
This page formatted 2005 Blackmask Online.
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Johnny had a passkey to all the hotel rooms. He wasn't looking for murder, but he found it---and worse!
On the streets of a big city people smile and the fights are bright. But there is an altey world of darkness, double-dealing and death; in this world you need muscles and brains to take a step---and only the lucky ones live long. These two worlds meet in Hotel Duarte. Johnny Killain had a fistful of experience with both worlds---and with Hotel Duarte:
The girl in 1109 was a schoolmarm from a small western town; but when she visited the city she left her morals at home, stripped off the drab veneer and became an armful of seething hell.
The "salesman" in 1938 peddled death on the side---until he turned up cold.. very cold... on a hook in the hotel icebox.
Johnny had the keys to all the doors---to lust, love, greed ... and murder!
Johnny Killain straightened impatiently in the big wing chair and attempted to force the topmost brass button on his blue-gray uniform through its reluctant buttonhole; he released it to make a silencing grab at the phone which rang shrilly upon the table at his elbow. "Yeah?" His heavy voice was a basso burr. "Yeah, Paul; Mr. Martin will be right down. Throw his bag in the rack." He replaced the receiver and looked over at the slender man carefully knotting an expensive looking tie at the bureau mirror. "Airport limousine's here, Willie."
"I heard you. Plenty of time." The flying fingers directing the swirling course of the tie stilled momentarily, and Willie Martin turned in the direction of the phone, only the silvered temples belying the youth of the lean, aristocratic face. "I could still get you a seat?"
Johnny shook his head. "I'm geared down from that country jumping ratio nowadays. I wouldn't know what to do with myself over there." His right hand returned absently to the stubborn button as he appreciatively watched the slim figure at the mirror slip into the jacket of a conservative sharkskin suit. "That set of threads set you back much?"
"Tell you when I get the bill." In the mirror Willie Martin studied Johnny's renewed struggle with the button. He was smiling when he turned. "Here, let me do that. You always were all thumbs. Stand up."
Johnny stood up; he was barely a quarter inch over six 7 feet, but he towered a head over the slender man who in two deft motions slipped the recalcitrant button into place. Johnny had thick, unruly blond hair, and the prominent cheekbones on the deeply tanned face emphasized heavy matching brows and an aquiline nose. The rugged features tapered to a square jawline on which healthy skin fit his bones so snugly as to give an impression of leanness, an impression belied by the breadth of shoulders in the uniform. The lean mouth, abrupt facial angles, and the frostily pale eyes all contributed to a hard-bitten ensemble. "I must be gettin' fat. Thanks, Willie."
"Pas de quoit. You haven't gained six ounces in fifteen years; it's just your ice age twenty and a half inch neck. Sure you won't come along? I could keep you amused. Busy, even."
"Busy doin' what? Holdin' your coat while you horse around with some madame concierge about the price of a hundred cases of Calvados? You're not handlin' my brand of action these days, Willie."
The slim man smiled, a flashing, good-humored smile. "Who is? Well, I'll be back in two weeks. Approximately. We'll have a party."
"I'm still feelin' the last one. That Shirley girl of yours has at least one hollow leg."
Willie Martin's smile was still there, but it had changed, "Kind of keep an eye on her for me, Johnny? Discreetly?"
Johnny stared, then looked away. "Sure, Willie. If you say so. You ready? I'll take you down in the service elevator."
"Place is like a damn morgue," Willie declared as they walked down the silent corridor. "If it wasn't for the school kids on tour we'd have a washtub full of red ink this season." He looked at Johnny appraisingly as he swung open the flanged door of the anchored elevator cab. "How's my new manager doing?"
Johnny shrugged as the cab started down. "You should know better'n me; I never see him hardly on this shift Don't your pencil pushers tell you?"
"Too soon for an accurate appraisal. Well, boy, can I depend on you to keep the baling wire tight on this old arc while I'm gone?"
"This mausoleum'll still be here when we're all dead an' gone, Willie. Nothing ever happens around here." He flung open the door at the lobby level, and grimaced at the persistent ringing of the phone in the semi-darkened lobby. He nodded at the recessed niche between the elevators. "That's me. Take care, Willie. Keep those wings flappin'." He moved in behind the desk and picked up the phone, his eyes still thoughtfully on the trim, erect figure which turned in the foyer and waved before passing through the outer door. Johnny returned the wave as he spoke into the phone. "Bell captain." He listened, and scribbled a note on the scratch pad on the desk. "Yes, ma'am. Right away."
He moved out from behind the desk into the main lobby as the elevator doors on his left clashed noisily, and he spoke without looking. "Paul?"
"Yes?" The middle-aged "boy" in the bellhop uniform looked out inquiringly from the passenger elevator.
"Icewater to 1618."
"Right."
Johnny crumpled the slip of paper in his hand; across the lobby Sally Fontaine caught his eye from behind her little cubicle to the right of the reservation desk, and beckoned imperiously with her head. Johnny sighed, but shuffled toward her in the swaying, bearlike stride created by the excess of weight in chest and shoulders. "Yes, ma?" he inquired, passing through the little gate which separated her switchboard from the lobby proper.
"Wait till I get this board clear---"
He watched the nimble fingers on the big board; Sally was dark, and almost painfully thin, but with a facial vitality which eased the sharpness of her features. Brown eyes studied him as she turned from the switchboard. "Did you get his lordship off safely?"
"Why'nt you lay off on the spurs, ma?"
She sniffed. "Can I help it if he makes me feel I'm supposed to genuflect every time he walks through here?"
"Willie's not like that," Johnny said patiently. "He's not like that at all. Willie's---"
"Here's a message I have for you," Sally interrupted him, and he looked at the note in her hand without offering to take it.
"Same message?"
She nodded. "Same message. Three times since midnight."
"Tear it up."
"He insists that you call him, Johnny."
"An' who the hell is he to insist? Tear it up."
The brown eyes measured him. "What's with you and Max Armistead, Johnny?"
"Now you're gettin' nosy, baby."
"So I'm nosy. How else do you find out things? And you haven't answered me."
"You thought I was goin' to?"
"Listen to me, Johnny." The thin face was anxious. "He's... he's very unpleasant. He sounded... mean."
His grin was mirthless. "He's not all that mean."
"You'd better call him. Here's the number."
"Forget it, kid."
She looked up at him, exasperated. "He's not going to like it if you don't call."
"He wouldn't like it if I did, either."
She sighed, and reached for a plug as the board buzzed. "May I help you?" She looked over her shoulder at Johnny. "For you. No, it's not him. 705."
He reached over the railing and picked up a house phone on the mantel. "Yes? Bell captain." Thick fingers twisted at the trailing cord. "Okay, ma'am. On the double." He depressed the phone rest momentarily. "Ring housekeeping, Sally."
The phone rang interminably before a soft voice answered languidly.
"Get the lead out, Amy. Accident in 705."
"What kinda accident, Mist' Johnny?"
"Bring your mop."
"Oooh," Amy mourned. "That kinda accident. Looks like a looong night. 705. Okay, I'm flyin' low, Mista Johnny."
He hung up and replaced the phone on the mantel, then leaned forward and breathed warmly on the back of Sally's slender neck. A prolonged shiver ran through her, and he looked down at the goosebumps prickling the downy hair on the smooth skin of the thin forearms. "You comin' up in the mornin', ma?"
"If I disconnect someone---!"
His heavy voice was muted thunder in her ear; his lips nuzzled at her as she ducked awkwardly under the constricting headphone. "You gettin' anything strange lately, ma?"
"Johnny!"
"You know why Max is after me, baby?"
Her head came around sharply. "Why?"
"Him an' me split the women in the place right down the middle. You were in his end, but I'm holdin' you out. He's jealous."
"Oh, you---" But she smiled involuntarily, the planes of the thin features softening remarkably. "You be careful, y' hear? That's a bad man."
Johnny grunted skeptically. "He show you his clippings? I'm gonna lean on that little bastard, he don't stay out from underfoot---"
"But he's never alone!"
"He wants to keep a good polish on, he better not be."
Sally was looking behind her down the narrow aisle. "Vic's calling you."
Johnny looked inquiringly down the congested walkway between the enclosed switchboard and the marbled registration desk to where Vic Barnes, the night front-desk man, held out his phone invitingly. "See if you can find out what this one wants, John. The police or the pope, sounds like."
Johnny thrust his bulk in behind the desk and accepted the phone. "Yes?" He listened, a faint smile gradually replacing the rugged impassivity; a forefinger traced the course of a stubby blond eyebrow. He spoke after an interval, the deep voice lightening as liquid syllables of a foreign language rose and fell in patient exposition. He turned away as he hung up. "I'm goin' out front for a smoke, Vic."
"Okay. What'd she want?"
"You guessed it. The pope."
"Aww, come on---!"
"The nearest Spanish speaking church."
"Oh. I thought she was French---"
"Spanish. Andalusia." Johnny's pale eyes stared out unseeingly over the darkened lobby. "They've got olive trees there. And sun... and dust---" He pulled himself up. "Tell Paul I'm out front, if he needs me, huh?"
It was cooler on the sidewalk in the neon refracted surrealistic shadows. He lit his cigarette and leaned back until his shoulders rested solidly against the polished granite buttress and invited a mental blankness that soothed. It was all written down somewhere....
Movement caught his eye; his glance passed beyond the two women approaching on his left and then returned with quickened interest. The figure on the inside had a nicely articulated walk, an easy way of moving, gracefully deliberate. She was tall, very well put together, and a little more fully fleshed than he remembered.
Johnny flipped his cigarette out into the street. He knew the plainly tailored lightweight summer suit, the flat-heeled shoes, the undistinguished features, the mild eyes behind the horn-rimmed glasses. She was smiling as they came up to him. "Nice to see you again, Johnny." Her voice was a breath, low but dear. The dean lines of her face were just beginning to be blurred with excess flesh; even in the after-midnight half-darkness her skin was fresh looking, and the dose-cut uncharacterized brown hair as usual a little untidy. There was a softness about her....
"Nice to have you with us again, Miss Stevens. I hadn't seen the register. Another group on tour?"
"Yes," she sighed. "Lovely little monsters. This is Mrs. Crosby, Johnny, a fellow chaperone."
He bowed slightly, his glance flicking fractionally from the dumpy, white-haired older woman back to Miss Stevens.
"Johnny is a real help to us unfortunates chaperoning these groups, Carolyn," Miss Stevens explained. "When you've made as many trips as I have you'll begin to realize the purely devilish ingenuity of these kids in evading authority. Johnny runs his own bed check on them for us, keeps the sexes separated most of the time, and in fact will be the mainspring in preserving a few shreds of sanity in us before we leave."
"I see," Mrs. Crosby murmured, nearsightedly peering at Johnny.
"Do you think you have any of that wonderfully cold orange juice, Johnny, at this hour of the morning?"
"Be right up. Something for you, too, ma'am?"
"No, thank you, young man---" She half turned to look back at him as they passed on into the foyer, and in the night air her voice carried farther than she realized. "Most unusual face, Maria. Like a blond gladiator."
"Entirely deceiving, Carolyn. In five years I've never even heard him raise his voice."
"My dear, I've lived a little longer than you: don't wager he couldn't raise it. Why, years ago I knew a man---"
The lobby doors closed behind them, and Johnny grinned and settled back against the building. He debated lighting another cigarette, and decided against it. Give them fifteen minutes....
Inside he glanced at the desk at Vic working over his transcript. "Gonna prowl the top decks a while, Vic."
"Right, John."
He took the service elevator which he used nights and shot back up to the sixth floor, where he propped the elevator door open with a slab of wood. In the room he had just left with Willie Martin he quickly divested the small refrigerator of ice cubes, orange juice, and vodka, arranged them with a pitcher on a tray, and returned to the elevator. He got off again five floors up, closed the cab door all but a crack, and crossed the dim corridor until he confronted 1109. He knocked lightly, and Miss Stevens opened the door at once. She nodded, and he stepped inside.
Gone were the horn rimmed glasses, and the severely tailored suit. A gossamer robe fragmentarily hid a pastel blue silk nightgown, and the unspectacular street-time hairdo had given way to a softly rolled crown on the small and delicately made head. Johnny put down the tray, settled his big hands on the slim shoulders and rocked her to and fro. "You're lookin' great, kid," he told her in his husked bass. He could feel her warm flesh moving under his hands.
"Grand ... to see you again," she breathed.
"I thought the second I knocked I should've checked the room list."
"You know they always give me this room."
"Some day they won't, and I'll be fifty percent of a surprised duet. The dragon retired?"
She smiled and nodded, and pulled his face down to hers. "It's been too long, Johnny---"
"Yeah. You still teaching music, baby?"
"Still... teaching---"
"You want a drink first?"
She shook her head; her voice was a whisper. "Later---"
He turned her around. "Where's the hooks on this damn thing?"
"Let me. Why do you always look at me there first?"
"Some day I'll tell you. You're quite a piece of machinery, kid." She smiled up at him as he swung her clear of the floor and over to the bed. "Now, baby. Andantino. That the word?"
"That's the word. And that's the... way."
He could see the torn lace on the pillow case's edging. "Now. Allegretto?"
"Yes!"
He could hear her breathing, and his own. "Hit it, baby. Sforzando."
"Ahhh ... con ... molto!" The soft voice trailed off in a wordless bubble of sound....
She stretched lazily on the bed while he mixed a drink, and he smiled across at her as he deftly juggled bottles and ice cubes. Carrying the glass to her he caught up her robe from the floor in passing and lightly admired with his hand the luxuriantly full-fleshed amplitude before spreading it over her as she leaned up on one elbow to accept the proffered drink.
He shook his head wonderingly. "Damn if you don't surprise me every time, kid."
"You mean the Sunday-schoolish appearance?" she asked, sipping her drink.
"I mean period. What you've got, lady, the world needs more of, in spades."
"Thank you, sir. I don't know what I'd do, Johnny, if I didn't have these little twice-a-year visits to look forward to. You can't even begin to imagine how desperately dull it is in my little home town."
"Packin' your own antidote, the way you do?"
She smiled, but her tone was wistful. "Who's to unpack it? Or even know it's there? I'm just that nice, plain Maria Stevens who plays the organ in church and is vice president of the garden club. Sometimes I think I can't stand it another minute until I can get up here again... you're wonderful for me, Johnny. And to me."
He grunted and picked up his tray.
"I mean it," she insisted, handing him her empty glass as he walked back to the bed. She looked up at him. "Do you think we might---?"
"You damn right I think we might. When you leavin'?"
"Day after tomorrow."
"I'll call you, for sure."
"Fine. Goodnight and thanks. And I don't mean for the drink."
He closed her door quietly behind him, his long stride noiseless he retraced his steps in the corridor and approached the elevator he had left anchored. He stopped dead. The elevator was occupied.
Two large men in dark suits flanked a dapper little man in faultless sports clothes, but even a stranger's glance would have ignored the physical disparity; plainly the little man was the heart of the matter.
"Welcome aboard, Killain." Max Armistead smiled unpleasantly, thin lips under the wisp of mustache showing scarcely more color than the pallid features. "Get my messages?"
"I got them." Johnny set his tray down carefully on the corridor ---floor, straightened up, and stepped aboard. He closed the elevator door and started down slowly, and the black anger rose in his throat. He eased the car to a stop between floors. Let it come ... get it over. He felt the old familiar tightening in stomach and shoulder muscles, and it pleased him unreasonably. There was still a thing or two in the world besides women. "You figure New York is big enough for both of us, Max?"
"I'll debate it with you, wise guy." The small eyes in the pallid face glittered as Johnny turned carefully to face them; he inched his feet fractionally apart, as equidistant from all three as he could manage without being obvious.
"Listen, Max," Johnny said abruptly. "Let's look at the blueprints. You think you can put a collar on me. Well, I'm tellin' you that you can't. You want to move a few women in here nights, I imagine, and you want me to do business. The answer is no."
"I don't think you can make that stick, Killain." Max Armistead's voice was soft, but his face was not. Slender, foppishly dressed, thin featured, effeminate looking except for the arrogant light eyes ... a man used to the driver's seat.
"I don't run your kind of ship, Max."
"You could change your mind. Or have it changed."
"Not by you, mister. I don't like you. You're a dirty little pimp, besides I don't know what else. You're---"
He broke off as the man on his left drew back suddenly. The pent up violence in Johnny exploded; he charged them, the weight of the big body bouncing them into each other as they tried to find working room in the elevator's narrow confines. Almost happily he slipped under a punch and swung the rigid edge of his palm viciously against the nearest fat neck overflowing its crumpled collar, and the man's eyes turned inward as he sagged floorward like a rag doll, face down.
Johnny grunted as a jolting blow took him in the short ribs, and he reached for the second man. "Come on, pretty boy," the man wheezed, and light glinted from his knuckles. Johnny absorbed another body punch, but snapped a hook to the straining face and felt flesh and bone crunch under his knuckles. The man staggered back, blood spurting from his nose, his bulk pinning the smaller Max in the farthest corner.
"Now, you sonofabitch---" Johnny stepped inside the big man's aimlessly flailing hands and circled the blocky body with his arms. He locked his grip rigidly, and for the first time in longer than he could remember he called on all the strength in his power-packed body, channeling it into the constriction. The man in his grip writhed, screamed hoarsely until his voice soared to a shriek, then fell to his knees, his dead weight breaking the terrible pressure. Johnny straightened reluctantly, set himself, and swung down in short, brutal arcs into the popeyed face, left, right, left, right, left.
He drove the face right down onto the floor of the cab, and on the way down it disintegrated into a crimson blob. He stepped back and pivoted to confront the six-inch blade on Max's knife as the little man moved whitefaced from his corner. Feinting with his left hand, Johnny stamped hard with his heel on the nearer instep in its low-cut cordovan, and Max yelped in anguish. A sledgehammer blow to the elbow of the knife arm caused the blade to fly across the elevator and clatter noisily on walls and floor.
Brushing aside the ineffectual opposition, Johnny grabbed the white silk shirt front and hound's tooth checked jacket in a twisting grip that pinned the wearer to the wall. "I got a lot of people rootin' for me now, Max. You've had this done to a lot of people... now try it on for size---"
The slender man thrashed frantically at the end of the pinioning arm, toes straining to reach the floor. "I'll kill you, Killain---" It came from deep in his throat.
"Don't miss your first shot, then, because if I ever get my hands on you I'll break you up three quarters of an inch at a time. Now, damn you---"
The elevator rang with the deliberate full-armed slaps he dealt the crimsoning face. A thin trickle of red ran down from the nose and dripped onto the wreckage of the fancy clothes; when the straining figure went limp, Johnny felt only surprise. He stepped back and let the sodden mass slip slowly to the floor where it sprawled leadenly over the bodies of the other two, and in the sudden silence Johnny became conscious of his own harsh breathing. He stared down at his hands and relaxed them with a shudder. It was over, finished....
Almost tentatively he placed a hand on the elevator's controls, as if wondering whether it would once again perform the familiar duty. He shook himself roughly and dropped the car like a stone to the sub-basement. He flung open the door in a crash of metal, grabbed a pair of heels and dragged a heavy body fifteen feet along the cement floor and out a side door to the alley, damp with night mist. On the second trip he felt his saturated uniform split through the shoulders; he was wringing wet and shaking from the reaction, but his resentment still smouldered.
He threw the whimpering Max out onto the pile of flesh, straightened, and released a great explosion of breath from pent-up lungs. From the alley bed drifted a mewling cry. "Don't hit me again--- Don't---"
Johnny growled in disgust and jerked shut the heavy outside door with a clang. He slid the bolt, wiped the perspiration from his streaming features, returned to the elevator and rose swiftly to the sixth floor. Standing in the middle of the room he ripped and tore the sticky shreds of the uniform from his body and on the way to the shower picked up the phone, the dark hair matted on his still heaving chest and his skin gleaming with the sweat running down his flanks.
"Sally? Everything quiet?"
"Johnny! I think I rang every phone in the house trying to find you! Max is around here looking for you with two big---"
"I met the gentlemen, ma."
"You did?" Her voice soared. "What happened?"
"I signed a release. You're in his stable now."
"Quit kidding. What did happen? You sound funny. Or have you been chasing some blonde through the corridors?"
Johnny flexed a bruised knuckle and tenderly explored a lumpy welt below his ribs. "I disremember, ma. Tell Paul I'll be down in fifteen minutes." He hung up and walked into the shower, where he stood in a torrent of hot and then cold water. He grimaced at the muscled nudity in the mirror on the back of the bathroom door as he toweled himself vigorously. "Still lucky, aren't you, Ugly? There must be a corker lined up for you when they turn the right page."
He drew on a robe, sat down in an armchair, and listened as the hammering pulse and heartbeat gradually lessened. He rose finally, took down a fresh uniform from the closet, dressed leisurely, and headed back to the service elevator.
The phone woke him; he looked at his watch as he came completely into focus in the first instant. Four thirty; the daylight four thirty. He cleared his throat. "Yeah?"
"Mr. Frederick would like to see you in his office right away, Johnny," Myrna's nasal accents informed him.
"I'm on my time now, sis. He knows where to find me."
He grinned as he hung up; he kept his hand on the receiver and picked it up again almost before it began its second querulous ring. "Who is it?"
"Johnny?"
He blinked; this was not Fussy Freddie's apologetic tenor. "Yeah?"
"You know who this is?"
"I not only don't know, I don't give---" He broke off as his mental card file fitted a face to the voice, and his eyes narrowed. "Can you whistle 'Edelweiss'?"
"I could when I had to. Sharp as ever, aren't you, boy?"
"I'll be right down." He dressed quickly, in slacks and sport shirt, ran a wet comb through snarled hair, splashed water on his face and rubbed briskly, and left the room, pausing only to remove a chair whose upper back rest was wedged under the doorknob.
The elevator operator arched his brows at sight of him. "Up early, John."
"Gettin' an idea how the other half lives, Roy."
Frederick's office was on the mezzanine, but Johnny rode down to the lobby, took a quick but careful look around, and walked back up the stairs. At the office door he knocked once and entered.
"Ah, there you are, Johnny---" Ronald Frederick was not seated at his desk. The little manager sat primly on the edge of an imitation red-leather easy chair beside it, slim fingers twiddling the precisely arranged tips of the handkerchief in his breast pocket. The crease in the gray trousers looked sharp enough to serve as a cutting tool, and the narrow shoes glistened. "I understand you and Lieutenant Dameron are already acquainted, Johnny."
The man behind the limed oak desk stood up, smiling. His hair was the same steel gray as his eyes, and the ruddy face had been much exposed to weather. Authority rode in the impressive bulk of the shoulders in the neat business suit. "Hadn't had time to tell the boss here the details," he said easily. "Nice to see you again."
Johnny nodded and looked from the apple-cheeked man to the neat little manager in his chair. "He means nice to see me outside the cell block, Freddie."
Lieutenant Dameron smiled. "He's got to have his little joke, Mr. Frederick. Didn't Willie Martin tell you about Johnny?"
"Why, you mean our Mr. Martin, the---ah---owner? Why, no, but I think I may have---ah---sensed there was something---"
"It's a good yarn when it's told right, Mr. Frederick. Now you take a few years back---"
"Joe---!" Johnny interrupted warningly, and Lieutenant Dameron's conspiratorial smile included Ronald Frederick.
"Didn't know he was bashful, did you, Mr. Frederick? I don't want to spoil a good story, so you just ask Willie the next time you see him about the night Johnny swam the harbor in Marseilles with Willie on his back. Willie can really tell that story."
"I'm tellin' you, Joe---"
"That was after they'd outscrambled a bistro full of very unfriendly people, and Willie broke an arm in the shuffle. Get him to tell you about it; Willie's a good talker."
"And not only Willie, you thick harp. You lost your damn mind?"
The big man nodded to Ronald Frederick, who had un-clasped the primly laced hands in his lap to put on his steel rimmed glasses over whose top edge he was looking at Johnny. "See what I mean, Mr. Frederick? Bashful. Now the night he and I were lined up against the back wall of a cold, wet cellar in Taranto with a good man dead on the floor and a man standing across from us with a gun in his hand---you get the picture, Mr. Frederick?"
"Ssurely---"
"Our boy here took off from the cellar wall, picked up three slugs on the way over, but he reached the man with the gun. Broke him all up with his hands. And that reminds me, Johnny---"
""That reminds me, Johnny---'" Johnny mimicked savagely. "You in the pulpit nowadays? I'm tellin' you: shut up!"
The ruddyfaced man shrugged. "You can see how it is, Mr. Frederick. And who's responsible for my gray hair. But here we sit visiting, forgetting that you're a busy man---"
The little man rose, reluctantly. "I should have a word with the---ah---chef," he acknowledged. In his speech patterns he seemed to search carefully for the definitive word. His fascinated glance returned fleetingly to the furious bronzed features of his night bell captain before passing on to the big man behind the desk. "No reason why you shouldn't---ah---visit right along here, though. I'll leave word you're not to be---ah---interrupted."
"Very kind of you, sir," the lieutenant said genially. "If you must run along---"
"Why yes. It's been nice meeting you, Lieutenant. Johnny, I'll---ah---look you up later." The door closed behind the slender figure, and the lieutenant held up his hands in mock defense as Johnny glowered at him.
"It'd better be a good reason, Joe."
"Reason? Who needs a reason? Why should I let you be a shrinking violet? Relax, boy; get yourself appreciated."
"Appreciation I can't use."
"Now there's gratitude for you. I put you in solid with the boss, and you blow your stack. With him you've got it made; you're in like Flynn. You're---"
"I haven't heard a reason yet, Joe."
The lieutenant delicately extracted a single cigarette between thumb and forefinger from the pack in his breast pocket and leaned back in his chair with it rakishly in his mouth, still unlit. "Let's come back to that in a minute. First things first, Johnny. They put a little piece of paper on my desk today that said that Max Armistead was D.O.A. at City General this morning."
Johnny kept his face impassive as he flipped on his cigarette lighter and approached the desk. "Somebody else didn't like him? I'll contribute a dollar or two to the defense of whoever shot him."
"Did I say he was shot?"
"With the muscle he hired, wouldn't they have to shoot him?"
The gray eyes studied him over the lighted cigarette. "Up to nine o'clock this morning I'd have thought so, too, but somebody roughed up the muscle."
"I'd have paid admission to that if it'd been advertised."
"Sorry we couldn't arrange it. Max was shot, Johnny'."
"That's what I said."
"You did, right out loud. Only thing, it wasn't until we got the medical report we knew there was a bullet in him. He didn't look as though he needed one. Now we come to the odd part." The gray eyes were veiled momentarily as the lieutenant blinked at the drifting cigarette smoke, but the voice continued evenly. "The muscle got just as good a going over. They're not talking about where they got it--- yet, anyway---but there's the usual bicuspid disarray, multiple contusions, and abrasions. And something else."
"Something else?"
"Yes. One of the muscle is down flat on his back with a few little things disarranged in his chest and ribs." Lieutenant Dameron leaned forward over the desk and pointed a forceful finger. "Kind of took me back, Johnny, listening to the doc reel off the medical lingo for what was busted, bent, and twisted. Took me back I hate to think how many years to a cellar in Taranto with another sawbones reeling off a list of what was busted, bent, and twisted on a guy had just put three slugs in you. You'd be surprised how alike it sounded."
"You don't have to play cop with me, Joe. Head-to-head, you get answers."
"I get answers anyway, Johnny."
"I got one word for that statement. Probably not much used in your august presence lately."
The apple cheeks darkened, but Lieutenant Dameron smiled. "How'd we wind up like this? I came over here to sign you up."
Johnny couldn't keep the surprise from his voice. "Sign me up? For what?"
The lieutenant stubbed out his cigarette. "Max was a tough little hood, Johnny, but recently he'd been taken over by someone who evidently shaves with carborundum. The ground swell I get is that Max was fronting for something that was to be based here, and they felt they had to have you in, or out. Max muffed the assignment. Exit Max. Now how about a little of that head-to-head talk."
"Say please."
"Please, you complete bastard---!"
"Okay. Max had been trying to move in on me for a month. I kept standin' him off; I figured he wanted to tuck a couple of girls upstairs like he's done in a couple of other places on 45th Street. Last night him and his crowd laid for me in a parked elevator, which didn't give them much racing room. After we talked it over I threw them out in the alley."
Lieutenant Dameron placed his hands together at his chin in the shape of a church steeple and peered at Johnny over them. "You haven't gone back much, evidently. Think you had an audience in the alley?"
"That kind of audience should have made a little noise."
"It should, at that. Although this seems to be a very careful crowd. With that introduction, though, I'd say you're a cinch to hear from them again. I'm glad I played my hunch and came over here. You can keep me posted."
The silence built up in the office; Johnny rubbed his chin thoughtfully. "Did you really think I'd pigeon for you, Joe?"
The red-faced man spread his hands wide, palms down, his face bland. "Who said anything about pigeoning? Couldn't you use a little excitement? You so damn proud of the way you're living?"
"You're almost making a case, Joe." Johnny leveled a concentrated stare at the man behind the desk, who sat silent. "If I thought you were asking me, an' not tellin' me---"
Still silent, Lieutenant Dameron fished out another cigarette and lit it. He inhaled deeply, leaned far back in his chair, crossed his legs, and said nothing.
Johnny shook his head negatively, almost regretfully. "You're on the make for something, Joe. I know you. You'd give me an apple for an orchard any day. I don't trust you. We may have been on the same team once, but that was an accident. Besides, you were always a great one to let a few piddlin' little rules and regulations get in the way of gettin' something done. Anyway, how do you know their offer might not be better than yours? If you ever get around to making one?"
The ruddyfaced man laughed and slapped his open palms down on the desk top. "Offer? After what you did to the Greeks bearing gifts? You're odds on to see the lightning before you hear the thunder, boy."
"I think they'll want to talk it over."
"It might pay you to be careful in case they don't." The cigarette in his hand described a brief, encompassing circle. "You get a feeling sometimes, Johnny. This is a big one. It's not women. It's supposed to be something coming in on boats---dope, diamonds, take your pick. So how about it?"
"How about it? What's in it for me, Joe, even if I said yes? You don't really want me, anyway. Would you turn me loose to get the job done?"
"Sure." The big man said it easily, but he watched Johnny narrowly. "This is civilization, though."
"You'd be gettin' a man, not a method, Joe."
"Now wait a minute. You couldn't go off half-cocked---"
"I sent for you, Lieutenant?"
"All right, all right, damn you. Look... think it over, will you? We can work it out. You can't expect me to put my pension on the line just because you happen to feel like outmuscling somebody---"
"I don't expect anything, Joe. I'm not on the team."
"Think it over. I'll call you tomorrow." Lieutenant Dameron rose to his feet and walked to the door. He hesitated with it open as though about to say something else, changed his mind, nodded briefly and went out, and the door closed softly behind him.
Johnny dropped down in the chair which Ronald Frederick had vacated earlier. He sat for a long time, his eyes unseeingly on the paneled wall, his mind racing in tight little circles....
The telephone broke into his sleep, and he rolled over and reached for it. "Yeah."
"Eleven thirty, Johnny."
"Yeah. Thanks, Myrna."
He sighed, stretched, yawned widely, and reluctantly left the bed for the shower. When he emerged the phone was ringing again. He picked it up. "I heard you, Myrna. I'm up."
"This is Sally, Johnny."
"Oh. You still at the apartment?"
"No, I'm downstairs. Vic just called and said he'd be a little late."
"All right. We'll manage." He started to lower the phone, then raised it again on impulse. "Sally? Come on up."
"Now? What for?"
"I'll draw you a diagram when you get here."
"Someone might see me."
"Hustle your skinny tail up here, ma. This is no courtship."
"Yes, Gallahad." The faintly mocking inflection in the cool voice was still in his ears when he let her in the door. As always her clothes looked too big for her, but the warmly generous mouth ignited under his hard lips. "Mmmmm! What juiced you up, man?"
"You talk too much."
"Hey! I have to wear these clothes!"
"I'll lend you a suit."
"Johnny! Damn you---!"
"Save your breath, ma."
From the bed he could hear her opening bureau drawers. "Pincushion in the bathroom, Sally."
"That's a fine place for it---"
He sat up lazily on the edge of the bed as she came out of the bathroom, dressed. She walked across to him and slid naturally into his arms, and he ruffled her hair. After a moment he probed experimentally a ridged collarbone. "You're a sure-God plucked chicken, ma."
She twisted indignantly. "I'm the best damn woman you ever had, and you know it!"
"You're not too far down the ladder at that, kid. And pound for pound you're in a class by yourself. A man'd have to be a pig to want any more woman than you are. Except for exercise, of course."
"Exercise!"
"I try them all, ma, but I come back to you."
"Smelling of perfume---" Their smiles matched. The little silence was comfortable, unstrained. Sally freed herself gently, bent quickly, and brushed his mouth with her own. "Was it a good one, Johnny?"
"It was a good one." He followed her to the door to let her out.
The buzzer sounded in the bar, and Johnny broke off the conversation in which Manuel the bar boy was nostalgically recalling the delights of Manila, and passed through the paneled swinging doors into the lobby. Sally's pointing finger indicated the bell captain's station, and he crossed the lobby and slid in behind the desk and picked up the phone.
"The guy in 322 wants the suit he left with you yesterday, Johnny; he forgot to pick it up when he came in tonight. And Myrna says there was a man here to see you earlier. Said he'd be back in an hour. And there's---"
"Later, ma," he interrupted her, eyes on the foyer. "Duty calls."
The boy and girl were young; very young. The aura of money enveloped them ... looks, clothes, and attitude. The boy was thin and gangling; the tangerine-colored hair in the crew cut emphasized the too-prominent ears. His shoes had cost a minimum of thirty dollars. The girl was of medium height with soft, swirling brown hair; she fit her lightweight sweater and skirt well, the more so in that like most of her generation she carried a few more pounds than her inches demanded.
Johnny motioned to Paul with his head as they entered the elevator, and slipped on behind them as Paul nodded and exited. "Suit in the checkroom to 322, Paul," he said over his shoulder.
"Right away."
Johnny closed the flanged doors, and the tight, shining walls enveloped them. He leaned back and studied them as they spoke together in consciously hushed voices. The scrubbed young faces were pink; not drunk, but in drink taken.
The quiet and lack of movement got through to them finally. "Nine, please," the girl said, looking around suddenly.
"Who's got the key, sis?"
"I have," she announced and produced it. She smiled experimentally.
"An' who's registered?"
"I am." The corners of the colorfully wide mouth drooped in the beginning of a pout.
"Okay, son," Johnny said firmly, re-opening the bronze door. "Say goodnight to her here. We'll look for you in the morning."
The boy flushed a dull, agonized red, swallowed hard, mumbled something unintelligible to the obviously sympathetic girl, and scuffed off the elevator through the lobby to the foyer.
"You didn't need to do that, you know," the girl protested softly, half way out into the ninth floor corridor. "He'll be terribly disappointed. I could have handled him."
Johnny considered the serious young face, the rounded, solemn brown eyes. "You got it wrong, sis," he told her gently. "If you could have handled him, then he'd be terribly disappointed. On your own veranda maybe you're the captain, but a hotel room in the a.m. with three highballs eggin' him on'll surprise the hell out of you. Pretty soon you find out you can't handle him, after all, and then you got to call me to do it for you, and then everybody's mad at everybody else. This way I'm the only schmuck in the crowd... right?"
Her smile was unwilling, the soft mouth rueful. "You make it sound so inevitable---"
"Chapter and verse. Boy and girl. Man and woman."
The brown eyes widened, but she giggled, and swung her handbag by its long strap, so plainly in no hurry to depart that he looked at her as an individual for the first time. Beautiful skin, beautiful teeth ... a plump, pert little partridge.
"Tell you what, sis---what's your name?"
"Frannie."
"Tell you what we'll do, Frannie. Now you've looked your cards over, we'll drop back down to the lobby, and I'll run out and catch him for you."
"No, thanks," she said quickly. "Look, I told you my name. What's yours?"
"Ugly," Johnny said promptly. "Name, nature, an' inclination."
"That's ridiculous," she began, and then smiled. "Do you charge for this lecture, Ugly?"
"Courtesy of the house, like the newspaper in the morning. Look at it this way, Frannie. In a place like this you got a chance to lose real big. You sure you want to?"
"N-no---"
"So take it easy. You're sharpenin' your claws on the wrong table leg. Simmer down. Don't chase those things. They'll catch up to you."
The pretty face was petulant. "I wish you'd tell me just one thing, then. You asked us who was registered. Suppose he'd been registered---?"
He grinned at her. "In that case, I'd not only have ran you right on up, I'd have held you down for him if he'd had any trouble. Courtesy of the house, just like the newspaper---"
She flounced down the hall with her nose in the air, then turned indignantly. "You're... you're not a gentleman!"
"Alas." He burlesqued a sigh. "Goodnight, Frannie."
If she replied, he didn't hear it; a door opened between them and a dark, medium-sized man stepped out briskly. He stopped short at sight of Johnny in the elevator. "Oh. You, there. I'd like to get a couple of quarts of beer. The switchboard just told me room service was through for the night---" He paused suggestively, and Johnny nodded.
"If you're not fussy about the brand."
"Hell with the brand." He had a hard, aggressive voice.
"What's the room number?"
The man turned and looked at the door behind him. "938."
"Ten minutes," Johnny said and closed the elevator door. As he entered the lobby Paul beckoned to him.
"Fella to see you, Johnny."
Johnny glanced quickly at the limp figure sprawled in a lobby chair, and the figure stood up and uncoiled to a surprising height as Johnny approached him. "Killain?" the man asked. He had a long, mournful face.
Johnny took a good look at him. "That's right. I didn't get your name, but the address is Centre Street, isn't it?"
The man wet a finger and held it aloft. "Not a damn bit of wind in here, either. Nothing the matter with your nose, mister. To skip the preliminaries, there was a little ruckus in the neighborhood last night."
Johnny nodded and hesitated. The thin man studied him, deep lines furrowing the elongated features and the spaniel eyes tiredly sad.
"This personal?"
"As always, that depends on the answers I get. I did hear in a roundabout way that you got a little rep for makin' muscle medicine when you get peeved, and that you and Armistead weren't members of the same lodge. I'd have to concede you something on that last, up to a point."
Johnny rubbed his chin thoughtfully. "I don't know whether it makes any difference to you or not, but I've been over this already."
"That right?" Johnny couldn't tell whether the morose face believed him or not. "Who's been over it with you?"
"Lieutenant Dameron."
"That right?" Johnny recognized the difference in inflection, he debated for a moment calling Lieutenant Dameron at that hour and patently decided against it. The thin man smiled sourly. "M' mother told me there'd be days like this. You understand I'll check you out in the morning?"
"I understand. A drink against the rules?"
"What rules?"
Johnny led the way into the bar, held up a finger as Tommy approached, and indicated his companion. He turned to the thin man who held out a large, capable hand. "Thanks for the drink. Name's Jones. Arthur. One of the Jones' boys."
Johnny nodded. "Legwork is hell."
"You can print that." Arthur Jones turned to Tommy at the bar, and Johnny walked down the long room and through the service door in the rear to the kitchen beyond, dark except for a single bulb in the farthest corner where a man in a white uniform nodded over a paperbacked book.
"Why don't you go to bed, Dutch?"
"You know I can't sleep, John." The voice was slow and dignified, ripe with years. White hair fringed the high chef's hat, and the veins stood out on the backs of the transparent looking hands.
"You got any beer in the box, Dutch? I got some cached downstairs, but it isn't cold."
"Happens I have, John."
"I need two quarts."
"Happens I have two quarts." The old man rose stiffly to his feet and produced a huge key and with deliberate movements opened up the walk-in box behind him. Cold air drifted out as he removed two bottles from a case on the floor and handed them to Johnny.
"Got a good notion to come down here in the morning when I'm ready for the sack, Dutch. The temperature is about right."
"You wouldn't do much sleeping, John. Grand Central's no busier than this box daytimes. The meat box over there, now; that's different. Only need to get into it twice a week, usually. That one'd stiffen you right out in about twelve hours, though. Should I make you a reservation?"
"My toes are tender, Dutch. Thanks for the beer. I'll get the ticket to you first thing in the morning."
The white-haired man smiled. "I don't imagine we'd make a Federal case of it if you were a few minutes late." He relocked the cold box and returned to his detective story at the desk, and Johnny picked up his bottles and walked back across the dark kitchen to the connecting service door at the bar.
At the door he looked back. The only sound he could hear was his own breathing, and the tiny desk light in the far corner was the only break in the massive darkness.
Johnny shrugged and continued on out to the lobby.
On the way through the lobby he stopped at the registration desk. "Who's m 938, Vic?"
Vic Barnes elevated the glasses riding low on the bridge of his nose and looked up at the room rack. "Lustig, Frank," he read and looked inquiringly at Johnny. Vic was a stocky, middle-aged man with a round face, thinning hair combed straight back from a high forehead, high color, and facial skin so glossy it looked waxed.
"You got a chit? I'm droppin' two quarts of beer off up there, and I forgot to get one from Dutch."
Vic fumbled under the counter and produced one, and Johnny borrowed a pencil and laboriously made out the charge. Satisfied, he looked up at the watching Vic. "What time you want your relief?"
"Any time at all. I'm in no hurry."
Johnny nodded. "About twenty minutes, then."
Upstairs he had to knock three times at the door of 938 before it opened a conservative two inches. The dark man stared out at Johnny blankly, then snapped his fingers. "Oh, sure. The beer." The door widened to six inches and Johnny handed in the beer and the charge ticket. The dark man held out his hand for a pencil, and Johnny gave him one; he had his first good look at the man's face as he held the chit up on the wall beside the door and signed his name. The face had been around; the nose had been broken at least twice, and the brows were thicker than nature had intended.
"Here you are." The chit came out through the opening, and the door started to close. Johnny got one quick flash at the signature and quickly put out his hand to prevent the closing of the door.
"Just a minute---" The dark man looked out suspiciously, and Johnny waved the chit at him. "Your name Dumas?"
"Would I have signed it if it wasn't?" the man bristled.
"Mr. Dumas isn't registered in this room," Johnny told him.
"Oh, hell, that's right, I'm upstairs---" He half turned and called over his shoulder. "Frank!" He turned to Johnny again. "Here, give me that. There's a quicker way than all this damnfoolishness." He took the chit back and tore it across twice, reached in his pocket and fumbled out a bill. He looked down at it, and handed it out to Johnny. "Okay. Thanks."
Johnny looked at the five dollar bill in his hand and at the closed door. He started slowly back to the elevator, and changed his mind. He took out his wallet and removed the illegal brass pass key and opened a room he knew was vacant, walked to the phone and picked it up. "Sally? Johnny. You got a Dumas registered in the house?"
Her answer came in seconds. "1421. Why?"
"Nothin", I guess. Paul around?"
"At the desk."
"Put him on." He heard the click of the additional connection; he smiled to himself. Sally hadn't taken herself off the line. "Paul? You bring any women up to the ninth floor tonight?"
"Nary a one. You find any?"
"No---" Johnny thought a moment, and shrugged. "I thought somethin' might be goin' on in 938, but I guess not. Kinda keep that one in mind, will you? You, too, Sally."
"He's made a lot of phone calls, Johnny. Long distance, too."
"If---he went to all that trouble to get a girl, maybe we shouldn't bother him. Tell Vic I'll be down in a few minutes."
In the elevator he dropped down to the sixth floor and turned to anchor the cab with his ever ready slab of wood; his subconscious mind registered another presence even before he looked up and saw Ronald Frederick's plum colored robe standing outside the door of Johnny's room. Waiting? It tugged at Johnny's mind for an instant, and then was gone as the manager spoke. "I was hoping you'd be by, Johnny. Been telling myself I'd invite myself in for a drink." Even in pajamas and dressing gown the little man managed to look dressed for the opera; not a hair was out of place. The mild eyes behind the steel rimmed glasses were both diffident and apologetic.
"Sure. Come on in. I could use one myself."
The manager watched as Johnny slipped a key from a clip on the band of his wrist watch and opened his door, flinging it wide.
"That serves a purpose?" he inquired, a nod of the head indicating the key restored to the clip on the watch band, and Johnny looked down at it an instant before realizing what he meant.
"Oh, that. Yeah. Once in a blue moon you might need to get to a key faster'n you can get in and out of the pockets of these tight monkey suits."
"And opening the door all the way; a form of semper par at is?"
"Reflex, maybe."
The slender man smiled faintly as he preceded his host inside. His glance ranged the comfortably furnished bed-sitting room with its tiny attached kitchen, coming to rest on the thick pile of the carpeting which he tested absentmindedly with the toe of a slipper. "You do yourself rather well in the creature comforts, Johnny. Your own things?"
"Willie's. Scotch okay with you?"
"And water. No ice. This was Mr. Martin's room?"
"This is his room. When he's in town."
"You move out?"
"I move over." Johnny passed behind the neat figure sitting almost bolt upright in the easy chair and still examining the room. At the refrigerator he could feel his guest's eyes upon him as he went through the familiar ritual with glasses and odd shaped bottles.
Ronald Frederick's voice was musing. "You know as one gets older, Johnny, he sometimes discovers new and surprising---ah---facets in his own nature, so why should he be surprised at corresponding discoveries in someone else?" He examined his fingernails, removed a handkerchief from his robe and lightly buffed the nails on his left hand. He looked over at Johnny again as he replaced the handkerchief. "For example, I'm sure that even yesterday I should not have had the---ah---unmitigated gall to push my way in here on you like this, without an invitation."
He waited for the automatic disclaimer as Johnny approached him, glass in hand and, when it was not forthcoming, accepted the drink with a smile. "One can say with no fear at all of successful contradiction that you are a man who speaks his mind, or not, as the occasion warrants? Ah, well. I fear that I am about to compound the felony of my presence here by becoming inquisitive." He leaned back in his chair, tasted his drink, and nodded his head in approval. "Excellent." He watched as Johnny poured a colorless liquid into a slender glass and took a long, slow swallow. "Vodka?"
"Oozo."
"Oozo?"
"A Greek drink. Or at least south central Mediterranean. You drink all night an' then turn your head an' the world dissolves."
The little man smiled again politely, but his mind was obviously elsewhere. He drank again and sank deeper into the depths of his chair. "Since I've stated my case, or rather the lack of it, it remains only to say that I am belatedly curious."
Johnny wiped his lips with the back of his hand and sighed. "Goddamn Joe Dameron. All right; you got the floor."
"Thank you. I'm sure you'll agree that once one scratches the surface, the situation is not---well---ordinary. Item: I come to work three months ago, to be informed by my predecessor about the night bell captain with the pipeline to the summit."
"Which you verified."
"Which I verified. Oh, indirectly, I assure you. I learned also that said bell captain was accounted by all the senior citizens here to be truly that rara avis, a devil with the ladies. You will forgive me for thinking that that seemed to type the bell captain? And that is why I feel that I should---perhaps?---apologize."
Johnny rose from his own chair to retrieve his guest's empty glass. He took his time in the process of refilling it, head cocked a little to one side as though listening to an inner voice. "Apologize?"
"Precisely. In view of what I heard this afternoon, it's a bit deflating to the ego to realize that one has so baldly underestimated an associate's talents." He accepted the rallied glass.
"I wouldn't let it worry me," Johnny told him, but the little man shook his head vigorously.
"The lieutenant was, you must admit, quite explicit. You seem to be a many-sided individual."
"You don't want to pay too much attention to Joe. Oh, it did happen a few years back that a guy was dropped down in a new arena, and the equipment fitted."
"And the lieutenant offered you an opportunity to re-test the equipment?" The silence built up in the room, and Ronald Frederick waved his glass deprecatingly. "No eavesdropping, I assure you, Johnny. But the lieutenant so obviously admired the equipment, and staged the meeting so carefully, surely I'd be something sub-human if my curiosity weren't piqued? Everything seemed so---ah---factual, in his exposition. Was it in the O.S.S.?"
"For a while."
"And then?"
"Partisans."
"Mmmmm. You speak French, then? Italian? Spanish? But of course; it would be a requirement." He revolved the glass in his hand, considering. "And our Mr. Martin was a part of all this?"
"Willie? The greatest."
"Really? One would scarcely---I've had barely three words with him, except at the final interview, but he hardly seemed---"
"You've got to see him in action. Best front man in the business. You know that hustle-bustle thing of his, the way he lights up everything he touches?"
"Incandescence?"
"Yeah. Willie's got brass-bound guts, and he can talk the birds right out of the trees in half a dozen languages. He was the man. I was just along to bulldog him out alive when the roof fell in on an operation."
"A bit less difficult to see now why you're here under such circumstances. Or should I say auspices? It must be an unusual relationship."
"Maybe. It doesn't seem so unusual to me."
"I see. Johnny, I've enjoyed your hospitality as much as I've---ah----abused it. I'd like to have the opportunity of reciprocating some time soon. Even a little vicarious excitement stirs the sluggish blood occasionally, hmm? Goodnight, and thanks." He put down his empty glass, smiled briefly, and departed, and his host sat for some time staring at the closed door.
Johnny roused himself and finished his own drink. He stacked the glasses in the sink and left for the captive service elevator. Aboard, he headed down, and in the lobby he started in the direction of the public phone booth in the corner, changed his mind and veered toward Sally's switchboard. "I'm goin' out for a couple minutes, ma."
"Blonde or brunette?"
"Blind date. Do something for me. Make a list of all the calls while I'm out, and I mean all."
"What are you up to now, Johnny?"
"Be glad to let you know when I find out. Be right back."
"Oh, give the girl a better break than that!"
He grinned, waved to Vic hunched over his transcript, and walked out through the foyer and turned left toward Broadway and the Villa Nueva, the night club four doors down the street. Its garish outside illumination contrasted sharply with the low-ceilinged, smoke-filled cavern which he entered. Johnny made his way through the closely packed tables to the phone booth in the farthest corner and dialed Lieutenant Dameron. The phone rang quite a while before it was answered. "Joe? Killain. Couple of things occurred to me."
"Jesus! They couldn't wait till morning?"
"You office types sleep too much."
"We might if we didn't associate so damn much with other types. Well?"
"Did your people run a check on the hotel employees, Joe?"
"Naturally."
"Everybody?"
"What the hell? Certainly, everybody."
"Anything I should know?"
"Why the hell should you know anything? You're not on the team, as I was informed by you personally. Now what's on your mind?"
"Not a damn thing, if that's your attitude."
"It's not my attitude, Johnny. It's yours."
"I think I was just propositioned, Joe."
"You were?" Interested awareness took over the voice, to be followed immediately by suspicion. "What do you mean, you think?"
"Went fifteen rounds an' never laid a glove on the guy."
"Now there's a switch---"
"There has to be a reason they picked this place."
"When we know that, we'll know a lot more, too. Who propositioned you?"
"I've got something else on my mind, Joe. I've had a chance to sort out this Max Armistead thing, and I don't like it. You didn't ask me if I'd killed him, Joe."
The silence was fractional. "I know you don't use a gun. And I might as well ask the Sphinx."
"I think there was another reason."
The silence was longer this time. "So maybe I was afraid of the answer."
"But afraid of the answer, you'd take me on? I could look for a lotta backin' from you if they tied it to me later on, Joe?"
"What are you getting at, Johnny?"
"You know what I'm gettin' at. If I'd said yes to you this afternoon, you'd have put me under your umbrella till I'd pulled your chestnuts outta the fire here. Then what?"
The voice was tired. "You didn't ask for a written contract."
"And a damn good thing, I can see now, you Irish sonofabitch. You never did assay very high to the ton in my book, Joe, and if I wasn't rustin' completely away in this plush birdcage for something to do I'd kiss you off for good. I'm tellin' you now: you stay the hell out of my way."
The voice was sharper. "Don't get ideas, Johnny. Don't meddle in something that's none of your business. Don't make me prove I'm a cop."
"And don't you make me laugh. The next corner I turn that you're around, I run right over the top of you." Johnny banged up the receiver and boiled out of the booth to collide with an underdressed cigarette girl carrying her wares on a neck-slung tray.
"Why, Johnny! I've missed you---" She was tall and dark, with long slender legs in full length opera hose, brief shorts and a briefer bra of black satin. She was an extremely good-looking girl, with flawless pale features under jet black hair.
"I'm in a hurry, Shirley."
"You and that boss of yours are always in a hurry. Relax; you'll live longer. He tell you when he'd be back?"
"He didn't say."
"You're not even a good liar, Johnny. What did he tell you?"
"I said I was in a rush, Shirl." He tried to edge by her past the close-crowded tables, and she stepped into his path.
"Why don't you drop by some night in the master's absence and warm up the couch, Johnny?"
"That shade of mauve makes me bilious."
She tapped her teeth with a silvered fingernail. "Not anti-social, are you? Or did you just remember your Boy Scout oath?"
"You're not makin' a play for me, Shirl. Relax."
"When did Willie say he'd be back?"
"What did he tell you when you asked him?"
Two bright red spots emblazoned the pale face; the tall girl in one quick movement picked up a package of cigarettes from her tray and threw them right in Johnny's face. A titter ran around the nearer tables, but Shirley took an involuntary backward step at the look on his face as he straightened from his instinctive half-crouch. His voice when he found it was huskily soft. "Don't press your luck, Shirl."
She had recovered her poise in that instant; her voice was jeering. "Run along, little boy. Willie will keep you in line."
"Don't ever count on it." He brushed her aside roughly and strode heavily to the door. You can keep an eye on your own damn wildcats, Willie, he thought to himself grimly. I'm too likely to break that one's little neck.
On the street he slammed back toward the hotel in a furious black mist.
"Over here, sonny."
Johnny looked and leaped in the same instant, surprising the freckled, reckless face above the snubnosed automatic partially concealed in the pointing hand, and the man ricocheted off the parked car against which he had been leaning and looked down with a shocked grin at the gun which clattered noisily into the street.
The big hands closed down on the lapels of the garish sport jacket. "I didn't get the name, chum?"
The man twisted, freckles stark in the pale face. He tried to kick, tried viciously to jerk up a knee, and the hands shook him until his head bobbed wildly, and the whites of his eyes rolled up.
Johnny widened his leg stance. "Let's hear something, gunman, or I feed you one of your ears."
The frecklefaced man's hat flew off disclosing carroty red hair as he snarled defiance between gasps. "Go to h-hell---!"
Johnny's shoulders bunched under the uniform as he leaned forward to increase his leverage.
"Drop him, muscles!" Johnny turned; over his shoulder he could see the twin of the gun he had knocked into the street prominently displayed in the grip of a large, swarthy man in a seersucker suit three paces to his rear. He shrugged and released his grip, and the man he had been shaking staggered to one side, a hand at his throat, wheezing hard.
"Get your gun, Eddie," the seersucker suit said softly. "The boss said this one was a character."
As Johnny's eyes automatically followed Eddie scrambling in the gutter, the swarthy man took a long step and a short step forward and in perfect coordination reversed his gun and, in a full armed swing, exploded its butt high off Johnny's head.
When the first flash of light subsided he found himself on his knees staring foggily at two large feet planted solidly on the sidewalk in front of him. Too late he reacted to the position of the feet; his twisting lunge carried him right into the second crashing impact, this time along the jawline. Johnny felt something sharp catch under his ear and rip through the flesh, and pure anger as well as reflex conditioned his furious grab at the close-in knees. His arms tightened around them hungrily as the man above him yelled in surprise, and he lifted mightily and smashed him to the sidewalk, rolling over on him.
He grinned down tightly into the stricken face below him, cocking his own head to one side so that he could see from the good eye. "You don't look near so tough from up here, Bud."
Methodically Johnny freed a hand and arm. He pinned the thrashing body beneath him with his own weight, and systematically hammered the contorted face, meantime trying to inch around to increase his field of vision on the side of the bad eye. Eddie was on his mind, but not soon enough. Sudden, brilliant light hurt his eyes, and he tipped forward into a long, inclined chute...
He came to, sitting on the sidewalk with his back propped against the building wall with someone he couldn't see mopping the blood streaming down his face and neck.
"---jumped him. Two of 'em. I seen it," a voice announced excitedly over his head.
"Who is he? Where's---?"
"---big bellhop from up the street. Man, 'd you---"
"---got away. Two more in a car across---"
"---an ambulance. A doctor, anyway---"
"---see the other one? Hope his wife had a picture of him---"
"Hey! Don't all crowd around!"
Johnny cleared his throat; vision was returning on one side. "Gimme a hand up here, one of you."
"You can't make it, Mac."
"Gimme a hand. I'll make it."
They struggled with his bulk and got him to his feet. The night air felt wonderfully cool as he took deep, deep breaths; he felt better. He fixed a younglooking face with his good eye. "Hustle on up to the hotel, son, and tell Paul I want him."
He waited, releasing himself from the supporting arms; he tried a tentative step and grimaced as his knees twinged. He could feel his strength returning; with his sleeve he dabbed at the slow trickle running down the side of his face. He looked impatiently at the increasing crowd milling around; he had to get out of there. He looked up with relief when Paul pushed through its fringes. "Little difference of opinion, Paul." The stolid Paul nodded. "Get Doc Phillips started up to my room. Then drop the service elevator to the sub-basement, and I'll get on from the alley."
"Can you make it to the alley?"
"I'll make it." He motioned the crowd out of the way as Paul hurried back up the street. "Goodnight, folks. Repeat performance tomorrow night by special request. Admission will be charged; refreshments will be served. Come early; seats are goin' fast. All right; back up now---"
He marked a line on the sidewalk and started off, bearing down with such a conscious effort to maintain-it that he almost missed the turn into the alley. He swerved at the last instant, and the two or three stragglers who had followed him stopped and stared silently as Paul opened the door and helped him inside. The fifteen feet to the cab seemed longer; inside it he propped himself against a side wall and slowly released breath he seemed to have been holding almost indefinitely.
He could feel Paul's eyes on him as the elevator started up. "Never kid a southerner about Antietam, Paul."
At the sixth floor he peeled himself off the supporting wall, and with Paul's hand under his elbow started down the corridor. He thought about telling Paul he didn't need the hand and decided he couldn't spare the breath.
Doc Phillips' white shirt was dazzling in the light. "Get him out of those rags, Paul, so I can see what I'm doing."
"'S nothin', Doc. Scratch. 'N rap on the head."
The doctor grunted finally as he swabbed and probed. "For once you seem to be right. And a concussion, probably."
"No concussion. Little headache. Paul?"
"Yes?"
"Bourbon in the closet."
"You want a chaser?"
"Spit in the glass a couple of times." The doctor was unwinding gauze. "Never mind the bandages, Doc. Little tape will do; thanks, Paul."
"Listen, tough guy---"
"Save the, speeches for the patients, Doc. I said tape. Paul?"
"Yes, Johnny?"
"Skip on down to the switchboard like a good fella and send Sally up here? Somethin' I've gotta know." He drank deeply from the glass in his hand, waited for the impact, shuddered, and drank again.
Doctor Phillips pressed a final bit of adhesive into place and stepped back and looked at Johnny. "Purely as a matter of professional curiosity, with what am I competing these days in my effort to keep you stitched together?"'
"I wish to God I knew, Doc. Nobody made any speeches, although come to think of it I didn't give 'em much of a chance. Both those boys were pretty good operators with the off end of a gun."
The doctor shook his head and indicated the drink in Johnny's hand. "I'd dilute that prescription a little, if I were you."
"You stick to the needles and saws, Doc."
"I want to see you in the morning. I want a look at that jaw when the swelling subsides. You could have a hairline fracture."
"You know better'n that, Doc."
"You come by my office anyway. I want to X ray. And I---let---"
Two sharp raps barely preceded Sally's flying entrance. The thin face was anxious, and the brown eyes apprehensive. "Johnny---"
"All right, ma. Take it smaller. Thanks, Doc."
"Don't forget I want to see you in the morning. Goodnight. Goodnight, Sally."
"Goodnight, Doctor Phillips." She closed the door behind him, and turned immediately.
"Save it, ma. I know it all by heart."
"But what are you up to now---?"
"You got the list?"
"L-look at you---!"
"Now quit blubberin', or I'll penalize you fifteen yards."
"But what happened?"
"Well, now, I'll tell you. You never saw a blonde could run like this one, but I was gainin' when she ducked around a corner. I made the corner on a wheel an' a half and zowie! She lowered the boom on me. Them blondes are hittin' mighty good these days."
"I should have known better than to ask you. Are you all right?"
"My knees hurt worse than anything else."
"That ought to curtail your most prominent activity."
"You come up in the morning, and I'll show you different."
"You're kidding."
"Kiddin', hell. We'll let you drive the wagon. You ought to earn your way once in a while, anyway."
"You get out of the gutter. As far as possible, that is."
"Yes, ma. You got that list?"
She handed it to him silently, and he ran down it quickly, then tapped it in his palm thoughtfully while she watched him. "The one you're looking for's not on there?"
"That's right. Maybe---" He frowned down at the list.
"Just as a point of information, five minutes after you left Fussy Freddie came downstairs and opened up his office and made a call on his direct line."
"He did, huh? Joe Dameron is missing a good bet in you, kid."
"He's the name you expected to see?"
"I wish I could answer that. I can't figure him. In my time I've seen a few hundred tough guys. If this is a tough guy, it's a new kind."
"Johnny, what's going on around here?"
"Baby, it'll be a pleasure to tell you the minute I find out."
"You mean you're fighting with people you don't know, and you don't know why, either?"
"You know me, ma. You didn't expect me to go at it intelligently, did you?"
"You just won't tell me."
"I'm tickled to death to have you think so. You better run along now, ma ... I need to rest my eyes a little."
When she had gone he finished the bourbon, rubbed his jaw gently, and considered the ruins of his uniform on the floor.
This campaign is sure hell on the haberdashery, he thought.
He stripped the bed, walked stiff-leggedly to the bathroom and washed up, placed cigarettes and matches on the night table, and eased himself cautiously between the sheets. His head throbbed steadily as he lit a cigarette and lay back gently on the propped-up pillow. He stared blankly up at the ceiling and mentally shuffled and re-shuffled the possibilities in his mind.
It was a long time before he put out the light.
The cold water faucet needed a washer, Johnny noted; he rough-palmed his wet hair tighter to his skull and walked out into the bedroom. The clock on Maria Stevens' night table said twelve forty five; he bent down over the bed and laid a hand lightly on her shoulder. "So long, kid."
She sat up with a start. "Goodness! I must have dozed off---" She swung her legs over the side of the bed and felt for her slippers as a small palm smothered a yawn. "Oh, my! It's the hour, not the company, believe me. I do hate to see you go."
"You'll be back again before you know it."
"Not that quickly, unfortunately." She walked with him to the door, and the sleepy look on the plain features evaporated as the mild eyes inspected again the tape on his face. "I certainly hope that the police find whoever did that to you. It's criminal that such things can happen!"
He grinned at her. "You sound just like somebody else I know---"
"It makes me uneasy. If a thing like that can happen right in the neighborhood, are the children safe when we bring them here? After all, there's---"
"Now don't go givin' the hotel a bum rap because of somethin' that happened to me," Johnny broke in quickly. "I shouldn't have told you about it."
"You didn't tell me about it," she said spiritedly. "I had to drag it out of you a word at a time. Anyway, if I know Ronald Frederick he'll give the police no rest until they clear it up."
"You know Freddie?" he asked her in surprise.
"Well, not really. He's a very close friend of two good friends of mine, though. Rose and Terry Lund. I've met him twice, I think, at their place in Atlanta. He was managing a hotel there before he went out to the coast. I was the most surprised person in the world when I saw his name on the hotel stationery here. I went by his office, and even sent in a note, but he must have been terribly busy; his secretary came out and apologized that he just didn't have a moment, even, to visit."
"I don't know what the hell could have been so damn Important that he didn't have a minute for a cash customer---"
"Oh, it was just impulse, really... seeing the familiar name. I don't know what I'd have talked about if he had come out." She looked up at him gravely. "I hate to go back."
He held out his hand, and she took it, her hand lost in his. "Keep punchin', kid. You'll be back---"
"But not before I know it. Goodbye, Johnny. It's been fine."
He saluted, opened the door, and stepped into the corridor. He was half a dozen doors down the hall before he heard her door close behind him. He took the service elevator down to the lobby, and Vic Barnes looked up from the registration desk as Johnny stepped out of the cab. "Got a minute, John-?"
"Sure, Vic." He shuffled in the bearlike stride over to the desk and looked at the stocky man inquiringly. "Trouble?"
"You remember that 938 you were talking about last night?"
"938?" Johnny frowned. "Oh, yeah, that was that hard looking ticket that ordered the beer. Or rather, he was in the room. Why?"
"He blew. No-pay. I got a note here from Chet to see him about it in the morning."
"Bags and all?"
"Clean. Chefs trying to pin it on our shift."
"If you have any trouble with Chet, you let me know. He didn't get out of here on our shift. Listen. Look up 1421, I think it was; Dumas. That's the guy that was in 938's room."
Vic glanced at the room rack. "Vacant now." He picked up a handful of cards and started turning them over; he stopped a third of the way through the pile. "There he is. 9:30 A.M. checkout. Everything in order."
"Damn funny," Johnny said thoughtfully. "I'll ask Gus in the morning to find out how many bags he took out with him. If he had a couple extra we can sic Chet on him." He glanced around the quiet lobby. "You send Paul out for something?"
"He's on the board, relieving Sally. She went out in the alley for a smoke."
"The alley? For God's sake, there's still a ladies' lounge in this place, isn't there?" He was conscious of Vic's eyes on him curiously. "Keep an eye on this menagerie."
He walked quickly to the elevator, dropped to the sub-basement, stationed the car, and walked out into the alley through the partly opened heavy iron door. He saw her right away, resting with her back against the building wall, the glow of her cigarette softening the sharp lines of the thin face. She turned at the sound of his steps on the cement. "Oh, I'm glad you came down, Johnny. I wanted to talk to you."
"Me first, ma. What's the matter with havin' your smoke in the ladies' room?"
"It's hot in there."
"So it's hot. You do your smokin' in there from now on. You lookin' to tie into the same buzzsaw I tangled with last night?"
"Don't be ridiculous!"
"Who's bein' ridiculous? I don't know what's goin' on around here, Sally. So far they've been able to lean on me whenever they took the notion, which means they know my habits. If they also happen to know that you and I aren't exactly strangers, I don't want them reachin' for me through you."
"But no one ever pays any attention to me, Johnny!"
"I might like to keep it that way."
"Such gallantry!" she smiled. "In that mood, how about answering a question for me?"
"I don't know the answers to any questions."
"You know this answer."
He studied her for a moment. "Shoot."
"Johnny, what happened to Max?"
"He became deceased."
"I can read, I hope! What I want to know is what you had to do with it."
"You think I scragged him, ma? You an' Joe Dameron."
"You didn't, did you, Johnny?"
"No, ma, I didn't. They found me upstairs, but I got lucky. It was on the elevator, and they were in each other's way. I christianized the crowd, dropped down here, and unloaded. They were all breathing, if that's what's botherin' you."
"But the paper said he was s-shot---!"
"Not by me. I don't like guns."
"Honestly? Then why were you beaten up last night? Look at you... you look like a pirate."
"I already told you I don't know. I think Max was the front man for something that's supposed to be headquartered here, and he was supposed to get me in line. When he fumbled it, someone further up the line decided Max should abdicate."
Sally shivered and moved a little closer to him. "Where does Freddie fit into all this, then?"
"I'm not even sure he does. He sat up in my room last night drinking my Scotch and apologized for twenty minutes straight for thinking I was nothin' but a fourteen carat gigolo. That was after he'd heard Joe Dameron shoot off his mouth about where him an' me had put in a little time together. Freddie pumped me up, down, and sideways, tiptoed all around the edges of a proposition, and then backed off. Maybe when he realized how it was with Willie and me."
"Well, if he didn't proposition you, why did you expect to see his name on the list of telephone calls I kept for you?"
"A hunch, that's all. Joe Dameron thinks this is a big noise around here; if he's right, I'd already tangled with the militia once, see, and made it stick. If Freddie's in the chain of command and had changed his mind about propositioning me, I figured to hear an echo before I began feeling a little cocky. Only thing, I heard it so damn quick it don't hardly seem likely Freddie had time to trigger the action."
Sally drew a long breath. "I never heard of anything so ... so fantastic. What are you going to do now?"
"Well, I've got one fish in a rain barrel I'm goin' to draw a bead on; I know something about Freddie's room that he doesn't. This old place has been carved up so many times changing rooms and making apartments that in a few places there's walkways between the walls. One of them is just outside the north wall of his room. It'll be a tight fit, but if I can get in there I can stand with just a little plaster and paper between us, and if he's got anything interesting to say I should be able to hear it without too much trouble. I'm telling you this now because you'll have to cover for me while I'm browsin'. I'll let you know before I go aloft."
"Johnny, why don't you go to the police?"
"That mountain's already been to Mohammed, ma. What really kicked this whole thing off was Joe Dameron blowin' in here and giving me the fraternity grip and a sales talk about signing up for a little cruise. Freddie heard some and guessed the rest."
He scowled across the alley, thinking back to the scene in the little manager's office. "Joe's in a racket where you can go just so far up the ladder, and then you wait for someone on a rung above to die or retire before you can move up. He's buckin' for another stripe, and he's not fussy how he gets it. He wants all the credits he can get in the meantime so someone like himself don't submarine him from beneath. I don't think he really thinks I killed Max, but he's perfectly willing to hold it over my head and guarantee to keep his bloodhounds off if I'll do what he wants. When I figured his angle, I put it to him straight. I made him admit that if and when I cold-decked the set up for him around here, the umbrella was gone. I don't need the umbrella, you understand, but I got mad anyway and told him what I thought of people workin' with collapsible gear."
Sally stubbed her cigarette out against the side of the building. "I've got to get back to the board. Please be careful, Johnny?"
"You be careful. Nothin' ever happens to me."
"Take a look in the mirror," she advised him and disappeared inside past the iron door. Johnny stood in the alley, an idle toe scuffing the moisture accumulating underfoot. There should be something in all this that a man could get his teeth into....
Far down the dark wall of the hotel a light came on at ground level. The kitchen, he registered automatically. Another light flashed on. But there should be no lights in the kitchen this time of the morning; Johnny was already in motion when the third light appeared. He ran back through the passageway back to the elevator, slammed up to the lobby and burst into the somnolent quiet. Vic looked up from the desk and waved idly.
Johnny turned and ran for the bar, silently. Inside the paneled doors he rushed soft-footedly past the drowsing drinkers on the bar stools, and then at the far end of the long bar the service door to the kitchen flew open, and the bar boy Manuel stared out at him, his eyes two unripe olives in the white face. "Johnee! The keetehen! The keetehen---!"
He sprinted past the stricken Manuel, spared only a glance for the darksuited figure crumpled just inside the door to the left, and dropped to his knees beside the loosely sprawled slight body in the white uniform beside the shabby desk. "Dutch---?"
A vein throbbed in the thin temple. The closed lids opened and the washed-out blue eyes looked up at Johnny. A trickle of blood ran down from a corner of the twisted mouth, but the old man managed a faint smile. "---missed ... the fun, John. S'prised 'em---"
Johnny eased the thin body to a more comfortable position, his mouth taut at the sight of the dark red stain on the front of the white jacket. "Who was it, Dutch?"
"---s'prised---"
The white head fell sideways suddenly, the high chefs hat falling off and rolling away. Johnny reached for it and replaced it automatically, and then he stood, up slowly and looked down at the newly pinched features. After a moment he crossed the huge room and bent over the darksuited figure in the corner; the last time Johnny had seen that hard-visaged face it had been to exchange two quarts of beer for a five dollar bill. Johnny studied him carefully, lifted a lapel of the jacket fractionally, and let it fall again. He straightened and made a swift circuit of the room, checking the window fastenings and the locks on the walk-in boxes. When he turned again Manuel's pale face was in the service entrance to the bar.
"You call the police?"
"Si."
"Dutch say anything at all while you were in here?"
The slim shoulders lifted apologetically. "Notheeng I understand---"
"What'd he say, Manuel? Exactly."
The boy hesitated. "No sense to eet. Eet sound like he say 'the clocks.'"
"'The clocks'?" Manuel nodded. Johnny stared at the large kitchen clock on the wall across the room. "That's all he said?"
"That ees all."
Johnny sighed. "Okay. Tell Tommy to close up the bar."
"Si." Manuel's dark eyes lingered fascinatedly on the body just inside the door, until he caught Johnny's gaze upon him.
"Move!" The boy disappeared, and Johnny returned to his restless prowling of the kitchen. Twice he stepped off the distance between the two bodies, dissatisfied, then knelt quickly to examine a dark spot on the tiles midway but a little to one side. The spot smeared under his probing finger, and he nodded.
He was seated in Dutch's chair behind the little desk in which the old man had kept his records when the police arrived, a corporal and an eager-beaver rookie in the van, and Lieutenant Dameron not fifteen yards behind.
Johnny waved without rising. "Sleepin' light, Joe?"
The lieutenant came over and kicked a chair into position beside Johnny's and sat down heavily. The red face was shiny and stubbled with gray whiskers. He stared out impassively over the room filling up with men, watching the uniformed and plainclothesmen drawing lines on the floor, dusting powder, taking pictures, and putting minute specks of dirt in labeled white envelopes. A man with horn-rimmed glasses bent alternately over the two still figures on the floor, writing busily in a notebook, and in a matter of minutes the bodies were lightly covered, rolled loosely onto narrow stretchers, and taken out the back way.
Lieutenant Dameron looked at Johnny. "You know anything about this?"
"I know how it happened."
"Wait till my boy can check you out." The lieutenant raised a hand and beckoned, and a slim, sandyhaired man approached them. His features were pleasant, and he smiled at Johnny. "You two know each other," Lieutenant Dameron continued. "This was the second man on the scene, Jimmy, if we can believe the bar boy."
Detective James Rogers nodded and took out his ever-present notebook. "Long time, Johnny."
"Yeah. How's the only straight man works out of 54th Street?"
"Shhh---" the sandyhaired man warned. "The boss'll hear you."
"He should hear me." Johnny reached over and tapped Joe Dameron on the knee. "How come you let this boy work with the rest of the bastards you've got up there? He supposed to leaven the loaf?"
"He beats his wife," Joe Dameron said amiably. "That qualifies him. You ready, Jimmy?"
"Yes, sir." He bent over the notebook. "Name: John Killain---"
"'D you ever know he had an alias, Jimmy?" the lieutenant interrupted. "Sure. Ask him. Or never mind asking him, ask me. Poetic, too. Manos Muertas."
Johnny stiffened in his chair, and Detective Rogers looked from him to the lieutenant and back again. "Muertas," he repeated slowly. "Odd name. Manos Muertas. Translates a bit grimly. The hands of death."
Lieutenant Dameron laughed. "You see the advantages of an education, Johnny? Jimmy went to school."
Johnny's voice was thick and heavy. "There's a nice, quiet alley outside, Joe."
The lieutenant eyed him placidly. "My mother didn't raise any foolish children to my age."
"Just one. The one trying to push me around." "Nobody's pushing you around, you thick idiot. Will you get off that button?"
"I'll get off it when you put away flat needle you've had out lately. I don't like it."
"So you don't like it. Drop dead." The chair creaked as Johnny's weight shifted. "Don't do it," Lieutenant Dameron continued softly. The redrimmed eyes stared frostily. "Don't even think of it, Johnny. You're no privileged character. I gave you a chance to do me a favor, and you turned me down. I can use you, but I don't need you, so don't get out of line. That's a warning. Now let's catch Jimmy here up on a little ancient history."
He leaned back in his chair, unheeding the smoldering glance from across the desk. "A few years back, Jimmy, when you were still trying to get the pants off the high-school cheerleaders in your home town, this character and I were running around southern Europe for Uncle. I imagine quite a few people over there would remember that name, even today."
He exhaled a cloud of smoke and idly dabbled the tip of his cigarette in it before replacing it in his mouth. "He was a specialist, Jimmy. No machinery. No guns, no knives, no blackjacks; all he had to do was reach you. He can give any circus strong man you ever saw cards and spades, and when he gets mad you wouldn't believe it. He warms up on brick walls."
The cigarette's tip glowed redly. "Willie brought him back here with him... that's Willie Martin, the owner of this place. Our sourpussed friend here was Willie's hatchet man, and he pulled Willie through a couple of mighty snug knotholes. Willie stuck him in a uniform here and gave him the run of the place, and he developed a sideline. Women. What I hear, they had to enlarge the place a couple of times to get them all in." He studied the growing ash on his cigarette. "This Willie Martin's a story himself. He was head oddball in a strictly oddball outfit; he inherited some money, and while I never did hear of him making any, he'll probably always be able to buy and sell the crowd here. He's the type that lives every minute like it's going to be his last on earth; a little frantic for the pedestrian caliber like me, geared a little lower."
Lieutenant Dameron leaned forward in his chair, head turned up sidewise to the listening detective. "I'm telling you this, Jimmy, because I know that he's what happened to Max and Co.; his brand was stamped all over them. All except the bullet, the way I see it now. With the buzz we'd had on this deal, I offered him in; he was on the ground, and he's got a nose for this kind of thing. He thought I was holding the Armistead thing over his head, and he wouldn't buy. I figure he's lonewolfing it now; none of us knows what we're doing here anyway, and he thinks he might find a spot to cash in. Right, Johnny?" He shrugged at the glowering silence. "All right, then. What happened here tonight?"
"You tell me, you're so goddamn smart."
"Temper, temper." The lieutenant turned back to his assistant. "I forgot to say, Jimmy, that Armistead had braced him first, before I did, but he didn't like Armistead. When Max tried to push it a little, Johnny dropped him in the alley on the second bounce, and whoever was behind Max figured he could do without him." He turned back to Johnny. "All right. Let's hear it."
Johnny drew a deep breath, and for the first time in minutes wrenched his eyes away from the red-faced man. He looked up at Jimmy Rogers. "I can tell you what you already know. Whoever it was, they had a key to something. No sign of forcible entry. They just didn't know old Dutch had insomnia and often sat here nights. When they stumbled over him, the one on the floor got nervous and started after him, probably wavin' a gun. He violated the number one rule for drawing your social security; never go after a chef in his own kitchen. Dutch split him like a chicken from a dozen feet away with the cleaver he always had on this desk. The boy that caught the cleaver put two out of two into Dutch, which was pretty good shootin' under the circumstances. That was a little noisier than his partner liked to work, so the partner pumped in a couple of convincers alongside the cleaver to make sure no talkee and blew. Game, set, and match."
"How'd you know the man the chef got was shot, too?" Detective Rogers asked him curiously.
"I looked. He wasn't layin' right for a knife wound, even a smash like that. A knife, they got time to get down easy, usually. A gun belts 'em down hard. This guy was belted."
"He was, for a fact."
"Now I'll tell you something you didn't know. The guy on the floor was registered into 1421 here last night under the name of Dumas. He was visitin' a guy named Lustig up in 938 early this morning; I brought him up some beer. Dumas checked out at nine thirty this morning. Lustig turned out to be a no-pay; room clean and no sign of him."
"You can see why I thought he might be useful, Jimmy," Lieutenant Dameron said briskly. "He has a nose for trouble."
"He also has a nose for facts; he laid out a pretty straight story." Rogers frowned down at his notebook. "The bar boy heard the first two shots and started right in here. On the way he heard a pop-pop; silencer on the second gun, evidently. He ran right back out when he got a look around and says he didn't pass anyone either way."
"How do you figure the second bird got out of here, then?" Lieutenant Dameron asked him.
"Same key he came in with, I'd say, sir. Mighty cool character. Changed horses at flood tide and never batted an eye." He closed his notebook. "I'll talk to a few more of the help now, if we've finished here."
The ruddyfaced man stood up slowly. "You go ahead; I'm running along. Begins to look like one of those things around here; this is the second stone wall we've hit."
Johnny looked at Detective Rogers. "Manuel tell you what Dutch said?"
The slender man nodded and looked at the lieutenant. "The kid said that the chef said something that sounded like 'clocks.'"
"Clocks?" The big man circled the room with his eyes and stopped at the big kitchen clock. He pointed to it. "Have the lab boys dismantle that and go over it. There won't be anything to it, bat we might as well make a noise like we knew what we were doing, especially since it doesn't look like the rush of witnesses is going to knock us down." He led the way out to the bar, stopped, and turned to Johnny. "You have a key to this thing?"
"Yeah, but Willie's a little fussy who he sets them up for."
The apple cheeks darkened, but the lieutenant bit off any reply he might have been going to make. He turned and strode out through the lobby, his heels hitting heavily,---and Jimmy Rogers shook his head disapprovingly at Johnny. "What does it get you, man?"
"A little satisfaction."
"He'll wear you out, if he takes a notion."
Johnny looked at him. "I don't work for him, kid. He'll play hell gettin' an angle on me. And when I was workin' for him, I'd leave it up to him who wore who out."
Detective Rogers laughed. He started to say something and then broke off as Ronald Frederick emerged through the swinging doors from the lobby, in pajamas and plum colored robe. He came directly to them. "A dreadful accident, dreadful."
"Accident?" Jimmy Rogers' tone was amused.
"I meant to say---that is to say, not an accident, most assuredly not, but a shocking---ah---occurrence. They woke me to let me know."
The sandyhaired man nodded. "If we could have three minutes' conversation now it might save fifteen or twenty in the morning," he suggested.
"Certainly," Ronald Frederick acceded promptly. \*\*We can use my office." He turned to Johnny. "You'll take care of---ah---things?"
"Yeah." He looked at the sandyhaired man. "I got something for you I wouldn't give that lardhead just walked out of here. There's an automatic pilot elevator touches on that kitchen; we use it for room service. The kitchen outlet is supposed to be locked at ten every night, but for a client with keys it's the easiest route."
"Where does it go?" Detective Rogers demanded.
Johnny grinned at him. "Only to the sixteenth floor."
The slender man grimaced. "I already had no appetite for breakfast; now I'm losing it for lunch."
"The kitchen outlet can be locked either from the kitchen side or the elevator side," Johnny suggested.
"So?" Jimmy Rogers began, and then his eyes narrowed. "Then whatever floor that elevator is on now is where the guy got off?"
"If he used it," Johnny amended. "And if he was cute enough not to get off at his own floor you won't have lowered the odds a nickel's worth."
"Give me your keys," Detective Rogers said briskly. "I'd like to start lowering the odds around here even a little bit."
"I have mine," Ronald Frederick said interestedly, and produced them from a pocket of his robe. "May I accompany you?"
"You two go ahead," Johnny told them. "I haven't checked the front in an hour." He watched the oddly matched pair pause in the service door entrance to the again darkened kitchen while Rogers flipped on lights; when the door swung shut behind them, Johnny left the bar for the lobby. He glanced over at Sally's switchboard; and regretted it immediately; she beckoned imperiously, but he shook his head. Making a circle of thumb and forefinger of each hand, he lifted them to his eyes, and then pointed upward. Sally shook her head in a furious negative, but Johnny grinned at her and headed for the elevator.
As he started upward, he could hear the impatient, persistent ringing of the unanswered bell captain's phone.
If he was afraid of anything in this world, he was afraid of confinement. Johnny could feel his nostrils thinning in anticipatory rejection as he knelt before the heavy walnut desk in his own room and from the right hand bottom drawer removed flashlight, screwdriver, and icepick. On his way back to the door he could see in the mirror the hard line of his lips as he carefully patted bulging pockets to make sure he had forgotten nothing.
In the corridor he passed the exit door with its prim red overhead light, and stopped at the door beyond it with its neatly lettered metal sign, Maid. He opened this door, groped around behind the mops and the broom handles and removed a short stepladder whose bulk had effectively sealed the narrow opening behind it.
Johnny drew a deep breath, took a final look along the deserted corridor, and squeezed into the closet; he reached back a long arm and carefully closed the door upon himself. The warm, humid darkness closed in upon him, and he listened. Somewhere off to his right water dripped steadily, and the monotonous repetition set his teeth on edge.
He removed the flashlight from his hip pocket and experimented with its sharp finger of light upon the white plastered inner walls which enclosed him. He could feel the almost physical restraint of the tightly walled envelopment with its airless, fetid odor, and without giving himself time to think he inched sideways into the cramped passageway which would not admit the breadth of his shoulders.
Step by step he advanced, crabwise, feet always in the same relative position as he placed them carefully in the path delineated by the flashlight's slender beam upon the white walls which seemed now to stretch narrowly away before him to infinity. He pressed onward with body rigidly braced to withhold contact from the thin shell of plaster on either side of him.
Mentally he counted rooms in his slow progress, hoping he was keeping track correctly. He came to a stop finally, and ineffectually tried to shrug the clinging shirt from its moist contact with his neck and shoulders. He restored the flashlight to his pocket and removed the icepick. Selecting a spot head-high in the darkness which had again enveloped him, he gingerly inserted the point of the pick. Locking his wrist and arm solidly, he exerted a steady, unhurried forward and downward pressure as the needle point attacked the yielding plaster. Patiently he guided its fractional advance until a tiny jolt warned him of the breakthrough.
He removed the pick carefully, and a pinpoint of light rewarded him; he grunted softly as he applied his right eye to the minute aperture and tried to focus on the swirl of color in the room before him. A cream-colored wall reflected light so successfully that his eye watered involuntarily; he blinked it impatiently as he waited for his vision to adjust. The tiny peephole strained his sight intolerably; the left eye ached in sympathy with the staring right. Details of the room filtered through to him in agonizing flashes of recognition: the kneehole desk in its center, the small, neat bookcase in the corner, the imitation-leather easy chair, the partly opened door to the lighted bathroom beyond.
At least it was the right room; he removed himself from the aperture, and in the heat and darkness settled down to wait. He had needed the extra time to take up residence here within the walls before Ronald Frederick should return. Johnny had an increasing interest in the doings of Ronald Frederick.
The sound of a closing door alerted him; it might have come from anywhere in the sticky midnight which pressed in heavily upon him, but he was expecting a particular closed door. An inquiring eye at the peephole again at once disclosed the plum colored swirl of Ronald Frederick's robe as the little manager moved rapidly about the room. As the ache mounted behind Johnny's eye again from the intensity of his stare, the man he was watching broke off in his rapid movements and plopped down in the chair at the desk; Johnny barely had time to focus directly upon him before he leaned forward and picked up the phone. Johnny could see the thin lips moving, and he strained to hear, but a low, indistinguishable murmur was all that came through the plaster. In desperation he turned his head and applied his ear to his newly-manufactured listening post, and perspiration trickled down the back of his neck. He relaxed a little, then, because the clipped tones, though still indistinct, were understandable.
"---speak to Wilson---"
In the earpopping silence Johnny flicked water from the end of his nose. In these moments of aversion to the claustrophobia which gripped him, he had a recurring fantasy: he could feel the sweat which bathed him seeping down his body in tiny rivulets until it seemed to fill his shoes. He could feel it so vividly that involuntarily he flexed his toes. He tensed again as the blurred voice beyond the plaster continued. "---is Ronald Frederick. No, wait. Would I call if it were not an emergency? Never mind your surprise; I was surprised myself so spectacularly a few moments ago, sir, that it seems to me to quite alter the ---ah---terms of our contract."
Johnny tried to hold his breath, which seemed to him to be so loud that it impaired his hearing.
"---must be entirely unaware of the evening's activities, Mr. Wilson, when you can speak so urgently of caution?"
He could picture the thin-lipped, supercilious features hovering over the mouthpiece.
"---perfectly aware of our agreement, but hear me out.
Two men were killed on the premises here tonight, one of them an employee. I have not seen the other, but do you seriously question his identity?"
Again the enveloping silence as the saturated uniform molded itself to Johnny like a wet gunnysack.
"---do get the picture? Then I'm sure you'll agree that becoming involved in such a fiasco is a small world apart from supplying you with the bits of information you fancied? I personally feel so strongly about it that you shan't hear from me again."
A biting cramp settled in the calf of Johnny's left leg; he jammed the heel down hard to ease the knotted pressure.
"---have something to lose, sir. I shan't change my mind. I was a fool to listen to you originally."
Awkwardly Johnny lifted the leg and dug at the cramp with iron fingers.
"---sorry. Kindly don't bother to call again."
The finality of the tone straightened Johnny up; in the darkness he felt all turned around, but with fingertips lightly on the plaster to guide himself, he exchanged ear for eye in time to hazily frame the little manager in the peephole again as he sat slumped forward in his chair at the desk. Johnny's eyes stung from the perspiration, and he sleeved them roughly. Vision was playing tricks on him now; in the inky blackness great white lights roared up and silently assaulted his retinas, and nausea was a cold, balled fist in his middle.
Enough was enough; he'd heard more than he had had any licence to expect. With painful deliberation he wormed his way backward out of the cavern whose walls seemed to press in more tightly upon him by the moment, pausing only to use the flashlight to prompt the positioning of his feet.
He noted wryly upon reaching his starting point that the comparatively cramped confines of the maid's closet felt like a ballroom after the constricting embrace of the passageway between the walls, and in the first instant of light, air, and space in the outside corridor he felt like a grain of sand on the beach.
He blinked at the light in the corridor, hurriedly replaced the ladder in its accustomed spot, and thankfully closed the door. On the way to his room only two things were in his mind: he had to call Sally and find out whom Ronald Frederick had called, and he had to get out of this uniform and under the shower.
With his own door closed behind him he pulled his cigarettes from his breast pocket, then smashed the sodden pack against the wall in disgust. His throat felt parched, and his stomach uneasy; he stripped quickly, balling the soggy uniform trousers and jacket tightly and flinging them into the open closet on his way to the shower, but his impatience detoured him to the phone. "Sally?"
"Oh, Johnny---! Where've you been?"
"In the woodwork."
"Isn't it terrible about Dutch?"
He could picture the thin, white face whose lips seemed always to turn blue in moments of stress, and he shook his head. "Don't take it so big, kid. He was an old man."
"But he was alive an hour ago!"
He tried to keep the impatience from his tone. "He was an old man, Sally. He'd seen it all. And he went quick. A lot of us might like to go as quick some day." He could hear the sibilant sounds as she sniffled into the operator's mouthpiece. "Pull yourself together, ma. There's something I want to know."
"Y-yes---?"
"Who did Freddie call just now?"
"Freddie? He hasn't made any c-calls."
"For God's sake, I heard him make it! Ten minutes ago, maybe. No longer."
"He hasn't called anyone. Not from his room, anyway."
He removed the receiver from his ear and stared at it questioningly before replacing it with a shrug. "So you blew one, ma. Forget it. You're a little shook. It's not the end of the world."
"I didn't blow anything! He hasn't called a s-soul!"
He could hear the rising hysteria in her voice, and he made his own soothing. "Sure, sure, ma. Forget it. I musta blown a fuse up here. I'm gonna lie down for a few minutes after I shower. Tell Paul to call me if he needs me." He hung up the phone and stared at the far wall, finger and thumb tugging absentmindedly at an ear lobe. "Now who in the hell could he have called?" He shrugged again. "Tough break. It's for sure the kid don't miss many."
He worried it around under the steaming hot water, and after a cold rinse emerged no nearer a solution. He slid into fresh underwear, and glanced at his watch on the bureau; scarcely more than an hour since he had stood in the alley and watched the lights come on in the kitchen far down the side of the building.
Max was gone, and Dutch was gone, and Dumas---if that was his name---was gone, all violently, and judging from their temper the police knew little more than he did. Johnny ran a comb through thick, damp hair; it was just about time that a thread frazzled somewhere on the fringe and gave a man something he could follow up to the counterpane.
He sat down on the edge of the bed and tried to divorce his mind from his still queasy stomach. He opened a drawer and looked in at a carton of cigarettes, changed his mind, and closed the drawer again. He went back into the bathroom and wrung out a towel in cold water, returned to the bed, stretched out, and placed it over his eyes. Deliberately he tried to make his mind a blank; he tried to withdraw physically from the painful hammering just behind his eyes.
The phone woke him. Bright sunlight poured in the room as he sat up with a start, and he blinked as he reached for it. "Yeah?"
"It's Sally."
"Christ." Unbelievingly he looked at the sun. "You still downstairs?"
"I'm at the apartment. It's noontime."
"Noontime! Man, was that ever a blackout---"
"I sent Paul up to look at you. He said you were sound asleep, so I told him to leave you alone. He didn't have any trouble the balance of the shift."
"You callin' for anything special?"
"Well, you wanted to know about anything that looked even a little bit unusual---"
"So what's unusual?"
"Well, we wouldn't notice it on our shift, but Myrna mentioned when I relieved her last night that 1224 has had every meal in her room since she checked in three days ago."
"Sick, probably."
"Myrna says not. I looked at the registry card, and she's a Mrs. Carl Muller, from Bremerhaven, Germany."
Johnny frowned. "Could be something, at that You did right to call me. I'll probably be by the place in an hour or so, ma. Put some beer in the refrigerator, huh? See you soon."
He swung his legs off the bed to the floor and stood up. His eyes were as gritty as though they had been well sanded, but outside of that he felt fine. He dropped to the floor and did a dozen pushups, then went into the bathroom and shaved. He dressed leisurely; he couldn't remember the last time he had been up this early in the day. He felt good.
He rode the main elevator down to the lobby and walked back through the bar to the kitchen, returning to normal after the luncheon rush. He waved to Hans, the first cook, standing to the left of the big range, a tall man with a perpetually sour expression. "Have someone throw a few eggs in a skillet for me, Hans? 'N a handful of home fries."
Johnny drew a big mug of steaming coffee from the big urn and carried it over to the butcher's block in the corner which he always used as a table. He upended a ginger ale case for a seat, and seated himself as Hans himself silently placed on the block a platter containing a half dozen eggs sunnyside up and a heaping mound of potatoes.
"Thanks, Hans." Johnny sugared his black coffee liberally, and looked up at the tall man standing beside him, and at the look on Hans's face he remembered. "Oh. Last night." Johnny shook his head. "Rough. Police talk to you yet?"
"They were here this morning." Displeasure wrinkled Hans's brow. "They don't know any more than I do."
"They got a way of worrying things till they come up with an answer. Freddie say anything? He going to give you a shot at the job?"
"I am to talk to him this afternoon. I certainly hope---"
"Possession is nine points of the law," Johnny reminded him. "You're on the ground, and you're producin'. That's the main thing."
Hans shrugged, not too cheerfully, and walked away to supervise a boy cleaning the interior of a small refrigerator. Johnny attacked his eggs. One thing about a kitchen run by Dutch and Hans, he mused: the sauces and the relishes might have a little less tang or brio than in a French kitchen, but damn if you couldn't literally eat off the floor. Cleanliness came even before godliness with these people.
He ate steadily, only an occasional twinge in his jaw reminding him of the skirmish of two evenings ago. He lingered over his coffee, then looked up and around for Hans as the memory of Sally's telephone call came to him. "Hans!"
"Yes?"
"Who's rushin' the trays upstairs these days?"
"Richie Gordon."
"He around?"
"In the boiler room, probably. He always is."
Johnny finished his coffee, stacked his dishes and carried them over to the rack. He re-crossed the long room to the rear, opened the massive fire door and descended the spiral metal staircase to the storeroom below. He threaded his way through the narrow passageway created by the high piled cases of canned goods on either side and approached a huge door heavily padded with asbestos. The door opened outward as Johnny reached for it, and he peered through the gloom dispelled scarcely at all by the widespaced naked light bulbs. "Eddie? Richie in there?"
White teeth shone in the dark face, but the rich voice was disconsolate. "He shuah is, Mist' Johnny. Him an' all the money."
The heavy door creaked shut behind Johnny as he stepped inside and joined the tightknit kneeling semicircle. A slim, uniformed youngster with the face of a choir boy was speaking earnestly to the medium-sized green dice he held in his hand. "---one's for the coach and carriage, children ... hit it quick for papa, and we're over the hill and far away. Little big ol' natural comin' up... I can feel it... I can feel it jus' as plain---"
"That's what she said," a basso profundo growled from his audience. "Throw the damn dice, Richie."
The boy's arm swung forward, and the dice clanked off the furnace front, spun dizzily, and stopped, and the boy leaped into the air, straight as an arrow. "Eleven! Nice little dice---"
Heavy breathing and disgusted mutters drifted upward; green money fluttered downward, and Fred, the day bartender, straightened stiffly and backed out of the circle, shaking his head ruefully as he caught Johnny's eye. "Ain't that kid somethin'?"
"You boys are missing a bet, Fred. The kid's lucky. You ought to make up a pot and take him around to a real game. He ties a few passes together there, you guys'll have had a good season, and God knows seems like every time I walk in here he's either puttin' on a hand or just finished one.
"Maybe you're right, at that. He's sure enough got us all working for him here. You'd think this game was a benefit. We'll play hell gettin' our money back from him, the way he's goin'."
The boy rubbed the dice briskly on his sleeve, speaking to them as equals. "---whisper to me one time, now, and we burn down the grandstand... comin' up, comin' out, comin' out, comin' up... one time now... hah!"
He rolled a nine, and made it right back; threw a four, and rolled interminably before taking down the money with two deuces; rolled a seven; rolled an eleven, and sevened out looking for an eight. The circle around him was decimated; silent figures on their knees glumly watched the boy stuff loose bills in his pockets, and the dice lay idle on the floor. The spirit, as well as the money, was gone from the game.
Johnny caught the boy's eye. "Got a minute, Richie?"
"Sure thing, John."
Johnny led him into a corner, and looked down into the precociously wise hazel eyes in the young face. "1224, Rich."
The boy made a wry face. "Not a dime." \*
"Not for three a day?"
"Notfornothin'."
"She sick?"
"Naah."
"What's she look like?"
Richie's arm made a sweeping gesture. "Like a million more middle-aged dames. Kinda gray, kinda mousey---"
"I might make that run for you tonight, kid. Or tomorrow."
The hazel eyes examined Johnny thoughtfully. "Now that'd be a brand change, for sure."
"Let it be my problem, huh? If you think I'm around, give me a buzz upstairs."
Richie shrugged. "Be my guest. I still think---"
"Your career's not in thinkin', kid."
Richie smiled, bent swiftly, and picked up the dice. "Little head-to-head, John?"
"Not with you, Rich. I believe you."
On the way back upstairs he remembered that he had told Sally he would come up by the apartment. His pace quickened a little; it seemed like a better idea now than when he had first thought of it. He whistled tunelessly as he ran up the metal stairway.
Johnny lay on his back in tee shirt and shorts in the wide bed in the pocket-sized apartment, and through the big double door watched Sally's slipclad figure at the ironing board in the kitchenette. He tried to drain the last of a can of beer without lifting his head from the pillow, and half sat up abruptly as a thin trickle ran down his chin onto his chest.
"Slob!" Sally jeered. "Hey! Don't you dare use that pillow case for a bar rag! Here!"
He caught the freshly ironed handkerchief she threw him, and mopped himself off. He stretched out again, bare feet digging luxuriously into the sheet. "Thanks, ma. I'll get around to puttin' you on the payroll next week. Any more beer in the box?"
"Did you leave any? I'll look soon's I finish this blouse."
Idly his glance followed the slender figure manipulating the iron, the thin white shoulders dipping and swaying as she moved the lace-edged blouse around the board. "By God, you're a slat, kid. I'll bet seven to ten I can spit right through you."
"I'll take that bet," she said placidly, and then backed away from her ironing as Johnny sat up suddenly. "Johnny! No! Don't you dare, Johnny Killain!"
"Whattya mean, 'Don't you dare!'" he queried as he came off the bed in a smooth flowing rush and charged the doorway. "Didn't you take the bet?"
"No!" Sally cried, and fled the kitchenette with Johnny a noiseless barefooted stride behind. Blindly she circled a chair in the living room, panting with helpless laughter, only to be engulfed as he put one foot in the center cushion and bounded clear over the back to scoop her up in his arms and bear her in triumph back to the bed. She squealed as he held her head high over the bed and dropped her, and the squeal changed to a squeak as the big arms caught her on the first bounce and squeezed her.
"How anything ... as big as you can... move so fast?" she murmured breathlessly as he dropped down beside her.
"Developed it runnin' from women."
She hooted and drove a sharp-knuckled little fist just below his rib cage, and he leaned up over her and pinioned both thrashing small hands in one of his. He ran his free hand lightly over the ever so slightly rounded stomach, and a long shiver ran through the slim body. He looked down at her quizzically. "Where's all the fight gone now, ma?"
"Stop it!" she protested, but it was a weak protest; her color had flared high. He slid her closer to him, then rolled over on his back, threw an arm under his head and stared up at the ceiling.
"You know this Myrna on the board days, ma?" he broke the cosy silence after a moment.
"Yes?"
He turned his head on the pillow to see her face. "I mean... Do you know her? Know her at all?"
"I know her very well."
"I don't mean like knowin' someone works the opposite shift from you. I got a reason for asking."
"I said very well, didn't I? She used to live with me."
"She did? I never knew that. Where?"
"Right here. Till just before you decided you wanted to play house."
Johnny stared, then rolled slowly toward her. "You mean she had this place with you, and you busted her out to make room for me?"
Sally smiled up at him. "Johnny, you child. Do you think only the men have a union in the war between the sexes? Myrna's a realist. Neither she nor I is the type to be cut in on every dance at the senior prom; far from it. So when she began to think from watching you that you were beginning to get ideas about me, she suggested that she step out and give me a little elbow room. Greater love hath no woman ... for another."
He whistled shrilly through his teeth. "By God, it's against the articles of war. Sherman didn't know the half of it. Wait'll the next time I get hold of one of these free-will advocates. It's a cinch that crowd never run up against a coupla ninety five pound designin' females." He grinned suddenly, and dropped back on the pillow.
"Why did you say you had a reason for asking, Johnny?"
He frowned, and his eyes returned to the ceiling. "I need a stakeout on that board on her four-to-twelve shift." He raised up to look down at Sally again. "You figure she's safe, then? I can ask her to do a little business with us?" He watched Sally's pursed lip hesitation. "What's the matter?"
"Well... she thinks a little... oddly."
"Like what?" he demanded.
"She's... well, money conscious. She's ... oh, stop pinning me down!" A clear, bright color invaded the thin features. "Let's just say she thinks like an adding machine."
He stared down at her. "Let's just say instead that her practical nature moved her out of here so I could keep you in befittin' style? That she couldn't see you passing up this golden---"
"Johnny!"
"Well?"
She refused to look at him. "She thinks like that, that's all. And if she thought there were any money connected with anything like that you asked her to do at the hotel---"
Johnny grimaced. "Rembrandt couldn't give me a better picture, ma. I sure as hell don't want her shoppin' around for a higher bidder. Still, I need her so bad I'll just have to figure an angle." He stared at the wall behind her, lost in thought.
"Johnny---"
He looked down suddenly at the timidity in the soft voice.
"Johnny---"
"---you don't think I'm... that I feel---"
In a swooping lunge his arms burrowed beneath her, circled, and tightened, and her breath whuffed from her lungs. "Hell, ma, you haven't got brains enough to feel like that." He buried his face in the little hollow between the slim neck and the slightly angular shoulder, and she squirmed.
"Your breath tickles!" He lipped at her neck, and she stiffened. "Johnny! I don't want to have to wear a high-necked collar in all this heat!" When she felt his purposeful movement she placed a palm against the big chest. "Let me up first. The door's unlocked."
Reluctantly he let her go, and she slid off the bed; her voice drifted back to him from the other room. "Mrs. Hogan told me they're taking up some kind of a collection in the neighborhood. There was a knock on the door just before you came, but there wasn't anyone there when I opened it. They'll be back, though."
She dropped back down on the bed beside him, and he reached for the slim body, the bass voice a buzzing vibrancy. "Put this on the collection plate, ma."
He was just out of the shower when he heard Sally's voice at the bathroom door. "I think that's the collectors at the door now. Don't come out unless you're decent."
At the mirror he ran a hand over his chin and decided against shaving. Have to shave again before he went on duty anyway. You need a haircut, too, he told the face in the mirror. You've got time for everything but that.
He became conscious of the hum of a masculine voice carrying through the bathroom door. He couldn't hear Sally replying. He smiled; must be a good man out there if he could keep Sally from getting a word in for herself. Still, collectors. If they couldn't talk, what could---?
A Neanderthalic sub-current stirred the short hairs on the back of his neck, and his scalp tightened. Sally---
He gave himself no time to think; he snatched up the wet towel and knotted it around his waist, and quietly opened the bathroom door. He couldn't see the apartment door, but he could see Sally. She was backed out into the center of the living room, eyes enormous, and with her clenched knuckles pressed tightly to her lips. He could hear plainly now the snarling cadence.
"---big bastard to keep his nose where it belongs. The boss don't like it, and I got a word or two for him myself. We aren't fooling. You get him off the grass he's on, or we're comin' after the pair of you. You tell him---"
Johnny had crossed the bedroom and appeared soundlessly in the doorway. Sally's expression froze at the sight of him, and the redheaded man from the street scene of two evenings ago whirled to face the doorway. He stood just inside the partly ajar apartment door, a hand on its knob, the other hand deep inside a jacket pocket.
"Why don't you tell him yourself, Eddie?" Johnny inquired softly, and dropped his hands to the top of the straightback chair just inside the living room.
The red-haired man stared morosely, obviously reviewing his orders. "Don't push your luck, mister. If I had my way I'd grease the chute for you right this minute. Don't you get any---"
His right arm relaxed and dropped to his side, and in one fluid motion Johnny picked up the chair upon which his hands rested and with every ounce of strength in his body slammed it across the room in the direction of the red-haired man. Sally's choked scream coincided with Eddie's instinctive snatch at the doorknob in his hand as the dark blur of the chair flew at him knee high, and the door flared out like a bullfighter's muleta and caught and deflected the chair to the wall. It splintered itself with a shocking crash, and plaster flew in a powdery haze.
Johnny's barefooted follow-up rush foundered on the throw rug just inside the door which dropped him heavily. From his knees he struggled upright, the drumming sound of running feet echoing in his ears.
"Johnny! You can't chase him like that---!"
From the door he looked down at his loincloth and bare feet, hesitated, and then returned to Sally still in the room's center. He put his arm around her; he could feel the trembling of her body through the thin robe, and after a moment he picked her up and sat down on the couch with her on his lap. She clung to him tightly, but in a little while the trembling stopped. "That's better, ma. You all right?"
She nodded. Tears flooded the brown eyes and spilled over. "I thought he was going to s-shoot you," she whispered. "He came in with the gun in his h-hand---"
"He didn't even know I was here, Sally. The whole show was supposed to scare you into callin' me off. It takes a certain kind of adrenalin to use a gun in the daylight, and besides, you could see he wasn't told to go that far. I'll tell you one thing---I don't care if it takes a .30-30 at a thousand yards, I'll sicken that little rat the next time I lay eyes on him."
"You don't like guns, you s-said," Sally sniffled, and he smiled down at her. "For him I'd make an exception. You sure you're all right?"
"Yes." Her voice strengthened, then rose in alarm as he lifted her up and set her on her feet. "Where are you going?"
"Over to see Joe Dameron."
She followed him into the bedroom. "Why? I thought you didn't like him?"
"I can get along with him." He skimmed into his clothes, fixing Sally with a hard eye. "Listen. New ground rules around here. Door stays locked all the time. You don't open it till you see who it is out there. That's what they put the one way glass in for. Think you can remember that?"
She nodded. "Will you be gone long?"
"Can't tell. I'll see you at work tonight, anyway."
"Johnny, please be careful---"
"Sure, ma. Sure." He finished dressing with Sally forlornly trailing him around the apartment; he left hurriedly before she could tie him up in further conversation. On the street he whistled for a cab going in the opposite direction, and it made a sweepingly illegal U-turn and came back and picked him up.
At the precinct stationhouse he ran up the worn white stone steps of the old red brick building and nodded to the incurious uniform at the door. Inside he turned left on oil-darkened wooden floors and walked down a narrow passageway that widened into a large room whose front section was taken up by a massive desk, head high. Johnny returned the inquisitive stare of the white-haired figure enthroned behind the desk.
"Yis?"
"Lieutenant Dameron."
"And who wants to see him?"
"Killain."
"What about?"
"The lieutenant might tell you if you asked him."
Thin lips tightened as the old man picked up the phone. "Sweeney, Lieutenant. A fresh moose by the name of Killain says---" He broke off to listen, leaned forward in his chair, and replaced the phone silently. "Inside. Second door on the left."
He knocked on the second door on the left, and a chair scraped noisily inside and a bolt snicked back in the lock before Jimmy Rogers opened the door. Johnny stood on the threshold and looked in at the blackboard walls and the battered desk and mismatched chairs. A single desk lamp illuminated the gloomy room.
"Come in, come in!" Lieutenant Dameron barked irritatedly from the interior shadows, the big body sprawled loosely in a swivel desk chair. He beckoned with the half-filled glass in his hand.
"You boys afraid of a raid?"
A chair was kicked in his general direction. "Don't like to be interrupted when I'm drinking. I've given the dear taxpayers their dollar's worth today." The red-faced man nodded to the chair. "Park it."
Johnny remained standing. From the looks of the half-empty bottle on the desk and the overflowing ashtrays this war council had been a lengthy one. "I came by to see if your offer to sign up was still good, Joe."
Lieutenant Dameron set down his glass and leaned forward over his desk to look at Johnny more closely. "You're serious?"
"Yeah."
A five second pause. "Say please."
Johnny focused his eyes on a point two and a half feet over the lieutenant's head. "Please."
Lieutenant Dameron grunted in surprise. "Down on your knees, Jimmy. The world is positively coming to an end within the next twenty minutes, I'd say." He leaned back in his chair, picked up his glass, and took a swallow from it. "I'm a little curious over this switch."
Johnny remained silent, and the frosty gray eyes studied him carefully above the rim of the glass before switching to the watching Detective Rogers.
"Jimmy? What do you think?"
"He's already given us about all we have to date, if you look at it one way," the sandyhaired man said mildly. "And knowing him, I don't think he'd walk in like this empty-handed." He grinned at Johnny. "Course, as to why, that's your problem, Lieutenant. I imagine you'll get the due-bill later."
The gray eyes came back to Johnny. "All right," the lieutenant said suddenly. "Against my better judgment, but all right. We've been sitting here getting knots on our head. You got anything for the pot?"
"I've got a candidate good for a laugh, anyway."
"I could stand a good laugh right about now."
"I think it's Fearless Freddie."
"Freddie? You mean the manager, Frederick? Is he the one you were hinting at the other night when you called me and asked me if I'd checked out the help?"
"He's the one. I got to admit he's not much of a candidate, for looks."
The ruddyfaced man tipped back in his chair, forehead creased. "You can play that contract vulnerable, redoubled. Still... Jimmy, what did we turn up on him?"
Detective Rogers spread his hands widely. "Almost nothing, literally. Hotelman all his working life, never in any trouble, unless you call a divorce trouble. I went through his folder from end to end."
"You got a picture in that folder?"
Lieutenant Dameron's eyes swiveled from Johnny to Rogers and back again.
"No picture," the slender man admitted.
The lieutenant's voice was mild. "You think we should have a picture, Johnny?"
"I'll tell you why I think so. This week there was a guest at the hotel who knew Ronald Frederick when he managed a hotel in the south. She went by the office and sent her name in, but he was too busy to see her, even to say hello."
Jimmy Rogers shifted in his chair. "So we could have a bogus Frederick? I'd have to say possible---"
"---but not probable," Johnny finished. "I know."
Lieutenant Dameron's heavy voice broke the little silence. "Do you have anything substantial on him, Johnny?"
"I know he got his feet wet. After the fracas in the kitchen the other night, I followed him upstairs and listened in on him. He was shook, but good. He called someone and resigned from the human race, most especially from the information furnishin' branch of it."
"Maybe we're getting somewhere," Lieutenant Dameron said thoughtfully. "Any chance he made you listening in?"
"No way he could."
"Who'd he call?"
"Didn't mention names," Johnny said. "I had the switchboard alerted, but the gal missed it somehow."
"Why did you call me that night asking if I'd checked on him?"
"Because after he'd listened to you buildin' me up in his office that afternoon, he popped up to my room on the late shift and bummed me for a drink. He sat in my place and apologized almost on his knees for taking me strictly for an oversized rigidity before on the strength of what he'd heard around the hotel. He asked about four dozen questions, gave every sign of a man about to hurdle the gap with some kind of proposition, and then said goodnight and tiptoed down the hall."
Johnny looked around for the chair he had ignored originally and sat down in it. He looked from one to the other of his silent audience. "There's one more thing. When he backed off that night on the proposition---if he ever actually was goin' to make one---it figured that if he was in the chain of command he'd turn in a bad report card on me, in which case I was due to hear a noise." He smiled and leveled a finger at the lieutenant. "I came out of the phone booth after callin' you, Joe, which wasn't ten minutes after that happened, and I was spread all over the sidewalk. So did he have a goon squad in his pocket waitin' for me? Or didn't he have anything to do with it at all? I haven't been able to make up my mind."
The lieutenant nodded slowly. "I heard about that sidewalk caper, second or third hand. Fact is, I had a little talk with the party who thought two or three whacks with a gun butt would stop your clock, even temporarily."
"It damn near did, mister. I thought his friends got him away."
"They did, but the doc they took him to got palpitations. He didn't report it officially, you understand, but he reported it."
"You got 'em everywhere, haven't you, Joe?"
"You were spread all over the sidewalk."
"Yeah. I almost quit on Freddie then, because my first reaction was that it happened too quick for him to have had much of anything to do with it. I'll admit, Joe, for a while I thought he might be your original walkie-talkie."
"My original walkie-talkie seems to have dismaterialized."
"Permanently?"
"No body. Yet."
"Cement takes care of that."
"It does. I think, though, that someone, scared him."
"Seems to be a well organized crowd, Joe."
"Too damn well organized. That's why I can't see Frederick. He doesn't look like he could organize the ladies' aid society."
Johnny shrugged. "Getting back to the story, Joe, there was a little sequel this afternoon to the sidewalk caper the other night." His glance fixed itself on the red-faced man behind the desk. "The partner of the guy you talked to showed up at the apartment of Sally Fontaine, the night telephone operator at the hotel. Somebody had sent him to scare her into tellin' me to lay off. I happened to be there, which was a big surprise to him. When I busted in on the conversation, he started to go for a gun and changed his mind. I missed him from across the room with a chair, and he took off."
Lieutenant Dameron was sitting up straight in his chair. "I know that I predicted it, but you surely are getting a lot of attention from these people. They seem to have you taped pretty damn well, which of course brings us back to Frederick." His fingers drummed impatiently on the desk top. "I still can't---" He shook his head.
"If it isn't classified, Joe, what'd you find out about the one Dutch got with the cleaver?"
Jimmy Rogers spoke up after glancing at the lieutenant. "A hired gun from the west coast. Frenchie Dumas."
"Usin' his own name, too; they're not bashful. Any tie-in?"
"Not on the surface."
Lieutenant Dameron cleared his throat heavily. "This Frederick character. Where'd he work last before this job, Jimmy?"
The sandyhaired man blew out his breath sharply. "'Frisco." The silence lengthened, and he rose briskly. "I'll get the wheels turning on that picture of Frederick."
"It'll put him in or out," the lieutenant agreed. "I'd like to know." He looked over at Johnny as the door closed behind Rogers. "Maybe you've got something. Maybe."
Johnny looked down at his hands. "I want you to do me a favor, Joe. Charge it off to that due-bill Jimmy mentioned."
The gray eyes studied him. "I'm listening."
"Stake out a man on that apartment, Joe. I can't be there all the time."
It was the lieutenant's turn to look down at his hands. "I won't say you haven't got a point." He frowned, picked up the bottle, and poured a half inch into his glass. "Write out the address for me before you leave. It's only the taxpayers' money."
"Thanks, Joe."
"That leaves me with the due-bill. I'll be presenting it. You going back to the hotel?"
"Yeah. How long'll it take Jimmy to get that picture?"
"Twenty-four hours, if he's lucky. Write your own ticket, if he's not."
"Yeah." Johnny stood up. "Throw the dice, the losers say. Come on over to our happy home when you run out of things to do, Joe."
Outside it had started to rain; he turned up his collar and walked down the white stone steps. All the cabs that approached him were full; he shrugged and lengthened his stride as he set off for the hotel.
The dim lights in the single open section of the long bar in the Villa Nueva struggled ineffectually with the pale rays of the late afternoon daylight slanting through the port hole window as Johnny entered. On the deserted looking bandstand the instruments lay sheathed in their canvas covers, and the persistently stale aroma of last night's cigarette smoke hung in the air. Johnny sat down on a middle stool and contemplated the bartender's back and the double reflection of artificial and natural light from the oddly shaped bottles on the back bar.
"I'll have the usual, Dave."
Dave Warren looked up from his preoccupied glass-washing, a smile breaking out on his sallow face. "Johnny! Am I ever glad to see you." He advanced purposefully to the center of the bar, drying his hands on his apron. "C'mon and take a little walk with me."
"Walk? I came in to sit, boy. And drink."
"C'mon and take a look at someone who had the same idea first."
"I don't give a damn about any drunks you might have tucked away in a back booth, Dave."
"You might give a damn about this one."
"Shirley?"
"In the flesh. In the very, very sloppy flesh."
Johnny silently slid off his stool and followed the white-shirted Dave to the booth in the farthest corner of the empty club. The tiny booth light shone faintly on the dark girl who was sprawled over the booth table with her head down on her arms. She was dressed in a rainbow hued harlequin shirt and gold toreador pants, both of which trimly enhanced the superlative figure. She had scuffed, dirty sneakers on her feet and filigreed bronzed hoops in her ears, and the nearer hand on the table top was so tightly clenched the knuckles glistened.
Johnny turned to Dave. "She get loaded here?"
"Some," the bartender admitted. His voice rose plaintively. "What the hell could I do? She had a skillful when she got here, but I didn't wise up in time. Then when I tried to shut her off, she got nasty. Threatened to yell the walls down. Started in to do it a couple of times, too, when I was a little slow refilling her glass. Can you get her out of here, Johnny? I hate to ask you, but if the boss should ever see her like this---"
Johnny stared down at the girl in the booth. "I'll get her out of here."
"Geez, would you?" Relief beamed in Dave's round face, followed by doubt. "She won't go easy, though. She's been like this for a week. Not drunk... that's something new. Nasty. Starting to take it out on the customers, too. The old man said something to her about it the other night, and damn if she didn't take out after him, too. It don't make for longevity on the payroll, Johnny."
Johnny nodded in agreement. "Get a cab around to the back door, Dave."
"She says she won't go till she's damn good and ready," Dave warned him anxiously. "She's meaner than a snake right now."
"You get the cab," Johnny told him. "She'll go."
He reached down and tapped a rainbow hued shoulder and the shoulder twitched rebelliously. "Lea' me alone, Dave." Johnny tapped the shoulder again, and the dark head came up from the forearms with what would have been a snap if her reflexes had been better, and Johnny noticed that the cameo-like quality of the usually flawless pale features under the jet black hair was marred by a puffiness around the eyes.
She had difficulty in focusing on him, and when she did the beautiful mouth twisted. "Th' boy scou'," she said thickly. "Ged the hell oudda here."
"On your feet, Shirl. I'm takin' you home."
The red-lipped mouth did a reverse twist. "You're not taking me anywhere, you... you buff'lo. You get away from me." The voice rose harshly. "Or I'll scream... like THIS---!" Beside Johnny, Dave winced visibly as she filled her lungs; almost casually Johnny took the nape of her neck between a thumb and forefinger, and the dark girl fell over sideways in the booth.
"Jesus!" Dave said in an awed tone, roundeyed. "What the hell was that?"
"Nerve-end pressure," Johnny said impatiently. "Will you for God's sake get that cab around here?"
"Yeah. Sure. Right away." Dave bustled off to the front, turning once to look back curiously. Johnny sat down across from Shirley's limp figure, lit a cigarette, and waited. After a moment he reached across the table and took hold of a wrist; he pushed the long sleeve of the harlequin shirt well up above the dark girl's elbow, and carefully inspected the smooth flesh of the inner arm as far as he could see. Disappointed, he released the wrist and took up the other one, pushed back the sleeve, inspected the arm, and thoughtfully released it. The wrist watch caught his eye; he removed it, turned it over and held it up to the light while he impassively read the inscription, and restored it to the wrist.
The door behind him opened, and over his shoulder he could see Dave's white shirt and the cabbie's cap. He stubbed out his cigarette, rose, lifted the girl from the booth and carried her to the door.
"I explained to him," Dave was saying unnecessarily as Johnny stepped down with his burden and maneuvered into the back seat of the cab.
"Doesn't need much explanation," the cabbie said sourly. He was an elderly man with a pinched face; he slid back under the wheel, obviously glad he didn't have to help.
"She lives at the Hotel Francis on 48th," Dave volunteered. "Thanks a million, Johnny. I couldn't have handled it."
Johnny nodded; as the cab pulled away across Broadway and Seventh Avenue he leaned forward. "Never mind that Hotel Francis, Mac. Go on over to the first block of East 65th."
The cab slowed immediately; Johnny could see the driver watching him in the rear view mirror. "I'd have to hear her say that, mister. That's a good-looking girl. I know Dave, but I don't know you. I'm not getting mixed up in any white slave---"
"Will you shut it off?" Johnny demanded wearily. "Take me there; you can come back with the cops later."
"Well---" Despite the reluctance in the cabbie's tone the cab turned right on Eighth and sped north; Johnny fumbled Shirley's purse out of her bag and looked for her keys. He was going through the contents for the second time when he realized that she had the apartment key clipped on with the Hotel Francis key. He slipped the keys in his shirt pocket, and returned the purse to the bag, and as if it were a signal Shirley stirred on the seat beside him and lifted her head. She looked around dazedly.
"Wha' happened?"
"You passed out," Johnny told her.
"Oh." She closed her eyes again, and the cabbie spoke quickly.
"Where you want to go, lady?"
The eyes opened, but they didn't see him. "Home," Shirley said promptly. "Feel awful." The eyes closed positively.
"Well, look, lady---" The cab slowed again as the driver turned to look at the again comatose Shirley. He bristled as he felt Johnny's eyes on him. "Look, Jack... you don't like the way I'm doing this maybe you'd like to walk the rest of the way? I---"
Johnny's voice cut across his like a razor. "I've had a hard day, Mac. You expect to enjoy your meal tonight, you get over to East 65th, and fast."
The cabbie muttered under his breath, but the cab accelerated. They rode in silence until they entered the block, and Johnny leaned over and shook Shirley awake. "Can you walk?"
"Certain'y I c'n walk," she said indignantly, but made no effort to prove it as Johnny paid the disapproving driver. When he had helped her onto the sidewalk, however, she didn't do badly with the assistance of his hand beneath her elbow, and in the elevator the bored operator took no more than one look at them. They emerged in good order on the third floor, and Shirley's key in Johnny's hand admitted them. He snapped on the lights in the tiny hallway; he had been there before, but he looked again with fresh interest.
To the left of the hallway was a sunken living room with pastel love seats and kidney shaped glass tables. The heavy drapes were dove gray, and the carpeting and the ceiling a rich moss green. The massive fireplace extended up the wall where it formed itself into an oversized chimney festooned with hanging copper skillets and mugs. A mahogany baby grand crowded the nearer corner, and a strangely anachronistic grandfather clock stood sentinel at the far end of the room. On the upper level to the right a room that would have been a dining room if it had had a table was dominated by filled bookshelves around the walls and spindle-legged, sharply-angled ultra-modern chairs.
Shirley descended the two steps to the living room level with no more than a moderate stagger and made a beeline for the tiny portable bar. "Feel awful," she announced as she opened the cabinet. Johnny believed her; from his position a little above her he could see plainly the white face and the dark circles under the eyes. He opened his mouth to protest at the size of the drink she poured for herself and closed it again. A little more, or a little less... what difference? The tall girl threw back her head and drained the glass in three long swallows, and Johnny stirred himself. When that jolt hit her, he was going to need a place to put the body.
He knew that the bedroom was off the living room, but it took him a moment to find it. Some facet of Willie's outlook on life had made him insist that the bedroom be camouflaged; the door was a heavy-hinged affair set flush with the wall and covered with the same somber hunting scene wallpaper, so carefully blended that despite his prior knowledge Johnny was surprised when under his probing a section of the wall slid silently back, revealing the extremely feminine bedroom within.
He turned to Shirley; she was half on and half off a love seat, and she was fast losing the battle to retain her precarious balance. He caught her in mid-air as the whites of her eyes rolled up, and he carried her into the bedroom, transferred her dead weight to one arm and with the other stripped the satin coverlet from the huge bed. Despite her height and very respectable dimensions she looked lost when he placed her in its center.
He pulled out the pillows above her head to prop her in with so that she couldn't roll out, straightened, and looked down at her thoughtfully. After a moment he bent forward, delicately lifted an eyelid, and studied the eye carefully. He straightened again, and rubbed his chin; he sat down on the bed finally and purposefully repeated his barroom examination of the girl's arms, this time pushing the brightly colored sleeves up to her armpits. He shook his head, baffled, considered a moment, then stood up abruptly and in the manner of a man husking an ear of corn ripped and tore her out of the gold toreador pants in great, tearing handfuls.
And saw what he was searching for....
On the milky inner thigh and extending up into the lace on the pale blue fragile looking panties a cluster of tiny red dots broke the ivory surface; Johnny stared down at the unsymmetric pattern with a little shrinking feeling as the girl murmured something unintelligible and half-turned into the pillow bank. And anger and disgust boiled over, and he exploded a hard palm upon the pale blue fragility. A tiny bubble of sound floated up from the bed, and then silence.
Johnny strode out of the bedroom, and re-set the door flush with the wall. He turned out the lights, closed the apartment door behind him, and listened for the click of the lock. He avoided the elevator and headed for the stairs. On the three flights to the street his mind was a jumble, but two things pushed into the forefront... Willie Martin, and a white thigh with needle punctures. He set out for the hotel at a fast walk; he needed to think, and he thought better on his feet.
Johnny waited in the twelfth floor corridor until he heard Richie's shrill whistle as the boy stepped off the automatically piloted kitchen service elevator, and heard the whistle break off abruptly as Richie turned the corner and sighted him. "Hey! You were serious the other afternoon---"
Johnny lifted a corner of the napkin covering the tray Richie was carrying and studied the uninspired effort of an overworked kitchen crew. "I can see they miss Dutch already." He lifted the tray and balanced it aloft easily. "I'll leave your tip with Hans, Rich."
The boy snorted. "She hasn't sprung for a nickel yet. She tips you, I'll begin to believe a few of these stories I hear about you."
"Stories?"
"Bedtime stories." Richie smiled, opened his mouth to continue, and checked himself at some indefinable thing in Johnny's look. "Forget it," he said abruptly. "I got a big mouth." He drifted off down the corridor, turning once to look back, and Johnny smiled and walked the few steps to 1224.
He started to tap gently, and changed his mind; Richie would not tap gently. He hit the door four sharp raps with the ring on his right hand, and it opened a crack immediately. At sight of the tray it opened wider, and then as the occupant noticed his bulk it started to close again. The woman did her second double take when she verified the uniform, and he pushed past her indecision and strode briskly to the card table already set up in the room's center.
He deposited the tray on the far side of the table, and with easy familiarity he unrolled the silver from its napkin container and made the place setting. He filled a glass with icewater and placed a spare napkin under the sweating pitcher. He transferred the aluminum covered dishes from the tray, lifted the lids for a last minute check, tucked the unloaded tray under his arm, and with an indeterminate slight bow in the woman's direction drew back her chair for her to seat herself. He looked directly at her for the first time since he had entered the room, and she returned his look with grave interest.
"Thank you. The boy leaves everything and rushes off." Her English was more careful than accented, and she was not as old as Richie's description would have led him to believe. Forty five, possibly. She was tall and inclined to plumpness, and what had been dark hair was liberally streaked with gray. Her face was lined, but the remnants of what must once have been striking good looks were still evident, if you excepted the eyes. Johnny felt that he had seen eyes like that before: dead, with scarcely enough spark in them to betray a discernible emotion.
"It's his youth. We'll correct him."
"Not too harshly, I trust." She smiled as she spoke, and Johnny returned the smile. With a nod of his head he indicated the withdrawn chair, and he slipped it forward beneath her as she seated herself. She glanced back over her shoulder as she picked up her napkin. "You are from Europe?"
"I've been there. Not lately."
She nodded in satisfaction at a solved problem. "That is where you learned the European style of service."
"It's a different life. A different world."
"That is so, indeed." She looked down at her plate, and he turned to leave. At the door he could see that although she had not turned her head more than a few degrees she could observe him from the corner of her eye. He closed the door softly from the outside, pivoted, and almost bumped into Ronald Frederick. The manager sidestepped, murmured an apology and was three strides on past when second thought pulled him up short. He paused and turned.
"Johnny? In uniform? On this shift? And on room service?"
Johnny cursed his luck, and the tray under his arm. The chance of running into Freddie like this was infinitesimal, but here he was. "Just tradin' a couple hours with one of the kids."
Ronald Frederick stared. "Indeed? I'd scarcely have thought you felt it necessary."
"Owed the kid a favor." He tried to keep his voice light; he groped for a diversion. "Had a call from Joe Dameron today."
The little man smiled briefly. "I'm afraid we're not in the lieutenant's good graces. Too many unexplained---ah---- events."
"Joe figures to explain 'em. Had me looking at a million pictures. They identified the guy Dutch got, you know. Frenchy somethin'-or-other from the coast. Joe thought I might recognize someone I'd seen him with around here."
"But you didn't."
"That's right... I didn't."
"Of course I suppose I realized at least subconsciously that the police were still working on the---ah---homicides, but when there is so little surface activity---"
"Joe's a whittler and a bulldog. Don't underestimate him."
"I'm not inclined to. You're taking your regular shift?"
"Sure thing."
The manager nodded and turned to go. Whatever he had been given to ponder in the conversation did not prevent his quick but thorough scrutiny of the number of the room from which Johnny had emerged, and Johnny shook his head as he started in the opposite direction for the elevator. So much for the attempted diversion; a rearguard action was now indicated.
He dropped Richie's tray off in the kitchen and continued on through the huge room which was a beehive of controlled frenzy at the height of the dinner hour. He went out past the bar to the lobby and across to the telephone switchboard, where he interrupted Myrna's drowsy gum-chewing in the mealtime lull on the board.
In the light of Sally's warning he would have liked to have had a story ready with which to go up against this girl, but now there was no time. This one he would have to play by ear.
Myrna Hansen was a slender girl whose very ordinary features were dwarfed by large horn-rimmed glasses, and both features and glasses were dominated in turn by a tousled mop of orange-tinted hair. The eyes behind the horn rims were an indeterminate shade of blue, and set a little closely together, and they examined his uniform at first sleepily and then more alertly as she nodded to him. "You're quite a stranger, Johnny. Someone sick on this shift?"
"Tradin' a few hours. How you doin', sugarpuss?"
The thin mouth pursed itself appraisingly. "Skip the preliminaries, man. If you want something, say so."
Johnny changed gears. "Matter of fact, I do. I wanted to say thanks."
The glasses estimated him carefully. "Thanks? To me?"
"Yeah. Ma told me how you'd rolled out of the bunk to make room for me."
"Oh, that." She settled back in her chair. "She shouldn't have told you that. Sally's a little naive in a lot of ways."
"And you're not?"
She looked at him levelly. "That's right, Johnny. I'm not."
"I believe you," he grinned at her, "but regardless, I figure I owe you a little something. I like to pay my bills."
She sat there with the orange head under the headphone cocked suspiciously to one side, testing his voice for hidden inflections. "Am I supposed to ask how you'd like to pay this one?"
He shrugged. "You did me a favor, kid. I'd scratch your back for free when you gave me the word. You want a dress pressed? A cake baked? A car stolen? A church bombed? A man killed? Call Johnny. Service with a smile."
"I see." She looked up at him thoughtfully, started to say something, and changed her mind. When she did speak it was briskly. "I'll take it under advisement. Meantime, now that you've made your little speech, why did you really stop here?"
This time his grin was reluctant; this was a shrewd little witch. "That's the next order of business, but don't forget I meant what I said." He leaned forward over the railing. "In the next thirty minutes you're gonna get a call on the board here from outside." She watched him carefully as he spoke. "The caller is going to ask you about the atomic blonde dazzler in 1224."
Her eyes left his face to range the alphabetized room listing posted at the right of her switchboard, and her voice was flat and positive when she looked back at him. "1224's no atomic blonde dazzler."
"But you're goin' to say she is. You can send me the bill."
"I don't send bills," she said coolly. "I collect dividends."
Johnny had already made up his mind. He took a small notebook from his uniform breast pocket and handed it to her. "Scribble your name and address in here so I can add you to my Christmas list."
She took the notebook, hesitated, and handed it back to him. "You can write, can't you? Here's a pen."
Shrewd. Nothing in her own handwriting. He opened the notebook and reached for the pen. "Shoot."
She withdrew the pen. "On second thought, I don't believe I want my name and address in your little black book. I could be in bad company. You know where to find me. If and when it becomes dividend time, you can put it in a bushel basket, and leave it right here."
Johnny returned the notebook to his pocket. "It does simplify things, doesn't---"
The switchboard buzzed, and she held up a warning finger. "Good evening, Hotel Duarte. May I help you?" As she listened her head swung sharply from the board around to Johnny. "What room number was that again, please?" Slim fingers twisted the phone cord. "You know I'm not supposed to give out information like that, don't you? I could get in trouble." She leaned back in her chair so that she could watch Johnny's expression. "I'd have to know who was calling." A corner of the thin mouth quirked upward. "Well, I suppose if it's only idle curiosity... well, yes. That's right. Yes. Very striking. Yes." She reached for the key. "No. Blonde. Yes. You're welcome." She flipped the key and turned back to Johnny. "Well?"
"You played it like Bernhardt, kid."
"Don't I know that voice?" The thin girl frowned, trying to think. "He was disguising it, or trying to, but I'm sure---"
"Thanks for goin' along with the gag, Myrna. You'll be a little heavier when you leave at the end of your shift."
She nodded almost absently, but he could feel her eyes on him all the way over to the elevator. This girl was a twenty minute egg, for sure; if he had to make much use of her she was going to present a problem eventually. On the way up in the elevator he reviewed the tight little sequence of events, but his mind kept straying from the thin girl with the orange hair and possible problem she might present to the eyes of the gray-haired woman in 1224. Mrs. Girl Muller; Johnny shook his head slowly as he paused in the corridor outside his room and fumbled at the clip on his wristwatch band for his key.
"You've seen eyes like that before, Killain," he told himself. "Not yesterday, or the day before, but you've seen them. On the wrong side of the barbed wire."
He looked down unseeingly a moment at the key in his hand before inserting it in the lock....
He had opened the refrigerator door and reached for the frosted bottle of beer when the phone rang, and he closed the door. "Yeah?"
"It's Paul, Johnny. I'm on the board." There was a subdued hint of urgency in Paul's usually phlegmatic voice.
"Where's Sally?"
"Ladies' room. Look, Johnny; there's a charged-up cowboy down here in the lobby you ought to take a look at."
"What's he look like?"
"Kind of slim, pale face, red hair, freckles, a little---"
"I know him. What's his pitch?"
"He walked in from the street and asked Vic where you were. Vic told him you weren't around right that minute, and he said he'd wait. He's sitting in the front row of lobby chairs, facing the elevators, half cocked around in the chair so he can see the whole lobby by turning his head."
"Drunk?"
"I don't think he's drunk---"
"Snowed, then. That's lovely." Johnny remembered the stark expanse of freckles in the dead white, reckless face.
"It figures. Listen, Paul. He's trouble. I'll have to come down and get him. From what you say, the only way I can get at him is to drop down to the sub-basement and go around the building and come in the help's entrance. One flight up from there'll put me in the lobby, behind him. You wait three minutes, and then let the board go for itself. Get over to the desk and keep an eye on that lobby entrance, and when you see me there you give me some good loud entrance music. Anyone else in the lobby now?"
"Old man Tompkins is asleep in his chair."
"It would take you twenty minutes to wake him up and get him moving. Leave him alone. Get Vic out of the way. Send him out on some errand and tell him I said to go." He thought a minute. "Get this, now. When you set me up on the entrance, dig yourself a hole. If this boy catches me on the way across the lobby to him he might figure you for the diversion and knock an ear off you just for fun. When's Sally due back?"
"Ten minutes. Little more, maybe."
"All right. I'm on the way down. Keep your eye on that entrance. I'm not gonna be posin' there."
"I'll see you."
"Just so you do."
In the sub-basement's humidity Johnny left the elevator and ran down the alley and around the blank rear side of the hotel, dodging ashcans and garbage buckets from the neighboring areaways. He went up the single flight of stairs inside the help's off-street entrance three steps at a time and stopped just inside the lobby entrance and settled a balled fist lightly in the other palm. He stepped out into the frame of the entrance for an instant, and then back. In the one quick flash he had seen Paul in front of the bell captain's desk at the opposite end of the wide expanse of marbled floor, and the redhead sitting hunched, two thirds of the way across it, eyes glued on the elevators. Johnny's lips tightened; this would have to be quite a diversion.
A tremendous ringing crash set him in motion. He was in full stride entering the lobby, not running, but up on his toes and moving swiftly. Paul must have dropped at least two pitchers of ice water on the lobby floor; water, ice, and glass were everywhere, and Paul was staggering backward with his arms flailing the air to disappear behind the desk. His immediate audience had half risen at the explosion of noise and was crouched forward staring intently at the miniature flood, and from the corner of his eye as he advanced Johnny was able to see old man Tompkins jerk up from the depths of his chair off to the left and peer around in stupefication.
It seemed like a long way, but Johnny had reached a point just behind the watcher's chair when some instinct caused the redhead to turn. His one quick movement was wholly abortive. Johnny's reaching left glanced off obliquely, but jolted the red-haired man's ashen face into the path of the crushing right which drove him down and back into the cushion of the chair, out cold. Johnny reached down and picked him up bodily and turned to confront Paul, who was emerging from his refuge.
"Fella finally passed out, just like you predicted, Paul," Johnny announced with a warning nod at old man Tompkins belatedly riveted on the creeping pools of water. "I'll take him upstairs."
Vic trotted in from the foyer, his arms full of paper cups. "What in the hell was all that racket?"
"I dropped a tray," Paul informed him, deadpan.
"Well, get Amy to clean up the mess." The stocky man's eyes turned to Johnny. "What happened to him?"
"Slight case of over-indulgence. I'll tuck him in."
"The way you wet-nurse these drunks---"
From the elevator Johnny could see old man Tompkins settling back in his chair with an indignant jerk of his hat over his eyes; with the flanged doors closed, he dropped his burden, and went down, not up. He searched his pockets for a seldom used key-ring, and dragged the limp redhead to a stout looking door in the passageway. The key revealed an empty linen closet, and Johnny stuffed the red-haired man inside, closed the door, remembered, and re-opened it.
Hurriedly he removed the snubnosed automatic from its shoulder holster and ran his hands lightly over the recumbent form for further artillery. Finding none, he again closed the door and locked it and returned to the lobby where a languid Amy was already wielding a mop against the debris.
Paul was back at the switchboard, and Johnny looked at his watch as he circled the still-rampant flood and entered through the switchboard's little gate. "Nice piece of orchestration, Paul."
Paul smiled faintly. "I wasn't sure I could hold him long enough for you to reach him."
"Just long enough. Whole deal took eight and a half minutes, by the clock. He's the other half of what you helped me upstairs from the other night."
"The stubborn type?"
"Evidently. I think we burned down the schoolhouse on him this time, though. He's hopped to the ears, too dangerous to let run around loose. I've got him in the old linen closet downstairs. Here's the key; there'll be someone by to take him off your hands."
He held up a warning finger at the sound of the tap-tap of Sally's high heels, and Paul stood up from the board. She looked at them suspiciously as she entered and placed her bag in the corner behind her chair. "If you two don't look like the cats that swallowed the canary, then I never saw any. What have you been up to now?"
"Up to, ma? You know us better'n that. Paul here was just tellin' me he'd finally made it big with a piece had been standin' him off too long."
"Don't you men ever think of anything else?"
"You mean there is something else, ma?"
"You get out of here, both of you."
Johnny paused at the desk. "I'll be in the room if you need me, Paul." He turned to the elevator as Paul nodded, and went up, and he could hear his phone ringing as he stepped out into the sixth floor corridor. He opened his door hurriedly. "Yeah?"
"Johnny? You know who this is?"
"Yeah."
"Your girl on the board? Can I talk?"
"Go ahead, Joe. I was just gonna call you."
"Something I should know?"
"You first."
"All right. A couple of things occurred to me after you left."
"That was only about ten hours ago. You got insomnia?"
"If I haven't, I will have. I'm beginning to get too much noise from downtown about three bodies and no action from me. I need a little diversion. Now you take this Frederick---"
"You take him."
"Maybe I will. I need to take someone, and you seem to think he's the man."
Johnny hesitated. "Or close. You can't prove it, though."
"We didn't get around to it this afternoon, but you think he was the one behind the silencer in the kitchen that night?"
"He has keys."
"So Jimmy told me. And of course it figures that he would. But assuming he was the man in the kitchen, you know what doesn't fit?"
"The telephone call."
"That's right. His calling someone and resigning from a pigeon loft puts him in the office boy category on this detail, while everything else says he's a lot farther up the line. You said you had the drop on the switchboard, yet your girl in whom you seem to have a lot of confidence didn't catch his call. Which brings up a very interesting point: did he make it at all? Could he have foxed you?"
Johnny opened his mouth and closed it again. When he spoke his tone was thoughtful. "I had my big bazoo open to tell you that no one coulda known where I was listenin' in from, but maybe Freddie isn't the only one around here to do a little underestimating. It's a good point, Joe. I think I can find out without too much trouble. I'll call you back. In the meantime I got a little something for you down here, like the partner of the guy you talked to after the doc got palpitations."
"He showed up again? What happened?"
"He blew into the lobby downstairs, snowed up like a blizzard. I got him on ice downstairs; send someone around with the net."
"A pleasure. You think he was sent?"
"Not this time. I think he was plannin' on getting himself a hunk of even for the chair I slung at him this afternoon. From the looks of him nobody's said much of anything to him in the last couple of hours that's gotten through. He's makin' his own music. This was just a little sortie to kinda re-establish his own opinion of himself."
"We'll want to talk to him when he unwinds."
"I'm going out for a while, so tell whoever you send by to ask Paul for the key. And don't send any flyweights. I took the difference away from our redheaded friend, but I got a feeling the man in front of that door when it opens'll think Anzio was a high tea."
"How'd you take him?"
"He didn't see me."
"How unsporting of you."
"Yeah. I'll call you back."
"Call me back in the morning. I do sleep a few hours a night."
"You'll never get to be a captain that way, Joe."
He hung up the phone in the middle of the multisyllabic reply.
On the street Johnny looked for a cab, glanced up deserted 45th Street and turned right to walk up to Sixth Avenue. He wanted a cab going north.
Half a dozen doors up the street he took in the tall man standing in the doorway in a short-sleeved sports shirt and a colorfully banded panama, and he was almost past before it registered. He stopped. "Hans?" he asked a little doubtfully until he saw the face. "Damn, boy, I almost didn't recognize you, I'm so used to seein' you in whites all the time. Steppin' out?"
The first cook cleared his throat; he seemed uneasy. "Yes. That is ... I have a date."
"Happy hunting. How'd you make out with Freddie?"
This time the voice was bitter. "He will let me know. He needs to make up his mind, to consider the advisability of looking for someone with a name and more experience."
"I wouldn't worry about it too much, Hans. You're puttin' in a good lick for yourself every day you keep the wheels turning. I doubt Freddie does much of any looking around."
"The waiting, though ... the indecision---"
"You're on the ground, Hans, and you got a runnin' start."
"It is important to me."
"Sure it is. Top jobs don't grow on trees. Well, I got to run, boy. See you tomorrow." A cab turned the corner from Sixth and headed west toward Johnny, and he stepped out into the street and flagged it. He jerked the rear door open, and slid in, and they were riding by Hans and the hotel when the driver tipped the flag down.
On impulse Johnny leaned forward. "Circle the block. I want to come back through this block."
"Mister," the cabbie said in patient exposition as to a backward child, "you live around here? You know how these streets run? To come back down this street I got to go clear to Eighth, over to 46th, back to Fifth, over---"
"I didn't tell you how to do it, bud. I said do it."
They hummed through the deserted streets, the cab rocketing around the right hand turns, catching all the lights. Johnny spoke as they crossed Sixth on 45th. "Slow it down." His eyes had already seen that the single figure in the doorway had increased to two, and as the cab eased by he could see the horn rimmed glasses and the orange tinted hair above the flowered dress. Myrna. Myrna and Hans. Now there was a combination for you.
Johnny leaned back slowly in the corner of the cab. Hans and Myrna. Not even the rearing of sex's lovely head should explain that surprising alliance, although of course you never could tell...
The driver was looking back over his shoulder. "Well, mister? You like it well enough to do it again?"
Johnny roused himself. "Take me up to Van Cortland and Bacon."
"Jesus, mister, that's way uptown. You must like to ride."
"I like to ride but not to talk."
"Okay, okay. The roof don't have to fall in on me. You want to go through the park or up the highway?"
"Through the park."
They rode in silence for thirty five minutes, and the meter said $3.15 when the cab pulled in to a comer in an area of apartment houses with massive Gothic fronts. Johnny paid the driver off, and stood on the curb a moment. He had been here once before, but in the daylight. He looked up and down the narrow street with its tightly knit row of cars parked up and down the slight grade. Up, Johnny's sense of direction said, and he turned left and walked steadily, past successive ornate, identical buildings. He moved briskly. He wasn't sure what he was looking for, but he would know it when he saw it. And at the fifth apartment entrance he saw it: one of the couchant stone lions that formed the elaborate entrance pattern for each building had a chipped nose. Johnny had seen that chipped-nosed lion before.
He ran up the double flight of wide stone steps and entered the bare lobby, in which the impressive exterior quickly degenerated to a shabby gentility. He ran a finger down the list of names on the mail boxes, and stopped at Romero, Jerry. 301-C. It was a walkup, and he climbed the stairs, whistling tunelessly. On the first landing two panes of glass in the large window were broken out completely.
He could see movement behind the one-way glass in the door panel after his knock, and it was a moment before the door opened. "Come in, come in, Johnny," Jerry Romero invited him. Jerry was a small man, running to flesh, balding, and with a two-day beard. He was dressed in an undershirt, trousers, and bedroom slippers. His wife, Rosa, stood behind him, self-consciously clutching a faded blue dressing gown about her thin body. She was a tired-looking woman, her hair up in curlers, her skin sallow, and her eyes anxious.
"Come in, Johnny," she echoed. She led the way inside, trying to smile, her glance flickering between the two men. "You're in trouble, Jerry!" she accused her husband.
"You sound like it was something new."
"There's no trouble, Rosa," Johnny told her.
"Honest?"
"Honest. I just wanted to talk to Jerry. I know it's late, and I didn't mean to upset you---"
"Don't you pay any attention to me, Johnny. It's just my nerves aren't good. I shouldn't yell at him like that, I know. Just so he's not in trouble---"
Jerry smiled his easygoing smile at the edge of doubt in her tone. "Haven't raped a soul in six, eight weeks now, hon."
"You!" she said. "That's not the kind of trouble you find---"
"Maybe I been overlooking something? Coffee, Johnny?"
"Sounds good. Black."
Rosa moved immediately toward the kitchen in the rear of the apartment, and Jerry waved after her. "We might as well sit in there ourselves, Johnny. It's just as comfortable, and it'll save Rosa running back and forth to listen in." He grinned at his wife in the doorway.
Johnny followed him into the small kitchen, where Jerry pulled chairs up to the table and looked over at him expectantly as they sat down. Rosa measured level tablespoons of coffee for the percolater and kept her attention upon the table.
"I need a little information that's none of my business, Jerry," Johnny told him.
"You tell him, you hear me?" Rosa said immediately. "You tell him, Jerry Romero."
Jerry laughed. "I remember my father used to tell me 'Jerry, you want to watch out for a man tells you he's the boss in his house, because pretty soon he's gonna be lyin' to you about something else.'"
"You tell him," Rosa repeated.
"I might," Jerry agreed, "if you'll give the man a chance to ask his question, Rosa. You been doing all the talking so far."
"It's about the manager down at the place," Johnny said, and his host made a wry face. "He got you under the gun?"
"No more'n you'd expect. What's on your mind?"
"He asked you to do any special little jobs for him since he's been down there?"
"I don't know how you taped it, but he did."
"Can you tell me about it? I guess he had a lever."
Jerry nodded slowly. "He had a lever. Been there about a week and called me into his office one morning. 'Jerry,' says he, chipper as an English sparrow, 'let's have a look at your ticket.' Oh, oh, I thought to myself. Now you know and I know, Johnny, that I'm no engineer. I don't have the education for the job I'm doin' down there. I just kinda grew into it, and after old Hubert left I just kept goin' through the motions. I can do the job; I've proved that ever since the old man left, but hell, you know as well as I do that as soon as someone raises the question, I'm out."
"So Freddie put the arm on you?"
"Not directly. He was just showin' me where I stood. This little piece of paper says you're not packin' the weight for the job,' he says to me. 'I got twelve years aboard here says I am, Mr. Frederic,' I give it back to him. 'We could get in trouble over this if something went wrong, Jerry.' 'So what's to go wrong, Mr. Frederick?' 'Well, let's hold it in abeyance for the time bein', shall we?' he says. 'Meantime I have a thing or two I'd like you to do for me if you have the time.'"
Jerry's grin was mirthless. "If I had the time. He knew damn well I'd make the time with that sword over my head. He did surprise me, though; when I finished the work for him, he slipped me a hundred."
"The frosting on the cake to keep you quiet?"
"Well, I didn't figure to do any broadcastin' anyway, but that century didn't make it any harder to button up." He looked over at Johnny. "You got priority, boy, but I hope---"
"You don't need to worry, Jerry."
"If you say so, that's good enough for me. After we got it settled whose side I was on, he asked to see the hotel blueprints."
Johnny whistled. "Now I know I underestimated him."
"Yeah? Well, I told him the official set was down at the architect's office, but that I had a spare set downstairs was almost as good since I made my own changes on them. I brought them up, and I mean he really went over them with a fine tooth comb, with special attention to his office and his suite upstairs. He let go the office in a hurry; you know that was thrown up on the mezzanine as an extra, and no wall of it touches any other wall. When he left that, I could see right away that what bothered him was what contacted him upstairs. He's some kind of a left-handed engineer himself, I guess, because he put his finger right on things. Like that walkway outside one wall of his living room where there was a little leftover space when we converted the corner room beyond him. I told him nothing but a midget could get in there, but he wasn't satisfied till he'd seen it for himself. Then he wasn't satisfied, either, because he came right out and told me what he wanted."
Johnny grimaced. "I think I'm way ahead of you."
"Probably. He wanted something to let him know if someone was prowling him, trying to look in or listen in. There was three spots that bothered him: his front door, the bathroom, which adjoined another, like they all do down there, and the wall with the walkway. It was easy enough to do. I put a plate at the door, a strip under the floor of the adjoining wall in the bathroom, and a strip under the walkway. I hooked up three little bulbs inside that light up when anyone hits the plate or the strips. I wanted to put in a buzzer, but he didn't want no buzzer. The bathroom was the toughest, account of the tile. Took me about a week, I guess, workin' an hour or so in the mornings, and when I had him all wired up he thanked me pretty as you please and slipped me the hundred."
Rosa was doing a little rapid feminine arithmetic. "That's when I was in the hospital for four days. I was afraid to ask you where you'd gotten the money." She walked over to him and sat down on his lap, leaned over and kissed him, hard. He ran a hand up under the blue dressing gown, and she jumped up and slapped him halfheartedly. "I don't get that kind of attention when we're alone, Mr. Romero. You have to shame in front of Johnny?"
He reached for her again, but she evaded him and smiled apologetically at Johnny. "I was scared simple when you walked in here, after that last time. God knows he's not worth much, but I'm used to having him around." She unplugged the percolator, waited for it to stop its rhythmic thumping, and filled three cups. "When I think of tie last time you were here---"
"He's reformed, Rosa."
"Damn right he's reformed, Jerry said breezily. "Those characters sure made a Christian out of ol' Jerry. I can't see now how I could have been so crazy. Any damn fool can gamble with money in his pocket, but it takes a special kind to do it without it."
"So you learned."
"So I learned. Just this side of City General. I never did ask you what you had to do to get me off the hook with that bunch---"
"Stop it!" Rosa said sharply. Her coffee slopped over into her saucer. "Let's not even talk about it. How are you going to get back downtown, Johnny?"
"I'll catch a cab up at the corner."
"Not this time of the morning you won't, not in this neighborhood. Jerry, you put on a shirt and drive him down."
"There's no need for that---" Johnny protested.
"I guess you didn't hear the boss talking," Jerry told him. He stood up and walked into the other room and returned in a moment shrugging into a sports shirt.
Johnny stood up at the table. "Thanks for the coffee, Rosa. And for the information, Jerry."
"No thanks due, and you know it," Jerry said. "We all set? I won't be long, hon."
"You be careful. Goodnight, Johnny. You come by and see us anytime."
On the drive downtown in Jerry's fender-dented vehicle, Johnny responded absentmindedly to the engineer's steady chatter. Mentally he shifted pieces in the jigsaw mosaic in his mind, and found himself still dissatisfied with the blurred picture that resulted. A couple of key pieces were still missing, and he had a little digging to do.
He shook himself awake in his chair, glanced at the fading daylight pouring in the window, and then at the hero riding away into the matching sunset on the television set. He looked at his watch; five forty five. He got to his feet and stretched hugely, and walked over to the set and turned it off. In the bathroom he splashed water noisily on his face, his palms rasping the bronze shadow on his jawline. Resignedly he dried his face and took down the electric razor.
He shaved hurriedly and looked in the living room for his uniform jacket. He picked it up from the chair into which he had thrown it upon entering, but at sight of the resultant wrinkles he dropped it again and removed a fresh one from the closet.
In the corridor he considered a moment and then walked down the five nights to the lobby and on into the bar where Fred, the day man, nodded a greeting. "Little early for you, John."
"A little. Richie around?"
"In the kitchen."
He walked down the length of the long bar, its gleaming mahogany ever so faintly iridescent under its coating of linseed oil, and passed through the service door into the kitchen beyond. White uniformed cooks, assistant cooks, and busboys rushed about behind the long steel counters ministering to the horde of red-jacketed waiters, and a confusedly subdued babble of sound rose and fell above the steaming atmosphere.
Richie approached him with a service setup on a tray and a glint of curiosity in the hazel eyes. "Hi, John. You deputizing?"
"Yeah." Johnny took the tray from him. "What'd she order?"
"Roast beef."
"Not much they can do to spoil that." Johnny looked over at the salad counter. "Henry?" The salad man looked up from his half crouch in front of his sink as he rinsed his hands in cold running water. "You got time to let me get in there and rustle myself up a little something?"
"Help yourself, John. My rush is over."
Johnny moved in behind the short counter with Richie on his heels, and the boy looked at him appraisingly.
"Why'd you bother asking him?" he inquired in a lowered voice when the saturnine Henry moved away to the other end of the kitchen. "D'you think he'd have tried to Stop you?"
Johnny looked up over his shoulder as he knelt before the opened door of the square salad refrigerator. "You must think I'm tired of livin', kid. You don't reach my age pushing kitchen help around. That kind of stuff calls for slow music and faded flowers."
After a momentary inspection of the refrigerator's contents he removed a head of lettuce, a stalk of celery, a bunch of radishes, two tomatoes, a small cucumber, and a scallion. He straightened up and removed a clove of garlic from the drying string overhead and added it to the pile. From the maple cabinet to the left of the refrigerator he took out ewers of olive oil and wine vinegar, and shakers of pepper and salt. He reached back in once more for a large salad bowl with a visible sheen, then removed his jacket and handed it to Richie.
He rolled up his sleeves, picked up a knife and tried it for balance, and laid it down again. He stripped the slightly wilted outer leaves from the lettuce head and tossed them in the soup stock box. He removed another half dozen crisp leaves and rinsed them lightly in the cold running water, then laid them out on the drain board while he rapidly washed the rest of the vegetables. He picked up the knife again and cut the clove of garlic in two and carefully rubbed the salad bowl with the larger portion. He looked across to the watching Richie.
The big hands gathered the vegetables together on the cutting board. He shredded the lettuce and lined the salad bowl cut the tomatoes in wedges and tossed them in, and chopped the radishes and the scallion, the rapidly moving knife thudding on the board like the roll of a small drum. He diced the celery, and sliced the small cucumber, and added them to the bowl. Measuring with a judicious eye he picked up the olive oil and poured a small quantity over the bowl's contents, and followed suit with the wine vinegar, even more sparingly. He used the salt and pepper liberally and tossed the salad vigorously with his hands for thirty seconds before stepping aside and rinsing off at the running water.
"That looks good," Richie announced. "Where'd you learn to do it?"
"In Italy. A bishop showed me. He had a broken leg, and he couldn't get around to make it for himself, so he taught me to make it for him. Helluva guy; none better. He must have weighed better'n two sixty and he could go up a rope hand over hand like a hundred forty pounder."
"Aww, cut it out! A bishop climbing a rope?"
"I'm telling you he could really go."
"If he had a broken leg he must've gone down one time instead of up."
"A character cut the rope, but that's another story. Everything else ready?"
"All ready."
"Let's go, then." Johnny covered his salad bowl and followed Richie and his tray behind the enormous kitchen range to the tiny room service elevator. To the right of the elevator stood a sleekly polished rolling oven, and Johnny indicated it to Richie with a nod as he slid open the metal door. "Kick that steamer aboard here, kid."
The boy complied, shaking his head as he carefully set down his heavily burdened tray. "Boy, are you ever making a production out of this thing! You figurin' on marrying the dame?"
"Paste this in your derby, Rich: you should never serve a meal upstairs without a steamer, even if it is a little more trouble. Okay. See you around." He closed the elevator door, punched the twelve button on the automatic pilot, and waited until the car stopped and the door slid open silently. With the salad bowl aloft in his left hand he steered the freely rolling oven off the car into the corridor and around two corners to the door of 1224. His knock was answered immediately, and he eased the wagon over the slightly raised threshold.
She stood aside to let him in, a slight smile on her face, and he crossed to the card table ready with its usual tablecloth and deposited the covered salad bowl. He returned to the oven, knelt and lit the alcohol brazier and slid the tray into the heating compartment. When he had made the customary place setting and withdrawn her chair, she seated herself in silence, but when Johnny removed the cover from the salad bowl she exclaimed with pleasure. "Insalata mista!" The momentary brightness drained from her features, and she looked up at him speculatively as he spooned a portion of the salad into an individual bowl and placed it before her.
He spoke without looking at her. "Not everyone calls it by that name, ma'am."
Her fingers plucked stiffly at the napkin in her lap. "I have eaten it before," she said finally. "It is not uncommon."
"But more common in some areas than others?" She stared down at her water glass without replying, and Johnny took up his usual station behind her. She began to eat slowly and despite her preoccupation, appreciatively. The room was quiet in the interval before she looked up again in the little gesture which indicated that he was to move back into her field of vision. She looked directly at him an instant, and then back down at the salad. "This is very good." She hesitated. "You keep reminding me of--- of things I thought I had forgotten."
At her left he refilled her salad dish and set it a little to one side. He returned to the oven, swathed his hand in a napkin and removed the roast beef platter from the heating compartment. He placed it before her and removed the aluminum lid. "Careful. Plate's hot."
She nodded absently, her eyes following the quick dexterity with which he deepened the incision in a foil-wrapped baked potato and inserted a slice of butter, and then with a circular motion of his wrist opened up the potato until its mealy center was exposed. "Why do I feel that you remind me deliberately?"
He took up her knife and fork and cut her roast beef into manageably small pieces, placed the knife on the butter dish, and handed her the fork.
"Thank you. Why do you deliberately remind me?"
"Maybe because we both were there. Italy. A few years back."
"I see. And you feel that I should be reminded of Italy a few years back?"
He broke a piece of rye bread into thirds, buttered a section thinly, and handed it to her. Her eyes never left his face. "Maybe I feel we were members of the same dub."
This time there was no hesitation at all. "Scarcely an exclusive one."
"Some branches of it were."
Her glance dropped to her plate, and she began to eat, and Johnny retired again behind her chair. She spoke after a moment without looking around. "What is your name? Your surname?"
"Killain."
"You're not French, then?"
"No. Your name's Muller, but you're not German."
Her head came up, and she stared across the room. "A married woman changes her name."
"Your maiden name could've been Muller, too, but that wouldn't make you German, either."
"So it seems I am not German." She pushed a square of meat absently about her plate with her fork, then speared it purposefully. "My beef is getting cold."
She completed her meal in silence, and when she had finished he removed her dishes, scraped off the table crumbs, and poured her coffee. She extracted a cigarette from a tiny metallic case, and he lighted it for her. He made a one load trip with her dishes to the oven where he stacked them neatly, and then returned to his position behind her chair. She motioned him forward with a wave of the cigarette. "Come around here where I can see you. And stop standing at attention like that. Sit down."
Johnny sat on the chair beside the bed, and she studied him, the tired eyes shadowed in the worn face. She pointed the cigarette at him. "There must be a reason for the diligence with which you extract information without ever asking a direct question?" She inspected his silence gravely, and when she resumed her voice was level and calm. "At my age one does not blithely discard small favors, small comforts. Not out of hand, at least. Since your advent I have eaten much better, but unless you can convince me that there is an essential point to this cat-and-mouse business into which we seem to be drifting, I shall have to forego these meals in your company."
Smoke drifted up from her cigarette in a long, wavering line as she again studied his continued silence, and her tone was puzzled when she continued. "I believe that I sense in your attitude an aura of concern, of protectiveness. If I am correct in this assumption I think that you had better explain yourself."
Johnny's voice was hard and abrupt. "You're in trouble."
She stiffened, then shook her head slowly and put down her cigarette with a sigh. "I'm sorry. I have to say---"
"That it's none of my business."
"---that you are presumptuous to an egomaniacal degree, certainly---" She reached for the cigarette again and stubbed it out decisively. "I think that you should leave now."
Johnny rose from his chair, removed her cup and saucer, dumped and cleaned her ash try and replaced it, and folded her tablecloth and placed it on the card table. He made all his movements deliberate in the hope of provoking her to further speech, but he was halfway to the door before she spoke again from her frowning concentration. "I am a complete stranger to you. Even if I were in trouble, why should you be interested, let alone concerned?"
He spoke shortly, over his shoulder. "I'm the elected godparent of all the stray cats in the neighborhood."
He was surprised to hear her laugh. "Self-elected, I'm sure."
When he turned she was still smiling. She had removed another cigarette from her case and was tapping it on the back of her wrist reflectively. "There is an unkind name for such as you, young man, and yet I feel that no unkindness is meant. Come back here and sit down. I see that we shall have to bring this to a conclusion." He paused on the way to light her cigarette, and when he had reseated himself her eyes resumed their steady contemplation of him. "Now." She spoke deliberately. "I am not in trouble. Is that clear?"
"No."
"Attend me. I am not in trouble."
"That's not the truth."
"I don't like the implications of such an assertion."
"Regardless---" Johnny swept an arm in an exasperated semicircle. "Your being here like this---"
"The circumstances of my being here need not concern you. Kindly remember that."
"You're in trouble," he said stubbornly.
"You will of course have to permit me to be the judge of that." Again the cigarette pointed at his silence. "Why? Why this persistence? This solicitude?"
"I just got a feelin' you're my kind of people, that's all."
"Listen to me a moment." Her smile was pleasant but firm. "You're not a gentleman, but I would think a man in the better sense of the word. I want you to believe that I am in no more trouble than I have been at any time in the past ten years, let us say, and your help or offer of help is not indicated or requested. I have over-indulged myself in talking to you, because I have been lonely. You are more perceptive... yes, and more sensitive than I might reasonably have expected, and I have said more than I should at times. You have somehow succeeded in dredging up things I had thought more deeply submerged, but all this has got to stop. Now." She waited, but Johnny sat motionless. "I will ask you one question, and then we will have an end to all this foolishness. What were you doing in Italy?" Johnny grinned at her. "Runnin' errands." "For whom?"
He shrugged. "People with more brains 'n me. Seemed to be a lot of 'em."
"What exactly were you doing?" "Is this a one-way street, ma'am? Are we tradin'?" She bit her lip. "Everything I pursue with you... this is all so foolish, all these little words about another time and another life---" Johnny outwaited her hesitation. "All right. And then once and for all, it is finished. There will be no further discussion, or probing. Is it understood?" "You might bring it up yourself." "Don't trouble yourself with the possibility. Now what were you doing in Italy?"
It was his turn to hesitate. "I was along to shore up the timbers on a few undercover operations."
She nodded matter-of-factly. "Placing you in a little different perspective, it becomes almost obvious. One has only to look at you bursting in all directions from that ridiculous uniform. I take it that you were not a man of peace, and that since you sit here now in appearance reasonably intact that you had the necessary qualifications to be a successful man of violence."
"Includin' the attitude."
Her hands had knitted themselves tightly together on the table, fingers interlaced. "It is important. I myself lacked it. And for whom did you commit these successful violences?"
"Originally for an unpublicized branch of U.S. Intelligence."
She stared down at her hands. "I am... was Viennese. I had lived in Italy for years, although not recently at that time. I was recruited by a group in France to go back, for a purpose. I had a minor success or two, and then my purpose was discovered. I had no reason to expect differently, I suppose, but they treated me---well, despicably. I found that I was not so tough-fibred as I had imagined. I had a great deal of difficulty in re-orienting myself afterward."
"Afterward?"
"After I was liberated."
"And now?"
Her lips firmed. "We will not speak of now. We will not speak of Italy again. It has bad memories for me, and thinking of it or talking about it is not good for me. And now I am sure I must be keeping you from your duties." She rose, and Johnny reluctantly followed suit. She held the door for him as he rolled the wagon out into the corridor, and then it closed quietly behind him.
He turned to stare thoughtfully at the impassive door panel. "Killain, you accident of nature," he accused himself. "That's a lady in there. Not a woman, or a female, or a broad, or a twist, or a frail, or a skirt. A lady." He pushed the silently moving oven down the corridor and around to the push-button means of descent.
In the kitchen the dinner hour rush was over; Johnny could see only a single red jacket and a sprinkling of whites behind the glistening steel tables. Hans was seated at Dutch's old desk, and Johnny drew off a mug of coffee at the big urn and walked over to him. He didn't particularly want the coffee, but he did want to talk to the first cook, who sat staring off into space, his hands idly shuffling a stack of loose invoices.
"You got the sugar, Hans?" Johnny upended a box and sat down beside him, and the tall man silently opened a drawer and removed two glassined envelopes which he handed to Johnny, who noted the tremor in the offering hand and the bloated lids on the redrimmed eyes. Hans's nerves seemed very nearly out of control.
"Freddie said anything yet?" Johnny asked him and watched the negative curl of the lip and the shake of the head.
"I dislike that man," Hans said suddenly, then attempted to smile in self-disparagement of his own vehemence. "I shouldn't say that. He's within his rights in taking his time in making up his mind. Yet it means so much to me. And I have not been sleeping well. And I have not had word---" His voice trailed off, and his eyes came back to Johnny as if again becoming aware of his presence. "You'd think he'd realize the impossible position in which he places me. I'm neither fish nor fowl. I give orders, but where is the authority to enforce them?" He waved the bills in his hand at Johnny. "These tradesmen. What respect can they have for me?"
"It'll work out, Hans," Johnny said soothingly. He sipped at the strong black coffee, and in his mind cast about for a lead-in remark in which to mention Myrna to Hans. He wanted a reaction from the first cook. An occasional raised voice was the only disturbance in the quiet kitchen, and up front a busboy went from counter to counter turning out the lights in the forward end of the long room. Darkness crept toward them, and the goose-necked light on the desk spotlighted their corner.
This is the way it must have been for Dutch, Johnny thought suddenly, sitting here targeted by this same light on the desk. He himself had walked in here many a morning through the service door and found the old man reading or nodding over his book. But the murderers had not come through the service door. Johnny frowned; why would old Dutch let himself be spotlighted in such a manner if he had heard the noise of entrance---even a key--- from any unaccustomed direction? The old man was scarcely a fool. Unless he had been asleep.
Johnny stared at the far wall, trying to concentrate on a teasing tickle in the foreground of his mind. If Dutch had been asleep, the light would have been on, and the intruders would have been warned. But suppose Dutch had been awake and had switched off his light and had sat there in the dark watching them? Johnny shook his head; that didn't make sense, either, for if the old man had done that, why expose himself to them later? Unless it had seemed important....
He ran his eyes around the rectangular room. From where he sat he could see the fire door which led down to the storeroom below. He could see three of the tall windows which, though not barred, were always securely locked from the inside. He could see the small door leading into the bakery ovens which was locked only occasionally. It had been a bone of contention whether it had been locked that night. He could see the two massive walk-in boxes with their heavy steel corner bracings and their brass padlocks. He could see---
He stifled an impulse to jump to his feet; he could feel his pulse accelerate. He turned his head to look at the cook, and with an effort kept his voice casual. "Hans?"
The tall man looked up from his shuffled invoices. "Yes?"
"When'd you have the butcher last?"
Hans smiled sourly, as though reminded of another cross to bear. "He will be here in the morning. Another front office economy. Whoever heard of a hotel kitchen with a butcher being called in twice a week to dress out four days work in advance? Ridiculous. You simply cannot function---"
"I asked you when he was here last!"
The cook looked startled at the vigor of the interruption. "Why, twice a week he comes; what then? Three days ago, four days ago; from week to week it varies. I can look it up. I remember he ruined a loin of pork. Ridiculous. I say---
"Has that big box been opened since the night Dutch was killed?"
Hans sucked in his breath, and his eyes widened. "1 have not opened it. There has been no need. I have not---"
"Gimme your keys." Johnny was on his feet, palm extended. He hefted the huge key ring placed in it by the tall man. "Which one is the meat box key?"
Hans silently picked it out for him, and Johnny walked across to the twelve foot high meat locker with the cook on his heels. Johnny unlocked the big padlock and handed it to Hans. The tall man's voice was husky. "You don't think---?"
"Won't have to think in a minute." Johnny threw back the long bar handle, and the big door creaked open. Inches of frost clung to its inner side, and a breath of frigid air drifted out with a swirling mist. An ammoniac smell wrinkled Johnny's nostrils unpleasantly, and he stepped inside and tried to quell a shiver. This damn place was fantastically cold after the heat of the kitchen. "Where's the lights, Hans?"
The cook reached over his shoulder and snapped on the switch, and bright daylight washed over them. Johnny took a quick look around the floor with particular attention to the corners of the freezer; he started to step around the butcher's block for a better look, and a strangled sound from behind him caused him to pivot sharply. The whitefaced Hans was staring at the rows of frozen carcasses suspended from their heavy hooks, and Johnny turned in the direction of the stricken gaze. One look was enough; he cleared his throat. "I don't see any government stamp on that one, Hans. Let's get out of here."
The cook did not appear to have heard him. Shock had transfixed him; Johnny put a hand on his arm to recall him. With a convulsive movement Hans threw off the hand and dropped to his knees and addressed a hoarse torrent of guttural pleading to the body on the hook.
"Hans!" Johnny said sharply. "Hans!"
Roughly he placed his hand under the chin of the kneeling man, and at the sight of the glassy unrecognition he waited no longer. He caught Hans as his body slipped away from the short right hand punch that had blanked out the staring eyes, and Johnny picked him up and carried him outside and laid him down on a counter.
He hesitated an instant, then stepped back inside the locker and with a hurried two hand lift removed the chilled, slippery body from the hook on which it hung and laid it out on the floor. He left the box, closed the door, threw over the long bar, and headed for a telephone.
Detective James Rogers sat at the shabby desk in the corner of the kitchen and wrote busily in his notebook while Johnny squatted on the upended box and watched him. Once again the kitchen was quiet; it was three hours since Johnny had found the body in the meat locker, had called the police, and the cloud of investigators had descended upon the place as they had the night Dutch had been killed. The body had been removed, and Hans had been given a needle and taken upstairs, and the uniformed and plainclothesmen had done their big and little jobs and departed, and only Detective Rogers remained.
In the silence he wrote on, less rapidly, pausing to frown at the wall, and he finally slipped his pen back in his inside breast pocket while he riffled pages and re-read what he had entered. He sighed deeply, closed the book with a snap, and looked over at Johnny. "A ringtailed wowzer of a mess, brother."
"Yeah," Johnny agreed. "Look, before you put that notebook away---I couldn't reach Joe this morning---"
"Out of town all day."
"---so I'd better give this information to you. Were you with him when he called me last night?"
"No. I had a note from him this morning saying you'd scooped that gunman that had been living in your pocket lately, and that I should make arrangements to talk to him when his snow melts off."
"This was at the same time. Joe said he'd been trying to work out Freddie's rung on the ladder in this thing, and the part that bothered him was the telephone call I'd heard him make resignin' from a stool pigeon detail. That's the call my girl on the board didn't catch, and last night after Joe called me I talked to a man who told me why." "Because he didn't make it?" the sandyhaired man hazarded.
"Because he didn't make it. His place is wired up like a Christmas tree. I couldn't get near him unless I used a helicopter. He knew I was there, and he gave me the informer bit, and I went for it hook, line, and sinker."
Jimmy Rogers shrugged as he re-opened his notebook. "It looks to me like your character-good-for-a-laugh, as you introduced him, has had the laugh on all of us." He pulled out his pen and stared at it. "Still does, for that matter. We don't have him yet."
"I'm beginnin' to smell hair burning."
"We're getting closer, but we're not ready to bundle this up and run downtown to put it in the D.A.'s hot little hand. Not yet."
"Then what the hell do you need, for God's sake? Doesn't this thing here tonight point to him all over again? That's what they were doin' in the kitchen here that night, him and that Frenchie what's-his-name. They were tuckin' the stiff away in the locker, and poor old Dutch caught them at it. Who else could get in that box?"
"The man that was with you when you opened it, for one.
"Hans?" Johnny rubbed his chin. "He could, at that. But I know it was Freddie."
"Can you stand up in court and prove it? Let's talk sense. For instance, didn't the behavior of this Hans---" Jimmy Rogers glanced down at his notebook, "---Reider strike you as being something out of the ordinary?"
"He threw a fit, for sure. Horns and all. I had to knock him out to get him out of the box. He was orey-eyed, frothin' at the mouth in German, it sounded like. He came to while your examiner was here and threw another wing-ding, and your boy slipped him a needle and packed him upstairs. Hell, I told you all that before."
"I know you did. I'm trying to make a point, in my feeble way. If reaction could be laid out on a Fahrenheit thermometer, just where would you rate his performance?"
Johnny grunted. "212: Right through the roof. He took it big."
"I'd like to know why. I'm looking forward to our conversation in the morning."
"His nerves were gone, anyway. He'd been sweatin' out the promotion here, afraid he was going to be bypassed. He'd just got through tellin' me he wasn't sleeping good."
"The shylocks had him. He'd borrowed heavily recently."
"Yeah? So he needed money bad? No wonder he wanted the job so bad he could taste it. Say, that reminds me... last night when I left the place to check that thing out for Joe I ran into Hans on the sidewalk waitin' in a doorway up the street. I got curious and doubled back, and the one he was waitin' for turned out to be this Myrna telephone operator on the middle shift. You know the one?"
"I know her. A well-frosted tomato." Jimmy Rogers turned pages in the ever-ready notebook. "Myrna Hansen. Age thirty two. Collecting alimony from two ex-husbands. Up on a lightweight blackmail charge six years ago. Nol-prossed. Completely uncooperative under questioning."
"I can see I should've asked you that yesterday. Did you see the body before they took it out?"
Detective Rogers closed the notebook again. "You mean his face? I wondered when you'd get around to that."
"He looked like he'd had a hard time."
"Doc says he had it while he was alive, too. With a knife."
Johnny grimaced. "Somebody carved him to make him talk? Rough."
"It complicates things. Either we have someone in the crowd getting out of line and being disposed of----and the method makes it unlikely---or else there's an opposition crowd on the scene."
"Maybe Hans can straighten it out for you."
"I'd like to think so. What's on your mind now?"
Johnny looked at his watch. "Work. All this has been on the house. My shift's just coming on."
"The lieutenant will probably want to talk to you tomorrow." Jimmy Rogers slapped his pockets automatically to account for his belongings, nodded to Johnny, and walked out of the kitchen through the service door at the bar. Johnny sat and listened to the diminishing sound of his heels on the tile, and then it was very quiet in the big kitchen.
Johnny was on his way through the lobby to the street when he heard his name called. Marty Seiden, a middle shift front desk man, waved a red and white envelope at him from the registration counter. "Cablegram, John. Just came in." Marty was a fresh-faced youngster addicted to pointed collars and bow ties; he had a highly developed clothes' sense, and he looked approvingly at Johnny as he stepped up to the desk. "You look really sharp, John."
Johnny glanced down at his lightweight summer suit as he slit open the cable. "Handsome is as handsome does, kid. Or don't they teach you that in school these days?" He ran his eyes over the block type on the white sheet.
IN TONIGHT CHECK BOAC OFFICE CALL SHIRLEY RESERVE
mario.
He crumpled the sheet in his hand and stood undecided a moment before nodding to Marty and turning away from the desk. He looked at his watch; plenty of time, but he would have to---
"Why, Ugly! How nice you look!"
Johnny looked down into the round face, brown eyes, and sleekly shining hair of the girl who had stepped into his path, and he smiled. "Hi, Frannie. How's the sociological experiments coming along?"
She blushed vividly and tossed her head. "Don't be mean. I came by to apologize for acting like a snapping turtle the other night. I must have sounded like a shrew."
He steered her out of the lobby traffic and over against the unoccupied bell captain's desk and considered the serious young face. "You were a perfect lady, Frannie, except in your instincts, and that's the way a man likes to have his lady function."
A fresh wave of color enveloped her. "You make it sound---well, it probably did look---I'm not like that all the time, really."
"Now you're disillusioning me."
Her look was reproachful. "Go ahead and tease; I suppose I deserve it. I do want to thank you, though; you kept me from making a mistake. I realized how silly I must have sounded when I got to my room. I brooded about it for a while, then I went out to the elevator hoping I could find you and apologize, so that you wouldn't think I was just a nitwit schoolgirl, but that man said you had just gone down for the doctor."
"Doctor?"
"Yes. For the man with the bleeding face. He must have had a terrible fall. The dark man said he'd just sent you down, so I went back to my room. In the morning you weren't around, so---"
Johnny's mind raced into high gear. This pretty youngster had stumbled on the opening act of the drama in the kitchen the night Dutch had been killed; it was so simple when it was all laid out for you. Frank Lustig hadn't been a no-pay skip from 938 that night; Frank Lustig had been killed in 938 by Frenchie Dumas, and the girl had walked in on the operation of transferring the body to the room service elevator for disposal in the kitchen. Frank Lustig was the body in the meat locker.
Johnny opened his mouth to ask the girl if Dumas had been alone with the bleeding-faced man in the corridor, and dosed it again. He must have been alone; if the other man was Freddie, and the girl had seen him, the way this crowd played she very likely would herself have ended up in the meat locker. Johnny looked at the well-scrubbed youthful glow; you had a very, very close call, little kitten. Eight lives left. He held out his hand, and she put her small, warm one in his solemnly. "Apology accepted, Frannie. You come back and see me in about five years when you get bored with your husband."
"I just might do that," she said pertly, and he released her hand. "Goodbye, Ugly."
He raised an eyebrow. "Goodbye?"
"Au 'voir, then." Under his approving eye the girl flushed brilliantly, turned on her heel, and sped from the lobby, and Johnny smiled after her. In five years that kid would be something to see. In five years---
"Robbing the cradle these days, mister?"
Johnny turned his head; he had been facing the foyer, but he hadn't seen Shirley come in. He inspected the tall girl's dark beauty critically. "You wanna deprive me of my simple pleasures? You look a little better than you did the last time I saw you."
"I want to talk to you about the last time you saw me, mister."
"Not in that tone of voice, you don't." He straightened the crumpled cablegram in his left hand and thrust it at her. "Here. Wipe the slobber off your chin with that."
She snatched it from his hand without even looking at it, her eyes slits. "Don't you get tight with me, Johnny, or I'll---"
"You'll what?" he asked her softly. "My name's not Martin. You want to play rough, I'll bounce your tail a foot high off this lobby floor, an' enjoy it. Now why the hell did you come over here?"
Her smile was mocking. "I forgot I was talking to a professional hard guy. My request is simple, sir. I merely want to know why I woke up after you took me home the other afternoon with my brand new gold toreador pants in one and a half inch strips all over the bed, and my backside so sore I couldn't sit squarely? Do you beat unconscious women now for amusement? I looked in the mirror this morning, and it still looks like an Indian smoke signal against a desert dawn. I want to know how come?"
"I was lookin' for needle punctures," Johnny told her tersely. "When I found 'em, I got mad, and whacked you once."
"You had a hell of a nerve!" she said harshly. "Did you ever try minding your own business? You've got---"
"Ahhh, break it off," he said wearily. He looked at the angry, beautiful face. "You hooked solid?"
"Of course I'm not!" she flashed.
"Willie know you're on the stuff?"
Her smile was triumphantly vindictive. "Yes, little boy, Willie knows. Isn't it a shame you won't be able to be the first to give him the news?"
Johnny felt sick; he sensed she was telling the truth. When he remained silent, Shirley remembered the cablegram in her hand. She read it quickly, and her lip curled. She looked at Johnny. "The master's voice. Did you call BOAC's overseas office to see what time he'd get in?"
"You're on the payroll, kid. You call 'em."
Her lips tightened. 'You trying to start something with me? Some one of these days I'll give you---" She broke off as she thought of something; she looked again at the cable. "'reserve mario.'" She tore up the cablegram into thin strips; her tone was bitter. "I'm not going back to that place of Mario's. Willie may like to play big shot and be greeted at the front door by the maitre d' bowing from the waist, but not me. I don't like those places where you can't get the frost off the help's chins. Anybody who isn't a charter member couldn't make an impression over there by carpeting the floor wall-to-wall with twenty dollar bills."
"Willie's been goin' to the Casa Grande for twenty five years," Johnny said patiently. "He's known Mario longer'n that."
"Willie's going to have to make a few changes in his routine." She smiled at Johnny sweetly. "I'm working on it." "Willie could fool you, kid. Willie 'n me---" The smile vanished. "Willie 'n me," Shirley mimicked savagely. "Damn Willie and you! And damn you and Willie I'm sick of the combination eternally dinned in my ears! Doesn't either of you have a life of your own any more?" She turned furiously and flounced out through the foyer, her high heels clicking spitefully, and Johnny stared after her.
"Boy," he murmured finally. "Boy, oh boy. Happy days are here again. Rack 'em up in the other alley, Sam."
Very thoughtfully he resumed his interrupted progress to the street.
The shades were drawn in the apartment bedroom, and if it was not dark, Johnny decided, it was at least a pleasant twilight. He could see the shape and outline of the larger objects in the room but not the details. He sighed, stretched lengthily, and turned his head to look at the pale blur of Sally's relaxed figure on the bed beside him. "I ate too much, ma. You shouldn't feed me like that."
"Once a pig, always a pig," she murmured drowsily, and Johnny smiled and ran a palm lightly over a smooth shoulder. Sally's head came up abruptly from the pillow. "Listen, man, are we going to sleep, or are we going to play? Make up your mind."
"I feel like talkin', ma. Reach me a cigarette."
She groaned in protest. "I'm sleepy, Johnny---" He could feel her movement as she stretched to reach the night table, and in the near darkness her features were indistinguishable as she leaned back over him. Her hair swirled about the lighter oval of her face as she traced the shape of his lips with an enquiring finger before inserting the cigarette, and light flared in her hand, flickered, and steadied to an even glow. Johnny stared up over the cigarette lighter into the soft brown eyes and the revealed thin features, shiningly translucent in the flame. He drew deeply on the cigarette, and Sally released the lever action on the lighter, and the cloaking twilight again rushed in upon them.
She snuggled back along the length of his body, and then almost at once she lifted her head again. "Well, buster, what happened to all that conversation?"
"I'll get around to it."
"Oh, come on. If you don't have anything to say, at least let me sleep." She came up on an elbow and peered down into his face, trying to make out his expression. "Or do you have something?"
"Well, did I tell you Willie'll be in tonight?"
"You know perfectly well you didn't tell me." She dropped back on the pillow, and he could hear the edge of resentment in the soft voice. "I can see where I'll be a bachelorette for sure while he's in town. Did he call you?"
"Cable. He's in Europe. Or was. Gonna be kinda nice to have ol' Willie around."
Her voice had softened. "You think a lot of him, don't you?"
"Willie's all right."
"What makes him such a hero, outside of having a few dollars?"
"Hero? Aww, hero's a dirty word, Sally. What you need to remember about Willie is that when the heroes are takin' to the trees Willie's just gettin' into second gear."
"He certainly doesn't look it."
"You don't know him like I do, ma. We've seen a few tough sunrises come up over the horizon, Willie 'n me." He lay there remembering.
When Sally spoke again her tone had changed. "Have you talked to Lieutenant Dameron since last night?"
"No, and that reminds me---I ought to call him. I found out somethin' about that." He dragged on the last half inch of cigarette and stubbed it out with a long reach over her shoulder. "You don't ever want to be hangin' by anything tender while you're waiting for the police to call you with information, ma."
"Even when you're helping them?" She sounded indignant. "And after what you did for them last night?"
"Toe's a little touchy about my help. He's afraid I'll go off half-cocked in the action and jeopardize his official position. He wants me, but he wants me under wraps. And that thing last night wasn't such a much I did for them. The butcher would have found him anyway when he opened the box this morning, so I only got them about twelve hours. 'Course sometimes twelve hours is a hell of a lot but this time I don't see that it means much." He grinned into the darkness. "Hell of a thing to have in your mind, but you know all I could think of last night? I was picturin' Karl, the butcher, walkin' into that box this morning if we hadn't found the stiff. Karl's always half smashed goin' to work anyway, account of the cold."
Beside him he could feel Sally shiver, and he reached for her. He slipped an arm about the slim body and drew her closer to him, and after a moment he could feel her lips on his cheek. "I'll be glad when this is all over," she sighed.
"I got a feelin' we're close to the payoff window right now."
"It's getting so I'm afraid to go to work nights. And it's not much better here when you're not around, since that man was here the other afternoon."
"That man is in the sneezer, ma. You can scratch him from the entries."
"Yes, and I love the way you and Paul didn't tell me a word about it when it happened."
"Just savin' your nerves a bruise. You get shook too easy."
She sniffed audibly, and he tightened the arm around her and listened to the hissing intake of her breath. After a moment he disengaged the arm, slipped it from beneath her, sat up, and slid off the bed. Sally's head lifted as she tried to follow his movements in the shadows. "What are you doing, Johnny?" She sat up as he returned and knelt on the bed beside her.
"Johnny Killain, you haven't any pants on!" she accused him as he reached for her.
"Welcome to the club," Johnny said.
Sally was in the shower when the phone rang, and Johnny rose from the bed to answer it. "Yeah?"
"Johnny? Dameron."
"Hey, I got something for you." The bathroom door opened, and Sally's head and shoulders appeared, swathed in a towel. He formed the word "Joe" silently with his lips, and she nodded and went back inside, closing the door. "The guy in the locker last night, Joe; his name's Frank Lustig, and he was registered into 938 the night he was killed. He was killed right in the room, and when they took him down to the kitchen in the room service elevator to dispose of the body Dutch broke up the party." The line hummed emptily a moment. "I'll buy pair of that," Lieutenant Dameron's voice said into the little silence. "Let me tell you why I called, though. Jimmy just called me from the hotel. He'd gone over to talk to that cook who was with you when you found the body."
"Don't tell me he'd bugged out on you---?"
He could hear the dry rasp in the other voice. "Oh, he was still there. Jimmy broke in the bathroom door and found him in the tub. Both wrists slashed, he bled to death very tidily."
"Christ! We needed to talk to that guy."
"I doubt we can extradite him from where he is now." The lieutenant's voice sounded less forceful than usual. "I'd counted myself on talking to him. I think he could have given us a few answers. That was a good move on your part last night, incidentally."
"An accident. Sitting in the kitchen it came to me all of a sudden that Dutch hadn't said 'clocks' like Manuel thought; he'd said 'box,' and he knew what he was talking about. Right now I'm not sure it was a good move at all. The butcher would have found him this morning anyway, and we'd have still had Hans. Jimmy said he was in up to his hips with the shylocks, but that's a strong rebuttal."
He had a better reason or thought he did. The body may have been registered into 938 like you say, but his name wasn't Frank Lustig. It was Frank Rieder, and he was Hans Rieder's younger brother."
"Mmmpfh! Have we ever got a wide screen production goin' now."
"We can't seem to get a break on the timing on these things," Lieutenant Dameron said tiredly. "Two hours earlier on that report, and the cook would probably still have been under sedation."
"You figure he'd been going so bad financially that his nerves were gone and finding his brother was the last straw?"
"I figure it a little stronger than that. It almost has to be that he'd brought the brother in to help out on something he was promoting, and the realization he'd gotten his brother killed did it. And the way he was killed---did you see the face?"
"Yeah. Rugged. One thing, though. You can bet me if you think Hans was working with Freddie."
"Against him, then?"
"Has to be. You realize the payoff on this thing has got to be one hell of a brass ring, Joe? If about four more people show up, Fort Knox couldn't pay 'em off for their trouble."
"I've changed my mind half a dozen times. I just don't know. It's got to be important, the way people are throwing themselves under the wheels. If Hans wasn't working with Freddie---and offhand I'm inclined to agree with you on that---then that has to mean that Freddie's crowd doesn't take easily to being muscled out."
"You say 'Freddie's crowd' real strong today. That because of what I told Jimmy last night about Freddie's place bein' all wired up?"
"Partly, but I'm holding a kicker to that pair. We finally got the picture in from San Francisco, and Freddie is not Ronald Frederick, the hotelman."
"Well, hell, Joe. If you know that, what are you waitin' for? Till we have to move out some of the guests to make room for the bodies?"
"If I had someone to put him near the kitchen that night---"
"Joe, you mean to tell me you aren't gonna pick him up?"
"If I pick him up, you know how long I can hold him without a charge. And if I can't charge him, from the looks of this operation I shouldn't be able to scare him very much, either."
"So charge him. With murder."
"And if I don't get a confession?"
Johnny drew an exasperated breath. "Are you trying to tell me you didn't get to be a lieutenant of police by sticking out your neck for false arrest charges? Goddamit, Joe---"
"There's a better way of doing it, Johnny."
"Like what?"
"Who speaks for the hotel when Willie's out of town?"
"Some lawyer downtown. He don't spit, though, till Willie tells him it's time."
"If we could convince this lawyer that he should protect Willie's interests by preferring charges against this man for securing a bonded position under false pretenses---I don't need a murder charge to hold him, Johnny. I just need an airtight charge."
"It might be easier than talkin' to the lawyer."
"How?"
"Willie'll be in town sometime tonight."
"He will? That's fine. You bring him around."
"I still think you ought to scoop Freddie right now."
"I happen to have a little more at stake in this thing than you do, Johnny. You bring Willie around tonight."
The phone clicked in Johnny's ear, and he hung it up slowly. He sat and stared at the wall. A couple of days ago he had wished for a ravelled thread in the fringe that would lead back to the counterpane. Now there were as many threads as fringe and still remarkably little that a man could put his finger upon exactly.
Johnny roused himself finally and looked around for his clothes.
He walked into the bar from the lobby and watched Fred work his way up the shining mahogany, polishing with a rhythmic sweep of a long arm. The bartender looked up as he sensed his audience and threw the bar rag behind him. "Hope we're a little busy tonight. Damn time drags so when we're not... you workin' two shifts lately, Johnny? Seems like every time I see you you're in uniform."
"Getting ready for the next depression," Johnny told him. "Manuel around?"
"Out in back. He'll be right---here he is now."
The slim dark boy ducked under the counter with a trayful of glasses which he set down on the bar. "'Lo, Jonee. Up early?"
"Medium. You got a blade, Manuel?"
"But of course."
"Like to borrow it a few minutes."
"Seguramente." Manuel reached into a hip pocket beneath his wraparound apron and carefully removed a pearl-handled knife whose silvered blade slithered silently open at the pressure of a finger. Johnny accepted it and laid it thoughtfully across his palm.
"I wanted it for a gag, but this damn thing doesn't look a bit funny."
Manuel smiled. "Ees not meant to be fonny."
"No? Tell me something, hotshot---what happens when you got to get to this thing in a hurry? In that hip pocket you'd be starched an' ironed before you ever got it sprung."
The smile widened. "If I theenk the need for hurree ees approach', Jonee, eet ees no longer een the heep pocket. Eet ees move a leetle closer to the corrida."
Johnny shrugged. "I don't dig you knife men at all. Be back in a few minutes with this."
"No hurree. Earth ees the bes' for remove the blood, like a plant in the lobbee."
"You bloodthirsty little spick!" Fred growled at him. "Didn't the man tell you it was a gag?"
The dark, innocent eyes widened. "But of course. I heard heem say so, deedn't I?" He picked up his tray of glasses and moved on past them, and his back was to Fred as his left eyelid flickered ever so slightly at Johnny.
"He thinks you're gonna use that thing," Fred rumbled.
"He thinks it more than you think," Johnny agreed. He made a short, sharp downward stroke with the graceful blade. "You believe the kid can really cut the mustard with this hatchet?"
Fred rubbed his chin. "I'll take him on trust. Couldn't feel comfortable around him knowin' for sure."
Johnny snicked in the blade, slipped on the safety, and dropped the knife in a pocket. He saluted the mildly interested Fred and walked on out through the lobby which drowsed in the dinner hour quiet. He crossed directly to the switchboard and entered through the little gate, and Myrna's orange head bobbed up inquiringly from her book. The half smile of inquiry on her face faded upon recognition. "What do you want?"
"A few pearls of wisdom, C.O.D."
"For you I have nothing," she said flatly. "I went along with you once, and it was a mistake."
"Who says it was a mistake, Myrna?"
"Never mind." Her voice was resentful.
"Police talk to you?"
Her lip curled. "Two hours. Nosy bas---" She looked up at him.
"What'd you tell them?'
"The same thing I'm telling you. Nothing. Not one thing."
"You think that was smart?
"Would I have done it if I'd thought it wasn't? Come on, blow, wise guy. I'm busy."
Johnny nodded. He reached in his pocket and took out the knife, and Myrna's chair started to inch away from him. She was backed into the corner by the time he slid the safety off and flicked out the blade. He had the entire front of the switchboard to himself, and the eyes behind the horn rimmed glasses were enormous.
Still without a word Johnny laid the opened knife on the bakelite front of the board and pushed it toward her with his left hand. "Take a look," he suggested.
"L-look---?" Her voice was a croak.
"Did you know the boy up in 938, Myrna? A knife just like this sliced his face to ribbons. You sure you know what league you're playin' in these days?" She stared mutely, a hand at her throat. "You and Hans pullin' oars in the same boat, maybe? You know what happened to Hans?"
"Stop---" The tip of her tongue circled her lips swiftly. Her voice strengthened. "Stop it. And get out of here. And get that damned knife out of here. Who the hell do you think you are?"
Johnny retrieved the knife, folded in the blade, tapped the solid casing on his palm, and returned it to his pocket. Myrna rolled her chair back out of its corner, her hands patting ineffectually at the wild hennaed hair. Her face was ghastly, and the lips bloodless.
Johnny half turned to go and then looked back. "Last chance, Myrna."
"Get out of here! Fast!"
He shook his head commiseratingly. "I gave you an out, kid. I'm not even gonna feel sorry for you when they come for you with the knife. I wish I had your nerve, that's all."
She looked around wildly for something to throw, and her voice rose hysterically. "Damn you, get out---!"
No score, Johnny thought to himself as he re-crossed the lobby. She's scared, though, and not of my palaver. She may come around yet when she thinks it over.
He entered the bar and stepped behind it at its nearer end, and the boy Manuel looked up from his preoccupation with lime squeezing. Johnny silently offered him the knife.
"Ah, senor!" the slim youth said cheerfully, wiping his hands on his apron. "Eet deed not take long?"
"Not long. Thanks."
"No cause."
Johnny moved on to the kitchen. It was Mrs. Carl Midler's dinner time, and Mrs. Carl Muller interested Johnny.
Willie Martin lay on his back in the big double bed in the hotel room, and the cigarette in the corner of his mouth trailed lazy spirals of gray-blue smoke upward. He looked up at Johnny sitting on the far edge of the bed, and his crisp voice broke the little silence. "This is not exactly the party I had in mind for the night I got back, Johnny. Maybe we should take the bit in our teeth and go out on the town?"
"Stop racin' your motor," Johnny told him. "I got someplace for you to go later, anyway, if Shirley doesn't call. I told you she was in a bad mood."
"You did tell me." The lean, poised face returned to its brooding inspection of the eddying haze of his cigarette. "Not that it was necessary. She's had no other mood recently." The light blue eyes flicked back to Johnny. "I suppose you wonder why I put up with it?"
"That's your business," Johnny said shortly.
Willie smiled. "But you don't approve? You're as transparent as glass." He shifted into a more comfortable position. "In a way, I don't approve myself, if it's any consolation to you."
"Well, what the hell, then, Willie---" Johnny stared down at the slender man. "If you feel that way---I thought she had you on the hip."
"She has." The voice took on a brittle edge. "Perhaps I should have said that my intellect does not approve, but that I can't say the same for my emotions." Willie lifted his head and smiled, this time the quick, flashing smile that Johnny knew so well.
"You find that a little difficult to believe?" .
"Well, knowin' you---" Johnny paused uncomfortably.
"She's a pretty thing, Johnny."
And at the substantial understatement Johnny knew all that he needed to know; inwardly he was amazed. The man on his bed may not have had his pick of the world, but he hadn't missed it by much. Johnny had seen them come and go in Willie's life, the ladies and the others, and now here was the fastidious Willie trying to justify his feeling for a beautiful face that Johnny could no longer disassociate from a needle-punctured thigh...
He spoke abruptly. "Let's take a little ride."
"Where?" There was no interest in the inquiry.
"Friend of yours wants to say hello."
This time the head came around. "A friend? Of mine?"
"Yeah. Joe Dameron."
Willie made a wry face. "I couldn't work up much enthusiasm over that visit. Joe and I never did see exactly eye-to-eye."
"This is business."
The blue eyes narrowed. "What kind of business? Do you have something on the fire with Joe?" .
"We been playin' cops and robbers around here since you left."
"Well?"
"I'd rather have Joe tell you."
Willie sat up and swung his legs over the edge of the bed; his hands energetically attacked his loosened tie and paused as his head swiveled toward Johnny again. "Are you in trouble? You been throwing your weight around?"
"No more'n usual. Joe'll brief you."
Willie considered him shrewdly for a moment and then shrugged. He dressed quickly, and in deference to his business suit Johnny slipped into a sports jacket. Willie maintained combat silence on the way down to the street, and he spoke only once in the cab. "Has this something to do with the hotel?"
"Yeah." They finished the ride in silence again, and Johnny led the way up the worn white steps and turned left inside to the high desk presided over by the white-maned patriarch, who regarded them bleakly.
"To see who, is it now?"
"The keeper of the zoo," Johnny told him. "Mr. Martin to see Lieutenant Dameron."
Deliberately the old man picked up the phone. "Lieutenant? A Mr. Martin to see you, sor. Wit' that big moose was here the other afternoon. Yes, sir." He replaced the phone and looked at them.
"Second door on the left," Johnny said for him before he could speak, and the thin mouth tightened, but he nodded.
Lieutenant Dameron met them in the hall. "Willie!" he exclaimed, hand outstretched. "Good to see you again. I'd heard you were in Europe; really hadn't hoped to see you this soon. What brought you back to town?"
"My sinful nature," Willie replied drily, shaking hands and glancing from one to the other of the two big men. "This is turning out to be quite a production. What's on your mind, Joe?"
"Johnny didn't tell you? Come on inside. We can't talk out here." He led the way into the familiar, dingy room and motioned them to chairs as he closed the door. "Sorry about the appearances, but the city doesn't believe in wasting money on us non-revenue producing agencies." He dropped down in his swivel chair behind the cluttered desk, propped his elbows on its surface and looked at Johnny over his steeple-shaped pressed-together hands under his chin in the gesture Johnny had come to associate with him. "You didn't tell him anything?" Johnny shook his head. "Okay. Here's a fast rundown for you. Willie."
Johnny sat and listened to the ruddyfaced man quickly sketch the sequence of events at the hotel, beginning with Max Armistead's original proposition and Johnny's session with him on the elevator through all the ins and outs of the subsequent developments down to the point of the discovery that Ronald Frederick was not Ronald Frederick at all but had obtained the job for some purpose of his own through the use of another man's name.
Johnny watched the changing expressions on Willie Martin's aristocratic face as he listened to the rapid recital, and when the lieutenant had finished the slender man sat quietly for a moment, lost in thought. When he spoke his voice was brisk. "I imagine you boys had a specific reason for lugging me in here and spoonfeeding this to me, but how about a couple of questions first?"
"Go right ahead," Lieutenant Dameron invited him, and Willie Martin frowned absently, leaned back in his chair, and looked up at the ceiling a moment before looking back at the big man behind the desk.
"This might sound a little silly to you, Joe, but are you sure you haven't gotten your wires crossed on Freddie?"
The lieutenant stared, but Johnny cut in ahead of him before he could reply. "Not a chance, Willie. Joe got the word from the coast."
"I know, I know." The slender man straightened in his chair, and his tone was impatient. "Joe got the word. Now let me tell you something. An hour ago I finished reading the first comprehensive report I've had from my auditor and my lawyer since I put Frederick in there, and both of these reasonably disinterested businessmen assure me that he's doing a better job for me down there than anyone I've had in a long time. Now I wouldn't try to convince you that the hotel is the biggest or most complicated operation of its kind, but on the other hand it doesn't run itself. One of us is barking up the wrong tree, Joe."
Again Johnny spoke first. "You haven't seen this thing break wide open the way we have."
"Johnny's right," the lieutenant chimed in heavily. "We have to believe it's him from what we've developed to date."
Willie spread his hands placatingly. "Yet we have this suspect, this imposter, successfully operating a fairly specialized business. It's a little difficult to reconcile. Well, let's get to it. Why am I here?"
The red-faced man cleared his throat. "I want you to prefer charges against this so-called Ronald Frederick."
Willie sat silent so long that Johnny shifted uneasily in his chair; the slim man leaned forward finally, face thoughtful. "Can you blame me if the first thought that comes to mind is that if there were a legitimate charge you'd be making it yourself?"
"You're the injured party, Willie." The lieutenant's face was bland.
"Exactly where or how am I injured? Let's tighten it up a little---with what am I supposed to charge him?"
"My boys upstairs'll find you half a dozen things, based on the misuse of the name."
"I'm no lawyer, Joe. Is it criminal? And if it isn't, in view of what I've already told you about his work, if there're no loose ends, no damages, no loss... well, I personally don't see where there's a civil action, either. This is no hood you can push around, Joe; this is an educated man who knows his rights."
Lieutenant Dameron drew a long breath, and his face hardened. "Are you turning me down, Willie? We look for a little more cooperation than that from our more prominent taxpayers."
Johnny could see Willie's face stiffen in turn. "Don't threaten me, Joe. Even indirectly." His tone turned sardonic. "I don't like to be put in the position of defying a duly constituted authority---"
"For God's sake, Willie," Johnny broke in. He had been sitting more and more uneasily on the edge of his chair. "What the hell's the matter with you? This is serious. There's a goddamn volcano set to go off around the place we don't get the lid on. You sound like an old woman. How come you're so persnickety all of a sudden? I've seen the time you defied a bunch of duly constituted authority would send Joe and me both runnin' for the kaopectate."
Willie leaned forward in his chair again. He looked tired Johnny thought. "Is this the man, Joe? Am I safe in preferring charges? Have you got a case?"
lieutenant Dameron spoke carefully. "With your help, Willie, we intend---" He broke off as the slender man stood up suddenly.
"I can't buy it," he said sharply. "Not this way. I'll soften it a little, though. I'll have to talk to my lawyer first, of course. Then I'm going to Acapulco in the morning. I'll be back in two days, and by that time you should have developed this thing to the point where you either don't need me at all, or that I can justify my intervention. More than that I can't do."
"We don't want that little bastard to have two days," Johnny said gloomily. "I'd bet my life he's the juggler keepin' all this stuff in the air. We grab him we got a good chance of rollin' up the rug on the jackpot."
Willie looked at him. "Aren't you giving him the Iron Cross with palms for being the mastermind behind all this that I've been listening to, in addition to holding down a full time job?"
"Willie, how many times have I steered you wrong? He's the man."
Willie shrugged. "We could sit here all night and get nowhere," he said after a moment. "That's not what I came to New York for, though. Let's go, Johnny."
Johnny rose reluctantly, looking at the big man behind the desk, who looked away. No one offered to shake hands on the way out, and on the stone steps outside Willie paused and looked up at Johnny. "You figure I'm wrong?"
"I know you're wrong."
"Sorry." But he didn't sound sorry, Johnny thought; he slowly descended to the street in the wake of the slender man impatiently whistling for a cab.
He heard Sally's key in the door, and he put down his newspaper as she entered with her arms full of bundles. Her eyebrows lifted at sight of him in the easy chair. "Well buster," she commented on her way through to the kitchen where she set down her packages with a thump, "I couldn't truthfully say I expected to see you this morning Have you been to bed at all? What happened to Willie?"
"Just put him on the plane to Mexico," Johnny said.
Her voice drifted out from the kitchen. "He ought to be right in his element with the jumping beans." She reappeared in the doorway. "You all right? You look a little down. Or just hung over?"
"That must be it, ma."
She walked into the bedroom and came out with the telephone pad in her hand. "I had a report this morning from a Fontaine Agency operative," she said importantly. "Interested?"
"It depends."
"Let me check and see if you've paid last month's bill. Maybe your credit rating doesn't call for any additional information." She looked down at his expression of inquiry. "Mr. Carl Muller is in town."
Johnny grunted. "You know that?"
She nodded. "He's not only in town, he's in the hotel. I've had Vivian Fuller---she's the new day housekeeper--- watching Mrs. Muller's room ever since you said you were interested in it. She called me a half hour ago and said that he'd just checked in. Same address, Bremerhaven. He doesn't speak as good English as his wife. He asked if a Mr.---" she checked the telephone pad "---Samud was registered or had left a message for him. Seemed surprised when they said no and made the desk check again. They opened up the connecting door between 1224 and 1226 and made a suite out of it; you know, with the bathroom in between. End of report."
Johnny stared at the white summer curtains moving gently in the early morning breeze. "He's meeting someone. Or planning to. Probably doesn't have a thing in the world to do with this other skirmish---" He stood up restlessly and jammed his hands in his pockets. "Think I'll go out for awhile."
"You just got here. Barely."
"I'll call you, ma."
He ran lightly down the single flight of stairs to the street level, his mind on Carl Muller. Now if somehow there should be a connection---
He noticed the man in the hallway but brushed past him to open the door. His hand barely touched the knob when a hard object was jammed into his right side and a voice spoke curtly in his ear. "Take the second cab at the stand, bud. No tricks."
Gun and voice were at his right; Johnny turned left. "I beg your pardon?" he said politely over his left shoulder, then continued to turn in apparent surprise at not finding anyone there. In the middle of his turn the pressure in his right side lessened as the man with the gun tried in vain to follow his movement, and Johnny accelerated. He came out of the turn with a stiffened left forearm that clubbed the squat body viciously at the beltline, and the man gasped and doubled up, face screwed up in agony.
Johnny chopped a rabbit punch to the exposed neck, and the man pitched forward to his knees. Johnny bent swiftly and removed the gun from the nerveless hand as the squat man fell over on his side; with a firm grip he grabbed the slack shirt collar and towed the limp figure along the parqueted floor toward the basement entrance just down the corridor from him. Five minutes privacy with this one, and he would have the answers to a few questions.
Johnny speeded up as he heard steps descending the stairs. The overhang partly hid him, and he didn't know whether he had been seen or not. He was not long in doubt; the voice behind him was heavy and demanding. "Just a minute, mister."
Johnny halted and turned slowly. A stout man with hard gray eyes advanced from the foot of the stairs and stopped a dozen feet away. Johnny blinked; there was no gun in his hand. That was an improvement. He estimated the distance between them, and then it came to him. "You Dameron's stakeout here?"
"That's right, fella." He gestured at the figure on the floor. "I'll take over now. I saw the whole thing from the top of the stairs. That's a real nice move, Killain. Like to show it to me sometime on my day off?"
"I'll make a deal with you, Jack. You go get lost upstairs for ten minutes. When you come back down I give you this and I show you the move any time you say."
The fat man shook his head regretfully. "I can't do it. I got my orders, and they say to keep an eye on that door upstairs, and to break up any scrimmage you get into around here. What I hear, if I took you up on that offer I'd need a basket to get him downtown."
"It bothers you, Jack?"
"It bothers the people that sent me here. Comprends?" Johnny sighed and released the collar to which he had been holding. There was a hollow sound as the dead weight struck the floor, and the fat man clucked in disapproval. "You're gonna spoil him, Killain."
Johnny started to reply and then remembered. "This bastard said the second cab at the stand---" He ran lightly to the door with the fat man outdistanced. Behind the first cab at the stand was an empty space. "Damn---!"
"Gone, huh?" the stout man sympathized. "Too bad. I think I'll call and get the meat wagon for your boy here."
"Here." Johnny handed him the gun. "This goes with him."
"Well, thanks, now. I appreciate it. Sorry I can't do you that other favor, but you know how it is. I sure would like to learn that move, too."
"You keep the stairs here clean, and you learn the move."
"Yeah? Mister, nobody gets up those stairs without a blood test."
Johnny nodded, and turned to the door.
He ran into Jimmy Rogers just inside the door of the stationhouse, and the sandyhaired man cocked a quizzical eyebrow at the sight of him. "The lieutenant get hold of you? He's been calling all around."
"First I heard of it. What's up?"
"Put up your lightning rod."
"Like that, huh? What's chewin' him?" Johnny followed the detective inside to the private offices, and a billow of sound rolled through the corridor.
"Rogers!"
Johnny grinned at Jimmy Rogers' sardonic glance. "The bull moose is in rut, huh? Let's go in an' give him a hotfoot."
"You don't have to work for him." Detective Rogers made no objection to Johnny entering behind him into the same office he had left with Willie Martin not so many hours ago.
"Mornin', Joe."
"You!" It was an epithet the way it was uttered as the red-faced man's head jerked up and focused on Johnny. "I want a few words with you right now!"
"You expect to enjoy yourself while you're havin' 'em, furl your sails a little," Johnny suggested. He seated himself comfortably as he eyed the irate lieutenant. "You'd have a little trouble bustin' me back to a post, Joe." Detective Rogers' expression as he sat down across from Johnny was carefully blank.
"You can skip the wise remarks. I want a straight answer from you. Have you had anything to do with this Myrna Hansen, the telephone operator?"
It surprised Johnny. "I had a little talk with her," he said cautiously.
The lieutenant's hands came up from his lap and gripped the edges of his desk, hard. "You had a little talk with her," he mimicked heavily. "She's only a certain witness and a possible confederate to some of these goings on, but you had a little talk with her." He raised himself up in his chair, and the angry face was dark red. "Just who the hell do you think you are? This is a police investigation. I don't want you---"
"Ahh, knock it off, Joe," Johnny interrupted him. "You talked to her for two hours, and you got a big, fat nothing. I just tried to throw a little scare into her, that's all."
"God give me strength." The lieutenant looked up at the ceiling before again boring Johnny with his eyes. "Did it ever occur to you that just possibly we might know what we're doing? We wanted to know where that woman went, whom she contacted. You had your little talk with her and scared her underground. My man lost her yesterday afternoon and hasn't seen her since."
"The people she's been playin' with, you'll be lucky if you don't find her underground," Johnny said thoughtfully. "Or she'll be lucky. Personally, I couldn't care less; in my book she's been livin' on borrowed time a while already, the way she operates. Are you listenin' today, Joe, or just talkin'? I got a couple of things."
The big man glowered at him silently, and Johnny shifted his remarks to Detective Rogers. "I was just stuck up at the door of that apartment where you have the stakeout. Gun-in-my-ribs said, 'Get into the second cab at the cab stand.'"
"Where the hell was Mulleavy while all that was going on?" the sandyhaired man demanded sharply.
"Mulleavy your man? He was at the head of the stairs, watching."
"Oh, great---!"
"I'm kiddin' you. He didn't have time to blow his nose. I didn't even know he was there, so when I took out the guy in the doorway I had just started to lug him down into the basement for a private interview when Mulleavy declared himself in. Said private interviews were verboten."
Lieutenant Dameron broke his silence, the backbone gone from his voice. He sounded tired. "Mulleavy followed orders, but I almost wish he'd been out for a beer. That's an unofficial wish." Thick fingers drummed on the desk.
Johnny returned his attention to the lieutenant. "I remember way back at the beginnin' of all this, Joe, you stood up on your hind legs and told me you got answers. You sure as hell haven't gotten many from the people you've talked to so far, and there's been quite a few. What goes?"
The lieutenant slumped down in his chair and passed a hand over his eyes. "Well, let's take it by the numbers. Max's boys were a couple of professional hoods; you never figure to do much with them. I had hopes for that coked-up redhead; he should have told us everything he'd ever known in his life when his skinful wore out. He got a real weird reaction when it did, though; he went right from a human clam to a whistling scream. The docs took him away from us." He straightened in his chair and looked over at Johnny. "Then there was Rieder, the cook at the hotel. I don't feel too good about that one. I felt safe; Doc Greenstein had knocked him out with a needle, I had a man at the door of his room, and Jimmy on the way over to kneel on his chest and get a few answers. But with all that, he still went down the drain. Literally, by God. Now there's this one you knocked over today. He able to talk?"
"When they tape up his ribs."
"Put that at the top of your list, Jimmy. Not that it'll do us any good. This is another hood." The gray eyes ranged Johnny speculatively. "How'd you like the cooperation we got from your boss last night?" Johnny was silent. "Well? Did he give you a reason? He couldn't have given you one that made sense, because there isn't any. I don't forget things like that, Johnny."
"He's a businessman, Joe. He can't---"
"Businessman, hell! This is Dameron you're talking to. Willie inherited a few dollars, and all his life he's been the playboy of the western world, except for that little party overseas. He's been---"
"Ahhh, chop it!" Johnny snapped. "All that crap is between you and him. All I know is that if I'm in a thirty foot circle and I need a man at my back, Willie's the man. Where the hell do you get off runnin' him down? Why don't you make your own move instead of askin' him to do something you're afraid to do yourself?"
Detective Rogers interposed himself smoothly between the acrimonious raised voices. "You said you had a couple of things, Johnny. You only mentioned one."
"Yeah." Johnny looked over at the poised notebook. "You got room for hunches in that thing?" Swiftly he outlined the history of the Mullers as he knew it up to the telephone call from the housekeeper. "I don't know why they look out of line to me, but they do." His eyes came back to the silent lieutenant. "I don't know a thing, Joe, but I tell you I can feel it."
Lieutenant Dameron considered the busily writing detective. "Well, Jimmy?"
Detective Rogers looked up from his notebook. "Let's run through it again. The woman checked in at the hotel--- let's see, that would have been the second day after Max ran out of gas in the alley. She takes all her meals in, sees no one, and calls no one, but Johnny here is watching the register for European checkins because we think this whole thing has something to do with contraband being brought in on boats, so he gives her a second look. He established little except that she was in Italy a few years ago, that she's Viennese married to a German, and apparently hasn't always led the sheltered life. This morning her husband shows up at the hotel and checks in alongside. Oh, yes, and inquired for a Mr. Samud, apparently unregistered." He looked up from the notebook spread open on his knee. "That's it?"
"That's it," Johnny admitted. "You want I should walk out to the sidewalk before droppin' dead and save you the trouble of cleanin' up here? If I'd said it out loud to myself like that before I came over here, I probably would've saved myself the trip."
Lieutenant Dameron stared down at the top of his desk. "We can watch them, of course," he said slowly. "Hell, we must have a man over there now for practically every room in the place. We can watch them, but can you blame me if I ask why?" He pulled at an earlobe exasperatedly. "On the other hand, I've seen these 'feelings' of yours before. You used to be able to smell trouble at two hundred yards, upwind."
"Joe, just as sure as I'm sittin'---"
"Just a goddamned minute, everyone." The sandyhaired detective was staring down at the notebook on his knee. He stood up quickly, covered the bottom half of the exposed page with his palm and laid the book on the desk before his superior. "Look at that."
The lieutenant leaned back first to look at his assistant, as though trying to analyze the repressed excitement in his voice, and then down at the indicated five printed block letters. "Samud? That's the party this Muller asked for when he checked in today, according to Johnny. So?"
"Try it backward," Detective Rogers invited. His hand moved off the bottom of the page to reveal another set of printed letters.
"Backward? D-U-M-A-S-? Dumas? Say, Dumas---!"
"Sure. The west coast import who caught the cleaver in the kitchen that night." The detective paced rapidly up and down in front of the desk. "Lieutenant," he said excitedly, "we've been blind. I can write you a whole new script." He halted in his pacing and faced them, an arm in the air and an index finger extended like a schoolmaster. "What's bothered us the most about this whole operation? Frederick. In an overall action with a highly professional gloss, he has all along had the look of an amateur. We haven't been able to make him as a pro, and the man that's at the wheel of this thing has to be a pro. It doesn't make sense, otherwise."
He directed the pointing finger at Johnny. "That's where we went wrong. Dumas was the pro. Dumas was the boss. Frederick was brought in by him for a specific job, probably to provide cover and act as clearinghouse for whatever their traffic may turn out to be. That's not important. The important thing is that the whole affair hinged on Dumas."
"Now just a minute---" Johnny began, and the sandyhaired man waggled a reproving finger.
"Let me finish. You get the picture in the kitchen that night? Dumas had killed young Rieder, after trying to get him to talk, and he had a body to dispose of in a hurry. He dragooned his man, Frederick, into using his keys to get them down into the kitchen on the room service elevator and into the meat locker. Then the old man interrupted them, and Dumas killed him, too, but got himself half-killed in the process. Frederick must have stood there with the world coming down around his ears. He couldn't leave Dumas around alive to talk, so he finished him off. I'd say he graduated from the amateurs to the pros right there, and cum laude, at that."
He swung back to the lieutenant at the desk. "He had already had the foresight---or had followed Dumas' instructions---to have his room wired up, so that when he knew that Johnny was suspicious of him and was listening in, he was able to sidetrack him. Do you realize that if I'm right this Muller doesn't know Frederick and that Frederick doesn't know him? That Frenchy Dumas was the intermediate contact and possibly the only one?"
"You're goin' too fast," Johnny complained. "You lose me when you say Freddie wouldn't know this Muller. If he doesn't know Muller, what's the point in the boy-stood-on-the-burnin'-deck act he's puttin' on down there?"
"Does he need to know that Muller doesn't know him?" Jimmy Rogers demanded earnestly. His hazel eyes popped with excitement. "Frederick is waiting to be contacted, not to do the contacting. He doesn't realize that he's killed off probably the only contact there ever was. He'll be there till the wreckers move in. What else can he do?"
"He can blow," Johnny said flatly.
"Don't say that," Lieutenant Dameron winced. "I've been lying awake nights sweating out his giving us the slip ever since we found out he's not the real Frederick. Do you realize we don't even know who he is, legitimately? I've got to pick him up. Fifteen yards start and he'd melt out on us like an ice cube on a summer day."
"If you haven't got him staked out like a uranium field you ought to lose him," Johnny said.
"So he's staked out. Accidents happen. Look at that orange-headed female I'm plowing up the streets for now. I've got to pick this Frederick up. I want his prints."
"That's a little different tune than you were singin' last night. Last night you needed a little help."
The big man nodded. "I could use some, but I can't wait. I've got a boy upstairs has forgotten more law than most judges ever learn, and he's given me a couple of angles. I've got a chance to make it stick."
"He'll spit in your eye," Johnny predicted. "Besides, there's a better way, Joe." He grinned into the wary glance behind the desk. "Let's introduce 'em to each other over there."
An exhaled breath sounded gustily in the room's quiet. "Impossible!" Lieutenant Dameron exploded the word.
"What the hell's impossible about it? Outside of you sayin' so like God Almighty?"
"Just a minute, Johnny," Detective Rogers thrust in soothingly. "Suppose we did what you suggest. What would happen?"
"Who the hell knows? Let nature take its course. It ought to flush a little of this mess out into the daylight."
The sandyhaired man shook his head patiently. "I wouldn't try to convince you that we always go by the book, but a police action has to be a little more integrated than what you have in mind." He glanced at the lieutenant who was tipped back in his chair with his eyes closed, the red face thoughtful. The little silence was broken when the chair tipped forward with a bang and the face set itself in stern lines.
"No. We can't do it. It's extra-legal. It's dangerous."
"Ahhhh, let me call him, Joe. I can probably convince him he should give himself up."
"You needn't put any extra effort into being a wise guy, Johnny. I'm telling you: don't do it. I can't stand wrong guesses and further complications. Don't even think of it."
"You think you can stop me?"
"I can make you wish you'd never thought of the idea, and by God, I will. I'll take you off the street if I have to make a law. Don't you cross me."
"Blow it outta your barracks bag, Joe. You think you're scarin' anyone?"
"Johnny, this is important to me!"
"So you sit here an'---ahhh, forget it!" He lurched to his feet and started for the door.
"Johnny---!"
He slammed the door heavily behind him.
In his own room he stared at himself in the bureau mirror over the rim of the double shot-glass of bourbon in his hand. He threw back his head and tossed down the contents, shivered, and solemnly inspected himself again in the glass.
"Well, Killain? You figure it out. Man told you not to do something. Did he mean it, or did he say it figurin' you'd do it anyway to spite him? An' if that's what he figured, you sure you want to do it? Go ahead, Killain. Figure it out."
He refilled the shot-glass and sat down in his easy chair.
He lifted the glass to the light, studied its amber contents, and drank deeply. After a moment he put down the glass and got to his feet again; he walked into the bathroom and splashed water on his face. He groped for a towel, dried himself off, threw the towel aside, and walked back into the living room.
The telephone rang as he walked to the door; he ignored it. In the corridor he turned right and walked steadily on past the service elevator to the end suite in the hallway.
At the door he knocked sharply three times, folded his arms, and waited.
The man who was not Ronald Frederick opened the door.
"You owe me a drink, Freddie," Johnny informed him.
The little manager was neatly dressed in a light gray suit with the ever-present breast pocket handkerchief prominent as usual. For the count of ten the mild eyes behind the steel rimmed spectacles studied his visitor, and then he nodded, and stepped back. "I... ah... recall that I do. Come in."
Johnny preceded him into the sitting room which was fitted out with a desk in its center, and his host scrutinized him carefully as he followed. "Are you sure that you---ah--- need it now?"
"Right now."
"Have a chair, then." He stood beside his desk as Johnny seated himself in the armchair to one side. "Scotch?"
"Naah."
"Bourbon, then?"---\*
"Okay."
Johnny watched as bottles were removed from a wall cabinet and two liberal drinks poured. Ronald Frederick looked at his guest. "Chaser?"
"Some other time."
The little man handed Johnny his glass and put his own down on the desk. He walked unhurriedly to the door, turned the bolt, and slipped on the chain latch. His manner as he returned to his desk was politely courteous. "I'm assuming that we wish no interruptions?"
"You're assumin' well today." Johnny lifted the drink in his hand. "To your beautiful blue eyes, Freddie."
The manager smiled faintly as he seated himself and picked up his own drink. He leaned back comfortably in his desk chair. "Since my eyes don't happen to be blue---"
"Got to be," Johnny said flatly over the rim of his glass. "San Francisco says Ronald Frederick's eyes are blue."
The slender face behind the desk seemed to tighten up feature by feature. "San Francisco?"
"Yeah. Let's cut out the horsin' around, Freddie. I want a piece of your action here."
The little man pursed his lips, seemed to consider for a moment, then leaned forward smoothly, slid open a desk drawer, and emerged with his right hand gripping a revolver from which the long snout of a silence projected. He sat back again with it lying casually across his lap. "You're so impetuous at times, Johnny," he said apologetically. "You'll understand, I'm sure."
"Yeah. That the gun you measured Frenchy with that night in the kitchen?"
Ronald Frederick picked up his drink carefully in his left hand and sipped at it, his face impersonal.
"Not very smart of you keepin' it around here, Freddie. Suppose Joe Dameron had picked you up any time in the last few days, like he'd halfway planned. Could you've explained it? They got the slugs outta Frenchy, you know."
The silence from behind the desk lengthened. Johnny threw back his head and drained his glass, and at his first movement the revolver in the chair opposite lifted itself three inches and then lowered again as he settled back. "You didn't know the stuff was in the hotel already, did you, Freddie?" Ronald Frederick delicately removed the handkerchief from his breast pocket, flipped it open, and Spread it on his knee. He wiped his fingers deliberately by rubbing them briskly over the handkerchief, one hand at a time, the free hand in turn hovering over the gun butt. "It's funny, in a way, Freddie. Dumas hires you to do a job for him here and sets you up in business. All of a sudden to save your own neck you have to knock him off. The man with the stuff arrives; he knew Frenchy, and he's waitin' for Frenchy to contact him. Gonna be quite a wait. The man doesn't know you. You don't know him, but I know both of you."
The voice from the opposite chair was quiet and unemotional. "You seem to have acquired a good deal of dangerous information."
Johnny grinned at him. "You know I haven't got that kind of brains, Freddie. This is right from the horse's mouth. If Joe'd had even a halfwit to put you near the kitchen that night, your tail woulda been sizzlin' in the bacon grease long ago. How much more time you think you're gonna get?"
"I trust just time enough." The manager lifted the gun in his lap, balanced it appraisingly a moment, and gently returned it again. "As you said a moment ago, let's eliminate the---ah---horsing around. I'm sure you didn't come here without a proposition!"
"Sure. It's simple. I take you upstairs, and we go up against the guy with the stuff. How you handle him is your problem, but you and I split the dollar bills right down the middle."
The manager nodded. "It sounds reasonable from your point of view, of course. Unfortunately the answer is 'no.'"
"You got a choice?"
"I do have a choice. I think that even you will agree that this revolver gives me a choice. I'm not about to give away fifty percent of three months' effort merely because you suggest it."
"You can't find him without me, Freddie. You need me."
"Only up to a point." Ronald Frederick smiled. "You see, Johnny, there's a very important point at which your premise ceases to be valid. Frenchy Dumas did not hire me. I am answerable only to---" He tried to cover the apparent slip by gulping at his drink. "You know, this sort of---ah--- violent activity differs radically from my past operations, which is why Lieutenant Dameron and his associates have been unable to 'make' me."
He cleared his throat gently; the mild eyes were unclouded again. "That night in the kitchen was a disaster, of course. Frenchy's initial carelessness in permitting himself to be followed into the hotel resulted in a kangaroo court and a body. When we took it to the kitchen to dispose of it temporarily, we stumbled over the old man. Frenchy lost his head---if you don't mind a grisly little joke, almost literally."
Ronald Frederick smiled again. "Man proposes, the saying goes; through one oversight in an otherwise straightforward master-plan, upon Frenchy's death I was placed in the unfortunate position of being unable to identify the courier or myself to him. In that respect the good lieutenant was entirely right in his deductions." He sipped at his drink. "So there I was, until now. Your appearance is providential; you've saved me a good deal of embarrassment."
"So let's hear the deal, Freddie."
The slender features hardened. "There is no deal. I've considered you rather carefully in your various aspects since you first came to my attention, and I'll tell you truthfully it was with some regret that I decided I couldn't afford the luxury of your dynamic support. I could buy you, but intuition tells me you wouldn't stay bought. When we go upstairs, I'll---"
"I'm in for fifty percent, or we don't go anywhere," Johnny cut across the mild voice.
The little man's smile was unruffled. "Don't you suppose I've taken the measure of the man a little better than that, Johnny? Certainly you could sit here and defy me, receive a bullet in your head, and leave me to get away as best I could without the material for which I've expended so much time and trouble. But do I really need to say why I'm sure that won't be necessary? Isn't it much more in keeping with your character that you'll cheerfully accompany me upstairs and look forward confidently to turning the tables upon me at some stage of the proceedings?"
"You must be quite a poker player, Freddie."
"I've played the game. Well?"
"Seems to me if I got to take you, I might as well do it right here. Unless there's a financial point to my takin' you on upstairs?"
"If you were to take me on successfully, a point in the neighborhood of a quarter of a million, handled in the proper channels?"
"Dollars?"
"Dollars. My share---" He smiled. "---yours if you can make it yours---will approximate that."
"I'd like to see a quarter million on the hoof at that."
"You'd be disappointed. It's microfilm, probably in a capsule no larger than your little finger."
"Microfilm? What the hell---"
"I suppose you thought it would be at least the crown jewels? Jewels are out of date in this commercial modern world, Johnny. These films are a complete reproduction of some very recent developments in oil. Evaluations, leases, maps, tentative agreements, drilling sites, proposals. And they didn't come from the papers of a private company." The manager shifted in his chair. "We're wasting time. Have you decided?"
"Let's go upstairs."
"Fine. One word of advice---"
"Yeah?"
"The time will come upstairs when you sense the opportunity or the necessity of rushing me. I'm aware that due to your tremendous animal vitality you may expect that the impact of a bullet will not stop your charge. Don't count upon it. This revolver carries a lead bullet without a jacket. The rifling in the chamber is a bit worn. The combination results in a slug that wobbles even at a short distance, and I feel I should point out to you that such a slug in the back of your head would make it extremely difficult to identify you from your pictures."
"You mean it'd take my face off on the way out."
"Precisely."
"I'll draw cards to the proposition that you can't hit me in the head, Freddie. And if you hit me anywhere eke it's not gonna do you much good, because I'll anyway reach you, and when I do you're odds on to pray for a better world." He stood up slowly and easily, put down his glass gently, and walked over to the desk. He leaned forward deliberately with his hands resting knuckles down on the surface and stared down at the little man who had backed off in his chair a precautionary few feet at Johnny's approach. "Come on, you little bastard. Let's see how much nerve you've really got."
"Fine," Ronald Frederick said again as he got to his feet. "We won't use the elevator; I'd be a little too accessible to you. How many flights on the stairs?"
"Six." Johnny walked to the door, slipped off the chain latch, and unbolted it. He glanced out into the deserted corridor, and without looking behind him started for the door down the hall marked EXIT. In back of him he could hear the whisper of the little man's feet on the carpeted floor.
"Careful!" Ronald Frederick snapped as Johnny put his hand on the fire door which opened outward onto the landing. "Move slowly and hold that door open." Johnny glanced over his shoulder; over the shortened distance the revolver was openly trained upon his back, and for the first time the manager's face was strained and ugly.
Johnny shrugged. Ronald Frederick followed him through the door, body tensely withheld to maintain the maximum distance between them, and Johnny turned to the stairs. On the first turn he could see from a corner of his eye that the revolver had been thrust beneath the manager's jacket so that only the butt emerged; it was unlikely that a casual glance would notice it.
Johnny climbed steadily and behind him he could hear increasing sounds of distress. At the twelfth floor landing the manager called a halt. "Hold it for a moment."
Johnny turned to look at the slender figure stationed a consistently careful ten feet away, a hand on the protruding mm butt, the chest heaving and a faint sheen on the forehead. "Nerves gettin' you, Freddie?"
The little man's attempt at a smile was only partially successful. "I prefer to consider it a lack of condition, but on the other hand, we are not all nerveless invertebrates like yourself."
"If you were gonna walk away from this, Freddie, I'd suggest a gym class. Since you're not, it doesn't matter."
"Subtlety is not your forte, Johnny." The revolver muzzle emerged from under the manager's arm and considered Johnny appraisingly. "You can put away the psychological needle. Let's go."
In the twelfth floor corridor Johnny made two left turns with Ronald Frederick on his heels and came to a stop at the second door on the right, and the little man glanced up at the room number 1224 and shook his head gently.---His voice was hushed. "I seem fated to consistently underestimate you, Johnny; here I had the solution in my hand. Was that a spur-of-the-moment backfire about the blonde when I stumbled over you coming out of here that evening?"
"Yeah."
"It's a pity we couldn't have collaborated upon this affair. Truly a pity. I could have used your flair for ingenuous action." He frowned suddenly, and the lowered tone took on a suspicious edge. "You say our man is in here? I did verify from the housekeeper that it was a woman in the room. At the time it seemed to substantiate your---ah--- histrionics."
"That's his wife. He checked in this mornin', and they gave him 1226 and threw open the connectin' door to make a suite with the bathroom in between."
"Mmmm. The woman complicates matters. However, we're committed. Here." He tossed Johnny a pass key. "Lock the door of 1226. Quietly."
Johnny inserted the key and turned it delicately until it caught with only the very faintest click of tumblers. The manager nodded, listened a moment until he was satisfied that the faint sound had attracted no attention inside, and motioned Johnny back to the door of 1224. "Get us inside. Walk in ahead of me. And remember: whatever happens in that room, my eyes will never leave you." The voice was tense but in good control; the manager re-checked the position of the revolver under his jacket to make sure it was as nearly concealed as possible and stationed himself so that Johnny's bulk as he rapped on the door partially concealed him.
The door opened with its usual caution, but when the woman saw Johnny she smiled and opened it wider. "Good evening. I missed you at dinner. I wanted my husband to meet my benefactor."
"Got tied up, ma'am. This is our manager, Mr. Frederick, with me. The floor below is complainin' about a leak. Could we take a look?"
"Why, I guess---"
Johnny walked forward slowly into the center of the bedroom, stopped, and turned. Ronald Frederick was closing the door, and as he stood with his back to it his eyes ranged the room quickly. Johnny could see him glance at the card table with its customary tablecloth and the remains of dinner for two. An open bottle of wine with its contents a third gone stood sentinel amidst the dirty dishes. A wine glass still half full was at one end of the table, and an empty counterpart was still in its inverted before-using position at the other. On the floor three bulging valises, one partly open, took up more than their share of space.
A heavy voice called from the room beyond. "Erika! You haf trouble?"
"It's nothing, Carl. A leak on the floor below. They're checking---" Her glance returned to Johnny fleetingly before it passed on to Ronald Frederick, and the tenseness in the air began to communicate itself to her. Her smile shrank, and her features became tight and lifeless as she gestured stiffly to her left. "There is the lavatory. If there is a leak---"
"Call in your husband, please." Ronald Frederick's voice was crisp. He was standing in profile to her; she had not seen the revolver, but she did not miss the edge in his tone, She was uneasy, but not yet alarmed.
"It is about his papers? I'm sure---"
"Call him, please."
She hesitated, and then her head turned and her hand went apprehensively to her lips as quick shuffling steps sounded on the tile of the bathroom floor, and a beefy blond man appeared in the doorway. "There is no leak, Erika---"
The immobility of the tableau before him caught him in mid-air. He sucked in his breath sharply and seemed to try to pull his bulk together. He was very blond, with light blue eyes, and a florid face streaked with mottled veins, the face of a drinker. He had on a white shirt that seemed too small for him, a carelessly knotted tie, and a pair of seaman's trousers. He was in stockinged feet.
Johnny spoke first. "Herr Muller---"
The blond man turned to him alertly. "]a?"
"I'll do the talking, Johnny," Ronald Frederick interposed smoothly, and the blue eyes swung to him. "Herr Muller, we are here concerning a matter involving a Herr Dumas."
Carl Muller nodded slowly and turned to his wife. "Leaf us, Erika."
"Carl---"
"Leaf us."
She crossed the room slowly, circled the card table, and disappeared into the bathroom. In a second they could all hear the closing of the door beyond that led into the other room of the suite.
"Very well done, sir," the manager said approvingly, and the blond man looked at him steadily.
"Mein hen, the man Dumas wass to meet me himself."
"There was no time to inform you of a necessary change in plans."
"You haf the word, then?"
Ronald Frederick looked over at Johnny. The fractional turn of his body disclosed the gun butt in his grip to Carl Muller, who took a half step backward as Johnny spoke after a momentary hesitation. "Samud."
The blond man's hands had come halfway up to his belt line in the beginning of the assumption of a defensive posture. "Ja," he said slowly, head cocked to one side as though extracting every morsel of inflection from the syllable. "That iss the word---" He looked from Johnny to Ronald Frederick and back again, looked down at the floor and rubbed a palm on his trouser leg, and looked up again at the little manager as Ronald Frederick spoke impatiently.
"Well, sir? You say that is the word?"
Carl Muller nodded and rubbed his hands together nervously. "Ja. Das ist daswort. I get you---" With a scarcely concealed eagerness, he dropped to his knees and flung open the partially closed nearer valise, his hands rummaging beneath a pile of loose clothing. The watching manager frowned and jerked the revolver out into the open from beneath his jacket. "Just a minute, Muller. I don't---" The kneeling man whirled with a whistling gasp of satisfaction. Black steel glinted in his palm as he tried desperately to reverse the gun he had blindly gripped by the barrel.
"Drop it---!" Ronald Frederick cried out sharply, and in the same instant the gun in his hand jerked up and back as it went off, and the blond man was smashed backward against the valises where he hung pinned motionless a long instant before he plunged sideways to the floor where the gun clattered loosely away from the body. The noise had been no more than a smart clap of the hands.
Johnny walked over and looked down at the glazing eyes. There was a small hole high on the forehead and no back to the head at all. He noted that the white shirt no longer seemed to fit the blond man tightly, and he looked across at the whitefaced, staring manager. "You didn't overestimate the package in that peashooter much. Well, what now? You sure handled that one like a high school kid in the kip with his girl friend the first time. That was the man with the stuff, remember?"
"I had to," Ronald Frederick whispered. He cleared his throat, and his voice was firmer. "I had to. And get away from that gun." He drew a long, shuddering breath. "Lock this door here. Come on. Move."
Johnny locked the door, and when Ronald Frederick motioned with the revolver, he moved back to the center of the room. For an instant it was quiet, and then the manager's head came around abruptly as they heard the door open at the far end of the bathroom and the unhurried tap-tap of high heels on the tile. Automatically the revolver swung over and lined up on the bathroom door before the little man remembered and realigned it on Johnny.
Erika Muller appeared in the doorway and glanced first at Johnny, next at Ronald Frederick, and lastly at the body on the floor. Her expression had not changed at all from the time of her exit from the room. She crossed the room swiftly and looked down at the blond man, and only the tightly clenched hands betrayed any emotion. "Carl---" she said softly. "You poor, pitiful fool---"
She turned away at last and looked at them, face and voice devoid of emotion. "Well, gentlemen?"
Johnny looked at the still whitefaced manager, who attempted to pull himself together with a visible effort. The tip of his tongue circled his lips swiftly. "Ah... Frau Muller. You know why I am here?"
"No."
"You know where the package is? The capsule?"
"No."
He took a deep breath. Johnny realized that the little man had come back a long way; he was very nearly in control of himself again. "I think that you do. I think that you realize that the only thing I can afford to believe is that you know. The capsule, please? Where is it?"
"I do not know."
He made an abrupt movement as the tension built up in him again and then pulled himself up. With a plainly deliberate effort he forced himself to speak slowly and calmly, but the perspiration stood out on his face in great, beaded drops. "I would recommend that you listen to me carefully, Frau Muller. We are more than likely all dead people in this room." The revolver waved at Johnny. "This man, you, and more than likely myself before I can get away. That is realistic enough, surely? But I am not leaving without the capsule, is that clear? I am not leaving without it."
His voice rose; he struggled to hold himself together. "If you give me the capsule, I promise you a merciful exit from this world." He glanced at the body on the floor. "As quick as his, but if you persist in this foolish denial then I shall have to hurt you badly, and you will tell me in time, anyway."
She swallowed visibly, but her voice was firm. "I do not know."
Color flooded back into the little man's features with the furious blood of anger, but again he took himself in hand. The revolver gesticulated at Johnny. "Stand back in that corner." With a careful eye on the corner he approached the card table on which the remains of dinner still rested. With the revolver unwaveringly in one hand he worked awkwardly with the other as he turned over the unused wine glass and slopped it half full from the bottle. With quick, jerky movements he reached into an inside pocket and removed a small vial containing a colorless liquid. He had difficulty in dislodging the cap one-handed, but finally managed it and poured the contents into the half-filled glass of wine. He turned again to Erika Muller, and his voice was taut and explosive. "Frau Muller, the wine in this glass is now poisoned."
He picked up the glass from the card table, crossed the room to her side, and pressed it into her reluctant hand. She stared down at it fascinatedly, and Ronald Frederick---wiped impatiently with the back of his hand at the perspiration trickling from his brow. His voice was like a sword. "I will lock you in the other room, Frau Muller, and I will give you five minutes to make up your mind. When I open the door if you give me the capsule, I give you my word that you will never know the moment of departure. If I open the door and you still deny knowledge of its whereabouts, I will beat it out of you with the butt of this gun."
He paused to examine her rigid features. "There is a third possibility, of course. You really might not know. I believe that you do know, but there is that possibility. I've given you the poisoned wine because no one should die without hope. If you honestly don't know, then drink the wine, because it will afford you a better exit than I will, for I cannot permit myself to believe that you do not know." He motioned to the bathroom. "Inside please."
She stumbled at her first step and then recovered herself. She turned at the threshold to look at Johnny, the wine glass in her hand; her voice was unsteady but clear. "Goodbye, my friend. I have a certain familiarity with losing causes."
The door closed behind her, and Ronald Frederick removed the pass key from the pocket of his jacket and locked the door. The little man breathed as though he had just run a race, and his collar clung damply to his neck. His glasses had fogged, and he removed them and thrust them in his breast pocket. With his toe he edged a wing chair into position a little off center in the room and to the right of the body on the floor. "Sit there, Johnny." He set up a straight-legged bedroom chair confronting the wing chair, but eight feet away and with its back to the room's entrance. He sat down and visibly tried to relax while still keeping a careful eye on Johnny as he sat down on the chair opposite.
Johnny tried not to sink too far into the wing chair's depths while at the same time endeavoring not to give the impression of maintaining his position on the front edge. A dozen times he measured with his eyes the distance between the two chairs before he spoke. "What was all that jazz, Freddie? You didn't poison that wine."
"Of course I didn't. It's enough that she thinks that I did." The voice was weary, the face drawn. "I couldn't use force on her, as you very well know. Time and noise alone would prevent. This way is easier. Before she spoke to you just now there were two possibilities, the reverse of what I outlined for her out here. If she doesn't know, the wine will remain untouched. The final thing to die in the human spirit is hope, and if she doesn't know she would endure anything I could do to her, hoping with her last breath to convince me. But if she does know, she knows also that she can't hold out indefinitely against the violence I promised her." He smiled at Johnny. "If she tells me, she dies easily, something for which all of us might wish. If she doesn't tell me, she dies unpleasantly. With the wine in her hand, she will feel that she has only to drink it to escape the torture and have the last laugh on me."
Ronald Frederick ran a hand tiredly over his features, groped for the glasses in his pocket, flipped them open, and slipped them on his nose. "As I said, those were the original possibilities before she spoke to you just now. By her farewell she has indicated her choice. She knows where the capsule is, and she will drink the wine to cheat me from finding it. It will take a tremendous effort of will for her to do this; she will postpone it until she hears my key in the lock again. And then when she discovers that it has all been for nothing, that she has escaped nothing, she will be like wet cardboard. There will be no strength, no will, no resistance. No violence will be needed; the truth will pour out of her."
Johnny spoke after a thoughtful moment. "Freddie, you're really a first class bastard. You make it a pleasure for me to figure what I'll do to you when I take you."
The no longer dapper little man smiled, and looked musingly at the other chair. "As a matter of fact, Johnny---"
"As a matter of fact, Freddie, you figure I've just about served my time on this trip?"
"Exactly. When I open that door you will be a dangerous unnecessary hazard to the expedition. I think that now is the time."
The revolver in his lap began a slow, steady ascent, and Johnny tensed in his chair. "You forgot this thing over here, Freddie---" He gestured widely with his left arm, and in the same instant launched himself forward with every ounce of spring in his body in a long, rolling block. The revolver, which had veered fractionally along with the little man's glance at the outflung left arm, snapped back and popped viciously, and Johnny felt a tearing hot wind in his left shoulder as the weight of his hips and shoulders caught the legs of Ronald Frederick's chair and flung it back against the door. Wood splintered noisily, and Johnny heard the manager's choked scream as he went flying. "Damn you---!"
Johnny was still scrambling to get his knees under him on the floor when he saw the little man roll over and come up with the gun still miraculously in his hand, two buttons gone and a shoulder torn out of the immaculate jacket, a bruise or smudge of carpet dust high on one temple, and a muscle twitching uncontrollably in a cheek.
"Now---!" The voice was a triumphant croak, and the eyes were wild as the gun swung over to again pick up the target, and Johnny wrenched a chair leg loose from the debris with which he had become entangled and drew back his arm to throw it.
A knock at the door paralyzed all movement in the room. Johnny stared at the insane face opposite, eighteen inches from the floor as the knock came again, louder. "Open up in there."
"Who is it?" Ronald Frederick called.
"Dameron. You going to open the door, or do I have to blow the lock?" Lieutenant Dameron's bull voice resounded through the wooden panels, and Ronald Frederick rose slowly to his feet with Johnny matching every move and inched around to the side of the door that would afford him concealment when it opened inward. He gestured to Johnny with the revolver.
"Open the door for the fool."
Johnny had to step over the body on the floor to reach the door, and the doorknob was still turning in his hand after he unlocked it, when Lieutenant Dameron's impatient rush knocked the door away from him and brushed Johnny off balance against the wall as the lieutenant charged into the room. Behind him the slender figure of Detective Rogers stood poised on the threshold, alert and watchful, and then his eyes dropped to the body of the blond man on the floor just inside the door, and he froze.
Ronald Frederick caught the freeswinging door in his left hand before it hit the wall, and his revolver was dead center on the detective. "You. What's-you-name." The voice was high and cracked. "Inside. Quick."
Lieutenant Dameron turned in surprise, the beet-red features tightening as Detective Rogers reluctantly complied, and the manager reversed the flight of the door, which banged shut.
"Frederick?" Lieutenant Dameron asked doubtfully, and then stood very still as the revolver swung around and lined up on his belt buckle. "By God, I didn't recognize you. Put up that gun now---"
"Shut up!" Shrill overtones crackled in the already high-pitched voice, and the lieutenant shrugged and glanced at Johnny.
"I thought we'd find you here. What's the matter with your arm?"
Johnny glanced down at the blood-soaked left sleeve of his uniform and the red tricklings that ran down his wrist into his palm. "Pigeon kicked it."
"I said shut up, all of you---!" The little man moved cautiously from the door and backed a little further away, the revolver nervously shifting from one to the other of the trio on the other side of the room. Johnny thought that the room suddenly seemed very full of silent, hard-breathing people. The revolver settled down on its aimless flight and leveled on the detective. "You. Got a gun?"
Jimmy Rogers nodded, lips compressed.
"Where?"
"Shoulder holster."
"Don't reach for it. Get over to him, Johnny, but not in line with him." Johnny pushed himself off the wall against which he had been leaning. "Get his gun. At arm's length, from the side. I want to see all of both of you every second. Get it in your fingertips. If I see it in your palm, I shoot. Prop it as soon as it clears the holster."
The maneuver was carried out as delicately as a well-rehearsed ballet under the menacing snout of Frederick's revolver, and Johnny could see a muscle jumping in Jimmy Rogers' taut jawline as the police special thudded to the floor.
"Kick it over here."
The sandyhaired man kicked, and the .38 slid spinning to the feet of Ronald Frederick, who looked immediately at the lieutenant.
"No gun, Frederick. Listen, don't be a---"
"I told you once, Dameron. Shut up!" The manager debated with himself, obviously doubtful. "Face the wall. All of you."
Johnny stared at the wall after turning, and surreptitiously flexed the fingers of his left hand to test the reaction.
"You. On the left." Rogers was on the left. "Lie down.
Full length." From the corner of his eye Johnny could see the detective drop awkwardly to his knees and then sprawl out on his belly. "You, Johnny. On the floor. Move over a little first." Johnny eased himself down, bracing himself on the good arm. "You, Lieutenant. To the right a little." Johnny listened to the lieutenant's bulk thump to the floor. He turned his head fractionally and saw Ronald Frederick cautiously move in closer behind them. Johnny's knees tensed, but the little man knelt swiftly beside the police officer and expertly slapped and probed for the suspected weapon. Satisfied there was none, he stood upright again, a measure of self-control returning and lessening the jerk in his movements.
Lieutenant Dameron spoke quickly. "Frederick, you'd better give up on this right---"
"Didn't I tell you to keep quiet?" From his position on the floor Johnny could see the revolver slew around and jerk upward, and with the now familiar pop piaster flew from just above the baseboard midway between Johnny and the lieutenant. Johnny flinched involuntarily and glanced sideways just in time to see Lieutenant Dameron unhunching his neck. Behind them Ronald Frederick giggled, an eerie sound in the stillness of the room, and the lieutenant silently mouthed the word "Crazy!"
"All right, now." The voice behind them tingled with electricity, and Johnny tensed again. "Down flat, everyone, and hold it flat. Heads down. First head up gets it."
Johnny turned his left cheek to the floor and his eyes to the right. As he had expected Lieutenant Dameron had reversed the procedure, and they lay stiffly and looked at each other. Johnny strained to hear movement in the room behind them. For a moment he heard nothing, and then he recognized the scrape of metal on metal followed by a metallic click, and he realized with a surge of hope that Ronald Frederick was unlocking the bathroom door. The incredible little man still had not given up.
Strain as he might, Johnny could make out nothing further. Had the door closed again? He could not be sure. He realized suddenly that the lieutenant was trying to attract his attention. The mouthed whisper was an infinitesimal sound. "---he up to now---"
Johnny moistened his lips and replied in kind. "He's in the bathroom. I think." He lay quietly a moment and suddenly made up his mind. "We got to move, Joe. Before he comes out." He doubled his legs beneath him and pivoted on his stomach; the flesh around his ears prickled, but the bathroom door was closed and the room behind them was empty.
Johnny scrambled half-erect and nearly pitched forward on his face when he incautiously put his weight on the damaged left arm. Desperately he struggled to maintain his balance and then lifted his head sharply as a guttural, animalistic exclamation emerged from behind the closed door. From the floor Lieutenant Dameron's voice was almost normal as he whirled. "What the hell---7"
Johnny charged the door in a silent, murderous rush. As always in motion, he felt alive, exultant; everything was going to be all right. No time to check to see whether the door had been relocked from the other side; he hit it with his good shoulder with every ounce of steam he could generate, and metal shrieked and wood cracked. The door burst shiveringly inward as his own momentum carried him in behind it, and in the glaringly white brightness of the bathroom the scene was stamped out for him as on an etching.
Unbelieving, Johnny stared down at the body on the floor, at the snout-nosed revolver neatly balanced on the edge of the tub, and at a dazed Ronald Frederick, standing, wine glass in hand, gaping down at the woman at his feet.
"What is it?" Lieutenant Dameron demanded huskily behind Johnny, struggling to negotiate the splintered door now hanging crazily from a shattered hinge. He pushed in and fell silent.
"Jesus!" Jimmy Rogers breathed throatily behind them as he shoved inside and looked down in turn at Erika Muller's violently contorted figure and the dark blue and gray patches on the bloated features. "Another dead one!"
Wine glass still in hand, Ronald Frederick glared confusedly at them across the length of the bathroom. Whatever his previous frustrations and the final coruscating star-burst of events had done to him, this final crushing demolition of his last hope had shocked him back to sanity. His voice was almost normal when he spoke; he might have been delivering a lecture. "Saccharin. I put saccharin in her glass. The power of suggestion killed her. Or she had a bad heart. She was my last chance. My last chance---"
He stared at his silent audience, and the E string of his nerves tightened up again. His voice rose. "Saccharin, I tell you! Nothing more nor less. It couldn't kill her! It couldn't---!" He glared at them, half lifted the glass to dash it into the sink, then lifted it to his lips in a swift gesture and swallowed twice. "There, you see? Saccharin," he said and swallowed dryly. Slowly he put the glass down in an unbalanced position on the sink's edge, and it toppled sidewise and crashed with a tinkly burst of glass fragments. Ronald Frederick did not appear to hear it. A hand went to his throat tentatively, almost questioningly, and Johnny realized with a start that he had been holding his own breath without realizing it.
Beside him Lieutenant Dameron stirred as though emerging from a trance. He strode to the sink, bent his head, and sniffed vigorously amidst the glass particles before straightening and turning to Johnny. "Can't smell a damn thing. What in hell did he put in there?"
"You heard him. Saccharin."
"For God's sake, look at her---!"
Johnny hardly recognized his own voice. "She had her own."
"She what?"
"She had her own poison. Freddie'd told her he'd poisoned the wine, but she might have thought he'd used a slow one. She knew hers was quick, so she dumped that in, too."
"But then he just got the whole load---!"
"Sure he did. Drank it like a little man, didn't he?"
The lieutenant stared, then grimaced. "Jimmy---!"
"Right, Lieutenant. I'll have an ambulance here in nothing flat." The sandyhaired man almost ran out the door, and the lieutenant swept a handful of towels from the rack and knelt beside the body of Erika Muller. He began to unfold towels and spread them lightly over the twisted limbs.
Johnny looked down at his own clenched hands; he walked back out into the bedroom and directly across to Jimmy Rogers at the telephone. He had to walk around him to get at him with his right hand.
"Switchboard?" the detective demanded and looked up inquiringly at Johnny. "Get me---" He had a hundredth of a second's warning, but it was not nearly enough. All the sick, bitter frustration that had welled up within Johnny at the sight of Erika Muller's body exploded in the right hand smash he unloaded on the completely unsuspecting detective's jaw. The slender man arced over sideways from the force of the blow, and when he landed he slid.
Johnny caught the falling phone in mid-air. "Sorry. Changed my mind." He stepped over the unconscious man and returned to the bathroom. Lieutenant Dameron was just rising to his feet, brushing at his knees. Johnny pushed past him, pulled down the toilet seat cover, and sat down, almost face to face with Ronald Frederick, who sat balanced precariously on the edge of the tub.
Johnny looked at him closely. The slender features were flushed, the fingers digging into the side of the tub contracted and relaxed spasmodically, and a knee jerked slightly. The little man swallowed hard, and spoke with an effort. "Saccharin---"
"Sure, Freddie. Yours. Not hers. This the way you woulda picked to go?"
"What... you mean---?"
"Because this is the way you're going. And at that its too good for you." He brushed past the watching lieutenant and leaned casually in the doorway before he spoke again. "Sweet dreams, Freddie."
Lieutenant Dameron looked at him sharply. "You have to needle a man in his condition?"
"Who's needlin' him? I'm tellin' him. I want him to know."
"Know? Know what?"
"Know that he's kickin' off with a gutful of poison, courtesy of Killain."
"What the hell are you talking about? We'll have him pumped---" the harsh voice died; Lieutenant Dameron strode up to Johnny in the doorway. "What are you up to now? Get out of that door. Jimmy---"
"I took care of Jimmy. You're not gonna pump this guy out, Joe. This is my pigeon."
The big man's hands closed and opened. "Don't be a bigger fool than nature made you, Johnny. He'll burn, anyway."
"He might get life. I've seen it happen. This way we don't need to guess."
Lieutenant Dameron glanced behind him. Ronald Frederick's glazing eyes stared unseeingly at the far wall. The slender body did a slow forward bend, doubled convulsively and pitched forward onto the floor on its knees, then writhed over on its back. A grayish pallor invaded the pinched features, and the lieutenant jerked around to Johnny. "Get the hell out of that doorway---!"
"Don't try it, Joe. I'm telling you."
The ruddyfaced man backed off two steps, came up on his toes, looked at Johnny beside the splintered door, and hesitated. "For the last time, Johnny---"
"I knew you had more sense than to give me that free shot, Joe. You can have him in ten minutes." Johnny's head came around sharply at a brisk series of knocks at the corridor door. He looked back at the lieutenant. "Did you have a rear guard?"
"You know damn well they'd have been in here before this if I did have," Lieutenant Dameron growled.
The sudden knock on the door made them both jump. Somehow, Johnny knew who it was; he started for the door and then looked back. "Don't make the mistake of going for the phone." He listened at the door. "'Who is it?"
"Open up, Johnny. It's Willie."
"Yeah, Willie," Johnny thought; he half-turned to look at the ruddyfaced man standing by the shattered door; after a long moment he reached out and took the knob gingerly and opened the door. Willie Martin strolled in, dapper in a dark brown lightweight gabardine complete with boutonniere in the lapel. He looked around critically as Johnny closed the door again, and his glance halted at the body of the blond man. "I just missed him in London," he said conversationally.
"Shut up!" Johnny said under his breath.
Willie looked over at Jimmy Rogers sitting up on the floor, a hand to the side of his face and a lack of expression in his eyes. "And this one? Was he for, or against?"
Lieutenant Dameron spoke roughly; "That's my man, Willie. What the hell is this, a guided tour?"
"If you'll do the honors, Joe. You don't mind my checking up on things in my own place?" He moved over to the lieutenant in a saunter. "May I look over your shoulder, Joe?"
The ruddyfaced man hesitated, and then stepped aside from the doorway, and Willie Martin stood on its thresh-hold and quickly surveyed the interior of the brightly lighted room. With no visible change of expression he turned back into the bedroom; the lean mouth quirked humorously at the corners as he looked at Johnny. "I must say that tears it rather thoroughly." He walked around the card table and seated himself on the edge of the bed; his tone was absentminded as he continued. "Had the very devil of a time getting off that plane you put me on, Johnny, without your seeing me."
Lieutenant Dameron stared at him; Johnny stood frozen, every internal muscle strained with the repression of the sound welling up within him. He wanted to scream until his throat was raw: Willie... Willie... don't... don't... don't...!
Willie smiled at him, the cheerful, devil-may-care smile. "I gave it all I had, Johnny. As usual. It was leaning on broken reeds that destroyed me. First Dumas... and now Frederick---"
Lieutenant Dameron's stare was frozen incredulity. On the floor Detective Rogers was looking up intently with eyes that had come back into focus. Willie Martin looked amusedly from one to the other.
"The long arm of the law," he said softly and stood up and moved away from the bed, his manner deliberate and unhurried; under the expensive gabardine jacket his shoulders moved slightly in the fashion of a man testing unused muscles.
The lieutenant's apple cheeks were faded. He took a short step forward; his voice was tentative. "Willie---"
The slender man turned casually to the nearer window; he looked back over his shoulder, the easy smile a mockery.
"Yes, Joe?" he asked quietly, and his eyes passed on to Johnny.
"Next incarnation, boy," Willie Martin said casually and turned back to the window.
"Willie---!" This time it was the imperative flavored Lieutenant Dameron's official voice. Then his bull-like rush ended up in a sliding skid as he encountered Johnny's out-thrust leg. From hands and knees on the floor Johnny winced at the earsplitting crash as the doubled up figure took sashing and pane on its flight through the window.
The tinkling sound of glass falling could be heard for a long time in the quiet room.
Johnny awoke lying on his back in the instant before the awakening hand touched his shoulder; he blinked up at the blue uniform. "He's ready for you now, Killain."
"Yeah. Thanks, Mac." He lay quietly an instant, his eyes tracing the barred pattern of the lights and shadows on the ceiling above him before he sat up on the iron cot in the precinct cell block.
His left arm throbbed like an infected wisdom tooth; he stood up, balancing cautiously. After treatment last night, the police surgeon had strapped it tightly to his chest, and he felt curiously one-sided.
The cell door was ajar, and he stepped outside and walked across to the little desk fronting the row of cells. He looked down into the shrewd pale eyes of the uniformed patrolman. "Cigarette me, Mac."
He caught the pack of cigarettes tossed to him, shook one out, and bowed his head the distance necessary to accept the proffered light. He nodded his thanks and strode out through the big iron gate, off the cement floors of the cell block to the familiar oil-darkened wooden floors of the old building. He could hear the sound of his heels echoing in the early morning quiet.
Johnny knocked on the door of Lieutenant Dameron's office, but Detective Rogers opened the door. Jimmy Rogers had a sizable swelling on his jaw and a vivid discoloration that ran up his cheek and merged with a multicolored black eye. Johnny inspected his handiwork critically. "Mornin', Jimmy. Run into a door?"
The sandyhaired man stood aside silently to let him in, and Johnny looked across the room an instant at the big man behind the desk. Lieutenant Dameron's redrimmed eyes were sunken, and the florid cheeks liberally sprinkled with a silver stubble. He looked up from a litter of papers at Johnny's entrance and nodded to a chair. "Sit down."
"Just one minute, Joe." Johnny turned to Detective Rogers. "You got a legitimate beef, kid. I took a sucker shot at you last night, but Joe here'll tell you I pay my bills." He walked over to the detective. "Go ahead, kid; shoot your wad. Let's see you land one right about here." He extended his chin and pointed to the mandible, and Jimmy Rogers left the floor with the gusto with which he propelled a roundhouse right to within a quarter inch of Johnny's pointing finger. Johnny went backward on his heels in a staggering trot. A chair caught him behind the knees, and he was on his way down when his shoulders hit the wall behind him with a crash that shook the room and bounced him upright again.
Johnny shook his head gingerly and found his voice after a moment. "Not bad." He waggled his jaws gently, experimentally. "Not bad at all. You eat another barrel or two of flour you'll be a man yet."
"I knew I could put you down," Detective Rogers said with deepest satisfaction, blowing on his knuckles.
"If the charades are over, let's get down to business," the lieutenant said from the desk. His voice was a tired rumble. Jimmy Rogers pushed a chair over to Johnny, and they both sat down. "The least said about certain aspects of last night the better, but we are going to have to talk about this a little." The gray eyes bored into Johnny, who shrugged. "When did you first think of Willie?"
"When he walked in that door," Johnny said wearily. "He thought I knew, from what he said, but I didn't I'd never have given you---"
He stopped, and the lieutenant looked at him. "You'd never have given us even the left-handed help that you did? I realize that. Just like the leg trip you gave me when I tried to get him away from the window."
"You want to make something out of it, you go right ahead, Joe. I spent a lot of time gettin' Willie out of spots like that." He stared at a point on the wall above the lieutenant's head. "This time, though, I didn't get much cooperation from him."
"Are you interested in knowing why?"
"Maybe I know why."
The big man glanced down at the papers on his desk.
"Maybe. We'll probably never know exactly, but in my book Willie Martin had two gods: money and excitement. He lived his whole life at the top of the scale; as long as he had the money he could more or less legitimize the excitement." He turned over the papers before him. "But he didn't have the money. Not any more. I rousted that lawyer of his out of bed last night, and he admitted that Willie was dependent upon the hotel for income and that the hotel itself was about two and a half jumps ahead of the receiver."
Johnny leaned back in his chair with his eyes dosed. "Does it make any difference now?"
"We have to tie the ribbon on these packages. We finally ran that Myrna Hansen to ground late last night, and she filled in the missing details. Willie had gone commercial, He'd been using his overseas contacts---and with his background he probably had dozens---to obtain information for him that was worth a good deal of money to the right people. Or the wrong people. This microfilm deal was a new phase. According to this woman, Willie engineered the original steal from a European foreign office ministry. Then he was doublecrossed, and the film stolen from his man. That was Myrna's team: Muller and his wife, the two Rieders, and a man in the hotel by the name of Dobson that nobody had ever taken a second look at. I've got him under glass right now."
He looked at Johnny sitting slumped in his chair. "You'd be surprised at the reaction on those films. I've had three phone calls already this morning from echelons of brass congratulating me for winding this thing up."
Johnny's mouth twisted. "Let me congratulate you, too, Joe."
"Don't strain yourself. To conclude the story, when Willie's European contact was robbed of the film, Willie set up the machinery to recover it. He set Frederick up at the hotel with all the other apparatus, but he made a final try at recovering it himself. He flew to London to try to head off Muller, but he missed connections."
"He asked me to go," Johnny said almost to himself.. "He said he'd get me a seat on the plane. But he didn't say why---if he'd only said why---"
"It's a damn good thing for you he didn't," Lieutenant Dameron said sharply. "And you ought to know why. Willie was the padrone, the benevolent despot. He couldn't ask anyone for help; that was going against the grain. Willie had to maintain the picture of himself as a distributor of sunshine."
"You figure his girl in the apartment was bleeding him?" Johnny asked after a moment.
Lieutenant Dameron looked at him carefully. "The answer to that has to be 'yes,' but don't you go getting any ideas. We'll take care of her, understand?" He stood up behind the desk. "Officially I'm going to forget parts of last night."
"Don't do me any favors, Joe. I can pack the assigned weight on any kind of racetrack." He rubbed at his eyes tiredly with his free hand. "I do owe you one bouquet though. When you boarded the ship there last night, I was only forty-sixty to get a draw with Freddie, and I couldn't have sold many shares in the proposition, either. We were both on the floor, and he had the gun. I think I'd've kept going long enough to make sure he didn't enjoy much prosperity, but beyond that I needed a fresh deck."
To his left Detective Rogers cleared his throat. "Your girl's waiting outside," he told Johnny.
"Yeah? Since when?"
"Since all night."
"Christ." Johnny stood up. "You couldn't get her to go home?"
"Did you want me to pull a gun on her?"
"All right, all right." Johnny looked at Lieutenant Dameron. "That's it, Joe?"
"That's it. Do me a favor, Johnny. Stay out of my sight for a while. My nerves aren't what they used to be."
Johnny nodded to each of the two men in turn; Detective Rogers was putting on his jacket and the lieutenant was locking his desk when Johnny closed the door from the outside. Sally was asleep sitting up on the bench just beyond the big desk at the entrance. He shook her gently, and the brown eyes flew open. She stared up at him un-comprehendingly for a moment, and then silent tears started to flow. "Cut it out, ma. Cut it out."
"Oh, Johnny---" She stood up and tried to put her arms around him, then backed off and looked down at the strapped arm. "What happened? The lieutenant said you were all right---!"
"As usual, ma, the lieutenant is correct."
"But your arm---!"
"I zigged when I should've zagged. Let's get out of here."
In the cab he held her in the good arm all the way over to the apartment. Upstairs with the door closed she turned to him, and the brown eyes were anxious. "Johnny---"
"Post mortems later, ma. You got to get some sleep. Your eyes look like two burnt holes in a blanket. Hop in the sack."
"Are you coming?"
"In a little while." He eased himself down in his chair when she walked into the bedroom, but hoisted himself up almost immediately and walked out to the kitchen. From the cabinet he took down the bourbon bottle, and a little awkwardly poured himself a drink. He lifted it and studied it absently against the light, then on impulse walked into the bathroom. Drink in hand he examined the mirror the deep, dark circles under the eyes and the bronzed, barb-wire stubble on the jawline.
He threw back his head and drained the glass, swallowed hard, shuddered, and looked back into the mirror again at the lips drawn down thinly at the corners of the hard mouth. He spoke bitterly to the face in the mirror.
"'Goodbye, my friend. I have a certain familiarity with losing causes.'" He cleared his throat, and put down the empty glass. "If you hadn't felt like playin' God, Ugly, you could've kept her alive. You think you can maybe convince yourself one of these days she probably really died a dozen years ago?"
He became aware that a sound impinging upon his consciousness was the dripping of water. He walked to the shower stall and turned the faucet viciously, and looked down a little blankly at the imprint of the metal in his palm.
He turned aimlessly back to the mirror; his voice when he spoke again was a husky whisper. "Willie---"
He broke away from the mirror and went into the bedroom. He looked down at the thin body on the bed, already asleep on top of the covers. He found a lightweight robe in the closet which he drew over her; she murmured in her sleep, breaking the rhythm of her breathing.
Johnny removed his clothes, with difficulty because of the strapped arm. He had trouble bending for shoelaces, but he got the shoes off. As he struggled out of the trousers he noticed the stains and abrasions in the fabric, and all too quickly his thoughts were back in Room 1224. He put it firmly from his mind.
He lay down on the further side of the bed, cautiously, so as not to disturb the sleeper. He eased himself onto his back, and threw the good arm behind his head. With his eyes he traced the sunlight on the ceiling, and the familiar smudges, cracks, and shadows.
In a little while he would sleep.

