there is such clear and smooth sub bass in hello sexy pants, how did you achieve this EQ wise without a muddy mix? is it a pure sine wave below the fuller bass sound or something? or do i just suck at designing bass sounds?
for that song, i mixed most of it in the car. i spent several entire days in the car, parked, working on the mix, in the car speakers. This is because i was tired of how volatile car speakers always are. Any tiny problem with the eq is usually a total disaster in the car. at least that's the way it seemed at the time. so i decided to take things into my own hands, and micromanage every moment of that song. almost every part of every instrument has its eq adjusted on a moment to moment basis. this might have been a terrible waste of time