I was gonna write g-bb-f-d-bb-c-d-f but b for flat with non capital letter felt b for ti felt weird. I dont know if that makes more or less sense. And i did call Gb7 something wrong. I think its the Gmin7 with a "Bb add9" on top. so really a Gmin7 add11 with doubled 5th and 7th,  but revisitting it it should be a Bb something, as so the F something should really be a Ab something. and yes i do agree these are separate universes, but i wont let that excuse me from doing things in a perceivably wrong way(regardless of how thick i want my supersaws to sound). I get too sidetracked for beefiness that I may be overdoing the voicings and cluttering the arrangement (and missing the tonal center). Highly truly appreciate you taking your time to go over my rant and bring obje
 ctivity.
   Now I have another point of view(and way more experienced) on my voicing approach or atleast cataloguing.  Sometimes it feels like im working on a vacuum but im super grateful and lucky to be able to bounce these things with a way more experienced skillster to atleast have a sense of where the needle might be pointing as opposed to letting my subjectivenes or missfocus from sidetracking me into a least-ideal place. I hope my follow up made more sense and had less mistakes at essential points. . So the 2 chord thing i was describing once i take your advice into consideration would be something like Ab bass (the F at the bottom was really unnecesary, its really some sort of Ab) with right hand doing g-bb-eb, and then going to G bass with f-g-bb-d on right hand.
ah, much more comfortable