 subject: Cetshwayo King of the Zulu Poetry OATDYou searched for subject: Cetshwayo King of the Zulu Poetry . Showing records 1 30 of 261510 total matches. 1 2 3 4 5 ... 8717 2015 2019 764092010 2014 1007672005 2009 542242000 2004 159931995 1999 89711990 1994 60831985 1989 52921980 1984 37791975 1979 3074Brno University of Technology 11720University of Canterbury 7218University of São Paulo 6434Michigan State University 3604University of Pretoria 2690PhD 33610Docteur es 10549MA 8555Master 7213Mestrado 3829MFA 706doctoral 66836masters 52083English 116633Portuguese 29398Czech 11199Lithuanian 3426slv 2277US 81556Brazil 26186Sweden 13825South Africa 12154UK 11988Czech Republic 11760New Zealand 9705Greece 6697Portugal 5961Lithuania 37082. No author. Ubunkondlo obutholakala ezihlabelelweni zamaNazaretha.URL: Lona ngumsebenzi wocwaningo oluhlelwe ngokwezahluko eziyisihlanu. Ucwaningo olwenziwe kulo msebenzi lumayelana nobunkondlo obutholakala ezihlabelelweni zamaNazaretha. Isahluko sokuqala Kulesi sahluko ilapho kwethulwa khona ucwaningo ngokuthi kuchazwe... more Lona ngumsebenzi wocwaningo oluhlelwe ngokwezahluko eziyisihlanu. Ucwaningo olwenziwe kulo msebenzi lumayelana nobunkondlo obutholakala ezihlabelelweni zamaNazaretha. Isahluko sokuqala Kulesi sahluko ilapho kwethulwa khona ucwaningo ngokuthi kuchazwe isihloko socwaningo esingumgogodla wocwaningo lonke. Kulesi sahluko kuvezwa kafushane okuzogxilwa kukhona ocwaningweni. Kuvezwa izinhloso kanye nezidingo zocwaningo ngenjongo yokukhanyisa umsuka wocwaningo olwenziwayo. Kubuye kubhekwe izindlela zokwenza ucwaningo ezizosetshenziswa ocwaningweni. Kuvezwa ngamafuphi ukuthi ucwaningo luzokwenziwa kanjani. Kuphinde kuthulwe izinjulalwazi zocwaningo eziyisisekelo socwaningo. Kugcinwe ngokuveza umklamo wocwaningo nomklamo wezahluko lapho kuvezwa khona ngamafuphi ukuthi ucwaningo luzogxila kuphi nokuthi umcwaningi izahluko zocwaningo uzozilandelanisa kanjani. Isahluko sesibili Lesi isahluko esiyisendlalelo socwaningo lonke. Kulesi sahluko kuxoxwa kabanzi ngobunkondlo obutholakala ezihlabelelweni zamaNazaretha. Kubhekwa imibhalo yesiZulu ngamafuphi ngenhloso yokubheka imibhalo eyashicilelwa esikhathini esiphambili ukuthi yayikhuluma ngani imvamisa. Kuzoba khona ukufingqwa kwemibhalo okugxilwe kuyona lapha ocwaningweni. Kuzophinde kubukezwe nemibhalo esiyenziwe ehlobene nesihloko socwaningo olwenziwayo. Isahluko sesithathu Izindlela zocwaningo kanye nenjulalwazi Isahluko sesine Lesi sahluko sizohlaziya ulwazi oluqoqiwe mayelana nobunkondlo obutholakala ezihlabelelweni zaseNazareth Baptist Church. Isahluko sesihlanu Isiphetho socwaningo. AdvisorsCommittee Members: Sibiya, Nakanjani advisor.SubjectsKeywords: Church of the Nazarites Hymns.; Zulu poetry Religious aspects.; IsiZulu.author, . 2015. Ubunkondlo obutholakala ezihlabelelweni zamaNazaretha. Thesis. University of KwaZulu-Natal. Retrieved from author, No. Ubunkondlo obutholakala ezihlabelelweni zamaNazaretha. 2015. Thesis, University of KwaZulu-Natal. Accessed November 14, 2019. author, No. Ubunkondlo obutholakala ezihlabelelweni zamaNazaretha. 2015. Web. 14 Nov 2019.author . Ubunkondlo obutholakala ezihlabelelweni zamaNazaretha. Internet Thesis. University of KwaZulu-Natal; 2015. cited 2019 Nov 14. Available from: author . Ubunkondlo obutholakala ezihlabelelweni zamaNazaretha. Thesis. University of KwaZulu-Natal; 2015. Available from: 3. Masango, Elvis Mphephethi. Imagery in traditional and modern praise poetry in Zulu.URL: This is a survey of the use of imagery in both traditional and modern Zulu praise poetry. For the purposes of this corpus, emphasis... moreThis is a survey of the use of imagery in both traditional and modern Zulu praise poetry. For the purposes of this corpus, emphasis will be placed on izibongo praise poems of the Zulu kings, chiefs, prominent figures, and also minor characters. The following are the main figures of speech which are worth mentioning in this study: metaphor, personification, symbolism, metonymy, simile, and hyperbole. The definitions of the aforementioned images by various critics will be given in this chapter. The study does not involve a stylistic analysis of izibongo as a whole; its primary focus is to assess the utilization of certain animals, objects and natural phenomena, as the basis of metaphors. In this study, I will confine myself to two texts. These are IZIBONGO ZULU PRAISE-POEMS, by T. Cope and MUSHO! ZULU POPULAR PRAISES, edited by L. Gunner and M. Gwala. The former contains mostly traditional praise poems of kings, chiefs, headmen, and two promiment women: Mnkabayi kalama and Nandi kaMbengi; the latter consists of izibongo of political figures and of anyone who was deemed praise-worthy. In recent years political leaders have become very prominent. Gunner and Gwala 1991: 11 acknowledge this when they state that, the freed leaders will be honoured like kings ... and one of the countrys most gifted izimbongi praisers wants to make sure the released men hear the story of the peoples suffering. Often, at political gatherings, where leaders of the different parties are present, praises are recited which are fit for kings. Take the case of the inauguration of Dr Nelson Mandela, where one witnessed the presence of two izimbongi, who were reciting the praises of Mandela. Images of fierce battles and heroism dominate traditional praises, while images of nostalgia and the verbal war characterise modern praises. Most of the images used however, imitate those used in the praises of traditional kings. There are also the izibongo of the ancestors. Such praises are related to clan praises. These are rich in images, for imagery is the essence of poetry: URadebe! uMthimkhulu! uBhungane! uMashwabada Owashwabadela inkomo nezimpondo! UMafuza afulele njengefu lemvula! Mzolo, 1977: 190 Radebe! Mthimkhulu! Bhungane! Mashwabada Swallower of a cow and its horns! The stripper and thatcher just like a cloud of rain! For the purpose of this study however, only the praises of kings, chiefs, political . leaders, prominent figures, and other people in traditional and modern poetry in Zulu will be examined. As mentioned earlier, the figures of speech employed in traditional praises are characterised by images of battle prowess, especially during the Shakan era. In contrast, in modern praise poetry, there is a shift from the idea of physical war. The modern praises do recount deeds performed in the heat of battle, but only as a sentimental memory of things in the past. To a large extent the imbongi incorporates the praises of the praised ones predecessors. Albert Luthulis izibongo are a case in point: U-u-uDlungwane kaNdaba Odlung...SubjectsKeywords: Laudatory poetry, Zulu.; Figures of speech; MetaphorMasango, E. M. 2012. Imagery in traditional and modern praise poetry in Zulu . Thesis. University of Johannesburg. Retrieved from Masango, Elvis Mphephethi. Imagery in traditional and modern praise poetry in Zulu. 2012. Thesis, University of Johannesburg. Accessed November 14, 2019. Masango, Elvis Mphephethi. Imagery in traditional and modern praise poetry in Zulu. 2012. Web. 14 Nov 2019.Masango EM. Imagery in traditional and modern praise poetry in Zulu. Internet Thesis. University of Johannesburg; 2012. cited 2019 Nov 14. Available from: Masango EM. Imagery in traditional and modern praise poetry in Zulu. Thesis. University of Johannesburg; 2012. Available from: 4. Malibe, Joseph Mzingeli. Ubunkondlo obutholakala ezithakazelweni zesiZulu .URL: Lolu phenyo luzama ukuveza ubunkondlo obutholakala ezithakazelweni zesiZulu. Kulolu hlobo lwezinkondlo okuyizithakazelo sithola ukujiya nokusetshenziswa komqondo okunzulu.Phela izithakazelo zithathwa njengomkhuleko kuleso sibongo kanti futhi izithakazelo... more Lolu phenyo luzama ukuveza ubunkondlo obutholakala ezithakazelweni zesiZulu. Kulolu hlobo lwezinkondlo okuyizithakazelo sithola ukujiya nokusetshenziswa komqondo okunzulu.Phela izithakazelo zithathwa njengomkhuleko kuleso sibongo kanti futhi izithakazelo ziqukethe umlando wokhondolo lokuzalana kuleso sibongo. Yizona ezihlanganisa uZulu wanamuhla noZulu wayizolo. Lolu phenyo ke luyozama ukuveza ukuthi izithakazelo azisetshenziswa kuphela lapho kubingelelwana, kukhulekwa, kukhongwa noma ubonga okuthile okuphiwayo noma ubonga okuthile okwenzelwe ngulowo muntu. Kodwa lolu phenyo luyozama ukukhombisa ukuthi izithakazelo zijiyile kunalokho zinobunzulu kanye nezimpawu zobunkondlo. Yingakho lolu phenyo kufanele luzame ukuveza lobu bunkondlo nobunzulu obutholakala ezithakazelweni. Lolu phenyo luyozama futhi ukuveza ubunkondlo obukhona ezithakazelweni kumazinga ahlukahlukene. Izinga lokuqala ukuveza isakhiwo sangaphandle. Izinga lesibili ukuzama ukuveza isakhiwo sangaphakathi. Izinga lesithathu ukuzama ukuveza ubunkondlo obusezingeni eliphezulu obubonakala bukhona ezithakazelweni. Lolu phenyo luzobuye luveze izinhlobo zezithakazelo ezikhona esiZulwini. Lolu phenyo luyophethwa ngokuba lethule izihlaziyo kanye nezincomo eziyosiza abanye abahlaziyi nabacubunguli kulo mkhakha wobuciko bomlomo. AdvisorsCommittee Members: Mashiyane, Z.J advisor.SubjectsKeywords: Zulu names ; Zulu poetry ; Zulu surnamesMalibe, J. M. 2009. Ubunkondlo obutholakala ezithakazelweni zesiZulu . Thesis. University of Zululand. Retrieved from Malibe, Joseph Mzingeli. Ubunkondlo obutholakala ezithakazelweni zesiZulu . 2009. Thesis, University of Zululand. Accessed November 14, 2019. Malibe, Joseph Mzingeli. Ubunkondlo obutholakala ezithakazelweni zesiZulu . 2009. Web. 14 Nov 2019.Malibe JM. Ubunkondlo obutholakala ezithakazelweni zesiZulu . Internet Thesis. University of Zululand; 2009. cited 2019 Nov 14. Available from: Malibe JM. Ubunkondlo obutholakala ezithakazelweni zesiZulu . Thesis. University of Zululand; 2009. Available from: 5. Shongwe, Acquirance Vusumuzi. King Dingane : a treacherous tyrant or an African nationalist? .URL: This thesis focuses on the reasons why King Dingane of the Zulu nation has been portrayed predominantly as a treacherous tyrant in South Africas Eurocentric... more This thesis focuses on the reasons why King Dingane of the Zulu nation has been portrayed predominantly as a treacherous tyrant in South Africas Eurocentric historical databases and poses the question whether he should, instead, not be regarded as the forerunner of African nationalism. It also examines the roots of European imperialism in South Africa, as recorded in governmental, geographical, trade and missionary records, and points out that, as with the first colonial invasion by Islam that resulted in the Tarikh chronicles, European imperialism was also inherently based on foreign and nationalistic biases. The study concludes that these preconceived notions have adulterated and overwhelmed the purer African voice that is uniquely represented by the oral tradition. Because the subdued African voice is regarded as more reliable than the written Eurocentric records, this study attempts to augment the Africa- centered work of Africanist historians who have, for several decades, revisited the oral history of Africa in order to recover, rehabilitate and represent a point of view and perspective intrinsic and special to Africa. The history of King Dingane of the Zulus encapsulates the problem of African historiography best because most of the sources from which accounts of his reign are reconstructed are European, and for this reason, propagate a Eurocentric bias. For example, while Eurocentric White historians are able to present, in print, three eyewitness accounts of the death of Piet Retief, the African point of view based on oral history is largely disregarded. This study seeks to redress this imbalance by championing the African point of view, which is considered to be not only sensible but also plausible and justifiable. Likewise, much attention has been given to the many studies that demonise King Dingane for the single act of viciously killing the purportedly innocent and innocuous Voortrekkers, while the broad contours of context against which his actions should be judged are disregarded. The purpose of this thesis is to debunk the myth of King Dinganes unfairness and criminality. It can therefore be interpreted as an effort at decriminalizing King Dinganes actions - a dimension that earlier as well as contemporary scholars of African history have hitherto ignored. It is hoped that in time similar studies on other issues will broaden this perspective and help to create the balance so sorely missing in Zulu history. A theoretical framework for historical representation is provided in chapter one of the study, while chapter two examines the mindset of the White explorers that arrived in Africa, and their imperial agenda that sought to control, drastically change and re-order everything. Chapter three attempts to portray the greatness of King Dingane in dealing with matters of governance as well as other issues that were to have a profound impact on the way in which he came to be portrayed in history books. Chapter four discusses the relationship between King... AdvisorsCommittee Members: Cubbin, A.E advisor, Mathenjwa, L.F advisor.SubjectsKeywords: Dingaan, King of the Zulus, ca. 1793-1840. ; Zulu African people History.Shongwe, A. V. 2004. King Dingane : a treacherous tyrant or an African nationalist? . Thesis. University of Zululand. Retrieved from Shongwe, Acquirance Vusumuzi. King Dingane : a treacherous tyrant or an African nationalist? . 2004. Thesis, University of Zululand. Accessed November 14, 2019. Shongwe, Acquirance Vusumuzi. King Dingane : a treacherous tyrant or an African nationalist? . 2004. Web. 14 Nov 2019.Shongwe AV. King Dingane : a treacherous tyrant or an African nationalist? . Internet Thesis. University of Zululand; 2004. cited 2019 Nov 14. Available from: Shongwe AV. King Dingane : a treacherous tyrant or an African nationalist? . Thesis. University of Zululand; 2004. Available from: 6. Ntombela, Sipho Albert. Amasu asetshenziswa ngomasikandi besizulu emculweni wabo .Ntombela, Sipho Albert. Amasu asetshenziswa ngomasikandi besizulu emculweni wabo . 2011. Doctoral Dissertation, University of South Africa. Accessed November 14, 2019. Ntombela, Sipho Albert. Amasu asetshenziswa ngomasikandi besizulu emculweni wabo . 2011. Web. 14 Nov 2019.Ntombela SA. Amasu asetshenziswa ngomasikandi besizulu emculweni wabo . Internet Doctoral dissertation. University of South Africa; 2011. cited 2019 Nov 14. Available from: 7. No author. The indigenous knowledge systems based on religion and healing as encapsulated in O.E.H.M. Nxumalo and L.B.Z. Buthelezis poetry.author, No. The indigenous knowledge systems based on religion and healing as encapsulated in O.E.H.M. Nxumalo and L.B.Z. Buthelezis poetry. 2010. Thesis, University of KwaZulu-Natal. Accessed November 14, 2019. author, No. The indigenous knowledge systems based on religion and healing as encapsulated in O.E.H.M. Nxumalo and L.B.Z. Buthelezis poetry. 2010. Web. 14 Nov 2019.author . The indigenous knowledge systems based on religion and healing as encapsulated in O.E.H.M. Nxumalo and L.B.Z. Buthelezis poetry. Internet Thesis. University of KwaZulu-Natal; 2010. cited 2019 Nov 14. Available from: 8. No author. Ucwaningo lwezingathekiso ezitholakala ezithakazelweni zesiZulu.URL: Lolu cwaningo lukhuluma ngezingathekiso ezitholakala ezithakazelweni zesiZulu. Esahlukweni sokuqala lukhuluma ngesethulo socwaningo. Siqukethe isingeniso, amagama abalulekile, ukubuyekezwa kwemibhalo, indawoucwaningo olwenzelwe kuyo, izinhloso zocwaningo, imibuzo ephendulwa... more Lolu cwaningo lukhuluma ngezingathekiso ezitholakala ezithakazelweni zesiZulu. Esahlukweni sokuqala lukhuluma ngesethulo socwaningo. Siqukethe isingeniso, amagama abalulekile, ukubuyekezwa kwemibhalo, indawoucwaningo olwenzelwe kuyo, izinhloso zocwaningo, imibuzo ephendulwa kucwaningo, izindlela zokwenza ucwaningo nokuhlelwa kwalo nesiphetho. Kwesesibili isahluko lubheka isingeniso, umlando omfishane wocwaningo,izinjulalwazi ezisetshenzisiwe ze-orality neye-oral systemkanye nesiphetho. Esahlukwenisesithathu lukhuluma ngesakhiwo sezingathekiso ezitholakala ezithakazelweni zesiZulu. Sinesingeniso, ukubaluleka kwezingathekiso ezithakazelweni, izingathekiso ezinokuphikisana, ezinokuvumelana, ezinezenzukuthi, ezinehaba, ezinempindamqondo nesiphetho. Kwesesine isahluko siveza ulimi oluyizingathekiso ezithakazelweni. Sibheke isingeniso, izithakazelo ezinezingathekiso ezinolimi oluqosheme,oluhloniphisayo, lobuqhawe, oluyisenzasamuntu,olunezithombemagama, lapho kusetshenziswa khona isabizwana soqobo nesiphetho.Esahlukweni sesihlanu lukhuluma ngezinhlobo zezingathekiso ezithakazelweni. Kunesingeniso, izingathekiso eziyisenzo, eziyibizo, ezinamabizoqho, ezinezingathekisosilwane, eziyibizo ezinenhlamba nesiphetho. Kwesesithupha isahluko sigxile esiphethweni socwaningo. Siqukethe isingeniso, iqoqa locwaningo, okutholakele, izincomo nesiphetho. AdvisorsCommittee Members: Maphumulo, A. M advisor.SubjectsKeywords: Laudatory poetry.; Figures of speech in literature.; Proverbs, Zulu.; Art history.author, . 2015. Ucwaningo lwezingathekiso ezitholakala ezithakazelweni zesiZulu. Thesis. University of KwaZulu-Natal. Retrieved from author, No. Ucwaningo lwezingathekiso ezitholakala ezithakazelweni zesiZulu. 2015. Thesis, University of KwaZulu-Natal. Accessed November 14, 2019. author, No. Ucwaningo lwezingathekiso ezitholakala ezithakazelweni zesiZulu. 2015. Web. 14 Nov 2019.author . Ucwaningo lwezingathekiso ezitholakala ezithakazelweni zesiZulu. Internet Thesis. University of KwaZulu-Natal; 2015. cited 2019 Nov 14. Available from: author . Ucwaningo lwezingathekiso ezitholakala ezithakazelweni zesiZulu. Thesis. University of KwaZulu-Natal; 2015. Available from: 9. Hill, Rebecca. Tennysons Fallen Women: The Dynamic of the Mad, the Depraved and the Unfaithful.Hill, Rebecca. Tennysons Fallen Women: The Dynamic of the Mad, the Depraved and the Unfaithful. 2011. Thesis, University of Florida. Accessed November 14, 2019. Hill, Rebecca. Tennysons Fallen Women: The Dynamic of the Mad, the Depraved and the Unfaithful. 2011. Web. 14 Nov 2019.Hill R. Tennysons Fallen Women: The Dynamic of the Mad, the Depraved and the Unfaithful. Internet Thesis. University of Florida; 2011. cited 2019 Nov 14. Available from: 10. Dickson, C.R. Charles Richard. The role and portrayalof the king in the Esther narrative : a narratological-synchronic reading of the Masoretic text of the Esther narrative.Dickson, C R Charles. The role and portrayalof the king in the Esther narrative : a narratological-synchronic reading of the Masoretic text of the Esther narrative. 2014. Doctoral Dissertation, University of Pretoria. Accessed November 14, 2019. Dickson, C R Charles. The role and portrayalof the king in the Esther narrative : a narratological-synchronic reading of the Masoretic text of the Esther narrative. 2014. Web. 14 Nov 2019.Dickson CR. The role and portrayalof the king in the Esther narrative : a narratological-synchronic reading of the Masoretic text of the Esther narrative. Internet Doctoral dissertation. University of Pretoria; 2014. cited 2019 Nov 14. Available from: 11. Thwala, Delisile Emmah. Ucwaningo ngesakhiwo sangaphandle ezinkondlweni zika E.L. Mhlanga .URL: Lona umsebenzi wocwaningo ohlelwe ngokwezahluko eziyisikhombisa. Leso naleso sahluko sigxile emgomeni owodwa ogqamile ezinkondlweni zembongi ekhethelwe lolu cwaningo u-EJ Mhlanga. ISAHLUKO 1: sendlalela ucwaningo ngokucubungulisisa... more Lona umsebenzi wocwaningo ohlelwe ngokwezahluko eziyisikhombisa. Leso naleso sahluko sigxile emgomeni owodwa ogqamile ezinkondlweni zembongi ekhethelwe lolu cwaningo u-EJ Mhlanga. ISAHLUKO 1: sendlalela ucwaningo ngokucubungulisisa izinhloso, izindlela nomkhawulo wocwaningo kanye nomlando wembongi okuhlaziywa izinkondlo zayo. Kugxilwe ezinhlosweni zokucwaninga imvumelwano, ifanamsindo, ukuxhumanisa, impindamqondo nempindwa kanye nesigqi. Umkhawulo wocwaningo ugxile emaqoqweni ezinkondlo ayisithupha, okukhethwe izinkondlo ezingamashumi amane nesithupha ezihlungelwe lolu cwaningo. Kusetshenziswe izindlela zocwaningo ezimbili: indlela yemibuzo negokufundwa kwezincwadi eziqukethe imigomo yokuhluza. ISAHLUKO 2: sithinta imvumelwano ezinkondlweni eziqokiwe. Sigqamisa izindawo izimvumelwano ezitholakala kuzona: ekuqaleni, maphakathi nasekugcineni kwemigqa yezinkondlo. ISAHLUKO 3: kucutshungulwe ukufana kwemisindo ukusukela konkamisa, ongwaqa kuze kufinyelele kumalunga. Kuhlaziywe kabanzi ofanankamisa, fanangwaqa nefuzamsindo ekuvezeni imiqondo nemigqumo ezinkondlweni. ISAHLUKO 4: lapha kucwaningwe ngokuxhumanisa kwagxilwa ezindaweni okwenzeka kuzona: ekuqaleni, maphakathi nasekugcineni kwemigqa yezinkondlo. Kuhlaziywe nendlela okwenzeka ngayo okuthinta ukweqa imigqa, ukuphambana, ubunxemu nokuba mazombe. ISAHLUKO5: siveza ukusebenza kwempindamqondo egqanyiswe ukusetshenziswa kwamagama aphindiwe ngenhloso yokuletha umgqumo ezinkondlweni. Impindwa ivuzwe ukuphindeka kwemigqa ekuqaleni, mmaphakathi nasekugcineni kwezingaba zezinkondlo. ISAHLUKO 6: kucutshungulwe isigqi esigqanyiswe ukwelekana kwemigqa, ukweqiwa kwawonkamisa, amalunga namagama athile aphelele. Kuhlaziywe izigaba, izindima nezikhawu ezitholakala ezinkondlweni ezikhethelwe lolu cwaningo. ISAHLUKO 7: siqoqela ndawonye imiphumela nezincomo zocwaningo. Kuvela iziphakamiso nezinselelo okufanele zihlolisiswe ngabanye abacwaningi ekuhluzweni kwezinkondlo. AdvisorsCommittee Members: Khumalo, L.Z.M advisor.SubjectsKeywords: Zulu PoetryThwala, D. E. 2005. Ucwaningo ngesakhiwo sangaphandle ezinkondlweni zika E.L. Mhlanga . Thesis. University of Zululand. Retrieved from Thwala, Delisile Emmah. Ucwaningo ngesakhiwo sangaphandle ezinkondlweni zika E.L. Mhlanga . 2005. Thesis, University of Zululand. Accessed November 14, 2019. Thwala, Delisile Emmah. Ucwaningo ngesakhiwo sangaphandle ezinkondlweni zika E.L. Mhlanga . 2005. Web. 14 Nov 2019.Thwala DE. Ucwaningo ngesakhiwo sangaphandle ezinkondlweni zika E.L. Mhlanga . Internet Thesis. University of Zululand; 2005. cited 2019 Nov 14. Available from: Thwala DE. Ucwaningo ngesakhiwo sangaphandle ezinkondlweni zika E.L. Mhlanga . Thesis. University of Zululand; 2005. Available from: 12. Donda, Godshero Nkonzoyakhe. Ucwaningo olunzulu ngesakhiwo nobumqoka bamahubo nezaga zesizulu .URL: Lolu cwaningo luhloIa isakhiwo kanye nobumqoka bamabubo kanye nezaga kumbe iziqubuIo zesiZulu. KumeIe sithole iqhaza elibanjwe yizaga namabubo ekuthuthukisweni kolimi IwesiZulu. Le ntuthuko yolimi incike... more Lolu cwaningo luhloIa isakhiwo kanye nobumqoka bamabubo kanye nezaga kumbe iziqubuIo zesiZulu. KumeIe sithole iqhaza elibanjwe yizaga namabubo ekuthuthukisweni kolimi IwesiZulu. Le ntuthuko yolimi incike nkomo ekusetshenzisweni kwamagarna, amalunga nezinhlamvu ekwakhiweni kwemigqa, imisho kanye namabinza. Kukulolu khalo lapho kutholakala incazelo enobunzulu enothisa futhi inonise izinjulamqondo nezinzululwazi ezisebunkondlweni obufukanyelwa ngarnabubo nezaga.Esahlukweni sokuqala kuvezwa inhloso yalolu cwaningo. Kuvela ukuthi abacwaningi abanakuphumelela kahle hle ukuhlaziya izinkondlo zesimanje uma belahlisa okwenyongo yenyathi isizinda sobunkondlo esisemabubeni nasezageni. Kuyahlaluka ukuthi kulukhuni ukuhlola amabubo nezaga njengengxenye yobuciko bomlomo ngaphandle kokusondeza isiko kanye nomculo. Isakhiwo nobumqoka bamabubo nezaga buqokwe ngoba kubonakele ukuthi yilapho ubunkondlo bezibongo zamakhosi, eziyisizinda sezinkondlo zesimanje buxajelelwe khona. Kunamagama athe phecelezi, enyusa izinga neqophelo lobunkondlo. Kuba yizinkobe esizihlafuna qede kuqine amabamba ukuba kusetshenziswe amagama esiwaziyo ukuze sithole incazelo ethe phecelezi, ebesingayilindele nesingayaziyo. Lokhu kufakazelwa yilesi saga esigama linye: Ntunjambili! Lesi saga asisitsheli ngendawo yaseNtunjambili, nangetshe likaNtunjambili lasezweni loDemane noDemazane. Ngalesi saga uShaka wayesuke ehlose ukuba impi yakhe iguqule indlela yokulwa. Lokho nje, kuyayikitaza ingqondo. Kuba wukudla kwayo okuyenza indize iyokhotha isibhakabhaka. Yehle iyobhukuda otweni oluphehla amanzi ngaphansi komhlaba. UKhumalo, 1993:66 uthi: Wayeyikhuza ngesokuyinqanda noma esokuyishintsha. Wawuzwa ekhuza uNtunjambili. Isahluko sesibili siqondene nesakhiwo kanye nezindikimba ezidingidwa ngamahubo. Isakhiwo samahubo siveza amahubo anesigqi sempi, uthando, nokufa. Umahluko osobala phakathi kwamahubo nezaga wukuthi amahubo ayahutshwa kepha izaga ziyakhuzwa. Ukuhutshwa kwawo kuwanika isigqi esehlukile kwesezinkondlo ezejwaye1ekile. Impimiso, ukudonsa, ukuphakama nokwehla kwephimbo enkondlweni eyejwayelekile akufani nasemahubeni. UNgcongwane, 1974:98 uthi: Die woorde wat gesing word, word gewoonlik nie op dieselfde wyse uitgespreek as wanneer daar gepraat word nie. Sang en praat kan nie dieselfde wees nie, al kan die woorde wat gebruik word nog dieselfde wees. Ubumqoka bamahubo obuvezwa yilesi sahluko, singaqoqeka ngokuba sicaphune uKhumalo, 1993:45: Yuhlobo olunomlando ongumgogodla wesizwe. Yuhlobo lolu oluphethe amahubo esizwe afana nemikhuleko yaso, kanye nawempi. Aphathwa ngesizotha esimangalisayo ngoba kwawona anesizotha. Avusa usinga, amadlingozi nombhejazane eNkosini, emabuthweni kanye nasezweni jikelele ngoba athinta izehlakalo ezimqoka zesizwe esezagcinwa njengomlando. Isahluko sesithathu siqondene nesakhiwo kanye nobumqoka bezaga. Ngokwesakhiwo kutholakala izaga ezimfishane nezinde. Ezageni ezimfishane kukhona ezigama linye, ezingadingi mpendulo kepha impendulo kuba yisenzo njengalezi: Ngadla! Khwishi! ... AdvisorsCommittee Members: Khumalo, Z.L.M advisor.Donda, G. N. 1999. Ucwaningo olunzulu ngesakhiwo nobumqoka bamahubo nezaga zesizulu . Thesis. University of Zululand. Retrieved from Donda, Godshero Nkonzoyakhe. Ucwaningo olunzulu ngesakhiwo nobumqoka bamahubo nezaga zesizulu . 1999. Thesis, University of Zululand. Accessed November 14, 2019. Donda, Godshero Nkonzoyakhe. Ucwaningo olunzulu ngesakhiwo nobumqoka bamahubo nezaga zesizulu . 1999. Web. 14 Nov 2019.Donda GN. Ucwaningo olunzulu ngesakhiwo nobumqoka bamahubo nezaga zesizulu . Internet Thesis. University of Zululand; 1999. cited 2019 Nov 14. Available from: Donda GN. Ucwaningo olunzulu ngesakhiwo nobumqoka bamahubo nezaga zesizulu . Thesis. University of Zululand; 1999. Available from: 13. Malaba, Mbongeni Zikhethele. Shaka as a literary theme.Malaba, Mbongeni Zikhethele. Shaka as a literary theme. 1986. Doctoral Dissertation, University of York. Accessed November 14, 2019. ; Malaba, Mbongeni Zikhethele. Shaka as a literary theme. 1986. Web. 14 Nov 2019.Malaba MZ. Shaka as a literary theme. Internet Doctoral dissertation. University of York; 1986. cited 2019 Nov 14. Available from: ; 14. No author. The Zulu royal family under the South African Government, 1910- 1933 : Solomon kaDinuzulu, Inkatha and Zulu nationalism.Degree: History, 1985, University of KwaZulu-NatalURL: No abstract available. AdvisorsCommittee Members: Maylam, Paul advisor.SubjectsKeywords: Inkatha Yenkululeku Yesizwe.; Solomon, King of the Zulu.; Zululand History.; South Africa Politics and government 1910-1948.; History.; Zulu African people Kings and rulers.; Zulu African people Politics and government.; Black nationalism South Africa.author, . 1985. The Zulu royal family under the South African Government, 1910- 1933 : Solomon kaDinuzulu, Inkatha and Zulu nationalism. Thesis. University of KwaZulu-Natal. Retrieved from author, No. The Zulu royal family under the South African Government, 1910- 1933 : Solomon kaDinuzulu, Inkatha and Zulu nationalism. 1985. Thesis, University of KwaZulu-Natal. Accessed November 14, 2019. author, No. The Zulu royal family under the South African Government, 1910- 1933 : Solomon kaDinuzulu, Inkatha and Zulu nationalism. 1985. Web. 14 Nov 2019.author . The Zulu royal family under the South African Government, 1910- 1933 : Solomon kaDinuzulu, Inkatha and Zulu nationalism. Internet Thesis. University of KwaZulu-Natal; 1985. cited 2019 Nov 14. Available from: author . The Zulu royal family under the South African Government, 1910- 1933 : Solomon kaDinuzulu, Inkatha and Zulu nationalism. Thesis. University of KwaZulu-Natal; 1985. Available from: 15. Hedenmalm, Li. WOMAN AS THE OTHER : A Study of the Orientalization of Woman in Alfred, Lord Tennysons Idylls of the King.URL: This essay argues that the women in Alfred, Lord Tennysons Idylls of the King 1859-1885 are Orientalized. Provided with characteristics which, according to Edward... moreThis essay argues that the women in Alfred, Lord Tennysons Idylls of the King 1859-1885 are Orientalized. Provided with characteristics which, according to Edward Saids Orientalism 1978, reflect Western assumptions about the Orient, all of the female characters are perceived as the Other. Woman is depicted either as a representation of the Victorian female ideal, or as an immoral creature of sin and unrestrained passion. These are the only female roles Tennyson allows for, it appears. Further, like the stereotypic Oriental female in Western literature, Tennysons women are perceived as sexually alluring and tempting, and their actions bring disorder and downfall to Camelot. In contrast to the fallen women, Arthur and his knights seem to represent everything that woman is not. Whereas the women are ignorant, passionate, irrational and depraved, the men are portrayed as noble, controlled, reasonable and virtuous. The knights thus embody Western assumptions about the Occidental man, as defined by Saids theory. It should also be noted that Tennyson has made a number of alterations to his sources, and appears to have Occidentalized the knights in the process. The Orientalization of woman and the alterations of the mens characters strengthen the heroic and godlike traits of the knights personalities. Woman has to be Orientalized, it seems, in order to ensure that the knights appear the true and only heroes of the work.Validerat; 20121116 global_studentproject_submitterSubjectsKeywords: Humanities Theology; Tennyson; Idylls of the King; King Arthur; Said; Orientalism; gender roles; Humaniora; TeologiHedenmalm, L. 2012. WOMAN AS THE OTHER : A Study of the Orientalization of Woman in Alfred, Lord Tennysons Idylls of the King . Thesis. Luleå University of Technology. Retrieved from Hedenmalm, Li. WOMAN AS THE OTHER : A Study of the Orientalization of Woman in Alfred, Lord Tennysons Idylls of the King. 2012. Thesis, Luleå University of Technology. Accessed November 14, 2019. Hedenmalm, Li. WOMAN AS THE OTHER : A Study of the Orientalization of Woman in Alfred, Lord Tennysons Idylls of the King. 2012. Web. 14 Nov 2019.Hedenmalm L. WOMAN AS THE OTHER : A Study of the Orientalization of Woman in Alfred, Lord Tennysons Idylls of the King. Internet Thesis. Luleå University of Technology; 2012. cited 2019 Nov 14. Available from: Hedenmalm L. WOMAN AS THE OTHER : A Study of the Orientalization of Woman in Alfred, Lord Tennysons Idylls of the King. Thesis. Luleå University of Technology; 2012. Available from: 16. Yoon, Sung-Hee. The question of the beginning and the ending of the so-called history of Davids rise : a methodological reflection and its implications.URL: ; Yoon, S. 2011. The question of the beginning and the ending of the so-called history of Davids rise : a methodological reflection and its implications . Doctoral Dissertation. University of Oxford. Retrieved from ; Yoon, Sung-Hee. The question of the beginning and the ending of the so-called history of Davids rise : a methodological reflection and its implications. 2011. Doctoral Dissertation, University of Oxford. Accessed November 14, 2019. ; Yoon, Sung-Hee. The question of the beginning and the ending of the so-called history of Davids rise : a methodological reflection and its implications. 2011. Web. 14 Nov 2019.Yoon S. The question of the beginning and the ending of the so-called history of Davids rise : a methodological reflection and its implications. Internet Doctoral dissertation. University of Oxford; 2011. cited 2019 Nov 14. Available from: ; Yoon S. The question of the beginning and the ending of the so-called history of Davids rise : a methodological reflection and its implications. Doctoral Dissertation. University of Oxford; 2011. Available from: ; 17. Faulds, Joseph M. Joseph Markle. Heart of an Eagle.URL: This thesis consists of a poem in the form of three related dramatic monologues in free verse. The subject of the poem is King Philips... more This thesis consists of a poem in the form of three related dramatic monologues in free verse. The subject of the poem is King Philips War, an Indian war which took place in New England in 1675 and 1676. The central figures in the poem are the Indian leader, Metacom King Philip; Benjamin Church, the Englishman responsible for Metacoms death; and Metacoms wife, Melia. AdvisorsCommittee Members: Sale, Richard, 1930-, Rich, Carroll Y., Hunter, Charlotte Joan.SubjectsKeywords: King Philips War; Philip, Sachem of the Wampanoags, d. 1676 Poetry.; original works; poetryFaulds, J. M. . M. 1981. Heart of an Eagle . Thesis. North Texas State University. Retrieved from Faulds, Joseph M Joseph Markle. Heart of an Eagle. 1981. Thesis, North Texas State University. Accessed November 14, 2019. Faulds, Joseph M Joseph Markle. Heart of an Eagle. 1981. Web. 14 Nov 2019.Faulds JMM. Heart of an Eagle. Internet Thesis. North Texas State University; 1981. cited 2019 Nov 14. Available from: Faulds JMM. Heart of an Eagle. Thesis. North Texas State University; 1981. Available from: 18. Slabbert, Talitha. Poetics of passage in modernist reconfigurations of Odysseus.Degree: MA, English, 2017, Stellenbosch UniversityURL: ENGLISH ABSTRACT: While the prevalence of the figure of Odysseus in Western literature has been much studied, insufficient attention has been paid to its associations... moreENGLISH ABSTRACT: While the prevalence of the figure of Odysseus in Western literature has been much studied, insufficient attention has been paid to its associations with epistemology, and to the semiotic potential of the navigator-heros contest with the sea in figuring the relation between the episteme and the world it seeks to know. This thesis draws on Hans Blumenbergs notion of absolute metaphor and Giambattista Vicos notion of poetic wisdom to argue that Odysseus in his ineluctable association with the image of the sea serves, for modernist authors, as a means through which to represent the uncertain and difficult movement of existence and interpretation in the early 20th century, and that it becomes, for certain authors, an exceptionally intelligible means through which to figure their own hermeneutic ventures. The primary examples of this self-implicated hermeneutics studied in this thesis are Ezra Pounds The Cantos and on James Joyces Ulysses, but, in order to contextualise these authors respective reconfigurations of the navigator-hero, I commence with a survey of some of the most influential reconfigurations of Odysseus that lead up to the 20th century, and of the disparate inflections given to the figure according to the epistemological attitudes of different authors and of their various historical contexts. This groundwork includes a consideration of the epistemological specificities of the 19th century, as the matrix from which the self-conscious hermeneutics of modernist literature would emerge. This project ultimately aims to lead to a more nuanced understanding of the way in which the figure of Odysseus operates within literature, and to an appreciation of the protean semiotic resources which it presents to authors, given its long history and its association with the similarly resonant image of the sea. In this thesis, I go on to reconsider Horkheimer and Adornos influential but potentially reductive, if taken as absolute claim that Odysseus is essentially a literary instantiation of Enlightenment reason on its trajectory towards a final disenchantment of the world. Instead, it is the argument of this thesis that the figure tends to exceed the specific configurations it is given, subtly destabilising and potentially enriching authors intended meanings through the inflections and the echoes of the multiple other configurations associated with it. As such, the figure operates in the milieu between determinate meaning and meaninglessness, providing authors with a provisional vehicle for their hermeneutics, a sort of poetics of passage through which to navigate an oceanic and unhomely modernity.AFRIKAANSE OPSOMMING: Alhoewel die voorkoms van die Odusseus-figuur in Westerse literatuur al baie oorweeg is, is daar onvoldoende aandag geskenk aan sy epistemologiese assosiasies, asook die semiotiese potensiaal van die seevaarder-held se stryd met die see in die uitbeelding van die verhouding tussen die episteem en die wêreld wat dit poog om te ken. Met verwysing na Hans...AdvisorsCommittee Members: De Villiers, Dawid, Stellenbosch University. Faculty of Arts and Social Sciences. Dept. of English..SubjectsKeywords: Odysseus King of Ithaca mythological character Poetry; Reconfigurations of Odysseus; Epic poetry, Greek History and criticism; Odyssean hermeneutics; UCTDSlabbert, T. 2017. Poetics of passage in modernist reconfigurations of Odysseus . Masters Thesis. Stellenbosch University. Retrieved from Slabbert, Talitha. Poetics of passage in modernist reconfigurations of Odysseus. 2017. Masters Thesis, Stellenbosch University. Accessed November 14, 2019. Slabbert, Talitha. Poetics of passage in modernist reconfigurations of Odysseus. 2017. Web. 14 Nov 2019.Slabbert T. Poetics of passage in modernist reconfigurations of Odysseus. Internet Masters thesis. Stellenbosch University; 2017. cited 2019 Nov 14. Available from: Slabbert T. Poetics of passage in modernist reconfigurations of Odysseus. Masters Thesis. Stellenbosch University; 2017. Available from: 19. Mlondo, Anthony. An analytic study of sonnets in Zulu . This study has been made possible by our desire to look into the feasibility and effectiveness of the Western poetic devices in the writing of sonnets in Zulu. In chapter one the aim of this study is clearly spelt out. We hope that at the end of the investigation, we shall come out with some suggestions and possibilities of a Zulu type of a sonnet, for, we feel that there was a reason for the English to choose a different style from the Italian. The second chapter deals specifically with the definition of terms. These include, inter alia, the concept sonnet as espoused by various linguists; iambic pentameter and the rhyme scheme. In chapter three we firstly defined the major characteristics of sonnets. These major structural features of a sonnet are clearly depicted in Kreuzers 1955:224 definition of a sonnet, that a sonnet is: a fourteen-line lyric poem, in iambic pentameter, following one or more rhyme schemes. It is clear, therefore, that a sonnet should consist of fourteen iambic pentameter lines and should follow a required rhyme scheme. Furthermore, in this chapter, the two types of sonnets were briefly outlined, namely the Petrarchan or Italian and the English or Shakespearean. The fourth chapter dealt with the formal elements of the three selected poets sonnets in this investigation, namely, Ntuli, Masuku and Nxumalo. We looked closely into the division into fourteen lines, the iambic pentameter as well as the rhyme scheme that is being followed. As we scrutinised all the sonnets, these poets have contributed, with regard to these three external structural features, we also paid particular attention to their significance, that is, whether they contributed anything towards the delivery and portrayal of ideas contained in each sonnet. Content in Ntulis,. Masukus and Nxumalos sonnets is analysed in the fifth chapter. In our analytic study of content, we looked closely into what each poet was writing about - the proposition each was advancing or the story each poet was telling in each sonnet. We came across a variety of subjects ranging from those discussing death to those that were purely social and political, and those with a religious background. We also looked closely into the approaches and artistic devices which the sonneteers employed in the portrayal of the ideas in their works of art. We noticed that these ranged frcm the less effective straight-forward prosaic narration to the more concentrated use of vivid imagery coupled with the rich and well-chosen words and ideophones. In this chapter we also examined the effectiveness of rhyme in the portrayal of content. In chapter six we analysed Ntulis, Masukus and Nxumalos sonnets with particular attention on the meaning that is conveyed in each of the sonnets they have contributed. We also looked very closely into the techniques the poets employed to relay the four aspects of meaning to the readers, namely, Sense, Intention, Feeling and Tone. We also examined the effectiveness of Masukus rhyme in the... AdvisorsCommittee Members: Ngcongwane, S.D advisor.Mlondo, Anthony. An analytic study of sonnets in Zulu . 1987. Thesis, University of Zululand. Accessed November 14, 2019. Mlondo, Anthony. An analytic study of sonnets in Zulu . 1987. Web. 14 Nov 2019.Mlondo A. An analytic study of sonnets in Zulu . Internet Thesis. University of Zululand; 1987. cited 2019 Nov 14. Available from: 20. Harper, Ryan 1977 - . The representation of woodland space in Middle English popular narrative.URL: This dissertation examines representations of woodland spaces in Middle English popular romances and related texts, in light of their immediate social and cultural contexts. Far... more This dissertation examines representations of woodland spaces in Middle English popular romances and related texts, in light of their immediate social and cultural contexts. Far from being abstract imaginative spaces, Middle English literary forests, particularly those in popular narratives, show some notable correspondences to practical interactions with and assumptions about actual woodland spaces, and these correspondences are present in both contemporary compositions and translations of older texts. The first chapter compares two twelfth-century French chivalric romances, Yvain and Perceval, to their fourteenth-century Middle English translations, Ywain and Gawain and Sir Perceval of Galles, and examines the manner in which the differences in woodland representations in the paired poems correspond to general shifts in woodland perception in England over the intervening centuries. The second chapter offers readings of two Middle English Greenwood outlaw narratives, the Tale of Gamelyn and Adam Bell, Clim of the Clough, and William of Cloudesley, and examines the role of the forest in each narrative in the context of fourteenth-century legal concerns. The third chapter discusses two King-and-Poacher narratives, King Edward and the Shepherd and The King and the Hermit, and compares the imagined abundance of game in the forest to growing fourteenth-century concerns about hunting by the commons. A brief concluding chapter discusses hybrid woodland representation in several narratives, and offers some discussion of the conceptual malleability of literary woodland spaces in Middle English literature.SubjectsKeywords: Perceval of Galles; King and the hermit; Yvain and Gawain; Adam Bell; Forest, Gamelyn; King Edward and the shepherd; Middle EnglishHarper, R. . -. . 2012. The representation of woodland space in Middle English popular narrative . Doctoral Dissertation. University of Rochester. Retrieved from Harper, Ryan 1977 - . The representation of woodland space in Middle English popular narrative. 2012. Doctoral Dissertation, University of Rochester. Accessed November 14, 2019. Harper, Ryan 1977 - . The representation of woodland space in Middle English popular narrative. 2012. Web. 14 Nov 2019.Harper R-. The representation of woodland space in Middle English popular narrative. Internet Doctoral dissertation. University of Rochester; 2012. cited 2019 Nov 14. Available from: Harper R-. The representation of woodland space in Middle English popular narrative. Doctoral Dissertation. University of Rochester; 2012. Available from: 21. Khathi, Themba Mizrael. Ikhono likaMagolwana Jiyane ekusebenziseni izifenqo nezakhiwo ezibongweni zenkosi uDingane .URL: Lolu cwaningo lucubungula ikhono lembongi uMagolwana Jiyane uma ebonga iNkosi uDingane kaSenzangakhona kaJama. Lolu cwaningo iuzogxila kuzithombemagama, izifengqo kanye nasesakhiweni. Isahluko sokuqala sizokwethula ucwaningo kucaciswe... more Lolu cwaningo lucubungula ikhono lembongi uMagolwana Jiyane uma ebonga iNkosi uDingane kaSenzangakhona kaJama. Lolu cwaningo iuzogxila kuzithombemagama, izifengqo kanye nasesakhiweni. Isahluko sokuqala sizokwethula ucwaningo kucaciswe nenjongo yalo. Kuzocubungulwa imicabango yongoti. Kuzohlaziywa incazefo yamagama asebenzile afana no-Ephiki no-Ode. Kuzokwenekwa indlela yokuqhuba ucwaningo bese kwenziwa umklamo wocwaningo. Kuzokwenekwa umiando omfishane wembongi uJiyane. UJiyane wawabongela namanye amadodana kaSenzangakhona amakhosi angoShaka noMpande. Xsahluko sesibili sizokwethula kafushane iNkosi uShaka njengombumbi wesizwe samaZulu. Uma imbongi ibonga inkosi isuke ikhuluma. ENkosini uShaka sizobheka ubuhlakani nolwazi nesakhiwo-ke sayo. Sizobuye sichaze ngobuciko bomlomo. Sidingide kafushane izibongo kwaZulu, sibheke isizwe, izibongo nembongi. Sizobuye siveze ukuthi kukhona osekuke kwenziwa ekucwaningeni izibongo, sibheka umklamo wezikhathi: iNgaphambi kweNkosi uShaka 1750-1800 iiNgesikhathi seNkosi uShaka 1800-1850 iiiNgemuva kweNkosi uShaka 1850-1900 Siyophetha lesi sahluko ngokuveza kafushane ngempilo yeNkosi uDingane. Isahluko sesithathu sizobhekana nolimi, ubuciko bomlomo nomnikelo wabo. Sibheke izibongo namahubo njengomkhuleko wesizwe. Sibheke ubudleiwano phakathi kwezibongo nezifengqo bese siphetha lesi sahluko ngoveza okuncane osekwenziwe ngezibongo zeNkosi uDingane. Isahluko sesine sizongena shi kwizithombemagama lapho sizobheka isifaniso ukuthi siyini. Sicubungule izinhlobo zesifaniso, sicubungule isingathekiso sibheke nezinhlobo zaso ngokuhtaziya izibonelo sizithatha ezibongweni zayo iNkosi uDingane. Stzohlazrya ukwenzasamuntu, ukwenzasasilwane size sibheke nophawu lapho sizocubungula izinhlobo zalo. Esahlukweni sesihlanu sizobhekana izifengqo lapho sizoveza ukuthi ihaba liyini sicwaninge izibonelo inhlonipho; isiqhathaniso, ukuhambisana kanye novuthondaba. Isahluko sesithupha sizogxila esakhiweni lapho sizobhekana nempindwa, ukuphindaphinda, imvumelwano, ukuxhumana ifanangwaqa, ufanankamisa kanye nefuzankamisa. Isahluko sesikhombisa sizophetha ngezincomo. AdvisorsCommittee Members: Khumalo, Z.L.M advisor.SubjectsKeywords: Zulu praise poetryKhathi, T. M. 2002. Ikhono likaMagolwana Jiyane ekusebenziseni izifenqo nezakhiwo ezibongweni zenkosi uDingane . Thesis. University of Zululand. Retrieved from Khathi, Themba Mizrael. Ikhono likaMagolwana Jiyane ekusebenziseni izifenqo nezakhiwo ezibongweni zenkosi uDingane . 2002. Thesis, University of Zululand. Accessed November 14, 2019. Khathi, Themba Mizrael. Ikhono likaMagolwana Jiyane ekusebenziseni izifenqo nezakhiwo ezibongweni zenkosi uDingane . 2002. Web. 14 Nov 2019.Khathi TM. Ikhono likaMagolwana Jiyane ekusebenziseni izifenqo nezakhiwo ezibongweni zenkosi uDingane . Internet Thesis. University of Zululand; 2002. cited 2019 Nov 14. Available from: Khathi TM. Ikhono likaMagolwana Jiyane ekusebenziseni izifenqo nezakhiwo ezibongweni zenkosi uDingane . Thesis. University of Zululand; 2002. Available from: 22. Chen, Grace. Deviating from the Angelic Norm: Societal Transgression in Tennysons Lancelot and Elaine . While dearly beloved to the Victorians, Idylls of the King has lost much of its popularity over the course of the 20th century. Today, Idylls... more While dearly beloved to the Victorians, Idylls of the King has lost much of its popularity over the course of the 20th century. Today, Idylls of the King is oftentimes labeled as pedantically adhering to the rigid social mores of the Victorian middle class, while simultaneously reestablishing patriarchal ideals and vilifying women???s sexuality. However, through this thesis, I argue that although frequently accused of inflexibility, Idylls of the King still possesses space for challenging traditional patriarchal ideology. Moments of negotiation and subversion are most apparent through a close reading of Tennyson???s ???Lancelot and Elaine.??? While the character of Elaine exhibits characteristics of the Victorian Angel of the House, Tennyson deviates from this archetype by describing Elaine as a female artist. Likewise, the character of Elaine is also transgressive through her unwavering gaze as well as her disregard for the division between the public and private spheres. AdvisorsCommittee Members: Stoddard Holmes, Martha advisor.Chen, Grace. Deviating from the Angelic Norm: Societal Transgression in Tennysons Lancelot and Elaine . 2012. Thesis, California State University San Marcos. Accessed November 14, 2019. Chen, Grace. Deviating from the Angelic Norm: Societal Transgression in Tennysons Lancelot and Elaine . 2012. Web. 14 Nov 2019.Chen G. Deviating from the Angelic Norm: Societal Transgression in Tennysons Lancelot and Elaine . Internet Thesis. California State University San Marcos; 2012. cited 2019 Nov 14. Available from: 23. Howell, Clara E. Richard, son of York: the life and northern career of Richard III.Howell, Clara E. Richard, son of York: the life and northern career of Richard III. 2014. Masters Thesis, Louisiana State University. Accessed November 14, 2019. etd-05302014-145309 ; Howell, Clara E. Richard, son of York: the life and northern career of Richard III. 2014. Web. 14 Nov 2019.Howell CE. Richard, son of York: the life and northern career of Richard III. Internet Masters thesis. Louisiana State University; 2014. cited 2019 Nov 14. Available from: etd-05302014-145309 ; 24. Van Der Rede, Lauren. Reading representations of the African Child in select contemporary films .URL: Framed by theories of childhood, psychoanalysis, postcolonial theory, trauma theory, film theory, and literary theory, this thesis investigates representations of the African child in three... more Framed by theories of childhood, psychoanalysis, postcolonial theory, trauma theory, film theory, and literary theory, this thesis investigates representations of the African child in three contemporary films about Africa. This thesis puts forward the argument that in E. Zwicks Blood Diamond Dia, the films primary child character, is split into Dia Vandy his subjectivity and See-me-no-more his performed identity within the Revolutionary United Front. Furthermore it will be shown that this split is paralleled by the boys transition from filiation to re-filiation. With regard to K. MacDonalds The Last King of Scotland, this thesis will demonstrate how, via the effects of cinematic doubling, the narrative antagonist Ugandan dictator Idi Amin Dada is represented as a child. It will also be illustrated that the narrative, consequently, perpetuates not only the myths surrounding Amin but the colonial myth that the savage is a child. Finally, this thesis will show that, of the tree texts, N. Blomkamps District 9 boasts the most authentic representation of the African child and childhood in postcolonial Africa, albeit via a child figure that is literally alien. In each case study the child will be shown to be a liminal personae Turner 1969, who is an ambiguous and often paradoxical figure who allows us to see more clearly the ethical tensions within the narrative. This thesis will also show that these texts may be considered socially aware trauma narratives, which are relatively critical of western involvement in the traumatic histories of African locales and peoples. Ironically though, these texts, and others similar to them, have been criticised for being Afropessimistic Evans Glenn 2010. The tension created by this paradox will be investigated during this thesis, which will attempt to establish to which extent these texts may be considered postcolonial, and whether or not they should be labelled Afropessimistic. AdvisorsCommittee Members: Wittenberg, Hermann advisor.SubjectsKeywords: The Last King of Scotland; District 9; Psychoanalysis; Film; Blood DiamondVan Der Rede, L. 2014. Reading representations of the African Child in select contemporary films . Thesis. University of the Western Cape. Retrieved from Van Der Rede, Lauren. Reading representations of the African Child in select contemporary films . 2014. Thesis, University of the Western Cape. Accessed November 14, 2019. Van Der Rede, Lauren. Reading representations of the African Child in select contemporary films . 2014. Web. 14 Nov 2019.Van Der Rede L. Reading representations of the African Child in select contemporary films . Internet Thesis. University of the Western Cape; 2014. cited 2019 Nov 14. Available from: Van Der Rede L. Reading representations of the African Child in select contemporary films . Thesis. University of the Western Cape; 2014. Available from: 25. Winston, Stephanie. Identifying, Understanding and Incorporating the Other: Cultural Encounters in Medieval Literature .Winston, Stephanie. Identifying, Understanding and Incorporating the Other: Cultural Encounters in Medieval Literature . 2015. Thesis, Queens University. Accessed November 14, 2019. Winston, Stephanie. Identifying, Understanding and Incorporating the Other: Cultural Encounters in Medieval Literature . 2015. Web. 14 Nov 2019.Winston S. Identifying, Understanding and Incorporating the Other: Cultural Encounters in Medieval Literature . Internet Thesis. Queens University; 2015. cited 2019 Nov 14. Available from: 26. Walker, Alison L. The Cycling and Recycling of the Arthurian Myth in Alfred Lord Tennysons Idylls of the King.URL: The Arthurian myth is a complex system of tales, each of which focuses on someaspect of the legendary King Arthur, his Knights of the Round... more The Arthurian myth is a complex system of tales, each of which focuses on someaspect of the legendary King Arthur, his Knights of the Round Table, or the royal court at Camelot. The power of the myth is that it is mutable, recyclable, and recursive. The purpose of this thesis is to examine and evaluates these elements of the myth and how they have evolved from the medieval era to the Victorian era. The inquiry will focus primarily on Alfred Lord Tennysons Idylls of the King and the ways in which he implemented recursive circles and cycles stylistically, structurally, and narratively throughout his individual idylls and the complete poem to wholly express the self-reflexive, appropriative, and contemporary natures of the Arthurian myth. Finally, the investigation moves toward Tennysons contributions to the myth and the ways authors continued to experiment artistically with the myth into the twenty-first century. AdvisorsCommittee Members: Marsha, Dutton Advisor.SubjectsKeywords: English literature; Folklore; History; Literature; cycles; Alfred Tennyson; Arthurian Myth; Idylls of the King; contemporary; recursive; King Arthur; Victorian Poetry...some aspect of the legendary King Arthur, his Knights of the Round Table, or the royal court... ...Reinventing King Arthur, the remodeled Arthurs were more culturally revealing than the question of... ...with authors, prompting a number of later writers to question why. Were the king and his... ...King. Though most Arthurian legends were reflections of the times and places within which... ...always contemporary. Tennyson consciously structured his Idylls of the King to resemble the...Walker, A. L. 2010. The Cycling and Recycling of the Arthurian Myth in Alfred Lord Tennysons Idylls of the King . Masters Thesis. Ohio University. Retrieved from Walker, Alison L. The Cycling and Recycling of the Arthurian Myth in Alfred Lord Tennysons Idylls of the King. 2010. Masters Thesis, Ohio University. Accessed November 14, 2019. Walker, Alison L. The Cycling and Recycling of the Arthurian Myth in Alfred Lord Tennysons Idylls of the King. 2010. Web. 14 Nov 2019.Walker AL. The Cycling and Recycling of the Arthurian Myth in Alfred Lord Tennysons Idylls of the King. Internet Masters thesis. Ohio University; 2010. cited 2019 Nov 14. Available from: Walker AL. The Cycling and Recycling of the Arthurian Myth in Alfred Lord Tennysons Idylls of the King. Masters Thesis. Ohio University; 2010. Available from: 27. Dodson, Diane Martha. A Theory of Tragedy.URL: This study defines and applies a theory of tragedy which is based on the work of Friedrich Nietzsche in The Birth of Tragedy. In the... more This study defines and applies a theory of tragedy which is based on the work of Friedrich Nietzsche in The Birth of Tragedy. In the first chapter the writer argues for the need of a widely accepted theory of tragedy and show that we do not presently have one. In the same chapter, the writer presents the theory that tragedy is a very specific art type which transcends genre and which is the product of a synthesis of the Dionysiac and Apollonian forces in Western culture. The writer argues that by understanding the philosophical and aesthetic nature of the forces as they are expressed in tragedy we can isolate and define the essential elements of tragedy. Tragedy must have a person of heroic stature as its main protagonist. It must have a specific kind of plot in which a reversal of the heros experience of the universe occurs. It must have a choric element, which is a combination of two components: communality and lyricism. Finally, tragedy must contain a mythic background which allows for the expression of two themes, the Dionysiac theme and the Apollonian theme. AdvisorsCommittee Members: Henderson, Sam H., Smith, John T., Mitchell, Giles R., Wright, Eugene Patrick, 1936-.SubjectsKeywords: The Birth of Tragedy; elements of tragedy; King Lear; Absalom, Absalom!; Yeatss lyric poetry; Tragedy.Dodson, D. M. 1981. A Theory of Tragedy . Thesis. North Texas State University. Retrieved from Dodson, Diane Martha. A Theory of Tragedy. 1981. Thesis, North Texas State University. Accessed November 14, 2019. Dodson, Diane Martha. A Theory of Tragedy. 1981. Web. 14 Nov 2019.Dodson DM. A Theory of Tragedy. Internet Thesis. North Texas State University; 1981. cited 2019 Nov 14. Available from: Dodson DM. A Theory of Tragedy. Thesis. North Texas State University; 1981. Available from: 28. Chien, Chia-I. ãThe NutcrackerãStage Design Project.Chien, Chia-I. ãThe NutcrackerãStage Design Project. 2013. Thesis, NSYSU. Accessed November 14, 2019. Chien, Chia-I. ãThe NutcrackerãStage Design Project. 2013. Web. 14 Nov 2019.Chien C. ãThe NutcrackerãStage Design Project. Internet Thesis. NSYSU; 2013. cited 2019 Nov 14. Available from: 29. Santokhi, G. D. Poetry of the everyday: an exploration into the design for poetic experiences :.Santokhi, G D. Poetry of the everyday: an exploration into the design for poetic experiences :. 2014. Masters Thesis, Delft University of Technology. Accessed November 14, 2019. Santokhi, G D. Poetry of the everyday: an exploration into the design for poetic experiences :. 2014. Web. 14 Nov 2019.Santokhi GD. Poetry of the everyday: an exploration into the design for poetic experiences :. Internet Masters thesis. Delft University of Technology; 2014. cited 2019 Nov 14. Available from: 30. Sibiya, Rachel Sukumile Mildred. Daughters in-law in black families a pastoral care perspective.URL: This study is a research and the investigation in order to find out why young daughters in-laws in the Black Families are badly treated. The... more This study is a research and the investigation in order to find out why young daughters in-laws in the Black Families are badly treated. The researcher tried to find out whether there was any writer who had done any work on this study in order to ascertain some facts form the olden way of treating daughters in-law. The author found out that there was no work concerning the relationship of daughters in-law and their mothers in-law. Most of the work in this study was done in China, India, Philippines and Western Countries. The author took the initiative to interview young women and the old women in order to dig out the problem of abusive relationship between them. Two models were used in this study in order to find the healing process for both parties. The Methodology of Shepherding was used in order to find method of journeying with abused daughters in-law. The model Positive Deconstruction was used in order to help people to replace what is not good with something better. The objective of the study is to empower and raise awareness of the cultural system which continuously oppress women. The abusive relationship leads to the separation of extended families. The aim of the study is to construct a good relationship between the daughters in-law and their in-laws. The study revealed that mothers in-law abusive attitude is propelled by the love of their sons. They are so attached to their sons in such a way that they do not trust another woman in their sons lives. The study found out that the bond of the son and mother is caused by genetic impact. The love between these people is the umbilical cord which does not separate them. The relationship between them would become healthy if the love for each other become the man needs both women in his life. The study revealed again that if the mother in-law was abused by her mother in-law it was likely that she would abuse the daughter in-law. This act is caused by the low self esteem she carried and experienced in her abusive relationship. AdvisorsCommittee Members: Prof J M Masango advisor.SubjectsKeywords: Umakoti; The field of nomkhubulwana; King shaka; Lebitla lamosadi kebohadi; Izintaba zokhahlamba; Silomo kamdlalose; King zwelithini; Umfazi; Ptsd; Umusa; Ubuntu; UCTDSibiya, R. S. 2011. Daughters in-law in black families a pastoral care perspective . Masters Thesis. University of Pretoria. Retrieved from Sibiya, Rachel Sukumile. Daughters in-law in black families a pastoral care perspective. 2011. Masters Thesis, University of Pretoria. Accessed November 14, 2019. Sibiya, Rachel Sukumile. Daughters in-law in black families a pastoral care perspective. 2011. Web. 14 Nov 2019.Sibiya RS. Daughters in-law in black families a pastoral care perspective. Internet Masters thesis. University of Pretoria; 2011. cited 2019 Nov 14. Available from: Sibiya RS. Daughters in-law in black families a pastoral care perspective. Masters Thesis. University of Pretoria; 2011. Available from: 