<prompt> Bhala ukuqhubeka kwalesi sigaba - Impi yaphela  <response>: ngoMeyi 1945 futhi uWeidt wakhululwa ebuthweni laseBrithani entwasahlobo ka-1946. Ngokushesha wabuyela eParis, ehlose ukuhlala lapho, futhi wasungula i-Ballets des Arts. Umphathi waseshashalazini uCharles Dullin wahlela ukuba asebenzise isitudiyo eSarah Bernhardt Theatre. Ngokuqondana kwakuyisitudiyo esifanayo naleso umdwebi uSergei Diaghilev ayesinikeze uNijinski emuva ngo-1909. Ngalesi sikhathi wayesekelwa emisebenzini yakhe yokudansa nguDominique 1930- noFrançoise Dupuy. AbakwaDupuys, ngokulandelana umdansi nomdwebi wama-choreographer, kanye nabafundi bakhe abancane kakhulu abaqale bahlangana ngo-1946 ekilasini lomdanso elalibanjwe nguJean Weidt, babezoqhubeka nokwethula i-choreography kaWendt ngekhulu lamashumi amabili nanye. EParis uWeidt wakha inkampani yakhe futhi naphezu kokuntuleka kwemali nezimo zokuphila ezivame ukuba zimbi, wenza uhambo oluhlukahlukene ezwenikazi elalibhidliziwe, kuhlanganise nohambo oluya eJalimane elalivinjezelwe kanye nolunye, ngo-1947, oluya eCopenhagen. Uhambo lwango-1947 lwaseCopenhagen, olwaluhlanganisa i-International choreography concours lapho uWeidt athola khona umklomelo owodwa wokuqala ngomsebenzi wezinguquko obizwa nge- La Cellule Die Zelle The Cell. Nokho, ekhaya eParis, abagxeki babengahlatshwanga umxhwele ukunqoba kwakhe eDenmark, futhi i-choreography kaJean Weidt yayibonakala ingasasebenzi ngemva kokuphela kwempi. Kwaba khona olunye uhambo oluphumelelayo lwaseNetherlands naseBelgium, futhi idumela lakhe lahlala liqinile kulokho okwakusele eJalimane, kodwa ukuxhasa imali kwaqhubeka kuyinselele. Ekugcineni ngo-1948 wathuthela engxenyeni esempumalanga yeBerlin, kusukela ngo-1945 eyayiphethwe njengengxenye yendawo eyayibuswa amaSoviet, lapho kwakunethemba lokuthi uhulumeni wayezosekela i-ballet ngokwezimali. 