window, and the singularity of the man's behaviour prompted him to maintain his observation.
Presently the stranger stood up abruptly and put his pipe in his pocket. Then he vanished into the yard. Forthwith Mr. Huxter, conceiving he was witness of some petty larceny, leapt round his counter and ran out into the road to intercept the thief. As he did so, Mr. Marvel reappeared, his hat askew, a big bundle in a blue tablecloth in one hand, and three books tied together---as it proved afterwards with the vicar's braceshp---in the other. Directly he saw Huxter he gave a sort of gasp, and turning sharply to the left, began to run. "Stop thief!" cried Huxter, and set off after him. Mr. Huxter's sensations were vivid but brief. He saw the man just before him and spurting briskly for the church corner and the hill road. He saw the village flags and festivities beyond, and a face or so turned towards him. He bawled, "Stop!" again. He had hardly gone ten strides before his shin was caught in some mysterious fashion, and he was no longer running, but flying with inconceivable rapidity through the air. He saw the ground suddenly close to his face. The world seemed to splash into a million whirling specks of light, and subsequent proceedings interested him no more. 1
XI
In the Coach and Horses
Now IN ORDER CLEARLY to understand what had happened in the inn, it is necessary to go back to the moment when Mr. Marvel first came into view of Mr. Huxter's window. At that precise moment Mr. Cuss and Mr. Bunting were in the parlour. They were seriously investigating the strange occurrences of the morning, and were, with Mr. Hall's permission, making a thorough examination of the Invisible Man's belongings. Jaffers had partially recovered from his fall and had gone home in the charge of his sympathetic friends. The stranger's scattered garments had been removed by Mrs. Hall and the room tidied up. And on the table under the window where the stranger had been wonthq to work, Cuss had hit almost at once on three big books in manuscript labelled "Diary."
"Diary!" said Cuss, putting the three books on the table. "Now, at any rate, we shall learn something." The vicar stood with his hands on the table.
"Diary," repeated Cuss, sitting down, putting two volumes to support the third, and opening it. "H'm---no name on the fly-leaf. Bother!---cypher.hr And figures."
The vicar came round to look over his shoulder.
Cuss turned the pages over with a face suddenly disappointed. "I'm---dear me! It's all cypher, Bunting."
"There are no diagrams?" asked Mr. Bunting. "No illustrations throwing a light---"
"See for yourself," said Mr. Cuss. "Some of it's mathematical and some of it's Russian or some such language (to judge by the letters), and some of it's Greek. Now the Greek I thought you---"
"Of course," said Mr. Bunting, taking out and wiping his spectacles and feeling suddenly very uncomfortable,---for he had no Greek left in his mind worth talking about; "yes---the Greek, of course, may furnish a clue."
"I'll find you a place."
"I'd rather glance through the volumes first," said Mr. Bunting, still wiping. "A general impression first, Cuss, and then, you know, we can go looking for clues."
He coughed, put on his glasses, arranged them fastidiously, coughed again, and wished something would happen to avert the seemingly inevitable exposure. Then he took the volume Cuss handed him in a leisurely manner. And then something did happen.
The door opened suddenly.
Both gentlemen started violently, looked round, and were relieved to see a sporadically rosyhs face beneath a furry silk hat. "Tap?"ht asked the face, and stood staring.
"No," said both gentlemen at once.
"Over the other side, my man," said Mr. Bunting. And "Please shut the door," said Mr. Cuss, irritably.
"All right," said the intruder, as it seemed, in a low voice curiously different from the huskiness of its first inquiry. "Right you are," said the intruder in the former voice. "Stand clear!" and he vanished and closed the door.
"A sailor, I should judge," said Mr. Bunting. "Amusing fellows, they are. Stand clear! indeed. A nautical term, referring to his getting back out of the room, I suppose."
"I daresay so," said Cuss. "My nerves are all loose to-day. It quite made me jump---the door opening like that."
Mr. Bunting smiled as if he had not jumped. "And now," he said with a sigh, "these books."
"One minute," said Cuss, and went and locked the door. "Now I think we are safe from interruption."
Some one sniffed as he did so.
"One thing is indisputable," said Bunting, drawing up a chair next to that of Cuss. "There certainly have been very strange things happening in Iping during the last few days---very strange. I cannot of course believe in this absurd invisibility story---"
"It's incredible," said Cuss, "---incredible. But the fact remains that I saw---I certainly saw right down his sleeve---"
"But did you---are you sure? Suppose a mirror, for instance,---hallucinations are so easily produced. I don't know if you have ever seen a really good conjuror---"
"I won't argue again," said Cuss. "We've thrashed that out, Bunting. And just now there's these books---Ah! here's some of what I take to be Greek! Greek letters certainly."
He pointed to the middle of the page. Mr. Bunting flushed slightly and brought his face nearer, apparently finding some difficulty with his glasses. Suddenly he became aware of a strange feeling at the nape of his neck. He tried to raise his head, and encountered an immovable resistance. The feeling was a curious pressure, the grip of a heavy, firm hand, and it bore his chin irresistibly to the table. "Don't move, little men," whispered a voice, "or I'll brain you both!" He looked into the face of Cuss, close to his own, and each saw a horrified reflection of his own sickly astonishment.
"I'm sorry to handle you roughly," said the voice, "but it's unavoidable."
"Since when did you learn to pry into an investigator's private memoranda,"hu said the voice; and two chins struck the table simultaneously, and two sets of teeth rattled.
"Since when did you learn to invade the private rooms of a man in misfortune?" and the concussion was repeated.
"Where have they put my clothes?
"Listen," said the voice. "The windows are fastened and I've taken the key out of the door. I am a fairly strong man, and I have the poker handy---besides being invisible. There's not the slightest doubt that I could kill you both and get away quite easily if I wanted to---do you understand? Very well. If I let you go will you promise not to try any nonsense and do what I tell you?"
The vicar and the doctor looked at one another, and the doctor pulled a face. "Yes," said Mr. Bunting, and the doctor repeated it. Then the pressure on the necks relaxed, and the doctor and the vicar sat up, both very red in the face and wriggling their heads.
"Please keep sitting where you are," said the Invisible Man. "Here's the poker, you see.
"When I came into this room," continued the Invisible Man, after presenting the poker to the tip of the nose of each of his visitors, "I did not expect to find it occupied, and I expected to find, in addition to my books of memoranda, an outfit of clothing. Where is it? No,---don't rise. I can see it's gone. Now, just at present, though the days are quite warm enough for an invisible man to run about stark, the evenings are chilly. I want clothing---and other accommodation; and I must also have those three books."
XII
The Invisible Man Loses His Temper
IT IS UNAVOIDABLE THAT at this point the narrative should break off again, for a certain very painful reason that will presently be apparent. And while these things were going on in the parlour, and while Mr. Huxter was watching Mr. Marvel smoking his pipe against the gate, not a dozen yards away were Mr. Hall and Teddy Henfrey discussing in a state of cloudy puzzlement the one Iping topic.
Suddenly there came a violent thud against the door of the parlour, a sharp cry, and then---silence.
"Hul-lo!" said Teddy Henfrey.
"Hul---lo!" from the Tap.
Mr. Hall took things in slowly but surely. "That ain't right," he said, and came round from behind the bar towards the parlour door.
He and Teddy approached the door together, with intent faces. Their eyes considered. "Summathv wrong," said Hall, and Henfrey nodded agreement. Whiffs of an unpleasant chemical odour met them, and there was a muffled sound of conversation, very rapid and subdued.
"You all right thur?" asked Hall, rapping.
The muttered conversation ceased abruptly, for a moment silence, then the conversaion was resumed, in hissing whispers, then a sharp cry of "No! no, you don't!" There came a sudden motion and the overset-ting of a chair, a brief struggle. Silence again.
"What the dooce?" exclaimed Henfrey, sotto voce.hw
"You---all---raight---thur?" asked Mr. Hall, sharply, again.
The vicar's voice answered with a curious jerking intonation: "Quite ri---ght. Please don't---interrupt."
"Odd!" said Mr. Henfrey.
"Odd!" said Mr. Hall.
"Says, 'Don't interrupt,'" said Henfrey.
"I heerd'n," said Hall.
"And a sniff," said Henfrey.
They remained listening. The conversation was rapid and subdued. "I can't," said Mr. Bunting, his voice rising; "I tell you sir, I will not."
"What was that?" asked Henfrey.
"Says he wi' nart," said Hall. "Warn't speakin' to us, wuz he?"
"Disgraceful!" said Mr. Bunting, within.
" 'Disgraceful,' said Mr. Henfrey. "I heard it---distinct."
"Who's that speaking now?" asked Henfrey.
"Mr. Cuss, I s'pose," said Hall. "Can you hear---anything?"
Silence. The sounds within indistinct and perplexing.
"Sounds like throwing the tablecloth about," said Hall.
Mrs. Hall appeared behind the bar. Hall made gestures of silence and invitation. This roused Mrs. Hall's wifely opposition. "What yer lis tenin' there for, Hall?" she asked. "Ain't you nothin' better to do---busy day like this?"
Hall tried to convey everything by grimaces and dumb show,hx but Mrs. Hall was obdurate.hy She raised her voice. So Hall and Henfrey, rather crestfallen, tiptoed back to the bar, gesticulating to explain to her.
At first she refused to see anything in what they had heard at all. Then she insisted on Hall keeping silence, while Henfrey told her his story. She was inclined to think the whole business nonsense---perhaps they were just moving the furniture about. "I heerd'n say 'disgraceful'; that I did," said Hall.
"I heered that, Mis' Hall," said Henfrey.
"Like as not---"hz began Mrs. Hall.
"Hsh!" said Mr. Teddy Henfrey. "Didn't I hear the window?"
"What window?" asked Mrs. Hall.
"Parlour window," said Henfrey.
Everyone stood listening intently. Mrs. Hall's eyes, directed straight before her, saw without seeing the brilliant oblong of the inn door, the road white and vivid, and Huxter's shop-front blistering in the June sun. Abruptly Huxter's door opened and Huxter appeared, eyes staring with excitement, arms gesticulating. "Yap!" cried Huxter. "Stop thief!" and he ran obliquely across the oblong towards the yard gates, and vanished.
Simultaneously came a tumult from the parlour, and a sound of windows being closed.
Hall, Henfrey, and the human contents of the Tap rushed out at once pell-mell into the street. They saw some one whisk round the corner towards the down road, and Mr. Huxter executing a complicated leap in the air that ended on his face and shoulder. Down the street people were standing astonished or running towards them.
Mr. Huxter was stunned. Henfrey stopped to discover this, but Hall and the two labourers from the Tap rushed at once to the corner, shouting incoherent things, and saw Mr. Marvel vanishing by the corner of the church wall. They appear to have jumped to the impossible conclusion that this was the Invisible Man suddenly become visible, and set off at once along the lane in pursuit. But Hall had hardly run a dozen yards before he gave a loud shout of astonishment and went flying headlong sideways, clutching one of the labourers and bringing him to the ground. He had been charged just as one charges a man at football.ia The second labourer came round in a circle, stared, and conceiving that Hall had tumbled over of his own accord, turned to resume the pursuit, only to be tripped by the ankle just as Huxter had been. Then, as the first labourer struggled to his feet, he was kicked sideways by a blow that might have felled an ox.
As he went down, the rush from the direction of the village green came round the corner. The first to appear was the proprietor of the cocoanut shy, a burly man in a blue jersey.ib He was astonished to see the lane empty save for three men sprawling absurdly on the ground. And then something happened to his rear-most foot, and he went headlong and rolled sideways just in time to graze the feet of his brother and partner, following headlong. The two were then kicked, knelt on, fallen over, and cursed by quite a number of over-hasty people.
Now when Hall and Henfrey and the labourers ran out of the house, Mrs. Hall, who had been disciplined by years of experience, remained in the bar next the till. And suddenly the parlour door was opened, and Mr. Cuss appeared, and without glancing at her rushed at once down the steps towards the corner. "Hold him!" he cried. "Don't let him drop that parcel! You can see him so long as he holds the parcel." He knew nothing of the existence of Marvel. For the Invisible Man had handed over the books and bundle in the yard. The face of Mr. Cuss was angry and resolute, but his costume was defective, a sort of limp white kilt that could only have passed muster in Greece.1 "Hold him!" he bawled. "He's got my trousers! And every stitch of the vicar's clothes!
"'Tend to him in a minute!" he cried to Henfrey as he passed the prostrate Huxter, and coming round the corner to join the tumult, was promptly knocked off his feet into an indecorousic sprawl. Somebody in full flight trod heavily on his finger. He yelled, struggled to regain his feet, was knocked against and thrown on all fours again, and became aware that he was involved not in a capture, but a rout. Everyone was running back to the village. He rose again and was hit severely behind the ear. He staggered and set off back to the Coach and Horses forthwith, leaping over the deserted Huxter, who was now sitting up, on his way.
Behind him as he was halfway up the inn steps he heard a sudden yell of rage, rising sharply out of the confusion of cries, and a sounding smack in someone's face. He recognised the voice as that of the Invisible Man, and the note was that of a man suddenly infuriated by a painful blow.
In another moment Mr. Cuss was back in the parlour. "He's coming back, Bunting!" he said, rushing in. "Save yourself! He's gone mad!"
Mr. Bunting was standing in the window engaged in an attempt to clothe himself in the hearthrug and a West Surrey Gazette. "Who's coming?" he said, so startled that his costume narrowly escaped disintegration.
"Invisible Man," said Cuss, and rushed to the window. "We'd better clear out from here! He's fighting mad! Mad!"
In another moment he was out in the yard.
"Good heavens!" said Mr. Bunting, hesitating between two horrible alternatives. He heard a frightful struggle in the passage of the inn, and his decision was made. He clambered out of the window, adjusted his costume hastily, and fled up the village as fast as his fat little legs would carry him.
From the moment when the Invisible Man screamed with rage and Mr. Bunting made his memorable flight up the village, it became impossible to give a consecutive account of affairs in Iping. Possibly the Invisible Man's original intention was simply to cover Marvel's retreat with the clothes and books. But his temper, at no time very good, seems to have gone completely at some chance blow, and forthwith he set to smiting and overthrowing, for the mere satisfaction of hurting.2
You must figure the street full of running figures, of doors slamming and fights for hiding-places. You must figure the tumult suddenly striking on the unstable equilibrium of old Fletcher's planks and two chairs,---with cataclysmal results. You must figure an appalled couple caught dismally in a swing. And then the whole tumultuous rush has passed and the Iping street with its gaudsid and flags is deserted save for the still raging unseen, and littered with cocoanuts, overthrown canvas screens, and the scattered stock in trade of a sweetstuffie stall. Everywhere there is a sound of closing shutters and shoving bolts, and the only visible humanity is an occasional flitting eye under a raised eyebrow in the corner of a window pane.
The Invisible Man amused himself for a little while by breaking all the windows in the Coach and Horses, and then he thrust a street lamp through the parlour window of Mrs. Gribble. He it must have been who cut the telegraph wire to Adderdean just beyond Higgins' cottage on the Adderdean road. And after that, as his peculiar qualities allowed, he passed out of human perceptions altogether, and he was neither heard, seen, nor felt in Iping any more. He vanished absolutely.
But it was the best part of two hours before any human being ventured out again into the desolation of Iping street.
XIII
Mr. Marvel Discusses His Resignation
WHEN THE DUSK WAS gathering and Iping was just beginning to peep timorously forth again upon the shattered wreckage of its Bank Holiday, if a short, thickset man in a shabby silk hat was marching painfully through the twilight behind the beechwoods on the road to Bramblehurst. He carried three books bound together by some sort of ornamental elastic ligature, and a bundle wrapped in a blue tablecloth. His rubicundig face expressed consternation and fatigue; he appeared to be in a spasmodic sort of hurry. He was accompanied by a voice other than his own, and ever and again he winced under the touch of unseen hands.
"If you give me the slip again," said the voice; "if you attempt to give me the slip again---"
"Lord!" said Mr. Marvel. "That shoulder's a mass of bruises as it is."
"---on my honour," said the voice, "I will kill you."
"I didn't try to give you the slip," said Marvel, in a voice that was not far remote from tears. "I swear I didn't. I didn't know the blessed turning, that was all! How the devil was I to know the blessed turning? As it is, I've been knocked about---"
"You'll get knocked about a great deal more if you don't mind," said the voice, and Mr. Marvel abruptly became silent. He blew out his cheeks, and his eyes were eloquent of despair.
"It's bad enough to let these floundering yokels explode my little secret without your cutting off with my books. It's lucky for some of them they cut and ran when they did! Here am I---No one knew I was invisible! And now what am I to do?"
"What am I to do?" asked Marvel, sotto voce.
"It's all about.ih It will be in the papers! Everybody will be looking for me; everyone on their guard---" The voice broke off into vivid curses and ceased.
The despair of Mr. Marvel's face deepened, and his pace slacked.
"Go on!" said the voice.
Mr. Marvel's face assumed a greyish tint between the ruddier patches.
"Don't drop those books, stupid," said the voice, sharply---overtaking him.
"The fact is," said the voice, "I shall have to make use of you. You're a poor tool, but I must."
"I'm a miserable tool," said Marvel.
"You are," said the voice.
"I'm the worst possible tool you could have," said Marvel.
"I'm not strong," he said after a discouraging silence.
"I'm not over strong," he repeated.
"No?"
"And my heart's weak. That little business---I pulled it through, of course---but bless you! I could have dropped."
"Well?"
"I haven't the nerve and strength for the sort of thing you want."
"I'll stimulate you."
"I wish you wouldn't. I wouldn't like to mess up your plans, you know. But I might,---out of sheer funkii and misery."
"You'd better not," said the voice, with quiet emphasis.
"I wish I was dead," said Marvel.
"It ain't justice," he said; "you must admit---It seems to me I've a perfect right---"
"Get on!" said the voice.
Mr. Marvel mended his pace, and for a time they went in silence again.
"It's devilish hard," said Mr. Marvel.
This was quite ineffectual. He tried another tack.
"What do I make by it?" he began again in a tone of unendurable wrong.
"Oh! shut up!" said the voice, with sudden amazing vigour. "I'll see to you all right. You do what you're told. You'll do it all right. You're a fool and all that, but you'll do---"
"I tell you, sir, I'm not the man for it. Respectfully---but it is so---"
"If you don't shut up I shall twist your wrist again," said the Invisible Man. "I want to think."
Presently two oblongs of yellow light appeared through the trees, and the square tower of a church loomed through the gloaming. "I shall keep my hand on your shoulder," said the voice, "all through the village. Go straight through and try no foolery. It will be the worse for you if you do."
"I know that," sighed Mr. Marvel, "I know all that."
The unhappy-looking figure in the obsolete silk hat passed up the street of the little village with his burdens, and vanished into the gathering darkness beyond the lights of the windows.
XIV
At Port Stowe1
TEN O'CLOCK THE NEXT morning found Mr. Marvel, unshaven, dirty, and travel-stained, sitting with the books beside him and his hands deep in his pockets, looking very weary, nervous, and uncomfortable, and inflating his cheeks at frequent intervals, on the bench outside a little inn on the outskirts of Port Stowe. Beside him were the books, but now said they were tied with string. The bundle had been abandoned in the pine woods beyond Bramblehurst, in accordance with a change in the plans of the Invisible Man. Mr. Marvel sat on the bench, and although no one took the slightest notice of him, his agitation remained at fever heat. His hands would go ever and again to his various pockets with a curious nervous fumbling.
When he had been sitting for the best part of an hour, however, an elderly mariner, carrying a newspaper, came out of the inn and sat down beside him. "Pleasant day," said the mariner.
Mr. Marvel glanced about him with something very like terror. "Very," he said.
"Just seasonable weather for the time of year," said the mariner, taking no denial.
"Quite," said Mr. Marvel.
The mariner produced a toothpick, and (saving his regard) was engrossed thereby for some minutes. His eyes meanwhile were at liberty to examine Mr. Marvel's dusty figure, and the books beside him. As he had approached Mr. Marvel he had heard a sound like the dropping of coins into a pocket. He was struck by the contrast of Mr. Marvel's appearance with this suggestion of opulence. Thence his mind wandered back again to a topic that had taken a curiously firm hold of his imagination.
"Books?" he said suddenly, noisily finishing with the toothpick.
Mr. Marvel started and looked at them. "Oh, yes," he said. "Yes, they're books."
"There's some extra-ordinary things in books," said the mariner.
"I believe you," said Mr. Marvel.
"And some extra-ordinary things out of 'em," said the mariner.
"True likewise," said Mr. Marvel. He eyed his interlocutor, and then glanced about him.
"There's some extra-ordinary things in newspapers, for example," said the mariner.
"There are."
"In this newspaper," said the mariner.
"Ah!" said Mr. Marvel.
"There's a story," said the mariner, fixing Mr. Marvel with an eye that was firm and deliberate; "there's a story about an invisible man, for instance."
Mr. Marvel pulled his mouth askew and scratched his cheek and felt his ears glowing. "What will they be writing next?" he asked faintly. "Ostria,ij or America?"
"Neither," said the mariner. "Here!"
"Lord!" said Mr. Marvel, starting.
"When I say here," said the mariner, to Mr. Marvel's intense relief, "I don't of course mean here in this place. I mean hereabouts."
"An invisible man!" said Mr. Marvel. "And what's he been up to?"
"Everything," said the mariner, controlling Marvel with his eye, and then amplifying: "Every Blessed Thing."
"I ain't seen a paper these four days," said Marvel.
"Iping's the place he started at," said the mariner.
"In-deed!" said Mr. Marvel.
"He started there. And where he came from, nobody don't seem to know. Here it is: Pe Culiar Story from Iping. And it says in this paper that the evidence is extra-ordinary strong---extra-ordinary."
"Lord!" said Mr. Marvel.
"But then, it's a extra-ordinary story. There is a clergyman and a medical gent witnesses,---saw 'im all right and proper---or leastways, didn't see 'im. He was staying, it says, at the Coach an' Horses, and no one don't seem to have been aware of his misfortune, it says, aware of his misfortune, until in an Alterationik in the inn, it says, his bandages on his head was torn off. It was then observed that his head was invisible. Attempts were At Once made to secure him, but casting off his garments it says, he succeeded in escaping, but not until after a desperate struggle, In Which he had inflicted serious injuries, it says, on our worthy and able constable, Mr. J.A. Jaffers. Pretty straight story, eigh? Names and everything."
"Lord!" said Mr. Marvel, looking nervously about him, trying to count the money in his pockets by his unaided sense of touch, and full of a strange and novel idea. "It sounds most astonishing."
"Don't it? Extra-ordinary, I call it. Never heard tell of invisible men before, I haven't, but nowadays one hears such a lot of extra-ordinary things---that---"
"That all he did?" asked Marvel, trying to seem at his ease.
"It's enough, ain't it?" said the mariner.
"Didn't go back by any chance?" asked Marvel. "Just escaped and that's all, eh?"
"All!" said the mariner. "Why!---ain't it enough?"
"Quite enough," said Marvel.
"I should think it was enough," said the mariner. "I should think it was enough."
"He didn't have any pals---it don't say he had any pals, does it?" asked Mr. Marvel, anxious.
"Ain't one of a sort enough for you?" asked the mariner. "No, thank Heaven, as one might say, he didn't."
He nodded his head slowly. "It makes me regular uncomfortable, the bare thought of that chap running about the country! He is at present At Large, and from certain evidence it is supposed that he has---taken---took, I suppose they mean---the road to Port Stowe. You see we're right in it! None of your American wonders, this time. And just think of the things he might do! Where'd you be, if he took a drop over and above, and had a fancy to go for you? Suppose he wants to rob---who can prevent him? He can trespass, he can burgle, he could walk through a cordonil of policemen as easy as me or you could give the slip to a blind man! Easier! For these here blind chaps hear uncommon sharp, I'm told. And wherever there was liquor he fancied---"
"He's got a tremenjous advantage, certainly," said Mr. Marvel. "And---well."
"You're right," said the mariner. "He has."
All this time Mr. Marvel had been glancing about him intently, listening for faint footfalls, trying to detect imperceptible movements. He seemed on the point of some great resolution. He coughed behind his hand.
He looked about him again, listened, bent towards the mariner, and lowered his voice: "The fact of it is---I happen---to know just a thing or two about this invisible man. From private sources."
"Oh!" said the mariner, interested. "You?"
"Yes," said Mr. Marvel. "Me."
"Indeed!" said the mariner. "And may I ask---"
"You'll be astonished," said Mr. Marvel behind his hand. "It's tremenjous."
"Indeed!" said the mariner.
"The fact is," began Mr. Marvel eagerly in a confidential undertone. Suddenly his expression changed marvellously. "Ow!" he said. He rose stiffly in his seat. His face was eloquent of physical suffering. "Wow!" he said.
"What's up?" said the mariner, concerned.
"Toothache," said Mr. Marvel, and put his hand to his ear. He caught hold of his books. "I must be getting on, I think," he said. He edged in a curious way along the seat away from his interlocutor. "But you was just going to tell me about this here invisible man!" protested the mariner. Mr. Marvel seemed to consult with himself. "Hoax," said a voice. "It's a hoax," said Mr. Marvel.
"But it's in the paper," said the mariner.
"Hoax all the same," said Marvel. "I know the chap that started the lie. There ain't no invisible man whatsoever---Blimey."
"But how 'bout this paper? D'you mean to say---?"
"Not a word of it," said Marvel, stoutly.
The mariner stared, paper in hand. Mr. Marvel jerkily faced about. "Wait a bit," said the mariner, rising and speaking slowly. "D'you mean to say---?"
"I do," said Mr. Marvel.
"Then why did you let me go on and tell you all this blarsted stuff, then? What d'yer mean by letting a man make a fool of himself like that for? Eigh?"
Mr. Marvel blew out his cheeks. The mariner was suddenly very red indeed; he clenched his hands. "I been talking here this ten minutes," he said; "and you, you little pot-bellied, leathery-faced son of an old boot, couldn't have the elementary manners---"
"Don't you come bandyingim words with me," said Mr. Marvel.
"Bandying words! I'm a jolly good mind---"
"Come up," said a voice, and Mr. Marvel was suddenly whirled about and started marching off in a curious spasmodic manner. "You'd better move on," said the mariner. "Who's moving on?" said Mr. Marvel. He was receding obliquely with a curious hurrying gait, with occasional violent jerks forward. Some way along the road he began a muttered monologue, protests and recriminations.
"Silly devil!" said the mariner, legs wide apart, elbows akimbo, watching the receding figure. "I'll show you, you silly ass,---hoaxing me! It's here---on the paper!"
Mr. Marvel retorted incoherently and, receding, was hidden by a bend in the road, but the mariner still stood magnificent in the midst of the way, until the approach of a butcher's cart dislodged him. Then he turned himself towards Port Stowe. "Full of extra-ordinary asses," he said softly to himself. "Just to take me down a bit---that was his silly game---It's on the paper."
And there was another extra-ordinary thing he was presently to hear, that had happened quite close to him. And that was a vision of a "fistful of money" (no less) travelling without visible agency,in along by the wall at the corner of St. Michael's Lane. A brother mariner had seen this wonderful sight that very morning. He had snatched at the money forthwith and had been knocked headlong, and when he had got to his feet the butterfly money had vanished. Our mariner was in the mood to believe anything, he declared, but that was a bit too stiff. Afterwards, however, he began to think things over.
The story of the flying money was true. And all about that neighbourhood, even from the august London and Country Banking Company, from the tillsio of shops and inns---doors standing that sunny weather entirely open---money had been quietly and dexterously making off that day in handfuls and rouleaux,ip floating quietly along by walls and shady places, dodging quickly from the approaching eyes of men. And it had, though no man had traced it, invariably ended its mysterious flight in the pocket of that agitated gentleman in the obsolete silk hat, sitting outside the little inn on the outskirts of Port Stowe.
XV
The Man Who Was Running
IN THE EARLY EVENING time Doctor Kemp was sitting in his study in the belvedereiq on the hill overlooking Burdock. It was a pleasant little room, with three windows, north, west, and south, and bookshelves covered with books and scientific publications, and a broad writing-table, and, under the north window, a microscope, glass slips,ir minute instruments, some cultures, and scattered bottles of reagents. Doctor Kemp's solar lamp was lit, albeit the sky was still bright with the sunset light, and his blinds were up because there was no offence of peering outsiders to require them pulled down. Doctor Kemp was a tall and slender young man, with flaxen hair and a moustache almost white, and the work he was upon would earn him, he hoped, the fellowship of the Royal Society, so highly did he think of it.
And his eye presently wandering from his work caught the sunset blazing at the back of the hill that is over against his own. For a minute perhaps he sat, pen in mouth, admiring the rich golden colour above the crest, and then his attention was attracted by the little figure of a man, inky black, running over the hill-brow towards him. He was a shortish little man, and he wore a high hat, and he was running so fast that his legs verily twinkled.
"Another of those fools," said Doctor Kemp. "Like that ass who ran into me this morning round a corner, with his 'Visible Man a-coming, sir!' I can't imagine what possesses people. One might think we were in the thirteenth century."
He got up, went to the window, and stared at the dusky hillside, and the dark little figure tearing down it. "He seems in a confounded hurry," said Doctor Kemp, "but he doesn't seem to be getting on. If his pockets were full of lead, he couldn't run heavier.
"Spurt sir,"is said Doctor Kemp.
In another moment the higher of the villas that had clambered up the hill from Burdock had occultedit the running figure. He was visible again for a moment, and again, and then again, three times between the three detached houses that came next, and the terrace hid him.
"Asses!" said Doctor Kemp, swinging round on his heel and walking back to his writing-table.
But those who saw the fugitive nearer, and perceived the abject terror on his perspiring face, being themselves in the open roadway, did not share in the doctor's contempt. By the man pounded, and as he ran he chinked like a well-filled purse that is tossed to and fro. He looked neither to the right nor the left, but his dilated eyes stared straight downhill to where the lamps were being lit, and the people were crowded in the street. And his ill-shaped mouth fell apart, and a glairyiu foam lay on his lips, and his breath came hoarse and noisy. All he passed stopped and began staring up the road and down, and interrogating one another with an inkling of discomfort for the reason of his haste.
And then presently, far up the hill, a dog playing in the road yelped and ran under a gate, and as they still wondered, something,---a wind---a pad, pad, pad,---a sound like a panting breathing,---rushed by.
People screamed. People sprang off the pavement. It passed in shouts, it passed by instinct down the hill. They were shouting in the street before Marvel was halfway there. They were bolting into houses and slamming the doors behind them, with the news. He heard it and made one last desperate spurt. Fear came striding by, rushed ahead of him, and in a moment had seized the town.
"The Invisible Man is coming! The Invisible Man!"
XVI
In the Jolly Cricketers
THE JOLLY CRICKETERSiv is just at the bottom of the hill, where the tram-lines begin. The barman leant his fat red arms on the counter and talked of horses with an anæmic cabman, while a black-bearded man in grey snapped up biscuit and cheese, drank Burton,iw and conversed in American1 with a policeman off duty.
"What's the shouting about!" said the anæmic cabman, going off at a tangent, trying to see up the hill over the dirty yellow blind in the low window of the inn. Somebody ran by outside. "Fire, perhaps," said the barman.
Footsteps approached, running heavily, the door was pushed open violently, and Marvel, weeping and dishevelled, his hat gone, the neck of his coat torn open, rushed in, made a convulsive turn, and attempted to shut the door. It was held half open by a strap.
"Coming!" he bawled, his voice shrieking with terror. "He's coming. The 'Visible Man! After me! For Gawd's sake! Elp! Elp! Elp!"
"Shut the doors," said the policeman. "Who's coming? What's the row?" He went to the door, released the strap, and it slammed. The American closed the other door.
"Lemme go inside," said Marvel, staggering and weeping, but still clutching the books. "Lemme go inside. Lock me in---somewhere. I tell you he's after me. I give him the slip. He said he'd kill me and he will."
"You're safe," said the man with the black beard. "The door's shut. What's it all about?"
"Lemme go inside," said Marvel, and shrieked aloud as a blow suddenly made the fastened door shiver and was followed by a hurried rapping and a shouting outside. "Hullo," cried the policeman, "who's there?" Mr. Marvel began to make frantic dives at panels that looked like doors. "He'll kill me---he's got a knife or something. For Gawd's sake!"
"Here you are," said the barman. "Come in here." And he held up the flapix of the bar.
Mr. Marvel rushed behind the bar as the summons outside was repeated. "Don't open the door," he screamed. "Please don't open the door. Where shall I hide?"
"This, this Invisible Man, then?" asked the man with the black beard, with one hand behind him. "I guess it's about time we saw him."
The window of the inn was suddenly smashed in, and there was a screaming and running to and fro in the street. The policeman had been standing on the setteeiy staring out, craning to see who was at the door. He got down with raised eyebrows. "It's that," he said. The barman stood in front of the bar-parlour door which was now locked on Mr. Marvel, stared at the smashed window, and came round to the two other men.
Everything was suddenly quiet. "I wish I had my truncheon," said the policeman, going irresolutely to the door. "Once we open, in he comes. There's no stopping him."
"Don't you be in too much hurry about that door," said the anæmic cabman, anxiously.
"Draw the bolts," said the man with the black beard, "and if he comes---" He showed a revolver in his hand.
"That won't do," said the policeman; "that's murder."
"I know what country I'm in,"2 said the man with the beard. "I'm going to let offiz at his legs. Draw the bolts."
"Not with that thing going off behind me," said the barman, craning over the blind.
"Very well," said the man with the black beard, and stooping down, revolver ready, drew them himself. Barman, cabman, and policeman faced about.
"Come in," said the bearded man in an undertone, standing back and facing the unbolted doors with his pistol behind him. No one came in, the door remained closed. Five minutes afterwards when a second cabman pushed his head in cautiously, they were still waiting, and an anxious face peered out of the bar-parlour and supplied information. "Are all the doors of the house shut?" asked Marvel. "He's going round---prowling round. He's as artful as the devil."
"Good Lord!" said the burly barman. "There's the back! Just watch them doors! I say!---" He looked about him helplessly. The bar-parlour door slammed and they heard the key turn. "There's the yard door and the private door. The yard door---"
He rushed out of the bar.
In a minute he reappeared with a carving-knife in his hand. "The yard door was open!" he said, and his fat underlip dropped. "He may be in the house now!" said the first cabman.
"He's not in the kitchen," said the barman. "There's two women there, and I've stabbed every inch of it with this little beef slicer. And they don't think he's come in. They haven't noticed---"
"Have you fastened it?" asked the first cabman.
"I'm out of frocks," said the barman.
The man with the beard replaced his revolver. And even as he did so the flap of the bar was shut down and the bolt clicked, and then with a tremendous thud the catch of the door snapped and the bar-parlour door burst open. They heard Marvel squeal like a caught leveret,ja and forthwith they were clambering over the bar to his rescue. The bearded man's revolver cracked and the looking-glass at the back of the parlour started and came smashing and tinkling down.
As the barman entered the room he saw Marvel, curiously crumpled up and struggling against the door that led to the yard and kitchen. The door flew open while the barman hesitated, and Marvel was dragged into the kitchen. There was a scream and a clatter of pans. Marvel, head down, and lugging back obstinately, was forced to the kitchen door, and the bolts were drawn.
Then the policeman, who had been trying to pass the barman, rushed in, followed by one of the cabmen, gripped the wrist of the invisible hand that collared Marvel, was hit in the face and went reeling back. The door opened, and Marvel made a frantic effort to obtain a lodg ment behind it. Then the cabman collared something. "I got him," said the cabman. The barman's red hands came clawing at the unseen. "Here he is!" said the barman.
Mr. Marvel, released, suddenly dropped to the ground and made an attempt to crawl behind the legs of the fighting men. The struggle blundered round the edge of the door. The voice of the Invisible Man was heard for the first time, yelling out sharply, as the policeman trod on his foot. Then he cried out passionately and his fists flew round like flails.jb The cabman suddenly whooped and doubled up, kicked under the diaphragm. The door into the bar-parlour from the kitchen slammed and covered Mr. Marvel's retreat. The men in the kitchen found themselves clutching at and struggling with empty air.
"Where's he gone?" cried the man with the beard. "Out?"
"This way," said the policeman, stepping into the yard and stopping.
A piece of tile whizzed by his head and smashed among the crockery on the kitchen table.
"I'll show him," shouted the man with the black beard, and suddenly a steel barrel shone over the policeman's shoulder, and five bullets had followed one another into the twilight whence the missile had come. As he fired, the man with the beard moved his hand in a horizontal curve, so that his shots radiated out into the narrow yard like spokes from a wheel.
A silence followed. "Five cartridges," said the man with the black beard. "That's the best of all. Four aces and the joker. Get a lantern, someone, and come and feel about for his body."
XVII
Doctor Kemp's Visitor
DOCTOR KEMP HAD CONTINUED writing in his study until the shots aroused him. Crack, crack, crack, they came one after the other.
"Hullo!" said Doctor Kemp, putting his pen into his mouth again and listening. "Who's letting off revolvers in Burdock? What are the asses at now?"
He went to the south window, threw it up, and leaning out stared down on the network of windows, beaded gas-lamps and shops, with its black intersticesjc of roofs that made up the town at night. "Looks like a crowd down the hill," he said, "by the Cricketers," and remained watching. Thence his eyes wandered over the town to far away where the ships' lights shone, and the pier glowed, a little illuminated faceted pavilion like a gem of yellow light. The moon in its first quarter hung over the western hill, and the stars were clear and almost tropically bright.
After five minutes, during which his mind had travelled into a remote speculation of social conditions of the future, and lost itself at last over the time dimension, Doctor Kemp roused himself with a sigh, pulled down the window again, and returned to his writing-desk.
It must have been about an hour after this that the front-door bell rang. He had been writing slackly,jd and with intervals of abstraction, since the shots. He sat listening. He heard the servant answer the door, and waited for her feet on the staircase, but she did not come. "Wonder what that was," said Doctor Kemp.
He tried to resume his work, failed, got up, went downstairs from his study to the landing, rang, and called over the balustrade to the house maid as she appeared in the hall below. "Was that a letter?" he asked.
"Only a runaway ring,je sir," she answered.
"I'm restless to-night," he said to himself. He went back to his study, and this time attacked his work resolutely. In a little while he was hard at work again, and the only sounds in the room were the ticking of the clock and the subdued shrillness of his quill, hurrying in the very centre of the circle of light his lampshade threw on his table.
It was two o'clock before Doctor Kemp had finished his work for the night. He rose, yawned, and went downstairs to bed. He had already removed his coat and vest, when he noticed that he was thirsty. He took a candle and went down to the dining-room in search of a syphonjf and whiskey.
Doctor Kemp's scientific pursuits had made him a very observant man, and as he recrossed the hall, he noticed a dark spot on the linoleum near the mat at the foot of the stairs. He went on upstairs, and then it suddenly occurred to him to ask himself what the spot on the linoleum might be. Apparently some subconscious element was at work. At any rate, he turned with his burden, went back to the hall, put down the syphon and whiskey, and bending down, touched the spot. Without any great surprise he found it had the stickiness and colour of drying blood.
He took up his burden again, and returned upstairs, looking about him and trying to account for the bloodspot. On the landing he saw something and stopped astonished. The door-handle of his own room was bloodstained.
He looked at his own hand. It was quite clean, and then he remembered that the door of his room had been open when he came down from his study, and that consequently he had not touched the handle at all. He went straight into his room, his face quite calm---perhaps a trifle more resolute than usual. His glance, wandering inquisitively, fell on the bed. On the counterpane was a mess of blood, and the sheet had been torn. He had not noticed this before because he had walked straight to the dressing-table. On the further side the bed-clothes were depressed as if someone had been recently sitting there.
Then he had an odd impression that he had heard a loud voice say, "Good Heavens!---Kemp!" But Doctor Kemp was no believer in voices.
He stood staring at the tumbled sheets. Was that really a voice? He looked about again, but noticed nothing further than the disordered and bloodstained bed. Then he distinctly heard a movement across the room, near the wash-hand stand.jg All men, however highly educated, retain some superstitious inklings. The feeling that is called "eerie"jh came upon him. He closed the door of the room, came forward to the dressing-table, and put down his burdens. Suddenly, with a start, he perceived a coiled and bloodstained bandage of linen rag hanging in mid-air, between him and the wash-hand stand.
He stared at this in amazement. It was an empty bandage, a bandage properly tied but quite empty. He would have advanced to grasp it, but a touch arrested him, and a voice speaking quite close to him.
"Kemp!" said the voice.
"Eigh?" said Kemp, with his mouth open.
"Keep your nerve," said the voice. "I'm an invisible man."
Kemp made no answer for a space, simply stared at the bandage. "Invisible man," he said.
"I'm an invisible man," repeated the voice.
The story he had been active to ridicule only that morning rushed through Kemp's brain. He does not appear to have been either very much frightened or very greatly surprised at the moment. Realisation came later.
"I thought it was all a lie," he said. The thought uppermost in his mind was the reiterated arguments of the morning. "Have you a bandage on?" he asked.
"Yes," said the Invisible Man.
"Oh!" said Kemp, and then roused himself. "I say!" he said. "But this is nonsense. It's some trick." He stepped forward suddenly, and his hand, extended towards the bandage, met invisible fingers.
He recoiled at the touch and his colour changed.
"Keep steady, Kemp, for God's sake! I want helpji badly. Stop!"
The hand gripped his arm. He struck at it.
"Kemp!" cried the voice. "Kemp! Keep steady!" and the grip tightened.
A frantic desire to free himself took possession of Kemp. The hand of the bandaged arm gripped his shoulder, and he was suddenly tripped and flung backwards upon the bed. He opened his mouth to shout, and the corner of the sheet was thrust between his teeth. The Invisible Man had him down grimly, but his arms were free and he struck and tried to kick savagely.
"Listen to reason, will you?" said the Invisible Man, sticking to him in spite of a pounding in the ribs. "By Heaven! you'll madden me in a minute!
"Lie still, you fool!" bawled the Invisible Man in Kemp's ear.
Kemp struggled for another moment and then lay still.
"If you shout I'll smash your face," said the Invisible Man, relieving his mouth.
"I'm an invisible man. It's no foolishness, and no magic. I really am an invisible man. And I want your help. I don't want to hurt you, but if you behave like a frantic rustic, I must. Don't you remember me, Kemp? Griffin, of University College?"1
"Let me get up," said Kemp. "I'll stop where I am. And let me sit quiet for a minute."
He sat up and felt his neck.
"I am Griffin, of University College, and I have made myself invisible. I am just an ordinary man---a man you have known---made invisible."
"Griffin?" said Kemp.
"Griffin," answered the voice,---"a younger student, almost an albino, six feet high, and broad, with a pink and white face and red eyes,---who won the medal for chemistry."
"I am confused," said Kemp. "My brain is rioting. What has this to do with Griffin?"
"I am Griffin."
Kemp thought. "It's horrible," he said. "But what devilry must happen to make a man invisible?"
"It's no devilry. It's a process, sane and intelligible enough---"
"It's horrible!" said Kemp. "How on earth---?"
"It's horrible enough. But I'm wounded and in pain, and tired---Great God! Kemp, you are a man. Take it steady. Give me some food and drink, and let me sit down here."
Kemp stared at the bandage as it moved across the room, then saw a basket chair dragged across the floor and come to rest near the bed. It creaked, and the seat was depressed the quarter of an inch or so. He rubbed his eyes and felt his neck again. "This beats ghosts," he said, and laughed stupidly.
"That's better. Thank Heaven, you're getting sensible!"
"Or silly," said Kemp, and knuckled his eyes.
"Give me some whiskey. I'm near dead."
"It didn't feel so. Where are you? If I get up shall I run into you? There! all right. Whiskey? Here. Where shall I give it you?"
The chair creaked and Kemp felt the glass drawn away from him. He let go by an effort; his instinct was all against it. It came to rest poised twenty inches above the front edge of the seat of the chair. He stared at it in infinite perplexity. "This is---this must be---hypnotism. You must have suggested you are invisible."
"Nonsense," said the voice.
"It's frantic."
"Listen to me."
"I demonstrated conclusively this morning," began Kemp, "that invisibility---"
"Never mind what you've demonstrated!---I'm starving," said the voice, "and the night is---chilly to a man without clothes."
"Food!" said Kemp.
The tumbler of whiskey tilted itself. "Yes," said the Invisible Man rapping it down. "Have you got a dressing gown?"
Kemp made some exclamation in an undertone. He walked to a wardrobe and produced a robe of dingy scarlet. "This do?" he asked. It was taken from him. It hung limp for a moment in mid-air, fluttered weirdly, stood full and decorous buttoning itself, and sat down in his chair. "Drawers, socks, slippers would be a comfort," said the unseen, curtly. "And food."
"Anything. But this is the insanest thing I ever was in, in my life!"
He turned out his drawers for the articles, and then went downstairs to ransack his larder.jj He came back with some cold cutlets and bread, pulled up a light table, and placed them before his guest. "Never mind knives," said his visitor, and a cutlet hung in mid-air, with a sound of gnawing.
"Invisible!" said Kemp, and sat down on a bedroom chair.
"I always like to get something about me before I eat," said the Invisible Man, with a full mouth, eating greedily. "Queer fancy!"
"I suppose that wrist is all right," said Kemp.
"Trust me," said the Invisible Man.
"Of all the strange and wonderful---"
"Exactly. But it's odd I should blunder into your house to get my bandaging. My first stroke of luck! Anyhow I meant to sleep in this house to-night. You must stand that! It's a filthy nuisance, my blood showing, isn't it? Quite a clot over there. Gets visible as it coagulates, I see. I've been in the house three hours."
"But how's it done?" began Kemp, in a tone of exasperation. "Confound it! The whole business---it's unreasonable from beginning to end."
"Quite reasonable," said the Invisible Man. "Perfectly reasonable."
He reached over and secured the whiskey bottle. Kemp stared at the devouring dressing gown. A ray of candlelight penetrating a torn patch in the right shoulder, made a triangle of light under the left ribs. "What were the shots?" he asked. "How did the shooting begin?"
"There was a fool of a man---a sort of confederate of mine---curse him!---who tried to steal my money. Has done so."
"Is he invisible too?"
"No."
"Well?"
"Can't I have some more to eat before I tell you all that? I'm hungry---in pain. And you want me to tell stories!"
Kemp got up. "You didn't do any shooting?" he asked.
"Not me," said his visitor. "Some fool I'd never seen fired at random. A lot of them got scared. They all got scared at me. Curse them!---I say---I want more to eat than this, Kemp."
"I'll see what there is more to eat downstairs," said Kemp. "Not much, I'm afraid."
After he had done eating, and he made a heavy meal, the Invisible Man demanded a cigar. He bit the end savagely before Kemp could find a knife, and cursed when the outer leaf loosened. It was strange to see him smoking; his mouth, and throat, pharynx and nares,jk became visible as a sort of whirling smoke cast.
"This blessed gift of smoking!" he said, and puffed vigorously. "I'm lucky to have fallen upon you, Kemp. You must help me. Fancy tumbling on you just now! I'm in a devilish scrape. I've been mad, I think. The things I have been through! But we will do things yet. Let me tell you---"
He helped himself to more whiskey and soda. Kemp got up, looked about him, and fetched himself a glass from his spare room. "It's wild---but I suppose I may drink."
"You haven't changed much, Kemp, these dozen years. You fair men don't. Cool and methodical---after the first collapse. I must tell you. We will work together!"
"But how was it all done?" said Kemp, "and how did you get like this?"
"For God's sake, let me smoke in peace for a little while! And then I will begin to tell you."
But the story was not told that night. The Invisible Man's wrist was growing painful, he was feverish, exhausted, and his mind came round to brood upon his chase down the hill and the struggle about the inn. He spoke in fragments of Marvel, he smoked faster, his voice grew angry. Kemp tried to gather what he could.
"He was afraid of me, I could see he was afraid of me," said the Invisible Man many times over. "He meant to give me the slip---he was always casting about! What a fool I was!
"The cur!
"I should have killed him---"
"Where did you get the money?" asked Kemp, abruptly. The Invisible Man was silent for a space. "I can't tell you to-night," he said.
He groaned suddenly and leant forward, supporting his invisible head on invisible hands. "Kemp," he said, "I've had no sleep for near three days,---except a couple of dozes of an hour or so. I must sleep soon."
"Well, have my room---have this room."
"But how can I sleep? If I sleep---he will get away. Ugh! What does it matter?"
"What's the shot-wound?" asked Kemp, abruptly.
"Nothing---scratch and blood. Oh, God! How I want sleep!"
"Why not?"
The Invisible Man appeared to be regarding Kemp. "Because I've a particular objection to being caught by my fellow-men," he said slowly.
Kemp started.
"Fool that I am!" said the Invisible Man, striking the table smartly. "I've put the idea into your head."
XVIII
The Invisible Man Sleeps
EXHAUSTED AND WOUNDED AS the Invisible Man was, he refused to accept Kemp's word that his freedom should be respected. He examined the two windows of the bedroom, drew up the blinds, and opened the sashes,jl to confirm Kemp's statement that a retreat by them would be possible. Outside the night was very quiet and still, and the new moon was setting over the down. Then he examined the keys of the bedroom and the two dressing room doors, to satisfy himself that these also could be made an assurance of freedom. Finally he expressed himself satisfied. He stood on the hearth rug and Kemp heard the sound of a yawn.
"I'm sorry," said the Invisible Man, "if I cannot tell you all that I have done to-night. But I am worn out. It's grotesque,1 no doubt. It's horrible! But believe me, Kemp, in spite of your arguments of this morning, it is quite a possible thing. I have made a discovery. I meant to keep it to myself. I can't. I must have a partner.2 And you---We can do such things---But to-morrow. Now, Kemp, I feel as though I must sleep or perish."
Kemp stood in the middle of the room staring at the headless garment. "I suppose I must leave you," he said. "It's---incredible. These things happening like this, overturning all my preconceptions, would make me insane. But it's real! Is there anything more that I can get you?"
"Only bid me good-night," said Griffin.
"Good-night," said Kemp, and shook an invisible hand. He walked sideways to the door. Suddenly the dressing gown walked quickly towards him. "Understand me!" said the dressing gown. "No attempts to hamper me, or capture me! Or---"
Kemp's face changed a little. "I thought I gave you my word," he said.
Kemp closed the door softly behind him, and the key was turned upon him forthwith. Then, as he stood with an expression of passive amazement on his face, the rapid feet came to the door of the dressing room and that too was locked. Kemp slapped his brow with his hand. "Am I dreaming? Has the world gone mad---or have I?"
He laughed, and put his hand to the locked door. "Barred out of my own bedroom, by a flagrant absurdity!" he said.
He walked to the head of the staircase, turned, and stared at the locked doors. "It's fact," he said. He put his fingers to his slightly bruised neck. "Undeniable fact!
"But---"
He shook his head hopelessly, turned, and went downstairs.
He lit the dining-room lamp, got out a cigar, and began pacing the room, ejaculating.jm Now and then he would argue with himself.
"Invisible!" he said.
"Is there such a thing as an invisible animal? In the sea, yes, thousands ! millions! All the larvæ, all the little nauplii and tornarias,jn all the microscopic things, the jellyfish. In the sea there are more things invisible than visible! I never thought of that before. And in the ponds too! All those little pond-life things,---specks of colourless translucent jelly! But in air? No!
"It can't be.
"But after all---why not?
"If a man was made of glass he would still be visible."
His meditation became profound. The bulk of three cigars had passed into the invisible or diffused as a white ash over the carpet before he spoke again. Then it was merely an exclamation. He turned aside, walked out of the room, and went into his little consulting-room and lit the gas there. It was a little room, because Dr. Kemp did not live by practice,jo and in it were the day's newspapers. The morning's paper lay carelessly opened and thrown aside. He caught it up, turned it over, and read the account of a "Strange Story from Iping" that the mariner of Port Stowe had spelt over so painfully to Mr. Marvel. Kemp read it swiftly.
"Wrapped up!" said Kemp. "Disguised! Hiding it! 'No one seems to have been aware of his misfortune.' What the devil is his game?"
He dropped the paper, and his eye went seeking. "Ah!" he said, and caught up the "St. James' Gazette," lying folded up as it arrived. "Now we shall get at the truth," said Dr. Kemp. He rent the paper open; a couple of columns confronted him. "An Entire Village in Sussex goes Mad" was the heading.
"Good Heavens!" said Kemp, reading eagerly an incredulous account of the events in Iping, of the previous afternoon, that have already been described. Over the leaf the report in the morning paper had been reprinted.
He re-read it. "Ran through the streets striking right and left. Jaffers insensible. Mr. Huxter in great pain---still unable to describe what he saw. Painful humiliation---vicar. Woman ill with terror! Windows smashed. This extra-ordinary story probably a fabrication. Too good not to print---cum grano!"jp
He dropped the paper and stared blankly in front of him. "Probably a fabrication!"
He caught up the paper again, and re-read the whole business. "But when does the tramp come in? Why the deuce was he chasing a tramp?"
He sat down abruptly on the surgical couch. "He's not only invisible," he said, "but he's mad! Homicidal!"
When dawn came to mingle its pallor with the lamp-light and cigar smoke of the dining-room, Kemp was still pacing up and down, trying to grasp the incredible.
He was altogether too excited to sleep. His servants, descending sleepily, discovered him, and were inclined to think that over-study had worked this ill on him. He gave them extra-ordinary but quite explicit instructions to lay breakfast for two in the belvedere study---and then to confine themselves to the basement and ground-floor. Then he continued to pace the dining-room until the morning's paper came. That had much to say and little to tell, beyond the confirmation of the evening before, and a very badly written account of another remarkable tale from Port Burdock. This gave Kemp the essence of the happenings at the Jolly Cricketers, and the name of Marvel. "He has made me keep with him twenty-four hours," Marvel testified. Certain minor facts were added to the Iping story, notably the cutting of the village telegraph-wire. But there was nothing to throw light on the connection between the Invisible Man and the tramp; for Mr. Marvel had supplied no information about the three books, or the money with which he was lined. The incredulous tone had vanished and a shoaljq of reporters and inquirers were already at work elaborating the matter.
Kemp read every scrap of the report and sent his housemaid out to get every one of the morning papers she could. These also he devoured.
"He is invisible!" he said. "And it reads like rage growing to mania! The things he may do! The things he may do! And he's upstairs free as the air. What on earth ought I to do?
"For instance, would it be a breach of faith if---? No."
He went to a little untidy desk in the corner, and began a note. He tore this up half written, and wrote another. He read it over and considered it. Then he took an envelope and addressed it to "Colonel Adye, Port Burdock."3
The Invisible Man awoke even as Kemp was doing this. He awoke in an evil temper, and Kemp, alert for every sound, heard his pattering feet rush suddenly across the bedroom overhead. Then a chair was flung over and the wash-hand stand tumbler smashed. Kemp hurried upstairs and rapped eagerly.
XIX
Certain First Principles
"WHAT'S THE MATTER?" ASKED Kemp, when the Invisible Man admitted him.
"Nothing," was the answer.
"But, confound it! The smash?"
"Fit of temper," said the Invisible Man. "Forgot this arm; and it's sore."
"You're rather liable to that sort of thing."
"I am."
Kemp walked across the room and picked up the fragments of broken glass. "All the facts are out about you," said Kemp, standing up with the glass in his hand; "all that happened in Iping, and down the hill. The world has become aware of its invisible citizen. But no one knows you are here."
The Invisible Man swore.
"The secret's out. I gather it was a secret. I don't know what your plans are, but of course I'm anxious to help you."
The Invisible Man sat down on the bed.
"There's breakfast upstairs," said Kemp, speaking as easily as possible, and he was delighted to find his strange guest rose willingly. Kemp led the way up the narrow staircase to the belvedere.
"Before we can do anything else," said Kemp. "I must understand a little more about this invisibility of yours." He had sat down, after one nervous glance out of the window, with the air of a man who has talking to do. His doubts of the sanity of the entire business flashed and vanished again as he looked across to where Griffin sat at the breakfast-table, ---a headless, handless dressing gown, wiping unseen lips on a miraculously held serviette.
"It's simple enough---and credible enough," said Griffin, putting the serviette aside and leaning the invisible head on an invisible hand.
"No doubt to you, but---" Kemp laughed.
"Well, yes; to me it seemed wonderful at first, no doubt. But now, great God!---But we will do great things yet! I came on the stuff first at Chesilstowe."1
"Chesilstowe?"
"I went there after I left London. You know I dropped medicine and took up physics? No!---well, I did. Light fascinated me."
"Ah!"
"Optical density! The whole subject is a network of riddles---a network with solutions glimmering elusively through. And being but two and twenty and full of enthusiasm, I said, 'I will devote my life to this. This is worth while.' You know what fools we are at two and twenty?"
"Fools then or fools now," said Kemp.
"As though knowing could be any satisfaction to a man!
"But I went to work---like a nigger.jr And I had hardly worked and thought about the matter six months before light came through one of the meshes suddenly---blindingly! I found a general principle of pigments and refraction,---a formula, a geometrical expression involving four dimensions.2 Fools, common men, even common mathematicians, do not know anything of what some general expression may mean to the student of molecular physics. In the books---the books that tramp has hidden---there are marvels, miracles! But this was not a method, it was an idea, that might lead to a method by which it would be possible, without changing any other property of matter,---except, in some instances, colours,---to lower the refractive index of a substance, solid or liquid, to that of air---so far as all practical purposes are concerned."
"Phew!" said Kemp. "That's odd! But still I don't see quite---I can understand that thereby you could spoil a valuable stone, but personal invisibility is a far cry."
"Precisely," said Griffin. "But consider: Visibility depends on the action of the visible bodies on light. Either a body absorbs light, or it reflects or refracts it, or does all these things. If it neither reflects nor refracts nor absorbs light, it cannot of itself be visible. You see an opaque red box, for instance, because the colour absorbs some of the light and reflects the rest, all the red part of the light, to you. If it did not absorb any particular part of the light, but reflected it all, then it would be a shining white box. Silver! A diamond box would neither absorb much of the light nor reflect much from the general surface, but just here and there where the surfaces were favourable the light would be reflected and refracted, so that you would get a brilliant appearance of flashing reflections and translucencies,---a sort of skeleton of light. A glass box would not be so brilliant, not so clearly visible, as a diamond box, because there would be less refraction and reflection. See that? From certain points of view you would see quite clearly through it. Some kinds of glass would be more visible than others, a box of flint glassjs would be brighter than a box of ordinary window glass. A box of very thin common glass would be hard to see in a bad light, because it would absorb hardly any light and refract and reflect very little. And if you put a sheet of common white glass in water, still more if you put it in some denser liquid than water, it would vanish almost altogether, because light passing from water to glass is only slightly refracted or reflected or indeed affected in any way. It is almost as invisible as a jet of coal gas or hydrogen is in air. And for precisely the same reason!"
"Yes," said Kemp, "that is pretty plain sailing."
"And here is another fact you will know to be true. If a sheet of glass is smashed, Kemp, and beaten into a powder, it becomes much more visible while it is in the air; it becomes at last an opaque white powder. This is because the powdering multiplies the surfaces of the glass at which refraction and reflection occur. In the sheet of glass there are only two surfaces; in the powder the light is reflected or refracted by each grain it passes through, and very little gets right through the powder. But if the white powdered glass is put into water, it forthwith vanishes. The powdered glass and water have much the same refractive index; that is, the light undergoes very little refraction or reflection in passing from one to the other.
"You make the glass invisible by putting it into a liquid of nearly the same refractive index; a transparent thing becomes invisible if it is put in any medium of almost the same refractive index. And if you will consider only a second, you will see also that the powder of glass might be made to vanish in air, if its refractive index could be made the same as that of air; for then there would be no refraction or reflection as the light passed from glass to air."
"Yes, yes," said Kemp. "But a man's not powdered glass!"
"No," said Griffin. "He's more transparent!"
"Nonsense!"
"That from a doctor! How one forgets! Have you already forgotten your physics, in ten years? Just think of all the things that are transparent and seem not to be so. Paper, for instance, is made up of transparent fibres, and it is white and opaque only for the same reason that a powder of glass is white and opaque. Oil white paper, fill up the interstices between the particles with oil so that there is no longer refraction or reflection except at the surfaces, and it becomes as transparent as glass. And not only paper, but cotton fibre, linen fibre, wool fibre, woody fibre, and bone, Kemp, flesh, Kemp, hair, Kemp, nails and nerves, Kemp, in fact the whole fabric of a man except the red of his blood and the black pigment of hair, are all made up of transparent, colourless tissue. So little suffices to make us visible one to the other. For the most part the fibres of a living creature are no more opaque than water."
"Great Heavens!" cried Kemp. "Of course, of course! I was thinking only last night of the sea larvæ and all jellyfish!"
"Now you have me! And all that I knew and had in mind a year after I left London---six years ago. But I kept it to myself. I had to do my work under frightful disadvantages. Oliver, my professor, was a scientific bounder,jt a journalist by instinct, a thief of ideas,---he was always prying! And you know the knavishju system of the scientific world. I simply would not publish, and let him share my credit. I went on working, I got nearer and nearer and making my formula into an experiment, a reality. I told no living soul, because I meant to flash my work upon the world with crushing effect,---to become famous at a blow. I took up the questions of pigments to fill up certain gaps. And suddenly, not by design but by accident, I made a discovery in physiology."
"Yes?"
"You know the red colouring matter of blood; it can be made white---colourless---and remain with all the functions it has now!"
Kemp gave a cry of incredulous amazement.
The Invisible Man rose and began pacing the little study. "You may well exclaim. I remember that night. It was late at night,---in the daytime one was bothered with the gaping, silly students,---and I worked then sometimes till dawn. It came suddenly, splendid and complete into my mind. I was alone; the laboratory was still, with the tall lights burning brightly and silently. In all my great moments I have been alone. 'One could make an animal---a tissue---transparent! One could make it invisible! All except the pigments---I could be invisible!' I said, suddenly realising what it meant to be an albino with such knowledge. It was overwhelming. I left the filtering I was doing, and went and stared out of the great window at the stars.3 'I could be invisible!' I repeated.
"To do such a thing would be to transcend magic. And I beheld, unclouded by doubt, a magnificent vision of all that invisibility might mean to a man,---the mystery, the power, the freedom. Drawbacks I saw none. You have only to think! And I, a shabby, poverty-struck, hemmed-in demonstrator,jv teaching fools in a provincial college, might suddenly become---this. I ask you, Kemp, if you---Anyone, I tell you, would have flung himself upon that research. And I worked three years, and every mountain of difficulty I toiled over showed another from its summit. The infinite details! And the exasperation,---a professor, a provincial professor, always prying. 'When are you going to publish this work of yours?' was his everlasting question. And the students, the cramped means! Three years I had of it---
"And after three years of secrecy and exasperation, I found that to complete it was impossible,---impossible."
"How?" asked Kemp.
"Money," said the Invisible Man, and went again to stare out of the window.
He turned round abruptly. "I robbed the old man---robbed my father4
"The money was not his, and he shot himself."
XX
At the House in Great Portland Street
FOR A MOMENT KEMP sat in silence, staring at the back of the headless figure at the window. Then he started, struck by a thought, rose, took the Invisible Man's arm, and turned him away from the outlook.
"You are tired," he said, "and while I sit, you walk about. Have my chair."
He placed himself between Griffin and the nearest window.
For a space Griffin sat silent, and then he resumed abruptly:---
"I had left the Chesilstowe cottage already," he said, "when that happened. It was last December. I had taken a room in London, a large unfurnished room in a big ill-managed lodging-house in a slum near Great Portland Street.jw The room was soon full of the appliances I had bought with his money; the work was going on steadily, successfully, drawing near an end. I was like a man emerging from a thicket, and suddenly coming on some unmeaning tragedy. I went to bury him. My mind was still on this research, and I did not lift a finger to save his character.jx I remember the funeral, the cheap hearse, the scant ceremony, the windy frost-bitten hillside, and the old college friend of his who read the service over him,---a shabby, black, bent old man with a snivelling cold.
"I remember walking back to the empty home, through the place that had once been a village and was now patched and tinkered by the jerry buildersjy into the ugly likeness of a town. Every way the roads ran out at last into the desecrated fields and ended in rubble heaps and rank wet weeds. I remember myself as a gaunt black figure, going along the slippery, shiny pavement, and the strange sense of detachment I felt from the squalid respectability, the sordid commercialism of the place.
"I did not feel a bit sorry for my father. He seemed to me to be the victim of his own foolish sentimentality.1 The current cant required my attendance at his funeral, but it was really not my affair.
"But going along the High Street, my old life came back to me for a space, for I met the girl I had known ten years since. Our eyes met.
"Something moved me to turn back and talk to her. She was a very ordinary person.
"It was all like a dream, that visit to the old places. I did not feel then that I was lonely, that I had come out from the world into a desolate place. I appreciated my loss of sympathy, but I put it down to the general inanity of things. Re-entering my room seemed like the recovery of reality. There were the things I knew and loved. There stood the apparatus, the experiments arranged and waiting. And now there was scarcely a difficulty left, beyond the planning of details.
"I will tell you, Kemp, sooner or later, all the complicated processes. We need not go into that now. For the most part, saving certain gaps I chose to remember, they are written in cypher in those books that tramp has hidden. We must hunt him down. We must get those books again. But the essential phase was to place the transparent object whose refractive index was to be lowered between two radiating centres of a sort of ethereal vibration, of which I will tell you more fully later. No, not these Rontgen vibrationsjz---I don't know that these others of mine have been described. Yet they are obvious enough. I needed two little dynamos,ka and these I worked with a cheap gas engine. My first experiment was with a bit of white wool fabric. It was the strangest thing in the world to see it in the flicker of the flashes soft and white, and then to watch it fade like a wreath of smoke and vanish.
"I could scarcely believe I had done it. I put my hand into the emptiness, and there was the thing as solid as ever. I felt it awkwardly, and threw it on the floor. I had a little trouble finding it again.
"And then came a curious experience. I heard a miaow behind me, and turning, saw a lean white cat, very dirty, on the cisternkb cover outside the window. A thought came into my head. 'Everything ready for you,' I said, and went to the window, opened it, and called softly. She came in, purring,---the poor beast was starving,---and I gave her some milk. All my food was in a cupboard in the corner of the room. After that she went smelling round the room,---evidently with the idea of making herself at home. The invisible rag upset her a bit; you should have seen her spit at it! But I made her comfortable on the pillow of my truckle-bed.kc And I gave her butter to get her to wash."
"And you processed her?"
"I processed her.2 But giving drugs to a cat is no joke, Kemp! And the process failed."
"Failed!"
"In two particulars. These were the claws and the pigment stuff---what is it?---at the back of the eye in a cat. You know?"
"Tapetum."
"Yes, the tapetum. It didn't go. After I'd given the stuff to bleach the blood and done certain other things to her, I gave the beast opium, and put her and the pillow she was sleeping on, on the apparatus. And after all the rest had faded and vanished, there remained two little ghosts of her eyes."
"Odd!"
"I can't explain it. She was bandaged and clamped, of course,---so I had her safe; but she woke while she was still misty, and miaowled dismally, and someone came knocking. It was an old woman from downstairs, who suspected me of vivisecting,3---a drink-sodden old creature with only a white cat to care for in all the world. I whipped out some chloroform, applied it, and answered the door. 'Did I hear a cat?' she asked. 'My cat?' 'Not here,' said I, very politely. She was a little doubtful and tried to peer past me into the room; strange enough to her no doubt,---bare walls, uncurtained windows, truckle-bed, with the gas engine vibrating, and the seethe of the radiant points, and that faint ghastly stinging of chloroform in the air. She had to be satisfied at last and went away again."
"How long did it take?" asked Kemp.
"Three or four hours---the cat. The bones and sinews and the fat were the last to go, and the tips of the coloured hairs. And, as I say, the back part of the eye, tough iridescent stuff it is, wouldn't go at all.
"It was night outside long before the business was over, and nothing was to be seen but the dim eyes and the claws. I stopped the gas engine, felt for and stroked the beast, which was still insensible, and then, being tired, left it sleeping on the invisible pillow and went to bed. I found it hard to sleep. I lay awake thinking weak aimless stuff, going over the experiment over and over again, or dreaming feverishly of things growing misty and vanishing about me, until everything, the ground I stood on, vanished, and so I came to that sickly falling nightmare one gets. About two, the cat began miaowling about the room. I tried to hush it by talking to it, and then I decided to turn it out.kd I remember the shock I had when striking a light---there were just the round eyes shining green---and nothing round them. I would have given it milk, but I hadn't any. It wouldn't be quiet, it just sat down and miaowled at the door. I tried to catch it, with an idea of putting it out of the window, but it wouldn't be caught, it vanished. Then it began miaowling in different parts of the room. At last I opened the window and made a bustle. I suppose it went out at last. I never saw any more of it.
"Then---Heaven knows why---I fell thinking of my father's funeral again, and the dismal windy hillside, until the day had come. I found sleeping was hopeless, and, locking my door after me, wandered out into the morning streets."
"You don't mean to say there's an invisible cat at large!" said Kemp.
"If it hasn't been killed," said the Invisible Man. "Why not?"
"Why not?" said Kemp. "I didn't mean to interrupt."
"It's very probably been killed," said the Invisible Man. "It was alive four days after, I know, and down a grating in Great Tichfield Street; because I saw a crowd round the place, trying to see whence the miaowling came."
He was silent for the best part of a minute. Then he resumed abruptly:---
"I remember that morning before the change very vividly. I must have gone up Great Portland Street. I remember the barracks in Albany Street, and the horse soldierske coming out, and at last I found myself sitting in the sunshine and feeling very ill and strange, on the summit of Primrose Hill.kf It was a sunny day in January,---one of those sunny, frosty days that came before the snow this year. My weary brain tried to formulate the position, to plot out a plan of action.
"I was surprised to find, now that my prize was within my grasp, how inconclusive its attainment seemed. As a matter of fact I was worked out; the intense stress of nearly four years' continuous work left me incapable of any strength of feeling. I was apathetic, and I tried in vain to recover the enthusiasm of my first inquiries, the passion of discovery that had enabled me to compass even the downfall of my father's grey hairs. Nothing seemed to matter. I saw pretty clearly this was a transient mood, due to overwork and want of sleep, and that either by drugs or rest it would be possible to recover my energies.
"All I could think clearly was that the thing had to be carried through; the fixed idea still ruled me. And soon, for the money I had was almost exhausted. I looked about me at the hillside, with children playing and girls watching them, and tried to think of all the fantastic advantages an invisible man would have in the world. After a time I crawled home, took some food and a strong dose of strychnine, and went to sleep in my clothes on my unmade bed. Strychnine is a grand tonic, Kemp, to take the flabbiness out of a man."
"It's the devil," said Kemp. "It's the palæolithickg in a bottle."
"I awoke vastly invigorated and rather irritable. You know?"
"I know the stuff."
"And there was someone rapping at the door. It was my landlord with threats and inquiries, an old Polish Jew4 in a long grey coat and greasy slippers. I had been tormenting a cat in the night, he was sure,---the old woman's tongue had been busy. He insisted on knowing all about it. The laws of this country against vivisection were very severe,---he might be liable. I denied the cat. Then the vibration of the little gas engine could be felt all over the house, he said. That was true, certainly. He edged round me into the room, peering about over his Germansilverkf silverkh spectacles, and a sudden dreadki came into my mind that he might carry away something of my secret. I tried to keep between him and the concentrating apparatus I had arranged, and that only made him more curious. What was I doing? Why was I always alone and secretive? Was it legal? Was it dangerous? I paid nothing but the usual rent. His had always been a most respectable house---in a disreputable neighbourhood. Suddenly my temper gave way. I told him to get out. He began to protest, to jabber on his right to entry. In a moment I had him by the collar; something ripped, and he went spinning out into his own passage. I slammed and locked the door and sat down quivering.
"He made a fuss outside, which I disregarded, and after a time he went away.
"But this brought matters to a crisis. I did not know what he would do, nor even what he had power to do. To move to fresh apartments would have meant delay; all together I had barely twenty pounds left in the world,---for the most part in a bank---and I could not afford that. Vanish! It was irresistible. Then there would be an inquiry, the sacking of my room---
"At the thought of the possibility of my work being exposed or interrupted at its very climax, I became angry and active. I hurried out with my three books of notes, my cheque-book,---the tramp has them now,---and directed them from the nearest post office to a house of call for letters and parcels in Great Portland Street. I tried to go out noiselessly. Coming in, I found my landlord going quietly upstairs; he had heard the door close, I suppose. You would have laughed to see him jump aside on the landing as I came tearing after him. He glared at me as I went by him, and I made the house quiver with the slamming of my door. I heard him come shuffling up to my floor, hesitate, and go down. I set to work upon my preparations forthwith.
"It was all done that evening and night. While I was still sitting under the sickly, drowsy influence of the drugs that decolourise blood, there came a repeated knocking at the door. It ceased, footsteps went away and returned, and the knocking was resumed. There was an attempt to push something under the door---a blue paper. Then in a fit of irritation I rose and went and flung the door wide open. 'Now then?' said I.
"It was my landlord, with a notice of ejectmentkj or something. He held it out to me, saw something odd about my hands, I expect, and lifted his eyes to my face.
"For a moment he gaped. Then he gave a sort of inarticulate cry, dropped candle and writ together, and went blundering down the dark passage to the stairs. I shut the door, locked it, and went to the looking-glass. Then I understood his terror. My face was white---like white stone.
"But it was all horrible. I had not expected the suffering. A night of racking anguish, sickness and fainting. I set my teeth,kk though my skin was presently afire, all my body afire; but I lay there like grim death. I understood now how it was the cat had howled until I chloroformed it. Lucky it was I lived alone and untended in my room. There were times when I sobbed and groaned and talked. But I stuck to it. I became insensible and woke languid in the darkness.
"The pain had passed. I thought I was killing myself and I did not care. I shall never forget that dawn, and the strange horror of seeing that my hands had become as clouded glass, and watching them grow clearer and thinner as the day went by, until at last I could see the sickly disorder of my room through them, though I closed my transparent eyelids. My limbs became glassy, the bones and arteries faded, vanished, and the little white nerves went last. I gritted my teeth and stayed there to the end. At last only the dead tips of the fingernails remained, pallid and white, and the brown stain of some acid upon my fingers.
"I struggled up. At first I was as incapable as a swathed infant,---stepping with limbs I could not see. I was weak and very hungry. I went and stared at nothing in my shaving-glass, at nothing save where an attenuated pigment still remained behind the retina of my eyes, fainter than mist. I had to hang on to the table and press my forehead to the glass.
"It was only by a frantic effort of will that I dragged myself back to the apparatus and completed the process.
"I slept during the forenoon, pulling the sheet over my eyes to shut out the light, and about midday I was awakened again by a knocking. My strength had returned. I sat up and listened and heard a whispering. I sprang to my feet and as noiselessly as possible began to detach the connections of my apparatus, and to distribute it about the room, so as to destroy the suggestions of its arrangement. Presently the knocking was renewed and voices called, first my landlord's, and then two others. To gain time I answered them. The invisible rag and pillow came to hand and I opened the window and pitched them out on to the cistern cover. As the window opened, a heavy crash came at the door. Someone had charged it with the idea of smashing the lock. But the stout bolts I had screwed up some days before stopped him. That startled me, made me angry. I began to tremble and do things hurriedly.
"I tossed together some loose paper, straw, packing paper and so forth, in the middle of the room, and turned on the gas. Heavy blows began to rain upon the door. I could not find the matches. I beat my hands on the wall with rage. I turned down the gas again, stepped out of the window on the cistern cover, very softly lowered the sash, and sat down, secure and invisible, but quivering with anger, to watch events. They split a panel, I saw, and in another moment they had broken away the staples of the boltskl and stood in the open doorway. It was the landlord and his two step-sons, sturdy young men of three or four and twenty. Behind them fluttered the old hag of a woman from downstairs.
"You may imagine their astonishment to find the room empty. One of the younger men rushed to the window at once, flung it up and stared out. His staring eyes and thick-lipped bearded face came a foot from my face. I was half minded to hit his silly countenance, but I arrested my doubled fist. He stared right through me. So did the others as they joined him. The old man went and peered under the bed, and then they all made a rush for the cupboard. They had to argue about it at length in Yiddish and Cockney English. They concluded I had not answered them, that their imagination had deceived them. A feeling of extra-ordinary elation took the place of my anger as I sat outside the window and watched these four people---for the old lady came in, glancing suspiciously about her like a cat, trying to understand the riddle of my behaviour.
"The old man, so far as I could understand his patois,km agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous against my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the registerkn and stared up the chimney. One of my fellow lodgers, a costermongerko who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things.
"It occurred to me that the radiators, if they fell into the hands of some acute well-educated person, would give me away too much, and watching my opportunity, I came into the room and tilted one of the little dynamos off its fellow on which it was standing, and smashed both apparatus. Then, while they were trying to explain the smash, I dodged out of the room and went softly downstairs.
"I went into one of the sitting-rooms and waited until they came down, still speculating and argumentative, all a little disappointed at finding no 'horrors,' and all a little puzzled how they stood with regard to me. Then I slipped up again with a box of matches, fired my heap of paper and rubbish, put the chairs and bedding thereby, led the gas to the affair, by means of an india-rubber tube, and waving a farewell to the room left it for the last time."
"You fired the house!" exclaimed Kemp.
"Fired the house. It was the only way to cover my trail---and no doubt it was insured.5 I slipped the bolts of the front door quietly and went out into the street. I was invisible, and I was only just beginning to realise the extra-ordinary advantage my invisibility gave me. My head was already teeming with plans of all the wild and wonderful things I had now impunitykp to do."
XXI
In Oxford Street
"IN GOING DOWNSTAIRS THE first time I found an unexpected difficulty because I could not see my feet; indeed I stumbled twice, and there was an unaccustomed clumsiness in gripping the bolt. By not looking down, however, I managed to walk on the level passably well.
"My mood, I say, was one of exaltation. I felt as a seeing man might do, with padded feet and noiseless clothes, in a city of the blind. I experienced a wild impulse to jest, to startle people, to clap men on the back, fling people's hats astray, and generally revel in my extra-ordinary advantage.
"But hardly had I emerged upon Great Portland Street, however (my lodging was close to the big draper's shopkq there), when I heard a clashing concussion and was hit violently behind, and turning saw a man carrying a basket of soda-water syphons, and looking in amazement at his burden. Although the blow had really hurt me, I found something so irresistible in his astonishment that I laughed aloud. 'The devil's in the basket,' I said, and suddenly twisted it out of his hand. He let go incontinently,kr and I swung the whole weight into the air.
"But a fool of a cabman, standing outside a public house,ks made a sudden rush for this, and his extending fingers took me with excruciating violence under the ear. I let the whole down with a smash on the cabman, and then, with shouts and the clatter of feet about me, people coming out of shops, vehicles pulling up, I realised what I had done for myself, and cursing my folly, backed against a shop window and prepared to dodge out of the confusion. In a moment I should be wedged into a crowd and inevitably discovered. I pushed by a butcher boy, who luckily did not turn to see the nothingness that shoved him aside, and dodged behind the cabman's four-wheeler. I do not know how they settled the business. I hurried straight across the road, which was happily clear, and hardly heeding which way I went, in the fright of detection the incident had given me, plunged into the afternoon throng of Oxford Street.
"I tried to get into the stream of people, but they were too thick for me, and in a moment my heels were being trodden upon. I took to the gutter, the roughness of which I found painful to my feet, and forthwith the shaft of a crawling hansomkt dug me forcibly under the shoulder blade, reminding me that I was already bruised severely. I staggered out of the way of the cab, avoided a perambulatorku by a convulsive movement, and found myself behind the hansom. A happy thought saved me, and as this drove slowly along I followed in its immediate wake, trembling and astonished at the turn of my adventure. And not only trembling, but shivering. It was a bright day in January and I was stark naked and the thin slime of mud that covered the road was freezing. Foolish as it seems to me now, I had not reckoned that, transparent or not, I was still amenablekv to the weather and all its consequences.
"Then suddenly a bright idea came into my head. I ran round and got into the cab. And so, shivering, scared, and sniffing with the first intimations of a cold, and with the bruises in the small of my back growing upon my attention, I drove slowly along Oxford Street and past Tottenham Court Road. My mood was as different from that in which I had sallied forth ten minutes ago as it is possible to imagine. This invisibility indeed! The one thought that possessed me was---how was I to get out of the scrape I was in.
"We crawled past Mudie's,kw and there a tall woman with five or six yellow-labelled books hailed my cab, and I sprang out just in time to escape her, shaving a railway van narrowly in my flight. I made off up the roadway to Bloomsbury Square, intending to strike north past the museumkxand so get into the quiet district. I was now cruelly chilled, and the strangeness of my situation so unnerved me that I whimpered as I ran. At the northward corner of the Square a little white dog ran out of the Pharmaceutical Society's1 offices, and incontinently made for me, nose down.
"I had never realised it before, but the nose is to the mind of a dog what the eye is to the mind of a seeing man. Dogs perceive the scent of a man moving as men perceive his vision. This brute began barking and leaping, showing, as it seemed to me, only too plainly that he was aware of me. I crossed Great Russell Street, glancing over my shoulder as I did so, and went some way along Montague Street before I realised what I was running towards.
"Then I became aware of a blare of music, and looking along the street saw a number of people advancing out of Russell Square, red shirts, and the banner of the Salvation Army2 to the fore. Such a crowd, chanting in the roadway and scoffing on the pavement, I could not hope to penetrate, and dreading to go back and farther from home again, and deciding on the spur of the moment, I ran up the white steps of a house facing the museum railings, and stood there until the crowd should have passed. Happily the dog stopped at the noise of the band too, hesitated, and turned tail, running back to Bloomsbury Square again.
"On came the band, bawling with unconscious irony some hymn about 'When shall we see his Face?' and it seemed an interminable time to me before the tide of the crowd washed along the pavement by me. Thud, thud, thud, came the drum with a vibrating resonance, and for the moment I did not notice two urchins stopping at the railings by me. 'See 'em,' said one. 'See what?' said the other. 'Why---them footmarks---bare. Like what you makes in mud.'
"I looked down and saw the youngsters had stopped and were gaping at the muddy footmarks I had left behind me up the newly whitened steps. The passing people elbowed and jostled them, but their confounded intelligence was arrested. 'Thud, thud, thud, When, thud, shall we see, thud, his Face, thud, thud.' 'There's a barefoot man gone up them steps, or I don't know nothing,' said one. 'And he ain't never come down again. And his foot was a-bleeding.'
"The thick of the crowd had already passed. 'Looky there, Ted,' quoth the younger of the detectives, with the sharpness of surprise in his voice, and pointed straight to my feet. I looked down and saw at once the dim suggestion of their outline sketched in splashes of mud. For a moment I was paralysed.
" 'Why, that's rum,' said the elder. 'Dashed rum! It's just like the ghost of a foot, ain't it?' He hesitated and advanced with outstretched hand. A man pulled up short to see what he was catching, and then a girl. In another moment he would have touched me. Then I saw what to do. I made a step, the boy started back with an exclamation, and with a rapid movement I swung myself over into the porticoky of the next house. But the smaller boy was sharp-eyed enough to follow the movement, and before I was well down the steps and upon the pavement, he had recovered from his momentary astonishment and was shouting out that the feet had gone over the wall.
"They rushed round and saw my new footmarks flash into being on the lower step and upon the pavement. 'What's up?' asked someone. 'Feet! Look! Feet running!' Everybody in the road, except my three pursuers, was pouring along after the Salvation Army, and this blow not only impeded me but them. There was an eddy of surprise and interrogation. At the cost of bowling over one young fellow I got through, and in another moment I was rushing headlong round the circuit of Russell Square, with six or seven astonished people following my footmarks. There was no time for explanation, or else the whole host would have been after me.
"Twice I doubled round corners, thrice I crossed the road and came back on my tracks, and then, as my feet grew hot and dry, the damp impressions began to fade. At last I had a breathing space and rubbed my feet clean with my hands, and so got away altogether. The last I saw of the chase was a little group of a dozen people perhaps, studying with infinite perplexity a slowly drying footprint that had resulted from a puddle in Tavistock Square,---a footprint as isolated and incomprehensible to them as Crusoe's solitary discovery.3
"This running warmed me to a certain extent, and I went on with a better courage through the maze of less frequented roads that runs hereabouts. My back had now become very stiff and sore, my tonsils were painful from the cabman's fingers, and the skin of my neck had been scratched by his nails; my feet hurt exceedingly and I was lame from a little cut on one foot. I saw in time a blind man approaching me, and fled limping, for I feared his subtle intuitions. Once or twice accidental collisions occurred and I left people amazed, with unaccountable curses ringing in their ears. Then came something silent and quiet against my face, and across the Square fell a thin veil of slowly falling flakes of snow. I had caught a cold, and do as I would I could not avoid an occasional sneeze. And every dog that came in sight, with its pointing nose and curious sniffing, was a terror to me.
"Then came men and boys running, first one and then others, and shouting as they ran. It was a fire. They ran in the direction of my lodging, and looking. back down a street I saw a mass of black smoke streaming up above the roofs and telephone wires. It was my lodging burning; my clothes, my apparatus, all my resources indeed, except my cheque-book and the three volumes of memoranda that awaited me in Great Portland Street, were there. Burning! I had burnt my boatskz---if ever a man did! The place was blazing."
The Invisible Man paused and thought. Kemp glanced nervously out of the window. "Yes?" he said. "Go on."
XXII
In the Emporium
"So LAST JANUARY, WITH the beginnings of a snowstorm in the air about me---and if it settled on me it would betray me!---weary, cold, painful, inexpressibly wretched, and still but half convinced of my invisible quality, I began this new life to which I am committed. I had no refuge, no appliances,la no human being in the world in whom I could confide. To have told my secret would have given me away---made a mere show and rarity of me. Nevertheless, I was half minded to accost some passer-by and throw myself upon his mercy. But I knew too clearly the terror and brutal cruelty my advances would evoke. I made no plans in the street. My sole object was to get shelter from the snow, to get myself covered and warm; then I might hope to plan. But even to me, an invisible man, the rows of London houses stood latched, barred, and bolted impregnably.
"Only one thing could I see clearly before me, the cold exposure and misery of the snowstorm and the night.
"And then I had a brilliant idea. I turned down one of the roads leading from Gower Street to Tottenham Court Road, and found myself outside Omniums,lb the big establishment where everything is to be bought,---you know the place,---meat, grocery, linen, furniture, clothing, oil paintings even,---a huge meandering collection of shops rather than a shop. I had thought I should find the doors open, but they were closed, and as I stood in the wide entrance a carriage stopped outside, and a man in uniform---you know the kind of personage with 'Omnium' on his cap---flung open the door. I contrived to enter, and walking down the shop---it was a department where they were selling ribbons and gloves and stockings and that kind of thing---came to a more spacious region devoted to picnic baskets and wicker furniture.
"I did not feel safe there, however; people were going to and fro, and I prowled restlessly about until I came upon a huge section in an upper floor containing multitudes of bedsteads, and this I clambered, and found a resting-place at last among a huge pile of folded flock mattresses. lc The place was already lit up and agreeably warm, and I decided to remain where I was, keeping a cautious eye on the two or three sets of shopmen and customers who were meandering through the place, until closing time came. Then I should be able, I thought, to rob the place for food and clothing, and disguised, prowl through it and examine its resources, perhaps sleep on some of the bedding. That seemed an acceptable plan. My idea was to procure clothing to make myself a muffled but acceptable figure, to get money, and then to recover my books and parcels where they awaited me, take a lodging somewhere and elaborate plans for the complete realisation of the advantages my invisibility gave me (as I still imagined) over my fellow-men.
"Closing time arrived quickly enough; it could not have been more than an hour after I took up my position on the mattresses before I noticed the blinds of the windows being drawn, and customers being marched doorward.ld And then a number of brisk young men began with remarkable alacrity to tidy up the goods that remained disturbed. I left my lair as the crowds diminished, and prowled cautiously out into the less desolate parts of the shop. I was really surprised to observe how rapidly the young men and women whipped away the goods displayed for sale during the day. All the boxes of goods, the hanging fabrics, the festoons of lace, the boxes of sweets in the grocery section, the displays of this and that, were being whipped down, folded up, slapped into tidy receptacles, and everything that could not be taken down and put away had sheets of some coarse stuff like sacking flung over them. Finally all the chairs were turned up on to the counters, leaving the floor clear. Directly each of these young people had done, he or she made promptly for the door with such an expression of animation as I have rarely observed in a shop assistant before. Then came a lot of youngsters scattering sawdust and carrying pails and brooms. I had to dodge to get out of the way, and as it was, my ankle got stung with the sawdust. For some time, wandering through the swathed and darkened departments, I could hear the brooms at work. And at last a good hour or more after the shop had been closed, came a noise of locking doors. Silence came upon the place, and I found myself wandering through the vast and intricate shops, galleries, showrooms of the place, alone. It was very still; in one place I remember passing near one of the Tottenham Court Road entrances and listening to the tapping of boot-heels of the passers-by.
"My first visit was to the place where I had seen stockings and gloves for sale. It was dark, and I had the devil of a hunt after matches, which I found at last in the drawer of the little cash desk. Then I had to get a candle. I had to tear down wrappings and ransack a number of boxes and drawers, but at last I managed to turn out what I sought; the box label called them lambswool pants, and lambswool vests. Then socks, a thick comforter, and then I went to the clothing place and got trousers, a lounge jacket, an overcoat and a slouch hat,---a clerical sort of hat with the brim turned down. I began to feel a human being again,1 and my next thought was food.
"Upstairs was a refreshment department, and there I got cold meat. There was coffee still in the urn, and I lit the gas and warmed it up again, and altogether I did not do badly. Afterwards, prowling through the place in search of blankets,---I had to put up at last with a heap of down quilts,---I came upon a grocery section with a lot of chocolate and candied fruits, more than was good for me indeed---and some white burgundy. And near that was a toy department, and I had a brilliant idea. I found some artificial noses---dummy noses, you know, and I thought of dark spectacles. But Omniums had no optical department. My nose had been a difficulty indeed---I had thought of paint. But the discovery set my mind running on wigs and masks and the like. Finally I went to sleep in a heap of down quilts, very warm and comfortable.
"My last thoughts before sleeping were the most agreeable I had had since the change. I was in a state of physical serenity, and that was reflected in my mind. I thought that I should be able to slip out unobserved in the morning with my clothes upon me, muffling my face with a white wrapper I had taken, purchase, with the money I had taken, spectacles and so forth, and so complete my disguise. I lapsed into disorderly dreams of all the fantastic things that had happened during the last few days. I saw the ugly little landlord vociferating in his rooms; I saw his two sons marvelling, and the wrinkled old woman's gnarled face as she asked for her cat. I experienced again the strange sensation of seeing the cloth disappear, and so I came round to the windy hillside and the sniffing old clergyman mumbling 'Dust to dust, earth to earth,' and my father's open grave.2
" 'You also,' said a voice, and suddenly I was being forced towards the grave. I struggled, shouted, appealed to the mourners, but they continued stonily following the service; the old clergyman, too, never faltered droning and sniffing through the ritual. I realised I was invisible and inaudible, that overwhelming forces had their grip on me. I struggled in vain, I was forced over the brink, the coffin rang hollow as I fell upon it, and the gravel came flying after me in spadefuls. Nobody heeded me, nobody was aware of me. I made convulsive struggles and awoke.
"The pale London dawn had come, the place was full of a chilly grey light that filtered round the edges of the window blinds. I sat up, and for a time I could not think where this ample apartment, with its counters, its piles of rolled stuff, its heap of quilts and cushions, its iron pillars, might be. Then, as recollection came back to me, I heard voices in conversation.
"Then far down the place, in the brighter light of some department which had already raised its blinds, I saw two men approaching. I scrambled to my feet, looking about me for some way of escape, and even as I did so the sound of my movement made them aware of me. I suppose they saw merely a figure moving quietly and quickly away. 'Who's that?' cried one, and 'Stop there!' shouted the other. I dashed round a corner and came full tilt---a faceless figure, mind you!---on a lanky lad of fifteen. He yelled and I bowled him over, rushed past him, turned another corner, and by a happy inspiration threw myself flat behind a counter. In another moment feet went running past and I heard voices shouting. 'All hands to the doors!' asking what was 'up,' and giving one another advice how to catch me.
"Lying on the ground, I felt scared out of my wits. But---odd as it may seem---it did not occur to me at the moment to take off my clothes as I should have done. I had made up my mind, I suppose, to get away in them, and that ruled me. And then down the vista of the counters came a bawling of 'Here he is!'
"I sprang to my feet, whipped a chair off the counter, and sent it whirling at the fool who had shouted, turned, came into another round a corner, sent him spinning, and rushed up the stairs. He kept his footing, gave a view hallo!le and came up the staircase hot after me. Up the staircase were piled a multitude of those bright-coloured pot things---what are they?"
"Art pots,"lf suggested Kemp.
"That's it! Art pots. Well, I turned at the top step and swung round, plucked one out of a pile and smashed it on his silly head as he came at me. The whole pile of pots went headlong, and I heard shouting and footsteps running from all parts. I made a mad rush for the refreshment place, and there was a man in white like a man cook, who took up the chase. I made one last desperate turn and found myself among lamps and ironmongery.lg I went behind the counter of this, and waited for my cook, and as he bolted in at the head of the chase, I doubled him up with a lamp. Down he went, and I crouched down behind the counter and began whipping off my clothes as fast as I could. Coat, jacket, trousers, shoes were all right, but a lambswool vest fits a man like a skin. I heard more men coming, my cook was lying quiet on the other side of the counter, stunned or scared speechless, and I had to make another dash for it, like a rabbit hunted out of a wood-pile.
" 'This way, policeman!' I heard someone shouting. I found myself in my bedstead storeroom again, and at the end a wilderness of wardrobes. I rushed among them, went flat, got rid of my vest after infinite wriggling, and stood a free man again, panting and scared, as the policeman and three of the shopmen came round the corner. They made a rush for the vest and pants, and collared the trousers. 'He's dropping his plunder,' said one of the young men. 'He must be somewhere here.'
"But they did not find me all the same.
"I stood watching them hunt for me for a time, and cursing my ill-luck in losing the clothes. Then I went into the refreshment-room, drank a little milk I found there, and sat down by the fire to consider my position.
"In a little while two assistants came in and began to talk over the business very excitedly and like the fools they were I heard a magnified account of my depredations,lh and other speculations as to my whereabouts. Then I fell to scheming again. The insurmountable difficulty of the place, especially now it was alarmed, was to get any plunder out of it. I went down into the warehouse to see if there was any chance of packing and addressing a parcel, but I could not understand the system of checking. About eleven o'clock, the snow having thawed as it fell, and the day being finer and a little warmer than the previous one, I decided that the Emporium was hopeless, and went out again, exasperated at my want of success, with only the vaguest plans of action in my mind."
XXIII
In Drury Lane
"BUT YOU BEGIN NOW to realise," said the Invisible Man, "the full disadvantage of my condition. I had no shelter, no covering,---to get clothing, was to forego all my advantage, to make of myself a strange and terrible thing. I was fasting; for to eat, to fill myself with unassimilated matter, would be to become grotesquely visible again."
"I never thought of that," said Kemp.
"Nor had I. And the snow had warned me of other dangers. I could not go abroad in snow---it would settle on me and expose me. Rain, too, would make me a watery outline, a glistening surface of a man---a bubble. And fogli---I should be like a fainter bubble in a fog, a surface, a greasy glimmer of humanity. Moreover, as I went abroad---in the London air---I gathered dirt about my ankles, floating smutslj and dust upon my skin. I did not know how long it would be before I should become visible from that cause also. But I saw clearly it could not be for long.
"Not in London at any rate.
"I went into the slums towards Great Portland Street, and found myself at the end of the street in which I had lodged. I did not go that way, because of the crowd halfway down it opposite to the still smoking ruins of the house I had fired. My most immediate problem was to get clothing. What to do with my face puzzled me. Then I saw in one of those little miscellaneous shops---news, sweets, toys, stationery, belated Christmas tomfoolery, and so forth---an array of masks and noses. I realised that problem was solved. In a flash I saw my course. I turned about, no longer aimless, and went---circuitously in order to avoid the busy ways, towards the back streets north of the Strand; for I remembered, though not very distinctly where, that some theatrical costumiers had shops in that district.
"The day was cold, with a nipping wind down the northward running streets. I walked fast to avoid being overtaken. Every crossing was a danger, every passenger a thing to watch alertly. One man as I was about to pass him at the top of Bedford Street, turned upon me abruptly and came into me, sending me into the road and almost under the wheel of a passing hansom. The verdict of the cab-rank was that he had had some sort of stroke. I was so unnerved by this encounter that I went into Covent Garden Market and sat down for some time in a quiet corner by a stall of violets, panting and trembling. I found I had caught a fresh cold, and had to turn out after a time lest my sneezes should attract attention.
"At last I reached the object of my quest, a dirty fly-blownlk little shop in a byway near Drury Lane, with a window full of tinsel robes, sham jewels, wigs, slippers, dominoesll and theatrical photographs. The shop was old-fashioned and low and dark, and the house rose above it for four storeys, dark and dismal. I peered through the window and, seeing no one within, entered. The opening of the door set a clanking bell ringing. I left it open, and walked round a bare costume stand, into a corner behind a cheval glass.lm For a minute or so no one came. Then I heard heavy feet striding across a room, and a man appeared down the shop.
"My plans were now perfectly definite. I proposed to make my way into the house, secrete myself upstairs, watch my opportunity, and when everything was quiet, rummage out a wig, mask, spectacles, and costume, and go into the world, perhaps a grotesque but still a credible figure. And incidentally of course I could rob the house of any available money.
"The man who had entered the shop was a short, slight, hunched, beetle-browed man, with long arms and very short bandy legs. Apparently I had interrupted a meal. He stared about the shop with an expression of expectation. This gave way to surprise, and then anger, as he saw the shop empty. 'Damn the boys!' he said. He went to stare up and down the street. He came in again in a minute, kicked the door to with his foot spitefully, and went muttering back to the house door.
"I came forward to follow him, and at the noise of my movement he stopped dead. I did so too, startled by his quickness of ear. He slammed the house door in my face.
"I stood hesitating. Suddenly I heard his quick footsteps returning, and the door reopened. He stood looking about the shop like one who was still not satisfied. Then, murmuring to himself, he examined the back of the counter and peered behind some fixtures. Then he stood doubtful. He had left the house door open and I slipped into the inner room.
"It was a queer little room, poorly furnished and with a number of big masks in the corner. On the table was his belated breakfast, and it was a confoundedly exasperating thing for me, Kemp, to have to sniff his coffee and stand watching while he came in and resumed his meal. And his table manners were irritating. Three doors opened into the little room, one going upstairs and one down, but they were all shut. I could not get out of the room while he was there, I could scarcely move because of his alertness, and there was a draught down my back. Twice I strangled a sneeze just in time.
"The spectacular quality of my sensations was curious and novel, but for all that I was heartily tired and angry long before he had done his eating. But at last he made an end and putting his beggarly crockery on the black tin tray upon which he had had his teapot, and gathering all the crumbs up on the mustard stained cloth, he took the whole lot of things after him. His burden prevented his shutting the door behind him,---as he would have done; I never saw such a man for shutting doors,---and I followed him into a very dirty underground kitchen and scullery. I had the pleasure of seeing him begin to wash up, and then, finding no good in keeping down there, and the brick floor being cold to my feet, I returned upstairs and sat in his chair by the fire. It was burning low, and scarcely thinking, I put on a little coal. The noise of this brought him up at once, and he stood aglare. He peered about the room and was within an ace of touching me. Even after that examination, he scarcely seemed satisfied. He stopped in the doorway and took a final inspection before he went down.
"I waited in the little parlour for an age, and at last he came up and opened the upstairs door. I just managed to get by him.
"On the staircase he stopped suddenly, so that I very nearly blundered into him. He stood looking back right into my face and listening. 'I could have sworn,' he said. His long hairy hand pulled at his lower lip.
His eye went up and down the staircase. Then he grunted and went on up again.
"His hand was on the handle of a door, and then he stopped again with the same puzzled anger on his face. He was becoming aware of the faint sounds of my movements about him. The man must have had diabolically acute hearing. He suddenly flashed into rage. 'If there's anyone in this house,' he cried with an oath, and left the threat unfinished. He put his hand in his pocket, failed to find what he wanted, and rushing past me went blundering noisily and pugnaciously downstairs. But I did not follow him. I sat on the head of the staircase until his return.
"Presently he came up again, still muttering. He opened the door of the room, and before I could enter, slammed it in my face.
"I resolved to explore the house, and spent some time in doing so as noiselessly as possible. The house was very old and tumble-down, damp so that the paper in the attics was peeling from the walls, and rat infested. Some of the door handles were stiff and I was afraid to turn them. Several rooms I did inspect were unfurnished, and others were littered with theatrical lumber, bought second-hand, I judged, from its appearance. In one room next to his I found a lot of old clothes. I began routing among these, and in my eagerness forgot again the evident sharpness of his ears. I heard a stealthy footstep and, looking up just in time, saw him peering in at the tumbled heap and holding an old-fashioned revolver in his hand. I stood perfectly still while he stared about open-mouthed and suspicious. 'It must have been her,' he said slowly. 'Damn her!'
"He shut the door quietly, and immediately I heard the key turn in the lock. Then his footsteps retreated. I realised abruptly that I was locked in. For a minute I did not know what to do. I walked from door to window and back, and stood perplexed. A gust of anger came upon me. But I decided to inspect the clothes before I did anything further, and my first attempt brought down a pile from an upper shelf. This brought him back, more sinister than ever. That time he actually touched me, jumped back with amazement and stood astonished in the middle of the room.
"Presently he calmed a little. 'Rats,' he said in an undertone, fingers on lip. He was evidently a little scared. I edged quietly out of the room, but a plank creaked. Then the infernal little brute started going all over the house, revolver in hand and locking door after door and pocketing the keys. When I realised what he was up to I had a fit of rage---I could hardly control myself sufficiently to watch my opportunity. By this time I knew he was alone in the house, and so I made no more ado, but knocked him on the head."
"Knocked him on the head!" exclaimed Kemp.
"Yes---stunned him---as he was going downstairs. Hit him from behind with a stool that stood on the landing. He went downstairs like a bag of old boots."
"But---! I say! The common conventions of humanity---"
"Are all very well for common people.1 But the point was, Kemp, that I had to get out of that house in a disguise without his seeing me. I couldn't think of any other way of doing it. And then I gagged him with a Louis Quatorze vestln and tied him up in a sheet."
"Tied him up in a sheet!"
"Made a sort of bag of it. It was rather a good idea to keep the idiot scared and quiet, and a devilish hard thing to get out of---head away from the string. My dear Kemp, it's no good your sitting and glaring as though I was a murderer. It had to be done. He had his revolver. If once he saw me he would be able to describe me---"
"But still," said Kemp, "in England---to-day. And the man was in his own house, and you were---well, robbing."
"Robbing! Confound it! You'll call me a thief next! Surely, Kemp, you're not fool enough to dance on the old strings.2 Can't you see my position?"
"And his too," said Kemp.
The Invisible Man stood up sharply. "What do you mean to say?"
Kemp's face grew a trifle hard. He was about to speak and checked himself. "I suppose, after all," he said with a sudden change of manner, "the thing had to be done. You were in a fix. But still---"
"Of course I was in a fix---an infernal fix. And he made me wild too---hunting me about the house, fooling about with his revolver, locking and unlocking doors. He was simply exasperating. You don't blame me, do you? You don't blame me?"
"I never blame anyone," said Kemp. "It's quite out of fashion. What did you do next?"
"I was hungry. Downstairs I found a loaf and some rank cheese---more than sufficient to satisfy my hunger. I took some brandy and water, and then went up past my impromptu bag---he was lying quite still---to the room containing the old clothes. This looked out upon the street, two lace curtains brown with dirt guarding the window. I went and peered out through their interstices. Outside the day was bright---by contrast with the brown shadows of the dismal house in which I found myself, dazzlingly bright. A brisk traffic was going by, fruit carts, a hansom, a four-wheeler with a pile of boxes, a fishmonger's cart. I turned with spots of colour swimming before my eyes to the shadowy fixtures behind me. My excitement was giving place to a clear apprehension of my position again. The room was full of a faint scent of benzo line,lo used, I suppose, in cleaning the garments.
"I began a systematic search of the place. I should judge the hunchback had been alone in the house for some time. He was a curious person. Everything that could possibly be of service to me I collected in the clothes storeroom, and then I made a deliberate selection. I found a handbag I thought a suitable possession, and some powder, rouge, and sticking-plaster.
"I had thought of painting and powdering my face and all that there was to show of me, in order to render myself visible, but the disadvantage of this lay in the fact that I should require turpentine and other appliances and a considerable amount of time before I could vanish again. Finally I chose a mask of the better type, slightly grotesque but not more so than many human beings, dark glasses, greyish whiskers, and a wig. I could find no underclothing, but that I could buy subsequently, and for the time I swathed myself in calicolp dominoes and some white cashmere scarfs. I could find no socks, but the hunchback's boots were rather a loose fit and sufficed. In a desk in the shop were three sovereigns and about thirty shillings' worth of silver, and in a locked cupboard I burst in the inner room were eight pounds in gold. I could go forth into the world again, equipped.
"Then came a curious hesitation. Was my appearance really---cred---ible? I tried myself with a little bedroom looking-glass, inspecting myself from every point of view to discover any forgotten chink, but it all seemed sound. I was grotesque to the theatrical pitch, a stage miser, but I was certainly not a physical impossibility. Gathering confidence, I took my looking-glass down into the shop, pulled down the shop blinds, and surveyed myself from every point of view with the help of the cheval glass in the corner.
"I spent some minutes screwing up my courage and then unlocked the shop door and marched out into the street, leaving the little man to get out of his sheet again when he liked. In five minutes a dozen turnings intervened between me and the costumier's shop. No one appeared to notice me very pointedly. My last difficulty seemed overcome."
He stopped again.
"And you troubled no more about the hunchback?" said Kemp.
"No," said the Invisible Man. "Nor have I heard what became of him. I suppose he untied himself or kicked himself out. The knots were pretty tight."
He became silent and went to the window and stared out.
"What happened when you went out into the Strand?"
"Oh!---disillusionment again. I thought my troubles were over. Practically I thought I had impunity to do whatever I chose, everything---save to give away my secret. So I thought. Whatever I did, whatever the consequences might be, was nothing to me. I had merely to fling aside my garments and vanish. No person could hold me. I could take my money where I found it. I decided to treat myself to a sumptuous feast, and then put up at a good hotel, and accumulate a new outfit of property. I felt amazingly confident,---it's not particularly pleasant recalling that I was an ass. I went into a place and was already ordering a lunch, when it occurred to me that I could not eat unless I exposed my invisible face. I finished ordering the lunch, told the man I should be back in ten minutes, and went out exasperated. I don't know if you have ever been disappointed in your appetite."
"Not quite so badly," said Kemp, "but I can imagine it."
"I could have smashed the silly devils. At last, faint with the desire for tasteful food, I went into another place and demanded a private room. 'I am disfigured,' I said. 'Badly.' They looked at me curiously, but of course it was not their affair---and so at last I got my lunch. It was not particularly well served, but it sufficed; and when I had had it, I sat over a cigar, trying to plan my line of action. And outside a snowstorm was beginning.
"The more I thought it over, Kemp, the more I realised what a helpless absurdity an invisible man was,---in a cold and dirty climate and a crowded civilised city. Before I made this mad experiment I had dreamt of a thousand advantages. That afternoon it seemed all disappointment. I went over the heads of the things a man reckons desirable. No doubt invisibility made it possible to get them, but it made it impossible to enjoy them when they were got. Ambition---what is the good of pride of place when you cannot appear there? What is the good of the love of woman when her name must needs be Delilah?3 I have no taste for politics, for the black-guardismslq of fame, for philanthropy, for sport. What was I to do? And for this I had become a wrapped-up mystery, a swathed and bandaged caricature of a man!"
He paused, and his attitude suggested a roving glance at the window.
"But how did you get to Iping?" said Kemp, anxious to keep his guest busy talking.
"I went there to work. I had one hope. It was a half idea! I have it still. It is a full blown idea now. A way of getting back! Of restoring what I have done. When I choose. When I have done all I mean to do invisibly. And that is what I chiefly want to talk to you about now."
"You went straight to Iping?"
"Yes. I had simply to get my three volumes of memoranda and my cheque-book, my luggage and underclothing, order a quantity of chemicals to work out this idea of mine,---I will show you the calculations as soon as I get my books,---and then I started. Jove! I remember the snowstorm now, and the accursed bother it was to keep the snow from damping my pasteboard nose."
"At the end," said Kemp, "the day before yesterday, when they found you out, you rather---to judge by the papers---"
"I did. Rather. Did I kill that fool of a constable?"
"No," said Kemp. "He's expected to recover."
"That's his luck, then. I clean lost my temper, the fools! Why couldn't they leave me alone? And that grocer lout?"
"There are no deaths expected," said Kemp.
"I don't know about that tramp of mine," said the Invisible Man, with an unpleasant laugh.
"By Heaven, Kemp, you don't know what rage is! To have worked for years, to have planned and plotted, and then to get some fumbling purblindlr idiot messing across your course! Every conceivable sort of silly creature that has ever been created has been sent to cross me.
"If I have much more of it, I shall go wild,---I shall start mowing 'em.
"As it is, they've made things a thousand times more difficult."
"No doubt it's exasperating," said Kemp, drily.
XXIV
The Plan That Failed
"BUT NOW," SAID KEMP, with a side glance out of the window, "what are we to do?"
He moved nearer his guest as he spoke in such a manner as to prevent the possibility of a sudden glimpse of the three men who were advancing up the hill road---with an intolerable slowness, as it seemed to Kemp.
"What were you planning to do when you were heading for Port Burdock? Had you any plan?"
"I was going to clear out of the country. But I have altered that plan rather since seeing you. I thought it would be wise, now the weather is hot and invisibility possible, to make for the South. Especially as my secret was known, and everyone would be on the lookout for a masked and muffled man. You have a line of steamers from here to France. My idea was to get aboard one and run the risks of the passage. Thence I could go by train into Spain, or else get to Algiers. It would not be difficult. There a man might always be invisible---and yet live. And do things. I was using that tramp as a money box and luggage carrier, until I decided how to get my books and things sent over to meet me."
"That's clear."
"And then the filthy brute must needs try and rob me! He has hidden my books, Kemp. Hidden my books! If I can lay my hands on him!"
"Best plan to get the books out of him first."
"But where is he? Do you know?"
"He's in the town police station, locked up, by his own request, in the strongest cell in the place."
"Cur!" said the Invisible Man.
"But that hangs up your plans a little."
"We must get those books; those books are vital."
"Certainly," said Kemp, a little nervously, wondering if he heard footsteps outside. "Certainly we must get those books. But that won't be difficult, if he doesn't know they're for you."
"No," said the Invisible Man, and thought.
Kemp tried to think of something to keep the talk going, but the Invisible Man resumed of his own accord.
"Blundering into your house, Kemp," he said, "changes all my plans. For you are a man that can understand. In spite of all that has happened, in spite of this publicity, of the loss of my books, of what I have suffered, there still remain great possibilities, huge possibilities---
"You have told no one I am here?" he asked abruptly.
Kemp hesitated. "That was implied," he said.
"No one?" insisted Griffin.
"Not a soul."
"Ah! Now---" The Invisible Man stood up, and sticking his arms akimbo began to pace the study.
"I made a mistake, Kemp, a huge mistake, in carrying this thing through alone. I have wasted strength, time, opportunities. Alone---it is wonderful how little a man can do alone! To rob a little, to hurt a little, and there is the end.
"What I want, Kemp, is a goal-keeper, a helper, and a hiding-place, an arrangement whereby I can sleep and eat and rest in peace, and unsuspected. I must have a confederate. With a confederate, with food and rest---a thousand things are possible.
"Hitherto I have gone on vague lines. We have to consider all that invisibility means, all that it does not mean. It means little advantage for eavesdropping and so forth---one makes sounds. It's of little help, a little help perhaps---in housebreaking and so forth. Once you've caught me you could easily imprison me. But on the other hand I am hard to catch. This invisibility, in fact, is only good in two cases: It's useful in getting away, it's useful in approaching. It's particularly useful, therefore, in killing. I can walk round a man, whatever weapon he has, choose my point, strike as I like. Dodge as I like. Escape as I like."
Kemp's hand went to his moustache. Was that a movement downstairs?
"And it is killing we must do, Kemp."
"It is killing we must do," repeated Kemp. "I'm listening to your plan, Griffin, but I'm not agreeing, mind. Why killing?"
"Not wanton killing, but a judicious slaying. The point is, they know there is an invisible man---as well as we know there is an invisible man. And that invisible man, Kemp, must now establish a reign of terror. 1 Yes---no doubt it's startling. But I mean it. A reign of terror. He must take some town like your Burdock and terrify and dominate it. He must issue his orders. He can do that in a thousand ways---scraps of paper thrust under doors would suffice. And all who disobey his orders he must kill, and kill all who would defend them."
"Humph!" said Kemp, no longer listening to Griffin but to the sound of his front door opening and closing.
"It seems to me, Griffin," he said, to cover his wandering attention, "that your confederate would be in a difficult position."
"No one would know he was a confederate," said the Invisible Man, eagerly. And then suddenly, "Hush! What's that downstairs?"
"Nothing," said Kemp, and suddenly began to speak loud and fast. "I don't agree to this, Griffin," he said. "Understand me, I don't agree to this. Why dream of playing a game against the race? How can you hope to gain happiness? Don't be a lone wolf. Publish your results; take the world---take the nation at least---into your confidence. Think what you might do with a million helpers---"
The Invisible Man interrupted Kemp---arms extended. "There are footsteps coming upstairs," he said in a low voice.
"Nonsense," said Kemp.
"Let me see," said the Invisible Man, and advanced, arm extended, to the door.
And then things happened very swiftly. Kemp hesitated for a second and then moved to intercept him. The Invisible Man started and stood still. "Traitor!" cried the voice, and suddenly the dressing gown opened, and sitting down the unseen began to disrobe. Kemp made three swift steps to the door, and forthwith the Invisible Man---his legs had vanished---sprang to his feet with a shout. Kemp flung the door open.
As it opened, there came a sound of hurrying feet downstairs and voices.
With a quick movement Kemp thrust the Invisible Man back, sprang aside, and slammed the door. The key was outside and ready. In another moment Griffin would have been alone in the belvedere study, a prisoner. Save for one little thing. The key had been slipped in hastily that morning. As Kemp slammed the door it fell noisily upon the carpet.
Kemp's face became white. He tried to grip the door handle with both hands. For a moment he stood lugging. Then the door gave six inches. But he got it closed again. The second time it was jerked a foot wide, and the dressing gown came wedging itself into the opening. His throat was gripped by invisible fingers, and he left his hold on the handle to defend himself. He was forced back, tripped and pitched heavily into the corner of the landing. The empty dressing gown was flung on the top of him.
Halfway up the staircase was Colonel Adye, the recipient of Kemp's letter, the chief of the Burdock police. He was staring aghast at the sudden appearance of Kemp, followed by the extra-ordinary sight of clothing tossing empty in the air. He saw Kemp felled, and struggling to his feet. He saw him rush forward, and go down again, felled like an ox.
Then suddenly he was struck violently. By nothing! A vast weight, it seemed, leapt upon him, and he was hurled headlong down the staircase, with the grip at his throat and a knee in his groin. An invisible foot trod on his back, a ghostly patter passed downstairs, he heard the two police officers in the hall shout and run, and the front door of the house slammed violently.
He rolled over and sat up staring. He saw, staggering down the staircase, Kemp, dusty and dishevelled, one side of his face white from a blow, his lip bleeding, and a pink dressing gown and some underclothing held in his arms.
"My God!" cried Kemp, "the game's up! He's gone!"
XXV
The Hunting of the Invisible Man
FOR A SPACE KEMP was too inarticulate to make Adye understand the swift things that had just happened. They stood on the landing, Kemp speaking swiftly, the grotesque swathings of Griffin still on his arm. But presently Adye began to grasp something of the situation.
"He is mad," said Kemp; "inhuman.1 He is pure selfishness. He thinks of nothing but his own advantage, his own safety. I have listened to such a story this morning of brutal self-seeking! He has wounded men. He will kill them unless we can prevent him. He will create a panic. Nothing can stop him. He is going out now---furious!"
"He must be caught," said Adye. "That is certain."
"But how?" cried Kemp, and suddenly became full of ideas. "You must begin at once. You must set every available man to work. You must prevent his leaving this district. Once he gets away, he may go through the countryside as he wills, killing and maiming. He dreams of a reign of terror! A reign of terror, I tell you. You must set a watch on trains and roads and shipping. The garrison must help. You must wire for help. The only thing that may keep him here is the thought of recovering some books of notes he counts of value. I will tell you of that! There is a man in your police station,---Marvel."
"I know," said Adye, "I know. Those books---yes."
"And you must prevent him from eating or sleeping; day and night the country must be astir for him. Food must be locked up and secured, all food, so that he will have to break his way to it. The houses everywhere must be barred against him. Heaven send us cold nights and rain! The whole countryside must begin hunting and keep hunting. I tell you, Adye, he is a danger, a disaster; unless he is pinned and secured, it is frightful to think of the things that may happen."
"What else can we do?" said Adye. "I must go down at once and begin organising. But why not come? Yes---you come too! Come, and we must hold a sort of council of war,---get Hopps to help---and the railway managers. By Jove! it's urgent. Come along---tell me as we go. What else is there we can do? Put that stuff down."
In another moment Adye was leading the way downstairs. They found the front door open and the policemen standing outside staring at empty air. "He's got away, sir," said one.
"We must go to the central station at once," said Adye. "One of you go on down and get a cab to come up and meet us---quickly. And now, Kemp, what else?"
"Dogs," said Kemp. "Get dogs. They don't see him, but they wind him.ls Get dogs."
"Good," said Adye. "It's not generally known, but the prison officials over at Halstead know a man with bloodhounds. Dogs. What else?"
"Bear in mind," said Kemp, "his food shows. After eating, his food shows until it is assimilated. So that he has to hide after eating. You must keep on beating,---every thicket, every quiet corner. And put all weapons, all implements that might be weapons, away. He can't carry such things for long. And what he can snatch up and strike men with must be hidden away."
"Good again," said Adye. "We shall have him yet!"
"And on the roads," said Kemp, and hesitated.
"Yes?" said Adye.
"Powdered glass," said Kemp. "It's cruel, I know. But think of what he may do!"
Adye drew the air in sharply between his teeth. "It's unsportsmanlike. 2 I don't know. But I'll have powdered glass got ready. If he goes too far---"
"The man's become inhuman, I tell you," said Kemp. "I am as sure he will establish a reign of terror---so soon as he has got over the emotions of this escape---as I am sure I am talking to you. Our only chance is to be ahead. He has cut himself off from his kind. His blood be upon his own head."
XXVI
The Wicksteed Murder
THE INVISIBLE MAN SEEMS to have rushed out of Kemp's house in a state of blind fury. A little child playing near Kemp's gateway was violently caught up and thrown aside, so that its ankle was broken, and thereafter for some hours the Invisible Man passed out of human perceptions. No one knows where he went nor what he did. But one can imagine him hurrying through the hot June forenoon, up the hill and on to the open downland behind Port Burdock, raging and despairing at his intolerable fate, and sheltering at last, heated and weary, amid the thickets of Hintondean, to piece together again his shattered schemes against his species. 1 That seems the most probable refuge for him, for there it was he reasserted himself in a grimly tragical manner about two in the afternoon.
One wonders what his state of mind may have been during that time, and what plans he devised. No doubt he was almost ecstatically exasperated by Kemp's treachery, and though we may be able to understand the motives that led to that deceit, we may still imagine and even sympathise a little with the fury the attempted surprise must have occasioned. Perhaps something of the stunned astonishment of his Oxford Street experiences may have returned to him, for he had evidently counted on Kemp's co-operation in his brutal dream of a terrorised world. At any rate he vanished from human kenlt about midday, and no living witness can tell what he did until about half-past two. It was a fortunate thing, perhaps, for humanity, but for him it was a fatal inaction.
During that time a growing multitude of men scattered over the countryside were busy. In the morning he had still been simply a legend, a terror; in the afternoon, by virtue chiefly of Kemp's drily worded proclamation, he was presented as a tangible antagonist, to be wounded, captured, or overcome, and the countryside began organising itself with inconceivable rapidity. By two o'clock even he might still have removed himself out of the district by getting aboard a train, but after two that became impossible. Every passenger train along the lines on a great parallelogram between Southampton, Manchester, Brighton, and Horsham, travelled with locked doors, and the goods traffic was almost entirely suspended. And in a great circle of twenty miles round Port Burdock, men armed with guns and bludgeons were presently setting out in groups of three and four, with dogs, to beat the roads and fields.
Mounted policemen rode along the country lanes, stopping at every cottage and warning the people to lock up their houses, and keep indoors unless they were armed, and all the elementary schools had broken uplu by three o'clock, and the children, scared and keeping together in groups, were hurrying home. Kemp's proclamation---signed indeed by Adye---was posted over almost the whole district by four or five o'clock in the afternoon. It gave briefly but clearly all the conditions of the struggle, the necessity of keeping the Invisible Man from food and sleep, the necessity for incessant watchfulness and for a prompt attention to any evidence of his movements. And so swift and decided was the action of the authorities, so prompt and universal was the belief in this strange being, that before nightfall an area of several hundred square miles was in a stringent state of siege. And before nightfall, too, a thrill of horror went through the whole watching nervous countryside. Going from whispering mouth to mouth, swift and certain over the length and breadth of the county, passed the story of the murder of Mr. Wicksteed.
If our supposition that the Invisible Man's refuge was the Hintondean thickets is correct, then we must suppose that in the early afternoon he sallied out again bent upon some project that involved the use of a weapon. We cannot know what the project was, but the evidence that he had the iron rod in hand before he met Wicksteed is to me at least overwhelming.
Of course we can know nothing of the details of the encounter. It occurred on the edge of a gravel pit, not two hundred yards from Lord Burdock's Lodge gate. Everything points to a desperate struggle,---the trampled ground, the numerous wounds Mr. Wicksteed received, his splintered walking-stick; but why the attack was made---save in a murderous frenzy---it is impossible to imagine. Indeed the theory of madness is almost unavoidable. Mr. Wicksteed was a man of forty-five or forty-six, steward to Lord Burdock,2 of inoffensive habits and appearance, the very last person in the world to provoke such a terrible antagonist. Against him it would seem the Invisible Man used an iron rod dragged from a broken piece of fence. He stopped this quiet man, going quietly home to his midday meal, attacked him, beat down his feeble defences, broke his arm, felled him, and smashed his head to a jelly.
Of course he must have dragged this rod out of the fencing before he met his victim; he must have been carrying it ready in his hand. Only two details beyond what has already been stated seem to bear on the matter. One is the circumstance that the gravel pit was not in Mr. Wicksteed's direct path home, but nearly a couple of hundred yards out of his way. The other is the assertion of a little girl to the effect that, going to her afternoon school, she saw the murdered man "trotting" in a peculiar manner across a field towards the gravel pit. Her pantomime of his action suggests a man pursuing something on the ground before him and striking at it ever and again with his walking-stick. She was the last person to see him alive. He passed out of her sight to his death, the struggle being hidden from her only by a clump of beech trees and a slight depression in the ground.
Now this, to the present writer's mind3 at least, lifts the murder out of the realm of the absolutely wanton. We may imagine that Griffin had taken the rod as a weapon indeed, but without any deliberate intention of using it in murder. Wicksteed may then have come by and noticed this rod inexplicably moving through the air. Without any thought of the Invisible Man---for Port Burdock is ten miles away---he may have pursued it. It is quite conceivable that he may not even have heard of the Invisible Man. One can then imagine the Invisible Man making off--- quietly in order to avoid discovering his presence in the neighbourhood, and Wicksteed, excited and curious, pursuing this unaccountably locomotive object,---finally striking it.
No doubt the Invisible Man could easily have distanced his middle-aged pursuer under ordinary circumstances, but the position in which Wicksteed's body was found suggests that he had the ill luck to drive his quarry into a corner between a drift of stinging nettles and the gravel pit. To those who appreciate the extra-ordinary irascibility of the Invisible Man, the rest of the encounter will be easy to imagine.
But this is pure hypothesis. The only undeniable facts---for stories of children are often unreliable---are the discovery of Wicksteed's body, done to death, and of the bloodstained iron rod flung among the nettles. The abandonment of the rod by Griffin, suggests that in the emotional excitement of the affair, the purpose for which he took it---if he had a purpose---was abandoned. He was certainly an intensely egotistical and unfeeling man, but the sight of his victim, his first victim, bloody and pitiful at his feet, may have released some long pent fountain of remorse which for a time may have flooded whatever scheme of action he had contrived.
After the murder of Mr. Wicksteed, he would seem to have struck across the country towards the downland. There is a story of a voice heard about sunset by a couple of men in a field near Fern Bottom. It was wailing and laughing, sobbing and groaning, and ever and again it shouted. It must have been queer hearing. It drove up across the middle of a clover field and died away towards the hills.
That afternoon the Invisible Man must have learnt something of the rapid use Kemp had made of his confidences. He must have found houses locked and secured; he may have loitered about railway stations and prowled about inns, and no doubt he read the proclamations and realised something of the nature of the campaign against him. And as the evening advanced, the fields became dotted here and there with groups of three or four men, and noisy with the yelping of dogs. These men-hunters had particular instructions in the case of an encounter as to the way they should support one another. He avoided them all. We may understand something of his exasperation, and it could have been none the less because he himself had supplied the information that was being used so remorselessly against him. For that day at least he lost heart; for nearly twenty-four hours, save when he turned on Wicksteed, he was a hunted man. In the night, he must have eaten and slept; for in the morning he was himself again, active, powerful, angry, and malignant, prepared for his last great struggle against the world.
XXVII
The Siege of Kemp's House
KEMP READ A STRANGE missive, written in pencil on a greasy sheet of paper.
"You have been amazingly energetic and clever," this letter ran, "though what you stand to gain by it I cannot imagine. You are against me. For a whole day you have chased me; you have tried to rob me of a night's rest. But I have had food in spite of you, I have slept in spite of you, and the game is only beginning. The game is only beginning. There is nothing for it, but to start the Terror. This announces the first day of the Terror. Port Burdock is no longer under the Queen, tell your Colonel of Police, and the rest of them; it is under me---the Terror! This is day one of year one of the new epoch,---the Epoch of the Invisible Man. I am Invisible Man the First.1 To begin with the rule will be easy. The first day there will be one execution for the sake of example,---a man named Kemp. Death starts for him to-day. He may lock himself away, hide himself away, get guards about him, put on armour if he likes; Death, the unseen Death, is coming. Let him take precautions; it will impress my people. Death starts from the pillar box by midday. The letter will fall in as the postman comes along, then off! The game begins. Death starts. Help him not, my people, lest Death fall upon you also. To-day Kemp is to die."
When Kemp read this letter twice, "It's no hoax," he said. "That's his voice! And he means it."
He turned the folded sheet over and saw on the addressed side of it the postmark Hintondean, and the prosaic detail "2d. to pay. "lv
He got up slowly, leaving his lunch unfinished,---the letter had come by the one o'clock post,---and went into his study. He rang for his housekeeper, and told her to go round the house at once, examine all the fastenings of the windows, and close all the shutters. He closed the shutters of his study himself. From a locked drawer in his bedroom he took a little revolver, examined it carefully, and put it into the pocket of his lounge jacket. He wrote a number of brief notes, one to Colonel Adye, gave them to his servant to take, with explicit instructions as to her way of leaving the house. "There is no danger," he said, and added a mental reservation, "to you." He remained meditative for a space after doing this, and then returned to his cooling lunch.
He ate with gaps of thought. Finally he struck the table sharply. "We will have him!" he said; "and I am the bait. He will come too far."
He went up to the belvedere, carefully shutting every door after him. "It's a game," he said, "an odd game---but the chances are all for me, Mr. Griffin, in spite of your invisibility. Griffin contra mundumlw---with a vengeance."
He stood at the window staring at the hot hillside. "He must get food every day---and I don't envy him. Did he really sleep last night? Out in the open somewhere---secure from collisions. I wish we could get some good cold wet weather instead of the heat.
"He may be watching me now."
He went close to the window. Something rapped smartly against the brickwork over the frame, and made him start violently back.
"I'm getting nervous," said Kemp. But it was five minutes before he went to the window again. "It must have been a sparrow," he said.
Presently he heard the front-door bell ringing, and hurried downstairs. He unbolted and unlocked the door, examined the chain, put it up, and opened cautiously without showing himself. A familiar voice hailed him. It was Adye.
"Your servant's been assaulted, Kemp," he said round the door.
"What!" exclaimed Kemp.
"Had that note of yours taken away from her. He's close about here. Let me in."
Kemp released the chain, and Adye entered through as narrow an opening as possible. He stood in the hall, looking with infinite relief at Kemp refastening the door. "Note was snatched out of her hand. Scared her horribly. She's down at the station. Hysterics. He's close here. What was it about?"
Kemp swore.
"What a fool I was," said Kemp. "I might have known. It's not an hour's walk from Hintondean. Already!"
"What's up?" said Adye.
"Look here!" said Kemp, and led the way into his study. He handed Adye the Invisible Man's letter. Adye read it and whistled softly "And you---?" said Adye.
"Proposed a trap---like a fool," said Kemp, "and sent my proposal out by a maid servant. To him."
Adye followed Kemp's profanity.
"He'll clear out," said Adye.
"Not he," said Kemp.
A resounding smash of glass came from upstairs. Adye had a silvery glimpse of a little revolver half out of Kemp's pocket. "It's a window, upstairs!" said Kemp, and led the way up. There came a second smash while they were still on the staircase. When they reached the study they found two of the three windows smashed, half the room littered with splintered glass, and one big flint lying on the writing-table. The two men stopped in, the doorway, contemplating the wreckage. Kemp swore again, and as he did so the third window went with a snap like a pistol, hung starred for a moment, and collapsed in jagged, shivering triangles into the room.
"What's this for?" said Adye.
"It's a beginning," said Kemp.
"There's no way of climbing up here?"
"Not for a cat," said Kemp.
"No shutters?"
"Not here. All the downstairs rooms---Hullo!"
Smash, and then whack of boards hit hard came from downstairs. "Confound him!" said Kemp. "That must be---yes---it's one of the bedrooms. He's going to do all the house. But he's a fool. The shutters are up, and the glass will fall outside. He'll cut his feet."
Another window proclaimed its destruction. The two men stood on the landing perplexed. "I have it!" said Adye. "Let me have a stick or something, and I'll go down to the station and get the bloodhounds put on. That ought to settle him! They're hard by---not ten minutes---"
Another window went the way of its fellows.
"You haven't a revolver?" asked Adye.
Kemp's hand went to his pocket. Then he hesitated. "I haven't one---at least to spare."
"I'll bring it back," said Adye, "you'll be safe here."
Kemp, ashamed of his momentary lapse from truthfulness, handed him the weapon.
"Now for the door," said Adye.
As they stood hesitating in the hall, they heard one of the first-floor bedroom windows crack and clash. Kemp went to the door and began to slip the bolts as silently as possible. His face was a little paler than usual. "You must step straight out," said Kemp. In another moment Adye was on the doorstep and the bolts were dropping back into the staples. He hesitated for a moment, feeling more comfortable with his back against the door. Then he marched, upright and square, down the steps. He crossed the lawn and approached the gate. A little breeze seemed to ripple over the grass. Something moved near him. "Stop a bit," said a voice, and Adye stopped dead and his hand tightened on the revolver.
"Well?" said Adye, white and grim, and every nerve tense.
"Oblige me by going back to the house," said the voice, as tense and grim as Adye's.
"Sorry," said Adye a little hoarsely, and moistened his lips with his tongue. The voice was on his left front, he thought. Suppose he were to take his luck with a shot?
"What are you going for?" said the voice, and there was a quick movement of the two, and a flash of sunlight from the open lip of Adye's pocket.
Adye desisted and thought. "Where I go," he said slowly, "is my own business." The words were still on his lips, when an arm came round his neck, his back felt a knee, and he was sprawling backward. He drew clumsily and fired absurdly, and in another moment he was struck in the mouth and the revolver wrested from his grip. He made a vain clutch at a slippery limb, tried to struggle up and fell back. "Damn!" said Adye. The voice laughed. "I'd kill you now if it wasn't the waste of a bullet," it said. He saw the revolver in mid-air, six feet off, covering him.
"Well?" said Adye, sitting up.
"Get up," said the voice.
Adye stood up.
"Attention," said the voice, and then fiercely, "Don't try any games. Remember I can see your face if you can't see mine. You've got to go back to the house."
"He won't let me in," said Adye.
"That's a pity," said the Invisible Man. "I've got no quarrel with you".
Adye moistened his lips again. He glanced away from the barrel of the revolver and saw the sea far off very blue and dark under the midday sun, the smooth green down, the white cliff of the Head, and the multitudinous town, and suddenly he knew that life was very sweet. His eyes came back to this little metal thing hanging between heaven and earth, six feet away. "What am I to do?" he said sullenly.
"What am I to do?" asked the Invisible Man. "You will get help. The only thing is for you to go back."
"I will try. If he lets me in will you promise not to rush the door?"
"I've got no quarrel with you," said the voice.
Kemp had hurried upstairs after letting Adye out, and now crouching among the broken glass and peering cautiously over the edge of the study window sill, he saw Adye stand parleying with the unseen. "Why doesn't he fire?" whispered Kemp to himself. Then the revolver moved a little and the glint of the sunlight flashed in Kemp's eyes. He shaded his eyes and tried to see the source of the blinding beam.
"Surely!" he said, "Adye has given up the revolver."
"Promise not to rush the door," Adye was saying. "Don't push a winning game too far. Give a man a chance."2
"You go back to the house. I tell you flatly I will not promise anything."
Adye's decision seemed suddenly made. He turned towards the house, walking slowly with his hands behind him. Kemp watched him---puzzled. The revolver vanished, flashed again into sight, vanished again, and became evident on a closer scrutiny as a little dark object following Adye. Then things happened very quickly. Adye leapt backwards, swung round, clutched at this little object, missed it, threw up his hands and fell forward on his face, leaving a little puff of blue in the air. Kemp did not hear the sound of the shot. Adye writhed, raised himself on one arm, fell forward, and lay still.
For a space Kemp remained staring at the quiet carelessness of Adye's attitude.lx The afternoon was very hot and still, nothing seemed stirring in all the world save a couple of yellow butterflies chasing each other through the shrubbery between the house and the road gate. Adye lay on the lawn near the gate. The blinds of all the villas down the hill road were drawn, but in one little green summer-house was a white figure, apparently an old man asleep. Kemp scrutinized the surroundings of the house for a glimpse of the revolver, but it had vanished. His eyes came back to Adye. The game was opening well.
Then came a ringing and knocking at the front door, that grew at last tumultuous, but pursuant to Kemp's instructions the servants had locked themselves into their rooms. This was followed by a silence. Kemp sat listening and then began peering cautiously out of the three windows, one after another. He went to the staircase head and stood listening uneasily. He armed himself with his bedroom poker, and went to examine the interior fastenings of the ground-floor windows again. Everything was safe and quiet. He returned to the belvedere. Adye lay motionless over the edge of the gravel just as he had fallen. Coming along the road by the villas were the housemaid and two policemen.
Everything was deadly still. The three people seemed very slow in approaching. He wondered what his antagonist was doing.
He started. There was a smash from below. He hesitated and went downstairs again. Suddenly the house resounded with heavy blows and the splintering of wood. He heard a smash and the destructive clang of the iron fastenings of the shutters. He turned the key and opened the kitchen door. As he did so, the shutters, split and splintering, came flying inward. He stood aghast. The window frame, save for one cross bar, was still intact, but only little teeth of glass remained in the frame. The shutters had been driven in with an axe, and now the axe was descending in sweeping blows upon the window frame and the iron bars defending it. Then suddenly it leapt aside and vanished. He saw the revolver lying on the path outside, and then the little weapon sprang into the air. He dodged back. The revolver cracked just too late, and a splinter from the edge of the closing door flashed over his head. He slammed and locked the door, and as he stood outside he heard Griffin shouting and laughing. Then the blows of the axe with its splitting and smashing consequences, were resumed.
Kemp stood in the passage trying to think. In a moment the Invisible Man would be in the kitchen. This door would not keep him a moment, and then---
A ringing came at the front door again. It would be the policemen. He ran into the hall, put up the chain, and drew the bolts. He made the girl speak before he dropped the chain, and the three people blundered into the house in a heap, and Kemp slammed the door again.
"The Invisible Man!" said Kemp. "He has a revolver, with two shots---left. He's killed Adye. Shot him anyhow. Didn't you see him on the lawn? He's lying there."
"Who?" said one of the policemen.
"Adye," said Kemp.
"We came in the back way," said the girl.
"What's that smashing?" asked one of the policemen.
"He's in the kitchen---or will be. He has found an axe---"
Suddenly the house was full of the Invisible Man's resounding blows on the kitchen door. The girl stared towards the kitchen, shuddered, and retreated into the dining-room. Kemp tried to explain in broken sentences. They heard the kitchen door give.
"This way," cried Kemp, starting into activity, and bundled the policemen into the dining-room doorway.
"Poker," said Kemp, and rushed to the fender. He handed the poker he had carried to the policeman and the dining-room one to the other. He suddenly flung himself backward.
"Whup!" said one policeman, ducked, and caught the axe on his poker. The pistol snapped its penultimate shot and ripped a valuable Sidney Cooper.ly The second police brought his poker down on the little weapon, as one might knock down a wasp, and sent it rattling to the floor.
At the first clash the girl screamed, stood screaming for a moment by the fireplace, and then ran to open the shutters---possibly with an idea of escaping by the shattered window.
The axe receded into the passage, and fell to a position about two feet from the ground. They could hear the Invisible Man breathing. "Stand away, you two," he said. "I want that man Kemp."
"We want you," said the first policeman, making a quick step forward and wiping with his poker at the voice. The Invisible Man must have started back, and he blundered into the umbrella stand. Then, as the policeman staggered with the swing of the blow he had aimed, the Invisible Man countered with the axe, the helmet crumpled like paper, and the blow sent the man spinning to the floor at the head of the kitchen stairs. But the second policeman, aiming behind the axe with his poker, hit something soft that snapped. There was a sharp exclamation of pain and then the axe fell to the ground. The policeman wiped again at vacancy and hit nothing; he put his foot on the axe, and struck again. Then he stood, poker clubbed, listening intent for the slightest movement.
He heard the dining-room window open, and a quick rush of feet within. His companion rolled over and sat up, with the blood running down between his eye and ear. "Where is he?" asked the man on the floor.
"Don't know. I've hit him. He's standing somewhere in the hall. Unless he's slipped past you. Doctor Kemp---sir."
Pause.
"Doctor Kemp," cried the policeman again.
The second policeman began struggling to his feet. He stood up. Suddenly the faint pad of bare feet on the kitchen stairs could be heard. "Yap!" cried the first policeman, and incontinently flung his poker. It smashed a little gas bracket.
He made as if he would pursue the Invisible Man downstairs. Then he thought better of it and stepped into the dining-room.
"Doctor Kemp," he began, and stopped short---
"Doctor Kemp's a hero,"3 he said, as his companion looked over his shoulder.
The dining-room window was wide open, and neither housemaid nor Kemp was to be seen.
The second policeman's opinion of Kemp was terse and vivid.
XXVIII
The Hunter Hunted
MR. HEELAS,1 DR. KEMP's nearest neighbour among the villa holders, was asleep in his summer house when the siege of Kemp's house began. Mr. Heelas was one of the sturdy minority who refused to believe "in all this nonsense" about an invisible man. His wife, however, as he was subsequently to be reminded, did. He insisted upon walking about his garden just as if nothing was the matter, and he went to sleep in the afternoon in accordance with the custom of years. He slept through the smashing of the windows, and then woke up suddenly with a curious persuasion of something wrong. He looked across at Kemp's house, rubbed his eyes and looked again. Then he put his feet to the ground, and sat listening. He said he was damned, and still the strange thing was visible. The house looked as though it had been deserted for weeks---after a violent riot. Every window was broken, and every window, save those of the belvedere study, was blinded by the internal shutters.
"I could have sworn it was all right"---he looked at his watch---"twenty minutes ago."
He became aware of a measured concussion and the clash of glass, far away in the distance. And then, as he sat open-mouthed, came a still more wonderful thing. The shutters of the dining-room window were flung open violently, and the housemaid in her outdoor hat and garments, appeared struggling in a frantic manner to throw up the sash. Suddenly a man appeared beside her, helping her,---Dr. Kemp! In another moment the window was open, and the housemaid was struggling out; she pitched forward and vanished among the shrubs. Mr. Heelas stood up, exclaiming vaguely and vehemently at all these wonderful things. He saw Kemp stand on the sill, spring from the window, and reappear almost instantaneously running along a path in the shrubbery and stooping as he ran, like a man who evades observation. He vanished behind a laburnum,lz and appeared again clambering a fence that abutted on the open down. In a second he had tumbled over and was running at a tremendous pace down the slope towards Mr. Heelas.
"Lord!" cried Mr. Heelas, struck with an idea; "it's that Invisible Man brute! It's right, after all!"
With Mr. Heelas to think things like that was to act, and his cook watching him from the top window was amazed to see him come pelting towards the house at a good nine miles an hour. "Thought he wasn't afraid," said the cook. "Mary, just come here!" There was a slamming of doors, a ringing of bells, and the voice of Mr. Heelas bellowing like a bull. "Shut the doors, shut the windows, shut everything! the Invisible Man is coming!" Instantly the house was full of screams and directions, and scurrying feet. He ran himself to shut the French windows that opened on the veranda; as he did so Kemp's head and shoulders and knee appeared over the edge of the garden fence. In another moment Kemp had ploughed through the asparagus, and was running across the tennis lawn to the house.
"You can't come in," said Mr. Heelas, shutting the bolts. "I'm very sorry if he's after you, but you can't come in!"
Kemp appeared with a face of terror close to the glass, rapping and then shaking frantically at the French window. Then, seeing his efforts were useless, he ran along the veranda, vaulted the end, and went to hammer at the side door. Then he ran round by the side gate to the front of the house, and so into the hill road. And Mr. Heelas staring from his window---a face of horror---had scarcely witnessed Kemp vanish, ere the asparagus was being trampled this way and that by feet unseen. At that Mr. Heelas fled precipitately upstairs, and the rest of the chase is beyond his purview. But as he passed the staircase window, he heard the side gate slam.
Emerging into the hill road, Kemp naturally took the downward direction, and so it was he came to run in his own person the very race he had watched with such a critical eye from the belvedere study only four days ago. He ran it well, for a man out of training, and though his face was white and wet, his wits were cool to the last. He ran with wide strides, and wherever a patch of rough ground intervened, wherever there came a patch of raw flints, or a bit of broken glass shone dazzling, he crossed it and left the bare invisible feet that followed to take what line they would.
For the first time in his life Kemp discovered that the hill road was indescribably vast and desolate, and that the beginnings of the town far below at the hill foot were strangely remote. Never had there been a slower or more painful method of progression than running. All the gauntma villas, sleeping in the afternoon sun, looked locked and barred; no doubt they were locked and barred---by his own orders. But at any rate they might have kept a lookout for an eventuality like this! The town was rising up now, the sea had dropped out of sight behind it, and people down below were stirring. A tram was just arriving at the hill foot. Beyond that was the police station. Was that footsteps he heard behind him? Spurt.
The people below were staring at him, one or two were running, and his breath was beginning to saw in his throat. The tram was quite near now, and the Jolly Cricketers was noisily barring its doors. Beyond the tram were posts and heaps of gravel,---the drainage works. He had a transitory idea of jumping into the tram and slamming the doors, and then he resolved to go for the police station. In another moment he had passed the door of the Jolly Cricketers, and was in the blistering fag endmb of the street, with human beings about him. The tram driver and his helper---arrested by the sight of his furious haste---stood staring with the tram horses unhitched. Further on the astonished features of navviesmc appeared above the mounds of gravel.
His pace broke a little, and then he heard the swift pad of his pursuer, and leapt forward again. "The Invisible Man!" he cried to the navvies, with a vague indicative gesture, and by an inspiration leapt the excavation and placed a burly group between him and the chase. Then abandoning the idea of the police station he turned into a little side street, rushed by a greengrocer's cart, hesitated for the tenth of a second at the door of a sweetstuff shop, and then made for the mouth of an alley that ran back into the main Hill Street again. Two or three little children were playing here, and shrieked and scattered running at his apparition, and forthwith doors and windows opened and excited mothers revealed their hearts.md Out he shot into Hill Street again, three hundred yards from the tram-line end, and immediately he became aware of a tumultuous vociferation and running people.
He glanced up the street towards the hill. Hardly a dozen yards off ran a huge navvy, cursing in fragments and slashing viciously with a spade, and hard behind him came the tram conductor with his fists clenched. Up the street others followed these two, striking and shouting. Down towards the town, men and women were running, and he noticed clearly one man coming out of a shop-door with a stick in his hand. "Spread out! Spread out!" cried some one. Kemp suddenly grasped the altered condition of the chase. He stopped, and looked round, panting. "He's close here!" he cried. "Form a line across---"
"Aha!" shouted a voice.
He was hit hard under the ear, and went reeling, trying to face round towards his unseen antagonist. He just managed to keep his feet, and he struck a vain counterme in the air. Then he was hit again under the jaw, and sprawled headlong on the ground. In another moment a knee compressed his diaphragm, and a couple of eager hands gripped his throat, but the grip of one was weaker than the other; he grasped the wrists, heard a cry of pain from his assailant, and then the spade of the navvy came whirling through the air above him, and struck something with a dull thud. He felt a drop of moisture on his face. The grip at his throat suddenly relaxed, and with a convulsive effort, Kemp loosed himself, grasped a limp shoulder, and rolled uppermost. He gripped the unseen elbows near the ground. "I've got him!" screamed Kemp. "Help! Help hold! He's down! Hold his feet!"
In another second there was a simultaneous rush upon the struggle, and a stranger coming into the road suddenly might have thought an exceptionally savage game of Rugby football was in progress. And there was no shouting after Kemp's cry,---only a sound of blows and feet and a heavy breathing.
Then came a mighty effort, and the Invisible Man threw off a couple of his antagonists and rose to his knees. Kemp clung to him in front like a hound to a stag, and a dozen hands gripped, clutched, and tore at the unseen: The tram conductor suddenly got the neck and shoulders and lugged him back.
Down went the heap of struggling men again and rolled over. There was, I am afraid, some savage kicking. Then suddenly a wild scream of "Mercy! Mercy!" that died down swiftly to a sound like choking.
"Get back, you fools!" cried the muffled voice of Kemp, and there was a vigorous shoving back of stalwart forms. "He's hurt, I tell you. Stand back!"
There was a brief struggle to clear a space, and then the circle of eager faces saw the doctor kneeling, as it seemed, fifteen inches in the air, and holding invisible arms to the ground. Behind him a constable gripped invisible ankles.
"Don't you leave go of en," cried the big navvy, holding a blood stained spade; "he's shamming."mf
"He's not shamming," said the doctor, cautiously raising his knee; "and I'll hold him." His face was bruised and already going red; he spoke thickly because of a bleeding lip. He released one hand and seemed to be feeling at the face. "The mouth's all wet," he said. And then, "Good God!"
He stood up abruptly and then knelt down on the ground by the side of the thing unseen. There was a pushing and shuffling, a sound of heavy feet as fresh people turned up to increase the pressure of the crowd. People now were coming out of the houses. The doors of the Jolly Cricketers were suddenly wide open. Very little was said.
Kemp felt about, his hand seeming to pass through empty air. "He's not breathing," he said, and then, "I can't feel his heart. His side---ugh!"
Suddenly an old woman, peering under the arm of the big navvy, screamed sharply. "Looky there!" she said, and thrust out a wrinkled finger.
And looking where she pointed, everyone saw, faint and transparent as though it was made of glass, so that veins and arteries and bones and nerves could be distinguished, the outline of a hand, a hand limp and prone. It grew clouded and opaque even as they stared.
"Hullo!" cried the constable. "Here's his feet a-showing!"
And so, slowly, beginning at his hands and feet and creeping along his limbs to the vital centres of his body, that strange change continued. It was like the slow spreading of a poison. First came the little white nerves, a hazy grey sketch of a limb, then the glassy bones and intricate arteries, then the flesh and skin, first a faint fogginess, and then growing rapidly dense and opaque. Presently they could see his crushed chest and his shoulders, and the dim outline of his drawn and battered features.
When at last the crowd made way for Kemp to stand erect, there lay, naked and pitiful on the ground, the bruised and broken body of a young man about thirty. His hair and beard were white,---not grey with age, but white with the whiteness of albinism, and his eyes were like garnets. mg His hands were clenched, his eyes wide open, and his expression was one of anger and dismay.
"Cover his face!" said a man. "For Gawd's sake, cover that face!" and three little children, pushing forward through the crowd, were suddenly twisted round and sent packing off again.
Someone brought a sheet from the Jolly Cricketers, and having covered him, they carried him into that house.
The Epilogue
SO ENDS THE STORY of the strange and evil experiment of the Invisible Man. And if you would learn more of him you must go to a little inn near Port Stowe and talk to the landlord. The sign of the inn is an empty board save for a hat and boots, and the name is the title of this story. The landlord is a short and corpulent little man with a nose of cylindrical protrusion, wiry hair, and a sporadic rosiness of visage. Drink generously, and he will tell you generously of all the things that happened to him after that time, and of how the lawyers tried to do him out of the treasuremh found upon him.
"When they found they couldn't prove whose money was which, I'm blessed," he says, "if they didn't try to make me out a blooming treasure trove! Do I look like a treasure trove? And then a gentleman gave me a guineami a night to tell the story at the Empire Music 'all---just tell 'em in my own words---barring one."mj
And if you want to cut off the flow of his reminiscences abruptly, you can always do so by asking if there weren't three manuscript books in the story. He admits there were and proceeds to explain, with asseverations that everybody thinks he has 'em! But bless you! he hasn't. "The Invisible Man it was took 'em off to hide 'em when I cut and ran for Port Stowe. It's that Dr. Kemp put people on with the idea of my having 'em."
And then he subsides into a pensive state, watches you furtively, bustles nervously with glasses, and presently leaves the bar.
He is a bachelor man---his tastes were ever bachelor, and there are no women folk in the house. Outwardly he buttons---it is expected of him---but in his more vital privacies, in the matter of braces for example, he still turns to string. He conducts his house without enterprise, but with eminent decorum. His movements are slow, and he is a great thinker. But he has a reputation for wisdom and for a respectable parsimony in the village, and his knowledge of the roads of the South of England would beat Cobbett.1
And on Sunday mornings, every Sunday morning, all the year round, while he is closed to the outer world, and every night after ten, he goes into his bar parlour, bearing a glass of gin faintly tinged with water, and having placed this down, he locks the door and examines the blinds, and even looks under the table. And then, being satisfied of his solitude, he unlocks the cupboard and a box in the cupboard and a drawer in that box, and produces three volumes bound in brown leather, and places them solemnly in the middle of the table. The covers are weather-worn and tinged with an algalmk' green---for once they sojourned in a ditch and some of the pages have been washed blank by dirty water. The landlord sits down in an armchair, fills a long clay pipe slowly---gloating over the books the while. Then he pulls one towards him and opens it, and begins to study it---turning over the leaves backwards and forwards.
His brows are knit and his lips move painfully. "Hex, little two up in the air, cross and a fiddle-de-dee.2 Lord! what a one he was for intellect!"
Presently he relaxes and leans back, and blinks through his smoke across the room at things invisible to other eyes. "Full of secrets," he says. "Wonderful secrets!
"Once I get the haul of themml---Lord!
"I wouldn't do what he did; I'd just---well!" He pulls at his pipe.
So he lapses into a dream, the undying wonderful dream of his life. And though Kemp has fished unceasingly, and Adye3 has questioned closely, no human being save the landlord knows those books are there, with the subtle secret of invisibility and a dozen other strange secrets written therein. And none other will know of them until he dies.
Endnotes
The Time Machine Chapter I
1 (p. 3) Our chairs, being his patents: The Time Traveller has invented and patented furniture in addition to his secret time-travel device, another kind of chair.
2 (p. 3) the Psychologist: Wells reduces his characters to disciplines or social roles; see also the Provincial Mayor, who speaks a few paragraphs down. Wells is concerned with character not as personality but as idea. The Provincial Mayor, for example, is not especially bright, and Wells mocks politicians for not being scientists.
3 (p. 4) Can a cube that does not last for any time at, all, have a real existence?: The Time Traveller says that in addition to "Length, Breadth, Thickness" (noted just below) an object must exist in time. Therefore time is the fourth dimension.
4 (p. 5) his Four-Dimensioned being, which is a fixed and unalterable thing: Wells must include this idea; otherwise, logic would suggest that the Time Traveller would age as he traveled ahead in time. In the world Wells has created, when traveling in time the individual neither ages nor grows younger.
5 (p. 6) Our mental existences... are passing along the Time-Dimension with a uniform velocity from the cradle to the grave: The Time Traveller asserts that thought is able to move back and forth in time. This statement, together with his reference to the balloon as a means to overcome gravity, indicates what his machine will accomplish: It will allow him to move backward and forward in time.
6 (p. 7) plough you for the Little-go. The German Scholars have improved Greek so much: Wells mocks contemporary classical scholarship, especially in Germany, where ancient Greek was regularized and systematized to the point that if a student were to use the Greek actually spoken by Homer or Plato he would probably fail (be ploughed) his examinations (the Little-go).
7 (p. 7) said 1: The "I" here is one of Wells's witness-narrators, who provides a point of view not located within the protagonist, the Time Traveller, and is therefore seemingly objective.
8 (p. 9) Into the future or the past---I don't, for certain, know which: The point is that an object traveling through time is invisible to those whose time it passes through. This is the concept of "diluted presentation" noted a few paragraphs down.
1 (p. 15) anecdotes of Hettie Potter: Wells makes often snide allusions to his contemporaries. This may be a reference to Beatrice Webb (née Potter, 1858-1943); she and her husband Sidney Webb ( 1859-1947) were key figures in the Fabian Society, a Marxist socialist group founded in 1883---1884 to foster socialism without violent revolution. For a time, Wells himself was a member. The Silent Man may be the great artist, craftsman, and poet William Morris ( 1834-1896), another Marxist socialist, whose thinking was antithetical to that of Wells. The red-haired Filby may be the dramatist George Bernard Shaw (1856---1950), yet another Fabian. Wells did not want the "workers' paradise" envisioned by Karl Marx and Friedrich Engels in the Communist Manifesto (1848)---a utopia of leisure represented in this novel by the feckless Eloi---but an anthill society of disciplined laborers pushing humanity further and further into the technological conquest of the universe.
2 (p. 16) In writing it down... I feel . . . the inadequacy of pen and ink... to express its quality: The narrator (Hillyer) points out the disparity between the Time Traveller's dramatic account and his own written words.
1 (p. 18) What strange developments of humanity, what wonderful advances upon our rudimentary civilization: The Time Traveller expects the future to be a golden age. This reflects nineteenth-century optimism, especially the age's faith in technology. He is disappointed to find instead a two-class society: the indolent, pleasure-loving Eloi, the degenerate remnants of an aristocratic class; and the subterranean Morlocks, the equally degenerate remnants of the proletariat, who feed and clothe the Eloi in order to eat them.
2 (p. 19) But to come to a stop involved the jamming of myself... into whatever lay in my way: The Time Traveller fears that if he stops his passage through time in the wrong place he may materialize within an object and kill himself.
3 (p. 20) a winged sphinx: The Time Traveller, greeted by a hailstorm, identifies first a rhododendron, a decorative shrub with flowers, and a huge, weathered statue of a hovering sphinx. The frail flowers are pounded by the hail and may represent the relationship between the Eloi and the Morlocks. The sphinx here symbolizes mystery or enigma: Is its smile one of mockery---because the Time Traveller's expectations about the future are turned upside down? Is its condition, suggestive "of disease" (a few lines down), an image of the diseased state of humanity?
Wells may have expected his readers to link this sphinx to a quotation from Thomas Carlyle ( 1795-1881 ) on the cover of the novel's first edition. Carlyle suggests the problem facing the future will be that of organizing labor not as an independent force with its own interests apart from those of capitalists, but as an integrated part of production. The Morlocks may be a labor force so well organized and so in control of production that its only task is to feed on those it once served.
4 (p. 21) very beautiful . . . but indescribably frail: This is the Time Traveller's first encounter with the Eloi: small, weak, seemingly diseased, but beautiful in the style of nineteenth-century English art, like the figures in Pre-Raphaelite paintings or in the illustrations of Aubrey Beardsley (1872---1898)---the kind of art for art's sake that Wells despised.
1 (p. 22) their Dresden-china type of prettiness: Dresden-china figurines, often of shepherds and shepherdesses, were purely decorative and of no practical use. The Eloi, though sexually active, are androgynous figures; for example, the male lacks a beard, a feature common to most men in the late-nineteenth century. The Time Traveller quickly concludes that the Eloi are of extremely limited intelligence, friendly but with no interests but sensual pleasure. Their language sounds like music but lacks real content. Like the inhabitants of the South Sea islands, they deck out the visitor with flowers by way of greeting, but they have no curiosity about him.
2 (p. 25) strict vegetarians: The Eloi eat only fruit, but whether this is by choice or by breeding is unclear; all other animals are extinct.
3 (p. 26) there were no small houses to be seen: The Eloi have only communal buildings, and the family no longer exists. Wells would approve of this society under other circumstances because it makes everyone children of society, and identity derives from community, not family or nation. The Eloi all dress alike, so the sexes are not dif ferentiated by costume. The children are simply copies of the adults, and grow up quickly, at least in sexual terms. A few lines down, the Time Traveller concludes that they live a communistic life, but he cannot at this point determine its nature.
4 (p. 28) the whole earth had become a garden: Here "garden" means a park with plants and trees, rather than a place where food plants are cultivated---that is, there is no wilderness left. In the paragraphs that follow, Wells suggests that the new golden age he has entered, despite the fact that there is no private property, is a nightmare. In depicting the classless society of the future, Wells parodies the relationship between humans and the animals they eat.
5 (p. 29) The whole world will be intelligent, educated, and co-operating. This is Wells's idea of what will result if his notions of industrial socialism and the unification of labor and production take effect. There will be no families, no nations, no patriotism, no religion.
6 (p. 30) the fate of energy in security: Wells shows his contempt for the golden age promised by the Marxists. Unless humanity continues to work (see, a few lines down, "the grindstone of pain and necessity") it will degenerate. These ideas are not unique to Wells and reflect one of the major currents of late-nineteenth-century thought: the need to return to nature; this is the message to be found in W. H. Hudson's The Purple Land (1885).
1 (p. 36) their language was excessively simple.... few, if any, abstract terms: The Eloi communicate using nouns (concrete substantives) and verbs. Their minds produce almost no abstract thoughts or metaphors.
2 (p. 37) sanitary apparatus: The Time Traveller is fascinated by what he takes to be a sewage system, a novelty in England at the time the novel appeared.
3 (p. 37) Utopias: The word "utopia" derives from the Greek for "no place," and signifies an imaginary community, perfect in laws and social relationships. Sir Thomas More coined the term in 1516, but Edward Bellamy (Looking Backward, 1888) and William Morris (News from Nowhere, 1891 ) had written about new utopias in the nineteenth century. Here Wells criticizes Morris, a Marxist.
4 (p. 37) gap between a negro and a white man: Wells's racist attitude toward blacks, typical of his time, also reflects the attitude of the Time Traveller to the Eloi---he considers them inferior.
5 (p. 38) the poor mite: The phrase means "poor little thing." Weena is not a person for the Time Traveller but a kind of pet. Her name may be a decayed form of Rowena, a mythological figure in English history. Rowena is alluring, while Weena is not. Two paragraphs down, the Time Traveller says he hasn't come into the future to engage in "a miniature flirtation."
6 (p. 41 ) Grant Allen's: A member of the Fabian Society, Grant Allen was the author of Strange Stories (1884).
7 (p. 41) the younger Darwin: George Howard Darwin (1845---1912), son of Charles Darwin, speculated that the orbit of the earth around the sun would eventually decay---the earth would fall back into the sun. The Time Traveller finds the weather hot and wonders if the sun is hotter or if the earth is closer to the sun. The theory that the sun will someday die is brought to narrative life toward the end of the novel (chapter XI) when the Time Traveller visits the last age of planetary life.
8 (p. 42) little apelike figure: The Time Traveller sees a Morlock. Their similarities to the Yahoos in Gulliver's Travels reflects Wells's admiration for Swift. The Time Traveller is disgusted at the sight of them, much preferring the Eloi, harmless, pretty, but inferior human types. If the Eloi are degenerate aristocrats, the Morlocks are degenerate factory workers.
9 (p. 43) the economic problem: The Time Traveller until now had been unable to see how the Eloi were fed and clothed. In the pages that follow, he links the Morlocks to the poor workers of his own day; gradually the workers have adapted to underground life. But the Time Traveller still thinks the Eloi are the masters and the Morlocks their slaves, not realizing the Eloi are nothing more than food for the Morlocks.
10 (p. 45) Morlocks: The Time Traveller uses the term for the first time, though it is not clear what its source is. In Wells's socialism, the situation of the Morlocks is the result of labor unions, which eventually work in their own interest and not, as he would prefer, in the interest of the technological conquest of nature.
1 (p. 47) If only I had had a companion: Weena is clearly no companion for the Time Traveller.
2 (p. 49) the language they had: The Morlocks and Eloi are so estranged as vestiges of ancient social classes that they cannot communicate ; they have no common language.
1 (p. 54) The Time Traveller paused ... large white mallows, upon the little table: While the Time Traveller allows no interruptions, he does interrupt himself. Here the narrator, Hillyer, interjects a comment: He describes the withered flowers, "not unlike large white mallows," the Time Traveller finds in his pockets. These flowers, which Weena stuffed into his jacket pockets, are the only evidence of his journey.
2 (p. 54) a Faun . . . minus the head: The faun, or satyr, is a mythological creature, human but with goat-like legs; it is often associated with pastoral literature. The world of the Eloi is pastoral, but they are the sheep the Morlocks slaughter. The faun is headless because no shepherd watches over the Eloi.
3 (p. 56) I pitied this last feeble rill from the great flood of humanity: The Time Traveller is sorry for the Eloi, the final little brook (rill) of the flood that was humanity. He is certain now that the Morlocks eat the Eloi.
4 (p. 57) Carlyle-like scorn of this wretched aristocracy in decay. Taking a cue from Thomas Carlyle (Sartor Resartus, 1833-1834), who considered aristocrats superfluous, the Time Traveller had scorned the Eloi as a useless class, but he still feels pity for them because they, unlike the Morlocks, look human. He sympathizes with their situation---they suffer "intellectual degradation" (stupidity), and they fear the dark. At the same time, he realizes the Morlocks are useful because they work.
1 (p. 58) Wandsworth and Battersea: The reference is to districts, formerly independent boroughs, on the south bank of the Thames, part of modern London. The Time Traveller has never left London, though now the city is on an estuary, an arm of the sea, or a creek, a small inlet or bay, rather than a river. He wonders about the evolution of sea animals but can make no observations.
2 (p. 58) more human than she was: The Time Traveller concludes that Weena is not human, that she is merely an animal capable of affection.
3 (p. 58) after the fashion of the Megatherium.... huge skeleton barrel of a Brontosaurus: These two extinct creatures---the former a giant ground sloth of the Oligocene epoch, the latter a giant, herbivorous dinosaur of the Jurassic period---represent evolutionary dead ends for Wells. They were doomed, as are the Eloi and the Morlocks, because they lacked intelligence.
4 (p. 60) footnote: The presence of a comment by an "editor" supports the notion that Hillyer published the Time Traveller's account.
1 (p. 69) horrible death of little Weena: The Time Traveller mourns the loss of Weena as if she were a favorite pet. He is consoled by the fact that the Morlocks did not get to eat her. Wells humanizes the Time Traveller, making him long for his friends and house, but this emotion fades.
1 (p. 70) Like the cattle... their end was the same: The Time Traveller half-quotes verses from the Bible, the Book of Psalms, where God says it is He who provides grass for animals and His Word for humans. His meaning appears below, where he says mankind labored to provide itself with "comfort and ease," that its "watchword" or slogan was "security and permanency." Absolute balance in society ended in the Eloi and the Morlocks. For Wells, this society at peace with itself creates no challenges to the intellect, no changes to deal with.
1 (p. 74) the work of the tidal drag was done: Wells falls back on G. H. Darwin's theory (see chapter V, note 7) that the earth will eventually stop rotating. The sun, grown old, barely warms the one side of the earth facing it.
1 (p. 81) 1 seemed to see a ghostly, indistinct figure ... for a moment. Wells reverses the perspective. Now instead of the Time Traveller seeing Hillyer, it is Hillyer who sees the Time Traveller departing on his second voyage.
1 (p. 82) he swept back into the past: In this paragraph, Hillyer lists a number of remote periods from the past, imagining prehistoric humans as "blood-drinking, hairy savages" not unlike the Morlocks, wondering if the Time Traveller has gone as far back into the past as he went into the future.
2 (p. 83) gratitude and a mutual tenderness: Hillyer seems to romanticize the Time Traveller's relationship with Weena, elevating it into love.
The Invisible Man Subtitle
1 (p. 85) A Grotesque Romance: Wells's subtitle locates this work in the context of supernatural writing; a romance is a story in which scenes and incidents are removed from ordinary life, as opposed to a novel, which concerns itself with realistic character and society. He is also signaling the reader that this "grotesque" (horrifying) tale may also contain encoded or secret messages; that is, he suggests that the work may be an allegory, that there is more to it than its literal meaning.
1 (p. 91) stranger: Wells plays "strange" off against "stranger." Griffin is strange, almost an albino normally, and is wrapped up head to toe so people won't see he is invisible. A stranger to the town of Iping, a metaphor of backward English society, he is a man who has transformed himself into something new.
2 (p. 91 ) Bramblehurst: The name implies "brambles," prickly bushes growing wild.
3 (p. 91) Coach and Horses: The name of the pub suggests rural, pre-industrial England.
1 (p. 101) an unusually strange sort of stranger: Here Wells echoes the use of the words in chapter 1.
1 (p. 101) The Thousand and One Bottles: The words in the title allude to the Arabic classic The Thousand and One Nights, in which many stories feature magic, here replaced by chemistry.
2 (p. 101) the twenty-ninth day of February: Wells uses this leap-year date to enhance the strangeness surrounding Griffin. No year is mentioned because Wells wants the events to seem recent yet vague.
3 (p. 101) Fearenside: This name, which can be pronounced "fear inside," labels these rural people as backward bumpkins.
1 (p. 106) I have told the circumstances of the stranger's arrival: Wells shifts to a first-person narrator, like a reporter or witness, to give more immediacy to his story.
2 (p. 107) he would go out muffled up invisibly: Griffin must make his invisibility invisible by covering it up.
3 (p. 107) the Scarlet Coat: This inn is named for the red coat worn by fox hunters.
4 (p. 108) Mr. Gould, the probationary assistant in the National School: The National Society for the Education of the Poor taught the doctrines of the Church of England. From 1870 on, they taught all children until the age of eleven. Mr. Gould tests students who seek membership in the Church along with those who wish to become clergymen.
5 (p. 108) an Anarchist in disguise: An anarchist is one who believes all forms of government to be coercive and undesirable. In the nineteenth century, the word evoked a terrorist using bombs to destroy authority of any kind. Mr. Gould's assessment of Griffin is partially correct; he does want to destroy the status quo.
6 (p. 108) Silas Durgan . . . compared the stranger to the man with the one talent: Silas Durgan confuses the biblical talent, a unit of currency, with the word that means skill or ability. His bogus theology reflects the ignorance of the rural population.
7 (p. 109) Whitsuntide: The week beginning with Whitsunday ("white Sunday," so named because of the white robes worn by people baptized at that time). Whitsunday is an English name for Pentecost, the seventh Sunday after Easter, a Christian feast that commemorates the descent of the Holy Spirit on Christ's disciples, allowing them to speak and be understood by people of many languages.
1 (p. 112) The facts ... came to us chiefly through the medium of the vicar and his wife: Wells now makes his narrator seem like a citizen of Iping.
2 (p. 112) Club festivities: The reference is to a kind of fair in Iping, featuring games of chance and rides.
1 (p. 114) specific gravity: The reference is to the difference between the density of a substance in pure and impure form. The Halls water down their beer with sarsaparilla.
2 (p. 116) it was afterwards ascertained: The narrator shifts now into the role of historian.
3 (p. 116) 'Tas sperits: "That's spirits:' Mrs. Hall has read about mediums and seances and knows ghosts move furniture.
4 (p. 117) The Anglo-Saxon genius for parliamentary government: Wells mocks the British parliamentary system for being all talk and no action.
1 (p. 119) second-hand ordinary bicycles: The bicycle was a symbol of progress; by mentioning it, Wells notes the modernization taking place even in Iping.
2 (p. 119) union-jacks and royal ensigns (which had originally celebrated the Jubilee): The reference is to national flags and the flags of the monarch, Queen Victoria, hung out to celebrate her fiftieth year on the throne in 1887. For Wells, the monarchy was anachronistic.
1 (p. 126) The eighth chapter is exceedingly brief. The narrator deals with his report as if it were a book.
1 (p. 131) bread and cheese: Whatever Griffin eats remains visible until assimilated or absorbed by his body.
2 (p. 132) I want you to help me.... But you will---must: Griffin chooses the unreliable Mr. Marvel to be his assistant, a hint at his human fallibility. When he announces he is "a man of power," he is interrupted by a sneeze. His true weakness is clear.
1 (p. 135) subsequent proceedings interested him no more: Wells quotes a line from a poem by the humorous American author Bret Harte ( 1836-1902), "The Society upon the Stanislaus," about a fight in a mining-camp bar. Harte was popular at the time in England.
1 (p. 142) white kilt that could only have passed muster in Greece: A white skirt could only have been thought proper attire for a man in nineteenth-century Greece, where such costumes were worn.
2 (p. 143) But his temper . . . for the mere satisfaction of hurting. Grif fin's temper is now dangerously short, and he attacks because inflicting pain gives him pleasure.
1 (p. 147) Port Stowe: Wells transforms Southampton into a fictitious port.
1 (p. 154) conversed in American: Wells implies that American English is another language.
2 (p. 155) what country I'm in: The American knows he is in England, where gun laws are more stringent than in the United States.
1 (p. 161) Griffin, of University College: Griffin's name appears for the first time. A griffin or griffon is a mythological animal of two natures, combining eagle and lion. It may suggest Griffin's double nature, human and more-than-human. Earlier (p.106) he is called "piebald," of two colors.
1 (p. 165) It's grotesque: The word "grotesque" here means horrible. This wording marks the book's link to the tradition of horror literature going back to the Gothic romances of the late-eighteenth and early-nineteenth centuries, in the style of Mary Shelley's Frankenstein (1818).
2 (p. 165) I must have a partner: For the second time, Griffin realizes how alone he is and how much he needs help. Kemp is a step above Mr. Marvel, but he too proves unreliable.
3 (p. 168) Then he took an envelope and addressed it to "Colonel Adye, Port Burdock": Kemp writes a note to the chief of police. Is this because of fear or because he thinks he is acting for the common good? Griffin's rage on waking would convince Kemp of the latter.
1 (p. 170) Chesilstowe: The reference is to a beach on the English Channel where the sea has arranged the gravel in a specific pattern. Griffin may have been inspired by the gravel to see an order or a reality invisible to others---that solid bodies may be made to stop refracting light. He may also see a social reality---namely, that existing society is a chaos which a man of science might transform into order.
2 (p. 170) four dimensions: For Wells's Time Traveller, the fourth dimension was time; for Griffin it is a theory of color and refraction. Scientific theory coupled with experimentation transforms the scientist into a superior, perhaps dangerous, being.
3 (p. 173) stared out . . . at the stars: Wells's scientific protagonists often contemplate the stars at moments of inspiration, as if by doing so they came closer to perceiving the secrets of the universe.
4 (p. 173) I robbed the old man---robbed my father: Here Griffin subordinates means to ends. His goal is lofty; his means despicable. He lacks his father's shame. Note the parallel with Kemp and his letter to the police chief.
1 (p. 175) his own foolish sentimentality: Griffin regards himself "beyond good and evil." He only attends his father's funeral because of "cant" (low-level decorum or manners). Notice also that Griffin sees a girl he'd known ten years earlier. He rejects her, and love, because he is now a new man, and she is "a very ordinary per son."
2 (p. 176) I processed her: Griffin does not hesitate to experiment on the cat. Again, he thinks he is beyond normal sentimentality, but after his cruelty to the cat, he thinks of his father's funeral. A touch of conscience remains.
3 (p. 176) vivisecting: The dissection of living animals had been against the law since 1876.
4 (p. 178) an old Polish Jew: Wells's antisemitism was typical of his times. He felt Jews would never join a world community because they could never renounce their separate identity.
5 (p. 182) no doubt it was insured: This is another of Griffin's acts of rationalized cruelty and antisemitism.
1 (p. 185) Pharmaceutical Society's: The Society was founded in 1841 to represent pharmacists from attacks by parliament.
2 (p. 185) Salvation Army: Founded in 1865 by William Booth, the Salvation Army worked to revive Christianity and fight poverty among London's poor. Here the members march and the bystanders mock them. Their hymn, "When Shall We See His Face," ironically refers to the invisible Griffin.
3 (p. 186) Crusoe's solitary discovery: In Daniel Defoe's Robinson Crusoe (1719), the protagonist thinks himself alone on his island and then discovers a footprint.
1 (p. 190) I began to feel a human being again: Griffin in clothes becomes human again, not godlike or superhuman as he is when invisible, but naked.
2 (p. 190) I lapsed into disorderly dreams of all the fantastic things that had happened during the last few days.... and my father's open grave: Griffin's dreams show him to be all too human. Guilty of his father's death despite his seeming disregard for him, he feels he is being buried alive and becoming invisible along with his father.
1 (p. 197) "The common conventions of humanity---" "Are all very well for common people": Griffin thinks invisibility has made him more than human. He does not hesitate to steal or commit acts of violence.
2 (p. 197) dance on the old strings: Griffin refuses to be judged by conventional morality.
3 (p. 200) What is the good of the love of woman when her name must needs be Delilah?: Just as in the Bible, Judges 14, Delilah betrays Samson, any woman knowing Griffin's secret would betray him.
1 (p. 203) And that invisible man... must now establish a reign of terror. Griffin plans to seize power, but he does not explain what he hopes to accomplish. The Reign of Terror was part of the French Revolution.
1 (p. 205) He is mad . . . inhuman: Kemp, a pseudoscientist, condemns Griffin, a mad scientist. Kemp is an agent for the status quo, Griffin an agent for change.
2 (p. 206) It's unsportsmanlike: Colonel Adye shows himself to be a part of the past because he does not realize he is in a state of war. Kemp reiterates that Griffin is "inhuman," an attempt to justify any means to capture him.
1 (p. 207) to piece together again his shattered schemes against his species: The narrator seems to agree with Kemp's assertion that Grif fin is at war with humanity.
2 (p. 209) Mr. Wicksteed was... steward to Lord Burdock: Wicksteed works for an aristocrat, supervising some aspect of his estate. Griffin attacks him, symbolically assaulting a vestige of feudal England.
3 (p. 209) Now this, to the present writer's mind . . . : Wells again modifies his narrator, introducing not an omniscient narrator but a reporter mystified by Griffin's seemingly pointless attack. His interpretation of it, a feeble defense of Griffin, is strange. If Griffin was carrying the iron rod and did not want to be seen, he could simply drop it and run off.
1 (p. 211) This is day one of year one of the new epoch.... I am Invisible Man the First: Griffin proclaims himself master of society, eradicates the old calendar---as had the French Revolution and as would the Italian Fascists under Mussolini later---and announces a new era, his own. This is another assault on the status quo, and at the same time an expression of egomania.
2 (p. 215) Promise not to rush the door.... Give a man a chance: Colonel Ayde asks Griffin to "play fair," not realizing that Griffin respects no rules.
3 (p. 218) Doctor Kemp's a hero: One policeman thinks Kemp brave; the other, cursing him, thinks exactly the opposite.
1 (p. 219) Mr. Heelas: Kemp's neighbor is another embodiment of the status quo. He is also a victim of Griffin's "reign of terror," so frightened that, a few paragraphs down, he refuses to let Kemp into his house.
The Epilogue
1 (p. 225) Cobbett: William Cobbett, a nineteenth-century reformer and author of a grammar of the English language, also wrote Rural Rides (1830), descriptions of the English countryside.
2 (p. 226) Hex, little two ... fiddle-de-dee: Mr. Marvel cannot fathom Griffin's scientific annotations, though he does respect his mind.
3 (p. 226) Adye: Colonel Adye apparently recovered after being shot by Griffin.
Inspired by The Time Machine and The Invisible Man
In the wake of H. G. Wells's classic novel, traveling through the fourth dimension has become a favorite activity in science-fiction films. Time travel has been evoked to push the story forward or backward in projects as diverse as the Back to the Future trilogy, the Star Trek series, Bill and Ted's Excellent Adventure, Terry Gilliam's films Time Bandits and Twelve Monkeys, two generations of Planet of the Apes, and the Terminator movies.
In 1960 H. G. Wells's classic novel became a classic film. The Time Machine was produced and directed by George Pal, legendary for his sci-fi films, especially the 1953 adaptation of Wells's War of the Worlds, which Pal produced and which was nominated for three Academy Awards. Rod Taylor stars in The Time Machine as the young British inventor H. George Wells, whose skeptical friends laugh at the thought of him launching himself into unknown worlds of the future. With an enormous clock as a backdrop, he rides through time, bypassing the two World Wars and a third nuclear and apocalyptic one in the then-future 1967. Wells used his novel to consider the social gap between the idle elite and the impoverished laboring class; Pal explores the Cold War fears of his day. Arriving in the year 802,701, the young scientist first encounters the Eloi race, including the beautiful Weena (Yvette Mimieux), who tells him of the subterranean Morlocks. The adventure culminates in an all-out battle between the effete Eloi and the monstrous Morlocks. The Time Machine earned an Oscar for Best Special Effects, which remain fairly effective even by today's standards.
In 2002, more than a century after Wells wrote about time travel, his great-grandson Simon Wells directed another film adaptation of The Time Machine. Guy Pearce stars as Alexander Hartdegen, a Columbia professor whose fiancee Emma (Sienna Guillory) is murdered in Central Park. Driven by the hope of traveling to the past to save her, Hartdegen bases his time-defying device upon Einstein's theories. Unable to rescue Emma, he travels eight thousand centuries into the future to explore the fate of humanity; the great machine (replete with gold fixtures, gauges, levers, mirrors, and glass) hurtles through a landscape that itself whirls and shifts until it finally becomes positively primeval. In this version, the moon has fallen into the earth, which results in Homo sapiens being divided into two races, the Eloi aboveground and the Morlocks in the dark recesses underneath. The future is modeled after Pal's vision, but the pale-skinned, blonde-haired Eloi of the 1960 film are here replaced by a sturdy, brown-skinned race. The evil leader of the Eloi-eating Morlocks, a species that can leap great distances, is played by a menacing Jeremy Irons. Again, the young scientist falls in love with a beautiful Eloi woman, Mara, played by Samantha Mumba. The humanist Hartdegen teaches Mara to fight back, and she likewise teaches him not to dwell in the past. Stunningly photographed, the film is an apt rejuvenation of and homage to Wells's classic.
The golden age of horror films featured unforgettable celluloid personalities such as Count Dracula, the Wolf Man, and, perhaps most memorably, the monster from Frankenstein. Often omitted from the list is the title character of H. G. Wells's Invisible Man, brought to the silver screen in 1933. This horror classic was directed by James Whale, who also directed Frankenstein ( 1931 ) and around whom the 1998 film Gods and Monsters revolves. Given that these weird characters, including the Invisible Man, have appeared in a deluge of increasingly silly sequels and remakes, it is surprising just how faithful Whale's original film is to Wells's text. The Invisible Man opens, like the novel, with a mysterious man---his face obscured by bandages, sunglasses, and a false nose---seeking solace from a blizzard in an English pub. The film at first focuses on the bizarre appearance of Dr. Jack Griffin (Claude Rains) as he eats his dinner and checks into a room, which he turns into a science lab. After he gives the hostess a taste of his surly manners---he has, after all, been rendered insane by the invisibility drug "monocaine"---a mob of pub boys and police barge into his room. But Griffin outwits them all by shedding his bandages and clothing, and pulling slapstick pranks as he makes his escape. The invisibility is pulled off with entertaining special effects: a bicycle riding itself, footprints appearing in the snow, etc. A young Gloria Stuart (Titanic) plays Griffin's love interest, Flora Cran ley But the real story lies in the charming spectacle of invisibility itself, a technique that his been duplicated in numerous motion pictures since.
Comments & Questions
In this section, we aim to provide the reader with an array of perspectives on the text, as well as questions that challenge those perspectives. The commentary has been culled from sources as diverse as reviews contemporaneous with the work, letters written by the author, literary criticism of later generations, and appreciations written throughout history. Following the commentary, a series of questions seeks to filter H. G. Wells's The Time Machine and The Invisible Man through a variety of points of view and bring about a richer understanding of this enduring work.
Comments
THE SPECTATOR
Mr. H. G. Wells has written a very clever story as to the condition of this planet in the year 802,701 A.D., though the two letters A.D. appear to have lost their meaning in that distant date, as indeed they have lost their meaning for not a few even in the comparatively early date at which we all live. The story is one based on that rather favourite speculation of modern metaphysicians which supposes time to be at once the most important of the conditions of organic evolution, and the most misleading of subjective illusions. It is, we are told, by the efflux of time that all the modifications of species arise on the one hand, and yet Time is so purely subjective a mode of thought, that a man of searching intellect is supposed to be able to devise the means of travelling in time as well as in space, and visiting, so as to be contemporary with, any age of the world, past or future, so as to become as it were a true "pilgrim of eternity." This is the dream on which Mr. H. G. Wells has built up his amusing story of "The Time Machine." A speculative mechanician is supposed to have discovered that the "fourth dimension," concerning which mathematicians have speculated, is Time, and that with a little ingenuity a man may travel in Time as well as in Space. The Time-traveller of this story invents some hocus-pocus of a machine by the help of which all that belongs or is affixed to that machine may pass into the Future by pressing down one lever, and into the Past by pressing down another. In other words, he can make himself at home with the society of hundreds of thousands of centuries hence, or with the chaos of hundreds of thousands of centuries past, at his pleasure. As a matter of choice, the novelist very judiciously chooses the Future only in which to disport himself. And as we have no means of testing his conceptions of the Future, he is of course at liberty to imagine what he pleases. And he is rather ingenious in his choice of what to imagine. Mr. Wells supposes his Time-traveller to travel forward from A.D. 1895 to A.D. 802,701, and to make acquaintance with the people inhabiting the valley of the Thames (which has, of course, somewhat changed its channel) at that date. He finds a race of pretty and gentle creatures of silken organisations, as it were, and no particular interests or aims, except the love of amusement, inhabiting the surface of the earth, almost all evil passions dead, almost all natural or physical evils overcome, with a serener atmosphere, a brighter sun, lovelier flowers and fruits, no dangerous animals or poisonous vegetables, no angry passions, or tumultuous and grasping selfishness, and only one object of fear. While the race of the surface of the earth has improved away all its dangers and embarrassments (including, apparently, every trace of a religion), the race of the underworld,---the race which has originally sprung from the mining population,---has developed a great dread of light, and a power of vision which can work and carry on all its great engineering operations with a minimum of light. At the same time, by inheriting a state of servitude it has also inherited a cruel contempt for its former masters, who can now resist its attacks only by congregating in crowds during the hours of darkness, for in the daylight, or even in the bright moonlight, they are safe from the attacks of their former serfs.... We may expect with the utmost confidence that if the earth is still in existence in the year 802,701 A.D., either the A.D. will mean a great deal more than it means now, or else its inhabitants will be neither Eloi nor Morlocks. For in that case evil passions will by that time have led to the extinction of races spurred and pricked on by conscience and yet so frivolous or so malignant. Yet Mr. Wells's fanciful and lively dream is well worth reading, if only because it will draw attention to the great moral and religious factors in human nature which he appears to ignore.
---July 13, 1895
THE SPECTATOR
The central notion of Mr. H. G. Wells's grotesque romance, as he has frankly admitted, has been utilised by Mr. Gilbert in one of the Bab Ballads, being that of a man endowed with invisibility but susceptible to heat and cold, and therefore obliged to wear clothes. But while Mr. Gilbert treated the theme in a spirit of fantastic farce, Mr. Wells has worked it out with that sombre humour and remorseless logic which stamp him as a disciple, conscious or unconscious, of the author of Gulliver. Swift, however, excelled in the logical conduct to its extreme consequences of some absurd proposition; Mr. Wells's method is in its essentials much more realistic. He does not posit his invisible man; he tells us how he became invisible as the result of a discovery in physiology based upon actual scientific data, for Mr. Wells is no dabbler but deeply versed in these studies. It is characteristic, again, of his method that his invisible man should be neither a buffoon nor a humourist, but a moody, irritable egotist, with a violent and vindictive temper. Griffin, in short, is really a tragic figure. His dreams of unlimited power are rudely dispelled by experience of the terrible practical drawbacks of his position, his desperate efforts to live in rustic seclusion are baffled by the curiosity of the villagers, and the exigencies of his position gradually accentuate his natural unkindliness until it develops into sheer inhumanity. Theft is followed by murder, the whole countryside is raised against him, and after he has found an asylum for a while in the house of a doctor, a fellow-student, to whom he confides the whole story of his discovery and its futility, the doctor's suspicions are aroused, information is given to the authorities, and the invisible man takes flight, with the sole desire of revenging himself on his friend. The last scenes of all, in which the invisible man, now inflamed with homicidal mania, besieges the doctor's house, and is finally hunted down and battered to death by the mob, are as vivid and gruesome as anything that Mr. Wells has done. As, however, he is so strong in realistic detail, we may be allowed to ask whether it is not the case that his invisible man, as an albino, would have been handicapped by short sight. To sum up, The Invisible Man is an amazingly clever performance, of engrossing interest throughout; we should call it fascinating were it not that the element of geniality, which lent unexpected charm to The Wheels of Chance, is here conspicuously absent.
---September 25, 1897
ARNOLD BENNETT
Like most of Mr. H. G. Wells's novels and stories, [The Invisible Man] is based upon an Idea---the Idea that a man by a scientific process can make himself invisible. The Idea is not a new one---I think I have met with it several times before---but it is worked with an ingenuity, a realism, an inevitableness, which no previous worker in the field of "grotesque romance," has ever approached, and which surpasses in some respects all Mr. Wells's former efforts. The strength of Mr. Wells lies in the fact that he is not only a scientist, but a most talented student of character, especially quaint character. He will not only ingeniously describe for you a scientific miracle, but he will set down that miracle in the midst of a country village, sketching with excellent humour the inn-landlady, the blacksmith, the chemist's apprentice, the doctor, and all the other persons whom the miracle affects. He attacks you before and behind, and the result is that you are compelled to yield absolutely to his weird spells.
The Invisible Man thought he was going to do great things when he devisualised himself (he did, in fact, terrorise a whole district), but he soon found his sad error, and his story is one of failure, growing more pathetic and grimmer as it proceeds; the last few pages are deep tragedy, grotesque but genuine. The theme is developed in a masterly manner. The history of the man's first hunt in London for clothes and a mask wherewith to hide his invisibility, is a farce dreadful in its significance, but this is nothing to the naked, desperate tragedy of his last struggle against visible mankind. Indeed, the latter half of this book is pure sorrow. The invisible man is no longer grotesque, but human. One completely loses sight of the merely wonderful aspect of the phenomena in watching the dire pathos of his loneliness in a peopled world. Mr. Wells has achieved poetry.
---from Woman (September 29, 1897)
HENRY JAMES
It was very graceful of you to send me your book---I mean the particular masterpiece entitled The Time Machine, after I had so ungracefully sought it at your hands. My proper punishment would have been promptly to have to pay for it---and this atonement I should certainly, for my indiscretion, already have made, had this muddy village facilitated the transaction by placing a bookseller's shop, or stand, in my path. (No Time Machine, as it happens, would suffice to measure the abysmal ages required by the local stationer to get a volume, as he calls it, down. Several, artlessly ordered by me, have been on their way down for months.) So I have had, as the next best thing, to bow my head to the extremity of simply reading you. You are very magnificent. I am beastly critical---but you are in a still higher degree wonderful. I re-write you, much, as I read---which is the highest tribute my damned impertinence can pay an author. I shall now not rest content till I have made up several other deficiencies---grossly accidental---in my perfect acquaintance with you. (Stay your hand---the aids to that extension are precisely the volumes on their way down. You shall cost me something---if it takes all my future---and all your own past.) So I am very particularly and knowingly grateful.
---from a letter to H. G. Wells (January 29, 1900)
Questions
1. The Spectator points out that in Wells's view there is a connection between the advancement of technology and a secularization of society Is this dual process inevitable? Is it irreversible?
2. What is it we respond to in literary works based on a conception of the world that is contrary to fact, if not impossible? Think of Gulliver's Travels or Alice's Adventures in Wonderland or Frankenstein or The Invisible Man. Think of video games.
3. In many works of science fiction---Frankenstein is one of the best examples---attempts by scientists to improve on nature end in disaster. Some readers will undoubtedly argue that Griffin's experiment was bound to fail from the beginning. What is the source of this recurrent motif? Conservatism? A sense that the fantasy of invisibility or tremendous power or time travel is itself immoral or worse?
4. Do you agree with the assessment that Wells's characters lack depth, that he is an indifferent psychologist?
For Further Reading
Biographies
Coren, Michael. The Invisible Man: The Life and Liberties of H. G. Wells. New York: Atheneum, 1993.
Foot, Michael. The History of Mr. Wells. London: Doubleday, 1995.
MacKenzie, Norman, and Jeanne MacKenzie. H. G. Wells: a Biography. New York: Simon and Schuster, 1973.
West, Anthony. H. G. Wells: Aspects of a Life. New York: Random House, 1984.
Criticism
Borges, Jorge Luis. "The First Wells." In Borges, a Reader: A Selection from the Writings of Jorge Luis Borges, edited by Emir Rodriguez Monegal and Alastair Reid. New York: Dutton, 1981.
Scheick, William J., ed. The Critical Response to H. G. Wells. Westport, CT: Greenwood Press, 1995.
Suvin, Darko, and Robert M. Philmus, eds. H. G. Wells and Modern Science Fiction. Lewisburg, PA: Bucknell University Press, 1977.
Selected Editions of the Works of H. G. Wells
Wells, H. G. The Complete Science Fiction Treasury of H. G. Wells. With a preface by the author. Originally published as Seven Famous Novels, New York: Alfred A. Knopf, 1934. Reprint: New York: Avenel Books, 1978.
. The Invisible Man: A Grotesque Romance: A Critical Text of the 1897 New York First Edition, with an Introduction and Appendices. Edited by Leon Stover. Jefferson, NC: McFarland,1998.
\_\_\_\_. The Time Machine: An Invention: A Critical Text of the 1895 London First Edition, with an Introduction and Appendices. Edited by Leon Stover. Jefferson, NC: McFarland, 1996.
------------. The Time Machine. With a preface by the Author written for this edition; and designs by W. A. Dwiggins. New York: Random House, 1931.
Difficult, obscure.
The incandescent lights are not electric but gas; there is no electricity in the Time Traveller's house. The lilies of silver are a lily pattern in the silverware.
Fertility of mind.
Outburst.
Things or people chronologically out of place.
Cheap magic trick of the sort practiced by conjurers, or entertainer-magicians.
The model will travel time forever.
Upset.
Drafty; there is no central heat in the Time Traveller's house.
Capriciousness or eccentricity.
Delicate china.
German university town.
One swallow.
Put on evening dress, a tuxedo, for dinner.
The Journalist says the Time Traveller has made himself up to look like a vagrant asking for handouts.
A crossing is a contrivance thieves use to make their victims stop or detour. In the Bible, the Book of Daniel, Nebuchadnezzar was a king God punished by making him walk on all fours and eat grass.
Facetious remark.
A racehorse, winner of the 1894 Derby.
Protein.
The Editor will pay a shilling (one twentieth of a pound or 12 pence) for a firsthand account---a goodly sum.
To summon the servants.
Bicycle seat.
Roller coaster.
The two times (June 22 and December 22) when the ecliptic, the apparent path of the earth's orbit as seen from the sun, is farthest from the celestial equator.
A luminous substance.
Helter-skelter.
Green, rust-like film that forms on bronze.
Recklessness.
Walkways.
Boots or sandals that lace up to the knee.
Suffering with tuberculosis; flushed red with fever.
The Eloi's hands seem boneless, like the tentacles of an octopus.
Pins used in a bowling game.
Decorated Decorated with interlaced patterns.
Ancient trading people of the Mediterranean who invented the alphabet; they would seem superior to the Eloi.
Excessively large.
Fruit-eating.
Ancient reptile that lived in the sea.
The names of things.
The Time Traveller's machine says the year is 802,701 A.D.
Face.
Mythical animals, half eagle, half lion.
Improving, bettering.
Vexed, annoyed.
More than a half moon, but not completely full.
A Morlock, the subterranean creatures who share the planet with the Eloi; there are no wild animals in the future.
Impassive, expressionless.
Western, or European; he associates contemplation with the East, or the Orient.
Obsession.
Sewage pipes, telegraph keys, and trains.
Money orders.
Shelter.
A sea-anemone is a sea creature that resembles a flower; it has a cylindrical body at the top of which is a central mouth surrounded by tentacles (palps).
Three.
Ventilation chimneys with heat waves shimmering above them.
Primitive primate found only on Madagascar.
Nevertheless.
Blind, albino carp in Mammoth Cave.
The owners of industry inhabit the surface; the industrial workers live underground.
The London subway.
London slum-dweller.
Unpaid rent.
Feeble, sickly paleness.
The Time Traveller feels closer to the Eloi because they are more human.
Indirect, roundabout route.
Wall.
Fishes that live at great depths or fishes living in caves.
Foul odor.
Wooden matches that can be struck on any hard surface.
Unconscious.
Those who ran their machines.
The merely decorative kings who followed Charlemagne in France during the Dark Ages (the ninth and tenth centuries).
By consent of the Morlocks.
Easily climbed.
Spire.
Growing dark.
Plants with white or yellow flowers in clusters.
Tree trunks.
The Dog Star, the brightest star in the sky.
According to Isaac Newton, every 25,000 years, as the earth turns on its polar axis, the axis itself rotates.
Grassy, raised flatland.
Mere.
Sections of the double door.
Splayed out.
Home of London's Museum of Natural History.
Compared to the dull present in which he finds himself.
Sulphur, saltpeter, and nitrates are chemicals necessary for making gunpowder.
Dissolved or melted.
Clear evolutionary changes.
It may be, of course, that the floor did not slope, but that the museum was built into the side of a hill.---Ed.4
Garden outside a basement window.
Signal tower.
Warped bindings.
Journal of the Royal Society, founded in 1660; until the nineteenth century, scientists were "natural philosophers."
Scottish song title that translates as The Land of the Dead. The Time Traveller may think of the future as a land of the dead or may simply be elated---if the land of the dead is paradise---that he has found some matches. His dancing combines popular and folk styles.
Camphor is a flammable substance, derived from the camphor tree, that is often used in liniments. Paraffin is a waxy substance that is also flammable.
Cuttlefish.
The Time Traveller cannot resist the temptation to deface a steatite (soapstone) deity, probably as a way of mocking religion.
Soft coal.
The iron bar becomes a medieval club.
Wave.
Recognize.
Garnets; dark-red semiprecious stones.
Drowsy.
Small hill or mound used as a burial site.
Domes.
Ghostly pale.
Protuberances, studs.
Segmented mouth area of an arthropod.
Without a ray of light.
Sandbar.
Soccer ball.
The narrator; the Time Traveller sees him on his way back, but what he is actually seeing is the moment when he departs on his second journey.
London newspaper to which Wells contributed articles.
The pistils or female parts.
Make that appointment.
Random.
Rolling elevated flatland, usually with no trees and poor soil.
Public living room adjacent to the bar.
Obsolete gold coins each worth £1.
Sluggish.
Brilliance (French); used ironically here.
Side panels.
Low panel in front of the fire to keep coals from popping out onto the floor or rug.
Napkin.
Shade.
Frame for hanging clothing.
Potatoes.
One-horse carriage.
Taking care of him.
Light meal served in the late afternoon.
Clock repairman.
Red stop lights.
Laboratory scientist.
Experiments.
Deceiving, shamming.
Surely, certainly.
Drinking.
Strange character.
Scolded.
Women.
Connoisseur who enjoys the arts (Italian); Griffin is a rare item.
Nonsense.
Why did he bite him?
Sealed by searing with a hot iron.
Plugs.
Tall chest of drawers.
Pharmacist's.
Coin worth one-twentieth of a pound.
Nails used in making rough workingmen's boots.
Crackling noise.
Flesh color.
Spotted with different colors.
Solution.
Artists.
Ironic; people are religious on Sunday but neglect religion on workdays.
Bogeymen, monsters.
One who earns his living using his mind rather than working with his hands.
Mysterious appearance.
Still up after bedtime.
Fearfully.
Fossil.
Donation.
Formula.
Artificial arm.
Blinders that keep horses from seeing things at their side; the reference is to Griffin's wrap-around glasses.
Day after Whitsunday (see chapter IV, endnote 7).
Two pounds plus ten shillings, all coins.
Metal container for carrying coal.
Room for washing dishes and kitchen utensils.
Oddly, comically clothed.
Melting away.
Awakened, aroused.
Have you got what I want?
'Tas means " 'tis," uz means "his," and 'e ent is "he ain't."
Business.
Alcoholic beverages.
I'm damned if that isn't witchcraft.
Used not only as good luck charms, but to ward off spirits.
Unbroken, not smashed in.
Beat.
Vague, incomplete.
Criss-cross ribbing pattern in cloth or, as here, in cheap paper.
Game in which balls are thrown to knock coconuts off a shelf.
Clinked.
Twinge.
Now, now!
He treats her as an inferior.
Is that so? (mockingly).
Transformed.
God!
Awkward young person.
Farm workers wore smocks over their clothes.
Head.
Arrest.
Arguing.
As in soccer.
Hands on hips, elbows away from the body.
Church caretaker.
Instantly.
Billy club.
Escaping crowd.
Sudden and violent.
Bushy disorder.
Plumpness.
His socks have holes in them.
Herbs of the rose family.
Begging.
Person speaking to him.
Eye.
General name for several birds, including the lapwing.
Off my rocker; insane.
Hard quartz stones.
Strange business.
Go on.
Indicates vox et praeterea nihil, "a voice and nothing behind it" (Latin).
Gibberish.
Powerless.
Tizzy, confused state.
Fancy.
Worn by the members of the club that sponsored the Whit-Monday fair.
Decorations.
False, artificial.
Suspenders.
Accustomed.
Darn!---code.
Spotted with red, the result of alcoholism.
Is this the bar?
Informal records.
Something.
In a low voice, a whisper.
By hand signs.
Stubborn.
Probably.
A game like rugby.
Pullover sweater.
Improper, unseemly.
Ornaments, decoration.
Candy.
Legal holiday.
Ruddy.
Everyone knows about it.
Paralyzing fear.
Austria.
Altercation.
Line.
Tossing words around; being glib.
With no visible support.
Cash boxes.
Coins in coin wrappers.
Windowed room at the top of a house.
Slides.
Nicely run.
Hidden.
White.
Inn (a real one) named after those who play cricket.
A strong ale.
Hinged panel in the bar that allows people to get behind it.
Sofa.
Fire.
Young hare.
Devices for beating grain; a flail consists of a wooden handle at the end of which hangs a stouter, shorter stick that swings freely.
Intervals, spaces between.
With a lack of energy.
Ringing the bell for a prank.
Seltzer water.
Washstand with the articles needed to wash face and hands.
Frightening, mysterious.
I need help.
Food pantry.
Nostrils.
Parts of windows that move up and down.
Blurting something out with force.
Larvae are young invertebrate animals; nauplii, crustacean larvae; tornarias, immature acorn worms.
Seeing patients.
Indicates cum grano salis, "with a grain of salt" (Latin); that is, with skepticism.
School of fish.
Probably means Indian coolie, though the term can refer to anyone working under harsh conditions.
Glass containing lead oxide; has a high level of refraction; used for optical devices.
Cad.
Dishonest.
One in a low-level academic position.
Important street in London.
Reputation.
Speculators who build cheap structures.
X rays, discovered by W. K. Roentgen (Röntgen) in 1895.
Generators.
Rain barrel.
Trundle bed; low bed on casters.
Put it out of the house.
Mounted cavalry, symbolizing old-fashioned warfare.
High point with a wide view of London.
kemp thinks strychnine releases the savage inside us.
Silver-white alloy of copper, zinc, and nickel. of personality, fatigue, and the drug
Griffin is paranoic, stemming from a combination of personality, fatigue, and the drug strychnine.
Eviction notice.
Clenched my teeth.
The door bolts are fastened to the wooden door with U-shaped staples.
A patois is a special dialect; here the word describes the combination of English and Yiddish spoken by the landlord and his sons.
Grill to control heat flow.
Seller of fruit and vegetables.
Freedom from punishment.
Cloth and dry goods shop.
Uncontrollably.
Pub or tavern.
Two-wheeled carriage; Griffin is struck by the shaft to which the horses are harnessed.
Baby carriage.
Susceptible.
Mudie's Select Library, where people paid a small fee to borrow books; the yellow label was a Mudie's trademark.
The British Museum.
Covered entry passage.
Made going back impossible.
Tools, equipment.
An imaginary emporium; an arcade or group of shops.
Mattresses filled with wool or cotton.
A line of clerks ushering late shoppers out of the building.
Cry given by hunters when the fox is spotted.
Decorative ceramic pots.
Hardware.
Ravages.
Not just mist but smoke from coal and wood fires.
Soot.
Covered with flyspecks, seedy.
Masquerade costume.
Full-length mirror.
Costume vest in the style of Louis XIV of France (1638-1715).
Cleaning fluid.
cotton fabric.
Treacherous things.
Partially blind or lacking insight.
Catch his scent.
Knowledge.
Closed.
Griffin sends his death threat to Kemp with postage due.
Griffin against the world (Latin).
Casualness of Adye's position.
Celebrated nineteenth-century landscape painter.
Decorative shrub with yellow flowers.
Desolate.
Very end.
Construction workers.
Showed a full range of emotion---concern for their children, fear, and curiosity about Griffin.
Useless counterpunch.
Faking.
Red semiprecious stones.
Found treasure becomes government property.
One pound and one shilling.
Except one---that is, where Griffin's books are.
Like algae.
Once I figure them out.

